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When I was six years old I had my first love affair. Yes, really. Of course, not until years later did I recognize the experience for what it was. But like every first love, it changed my life forever. My father was a jazz musician so our house was equipped with the best possible sound equipment. Both he and I loved to listen to music—just about any music—at full volume. This my mother could not stand—which made it something even more exciting. While my playmates roamed the hills of Hollywood skinning their knees, I would lie on my belly in the living room, listening to music at full blast. THE MAGIC BEGINS One day, combing through our vast supply of records, I came upon Stravinsky’s “Rite of Spring.” It meant nothing to me, but I liked the colors on the cover, so I put it on the record player, turned up the volume and flopped in front of our huge speakers. Strange, mysterious, often discordant sound flooded my body, opening a secret door to somewhere deep inside me. It was a place I had never been before. I did not even know it existed. I trembled with fear and excitement as the music wound its way into me. I flushed hot and then cold; my heart raced then calmed. I lost all sense of place and time as I rode the waves of an imaginal sea into unexplored worlds, too numerous to identify. ONE WITH STILLNESS I have no idea how long this lasted. Before long, even the “boat” carrying me along, and all the images that came with it, had dissolved like sugar in water. Then, in perfect union, the sounds and child-that-had-been-me swirled into a vortex, becoming lost in each other. We shared excitement, fear, longing, fierceness and sadness. Like lovers, we had come together—music and child—in an immediate, passionate, all encompassing union. Eventually I found myself at the centre of this whirlpool. There, even the ecstasy of the movement vanished. Like Alice down the rabbit hole, I tumbled—not into Wonderland, but into that place of unspeakable stillness. Zen practitioners claim this place is available at every moment to each one of us. For me it was an indescribable event—beyond space, beyond time, outside thought. Here I knew, without the slightest possibility of ever being able to describe it, that everything was exactly as it should be. In the words of Zen Master Daisetz Suzuki, it is a place where I would eat when I am hungry, sleep when tired. I knew that “it was fine yesterday and today it is raining.” Or, in the words of Julian of Norwich, that “All things shall be well, and all things shall be well, and all manner of thing shall be well.” My affair with Stravinsky lasted more than four hours. At least that’s what my mother said. “Don’t tell me you are still listening to that awful music.” She had to raise her voice to be heard above the sounds. “For God’s sake, turn it off. Do something useful.” MY USEFUL LIFE So I did something useful. I went to school, then to university where I learned at least some of what you are supposed to learn. I earned praises for good marks, went to work, won prizes, gave birth to four children, wrote books, gave talks and made television programmes. In effect I did what millions of men and women do—became the breadwinner, the carer, the nurturer of others’ lives. And I loved it. Yet through all the years between six and now, my passion for music, painting, books, poetry, architecture and design never left me. Far from it. During most of those years, my longing not only to experience the emptiness that listening to Stravinsky had brought me that day—an epiphany, and the experience of being fully alive for the first time in my life—but also to create things: books, films, relationships, and to explore physical places, inviting me to move beyond thoughts to a place of unity with the rest of the universe. They kept gnawing at my gut. They would not go away, just as the urge to breathe never goes away no matter how long we hold our breath. SIX YEAR OLD WISDOM That day, when I lay on the floor lost in Stravinsky, without realizing it I had decided that what interested me most was the beauty of art—whether it be music, words, film, stories, sculpture, buildings or what-have-you. Why? Certainly not because I had any idea that art was supposed to be valued since it was part of what grown-ups called culture. I knew nothing about either. I could not have cared less. After all, I was a kid who, when I was not entranced by what I was seeing, hearing, feeling or touching, spent the rest of my day learning card tricks, wrestling with my rough Collie, and trying (unsuccessfully) to sell packets of chewing gum my grandfather brought me to neighbors’ kids. Nope—I loved the beauty and wonder of art in all its many forms because, unlike the world around me, with which I seemed to have little in common, it had always grabbed hold of me and would not let me go. It demanded of me both a submission and an active participation in the making of it. TIMELESS REALITY What I did not know, and this took me scores of years to come to understand, is that the rabbit hole into which I had accidentally tumbled at six is described by every culture and religion in the world in one form or another. Nor had I any idea that, at any moment in time, anywhere in the world, regardless of the circumstances of our lives, it is available to each of us. To Zen Buddhists, this wordless, timeless space represents ultimate reality—that which can only be sampled through immediate experience. In Suzuki’s words, “For the sake of those crucial experiences Zen Buddhism has struck out on its own paths which, through methodical immersion in oneself, lead to one’s becoming aware, in the deepest ground of the soul, of the unnameable Groundlessness and Qualitylessness—nay more, to one’s becoming one with it.” ANNIHILATION AND RENEWAL It is a state in which nothing is thought or contrived, longed for or expected. It reaches out in no particular direction, yet it knows itself able to handle the possible as well as the impossible. Concentrated, yet so expanding is its potential, such power is both purposeless and egoless. As such, it is often called truly spiritual. Why? I suspect because it is charged with an awareness that spirit is present everywhere. The universe and all that is created is never attached to place or time. In such a state, because the cosmos is present everywhere, we too are present everywhere. We have direct experience of and access to the power that continues to create the universe itself. And, like water flowing through the river, we have full access to that power of creation to use in our own lives, in whatever way we choose. DOORWAY TO BLISS The Sufis call this state fana—the annihilation of your individual selfhood. When we experience fana, our everyday personality becomes transparent, so the larger being that we are shines through. You become fully absorbed in the all-encompassing fascination of the moment—textures, nuances... Cutting edge physicists speak of a holographic universe in which we live but seldom access because we are plagued by endless mental concepts which blind us to reality. They also blind us to the experience of Samadhi—“a non-dualistic state in which the consciousness of the subject becomes one with the experienced object.” This state of selfless absorption and total surrender is characteristic of children when left alone to follow their instincts. Yet it is available to each one of us, regardless of age. Honoring whatever brings us bliss in our own lives opens the door to it.

Make up is the icing on the cake. Wear it if you love it. Play with it to discover new ways of expressing the many faces of you. When you don't feel into it, let your face go naked. That, too, is a path to freedom... the colors The idea that makeup color - say an eye shadow - is only to be used on the eyes, or a blusher only on cheeks, is absurd. Color is color, and it doesn't matter what you call a product provided it serves the purposes you want it to. The colors that you use on your face should all give support to each other, so they work together to create an overall effect that is pleasing. the whole process of making up may sound complicated, but with practice it should take very little time - no more than ten minutes from start to finish There are two basic possibilities: warm color schemes and cool ones. The effect of a warm color scheme on the face - which includes the earth colors such as browns, greens, beiges, golds, yellows, apricots, coppers, oranges, and peaches - is to enliven it, making your face look healthier and stronger and more glowing. Warm colors look wonderful on older women, too, because they accentuate youth. This is why some of the best foundations and powders now contain yellow pigments. A little peach or apricot blusher can make almost any face look younger, whereas bluish-pink blusher applied to a face over forty can age it drastically. The cool colors - the blues, purples, pale ivories, silvers, fuchsias, berries, magenta, blue-pinks, and whites give a look of delicate vulnerability to a face, especially when they are applied, as they should be, over a very pale foundation. But to wear them you have to have perfect skin and you have to be young; otherwise they can make you look tired, older, and even unwell. the moisturiser Every good makeup begins with a fine moisturizer complete with sunscreen lavishly applied over clean skin and then given a chance to settle in. You need to wait for your skin to take to the moisturizer before you put on your foundation, otherwise you will end up with a flawed finish and your makeup will not last. `Taking' time is usually between two to five minutes. In addition to the ordinary moisturizers, there are also tinted ones on the market. These products are halfway between moisturizers and foundations. They impart some color and also provide you with some measure of protection from water loss. They give a very light cover but can be a nice way of simply adding a healthy glow to your skin. Some of them also contain sunscreens. When choosing a tinted moisturizer, look for one that is not too far away from your own skin tone or you will find it doesn't blend in and cover well. A green moisturizer will soften a florid skin, toning it down and making it look more neutral. Green will also help conceal red blotches and spots on your skin. A mauve-colored moisturizer can improve a dull complexion and brighten the face of someone who is too pale. An apricot-colored corrective should be used only by the very few women who are really sallow. When you use a corrective, put it on with a sponge that has been dampened and then had all the excess water removed from it by wiping it against a towel. Among the tinted moisturizers are the `color correctives' - products tinted a specific hue in order to change the look of your own, natural coloring. They are worn under your ordinary foundation. the foundation Once your moisturizer has set, you are ready for the foundation. But why all over? Instead you can wear it only on parts of your face such as around the eyes where it gives a good base for eye shadows, on your chin,and on your cheeks. The advantage to this is that you still get the wonderful, delicate shading of natural skin, rather than that all-over deadness that can come from covering your whole face with one opaque color. Or you can wear two shades of foundation: a lighter one in the center of your face (on the nose, forehead, cheeks, and chin) and the slightly darker one of the same tone around the outside (near the hairline and along the jawline). This has the effect of preserving a natural-looking gradation of color and still lending the finished look of a well-made-up face. A foundation is not meant to give strong color to a face. It is supposed to be flat and neutral. About 80 per cent of Caucasian skin should wear one foundation color: a flat, true beige with neither pink nor peach overtones to it. It will look good on all ages of `northern European' skin, because it gives a neutral canvas on which to put your eye and lip colors. If your skin is olive or yellowish or very dark, then choose a foundation as close to its natural color as possible but slightly flatter. When testing out color, put it on your naked face and then again go out into the daylight to look at the results before buying anything. The kind of foundation you choose depends on what kind of skin you have, as well as on personal preference. Dry skin does best with a cream or oil-based liquid foundation. Aging skin needs the finest of liquid foundation. Anything heavily oily collects in the lines and makes you look haggard. Oily skin demands a water-based liquid or cream or a cake or block-type makeup. Put a little foundation in the palm of your hand and then dip the sponge into it and apply it to your face, brushing it lightly over your skin again and again until everything is well blended into your skin. the concealer Now is the time to deal with any problems you want to conceal, such as black circles under your eyes, or discolorations here and there. Concealer creams and sticks are good here, although some of them are greasy and, particularly under the eyes, tend to sink into tiny lines and make matters worse. Put your concealer on with a flat wedge-shaped brush and smooth into the skin until it blends perfectly with the surrounding areas. If you add a little powder here you will get just the finish you need to make the undesirable area fade into the surrounding skin tones. the magic of light and shade The secret of making light and shade work for you is simply to apply both sparingly and only where it matters to your face, and always to blend well into the surrounding area. Whatever part of your face you want to bring out or emphasize, you apply a light color to, and whatever part you want to minimize, you cover with a darker shade. Here are some of the things you can do with shading: To minimize a jaw that is too large or too square, apply darker shade along the jawline, blending it under the jaw and fading into nothing at the sides of the face. To shorten a pointed chin, apply shader to chin only, blending underneath into the neck and fading to nothing at the sides. To fade a double chin, put shader on the double chin and blend it skilfully. This will make it recede into the background and look less prominent. To give more interesting shape to a square face apply shader in the temple area and all around the jawline, carefully blending. To minimize a nose that is too large, apply shader in a single stripe down the centre of the nose, carefully blending into the color at the sides so that no definite line appears. To slim a broad nose apply a shader - preferably a slightly darker foundation or cream - in a stripe down each side of the nose and blend it carefully into the skin to make the nose look narrower. For most women, one of their best features is the eyes. Perhaps this is because eyes reveal so much of what goes on inside. Makeup for eyes should emphasize this and show off the eyes' beauty and color. There are lots of ways to use eye makeup to improve eyes, but all of them begin with the same principles. Use neutral tones such as slabby browns (without red tones in them), flat greys, and greyed greens, or even terracotta, for establishing the shape of the eyes (the darker shades to define the sockets and the lighter beiges or yellow, peach or apricot, or pink, on the lids and under the brows). All eye shadows are best applied to skin that has a foundation on it even if you don't put foundation on the rest of your face, and powder shadows hold best over a light skimming of translucent powder too. All eye shadows are best applied with a brush, whether they are liquid, cream, or powder. You will get a better, longer-lasting finish from them this way. the eyelids Apply the lighter shade of colored shadow you have chosen to the section of the lid nearest the lashes, and then brush it out, fading it away to nothing towards the eyebrows. Now you can have the darker shadow in the socket to define the shape. Remember that colors on the outer edges of your eyes will tend to widen the look of your face and open your gaze. Finally put on your eyeliner. A good way of emphasizing eye shape without looking too obviously made-up is to use a pencil in the same tone you are using for your eye shadow, dotting it all along the upper lashes and then just under the lower ones so the two lines meet at the outer corners and form a little triangle. This kind of liner looks good when it is gently smeared with a brush or fingertip to blend it into the surrounding area and keep it from looking hard. You can also use another color line drawn on the inside of the lower lid if you like. The other way of applying eyeliner is with a brush, in which case you use liquid or cake liner and get a more definite line. It is drawn just above the roots of the upper lashes and just below the roots of the lower ones, again meeting at the corner. Many women use black eyeliner, but usually a gentle grey or slate or muted brown is better. the mascara Mascara makes eyes look more glamorous. It seems to create an aura of mystery about the eyes when lashes are darkened and thickened. Unless you are planning to walk in the rain or to go swimming with your makeup on, you are better off using a mascara that is not waterproof. eyebrow sculpture Before you begin, brush them first one way and then the other to remove any loose hairs or makeup, and clean the skin around the eyes thoroughly. Now put moisturizer in the area, before you reach for the tweezers. Brush your brows into shape and take a good look at them. Start by removing stray hairs between the brows and the stragglers but never pluck from above the eyebrow. And always remove only one hair at a time, pulling it in the direction in which it grows. When you have finished with one brow, apply antiseptic or a simple toner to it before going on to the next one. This will help soothe the irritated skin. Don't try to apply makeup for an hour after plucking. the lips Most women tend to pick lipsticks that are too bright or too pink to flatter their coloring. There is certainly a place for fire-engine reds and vivid fuchsias, but for everyday wear you are probably better off with a muted brownish pink or a softened melon or salmon. Shop around until you find four or five lipsticks in differing tones that look good on you. Frosted lipsticks are for the very young. Older women are usually better off with cream lipsticks, since frosting shows up wrinkles on the lips and the see-through ones don't give enough definition. When applying lipstick, use a pencil or a lipbrush to outline your mouth first, so you get a good, sharply defined edge. Then apply your lipstick and blot it and apply again if you want it to stay. Alternatively use a pencil all over the mouth as well as for outline and then apply a clear gloss. It looks fresh and simple and the color tends to last. the cheeks The best colors for everyday wear for most women are terracotta, apricot-brown or dusky peach, because they make the skin look particularly healthy. Used high on the cheekbones it accentuates a well-sculptured face. Used across the cheeks it gives a simple warm glow. the powder A little translucent powder that imparts no color but gives a smooth, matte finish can actually make a face look younger. It is also an interesting effect to powder only parts of your face, such as the sides below the cheekbones, the nose, and the forehead, and then leave a sheen on cheeks and chin. Always use a powder that gives no color, just a matte, smooth finish, and always brush away every speck of excess once you have applied it. the finishing touches Last of all, after you have applied your makeup completely, you need to set it with water. This step is very useful, for it will make a face last far longer than it otherwise would. Spray your face with spring water from an aerosol can or with a fine mist from a plant-misting bottle. Then blot gently once with a tissue.

Ageless aging is not medical self-care, or holistic medicine. It goes way beyond. It is not only a question of caring for your body. It transforms the way you view yourself and your life. It deepens your connection with you own soul. It sets you free from false beliefs. It opens up your capacity for joy and strength and helps you discover a whole new outlook on life. Preventative medicine is mainly concerned with avoiding illness; holistic health is primarily aimed at treatment—although the treatment of the whole person rather than specific symptoms. Medical self-care aims to make a person able to diagnose and take care of his own minor medical problems. A NEW WORLD Although quantum health for ageless aging shares in some of the benefits of all three, it goes far beyond. Quantum health for ageless aging does not focus primarily on disease or its prevention. Its major thrust is a deliberate choice on the part of the person practising it to live at the peaks and explore the heights of wellbeing: physically, emotionally and spiritually. The choice for living at the peaks, and making full use of your creative potentials, is one which an increasing number of people are making. This is evident in our growing desire for strength, high-level fitness, improving and preserving good looks and establishing lasting vitality. Where once an ambitious man or woman might have wanted recognition, money and possessions, now these are not enough. As we age, we want to make the most of our own potentials in every possible way. Quantum health for ageless aging aims at an enjoyable, challenging and sometimes amusing search for whole-person functioning. As such, it is its own goal and its own reward. The process of moving towards it can be as much fun as the achievements of its ends. WONDERFUL GAME Developing quantum health for ageless aging is a kind of game. Like any game, it has its obstacles, its rules, its rewards, its penalties, and a goal. The Shorter Oxford Dictionary defines game as ‘amusement, fun, sport... a diversion of the nature of a contest played according to the rules and decided by superior skill, strength, or good fortune'. The quantum health game is very much like this. In many ways, it is probably the most challenging and rewarding journey you can ever take—a real 'master game'. This is not only because playing to win can keep you looking and feeling great long after the 'losers' have been left by the wayside, but because, like all good games, the play itself can be fascinating to learn. It can also demand considerable skill. Some find the quest for ageless aging easy—they seem to have a natural flair for the challenge. Or, without realising it, they instinctively know the rules. Others have to work harder to learn them. Yet often it’s those who have to work the hardest who get the greatest satisfaction from play, and make the most dramatic improvements in their health and their lives. WHAT YOU NEED Information about how attitudes, techniques and practices such as optimal nutrition, relaxation skills, exercise, political responsibility, and treats and treatments contribute to optimal wellness. What are you playing against? Time. Perhaps your genes too. Some people find their genetic inheritance an asset to the play. Others, like me, have to compensate for what they didn't get at birth with more effort and more awareness of how to make the best possible use of what they have been given. One of the major obstacles for all of us is the environmental pollution we are all exposed to. To counter it, you need to increase your awareness of its dangers as well as making good use of agents to counter its effects. These include home-grown foods, herbs, and antioxidant nutrients, which help defeat its negative effect on your body. You also need to take social and political action to ensure that your water, air and food supplies are not further denatured by environmental poisons and radiation. Another major challenge to the goals of ageless aging is indifference; the tendency we all have to go along with cultural and social norms. Why not live on fast foods and chocolate bars? Everybody else does. It is easier than seeking out a fresh crisp salad. Why not indeed? Any skilled quantum health player will tell you quite clearly why not: Such a way of eating is part of a lifestyle that will never help you experience radiant wellbeing and peak functioning mentally, emotionally and spiritually. EXAMINE YOUR BELIEFS Who are your opponents in the play? There are many. For instance, people who are content to allow time to take its course. Those who have been brainwashed into believing that, as the years pass, your body, your vitality and your good looks will inevitably deteriorate. Chronic illness, they think, is a natural part of growing older. Well, my friend, this just ain’t so! False notions about health are also major opponents. For example, the notion that responsibility for your health rests not with yourself but with your doctor or your mother or the state. Then there’s the idea that ageless aging demands too many sacrifices or is not rewarding enough; it might take too much time for too little fun. This is a fierce opponent. But your biggest challenge to overcome is a lack of faith in your ability to play the game. Many uninformed people can’t even imagine that quantum health is possible for them. “We are,” they say, “too old”, “too fat”, “too lazy”, “too busy”. In fact, just the opposite is likely to be true. Learn to play the game, create an ageless aging way of life for yourself and all those “toos” vanish, leaving you an abundance of time and energy. Ageless aging is a game you need no previous experience to play. You simply start wherever you are now and, step-by-step, build your knowledge and your skills until, in time, you can far surpass someone who seemed infinitely better endowed than you at the beginning. Human life is never static. Either you’re getting better or you are getting worse. And, as with any game, how fast you progress and how many rewards you get from playing depends to a large extent on how much fun you find it, and how hard you are willing to play. WELLNESS RULES Most people think of health as a state in which you are not ill. You are free of pain and you show no signs or symptoms of the development of disease. They think health is characterized by the absence of something— namely sickness. So long as this is the case, they figure all is well (touch wood), and go about their business until at some later date when, if their luck runs out, they may inadvertently be struck down. Then their rather tenuous state called “health” suddenly turns into its opposite—“illness”. Thinking of health in this way is incredibly limiting. The best anyone can hope for is “non-sickness”. Ageless aging players take a different point of view. They see reality differently. They understand that taking responsibility for how they think and live brings them a high level of protection from illness. They know that the wellness they are aiming for has positive attributes and brings rewards far beyond the absence of disease. It encompasses a whole new view of reality which honors the peaks as well as the depths. Not content with being “un-sick”, they demand vitality, passion, confidence and a sense of freedom to be who they are. They work and play hard. They value authenticity. They seek mental clarity, emotional balance, and spiritual openness which makes it possible to develop their unique creative potentials to the limits. Ageless agers hold an important belief which, to most people, seems quite foreign: They know that we are the prime cause of what happens to our health and our life, not blind fate. Without such a commitment to autonomy, no player in the ageless aging game becomes a winner. With such a commitment, the sky’s the limit. There is no reason why you should not be fit at 90, look twenty years younger than your peers at 70 and feel good about being who you are, warts and all. It is all a matter of developing skills and playing with the knowledge and determination of a pro. Ageless aging has six major facets to it: nutritional action, physical fitness, stress management, self-responsibility, age control and environmental awareness. THE JOY OF FREEDOM One morning I went for a run, as I often did, along the cliffs in Pembrokeshire, Wales. After running for about three miles, I had a sudden impulse to plunge into the wild Irish Sea and swim back to the beach in Manorbier where we lived. This was something I’d never done before. The sun was warmer than usual that morning so I did—running shoes and all. The water was freezing and rough. I had to swim against the tide. An hour later I finally arrived back on our home beach—fingers tingling with the cold and legs a wobbly, as I attempted to make the transition from the water world I'd been moving through to the thinner air-medium of land. But I felt great. I loved the feeling of freedom that this brought me—a strong sense of my own physical limits and a knowledge that they are considerably broader than they were ten years earlier, before I myself became involved in the ageless aging game. Why did I do that swim? To prove I could? Not really. I had few doubts on that account. To make myself fitter and stronger? I had no such notions in my head. I did it for the sheer pleasure of it. It was the same impulse that makes children climb trees. Not to get to the top, but just because the trees are there. WHY PLAY? The serious answer goes something like this: so you will feel better, look younger, have more energy and live longer. Indeed, all those things are true. But once you get involved in this exciting game, you realize that something much more wonderful is happening. You start to feel exhilarated, vibrantly alive, freer and stronger. Before long, these experiences become a normal part of your daily life. Grasp even a little of these payoffs, realize that they are possible for you no matter what your age or condition right now and you are already half way to your goal. Make this kind of passion part of your life, and the rules of the ageless aging game, which at first needed to be tediously learned, one by one become second nature. By then just playing the game begins to feel so rich and so delightful that you are likely to forget all about its goals. After all, it’s the play itself that you come to love.

A thorough, comprehensive technique for relaxation and personal transformation, autogenic training - developed in the early 1930s by the German psychiatrist Johannes H Schultz - consists of a series of simple mental exercises designed to turn off the body's `fight or flight' mechanism, and turn on the restorative rhythms and harmonizing associated with profound psychophysical relaxation. Practiced daily, it can bring results comparable to those achieved by serious Eastern meditators. Yet unlike meditation, autogenics has no cultural, religious or cosmological overtones. It demands no special clothing, unusual postures or practices. When you practice autogenics, emotional and spiritual detoxification happens in just the way physical detoxification occurs on Clean Sweep Diet, and once again the whole process is generated from within. freedom from within Johannes Schultz was a student of the clinically orientated neuro-pathologist Oskar Vogt, who at the turn of the century at the Berlin Neurological Institute was deeply involved in research on sleep and hypnosis. Vogt remarked that some of his patients who had been subjected to hypnosis developed the ability to put themselves in and out of a hypnotic state - or rather autohypnotic, since it was self-induced. These people experienced remarkable relief from tension and fatigue and also tended to lose whatever psychosomatic disorders they had been suffering from. Drawing on Vogt's observations, Schultz went on to design techniques that would enable people to induce this deep mental and psychological relaxation at will. Schultz found that when men and women enter the autohypnotic state they experience two specific physical phenomena: the first was a sensation of heaviness in their limbs and torso, and the second a feeling of diffuse warmth throughout the body. This warmth is the result of vasodilation in the peripheral arteries and the sensation of heaviness is caused by deep relaxation in the body's muscles. Schultz reasoned that if he taught people to suggest to themselves that these things were happening to their bodies, they might rapidly and simply be able to experience a state of passive concentration, which in turn would exert a positive influence over the autonomic nervous system, balancing energies of mind and body, helping a person experience a high level of relaxed vitality and freedom from premature degeneration, and gradually clearing away negative thought and behavior patterns that have been interfering with a person making full use of his or her potential. organismic abandon Schultz discovered - as have many since - that in a state of passive concentration, all activities governed by the autonomic nervous system, once believed to be out of man's control, can be influenced by the person himself. This happens not by exercising any conscious act of will but rather by learning to abandon oneself to an ongoing organismic process. This strange paradox of self-induced passivity is central to the way autogenic training works its wonders. It is a skill which Eastern yogis, famous for their ability to resist cold and heat, to change the rate of their heartbeat, levitate and perform many other extraordinary feats, have long practiced. But until the development of biofeedback and autogenic training, and the arrival of Eastern meditation techniques, this passive concentration largely remained a curiosity in the West, where active, logical, linear, verbal thinking has been encouraged to the detriment of practicing our innate ability to simply be. Many experts on the psychological processes of aging believe that it is overemphasis on the use of the conscious will in the West that makes us so prone to premature aging and stress-based illnesses in the first place. get warm and heavy To help his patients induce the autogenic state, Schultz worked with the sensations of heaviness and warmth. Later he added suggestions about regular heartbeat and gentle quiet breathing - two more natural physiological characteristics of relaxation - and then went on to suggestions of warmth in the belly and coolness of the forehead. These six physiologically-orientated directions - heaviness and warmth in the legs and arms, regulation of the heartbeat and breathing, abdominal warmth and cooling of the forehead - form the core of autogenic training. A person learning autogenics goes through each of the six steps, one by one: "My arms and legs are heavy and warm, my heartbeat is calm and regular etc" each time he or she practices. Because of the body and mind's ability with repetition to slip more and more rapidly into the deeply relaxed yet highly aware autogenic state, the formula becomes increasingly shortened until after a few weeks or months of practicing you can virtually induce a state of profound psychophysical relaxation at will. Once you have mastered the exercises, they can be practiced anywhere - even sitting on a bus. balance life energies A key principle on which autogenics is based is that the body will naturally balance its life energies, biochemically and psychologically, when allowed to repeatedly enter a relaxed state. The benefits of being able to do this are virtually endless. Some of them come immediately - such as being able to counteract acute stress and fatigue, refresh yourself and clear your mind. People with high blood pressure who learn autogenics report drops in systolic blood pressure from 11 to 25% and more, as well as 5 to 15% in diastolic pressure. Brain-wave activity also changes so that you get a better balance of right and left hemisphere, leading to improved creativity at work and a sense of being at peace with oneself. Other benefits come more slowly over the weeks and months and years that you practice. Recoveries from bronchial asthma and a whole range of other psychosomatic disorders have been reported, as well as the elimination of self-destructive behavior patterns and habits such as drug taking, compulsive eating and alcoholism. As a result, autogenic training is now given as a standard instruction in Germany and Switzerland. let's begin The basic autogenic exercises are simple. Taking up one of three optional postures - sitting slumped rather like a rag doll on a stool, lounging in an easy chair, or lying on your back with your arms at your side - make sure you are reasonably protected from noise and disturbances and that your clothes are loose and comfortable. It is easiest to learn autogenics lying flat on a floor or on a very firm bed. Once you have got the basic exercise under your belt you can do it just about any time, anywhere, sitting up or even very discretely on a bus on the way to work. If you like, you can record the autogenic exercises that follow on tape very slowly and play it to yourself in the beginning. I generally find, however, that it is better to learn it very simply from the words that are in the box below. go within Lie down on your back in bed or on the floor. Make yourself comfortable with whatever pillows or covers you need to do so. Close your eyes gently. Take a deep slow breath and pause for a moment. Now exhale fully and completely. Let yourself breathe slowly and naturally. Feel your body sinking back into the floor. Now repeat the following phrases to yourself slowly and silently letting yourself savor the sensations of heaviness and warmth as you do. The first phrase is: My left arm is heavy... my left arm is heavy... my left arm is heavy... my right arm is heavy... my right arm is heavy... my right arm is heavy... Let go of any tension in your arms as you say to yourself: My left arm is heavy... my left arm is heavy... my left arm is heavy... repeating each suggestion three times. Continue to breathe slowly and naturally, remembering to exhale fully. Say to yourself: Both arms are heavy... both arms are heavy... both arms are heavy. Let go of any tension in your arms. Then say: Both legs are heavy... both legs are heavy... both legs are heavy... As you continue to breathe slowly and naturally, say to yourself: Arms and legs heavy... arms and legs heavy... arms and legs heavy... arms and legs warm... arms and legs warm... arms and legs warm... feel it Feel the warmth flow through to your arms and legs as you say to yourself: Arms and legs warm... arms and legs warm... arms and legs warm... Continue to breathe slowly and freely while you repeat silently to yourself: My breathing calm and easy... my breathing calm and easy... my breathing calm and easy... my heartbeat calm and regular... my heartbeat calm and regular... my heartbeat calm and regular... Feel your strong, regular heartbeat as you say the words to yourself. Continue to breathe easily and say to yourself: My solar plexus is warm... my solar plexus is warm... my solar plexus is warm... Feel the muscles in your face relax as you say to yourself: My forehead is cool and clear... my forehead is cool and clear... my forehead is cool and clear... Enjoy the feeling of softness and calm throughout your body and say to yourself: I am at peace... I am at peace... I am at peace... the return When you have finished the exercise you are ready for the return. It will bring you back to normal everyday consciousness: Quickly clench both fists, take a deep breath in, flex both arms up in a stretch, then breathe out slowly and completely, returning your arms with unclenched fists to your sides. Now open your eyes. Lie for a moment with your eyes open and just allow yourself to BE HERE NOW WITH WHATEVER IS, then get up and go about your life. When first learning autogenics, you will need to repeat each suggestion three times and the entire exercise itself needs to be repeated at three different periods each day. The best time is just before you get out of bed, just before you go to sleep, and at some other moment of the day. If there is no way you can lie down during the day you can always do the exercise sitting in a chair. If you are practicing in public such as on a bus or at your desk in an office, draw your fists up to your chest by bending your elbows rather than bringing the whole arm above the head for the return. autogenic triggers Before long you will find that even the simple suggestion "my right arm is heavy" will trigger the psychophysical relaxation process in the whole body. Some people get feelings of heaviness and warmth right away. For others it can take as long as a week or two of practicing three times a day for 10 or 15 minutes at a time. To everybody it comes eventually, and with it comes a profound sense of relaxation. Canceling the training session occurs when you clench your hand into a fist and raise your arm straight above your head, or bend your arm and draw your fist to your shoulders, at the same time taking a deep breath and then stretching. This trains your body to return to normal consciousness right away. Meanwhile your temporary excursion into the realm of deep relaxation keeps working its magic. autogenic training made simple Here is an aid memoir for practice. Repeat each suggestion 3 times: MY LEFT ARM IS HEAVY... MY RIGHT ARM IS HEAVY BOTH ARMS ARE HEAVY... BOTH ARMS ARE WARM... BOTH LEGS ARE HEAVY ARMS AND LEGS HEAVY... ARMS AND LEGS WARM BREATHING IS CALM AND EASY... HEARTBEAT CALM AND REGULAR MY SOLAR PLEXUS IS WARM... MY FOREHEAD IS COOL I AM AT PEACE the return: CLENCH BOTH FISTS TAKE A DEEP BREATH FLEX BOTH ARMS UP IN A STRETCH BREATHE OUT SLOWLY RETURN ARMS UNCLENCH FISTS OPEN YOUR EYES LIE FOR A MOMENT WITH EYES OPEN BE HERE NOW WITH WHATEVER IS. Repeat each suggestion three times, repeat the exercise three times a day. discharge the blocks Although autogenic training brings about a `low-arousal' state similar to yoga and meditation, where parasympathetic activity dominates, it stems from exercises meant specifically to induce simple physical sensations leading to a state of relaxation of a purely physical nature. The benefits which come with practicing it go far beyond the physical: in addition to slowing the heartbeat, reducing blood pressure, regenerating and rejuvenating the body, autogenics triggers changes in the reticular activating system in the brain stem which can result in what are known as `autogenic discharges'. These are a spontaneous way of de-stressing and de-aging the body, eliminating old tensions and wiping away thought patterns that may have been inhibiting the full expression of your being. Autogenic discharges can manifest themselves as temporary twitching of the arms or legs - much like the twitch experienced occasionally on falling into a deep sleep - during the session itself, or increased peristaltic movement - stomach grumbles - or various transient feelings of dizziness or visual or auditory effects. These phenomena are harmless, quick to come and go, yet an important part of throwing out life-accumulated, stressful material stored in the body or psyche. cleansing reactions A few people - I among them - when they first begin autogenic training, go through two or three weeks where a lot of old stress and emotional rubbish gets released through autogenic discharge. Old feelings of discouragement or depression, laughter or anxiety can sometimes rise to the surface. It is important to be aware of this possibility and to be aware of what is happening if it does occur. It is only the psychic side of detox that will help renew, refresh, and rejuvenate you, as old stress you have been carrying about with you rises to the surface to clear permanently. Because of this discharge phenomenon, some psychologists in the English speaking world who teach autogenics like to work on a one-to-one basis with their students in order to help them gain perspective on what is coming up from their consciousness. In Germany and Switzerland this is not considered important. There, autogenic training is taught as a matter of course both to adults and school children with no such psychological back up. The important thing to remember is whatever surfaces is likely to be very old indeed, stuff you've been carrying around for a long time and which you are far better off without. three's the charm Begin your practice of autogenics on day 2 of 10 Day Rejuvenation Plan adding it to Clean Sweep Diet. It takes about ten to fifteen minutes to run through autogenics while you are learning it. Afterwards the exercises can be done much more quickly - eventually in two or three minutes if necessary. Rather like Pavlov's dog, who learned to salivate simply because the bell sounded and the food appeared together so many times, the magic of autogenics depends on your continual repetition of the exercise again and again, day after day. Once the initial period of learning is completed, you can then choose to practice the exercises once or twice a day whenever you like. In the process you will have gained a lifelong skill that is invaluable for de-aging the body and mind. Within 10 days to 2 weeks of practicing autogenics,most people feel a steady and increasing release of creative energy, and a sense that great burdens are being lifted away so that - often for the first time - they begin to feel more free to live their own life by their own values. It is rejuvenation at its very best. the zen of now There are two important aspects to making autogenic training work for you. The first is a real acceptance of your current circumstances or position - knowing that anything that you feel just now, whether it happens to be fear, anxiety, joy, frustration, inadequacy or environmental stress, is OK for the moment. It is only through acceptance of 'what is' now that we open the gateways to change. The second important thing about autogenic training is self-discipline. You need to make time to do the exercises each day and to establish a routine.

Conventional diets for shedding unwanted depend on self-denial and willpower. They are full of complex methods for dealing with what is commonly known as cheating. Here's an example. Say you go off your diet by eating a piece of chocolate cake. Then you're supposed to tell yourself, "Never mind, tomorrow I'll skip dinner to make up for it." Except that by the time tomorrow arrives, you've developed even more cravings for even more chocolate, carby stuff and sugary drinks. Anybody trying to lose weight this way is doomed to fail. As soon as their diet ends any fat they've shed begins slowly but surely to creep back on. Then they're back where they started. Cura is different Cura is different. Let me tell you how. The secret behind Cura's life-changing success rate is hidden deep within the brain. Yes, really. Here's how it works. On any Cura program, unwanted fat is shed not as the result of strenuous effort or willpower but gently and progressively thanks to Cura's unique ability to restore healthy functioning to the control centers in your brain. Few people—this includes the majority of scientists—even know that the body's fat regulating system is located in an area of the mid-brain called the diencephalon. Probably the most sensitive and complex locus of control in the body, it houses a collection of vital structures including the thalamus, hypothalamus, and pituitary which govern emotions, stress and moods. It oversees the entire autonomic nervous system. The hypothalamus itself links directly to the nervous and endocrine systems via the pituitary. It regulates both hunger and thirst and, with the help of the other members of the diencephalon team, decides whether your body is to lay down fat or shed unwanted fat on your body. Other powerful centers in this area of the brain determine mental functions and emotional balance—even the perceptions we have about ourselves along with heart rate, blood pressure, body temperature, electrolyte balance, sexuality and our sleep cycles. Following Cura's specific food protocol and using the Essential Spray—from beginning to end—allows these control centers to function correctly. This is how natural, progressive, effective fat burning takes place without willpower or manipulation. Cura's celebrated success is both as simple and as profound as this. not your fault What few of us realize is that unwanted fat, insulin resistance and the blood sugar issues that come with them are not their fault. Nor are they some accident of fate. These things occur as a result of vital control centers of the brain not functioning as they are meant to in a healthy body. And what messes up the functioning of these control centers? This is important: For more than 70 years we have been misinformed and let astray by governments, pharmaceutical companies and multinational food corporations. We've been told that the way to stay lean and healthy is by following a low-fat high carb diet. We have eaten artificially made foods promoted by the media, multinational food manufacturers and governments. We've told to buy and eat convenience foods, chockablock with carbohydrates, sugars and chemicals. increase in degenerative diseases Doing this has resulted in the rampant increase in degenerative diseases and the widespread dependence on dangerous pharmaceuticals, used only to suppress symptoms but unable to bring true healing to the body. High carb low-fat eating is a major cause of worldwide obesity, addictions and food cravings, as well as the struggles so many experience trying to lose weight. This includes feelings of hopelessness, confusion, self-blame and fear that they will never be able to shed excess fat from our bodies, keep it off, and restore high-level health. Back in the mid-1940s, there were very few poisons sprayed on the foods we bought. They were organically grown on small farms. Today agriculture is big business in control of gigantic corporations whose only goal is fattening their bottom line. In animal farming, drugs such as antibiotics and hormones are injected to boost an animal's growth and cut down on feed requirements virtually all over the world. Residues of these drugs are as hazardous to your own health as they are to the animals that receive them. They undermine your vitality and make those of us with a tendency to gain weight get fat. The level of harm from exposure to pesticides, animal antibiotics and hormones is dose related. This means the more you consume, the greater your potential risk not only of illnesses and long-term degenerative conditions from Heart Disease and Cancer, to serious hormone disorders, depression, Alzheimer’s and distortions in the brain—in many cases from the time of birth to death. Meanwhile all this continues to increase exponentially. convenience foods The convenience foods that line the shelves of supermarkets everywhere are filled with pesticides, chemical additives and GMO. Corporations are intent on selling products that can themselves be destructive to life long term, rather than helping the public learn about the power of natural healing that is carried in the body itself. Eating these foods are responsible for insulin resistance, blood sugar issues and dangerous levels of obesity. If you want to shed excess fat from your body and restore high-level health we need to stop eating them and feeding them to our families. The goals of Cura online programs are two fold: First to guide you progressively through the natural process of shedding unwanted fat from your body. Second they show you how to build whole new ways of living and eating to set you free for to experience long term leanness and radiant health. To my knowledge, no other online program has ever been able to accomplish all this at such a scale. Do join one of our online programs and experience all this for yourself.

Clay is a pelloid—from the Greek word pellos, meaning mud. The pelloids are a class of earth substances derived from magma deposits. Amongst natural materials, they are unequalled for their therapeutic and health-promoting properties. In Europe they have been used for generations to treat skin, to heal pain and deep cleanse the body by drawing wastes through the skin's surface. Some pelloids are taken internally in small quantities to clear the body of heavy metals and toxic wastes. In short, these substances found in nature are not only some of the most useful tools for bringing great radiance to body, mind and spirit. They can also be some of the most inexpensive yet powerful treats and treatments on the planet. ANCIENT HEALING POWER Pelloids are formed by the earth through biological and geological processes over long periods of time—at least 20,000 years. They are made up of both organic and inorganic elements. The ‘mostly-organic' pelloids include the sapropelic bituminous muds, and the moor or turf pelloids from places like Techirghiol Lake near the Black Sea, or Neydharting Moor in Austria. These pelloids form the basis of some of the best natural treatments in the world for arthritis, rheumatism, and gout. They are also wonderful for athletic aches and pains, as well as for eliminating stiffness from creaky bodies. TRANSDERMAL TREATS & TREATMENTS Moor Bath treatments are ideal for any rejuvenation program. Use them consecutively for 7 to 21 nights just before bed. Here's how: Immerse yourself for 15-30 minutes in a tepid bath to which 2/3 of a teacup of Moor Bath has been added. Top up with hot water when necessary. Afterwards, don't dry yourself as you normally would. Instead, pat yourself down gently and go right to bed. Should you get any of the residue from the bath on your sheets, don't worry; it easily washes out. European scientists at the Institute of Balenology in Bucharest, and at other centers in Europe and Russia, have studied the actions of pelloids using biochemical, histochemical and clinical methods. Examining the properties of the aqueous phase of moor and turf pelloids, they have discovered that these liquids stimulate oxygenation of cells and enzymatic activities in the body. They are able to boost endocrine system functions without interfering with the balance between different glands, and they dramatically improve overall circulation. Used in a bath or directly on the skin, such pelloid extracts penetrate the skin. Adding them to your bath after a hard game of squash or a long work week in which stress levels have been high can both calm you and regenerate your vitality, while they improve the look and feel of skin all over. VOLCANIC DETOXIFICATION The best known pelloids are those which contain mostly inorganic elements—the clays. Therapy using clay, both internally and externally, has a long history. The Egyptians, the Greeks and the Romans used these earth treatments internally to improve health, and externally to treat athletic aches and sprains, and to make skin and hair look and feel more beautiful. Ancient physicians including the Arab Avicena, Galen the Greek anatomist, and Paracelsus all prescribed clay internally to clear their patients' ailments. During the First World War, every Russian soldier was issued 200 grams of clay in his food rations. The French had it added to their mustard knowing that it helps protect the body from amoebic dysentery, which was then so widespread. Great German naturopaths such as Adolph Just used clay to make poultices for wound healing. The practice of using specific clays internally as a means of detoxifying the body and increasing natural energy levels is very much alive amongst doctors who shun drugs in favor of more effective natural treatments. Clay comes in many varieties—from kaolin, the pure white powdery stuff that goes into cosmetic products—to the heavy black clay used in the Middle East to treat wounds and bruises. Each has specific qualities and is best for particular purposes. Together they have a number of remarkable things in common. All clays contain a wide range of minerals and trace elements such as silica, magnesium, titanium, iron, calcium, potassium, manganese, and chromium. These minerals and trace elements are important in the dynamic healing and cleansing actions clays can exert on the body. Clays carry a negative electrical attraction for particles which are positively charged. This is one of the main reasons why it is so good at cleansing both the skin's surface as well as the digestive tract. MEET BENTONITE Bentonite, the medicinal powdered clay also known as montmorillonite, comes from deposits of ancient volcanic ash. Used internally, it absorbs heavy metals, pesticides, and other poisons, carrying them out of the body like a sponge. It is the electrical aspect to bentonite that gives it the ability to bind and absorb toxins. The clay’s minerals are negatively charged while toxins are primarily positively charged. Bentonite is made up of an enormous number of tiny platelets, with negative electrical charges on their flat surfaces and positive charges at the edges. So, when combined with water, the clay works on waste products the way a magnet, does when exposed to metal shavings. Bentonite has an enormous surface area to volume ratio. A single liter bottle offers a total surface area of an amazing 960 square meters. Clays which the Europeans and Americans use for internal cleansing are mixed with water, often the night before, then taken by mouth on an empty stomach—usually one teaspoonful in half a glass of water—once to three times a day. These clays are very fine. They are able to pick up many times their weight in positively-charged particles. In Europe, fine green clay is most often used internally in this way. In America and Britain, it is usually bentonite. The greater the surface area, the higher a clay's capacity for picking up positively-charged wastes. Ramond Dextreit, a French expert in the use of clay, claims that the purifying capacities of the green clay he uses are not limited to its actions on the digestive system. He insists that, used in this way, the clay is even able to absorb impurities suspended in the body’s fluids, like blood and lymph as well, and eliminate them. EXPLORING CLAY HEALING If you have not before used these internal clays, it’s best to start with one rounded teaspoon daily, mixed with a small amount of pure water. Observe the results for a few days, then gradually increase the dosage to no more than three teaspoons a day, in divided doses. Drinking clay can be an annual spring cleaning of your gastrointestinal tract or it can be a symptom-focused, self-care method. It’s a real boost to radiance on just about every level. Here are some of the best and purest products: Yerba Prima, Great Plains, Bentonite, Detox Great Plains Bentonite is specially formulated to provide the maximum benefits of bentonite. Great Plains is a mineral source dietary supplement that traps and binds unwanted, non-nutritive substances such as herbicides and other potentially harmful substances so that they do not remain in the body. Buy Yerba Prima, Great Plains, Bentonite, Detox Now Foods, Solutions, European Clay Powder For oily skin, mix 1 tablespoon of NOW European Clay with one teaspoon of water. For dry skin, add a few drops of NOW Jojoba Oil and/or NOW Lavender Essential Oil to the mix prior to applying. Thoroughly cover the face and neck avoiding sensitive areas and the eyes, allow to set for 15-20 minutes, rinse off and apply moisturizer. Buy Now Foods, Solutions, European Clay Powder Neydharting Moor Body Bath This can be hard to come by in Britain at the moment but it is well worth the search. In the US you can order it from Amazon.com: Neydharting Moor Nature's Code, Skin. Health. Life. Body Bath, 32 Oz Buy Neydharting Moor Body Bath

I love high quality herbal products you can rely on to do the job when you need some help. I have just discovered one such product on iHerb.com. It’s called Arctic Root. I use it when I feel stressed, need mental clarity and have a sense I could do with some more stamina. A proprietary blend centered around SHR-5 extract of Rhodiola rosea root, Arctic Root was awarded Product of the Year by the Swedish Health Council four years in a row. A creation of the Swedish Health Institute—a world leader in natural immune support and adaptogens with more than 35 years of research—Arctic Root is a real find. An adaptogenic plant means a plant capable of strengthening an organism's "non-specific resistance" to aging, illness and fatigue. Adaptogens include many 'rejuvenating' plants such as ginseng, damiana, and sarsaparilla - all of which are capable of enhancing the body's ability to adapt itself to all forms of stress while at the same time normalizing its biochemical activities. The product comes in a packet of 40 capsules at one of iHerb.com’s ridiculously low prices—US$10 when the product retails elsewhere at US$16.55. Even Aaron, whom I convinced to try it, was impressed by the support it brings him. Original Arctic Root Rhodiola Rosea The recommended dose is 2 capsules a day—one in the morning and the other later in the day—so I order three packs at a time. iHerb ship worldwide so fast that it sometimes makes my head spin and their shipping costs are the lowest anywhere. Order Original Arctic Root Rhodiola Rosea from iherb ORDERING FROM IHERB.COM: If you decide to order any products from Iherb.com, you will automatically receive $5 or $10 off your first order. Their products are the cheapest and best in the world…I use them for everything no matter where I am. Get it sent to you via DHL. It will be with you in three to four working days… iHerb.com ship all over the world very cheaply.

There are now over 10,000 ingredients commonly found in cosmetics and toiletries. Among these are a few thousand aromatic compounds used to perfume products—by the way, most products these days are anything but natural. More than a thousand of these substances have already been shown to produce toxic effects on living systems. Now here’s the BIG news: Far more important than the potential harm any single chemical can do is the dangerous way in which these chemicals can interact to produce far more toxic compounds within your body and, of course, the skin, which is your largest organ. OUTDATED SCIENCE So far behind the times are the methods used to check out the “safety” of chemical ingredients, that it’s likely to take decades before the depth of the chemical damage to which we are now exposed can become common knowledge. The outdated analytical methods still being used to identify carcinogenic chemicals, for instance, examine the effect of only one chemical on living tissue. This kind of research is at least 150 years behind what it should be. It’s based on 19th century toxicology, and as such, it takes no account of the dangers of mega-toxic compounds created by chemical interactions with one or another. Not to mention the pollutants in our foods, water and air. All of these chemicals—and others formed by reactions between them—contribute to mounting toxicity. They make our skins highly susceptible to rapid ageing. FOREIGN DANGERS Man-made chemicals are foreign to living systems, including our own skin and body. As such, they’re potentially dangerous to them. Why? Because, in a million years of evolution, our bodies have never come into contact with them. Our genes are simply not adapted to handle them. We don’t have the enzyme system needed to clear these chemicals from our bodies. And here’s the bad news: Included in the group of potentially destructive chemicals are hundreds—probably thousands—of common cosmetic ingredients, from artificial preservatives to fragrances. TOXIC OVERLOAD Chemical cocktails, to which our bodies are constantly exposed in cleaning products, toiletries, perfumes, makeup and skin care products don’t just remain on the surface of the skin. They are absorbed right through it. They interfere with the exchange of nutrients and oxygen to the skin cells, and with the elimination of wastes—an exchange regulated by subtle electrochemical energies. This results in a buildup of toxicity in the body, poor circulation and electrochemical stagnation, so that the skin’s cellular metabolism—and the transmission of important information and the regulation of hormones to keep it young and beautiful—break down. So much for the bad news. THE GOOD NEWS When cells thrive, and your skin is radiant, you have a high level of protection from aging. This happens when plenty of nutrients and oxygen get into your cells, and toxic wastes are efficiently and effectively removed. One way help this takes place is to go for self care and cleaning products that are safe. The second way is to stop eating massive amounts of convenience foods, riddled with grains, cereals, sugars and junk fats. Of course this is what most people still eat. Then they wonder why their skin ages rapidly. The good news is this: There are some wonderful new skincare products just being introduced. These are not only organic in nature, they contain none of the nasties you will want to steer clear of. BUYER BEWARE Unfortunately, most cosmetic manufacturers still pay little attention to the effects that these chemicals can exert on the body and on health in general. Here are some of the most widespread chemicals commonly used in makeup, skincare and toiletries, and which you need to be aware of. Parabens: Heavily used preservatives in the cosmetic industry, used in an estimated 13,200 skincare products, makeup, and toiletries. These are the most common synthetic preservatives. They show up on labels with names like butyl-paraben, methyl-paraben, and propyl-paraben. Naïve cosmetic manufacturers insist that parabens are “safe”, because they don’t directly cause inflammatory reactions to skin. But what these enzyme-inhibitors do is cause damage to the DNA of skin cells. This is something easily verified by feeding placebos to live cells in a laboratory, then recording what happens to them. Research carried out in Germany, Britain and Japan also indicates that parabens—which we absorb in significant quantities day in, day out—are likely to be a causative factor in male infertility problems and breast tumors in women. Sodium Lauryl or Lauryl Sulfate (SLS): Also known as Sodium Laureth Sulfate (SLES), which is found in some 90% of personal care products. They tend to attack your skin’s important ability to retain moisture, leading to premature aging and, in many, dry skin. Since they are very easily absorbed into the body when you put them on your skin, they actually give easy access to other chemicals that you are better off without. Isopropyl alcohol (SD-40): This is a drying and irritating solvent which disrupts the skin’s immune protective barrier, making it more vulnerable to invasion by microbes and to penetration by other destructive chemicals. It also promotes the formation of irregular pigmentation and age spots. Coal tar dyes (FD&C color pigments): These are common synthetic colors made from coal tar. They can contain heavy metals to pollute the body and deplete it of oxygen. They can also be carcinogenic. Coal tar dyes are major culprits in skin reactions, and they engender skin sensitivity. Dioxane: Often hidden in the list of ingredients, and called such things as polysorbates, PEG, and laureth ethoxylated alcohols. These chemicals are easily absorbed by the skin and are carcinogenic. This was discovered back in 1965 and later confirmed by a number of studies, including one in 1978 by the National Cancer Institute in the US. Artificial fragrances: Lots of chemicals used to make artificial fragrances are known to be both toxic and carcinogenic. They can affect the central nervous system, triggering emotional disturbances and behavioral problems in some people. This is a wide group, the majority of which is dangerous—in no small part because of the solvents used to disperse their molecules and to suspend these complex organic chemicals in solution. MAKE YOUR CHOICE Does this mean you should never again slick on that yummy lip gloss? Or that you need to toss the light-as-air cream you just bought into the bin? Not necessarily. What it does mean is this: It’s time to become aware of the dangers of toxic overload to your own system, and take action to minimize it happening to you. It’s also a good idea to cleanse your system through a very gentle but effective detox a couple of times a year. You might, for instance, choose to use the lipstick or a favorite mascara—but search for a shampoo with a natural saponifier, like kumerhou or soap wort. And forget the foaming bath lotions—use Epsom salts instead. It is important not to take, on trust, cosmetic and skincare manufacturers’ assurances that everything they put into their products is perfectly safe. It just ain’t true. ORGANIC ALTERNATIVES A growing number of conscientious companies are striving to formulate products without potentially dangerous ingredients. Some of these products are excellent. Others, although they may have been conceived out of a genuine wish to produce good, safe skincare and makeup, fall short on effectiveness and aesthetic appeal. Just like organic wines—which can be wonderful— but simply because a wine is organic does not make it beautiful to drink. Delicious organic wines rely on chemical-free vineyards and the sophisticated skill of the winemaker who creates them. So it is with cosmetics. NEW GUYS ON THE BLOCK There are two brand new organic skincare ranges that are worth taking a look at. One of them, Gaiavita…From Nature to Beauty With Love, is an excellent range that has just appeared. I have tried their products and they are effective and delightful. Their products are not only produced from superb-quality organic ingredients, the company has a powerful commitment to supporting transformation in business and on the planet, which I find inspiring. Gaiavita offer luxury health and beauty products using the purest ingredients in preparing rejuvenating skin creams and clay body masques. Do take a look at them. GaiaVita's ethos is derived from core principles of responsibility, integrity, transparency and quality...all of which I love. They have created luxury skin and body products which are not only uncompromising in their ethics but are delicious to use... and they do the job for which they are intended. The founders have a vision of forming partnerships with other women’s organizations dedicated to empowering women to become everything that they want to be. Their skin care and body treatments contain only the purest ingredients. This range is formulated in Hungary with great care and is certified by Hungaria Biokontrol as 95% organic. All in all I feel that GaiaVita is inspiring, delicious and effective. Do take a look at it…perhaps I should say take a feel of it...I suspect you’ll come to like it as much as I do… The second new organic skincare range comes out of Dr Joseph Mercola’s stable. Mercola believes that it’s important to use only ingredients that promote healthy appearances without causing potential harm. His products are certified organic, which means that they are all natural agricultural products grown and processed according to the USDA’s national organic standards, then certified by the USDA-accredited state and private certification organizations. I have a lot of respect for Dr Mercola, however I have not yet tested the Mercola organic skincare range myself. I will be doing so within the next month. It relies principally on specific natural substances such as sea buckthorn oil, cupuaco butter, and even Acai berries. My reservations about the Mercola range—and this may change once I have experimented with them—is this: Just as I have never trusted anybody to tell the truth about weight control when they have never been overweight and don’t have any idea what people who have been struggle with, I have reservations about a skincare range put together by a man who understands little about the nature of the process. I know this sounds sexist, but my experience in skin care and cosmetic is a long one. Among other ranges I have worked on, I conceived and created the Origins range for cosmetic giant Estee Lauder. I believe that you must have the experience of women to create a skincare range that is effective, delicious to use and wonderful. Hopefully, testing out Mercola’s products will prove me wrong. MERCOLA’S RANGE FAILS Alas, my concerns about the Mercola skincare turned out to be well founded. The range is indeed organic however, having tested the products now, I cannot recommend them. They smell pleasant but are in my opinion ineffective. They are also badly packaged and priced far to high. They brought no improvement to my skin and added nothing to its care. My advice is to stay away from them altogether... just because some ingredients are organic says nothing about what they can or cannot do to care for your skin and this range brings can do little or nothing for you. I DO NOT RECOMMEND THIS RANGE IN ANY WAY. For more information about GAIAVITA click here For more information about MERCOLA’s SKINCARE RANGE click here

What does it mean to live a life from your own mythology? Why does it matter? With such questions, I invite you to the experience of one quantum leap after another to expand your strength, creativity and joy. Each one of us comes into this world with a unique mythology. The more conscious you become of the myth or myths by which, long ago, you chose to live your life, the sooner you will realize who you really are, what gifts you bring, what values you cherish and how you can best turn dreams into realities as you walk this earth in a human body. The road to discovering the mythology by which you live may well be the most exciting and empowering experience you’ll ever have. WHAT IS A MYTH? First let’s be clear about what myth and mythology are NOT. In the English language, few words have been more grossly perverted than these two. In daily parlance they are wrongly taken to mean something that is untrue. In fact, mythologies and myths are stories of a very powerful kind which reveal profound truths. They put our conscious mind in touch with feeling states that lie deep within us. Like fine poetry, a mythological story can never be accessed or understood by the linear, analytical thinking that epitomizes the postmodern mechanical thinking. The worldview we have inherited contends that we we live in an arbitrary, meaningless universe devoid of spirit. I suspect this is the main reason the meaning of myth has become so corrupted. PORTAL TO NEW REALITIES In truth, a myth is a metaphor. The word comes from French métaphore, via Latin from Greek metaphora, from metapherein which means “to transfer.” A metaphor transfers meaning by pointing to an experience which, by its very nature, transcends all human categories of intellectual thought. Any metaphor acts as a portal to the awareness of an archetypal realm of experience. It is transparent to states of expanded consciousness and can be “known” only through your body and your intuitive senses. In its simplest form, a myth is a special tale that can be told ten thousand times in a thousand ways without losing its power. It is a tale which will be received differently by everyone who hears it. Yet it always carries an archetypal hook, able to grab our imagination by the throat and awaken the knowingness deep within each of us. SECRET OPENINGS Joseph Campbell, one of my personal heroes, puts it another way: "Myth is the secret opening through which the inexhaustible energies of the cosmos pour. The wonder is that the characteristic efficacy to touch and inspire deep creative centers dwells in the smallest nursery fairy tale—as the flavor of the ocean is contained in a droplet, or the whole mystery of life within the egg of a flea,” he says. “For the symbols of mythology are not manufactured. They cannot be ordered, invented, or permanently suppressed. Myths are spontaneous productions of the psyche, and each bears within it undamaged the germ power of its source." Myths live forever in our hopes, dreams and relationships. Mythological images are the means by which conscious awareness is put in touch with creative energies that drive our lives from the deepest levels of our being. When we are out of touch with them in our lives, or if we choose to deny them or pay no attention to them, we become separated from the core of our being and can find ourself in a state of confusion or despair. By contrast, a mythology that we become aware of, which fires us, is one by which we can be guided to live our lives with purpose and fulfillment. So how do we discover what mythological impulses and values inhabit the deepest regions of our psyche? Childhood usually holds the key. Now is the time for you to ask the question, “By what myth have I been living my life?” CHILDHOOD HOLDS A KEY There was a moment in Carl Jung’s life when he realized what it was to live with a mythology, and what it was to live without one. When he asked himself by what mythology he was living, he found he didn’t know. Despite his much-celebrated successes, Jung had come to feel that his work until then had all been based on an intellectual understanding of the mind. As many of us do, he realized that he climbed to the top of a ladder only to discover it had been placed against the wrong wall. In his late thirties at the time, Jung asked himself a question: “What was it that fascinated me, what was it that I most loved doing as a boy whenever they left me alone and let me play?” He remembered that what he had loved most was making buildings and cities out of small stones. He decided that, having now grown up, what he would do was play with big stones. He bought a piece of land on the lake across from Zurich. Then he planned and constructed a house. As he worked with his hands, he allowed his thoughts free run in the imaginal realms. Soon he was dreaming rich dreams. He recorded them using words and images in a journal while mythic riches from deep within his soul continued to break through into conscious awareness. FASCINATION AND BLISS Before long, he understood that the dreams he had been recording resonated with great mythic themes that he had been studying while working on his book, Symbols of Transformation. He began to paint mandalas which he found acted as gateways to greater self-discovery. The connections forged by entering the mythic level of your being invariably bring us a sense of zeal, fascination and bliss. It connects us ever more deeply with our own creativity. Sooner or later it also prompts us to share our creative gifts with the world. If we are willing to look back in silence, without judgment, to our own childhood, we often discover a myth which we either are living or are meant to be living, even though we have long remained unaware of it. Often we discover that, at a young age, we sensed what we intended to do with our life in years to come. DISCOVERING MY OWN TRUTHS I remember that at the age of five I had an argument with my maternal grandmother about marriage and children. She was trying to explain to me that, when you get older, you need to find someone to love. Then you got married in a white dress, and you ate a beautiful white cake. This meant, she said, that later you would be able to have children. I was an archetypal tomboy, hated dolls, loved climbing trees and playing football. Yet even at that age I knew that I wanted children when I grew up. Her description of the white dress and the wedding cake sounded dreadful to me. “Ugh,” I said, “I hate cake. I don’t ever want to be married.” Surprised at the vehemence of my reply, she patiently explained to me that the wedding was a necessary prelude to having children. I knew there and then that she was lying. Our Siamese cat, Babette, had given birth to lots of children and she had never been married. So ended the discussion. One day, years later, having brought four children by four different men into the world and raised them all on my own, I would remember that conversation. It surprised me. How, I asked myself, could I possibly have known that I would live out the clear intention held by the five-year-old me which, in the interim, had lain sleeping in the dark, somewhere deep within my psyche? FORGOTTEN TRUTHS Like Jung, when we are children we often have a strong sense about who we will become and what we are going to do when we grow up, based on a myth or passion that fires our soul. Usually this “knowing” gets submerged beneath what “they” tell us we are supposed to do or be. Schools, advertisers, religion, well-meaning (or sometimes not so well-meaning) adults “educate” us. They tell us it is better to drive around in a shiny car than to live the life of a hobo. Personally, even as a kid, I was quite sure that given a choice between such options, I would prefer to be a hobo. As for having children and raising them on my own, this had definitely been on my agenda. Even though we may travel down many roads that lead to dead ends in our life, when we look back to childhood we often find that a particular myth or myths hidden deep within a part of us have been directing our life all along. They may even have been the power which, each time we’ve gone down a meaningless road, has drawn us back to our center asking us to reconnect with what we most love, and providing the power to create the life we want to live. YOUR UNIQUE MYTHOLOGY Discovering by what myth or myths you are living your own life leads down two parallel roads which eventually join. They take you deeper and deeper into what is the most important process of all: Forging connections with the core of your being and calling forth your own unique, creative power so that it is expressed in every area of your life both for your highest good and for the highest good of all. Coming to experience the power of mythology as a living archetype and diving in to the wondrous mythic realms fuels the creative process within you. It helps you discover, as Jung did, the mythology by which you have been living your own life. Once you begin to see this, you can ask the question, “Does this bring me delight, energy, freedom and belief in my own creative gifts? Does this story help me live out my deepest desires and purpose, or not?” IN CHALLENGING TIMES Ask yourself this: If I were faced with a situation of total disaster, if everything I held most dear to my heart and all of my loved ones disappeared, if the life I’ve been living were devastated, what would I live for? What could sustain me? How would I come to know that, despite all the challenges, I could go on living instead of throwing in the towel and letting myself fall into an abyss of impassability and fear? Now is the time to begin exploring the realms of mythology and find out. A revelatory way of looking back at your life, if you have kept a journal or a diary, is to read through some of the entries you have made into it in past years. You are likely to find that some of what you believe you have only recently come to understand. You are also likely to discover that what was important to you long ago still is. RECORD YOUR DREAMS Such revelations can help you identify some of the driving themes of your own life—the destiny that you, most likely, unwittingly chose for your life although you did not know it. So, keep a journal. Carry it with you wherever you go. Record in it your dreams, your longings, your conscious choices and the choices that life seems to make for you without any conscious choice on your part. Continue to ask yourself, “Does the myth by which I appear to be living fire me with a sense of wonder and excitement?” If so, great... just keep on going. If not, how do I begin to uncover the mythology deep within me that will? I would love to hear from you about your own experiences in answer to the question: “What mythology guides your life?”