I’ve always loved a quote by American TV personality, Lucille Ball. She used to say, “The secret to staying young is to live honestly, eat slowly, and lie about your age.” In many ways, she was right. Your age does not depend on how old you are chronologically. It depends on the state of your biomarkers. These are scientific measures of how old you are biologically. So forget the birthdays—this is the only age that matters. And the good news is, by making simple lifestyle changes, you can reverse not only how old you look and feel, but how your body functions—in medically measurable ways. BIOMARKERS HOLD THE ANSWER Whatever your chronological age, your biomarkers are always changing for the better or worse. A few years ago, a couple of American scientists named Irwin H. Rosenberg, M.D. and William J. Evans, PhD, carried out some long-term research to identify the biomarkers of aging, and to determine clear-cut scientific measurements that doctors are able to use to determine how old an animal or a human is biologically. These biomarkers make it possible for you and your health professional to assess your functional age right now, then to reassess it as you make changes in your lifestyle designed to reverse the aging process. MEET SARCOPENIA Let’s look at the biomarker which most fascinates me. It is probably the least recognized but the most important of all in assessing your biological age. It’s called sarcopenia—a kind of physiological degeneration where you lose lean body mass and replace it with fat. Sarcopenia is a great word; remember it. It’s something you really need to know about. The process takes place when your muscle mass shrinks and your fat levels go up. This happens to most people as the years pass, because they eat wrongly and don’t use their bodies. Sarcopenia is not, as most people believe, a normal part of growing older. But when it is allowed to develop, it brings a lot of nasty aging consequences in its wake: loss of strength, lowered basal metabolic rate, an increase in the percentage of body fat, and degenerative conditions as well as chronic illness. Reversing sarcopenia is the most important change that you can make to de-age yourself in every way. SHED FAT, GAIN YOUTH People worry all the time about how much weight they’re carrying. But weight isn’t the issue. It is the inessential fat you carry which you need to lose. These are the fat deposits which distort your body shape, and are almost impossible to shed permanently on ordinary slimming diets. You see, slimming diets don’t only shed fat, they eat up protein—that is, your muscle mass. After being on a slimming diet, more than 90% of people regain the weight they have lost within a year. But they don’t regain precious muscle tissue. Conventional dieting creates higher and higher levels of sarcopenia, aging your body rapidly. Muscle loss from yoyo dieting is virtually impossible to put back. Fat is easy—just eat a few muffins each week. The more you go on and off slimming diets, the more fat gets laid down, and the more muscle gets lost. Sarcopenia, plus the accelerated aging that accompanies it, runs rampant throughout your body—not only from dieting but also from living a couch potato life. It is the single most destructive biomarker in relation to aging that scientists have as yet been able to identify. CALLING CURA ROMANA The only person that ever adequately addressed how to be able to shed fat while protecting lean body mass—even to increase it in the process—is the brilliant British physician, A.T.W. Simeons creator of the hCG Diet. What Simeons discovered was that obesity in all of its many forms is the result of an abnormal functioning in the body. He found that people who suffer from this abnormal functioning will continue to put weight on and find it almost impossible to lose. Someone who does not suffer from this abnormality doesn’t get fat, even if they overeat. Simeons discovered that the abnormality responsible for weight gain, food cravings and addictions is centered in a part of the brain called the diencephalon, which encompasses the hypothalamus, thalamus and pituitary, as well as the autonomic nervous system as a whole. What is unique about Cura Romana weight and health transformation is that it directs the body to correct this disorder. in the body’s fat control center. As this happens, the loss of inessential fat takes place automatically as a consequence of re-establishing its healthy functioning. Cura Romana is the only weight loss program which can reverse sarcopenia. In the process it also corrects many of the the biomarkers including high blood pressure, insulin resistance, cholesterol issues while enhancing skin beauty as well as self esteem and emotional balance. And it does all of this quite naturally—from inside out.

Kids are meant to hate salads. In my experience what most, very young, children hate is not salads but the textures to some salads, because they are not cut or shredded finely enough. I don't blame them. I don't like salads either unless there is real aesthetic variety to the vegetables in their color, the way they are cut and arranged or mixed on a plate. I started my children on what my youngest calls `Spiderman Salad'. He came up with that name one day when I was explaining to him that if you wanted to be strong like Spiderman you needed to eat lots of raw vegetables. These first salads are more like vegetable pates. You can chop or puree them (depending on the age of the child) in a food processor or with a handheld blender. The secret is in the `binding' such as avocado or ground cashews or pureed hard boiled eggs which makes them stick together. The great thing about these `Spidermans' is that they are highly concentrated once they have been chopped or pureed. A dessertspoonful at a meal can give more nourishment than an adult side-salad. Experiment, but always taste your experiments yourself. If they are yummy to you, they are likely to appeal to a child. If not - re-season until you have created a real prize. spiderman salad When you make any salad for yourself, including dressing, put a little of it into a food-blender, the sort that has a blade, add a spoonful of cashews or avocado or the yolk of a hard boiled egg, or even a little thick yogurt - something that will bind. Mix it all together and season with vegetable bouillon powder and herbs plus a little salt and maybe a drop or two of olive oil. What you have left is a "Spiderman", a pate which can even be spread on crackers for older children. sprout magic salad Make a base with alfalfa or other sprouts and around the dish arrange: Grated carrot Finely shredded cabbage Chopped apples Grated beetroot Add: Sliced mushrooms, black olives, spring onions Sprinkle raisins over the grated vegetables and add a spoonful of seed or nut cheese. dressings basic french dressing 3/4 cup oil 1/4 cup lemon juice or cider vinegar 1 tsp whole-grain mustard or mustard powder 2 tsp honey A little vegetable bouillon powder and pepper to season A small clove of crushed garlic (optional) Combine all the ingredients in a blender, or simply place in a screw-top jar and shake well to mix. Some people like to thin the dressing and make it a little lighter by adding a couple of tablespoonfuls of water. avocado dip or dressing This is my favorite of all salad dressings. Kids adore it; you can make it thick for them to spread on crackers, leave out the curry powder and feed it pureed to babies, or make it thin to pour over salad. 1-2 avocados 1 cup fresh orange juice (use more or less to give the desired consistency) 1 tsp curry powder 2 tsp vegetable bouillon powder Fresh herbs (e.g. lovage and French parsley) 1 small clove garlic (optional) Peel and stone the avocados. Blend all the ingredients together in a food processor until smooth.

Thanks to our growing understanding of the natural laws of health and advanced research into high-tech biochemistry, what was once little more than a pipe dream - the notion that the length of human life can be extended - is becoming a reality. Gerontologists have now challenged the maximum lifespans of many species of animals. Man is next. Already physicians are using antioxidant nutrients, electromagnetic techniques and other anti-aging tools to prevent physical degeneration and to restore health and balance to ailing bodies. Meanwhile psychiatrists and psychologists trained in biochemistry and in the orthomolecular treatment of the brain are not only beginning to cure mental and emotional problems associated with age, they are even using the tools of their trade to expand consciousness. It becomes important to ask the question, `With what consequences?' The first worry about life extension for most people is usually, `What will we do with these old people we are creating?' `Won't they be yet a further burden to society?' Naturally they want to know about the effect that longevity will have on housing, medical costs and the rest. Such questions are valid. But it is also important to penetrate the point of view from which they come - the assumptions and paradigms which underlie them. Our society has imprinted its members with negative concepts about being old. In the book for which he won a Pulitzer Prize, Why Survive? Being Old in America, Dr Robert Buffer outlined the enormous practical problems of dealing with the aged: housing, pensions, personal security, need for meaningful occupations and the rest, and the horrific conditions in which many old people in modern Western society live. He also pointed out that we hold many unconscious assumptions about the aged which continue to create these conditions. They are always with us and they greatly distort our view of aging, old people and their place in society. These assumptions include a belief that the aged are inflexible, senile, unproductive people waiting for the inevitable arrival of the grim reaper. Basically not interesting, of little value, they are people worthy of being assigned to a foreclosed existence. Alex Comfort refers to these common views of age and the elderly as `ageism' which he defines as `the notion that people cease to be people, to be the same people or become people of a distinct and inferior kind, by virtue of having lived a specified number of years'. The assumptions of `ageism' lie behind many of the most often asked questions about the social and political consequences of ageless aging. They make such questions impossible to answer adequately from our current perspective and with our current views of reality. They also force us to ignore a number of important realities. We forget for instance that chronological age at its very best is only a limited indication of biological and functional age. Even our present old people are capable of far more than society allows them to express or contribute - indeed more than they themselves allow. We also forget that every major disease is age-dependent and all of the major causes of death and disability are secondary to the progressive degeneration of aging. Little wonder, for until now, after the age of 30 we have been witnessing a steady and inexorable increase in the probability of morbidity and mortality from one disease or another. But people living by the principles of ageless aging will be different. Highly resistant to the ravages of degeneration which manifest themselves in our major destructive chronic diseases such as cancer, coronary heart disease, arthritis and the rest, they will be less rather than more of a burden to the state in terms of medical, social and psychiatric care. Application of these life-lengthening and life-enhancing principles to health on a wide scale should lead to an increase in the ratio of productive to nonproductive men and women with prolonged life spans. This has been the conclusion of Yale's Professor Larry Kotlikoff, one of the few academics to look seriously at the issue. Kotlikoff initiated an inquiry into the economic effects of increased lifespan. He also concluded that this increase in the ratio of productive to nonproductive people would result in an increased per capita output whether or not the working period increased year for year with life expectancy. With the increased longevity and the improved resistance to degeneration which are the natural outcome of applying the findings of age-researchers to our everyday lives, the population of our old people will also change. So will our attitudes to them. No longer a burden, like the Vilcabamba Indians or the Abkhazians of the Soviet Caucasus they will become not `old people' but `long lived people'. Such a simple shift in attitude could revolutionize us as human beings not only in terms of politics and economics but by shifting us towards a more value orientated society. At that point the question of `What will we do with all these old people?' begins to take on quite a different meaning. For the challenge now becomes not how we house, feed, and care for a growing sector of the nonproductive population but rather how we can best use the energy and wisdom of the older members of our society.

In Sanskrit they call it lîla. The word means play. Yet not in the limited sense of our word. Lîla is free play, deep play, wild play carried out in a timeless NOW. It speaks of divine play. It’s the kind of play that sets us free to be who, in essence, we already are, even though we may not yet know it. Lîla is also the kind of creative play that brings new worlds into existence. FROM CHILDLIKE TO GENIUS In its simplest form, lîla describes the spontaneous activity of children so absorbed in what they do that they don’t even hear you when you speak to them. One morning my three-year-old friend Marina came to visit. Scrambling onto the four-poster bed where I was writing in a state of intense concentration, she told me the story of how she had climbed to the very top of a pirate’s ship as high as the stars. Like all still-innocent children, Marina entered into her imaginal world with ease—a magical realm in which creative sparks can be seeded then begin to grow. The imaginal world is a place most of us adults have lost touch with—a powerful realm in which the joys and fruits of lîla reign supreme. At a deeper level, lîla speaks of the all-encompassing absorption out of which Beethoven, then dangerously ill and nearing the end of his life, nonetheless created the most remarkable music of the 19th century: The Late Quartets. Or the obsession of Van Gogh, which led to his having painted 900 pictures and turned out 1100 drawings pictures during a lifetime. This kind of lîla is far more complex and committed than child’s play. It can produce achievements that enrich the way we look at life, that connect us to the deepest levels of our own being. Some fruits of mature lîla even transform the world. A big deal? You bet. This is play of the highest order—nothing less than an outpouring of the most intimate and essential nature of each unique human being. Living your creativity as fully as you can while you walk the earth, in whatever way most satisfies your unique nature, is the most exciting and enriching process any individual human being can experience. It brings a sense of meaning and purpose to your own life that nothing else can. CREATIVE PASSION Creativity is not a problem to be solved or a subject to be picked apart in psychologists’ laboratories. Those who try end up wandering in an endless maze of moribund words and phrases which miss the point. Meanwhile, the wrinkled fiddler on the city street plays on—smiling. He is lost in the excitement of improvisation, magically blending movement, feeling and sound—making music never heard before, that touches his heart and awakens the senses of all with ears to hear. We have grown up with some weird ideas about creative power. We’ve been taught that creativity belongs to a few select human beings whom history labels as genius. Nothing could be further from the truth. Creating is not a rare privilege—it is a right, even a necessity for all of us, if we are to live a fulfilling life. Creating anything, from cooking a healthful meal to writing poetry or playing games with children reminds us all what life is about. From this place we learn to live and work, to imagine, invent, and finally give birth—not only to things that have never been seen, heard, felt or touched before, but to a way of living more wondrous and exciting than most of us would ever have imagined. A passion to be lived, a lîla to be danced, the wild creative power within us urges us to tell the truth and shame the devil. It demands that we express our love, our obsessions, and the fascinations which pursue us. It asks that we live out life from the very core of our being. “Genius,” as late American writer John Gardner used to remind his students, “is as common as old shoes. Everybody has it.” CREATIVE RELEASE A few years ago, I began to explore not only the power and dimensions of creativity in you, me, and all of us. I wanted to discover how each of us can gain greater access to it, and how best we can live out our own creative power in our day to day lives as scientists, professional artists, musicians, writers, dancers, actors or as businesspeople, parents, teachers, lovers, gardeners, healers, craftsmen and thinkers. I was sure that on a larger scale, the way we as a group choose to use our collective creativity determines whether or not we will be able—in the wake of having laid waste to so much of our planet—to emerge as a sustainable species in a sustainable world. A lîla of enormous proportions; what could feel more powerful or more daunting? Yet the creative power on which it depends springs from the same source within each person as Marina’s imaginative play. PRIMORDIAL POWER Mysterious, enigmatic, spontaneous, occasionally even frightening, in essence creative power is the power of life itself. It is the force that gave us birth which continues to give birth to universes. It is what created us and brought each of us our own lives. It originates from a place within each one of us where we can touch and tap into the numinous energy of the Cosmos: God, Being—call it what you will. No words can adequately describe it. In truth, it is far more an experience of aliveness than a place at all. And, although we may never describe it adequately, we are perfectly equipped to enter this locus of creative power within us and find out how to live ever more of our lives from it. For the majority of artists, creativity pours forth most easily when they have intimate support for it. Shakespeare had his actors and a Globe Theatre eager for his plays, Virginia Woolf entered a room of her own and there wove tapestries of words. Emily Dickinson wrote out of the intimate community of a family who adored her, admired her and made sure she was given the space and time to carry out her imaginative work. For others who are highly creative, there is no such intimate support. Many have suffered childhood abuse, loss, illness or intense suffering. The creativity of such people can be monumental. Each man or woman is brought to the exploration and expressions of their creative power through suffering in just the same way that, so often, we discover what is most important to us by having what we believe to be of greatest value—a loved one, a job, a title—taken from us. Painful as such experiences are, often they turn out to be great gifts when it comes to freeing our creative power. Caught up in our lives of work, children, and householder duties, few of us live in such fortunate circumstances as Shakespeare and Emily Dickinson. But that does not matter. What has not been given us we can make for ourselves. Art is not the province of the privileged few. It belongs to all people—those of us who spend our days in front of computers, cooking, sweeping streets, running errands, caring for children, handling the stupidities of bureaucracy, and living our constantly changing lives in a world that is ever less secure. THE WAY AHEAD We are alive at a moment in history where one age is dying, yet another has not yet been born. We are, each one of us, faced with a choice: As we sense the foundations of our world shaking, do we withdraw in anxiety, trying in desperation to hang on to what we once believed to be “true”? Do we become paralyzed, and try to cover our fear with apathy? Or do we summon the courage offered us by a Universe in flux, honor our personal sensitivity and consciousness, then choose to face the challenge of entering the realm of creative power within? Then, trusting our individual capacity for lîla, do we begin to play in ways that may help bring forth a new world for all? Regardless or age, background, or limiting notions about what’s possible, each one of us has a choice to make. It’s a choice between continuing to conform to established belief systems that stifle the human spirit, or trusting in ourselves. Are you willing courageously to explore your intrinsic creative gifts and make use of them? “That which we give birth to from our depths is that which lives on after us. That which is inborn in us constitutes our most intimate moments—intimate with self,” says Theologian Mathew Fox, “intimate with God the Creative Spirit, and intimate with others. To speak of creativity is to speak of profound intimacy. It is also to speak of our connecting to the Divine in us and of our bringing the Divine back to the community.” Personally, I urge you to begin connecting ever more deeply with your own brand of creativity. Discover new ways of living. Leave automatic assumptions about who you think you are and learn to respond to each moment and each day of your life with new eyes and an open heart. The more you do, the richer your life can become. Such is the joy of lîla. Such is the power of lîla. If you have not yet explored it, you have an exhilarating, wondrous adventure ahead of you. Take it. Trust it. It’s the adventure of a lifetime.

Valerian: This is the root of the plant Valeriana officinalis, which was the primary herbal sedative used on both sides of the Atlantic before the advent of barbiturate sleeping pills. It is a safe and well tested herbal remedy with a smell like dirty old socks (the smell drives some people's cats wild). Don't let that put you off, since Valerian is a powerful and useful tool for inducing safe sleep - more potent than most of the other natural tranquilizers such as hops or skullcap or chamomile. You can take Valerian in a couple of ways, but I like the tincture best - 10 to 20 drops before bedtime in a little water, or in the middle of the night when you awaken. Alternatively you can use a couple of capsules of the dried root. Valerian in lower doses is also useful when your nerves feel 'shot' during the day. Very occasionally Valerian will be too strong for a particular woman, so that she awakens with a little sense of hangover in the morning. If so, you can either cut down on the dose or try another milder remedy. In any case, it can be a good idea to change remedies every so often so your body doesn't become accustomed to one, rendering it ineffectual. Passion Flower: Passiflora incarnata, also known as Maypops, is a climbing plant that boasts magnificent white flowers with a purple center. It has a wonderful sedative and mildly narcotic effect on the body. Passion Flower is most useful for women who wrestle frequently with nervous tension and particularly helpful when nerves seem to be edgy before and around the time of menopause, when hormones can fluctuate wildly. It is also useful for relieving pain, thanks to its mild analgesic and antispasmodic qualities - all of which has been well demonstrated in laboratory and clinical tests. Passion Flower can also be useful for a woman troubled with premenstrual tension. It is not as strong as Valerian in its actions, is more calming than sedating, and as such is a great alternative to tranquilizer drugs. Use 10 to 20 drops of the tincture or the same amount of the liquid extract in water. Alternatively take two capsules of the dried extract up to four times a day as needed. Where a woman might take Valerian at night just before bed, the best results from Passion Flower often come from taking it 2 to 4 times a day to calm nerves and make everything easier and less stressful. Chamomile Tea: Matricaria chamomilla. One of the nine herbs sacred to the Anglo Saxon god Wotan, chamomile was also much loved by the Romans. Its name Matricaria is derived either from the Latin word 'mater', meaning mother, or from 'matrix', meaning womb. It has for thousands of years been used as a woman's herb against painful menstruation, to calm anxiety and aid sleep - even to help build strong bones, since it contains a form of readily absorbed calcium. Chamomile is also a uterine tonic - something else that has been scientifically evaluated. It boasts many other therapeutic properties as well such as being antibacterial in its actions and good for skin. The easiest way to take chamomile is in the form of a tisane or tea by infusing 5 to 10 grams of the dried flowers in hot water before bed or whenever you need relaxation. Chamomile works particularly well when taken together with Passion Flower. Hops: Humulus lupulus. The flowers from this British herb are often used together with other remedies to treat everything from indigestion to calm nerves. Like Valerian, hops has a pronounced sedative effect, but is milder. Unlike Valerian, hops smells sweet, and can be used without concern for side-effects. You can use hops in the form of a tincture but by far the best way for sleep - particularly good for women who are awakened in the middle of the night and have trouble going back to sleep - is to drink hop tea, which you make before going to bed by steeping the flowers for ten minutes in hot water then straining and allowing to cool. Sit the tea - sweetened with honey if you like - by the side of your bed, so you can drink it when you awaken in the night. Also wonderful is a little pillow stuffed with dried hops blossoms, which you put under your neck when you go to bed, or if you awaken. Oatstraw: Avena sativa. The straw from oats has an ability to restore energy when nerves have been frayed, and for counteracting insomnia. It can help ease night sweats, calm anxiety, and even relieve headache. Again, stuff a little pillow with oat hulls or infuse them in hot water as with hops, and keep beside your bed through the night in case you need it.

In my last post, we looked at unconscious image-making which prevents us from experiencing authentic freedom and undermines our sense of self. Now let’s flip destructive image making-on its head. It’s time to learn the art of conscious image-making It can improve health, heighten self esteem, and even forge the person whom you long to become in the future. All you need is a simple notebook in which to record your intentions, goals and experience plus 15 to 20 minutes a day to practice the art. This can be a lot of fun. POWERS OF THE MIND Creative imagery is the deliberate, repeated use of specific mental images, while in a deeply relaxed state or meditative state, to bring about change for the better. Just how creative imagery works has never been fully defined. It does, however, appear that the images one chooses to focus on when repeatedly held in the mind are able to affect one's body, emotions, and mind through the autonomic nervous system. Some of the process, at least, is explainable in biological and energetic terms. When a thought or image is kept in the mind of someone in a state of deep relaxation, his or her brain shows neuronal activity in both right and left hemispheres. Nerve fibres leading from the cerebral hemisphere through the hypothalamus can directly affect the autonomic nervous system and the pituitary gland as well as the adrenal cortex. Everyone has had experience of this image-making to some extent in day-to-day life. For instance, if you keep a frightening image in your mind's eye—say of a ghost, a fantastic monster, or a situation you want at all costs to avoid—your body will respond via the autonomic nervous system with a racing heartbeat, perspiration, dryness in the mouth, or gooseflesh. How strong your reactions are to the fearful thought depends entirely on how clear the image is. Similarly, when you hold a clear, relaxing image of perhaps a spring meadow or a person you love, your body responds with relaxed muscles, lowered heartbeat and blood pressure, and generally pleasant and passive bodily sensations. Researchers have found that through this mind-body connection we can exercise a great deal of control over our bodies and our behaviour simply by choosing images to focus on and using them regularly. In fact, this kind of deliberate visualization is the technique behind the ability yogis demonstrate in raising and lowering their bodily temperature or heartbeat at will, going for long periods of time without food, and performing extrasensory tasks. TRUST THE GAME Although the mechanism of creative imagery is highly complex, putting it to use is simple. For just as it is unnecessary for you to know how the nervous system, in conjunction with the brain and muscles, makes it possible for you to pick up an apple and take a bite out of it in order to perform the action, so it is not necessary to understand biological theories about creative imagery in order to practice it to your benefit. The imaging mechanism of your brain works automatically; all you have to do is provide it with images that are useful to you and let it do its job. Nor do you have to worry about whether or not you believe in creative imagery or whether or not you can do it well enough for it to work for you. If there is a goal that you want to achieve, you need simply to visualize it—again and again, at least twice a day; the rest is automatic, so long as your goal is something you consciously consider to be feasible. It would be absurd, for instance, to lie down for ten minutes each morning and afternoon and visualize yourself as an eagle. You might improve your imagination no end, you might also develop a great empathy for eagles, but it unlikely that you would develop wings or a beak. Nor need you worry about success or failure. As Maxwell Maltz says in his book Psycho-Cybernetics, "You must learn to trust your creative mechanism to do its work and not `jam it' by becoming too concerned or too anxious as to whether it will work or not, or by attempting to force it too much by conscious effort. You must let it work, rather than make it work. This trust is necessary because your creative mechanism operates below the level of consciousness." The only real "trust" needed for it to work is that which makes it possible for you to spend time repeatedly practising creative imagery. You do this by letting yourself go into a state of deep relaxation or meditation and then repeating your chosen image again and again over a sufficient length of time for it to take hold in your unconscious and begin producing results. You certainly don't have to trust it in the sense of believing in it for it to work. It will work whether you believe it or not. Just be consistent in using the technique regularly. PREPARE THE WAY Begin by learning to just let go. Creative imagery is an inner state of mind. To visualize effectively you need to put yourself into a calm, relaxed state in which mental images flow easily. Generally the more relaxed you are, the more successful your visualizations will be. This kind of relaxation is something that is learned gradually by practice. Even if you feel in the beginning that you are hardly relaxed at all, you will get benefits from your imaging and this will become progressively more true as you repeatedly practice visualization. Begin by lying down, or sitting in a comfortable chair, with your back well supported. Use a simple practice such as zazen or gentle, quiet deep breathing to let go of daily concerns and enter your private world. When you feel yourself quietly calm resting in your own inner space, there are several things you can do: In this space, you can examine in a new light any question that has been bothering you. You have access to the deeper layers of your mind where many answers can be found, provided you are willing to ask the questions simply and then just wait in stillness for the answer to come. This place is also where you can become aware of your belief systems and bring them to consciousness so that you can examine them in a detached, objective way and see whether they are working for you or not. You can then decide what you want to keep and what your want to leave behind. It is a place where you can learn to listen to the sound of your inner voice. The more you do this, the easier it becomes. This inner voice can guide you to where you are going next and tell you what you are about. It is a place where you can come to know yourself for who you really are, quite apart from roles and habitual assumptions you have always had about yourself. Most important of all in bringing about change, you can use this inner space to practise creative imagery. Go through your relaxation technique until you enter your inner space. Now you are ready to begin visualizing. You can do this in two ways: verbally, by simply repeating over and over a few words that describe the image, or visually, by simply seeing yourself as already having become what you want to be. For some, who at first experience difficulty in visualizing, the verbal method works better; for others, the visual method is more successful. Try them both and see which you prefer. Later on, after you are familiar with the use of creative imagery, you will probably want to use both. FOCUS YOUR DESIRE Let's say you pick as your goal the desire "I want to have more energy." Using the verbal method, turn the wish into a positive statement. It becomes "Every day I am more and more energetic and well." It is important that your goal be phrased in this way. It has to be in the present tense—not "One day I will be better" or "I hope that I will be more energetic," but Every day I am more and more energetic and well. It is happening now. Your subconscious mind, which holds the power to bring about change, does not function in terms of time and space as your conscious mind does. It understands only the simplest and most direct instructions, and when they are given it works as if they had already occurred or are occurring now. The words you have chosen become your image. You put them to work by simply repeating the words over and over again silently to yourself while you are in the deeply relaxed state in your inner space. It is the constant replaying of the message day after day twice a day that works best, not how long you do it each time you relax. One convenient way of doing it is to repeat the directions ten times in each session, moving one of your fingers with each repetition until you have been through all ten. Then you simply say to yourself the same, "I am now going to come out of my inner space...(by counting backwards from three, etc.) and open your eyes. The best time for most women to practice creative visualization is in bed at night just before they fall asleep, and then again in the morning just before they get up. But really you can do it anytime—whenever you can find ten minutes to yourself in the middle of the day, or in the middle of the night if you awaken, or during meditation. The important thing is to do it regularly twice a day every day. You needn't worry about doing it wrong, either. Because, in truth, there is no wrong way, and every supposed wrong in the way you are doing the technique will gradually put itself right with practice. WATCH IT HAPPEN If you prefer, you can use a visual way instead, or you can use a combination of both. Picking the same goal, I want to have more energy, go through your relaxation technique. When you are at the inner space, instead of repeating words let your mind play with the image of your goal as if it had actually come about already, almost like a daydream. In other words, see yourself moving through your day, relating to people, doing your work, playing games, all the while full of vitality and bounce. Watch yourself in your imagination and enjoy the ease with which you do things that once seemed difficult or tiring. Notice the glow of your skin, how well you look; see the vivacity in the way you speak and move. Watch yourself and enjoy it. The more of it you let yourself imagine and the more you enjoy your imaginings, the stronger will be the images you are creating and the more quickly they will become reality. But as with the verbal instructions, always keep your images in the present as if they are actually happening now and not as if they might happen in the future or are something you would like to see happen. You may find at some point that something or someone is interfering with your image. For instance, you might find that as you watch yourself moving about energetically through the day in your mind's eye, another figure appears—say an old woman—who speaks to you. Perhaps she says something like, "You silly girl, if you don't slow down you know you will exhaust yourself or make yourself ill." Or, "Why are you pretending to be full of energy when you know that you are really tired?" and so on. Pause for a moment and take a look at the figure. Who is she? Your mother? A friend who tends to be negative about everything you try? The voice of a belief system from inside you which, without your being aware of it, has been telling you for years that you are tired? Answer the figure back. Tell her quietly but firmly in your mind, "No, you are wrong. I am well and I have lots of energy. I also know how to use it wisely. I will rest and look after myself when I need to, I will eat well, I will enjoy what I do. I will be happy with my vitality." Then go on with your visualization. Unexpected intrusions like this while you are visualizing are often very useful, for they help make you aware of belief systems and notions that may have been unconsciously impeding your progress towards a goal. Then, when you have practised your visualization for, say, five or ten minutes, tell yourself you are going to count backwards from three and open your eyes. A FEW TRICKS TO HELP In the beginning, when you are just starting to explore the power of creative imagery, it is a good idea to pick only one goal at a time and work on it for several weeks or months until it is being progressively realized before taking on another thing you would like to change. The technique of keeping a journal is very useful in recording your progress, but even more important is keeping a record of insights and experiences you come upon while practising the deep relaxation and visualisation techniques. The information and insights they turn up for everyone are invariably rich. Many times something you record today which seems not particularly useful now will have a message of immediate importance to you three months from now. Finally, there is one very simple goal that I find particularly useful because it covers all areas of one's life and you can use it over and over again, year after year, with benefit. It is, "Every day I am more and more myself. My life grows richer and richer." “Practice makes perfect,” the saying goes. It most certainly does but never treat your practice as a chore. Let it be fun. When you do everything happens faster and with greater ease.

Before we begin I would like to share a short interview I did with Helen Musset, who was on Leslie Kenton's Cura Romana and lost 20 kilos while on the program. I was lucky enough to interview her about her experience. You can listen to the interview here. Now back to my newsletter. Frequently discussed yet little understood in our post-industrial society is the value of ecstasy and the spiritually creative power of the erotic. For power, it is of an order that can be both frightening and tremendously creative. It is no accident that in all of the Eastern religions it is the erotic which symbolizes man's pathway to realizing the Divine. In our capacity to experience ecstasy at the deepest levels may lie both the key to our survival and our ability to create. Studies of the human brain and its interfaces with the body have for the first time in history begun to chart what takes place biologically when one allows oneself to enter fully into the erotic state. PATH TO FREEDOM The results of this research are not only helping us see just how important this can be to health and wholeness, they make us conscious of just how far away the so-called sexual revolution has taken us from our being able to experience true ecstasy. For the mechanistic approach to sexuality with which we have lived for the past four decades, with all its sex-manuals and all the advice on “how-to-do-it-better”—instead of leading us towards a state in which we are more able to plunge into the irrational, oceanic, all-trusting state which every ecstatic encounter demands—has taught us to intellectualize sexuality. We’ve made it into something which too often we do and watch ourselves doing; something that we learn about and something that we try to control. Yet right at the core of every truly ecstatic experience is a fundamental demand that we give up all control, so that for a time we allow ourselves to dissolve our boundaries and merge into a celebration of the body, of life itself. In doing so, we experience being fully present in the moment. THE PRIMITIVE BRAIN Each man and woman has not one brain but two: The rational brain or the neocortex, which like an immensely complicated computer enables us to make conscious choices and to collect, store and interpret the data we receive from our sensory organs. We also have the subcortical nervous system known as the primitive brain. This primitive brain is sometimes referred to as the “reptilian structure”. From an evolutionary point of view, it is the oldest part of our brain. Unlike our conscious mind, it can never be disassociated from our basic adaptive systems such as the hormonal system and the immune system, on which survival depends. Your emotions and your instincts are bonded to the activity of your primitive brain. The hormone control center area regulates the activity of all your endocrine glands through complex feedback mechanisms. When you experience joy, your hormonal functioning is better. When you grieve or when you engage in intellectual thought, it is subject to greater stress. This complex feedback network between our mind and body, mediated through the primitive brain, is often referred to as our primitive adaptive system. On the quality of its responses and how well it is balanced with the functioning of our neocortex depends how healthy we are physically, mentally and spiritually. LOSS OF TRUST But being human in the so-called civilized world is not always easy. In our culture, the neocortex—our rational brain—has become highly developed. It is this development which gives us the capacity to make rational decisions, to define what we perceive to be “reality”, and to consciously manipulate the outside world to our advantage. In a truly healthy person, the balance between the two brains is good. However in most of us, our rational brain inhibits the primitive brain. In truth, in our 21st century world, this neocortical inhibition of the primitive brain has been carried to extremes. So much is this the case that we have undermined our ability to experience ecstasy, diminished our capacity for creativity and joy and have forgotten how to trust in the wisdom of our instincts. Take the experience of childbirth, for example. Instead of our being able during the birth process to give over our bodies to the event and trust that at the right time the appropriate hormone will be secreted to dilate the cervix and bring the child into the world. This leads instinctively to the desire to nurture new life at the breast and experience the oceanic love that comes with mother/child bonding. When we try to exert conscious control of the process, we undermine our natural, primitive adaptive processes. As a result, hormones shift in inappropriate ways and we lose touch with the ecstatic experience of surrender to the body, as well as with all the joy this brings. In short, Whenever we bring into play the rational brain at an inappropriate time we suffer for it. (So, incidentally, does the baby.) Then we experience ourselves as separate from what is happening to our body, and we feel pain. THE PAIN OF SEPARATION It is not our rational brain that is the problem, but the inappropriateness of allowing it to come into play at the wrong time, which results in an experience of separation and anguish. Human instincts, which need to be valued, trusted and allowed freedom to be for us to live in real health and wholeness Fragile things, they are easily repressed and inhibited, constantly changed and controlled by the power of the neocortex. So much is this the case in the majority of people nowadays these inhibitions have become so unconscious and habitual that they are not even aware of them—something which eliminates the possibility of choice. Quite simply, we have forgotten how to let go and trust to our body. We deny the power of our instincts. Then, instead of working for us they work against us. Each woman is a great deal more than her rational mind. To be whole, to be healthy, to live the power of her own individual truth, she requires a highly developed emotional and instinctive life as well as a strong rationality. She needs to learn to trust her body so that, at appropriate times, such as in childbirth or lovemaking, she can abandon herself to it fully. Then the highly developed neocortex—responsible for the development of culture and rational achievement—instead of working against our vitality, can help channel her instinctive and emotional life in exciting and creative ways. We become able to experience joy in simply being, the way a child can—a joy and a radiance which does not depend upon what we do or have, or on how clever we are, or how admired: We come to live life moment by moment, simply by being fully present to whatever is happening. THE SERPENT AWAKENS How do we rediscover this kind of trust in our body and our instincts? The answer is not simple. It involves experiment, listening, adjustment. Usually it develops slowly, in fits and starts, by learning to trust ourselves, by becoming aware when instinctive responses begin to take place and allowing them to happen. This is especially important in the experience of sexuality—a realm in which the primitive brain comes into its own more easily than in any other. The erotic, the ecstatic, has a power far beyond the experience of pleasure it brings. Ancient philosophical and religious traditions teach that the font of our sexual power, known as the kundalini, lies coiled like a sleeping serpent at the base of the spine. When aroused, this intense procreative energy, the most powerful energy known to human life, begins to uncoil and rise up the body, activating our energy centers—chakras—one by one. There are seven main chakras in the body. These locusts are where life energy, which controls biological processes, interfaces with the physical body. Each chakra relates to particular endocrine glands and each manifests a different quality of powerful instinctive energy. For instance, the first chakra which lies near the base of the spine deals with our survival. The next chakra, located in the pelvis, looks after procreative energies. The chakra at the solar plexus is involved with our will, the heart chakra with compassion, the throat with our higher creative energies, and so forth. The seventh chakra at the crown of the head is known as the thousand petal lotus. It has long been believed to be responsible for man's spiritual development at the highest level. When fully activated, this crown chakra can emit a radiance which you find depicted in every religious tradition in the form of the halo around the head of saints, the Christ, the Buddha and all the rest. CREATIVE FREEDOM The kundalini or life force is not something which can be aroused or activated through rational effort by the conscious mind. For its energies, being sexual in the very deepest sense of the word—a sense which encompasses self-expression and creativity in every way from giving birth, to art, to Dionysian celebration of the erotic in sexual intercourse—are irrational in nature. They belong to the realm of the primitive brain. As such, they defy definition and elude any who would classify, categorize or try to control them. Since we belong to a civilization that places great value on classification and control—and which therefore has sought conveniently to ignore or dismiss as non-existent any part of experience which does not fit into whatever is rational and controllable. We often feel particularly unsettled whenever the power of these profound life energies surface. They can make us decidedly uncomfortable. After all, if we decide to follow them, we risk dissolving the boundaries of ourselves. Then we fear a loss of the very control which the overdeveloped rational mind so loves. The irony is that it is this very loss of this control that we most long for. Here’s the bottom line: Without an ability to live the instinctive as well as the rational, we will never experience our wholeness. Without this, the full creativity of our longings and our humanity can never be realized. For it is the inhibition of this ability to experience the ecstatic and to trust in ourselves and our bodies that bring feelings of powerlessness and meaninglessness which are now widespread in our society. CELEBRATE ECSTASY As black American writer Audre Lorde says, “The Erotic is a resource within each of us that lies in a deeply female and spiritual plane, firmly rooted in the power of our unexpressed or unrecognized feeling... As women we have come to distrust that power which rises from our deepest and nonrational knowledge... It has been made into the confused, the trivial, the psychotic, the plasticized sensation. But the erotic offers a well of replenishing and provocative force to the woman who does not fear its revelation, nor succumb to the belief that sensation is enough.” Exploring the realms of ecstasy, the truly erotic in your own life, is a long way from experimenting with all the mechanistic sexual stuff you will find in the popular press which tells us how we are supposed to get more pleasure from sex by doing this or that to your partner. Sadly, instead of freeing us to explore ecstasy, the so-called “sexual revolution” has crushed our erotic power not set it free. When this happens, what is meant to bring ecstasy instead turns pornographic then our powers for creativity and freedom are truncated. It is time that we develop the ability to surrender ourselves to the realm of instinct, to trust our bodies and stop relegating our sexuality to the realm of the neocortex. To experience high level health and wholeness, we must find a marriage between instinct and reason. It is a union which like any marriage takes time to develop and grow, but a union which in terms of our wellbeing, self-respect and capacity for joy in day to day life can bear infinite fruit. DOWNLOAD MY FREE BOOK 7 STUNNING SECRETS FOR WEIGHT LOSS FREE It Will Bring You: • A clear understanding of why conventional weight loss diets fail. • A step-by-step guide to help you shed excess fat permanently. • Insight into food cravings and why they are not your fault. • Actions you can take right now to move forward towards a leaner and healthier body. latter Download 7 Stunning Secrets For Weight Loss HELEN LOST 20 KILOS ON CURA ROMANA - INTERVIEW Helen Musset, who was on Leslie Kenton’s Cura Romana lost 20 kilos while on the program. I was lucky enough to interview her about her experience in this short audio conversation. Many people find it hard to understand the transformation that occurs through out the Cura Romana program as it almost always seems to good to be true. I hope this sheds some light into this process from someone who has been through the program and experienced it’s powerful weight loss properties as well as it’s ability to provide tremendous personal transformation. I hope you enjoy. Listen to Helen’s Interview

Children have also taught me much of what I know about love. They have a singularly unsentimental attitude toward love and show little patience with an adult's romantic notions. To a child love is nothing fancy. It is a real and tangible feeling to be taken highly seriously. `If you love somebody,' a six-year-old boy named Charlie once told me, `then you help him put his boots on when they get stuck.' `When I grow up,' said eight-year-old Marlene, `I'm going to love somebody even if his handwriting is messy.' I once had a real demonstration of what love is all about from my eldest son, Branton, who was then eight and to all appearances totally indifferent to his little sister, Susannah. One Autumn evening, after we'd all been out in the yard, we discovered Susannah was missing. Through a series of misunderstandings she thought we'd gone off for a walk in the woods - and we thought she'd gone back to the house. By the time I realized she was gone, Branton had a dachshund under each arm and was firmly ensconced on the sofa watching his favorite television program with a friend. If one thing was certain in our house, it was that Branton would do absolutely nothing anyone wanted him to do - such as set the table or wash his hands - while this particular program was on. I could stand in the middle of the room and scream at the top of my lungs but he wouldn't hear me. After I'd searched every room for Susannah, I began to be frightened. It was dark by then, and she was only five years old. Our house in the country had enormous expanses of land and woods surrounding it. She could have been anywhere. Careful not to betray my anxiety, I announced, `Branton, Susannah is gone.' There was a pause, rather like a slow take in a cartoon film, then he turned and looked at me. `I can't find Susannah,' I repeated. `She isn't in the house, and I don't know where she is.' He was up as if dynamite had blown him off the sofa. The poor sleepy dachshunds were shaken out of their stupor. `I'll find her,' he said on his way to the door. Then he stopped and turned to his friend, still engrossed in the television program. `Get up, Jeff,' he commanded, `we've got to find Susu. Hurry up.' I have never seen any human being move faster. Within two minutes he had been around the acre of land surrounding the house and rung two doorbells to ask if the neighbors knew where his sister was. By then I had remembered our talk about going for a walk in the woods, and had headed toward the thicket. Branton, still running at top speed, came up and passed me by, all the time calling: `Susannah, Susannah.' As we headed up the big path into the woods, I heard the faraway sound of a child crying out. It was Susannah. I tried to reassure her we were coming - while attempting to avoid falling in the wet mud - meanwhile Branton plunged on ahead, apparently afraid of nothing. In another minute he had her in his arms. As I approached, I heard him saying over and over, `Oh, Susu, Susu, are you all right?' as tears streamed down his cheeks. Later that night at the dinner table I told Susannah, who frequently suffered Branton's scorn, that now she knew what Branton really felt about her. I suggested she remember this evening whenever she became discouraged by his taunts - calling her a drip, for instance. She smiled. `You're a drip,' said Branton.

I am a sucker for beauty. I always have been. It dazzles me, whether in the form of a man, a woman, a sunrise, or tiny shoots poking their heads through encrusted mud after a devastating flood. One way or another I have spent more than forty years of my life working with beauty, writing about it, researching for product formulations and helping create skincare ranges in the beauty industry. Superficial? Nothing but an indulgence? Nonsense. Like truth, beauty can be one of life’s greatest joys. Keats knew what he was on about in the final lines of his Ode To A Grecian Urn: "'beauty is truth, truth beauty,' – that is all / Ye know on earth, and all ye need to know" For years I had a recurring dream: I am walking through a wood and come upon a tree so magnificent I cannot bear to look upon it. I never understood what the dream was telling me. Then one day I got it. True beauty—the dazzling uniqueness of a tree or a wonderful piece of music or a woman, be she 18 or 80—in some way annihilates us. It takes us beyond what we feel comfortable with to what physicists call zero point, a realm of no thoughts, no opinions, just a sense that we are at that moment in the presence of something wondrous. THE ZEN OF BEAUTY To me there is nothing more beautiful than the unique nature of a human being, that “seed power” within each of us which carries the genetic potentials of what we can become. Each man or woman boasts her own brand of seed power—a unique collection of physical characteristics, passions, needs, quirks and agendas. Like a stalk of bamboo in a Zen painting, the seed power of a human being is absolutely unique, yet carries with it a magnificent sense of the universal. The more freely and fully a person’s seed power gets expressed in how they speak, think, look and live, the more beautiful they become. This is what I call deep beauty. Real beauty is above all authentic. That is, it is carried on the energy that comes from living your own truth instead of buying into somebody else’s rules. The mythologist Joseph Campbell used to say that the best way to live your life is to “follow your bliss.” I think he’s right. When you live this way your eyes shine, your body grows stronger and your skin glows, no matter what your age. In this lies the truth of what they call “inner beauty.” ICING ON THE CAKE But what about “outer beauty?” I also love the trappings and trimmings, the glory and glamour of lotions and potions, sparkling eyeshadows and shimmering lip-glosses. Since I was a teenager my dressing table has been littered with colors and brushes, hair clips, bottles and sprays. They were my playthings for adornment and exaggeration. Like the ribbons nineteenth century women wove into their hair and bodices… mmm… sheer delight. I had a beautiful mother whose name was Violet. She looked like a cross between a golden-haired fairy godmother and a Hitchcock blonde. Always impeccably dressed, my mother could walk through a barnyard in a white suit and emerge without a speck. Not me. I am a walking advertisement for what I ate for lunch, since most of it ends up down my shirt. COOL BEAUTY Violet was a cool beauty. She never shared her clothes with me, her jewelry, or her cosmetics. Even to walk through her dressing room and touch them was a crime punishable by banishment. But she did share some important advice: First she taught me that beautiful skin matters. To maintain it, she insisted, you need just the right amount of sunlight—half an hour early or late in the day—no more ever. She was adamant I needed to eat natural foods and to supplement my diet with some judiciously chosen vitamins and minerals as well. “Stay away from sugar and breads and pizzas,” she insisted. “Never go to bed without cleaning your face first, and always nourish your skin with something active, be it fresh papaya or an absurdly expensive but irresistible French night cream. That will help repair damage that takes place in the daytime.” At first I balked at the idea. Then, in my mid-twenties, I decided she was right. I began to make a little time each day to look after myself. It was then I discovered that the time a woman spends at her dressing table (this can be as simple an affair as a cardboard box covered with cloth at which you sit on a cushion) far from being a narcissistic self-indulgence can become a time of silence, solitude, and renewal. I believe this right to this day. It can be a time every bit as full of peace, simple pleasure and quietude as meditation. It can also be a lot of fun.

Water is a powerful energy balancer. Water treatments have been used for centuries to help heal illness and to keep healthy people well. They are so good at balancing energy that most people who begin to experiment with hydrotherapy techniques are astounded by what they can do. During a two-day detox, they can help with the elimination process enormously – after all, this is the prefect time for long, relaxing soaks in the bath to soothe your mind and encourage your body to get on with its job. Dr Douglas Lewis, whilst head of physical medicine at John Bastyr College Natural Health Clinic in the United States explained: ‘Hot water produces a response that stimulates the immune system and causes white cells to migrate out of the blood vessels and into the tissue where they can clean up toxins and assist the blood in eliminating waste’. Hot and cold water applied alternately to the surface of your skin stimulates circulation and spurs good lymphatic drainage, also helping your body to eliminate wastes quickly. Hydrotherapy is also fun. epsom salts bath Epsom salts baths are an old and potent practice for eliminating toxins through the surface of the skin. Epsom salts are magnesium sulfate. Both magnesium and sulfate molecules have an ability to extract excess sodium, phosphorus and nitrogenous toxins from the body. This is why athletes use them to relieve muscular pain. Magnesium sulfate dissolved in water creates a static, unified, electrical field, and immersing your body in it helps to create a magnetic balance. During your apple fast, taking an Epsom salts bath helps speed up the detoxification process and minimizes any aches, pains or fatigue which sometimes come with rapidly eliminating stored toxins from the body. Epsom salts are also wonderful during periods of prolonged stress and when you are feeling overtired. Take two cups of household-grade Epsom salts (available from the chemist), pour them into the bath and fill with blood-temperature water. Immerse yourself for 20 to 30 minutes, topping up with warm water when necessary to maintain a comfortable temperature. Get out of the bath and lie down for 15 minutes – better still, take an Epsom salts bath just before you go to bed. the heat bath Saunas can be a great help during a detoxification regime, as artificially induced perspiration is one of the best means of deep-cleansing the body. However, most of us don’t have a sauna at home. You can get a similar effect – in terms of the elimination of waste through the skin and deep relaxation – by taking a carefully regulated hot bath, provided your tub is large enough for you to immerse all of your body except your head in it. Make sure your bathroom is warm and comfortable – have candles for soft lighting, play some relaxing music, and put your towel somewhere so that it will be ready-warmed for you when you get out. The temperature of the bath is crucial. It needs to be kept at about 105-110 degrees F (40-43 degrees C) – just a few degrees above normal body temperature. Hotter than this can be over-stimulating to the body. You can use a simple thermometer to check the temperature every five minutes and keep topping up with hot water to bring it back when it starts to fall. Lie in the bath for 15 to 20 minutes with just your head sticking out. Then get out, quickly wrap yourself in a big towel (or a cotton sheet if you prefer) and lie down and relax, covering yourself with a blanket, for another 20 minutes. blitzguss A real blitzguss needs to be done by a professional, but you can get many of the same effects in the shower yourself at home – especially if you have a handheld shower which you can direct on different parts of your body. Take a warm shower until your skin is really glowing with warmth. Then turn off the hot water and using only cold, direct it over your face and then down your arms and legs, over your trunk and abdomen and down your back. The process should take no more than 30 seconds. Then get out of the shower, pat off the excess water and dress warmly. This is particularly good done just after skin brushing. Your skin is so fresh and clean after being brushed that it fairly zings in contact with warm water. The quick burst of cold water will make it zing again and get the circulation going a treat. If at any time you feel uncomfortable using any hydrotherapy technique, stop immediately and try again another time. Never force yourself to ‘suffer’ if any of them cause any tension either in your body or your mind. dew bath One of the oldest, and for me one of the most decadent, natural treatments is walking barefoot on dewy grass. The treatment was traditionally used to strengthen immunity, stimulate intestinal functions, act as a counterirritant for the chest and throat and relieve headaches. It is good to use during a two-day detox not only because it is stimulating to the whole system, but also because of the sense of clean freedom it gives you. If you are not in the habit of going barefoot, begin gradually. Start by simply rubbing the feet with a wet cloth for a minute or two then put on socks and shoes and walk about. After a few times try walking on dry grass and then on wet grass – first thing in the morning in the summer is just wonderful. Take the treatment whenever you get a chance – in the garden, in the park or in the country. Bare your feet to the elements and you’ll reap the benefits. By the way, bathing your feet can help with a headache, too. Half fill a bath with cold water. Then, making sure you are well covered so your body doesn’t get cold, walk about in it with bare feet for three minutes. Immediately afterwards, put on warm socks and lie down for ten minutes. You might feel silly doing it, but it really can help, and it gives you the same lift as paddling in the sea. air bath Water is not the only thing you can bathe in. Of all the nature cure treatments, the air bath is the simplest. It involves removing all your clothing and allowing fresh air to circulate around your body for a few minutes. It is believed that exposing the body in this way even for only ten minutes can increase metabolism temporarily by as much as 50 percent, no bad thing when you are trying to eliminate wastes. Certainly it makes sense to regularly give your entire skin surface a chance to breathe unrestricted by clothing. The easiest way to take a regular air bath is to strip down while you do your morning or evening toilet. Make sure you open a window in the bathroom so that there is fresh air. If you need to turn on a heater in the room do, although cool air on your body for a few minutes can have a positive, stimulating and strengthening effect. This is yet another technique you can use after your two-day apple fast to tone your skin and help keep that feeling of being fresh and alive that comes after a detox.

I never met a vegetable I didn’t like. But it took me a while to realize this. For—like a lot of people—I grew up with the mushy Brussels sprouts, canned spinach, revolting beetroot salads, and other nameless horrors served in school meals. It was only when I began to make vegetable juices and exuberant salads, and to cook my own, that I discovered just how delicious vegetables can be in their many incarnations. For a long time, cooked vegetables had a bad rap. Some of this, I suspect, is the result of our not being able to buy good quality organic vegetables in the last 20 or 30 years. So people have come to think of vegetables as rather flavorless things that everyone knows you’re supposed to eat because they’re good for you, but that nobody can be bothered with. RAW OR COOKED When vegetables are cooked properly they have a marvelous flavor of their own. There is nothing quite as comforting as the crunchy pleasure of a baked potato stuffed with a well-dressed living salad, or the light, crisp taste of stir-fried mange touts spiked with almond slivers. And there is little more beautiful to serve with a fish, meat or tofu dish than brightly-colored vegetable purées of carrot, beetroot or spinach. Steam them, stir-fry them, bake them, purée them, eat them raw—however you go, vegetables are not only some of the most important foods in relation to health, they are also some of the most delicious. From the humble turnip to the light-filled leaves of radicchio, vegetables are also sources of light energy from the sun—the same light energy that 15 billion light years ago created the universe; the same energy from which the living body is made. Their beauty is the beauty of the life force itself. When they are grown organically in healthy soils, and eaten either raw or with as little cooking as possible, this energy—which cannot be measured in chemical terms, and whose potential for enhancing health probably goes far beyond even that of the newly discovered phytonutrients—becomes our energy. BEYOND ANTI-OXIDANTS Low in both calories and fat and riddled with fiber, fresh vegetables are rich sources of antioxidants—from vitamins C and E, and the carotenoids—to help protect against the free-radical damage that underlies degeneration and early aging. Not long ago, at Tufts University in the United States, scientists developed a method of measuring the antioxidant power of specific fruits and vegetables by measuring their ability to quench free radicals in a laboratory test tube. They can now test a food’s oxygen radical absorbance capacity. Using the ORAC test, these researchers have begun to categorize a fruit or vegetable according to its overall antioxidant power. They list fruits such as blueberries, blackberries, strawberries and raspberries at the top, along with vegetables like kale and spinach, Brussels sprouts and broccoli. The antioxidant capacities of a specific vegetable go way beyond its vitamin and mineral content. Much depends on the phytochemicals, which give vegetables their distinctive colors and flavors. Already, scientists have discovered hundreds of health-enhancing phytochemicals that inhibit blood clotting, lower cholesterol, detoxify the body of wastes and poisons, reduce inflammation and allergies—even slow the growth of cancer cells. These amazing nutraceuticals, most of which were completely unknown ten years ago, work synergistically. This means that the wider the variety of fruits and vegetables you eat, the greater will be the protective health-enhancing benefits for you. THE EYES HAVE IT Eat more spinach and leafy greens such as silverbeet, kale or collards, and you tap into a rich supply of the carotenoids zeaxanthin and lutein to protect the eyes—and probably the brain too—from degeneration. In one study of 356 older people, reported in the Journal of the American Medical Association, research found that eating good quantities of these leafy green vegetables—the equivalent of a large spinach salad each day—reduced the risk of macular degeneration by 43 percent. This is the age-related retinal disease that has you holding a menu 1 m (3 ft) away from you in order to read it. Another study from the Journal of Neuroscience reported that eating a good portion of spinach each day delayed the onset of age-related memory loss as well. Broccoli and Brussels sprouts, rich in sulforaphane and indoles, protect DNA from damage. Tomatoes, like many colorful fruits and vegetables, help protect against premature aging. Scientists estimate that each of the 60 trillion cells in the human body suffers 10,000 free-radical ‘hits’ each day. And this is on the increase, as a result of increasing chemicals in our environment. Phytonutrients help protect us from oxidation damage. Eating vegetables helps counter damage. Make friends with the colorful vegetable kingdom. Build your daily meals around them by eating salads, drinking juices, and cooking them in ways that preserve as much of their innate life-enhancing abilities as possible. Below are a few of the fruits and vegetables now being widely studied and praised for their powers. There are many more discoveries yet to come. Phytonutrient-rich plants PLANT: garlic and onions phytonutrients: allyl sulfide (allicin) benefits You will find potent anti-viral and anti-bacterial properties in these vegetables. Allicin decreases the risk of stomach cancer and colon cancer, lowers LDL cholesterol, encourages the production of glutathione S-transferase—an enzyme that helps eliminate cancer-causing toxins from the body. These foods also offer many more useful anti-aging and health promoting tasks. PLANT: green leafy vegetables: spinach, turnip,beet tops, collard greens, kale; also in yellow marrows or squashes phytonutrients: lutein benefits A big-league carotene antioxidant that resides in the fatty pigments of plants, lutein keeps carcinogens from binding to DNA, and in doing so protects against degenerative diseases including eye diseases. It is the primary carotenoid present in the macula of the human retina. It also protects cells all over the body, including the skin, from premature aging. PLANT: crucifers: broccoli, Brussels sprouts, cabbage, other leafy green vegetables phytonutrients: indoles, sulforaphanes benefits Indoles prevent cancer-causing hormones from attaching to cells by increasing the body’s supply of the enzymes that weaken cancer-producing xeno-oestrogens. They also eliminate toxins and enhance immunity. Sulforaphanes remove carcinogens from cells and, in animal studies, even slow cancer growth. PLANT: tomatoes phytonutrients: lycopene, P-coumaric acid, coumarins benefits A carotenoid, of the same family as beta-carotene, lycopene is one of the most potent antioxidants of all. It has great antioxidant power. Where it is high in the diet, colon and bladder cancers are low. It also helps lower the risk of cardiovascular disease. P-coumaric acid (which you find in strawberries and peppers as well) inhibits the production of cancer-causing nitrosamines in the body. Coumarins reduce inflammation. PLANT: citrus fruits: oranges, tangerines, grapefruits phytonutrients: limonene, glucarase benefits Limonene increases the body’s production of anti-cancer enzymes and enhances immunity. Glucarase inactivates cancer-causing degenerative chemicals that get into the body and eliminates them. PLANT: citrus fruits: orange vegetables and fruits: mangoes, pumpkins, carrots, sweet potatoes, squash marrows phytonutrients: alpha-carotene, beta-carotene benefits These vegetables get their color from carotenes—antioxidants with a major capacity to boost general immunity and decrease the risk of many kinds of cancer as well as other degenerative diseases and premature ageing. (Other carotenoids in foods such as lycopene, luetin, zeaxanthin and cryptoxanthin may be equally important or even more valuable.) PLANT: berries, red grapes, red wine, artichokes, yams phytonutrients: polyphenols benefits Polyphenols lower the risk of heart disease and flush out cancer-causing chemicals. This group of phytochemicals includes the flavonoids that fight cell damage from oxidation, strengthen blood vessels, decrease the permeability of capillaries, protect the integrity of skin and improve the health of eyes. PLANT: flaxseed or linseed phytonutrients: lignan precursors benefits Lignans are polyphenol antioxidants. Linseed (or flaxseed) is chock-full of lignan precursors—chemicals in the body that turn into lignans through metabolic processes. They help prevent cancers, including breast cancer, by binding to oestrogen receptor sites inhibiting oestrogen’s cancer-producing activities. Flaxseeds are also an excellent source of omega-3 fatty acids important for the production of hormones. SPICY PUMPKIN SOUP Sweet and slightly bitter, pumpkin has a cooling quality. In Oriental medicine, it is used to clear ‘damp’ conditions—from edema and eczema to dysentery. Pumpkin certainly helps regulate blood sugar in the body and strengthens the pancreas. That is why it is often used in natural medicine to help clear hypoglycemia and to improve diabetes. This recipe for pumpkin soup has been in my family for so long that I can’t even remember who created it. I suspect it was my daughter Susannah. It is deliciously spicy and goes beautifully with a simple salad of fresh sprouts and some rich black bread. Instead of pumpkin, you can use marrow or squash if you wish, but you won’t get the same beautiful colour. WHAT YOU NEED 2 medium Spanish onions, finely chopped 3 garlic cloves, finely chopped 450 g (16 oz/2 cups) fresh pumpkin, peeled and cut into small cubes 250 g (9 oz) mushrooms, sliced 2 tbsp extra-virgin olive oil 720 ml (11/4 pints) vegetable or chicken stock, boiling 1 tsp ground cumin small bunch of fresh coriander, chopped 1 tsp ground cinnamon 4 cm (11/2 in) piece of fresh ginger, finely shredded 1 tsp dry mustard 2 tsp vegetable bouillon powder pinch of Cajun seasoning juice of 2 fresh lemons zest of 1 lemon, finely shredded HERE’S HOW Sauté the onions, garlic, pumpkin and mushrooms in a little olive oil until soft. Add the boiling stock and cook for 30 minutes. Add the remaining ingredients except for the lemon juice and zest, and cook for another 5 minutes. Place in a blender or food processor and blend thoroughly. Add the freshly squeezed lemon juice and serve sprinkled with lemon zest.

Amidst all the shifting magnetic fields, galactic energies and social and economic upheaval, a life-transforming opportunity is being offered to each man and woman on the planet. I call it transfiguration. Transfiguration describes the enigmatic process by which the light of your individual spirit—which is unique to each one of us, yet at the same time universal and divine—enters into our cells, DNA, and energy fields. When the light of spirit fuses with the density of the body, a flowering of our innate being can happen with unprecedented grace—provided, of course, that we welcome the process and work with it. Transfiguration can clear away false beliefs that once held us back, enhance our health, expand our creativity and fuel our capacity to live each moment of our life in joy from the core of our being, no matter what kind of devastation may be taking place within us or around us. Throughout history, such an experience appears to have been limited to a few spiritually awakened men and women. Now, for the first time in human history, it is being offered to each one of us. THE HERO’S JOURNEY It’s up to each of us whether or not we want to take up the offer. What is being asked of us if we do? Each of us is being asked to make the journey of a lifetime—our unique Hero’s Journey. The word hero comes from a Greek root which means ‘to protect and to serve’. Like ‘poet’ or ‘teacher’, it is a word which refers equally to a man or woman. A hero is someone willing to move through and beyond narrow thinking and familiar landscapes to discover larger realms of meaning. A hero is someone willing to sacrifice or transmute his or her own fears and hesitation, anger and sorrows into creative power. From a psychological point of view, the hero archetype corresponds to what Freud called the ego—that part of each one of us which, in separating from the infantile bond to the mother, establishes our ability to function as a unique member of the human race. The hero archetype also represents a human being’s search for its true identity—the Self—and for wholeness. I’m going to examine this process primarily from a woman’s point of view, but it is equally applicable to a man’s. CALL TO ADVENTURE Each person’s hero's journey is unique. Yet every hero's journey as told throughout history and in mythological stories follows the same archetypal pattern. The story begins in the ordinary world: In the “Wizard of Oz”, in “Romancing the Stone”, and in the story of the Frog Princess, where we meet the princess doing what she always does—sitting in her favorite place playing with her golden ball. Then comes the call to adventure. Something happens to turn one’s ordinary world on its head. The hero is faced with a problem, a challenge or a difficulty to overcome. For instance, a man or woman may get sick, have a love affair, or lose a job. Other times the call can come by what would appear to be sheer chance—a blunder—for example, the way the princess' golden ball falls into the well and gets lost. Except, of course, there are no chances in the psychic realm, where the interconnectedness of all things is recognized. There are many other ways in which the adventure can begin. Frequently, the call comes in the form of a challenge. It can be physical—suddenly you wake in the middle of the night with hot sweats. It can be psychological—you find one morning that your life no longer means anything to you. You wonder where you have got to, and where you are going. Something is definitely not right. In whatever form the call to adventure arrives, it heralds the beginning of your hero’s journey. It puts you on notice that destiny has summoned you, and that your spiritual center of gravity has suddenly shifted out of the familiar world of society towards realms unknown. From now on, things are never going to be the same. REFUSING THE CALL Invariably following closely in the wake of any call to adventure, fear raises its familiar head. We want to run back into our past and hide. We want to pretend we never heard the summons in the first place. The princess wants her ball and the frog fetches it, but she is not willing to honor the bargain she has had to make with him to get him to do this for her. After all, she finds him repulsive and wants only to get away. She has now become the reluctant hero. The greatest fear that any of us ever have is fear of the unknown. And what lies ahead is completely unknown. So we try to pretend that everything is all right; we try to hold things together. Maybe we work even harder, and start to lean heavily on our emotional crutches and addictions. At the beginning of any hero's journey, the world sings sweet seductive songs and sends up countless distractions to bewitch us so we go no further. In detective novels, the private eye tries to refuse the case being offered him, only to accept it later although he would rather not. Somehow he gets a little push over the edge and the tale begins to unfold. The frog follows the princess, refusing to take no for an answer. In “Star Wars”, Luke Skywalker turns away from Obi Wan Kenobi's call to adventure to run home to his aunt and uncle—only to find that the farm has been destroyed by the Emperor's storm troopers. His hesitation is then overcome by the evil that has been perpetrated on his ordinary world. And so he begins his personal quest. Gritting our teeth and battening down the hatches is a common way of refusing to heed the call. So is being a servant to social niceties. Women, the world has taught us, are supposed to be machines for serving others. They are never supposed to interfere with anything, or need anything. Women who have forced themselves to live by such rules experience the rich relationships they long for because they cannot share their soul. This in turn creates a wasteland and loneliness—the loneliness of a soul “out to lunch” or one which has been banished to the dungeon lest it challenge the rules. HELP ARRIVES When the call comes, you are being asked to enter into the loneliness you feel and to walk forth into the wasteland with your eyes wide open. If the loneliness and the wasteland we experience cannot be brought into the ordinary world and shared with others, then probably we are spending time with the wrong people. We also may need to do something on our own. At this point in the journey a mentor usually arrives to help us out. The mentor can be a Merlin-type character, a book, or perhaps an older man or woman who knows more than we do and who can help us find out what we don't yet know. The mentor's purpose is to help make us ready to face the unknown. He or she represents the tie between mother and child, Goddess and woman, healer and the healed. The helpful crone and the fairy godmother are common mentor figures in European folklore. They provide the hero with the talisman she will need against the unknown forces she will have to meet. Glenda the good witch in Wizard of Oz gives Dorothy her wisdom and a pair of ruby slippers for her journey. Then she sends her on her way. Now the adventure has begun in earnest and the presence of a mentor helps push the hero forward. INTO THE UNKNOWN Armed with the powers of destiny bestowed by the mentor, our hero approaches her first passage. Here she meets the guardians of the threshold, whose purpose is to prevent the faint-hearted from entering the magical realms that lie beyond. Before she leaves New York, in “Romancing the Stone”, Joan Wilder has to face her publisher who scathingly warns her not to go to Colombia to rescue her sister because she is not strong enough to handle the challenge. Like a nasty old witch, she even pronounces a curse that something disastrous will happen if she goes. As women approach menopause, our lives are suddenly full of guardians of the threshold. Often they are well-meaning people who prey upon our worst fears—fears of inadequacy, of failure, of hopelessness, of illness and of death. Whatever the fears are, they need to be faced before we can go on. Face them head on and you pass through the gate. Now, at last, you are committed to finding out who you are and what your life is about. Crossing the threshold is the first step we take into the sacred realm of the Dark Goddess' world—gateway to the universal source. As Joseph Campbell says in The Hero With a Thousand Faces, "The adventure is always and everywhere a passage beyond the veil of the known into the unknown; the powers that watch at the boundary are dangerous; to deal with them is risky; yet for anyone with competence and courage the danger fades." EXCITING MOVEMENT Now comes the good stuff. Your hero's journey gets into full swing. Now it is time for you to deal with the tests, allies and enemies you’ll meet along the road. Obstacles to change are always in our way—insufficient money, physical problems, fears that we have no possibility of ever fulfilling our dreams. New challenges arrive, new things need to be learned. Yet each obstacle overcome, each puzzle solved, each difficulty embraced brings us more power for what lies ahead. We meet new people, new ideas or make new relationships with nature, with animals and with the unseen world. In Star Wars, Obi Wan develops Luke's skill in using The Force by insisting that he fight blindfolded. Before long, Luke faces other minor battles which serve to hone his abilities further and help prepare him for the supreme ordeal that is to come. Joan Wilder—the timid little lady from New York—is forced to face gunfire, sinister men in black gloves, the loss of her belongings and threats to her life. Along the way she picks up an ally—Jack—who will be her companion for most of the remainder of her journey. Dorothy picks up her mentor friends—the lion, the tin man and the scarecrow—while passing her tests: She oils the tin man's joints. She coaxes the lion to face his fear. She unhooks the scarecrow, who has been unable to move. With each challenge you meet, you develop strength and collect more support from companions both in the seen and the unseen world. They will turn out to be very useful to your purpose as you approach the innermost cave. This is where the power of transformation works its wonders. And what wonders they are! Click here to read part 2 of 'Transfigure Your Life'