personal growth

“All men dream; but not equally. Those who dream by night in the dusty recesses of their minds wake in the day to find it was vanity: but dreamers of the day are dangerous men, for they may act their dream with open eyes, to make it possible.” T.E. Lawrence I love this quotation. It reminds me of the imaginative power each of us has to create our own life. It also tells me there is no need to fear growing older. Each one of us can live a rich and fulfilling life, no matter what our age. Yet too few of us make use of our powerful abilities to envision and create what we long for. If, like me, you would prefer to die young late in life, you need to do two things: First, get savvy about how to care for yourself naturally. Second, start practicing Lawrence of Arabia’s dictate to become a “dreamer of the day”. Then “act with open eyes” to make it happen. AGELESSNESS Our growing understanding of natural medicine, together with research in high-tech biochemistry, has made all things possible. Once little more than a pipe-dream, the notion that we can choose to die young late in life is now a genuine possibility. Savvy gerontologists challenge the maximum lifespans of human beings. Now, men and women in the know make intelligent use of antioxidant nutrients, electromagnetic treatments, and a myriad of other anti-aging tools—including an organic, high-raw diet—to prevent physical degeneration and restore healthy balance to their bodies and their lives. Instead of prescribing dangerous drugs, a new wave of visionary psychiatrists and natural therapists have come to understand that the food we eat we eat exerts a powerful effect on our brain’s control centers. These loci direct the metabolic processes on which our health depends—from hormonal behavior, weight and appetite, to emotional and mental states and even what we perceive to be the nature of reality. What few people as yet know—and what I have been studying and teaching in the past five years—is that these control centers are also the filters through which we receive genuine spiritual revelations. Live on a diet of convenience foods, sugars, and carbohydrates, as more than 90 percent of people now do, and your brain’s control centers become crippled. Unable to do their job properly, we begin to experience not only ill health and rapid aging, but unbalanced emotions, mental fog, and a strong sense that, in ways we cannot even articulate, we have lost trust in ourselves and lost connections with ourselves although we may have no idea how this has happened. Few men and women as yet realize that changing the way they eat and care for their bodies can, often within a few weeks, not only transform their health but expand their consciousness and change their lives on virtually every level. FALSE NOTIONS For generations, society has imprinted us with a lot of negative thoughts and descriptions about what it means to grow older. In the book—for which he won a Pulitzer Prize—Why Survive? Being Old in America, Dr Robert Buffer writes astutely about how damaging false beliefs about aging continue to be. Negative ideas about what it means to get older include the belief that older people are inflexible, senile, and unproductive—in effect, that they are just waiting for the inevitable arrival of the grim reaper. Such nonsense grossly distorts the truth. TRUE PERSPECTIVES Your chronological age is a very limited indication of your biological and functional age. These two measurements are what matter. Old people can be capable of far more than society allows them to express or contribute. At any age, people who discover how to live by the principles of natural wellbeing become remarkable human beings. Highly resistant to the ravages of degeneration and to chronic illness, they know their bodies. They face each day in fresh anticipation about what it will bring. They’ve learned to dismiss the negative brainwashing which continues to bombard us from the mainstream media, the medical profession and government directives. They know that, as George M. Mann MD writes, “The diet-heart hypothesis that suggests that high intake of saturated fat and cholesterol causes heart disease has been repeatedly shown to be wrong. The public is being deceived by the greatest health scam of the century.” Knowledgeable, independent people have every right to boast of their increased longevity and high resistance to degeneration. They’ve earned it. They have sought truths and they continue to uncover them. They’ve chosen to shun unnecessary drugs, to banish convenience foods, and to make from 50 to 75% of the foods they eat raw and organic. Having transcended all those beliefs about growing older, they have become not old people but long-lived people. TIME TO CREATE It is commonly said that we are allotted about a quarter of a century in which to grow to adulthood. The next forty years, we’re told, are to be directed towards accomplishment in the outside world, realizing the goals of adulthood, procreation and raising a family. After that, most of the world expects us to slide headlong downhill until we die. Within the confines of this three-score-years-and-ten paradigm, and under the pressures of contemporary social values, too many of us can become obsessed with accomplishment. Since the time for worldly success is supposed to be limited to the middle period of our life, we push ourselves forward at health-breaking and heart-breaking speed. The concerns with fulfilling ourselves in our career, paying the rent, or buying the baby a new pair of shoes—during what are supposed to be the best years of our lives—force us to postpone the pleasures of a time to rest, a time to think, and a time to dream about what we long to create. I believe it is essential that each of us deliberately make a place for us to explore a time-expanded universe within us. Nobel laureate novelist Hermann Hesse wrote about such a time-expanded world in his Glass Bead Game. There, time's limits become the rules of the game of life. Each human being is freed to order his existential choices. Such a time-expanded world could help us draw together our learning and re-synthesize our knowledge. It might enable the coming together of those who practice with authenticity such disciplines such as mathematics, physics, philosophy, biology, medicine, psychology, anthropology, art, literature, politics, theology and law—in fact, the whole gamut of human concerns—into a kind of connectedness which is urgently needed in the excessively fragmented post-industrial society in which we now live. THE POWER OF AGE Healthy, creative longevity can make available to us the steadily maturing wisdom that is one of the greatest blessings of growing older: People whose experience and awareness has not been distorted by ill-functioning minds and rapidly waning energies have so much to give. I believe that such wisdom is exactly what we need to help guide our species towards further evolution. Moreover, such time expansion takes hold of our personal sense of the present and, in a powerful, real, and positive way, draws it into the future. And when we are able to project ourselves into the future, that future becomes not an abstract consideration, but something of active concern to all of us. The future of the earth is our future. We are responsible for it. If we so choose, we can live to see it as caretakers instead of irresponsible tenants in a rented property. The principles of natural aging help us become its owners, and, like all owners, we are far more likely to look after our property. LIVING A LIMITLESS LIFE In George Bernard Shaw's preface to Back to Methuselah—the play in which his character Dr Conrad Barnabas promotes an extended lifespan of 300 years—he writes: “Men do not live long enough; they are, for the purposes of high civilization, mere children when they die.” He then goes on to consider some of the creative possibilities of our being able to lengthen life: “This possibility came to me when history and experience had convinced me that the social problems raised by millionfold national populations are far beyond the political capacity attainable in three score and ten years of life by slow growing mankind. On all hands as I write the cry is that our statesmen are too old, and that Leagues of Youth must be formed everywhere to save civilization from them. But despairing ancient pioneers tell me that the statesmen are not old enough for their jobs . . . We have no sages old enough and wise enough to make a synthesis of these reactions, and to develop the magnetic awe-inspiring force which must replace the policeman's baton as the instrument of authority.” For me, this magnetic awe-inspiring force of which Shaw speaks is nothing less than man's potential to become the creator of his destiny on earth. The situation in which we now live, with all the global dangers to which we are exposed—from nuclear radiation to the possibility of mass nuclear extinction and economic collapse—are not accidents of nature. They have been created by us. No act of god can suddenly remove their potential destructiveness from our future. Only we ourselves have the potential to do this. And, if we are to succeed, we will need to call forth every resource which we have—intelligence, wisdom, strength, courage, patience, wit, compassion—then work with them. Freedom from mental and physical degeneration which ageless aging brings is no longer an empty dream. It is happening to many. Who cares if, at the age of 85, we are all still capable of running a marathon, or if we look 20 years older or younger than we are chronologically? Such things matter little by themselves. But the high-level health, mental clarity and well-being which are the rewards of natural living—no matter how old one is chronologically—are of urgent concern to all of us as residents of the earth. They build form the foundation on which we human beings can build if we are to make use of our full creative potential. In the full use of such creativity lies the future of humankind, our children and our planet. In the words of Capek's Vitek: “Let's give everyone a three-hundred-year life. It will be the biggest event since the creation of man; it will be the liberating and creating anew of man! God, what man will be able to do in three hundred years! To be a child and pupil for fifty years; fifty years to understand the world and its ways and to see everything there is; and a hundred years to work in; and then a hundred years, when we have understood everything, to live in wisdom, to teach, and to give example. How valuable human life would be if it lasted for three hundred years! There would be no fear, no selfishness. Everything would be wise and dignified. Give people life! Give them full human life!” Is this no more than an idealistic plea in the midst of the profound anxiety, fear and disillusionment of early 21st century life? Maybe. Maybe not. Have I, at 72, become one of Lawrence’s “dreamers of the day”? Perhaps. It’s dreams that create the mythologies by which we live. I believe we urgently need new dreams to give our lives direction—dreams which, tempered by the wisdom of age, are large enough and rich enough to carry us forward. Such dreams not only have power. They have the ability to bring forth exciting new realities.

Each human being is utterly unique. Like the seed of a plant which has encoded within its genetic material the potential for everything it can become as a full blown flower, each of us comes into this world carrying a package of as yet unrealized potential for energy, health, creativity and joy. I believe our purpose on the earth is very simple - to bring as much of our unique spark of divinity - our seed power - into full blown power. Our seed power comprises our physical, psychological and spiritual potential. It is what creates our uniqueness. The fullest expression of it leads to the fullest experience of authentic freedom. It is rather like the brushstroke a zen painter uses to represent a single leaf on a shaft of bamboo. The leaf he paints is totally singular – like no other leaf that has ever existed. Yet within its uniqueness is encompassed universal beauty and life energy of the highest order. So it is with each of us. Within the individual genetic package which is you is nestled your very own brand of seedpower – an essential soul energy that encompasses far greater physical, creative and spiritual potential than you could ever hope to realise in one life time. The more fully this seedpower is allowed to unfold the richer your experience of authentic power and freedom will be. So focused is the energy of spirit within a tiny seed that it opens and reaches towards the light, regardless of what is in its way. Once I pulled up a weed growing in my garden to discover within its roots a marble that had been crushed out of all recognition by the life-force of the growing plant. The wonderful thing about any little seed is that it doesn’t take much for it to develop into the plant it is designed to be: some good rich organic soil, a little rain and a dose of sunlight. For the power and the intelligence that makes growth possible lies not outside of it but within the seed itself. People – you and me, and the woman you saw when you got on the bus this morning - are just like plants. All we need is a good healthy environment which allows our unfolding to take place. painful distortions The problem is that few of us get it. For as we are unfolding - as we are passing through the superbly orchestrated phases of our physical and spiritual development - more often than not our environment does not provide the rich soil, clean water and sunlight we need for full unfolding. More often than not it truncates our development. Then, like a little plant trying to push through depleted soil with too little water and not enough sunlight our growth becomes stunted or twisted. Or like a seedling trying to push through earth with a stone on top of it we develop ‘distortions’. All sorts of things can cause distortions: accidents, illnesses, emotional or physical abuse. Even being raised in a wonderful family if you happen to be a ‘fish’ and the rest of your family are ‘ducks’. Distortions can be physical in nature - a sunken chest or an excess of fat which our bodies create as a cushion against a harsh world around us. They can also be emotional, leaving us with a sense that there is something wrong with us, that we cannot rely on our judgement, that we are unworthy, or incompetent or guilty even though we may have no idea why or how. And they can be spiritual. When we grow up in an environment which lacks an awareness of the interconnectedness of all life, when we feel ourselves to be isolated and living in a boxed-in world of the five senses, then we can end up with a nihilistic sense of life. We feel we have nowhere to go, nothing to do and no purpose in remaining alive. powerful values That’s the bad news. The good news is that, because of the enormous capacity of a living organism to heal itself, most of these distortions can be cleared through such practices as detoxifying the body, through meditation, through shamanic work that brings you closer and closer to your soul. Of course, some distortions can’t be cleared. I recently did some shamanic healing for a young man who had spent the first six years of his life trying to stay alive while all around him the Khumer Rouge threw people into open graves and shot them. I am not sure if the distortions that come from such an experience are ever cleared. They may be like genetic defects which remain with us throughout our lives. They may not, too. For I have witnessed many so-called miracles and learned that the universe moves in wonderful and mysterious ways. But what’s exciting about distortions that can’t be corrected is that, once we come face to face with them, they often bring us a deep sense of compassion and help us define the values by which we choose to live our lives. The young man I worked with has become highly skilled in working with abused children in war zones. I myself would never have been concerned with issues of health and freedom had I not had to struggle in my early life with chronic illness, depression, and straight jackets. the real McCoy Authentic freedom brings a sense of ease in being who you are - distortions and all. It is feeling OK about yourself and being able to make use of your creative power to bring your unique visions into form. It is feeling good about what you have created too. Tap into freedom and you release energy. You feel like you are connected to life with your whole being. You are no longer trapped within what Alan Watts used to call ‘a skin-encapsulated ego’. Freedom gives you easier access to some of the submerged iceberg of your being where creative power and joy live.

whatever brings you bliss Growing older can be wonderful, unless you are full of foreboding about the process. Like most women, in my late thirties, I spent time worrying about my looks. Would they last? What could I do to hang on to youth? On dear! Oh dear! Then, by the time I reached 50, I had become so deeply involved in a fascination with living in the moment that my angst over the aging process had dissipated. Each morning I would run along the cliffs above the crashing Irish Sea in Pembrokeshire, followed by a 6 a.m. swim—not because it was good for me, but because I loved the joy and feelings of exhilaration this brought me. I had learned a secret: When it comes to aging, nothing is more important than filling your life with whatever brings you bliss. living in my body I had long been intrigued by weight training. So at the age of 51, I talked a Welsh champion weightlifter into teaching me the ins and outs of using weights properly. Rhodri, 26, lived and breathed weights. There are few things more wonderful than learning any skill from someone who is impassioned by what he teaches. We started training together for 21 hours each week—I kid you not. We did weights, tennis, running, swimming—the lot. It was hard for me, but I was determined to keep up. Gradually I could feel my body becoming stronger. It changed shape and became more fluid. My vitality increased. I noticed that, for the first time, I was actually living in my body instead of my mind. Rhodri taught me something else equally valuable: how important it is to make downtime for recovery. Dynamism is great, but it needs to be balanced by stillness and rest—another source of bliss. This lesson has served me well—one I had desperately needed to learn. Until this day, I take a nap every afternoon. Discover this for yourself Weight training may not interest you. Why should it? But what does fascinate you? Think of one or two things that might bring you your own experience of bliss. Learning to dance or sing? Writing a story, weaving, caring for children in need, creating a new home or a new business? What do you long to learn or to do? Try it, learn it, practice it wholeheartedly while living in the moment. It can not only bring you bliss. Believe it or not, pursuing this can also make you healthier. When all is said and done, the most important advice to anyone who wishes to age well is simple: Make a commitment to honor yourself. Decide that, as each month passes, you will choose to live your life more and more from your essential being—the unique, authentic core of spirit and energy that is you at your best. Doing this can bring the greatest fulfillment, satisfaction and freedom you will ever experience—not just for yourself, but for those you love and the world all around you as well. Have a go. Discover this for yourself.

Great stories carry hidden secrets that can transform a life. They bring us face-to-face with hidden truths that help free us from false beliefs and attitudes, self-criticism and negativity that crush us. Cultural conditioning has taught us to undervalue the wild creativity that lies within—that part of us which is instinctual, irrational, and full of passion. Conventional society is so frightened of these things that we have been taught to fear ourselves and to judge ourselves harshly. We swallow our anger even when it is righteous. We crush our wild nature and we see ourselves as ugly. Yet locked within what we most hate and fear lies the greatest power for true freedom. Today I’d like to share with you one of my favorite mythologies of self-discovery—as delightful and important for men as it is for women. Here’s how it goes: THE LOATHLY LADY One Christmastide Arthur rode out with his knights to hunt. By chance he became separated from his companions and found himself at the edge of a great brackish pond. There, a knight in black armour emerged from the shadows and challenged him to a fight. Arthur reached to draw his sword Excalibur and call on its power to protect him from all harm. Alas, he had come away from court without it. He could feel every ounce of strength drain away from his body in the presence of the dark and evil stranger who raised his sword and threatened to kill him. Being a responsible king, of course, Arthur told the dark knight he didn't think that killing him was such a great idea—he had a country to rule, after all, and knights to look after. Where would they be without him? The stranger, bored at the thought of such an easy kill, relented and replied, "OK, I won't kill you so long as you return to this place in three days with the answer to a riddle I shall give you. If you fail I shall remove your head in one fwll swoop." WHAT DOES SHE WANT Arthur agreed. He figured that given half a chance and a mug or two of fancy mead, his pals back at the castle would be sure to come up with something. The riddle the stranger posed was this: "What does every woman want?" So Arthur headed home to ask all of his knights and wise men to give him the answer. Everyone from Merlin to a goose girl he met along the road had a go. Each gave him a different answer: "A woman wants beauty," said one. "A woman wants power," said another, or fame, or jewels, or sanctity. None could agree. Time was running out. Finally, although he had done his best to hide from his beloved Guinevere the seriousness of the situation, the third morning arrived. Bound by his word of honor to the Black Knight, Arthur had to face the music. Along the road to the meeting at the brackish waters, Arthur came upon an old woman. She sat on a tree stump by the side of the road calling his name. Arthur dismounted and approached her with all the courtesy he could muster. For the closer he came, the more ghastly this old hag appeared. Although she was dressed in fine silk and wore magnificent jewels on her gnarled and twisted hands, she was unquestionably the most hideous thing he had ever seen—or dreamed of, for that matter. Her nose was like a pig's, her mouth was huge, toothless and dribbling. What hair remained on her head was greasy, and the skin all over her misshapen and bloated body was covered in oozing sores. COURTESY CHALLENGED Arthur swallowed hard, forcing himself not to have to look away. "My Lord," she said in a surprisingly gentle voice, "Why look you so dismayed?" Summoning up all his chivalrous training, Arthur apologized for his manner, trying to explain it away by telling her he was most unsettled at the prospect of returning to meet his death at the hand of an evil knight because he could not tell him the answer to the riddle, "What does every woman want?" "Ah," said the hag. "I can tell you that. But such knowledge cannot be given without payment." Arthur, hoping once again for a reprieve from death, replied, "Of course Madam, anything you desire shall be yours for the answer—even half my kingdom." IMPOSSIBLE REQUEST The Loathly Lady made Arthur bend down while she whispered a few words in his ear." The moment Arthur heard them, he knew his life and his kingdom had been saved. He was about to leap on his horse again and ride off to meet the stranger when she tugged on his cloak and said, "Now I want my reward." "Of course Madam, what is it that you want?" he asked. "I want to be the wife of your bravest knight and live at your court." Arthur, who only a moment before had felt his spirits soar, was plunged into the deepest despair. How could he possibly expect any knight to consent to marry such a hideous hag? And what would it be like to have to endure such ugliness every day at court? "But Madam, that is impossible!" he said. The words slipped through his lips before he could catch them. Aghast at his own lack of courtesy and agonized by having to ask any of his knights, Arthur said, "I beg your pardon, Madam. You are quite right. Come to court tomorrow. There waiting for you will be your future husband." So saying, he mounted his horse and rode off to meet the Black Knight to convey to him the answer to the riddle. When he got back to the castle, Arthur was distraught. The knights questioned him. He confessed that he had won his life from the Black Knight but then told them at what cost and reported his promise to the Loathly Lady. "My very honor is at stake," said Arthur, wringing his hands, "unless one of you will agree to wed her." His knights were horrified at the prospect and tried to avoid his gaze. But one—the youngest knight of all—Sir Gawain, the most courageous and purest of heart stood up. "Worry, not my liege," Gawain said, "I shall save you, I will marry the woman no matter what her mien." SELF-PROFESSED HERO Gawain did not have long before he rued his offer. The marriage was planned for the following morning and the hag arrived at court. When he looked upon her, even Gawain with all his chivalry did not know how he could go through with the ceremony. It demanded every ounce of his courage. Somehow he managed it. But things got worse. When the festivities were over, the couple were obliged to retire to their chamber for the night. Gawain, unable to face the hideousness of his wife, sat for long hours in their bedchamber with his back to the lady, writing at his desk and praying she would go to sleep without him. Was he to spend the rest of his life shackled to such a hideous monster? ENCHANTED WOMAN Long past midnight, as the candle burnt low, he felt a hand come to rest upon his shoulder. "Will you not come to bed now, my Lord?" a voice whispered from behind him. Shuddering with horror, Gawain mustered his courage to look at her. To his astonishment there stood not the ugly hag he had married but the most beautiful woman he had ever seen. She had golden hair and ivory skin. "Why do you seem so surprised, My Lord?" she said to him. "I am indeed your wife. I was enchanted by a wicked magician. But now the enchantment is half broken by your having consented to marry me and so you see I stand before you now in my true form." Gawain could not believe his luck. "Half broken?" he asked. "Yes, my lord" was the reply. "Sadly I am only allowed to spend half the time in my true form. For the rest I must return to the shape of the same hag which this afternoon you married. And now you must choose, my Lord. Would you have me be my true self at night when we are alone together and the hag during daylight hours?" Gawain, whose mind was flooded with passion at the thought of her beauty filling his bed each night replied eagerly, "Yes, that is certainly how it must be." TEARS FOR FREEDOM In the eye of his beautiful lady appeared a tear. "But sir," she said, "Would you then have me suffer the humiliation of the court who cannot conceal their horror at my ugliness?" Now Gawain, if he was nothing else, was compassionate. He could not bear to bring this beautiful woman a tear of sorrow. "No, of course not," he replied. "It shall be the other way round, of course. You shall be my beautiful wife for the court during daylight hours and the hag at night." But this only made the lady weep the more. "Oh sir, would you then deny me forever the joy and pleasure of your embrace?" She asked. Poor Gawain, who after all was but a man (and man has never found it easy to deal with woman's grief) did not know what to do. After much thought he replied, "My lady, whatever choice I make will be the wrong one. It is therefore for you to choose which you prefer." At the sound of his words the Lady threw herself into his arms in glorious laughter. "In so saying, my Lord, you have given the right answer. You have bestowed upon me what every woman wants—her own way. The spell at last is broken. You will never have to look upon the hideous hag again. I am my true self and it belongs to you forever." Such is the power of accepting that which to ourselves is most loathsome. And such is the power of myth in reminding us of it.

Deep within you lies a font of endless creativity. The most powerful force for freedom and fulfillment in any life, every human being has literally been made in the image of creation. How freely we are able to allow this sacred creativity to pour forth determines how rich our lives can become. It may even decide the future of our planet. This most sacred creative force can provide us with whatever we need to meet the challenges facing us in a world which increasingly appears to be edging towards chaos. And, just in case you think that when the gifts of creativity were being passed out, they bypassed you, think again. Sacred creative power is by no means only available to those who can write a book or paint a picture. It shows itself in how you think and function, in how you relate to others, as well as how we are able tocreate for ourselves the lives we long to live. Why is creativity sacred? Because, set free, it permeates every aspect of your life, lighting it up with wonder and possibility. Discovering and releasing your unique creative power enables you to turn difficulties you face on their head, transforming them into opportunities. YOUR BIRTHRIGHT Few of us come anywhere near to tapping our creative potential. Too often it is burnt out of us by education, or parental and religious training which teaches us to trust outside authority, undermining our abilities to trust in ourselves. It is time to reclaim our creative birthright. When we do, we discover a sense of purpose. Then we can call forth the support of the Universe to fulfill it. Health improves. We come to look upon our life as a great adventure which goes on expanding, year after year, towards greater fulfillment and satisfaction. Let’s now take a short journey through the mysterious labyrinth of sacred creativity. Hopefully it will inspire you to discover some truths about your own creative potential in all its magnificence. Doing so can carry us out of a life of dry responsibility and duty—sometimes tinged with disappointment, addiction and compromise—towards a pathway to authenticity, personal power, and freedom. SACRED CREATIVITY REVEALED Fifty years ago I first became fascinated by the creative process. I spent 4 years writing my first novel, Ludwig: A Spiritual Thriller. In the middle of the night, I would sit for hours on the floor in a corner of my little study listening to every piece of music Beethoven ever wrote, over and over again, always asking the question, “Where was his consciousness when he created this?” During that period I read a dozen books a week. In the beginning, they were biographies of Beethoven. I took a course in harmony and counterpoint since I knew little about either, and I felt I needed to understand more about how music is constructed. Then, for reasons I could not figure out, I found myself immersed in researching shadow governments and what was really going on in the world behind the façade of mainstream media. I kept saying to myself, “Why on earth are you learning about all this stuff when it has nothing to do with Beethoven?” What I did not realize then was just how incredibly complex and multidimensional every human being’s creative processes are nor how they work to expand and inspire our lives and our goals. For, by the time I finished the last page of my novel, every scrap of information I had amassed from my research, including what I had learned about the shadow world of political control and deceit, had all come together in ways I could never have imagined within the book to make it whole. The experience of all this brought new meaning and purpose into my own life. The bottom line is this: Once you decide to commit yourself to what you long to do or be or make in your life, and then follow it through thick and thin, this not only releases creative energies from within; it transforms your life in wonderful ways you could never have imagined. CREATIVITY: LESLIE’S PRINCIPLES Here is a short list of what I’ve discovered about the creativity within each of us: Creativity is the natural order of life. Life is energy: pure creative vitality. Our creative dreams and yearnings come from the very core of our being. As we move toward our dreams, we move toward our divinity. There is an underlying in-dwelling creative force seated in the body which infuses all of life— including ourselves. When we seek the creative core within allowing its energy to permeate our body, we call forth sacred gifts and bring their transformative power into our lives. Creativity is the Divine’s gift to us. Using our creativity is our gift back to the Divine. The refusal to be creative is counter to our true nature and the greatest impediment to a fulfilling life. When we open ourselves to exploring creativity, we open ourselves to the unending support of universal energy. For creativity is always aligned to universal creative power so we can receive its endless gifts. As we open the sacredness of our creativity, many gentle but powerful changes start to take place in us and in those around we love. It is safe to open ourselves up to greater and greater creativity. Cross the threshold into your creative world, and you enter the realm of the imagination—the place in which intention can create reality. In this magical place, most of the day-to-day rules and reassurances that help us feel safe and comfortable fall away to reveal life of a different order—wilder, deeper, more authentic and unpredictable. Here’s how the adventure begins. DOORS OF PERCEPTION Human beings are, first and foremost, creators of their own lives. We do this either consciously or unconsciously. When we create consciously, we envision something close to our soul and then dance with it until out of the union—more like a love affair than anything else—our creations are born. When we create unconsciously, our creations come from a view of life that has been distorted and polluted by conditioning. The secret is to cleanse the doors of perception so that you are able to envision clearly and create what, from the deepest levels of your being, you want in your life. It is the simplest, the most challenging, and the most satisfying thing any human being ever does. What do you want to create? MEET THE DAEMON Take one part vision, mix it with methods for shifting consciousness, and a willingness to meet your Daemon and dance with it. Enter this dance of fire in a state of rapture, sometimes ecstatic and others daunting, but always exciting. In ancient times, the daemon—indispensable to creation—was considered to be a spirit of genius. Like the muse, he or she acted as an interface between you and the divine. Like nature herself, the daemon is neither good nor bad. The Greeks believed each of us was given a daemon at birth as a guardian spirit, useful in connecting earth with heaven. Through your daemon, the transcendent becomes the commonplace. A vision is tempered, honed and shaped. You are asked to fall in love with whatever you want to bring into being. Artistic visions take form. Relationships find new birth. So does everyday life. What do you love enough to want to bring into being? DANCE WITH YOUR DAEMON A willingness to do this, initiates a delicate, all encompassing, erotic process of transformation. It asks that you surrender to the dance, and at the same time maintain awareness of your separateness. This is not a loss of self, it’s a kind of cellular metamorphosis—a remembering through your subtle body who you really are. It touches your bones, your flesh, your muscles and your heart. Out of the depths of this union, destructive energies can be transformed into sheer power for creation. It’s a fascinating process—one to carry you back and forth from the very depths of your soul to the lofty heights of invention. Living it transforms an ordinary existence into a life of passion. WASTE DISPOSAL OK. So each of us comes into this life with the natural capacity to create. Indeed, that is what we are here for and what makes us unique. But our educational system, our parental and religious training—the very hierarchical structures of work and society—too often pollute our consciousness with destructive notions, lack of self-belief and an imprisoning sense of limitation. These things teach us not to be creative, not to listen to our inner voice, not to trust our visions. It is authority we are taught to bow down to. All these false notions distort our natural creative powers and truncate them, leaving us frustrated and often not knowing what is wrong. So we collect more money or lovers, crave more status and long for more holidays—none of which can fulfill the deep longing in every human being to exercise his or her birthright: To create one’s own destiny and realize our deepest dreams. HONOR THE WHISPERS Uncovering and making use of your own creative energies brings a willingness to witness what is happening to you and around you, without passing judgment and without negating whispers from your soul. Each thing you create exists in some form in consciousness before it is ever made—within your own mind to be sure, but also in the collective unconscious. This is what Plato described with his forms, and what Michelangelo knew when he chiseled a hunk of marble to allow the form he insisted was hidden within it to emerge. Creativity demands an abundance of life energy, clarity of mind and emotion, and the stamina to see something you really want to happen right through to the final moment when it does. This energy depends not on age but on aliveness. EMBRACING CHAOS All creativity demands that we enter the realm of chaos. Here the creative intention coupled with a sense of compassion for yourself and for all life, can be used to harnesses chaos and bring to birth what we you dream of creating. Good science (and, these days, little that is called “science” can claim to be valid) has much to teach about the process: Bohm’s explicate implicate order, the quantum leaps of physics, Prigogine’s bifurcation points, open systems, and dissipative structures. These visionaries have themselves made new maps of the mysterious creative process, and can help you make quantum leaps to higher orders of being, greater power, creativity and authenticity. PATH TO WHOLENESS Creativity at the highest order bursts forth from that part of your being in which you are most whole—aware simultaneously on an intellectual, instinctual and physical level. It embraces the presence of the rational thought, but it insists that reason not overstep its boundaries. With active intuition and a feeling of wonder, you enter the passionate creative dance that can become fruitful beyond your wildest dreams. Every time you choose to do this, you gain greater skills in making this fecund state of consciousness a familiar and bounteous part of everyday life. Such is the splendor of the mysterious and sacred power of your own creativity.  

In Sanskrit they call it lîla. The word means play. Yet not in the limited sense of our word. Lîla is free play, deep play, wild play carried out in a timeless NOW. It speaks of divine play. It’s the kind of play that sets us free to be who, in essence, we already are, even though we may not yet know it. Lîla is also the kind of creative play that brings new worlds into existence. FROM CHILDLIKE TO GENIUS In its simplest form, lîla describes the spontaneous activity of children so absorbed in what they do that they don’t even hear you when you speak to them. One morning my three-year-old friend Marina came to visit. Scrambling onto the four-poster bed where I was writing in a state of intense concentration, she told me the story of how she had climbed to the very top of a pirate’s ship as high as the stars. Like all still-innocent children, Marina entered into her imaginal world with ease—a magical realm in which creative sparks can be seeded then begin to grow. The imaginal world is a place most of us adults have lost touch with—a powerful realm in which the joys and fruits of lîla reign supreme. At a deeper level, lîla speaks of the all-encompassing absorption out of which Beethoven, then dangerously ill and nearing the end of his life, nonetheless created the most remarkable music of the 19th century: The Late Quartets. Or the obsession of Van Gogh, which led to his having painted 900 pictures and turned out 1100 drawings pictures during a lifetime. This kind of lîla is far more complex and committed than child’s play. It can produce achievements that enrich the way we look at life, that connect us to the deepest levels of our own being. Some fruits of mature lîla even transform the world. A big deal? You bet. This is play of the highest order—nothing less than an outpouring of the most intimate and essential nature of each unique human being. Living your creativity as fully as you can while you walk the earth, in whatever way most satisfies your unique nature, is the most exciting and enriching process any individual human being can experience. It brings a sense of meaning and purpose to your own life that nothing else can. CREATIVE PASSION Creativity is not a problem to be solved or a subject to be picked apart in psychologists’ laboratories. Those who try end up wandering in an endless maze of moribund words and phrases which miss the point. Meanwhile, the wrinkled fiddler on the city street plays on—smiling. He is lost in the excitement of improvisation, magically blending movement, feeling and sound—making music never heard before, that touches his heart and awakens the senses of all with ears to hear. We have grown up with some weird ideas about creative power. We’ve been taught that creativity belongs to a few select human beings whom history labels as genius. Nothing could be further from the truth. Creating is not a rare privilege—it is a right, even a necessity for all of us, if we are to live a fulfilling life. Creating anything, from cooking a healthful meal to writing poetry or playing games with children reminds us all what life is about. From this place we learn to live and work, to imagine, invent, and finally give birth—not only to things that have never been seen, heard, felt or touched before, but to a way of living more wondrous and exciting than most of us would ever have imagined. A passion to be lived, a lîla to be danced, the wild creative power within us urges us to tell the truth and shame the devil. It demands that we express our love, our obsessions, and the fascinations which pursue us. It asks that we live out life from the very core of our being. “Genius,” as late American writer John Gardner used to remind his students, “is as common as old shoes. Everybody has it.” CREATIVE RELEASE A few years ago, I began to explore not only the power and dimensions of creativity in you, me, and all of us. I wanted to discover how each of us can gain greater access to it, and how best we can live out our own creative power in our day to day lives as scientists, professional artists, musicians, writers, dancers, actors or as businesspeople, parents, teachers, lovers, gardeners, healers, craftsmen and thinkers. I was sure that on a larger scale, the way we as a group choose to use our collective creativity determines whether or not we will be able—in the wake of having laid waste to so much of our planet—to emerge as a sustainable species in a sustainable world. A lîla of enormous proportions; what could feel more powerful or more daunting? Yet the creative power on which it depends springs from the same source within each person as Marina’s imaginative play. PRIMORDIAL POWER Mysterious, enigmatic, spontaneous, occasionally even frightening, in essence creative power is the power of life itself. It is the force that gave us birth which continues to give birth to universes. It is what created us and brought each of us our own lives. It originates from a place within each one of us where we can touch and tap into the numinous energy of the Cosmos: God, Being—call it what you will. No words can adequately describe it. In truth, it is far more an experience of aliveness than a place at all. And, although we may never describe it adequately, we are perfectly equipped to enter this locus of creative power within us and find out how to live ever more of our lives from it. For the majority of artists, creativity pours forth most easily when they have intimate support for it. Shakespeare had his actors and a Globe Theatre eager for his plays, Virginia Woolf entered a room of her own and there wove tapestries of words. Emily Dickinson wrote out of the intimate community of a family who adored her, admired her and made sure she was given the space and time to carry out her imaginative work. For others who are highly creative, there is no such intimate support. Many have suffered childhood abuse, loss, illness or intense suffering. The creativity of such people can be monumental. Each man or woman is brought to the exploration and expressions of their creative power through suffering in just the same way that, so often, we discover what is most important to us by having what we believe to be of greatest value—a loved one, a job, a title—taken from us. Painful as such experiences are, often they turn out to be great gifts when it comes to freeing our creative power. Caught up in our lives of work, children, and householder duties, few of us live in such fortunate circumstances as Shakespeare and Emily Dickinson. But that does not matter. What has not been given us we can make for ourselves. Art is not the province of the privileged few. It belongs to all people—those of us who spend our days in front of computers, cooking, sweeping streets, running errands, caring for children, handling the stupidities of bureaucracy, and living our constantly changing lives in a world that is ever less secure. THE WAY AHEAD We are alive at a moment in history where one age is dying, yet another has not yet been born. We are, each one of us, faced with a choice: As we sense the foundations of our world shaking, do we withdraw in anxiety, trying in desperation to hang on to what we once believed to be “true”? Do we become paralyzed, and try to cover our fear with apathy? Or do we summon the courage offered us by a Universe in flux, honor our personal sensitivity and consciousness, then choose to face the challenge of entering the realm of creative power within? Then, trusting our individual capacity for lîla, do we begin to play in ways that may help bring forth a new world for all? Regardless or age, background, or limiting notions about what’s possible, each one of us has a choice to make. It’s a choice between continuing to conform to established belief systems that stifle the human spirit, or trusting in ourselves. Are you willing courageously to explore your intrinsic creative gifts and make use of them? “That which we give birth to from our depths is that which lives on after us. That which is inborn in us constitutes our most intimate moments—intimate with self,” says Theologian Mathew Fox, “intimate with God the Creative Spirit, and intimate with others. To speak of creativity is to speak of profound intimacy. It is also to speak of our connecting to the Divine in us and of our bringing the Divine back to the community.” Personally, I urge you to begin connecting ever more deeply with your own brand of creativity. Discover new ways of living. Leave automatic assumptions about who you think you are and learn to respond to each moment and each day of your life with new eyes and an open heart. The more you do, the richer your life can become. Such is the joy of lîla. Such is the power of lîla. If you have not yet explored it, you have an exhilarating, wondrous adventure ahead of you. Take it. Trust it. It’s the adventure of a lifetime.

Below you will find an interview I did for Bias Magazine. Speaking about Human freedom, creativity and natural menopause. Unfortunately the recording is quite bad in the beginning but get better about 5 minutes in. Hope you Enjoy... [audio id=http://d1vg7rm5xhtxe9.cloudfront.net/audio/cheryl-el-interview.mp3] Award-winning writer, television broadcaster, and teacher, Leslie Kenton is well known in the English-speaking world for her no-nonsense, in-depth reporting. According to London’s Time Out, “If there is one health expert who can genuinely be described as pioneering and visionary, it is Leslie Kenton.” Leslie has written more than three dozen best selling books for Random House UK. She conceived and created the worldwide Origins range for Estee Lauder. A former consultant to European Parliament for the Green Party and course developer for Britain’s Open University, Leslie is trained in Chinese medicine, nutrition, homeopathy, and bioenergetics. She was first Chairperson of the Natural Medicine Society in the UK and her contribution to natural health was honored by her being asked to deliver the McCarrison Lecture at the Royal Society of Medicine in London. Leslie now divides her time between her homes in Britain and South Island New Zealand. To find out more about her work: lesliekenton.com, curaromana.com.

Examining what works in your life and what doesn't takes courage. It is never easy. It demands that you disassemble structures that you take for granted but which may no longer serve you at the deepest level. These structures can include anything from a habit of munching your way through two pounds of chocolates every time you feel depressed, to holding on to a job that is meaningless, or to a relationship which does not help you grow - all because you are afraid you can't cope otherwise or do any better for yourself. Every transformation, every profound and life-enhancing change in some way involves dismemberment. It dissolves every structure that has become inadequate to support an organism. Like the crab which sheds his cramped shell in order to create a larger one, each of us again and again is faced with the prospect of taking apart structures in our own lives which have become too small to contain us. If we don't consciously rise to the occasion, then life takes them apart for us, and we find ourselves precipitated into crises: It seems as though you have entered a dark tunnel leading to an unknown land. You feel that you don't know yourself any more, or what you value, or even what is going on. So fundamental is this uncomfortable but necessary process of molting to human physical, emotional and spiritual health - in fact to life itself - that it takes place again and again in our lives whether we like it or not. Sometimes change comes spontaneously as a result of something that happens to us - the death of a loved one perhaps, or the loss of a job. Sometimes it is consciously chosen out of an awareness that our current life structures no longer serve our values and our goals. Whether the transition required is a big one - choosing to enter or leave a long-term relationship - or a relatively small one - putting yourself through a short spring cleaning diet to detoxify your body - it frequently brings an experience of deep uncertainty and anxiety - the sense that you are in crisis. The transition facing you seems terrifying. You want most to run away as fast as you can. You feel overwhelmed and unable to cope. The irony in all this is that it is only in facing a crisis and making the transitions it demands that we learn we can cope, and that life can be trusted. We also discover that, given half a chance, the body has an amazing capacity to heal itself, and that there exists deep within us a wisdom and a clarity more profound and powerful than the conscious mind. The Lebanese poet Kahil Gibran wisely wrote, "Your pain is but the breaking of the shell than encloses your understanding." For most of us, learning to live through our crises and to make something positive out of them means revising a lot of what we have been taught about ourselves, our minds, even life itself. Most of all, it means looking at the concept of crisis and the experience of change from a whole new point of view. It means learning to transform what may feel like a life-threatening situation into a true passage to power.

What does it mean to live a life from your own mythology? Why does it matter? With such questions, I invite you to the experience of one quantum leap after another to expand your strength, creativity and joy. Each one of us comes into this world with a unique mythology. The more conscious you become of the myth or myths by which, long ago, you chose to live your life, the sooner you will realize who you really are, what gifts you bring, what values you cherish and how you can best turn dreams into realities as you walk this earth in a human body. The road to discovering the mythology by which you live may well be the most exciting and empowering experience you’ll ever have. WHAT IS A MYTH? First let’s be clear about what myth and mythology are NOT. In the English language, few words have been more grossly perverted than these two. In daily parlance they are wrongly taken to mean something that is untrue. In fact, mythologies and myths are stories of a very powerful kind which reveal profound truths. They put our conscious mind in touch with feeling states that lie deep within us. Like fine poetry, a mythological story can never be accessed or understood by the linear, analytical thinking that epitomizes the postmodern mechanical thinking. The worldview we have inherited contends that we we live in an arbitrary, meaningless universe devoid of spirit. I suspect this is the main reason the meaning of myth has become so corrupted. PORTAL TO NEW REALITIES In truth, a myth is a metaphor. The word comes from French métaphore, via Latin from Greek metaphora, from metapherein which means “to transfer.” A metaphor transfers meaning by pointing to an experience which, by its very nature, transcends all human categories of intellectual thought. Any metaphor acts as a portal to the awareness of an archetypal realm of experience. It is transparent to states of expanded consciousness and can be “known” only through your body and your intuitive senses. In its simplest form, a myth is a special tale that can be told ten thousand times in a thousand ways without losing its power. It is a tale which will be received differently by everyone who hears it. Yet it always carries an archetypal hook, able to grab our imagination by the throat and awaken the knowingness deep within each of us. SECRET OPENINGS Joseph Campbell, one of my personal heroes, puts it another way: "Myth is the secret opening through which the inexhaustible energies of the cosmos pour. The wonder is that the characteristic efficacy to touch and inspire deep creative centers dwells in the smallest nursery fairy tale—as the flavor of the ocean is contained in a droplet, or the whole mystery of life within the egg of a flea,” he says. “For the symbols of mythology are not manufactured. They cannot be ordered, invented, or permanently suppressed. Myths are spontaneous productions of the psyche, and each bears within it undamaged the germ power of its source." Myths live forever in our hopes, dreams and relationships. Mythological images are the means by which conscious awareness is put in touch with creative energies that drive our lives from the deepest levels of our being. When we are out of touch with them in our lives, or if we choose to deny them or pay no attention to them, we become separated from the core of our being and can find ourself in a state of confusion or despair. By contrast, a mythology that we become aware of, which fires us, is one by which we can be guided to live our lives with purpose and fulfillment. So how do we discover what mythological impulses and values inhabit the deepest regions of our psyche? Childhood usually holds the key. Now is the time for you to ask the question, “By what myth have I been living my life?” CHILDHOOD HOLDS A KEY There was a moment in Carl Jung’s life when he realized what it was to live with a mythology, and what it was to live without one. When he asked himself by what mythology he was living, he found he didn’t know. Despite his much-celebrated successes, Jung had come to feel that his work until then had all been based on an intellectual understanding of the mind. As many of us do, he realized that he climbed to the top of a ladder only to discover it had been placed against the wrong wall. In his late thirties at the time, Jung asked himself a question: “What was it that fascinated me, what was it that I most loved doing as a boy whenever they left me alone and let me play?” He remembered that what he had loved most was making buildings and cities out of small stones. He decided that, having now grown up, what he would do was play with big stones. He bought a piece of land on the lake across from Zurich. Then he planned and constructed a house. As he worked with his hands, he allowed his thoughts free run in the imaginal realms. Soon he was dreaming rich dreams. He recorded them using words and images in a journal while mythic riches from deep within his soul continued to break through into conscious awareness. FASCINATION AND BLISS Before long, he understood that the dreams he had been recording resonated with great mythic themes that he had been studying while working on his book, Symbols of Transformation. He began to paint mandalas which he found acted as gateways to greater self-discovery. The connections forged by entering the mythic level of your being invariably bring us a sense of zeal, fascination and bliss. It connects us ever more deeply with our own creativity. Sooner or later it also prompts us to share our creative gifts with the world. If we are willing to look back in silence, without judgment, to our own childhood, we often discover a myth which we either are living or are meant to be living, even though we have long remained unaware of it. Often we discover that, at a young age, we sensed what we intended to do with our life in years to come. DISCOVERING MY OWN TRUTHS I remember that at the age of five I had an argument with my maternal grandmother about marriage and children. She was trying to explain to me that, when you get older, you need to find someone to love. Then you got married in a white dress, and you ate a beautiful white cake. This meant, she said, that later you would be able to have children. I was an archetypal tomboy, hated dolls, loved climbing trees and playing football. Yet even at that age I knew that I wanted children when I grew up. Her description of the white dress and the wedding cake sounded dreadful to me. “Ugh,” I said, “I hate cake. I don’t ever want to be married.” Surprised at the vehemence of my reply, she patiently explained to me that the wedding was a necessary prelude to having children. I knew there and then that she was lying. Our Siamese cat, Babette, had given birth to lots of children and she had never been married. So ended the discussion. One day, years later, having brought four children by four different men into the world and raised them all on my own, I would remember that conversation. It surprised me. How, I asked myself, could I possibly have known that I would live out the clear intention held by the five-year-old me which, in the interim, had lain sleeping in the dark, somewhere deep within my psyche? FORGOTTEN TRUTHS Like Jung, when we are children we often have a strong sense about who we will become and what we are going to do when we grow up, based on a myth or passion that fires our soul. Usually this “knowing” gets submerged beneath what “they” tell us we are supposed to do or be. Schools, advertisers, religion, well-meaning (or sometimes not so well-meaning) adults “educate” us. They tell us it is better to drive around in a shiny car than to live the life of a hobo. Personally, even as a kid, I was quite sure that given a choice between such options, I would prefer to be a hobo. As for having children and raising them on my own, this had definitely been on my agenda. Even though we may travel down many roads that lead to dead ends in our life, when we look back to childhood we often find that a particular myth or myths hidden deep within a part of us have been directing our life all along. They may even have been the power which, each time we’ve gone down a meaningless road, has drawn us back to our center asking us to reconnect with what we most love, and providing the power to create the life we want to live. YOUR UNIQUE MYTHOLOGY Discovering by what myth or myths you are living your own life leads down two parallel roads which eventually join. They take you deeper and deeper into what is the most important process of all: Forging connections with the core of your being and calling forth your own unique, creative power so that it is expressed in every area of your life both for your highest good and for the highest good of all. Coming to experience the power of mythology as a living archetype and diving in to the wondrous mythic realms fuels the creative process within you. It helps you discover, as Jung did, the mythology by which you have been living your own life. Once you begin to see this, you can ask the question, “Does this bring me delight, energy, freedom and belief in my own creative gifts? Does this story help me live out my deepest desires and purpose, or not?” IN CHALLENGING TIMES Ask yourself this: If I were faced with a situation of total disaster, if everything I held most dear to my heart and all of my loved ones disappeared, if the life I’ve been living were devastated, what would I live for? What could sustain me? How would I come to know that, despite all the challenges, I could go on living instead of throwing in the towel and letting myself fall into an abyss of impassability and fear? Now is the time to begin exploring the realms of mythology and find out. A revelatory way of looking back at your life, if you have kept a journal or a diary, is to read through some of the entries you have made into it in past years. You are likely to find that some of what you believe you have only recently come to understand. You are also likely to discover that what was important to you long ago still is. RECORD YOUR DREAMS Such revelations can help you identify some of the driving themes of your own life—the destiny that you, most likely, unwittingly chose for your life although you did not know it. So, keep a journal. Carry it with you wherever you go. Record in it your dreams, your longings, your conscious choices and the choices that life seems to make for you without any conscious choice on your part. Continue to ask yourself, “Does the myth by which I appear to be living fire me with a sense of wonder and excitement?” If so, great... just keep on going. If not, how do I begin to uncover the mythology deep within me that will? I would love to hear from you about your own experiences in answer to the question: “What mythology guides your life?”