personal growth

Somewhere inside you is a center of stillness - a wordless, formless space - the home of your self or your soul: There seeds of creativity are sown which later become your ideas and your accomplishments. There in the silence and the darkness, you can begin to listen to your own `inner voice'. You can come to know the difference between what you really want, feel and think, and what habits, false notions and other people's values have been programmed into you. This space - your center - is a place of safety and security. You can move out of it, as you choose, to meet the outside world, form friendships, love and learn. Yet it is a permanent sanctuary to which you can always return when you feel overburdened, tired, confused or in need of new vitality and direction. The key that opens this particular door for most of us is relaxation. By relaxation I mean learning to move at will into a state of deep stillness in which your usual concerns, your habitual thoughts, and the never-ending activity of your daily life are replaced by alert - yet totally passive - awareness. Dipping into such a state even for a few minutes allows many of the physiological changes normally experienced during sleep to take place while your body and mind are revitalized. But it is different from sleep. For, while your body is passive, your mind is highly alert. passive awareness For some people passive awareness occurs spontaneously - often between sleep and wakefulness. It is during this time that their best ideas come and that they experience a sense of harmony both within themselves and in relation to the rest of the world. Most of us, however, have a fear of letting go, thinking that if we give up control of things we won't be able to think clearly and independently or work well, or that someone is likely to put something over on us. In fact, just the opposite is true. When you are able to enter a state of deep relaxation at will, this frees you from patterns of living and thinking to which you tend to be a slave - although usually an unconscious one. It enables you to think more clearly and simply, and to act more directly when action is called for. Another interesting benefit from the daily practice of deep relaxation is a reduction of negative habits such as drug taking - of both prescription and mind-altering drugs - alcohol consumption and cigarette smoking. Research carried out in the United States involving 2,000 students between the ages of nineteen and twenty-three who had practiced a form of meditation for periods of between a few months to a couple of years, showed that their dependence on alcohol, drugs and cigarettes dropped sharply. In the first six months of doing the practice, the number of smokers reduced by half . By twenty-one months it was down to one-third. And these changes were entirely spontaneous - at no time was any suggestion made that relaxation or meditation would change any of these habits. bridge your inner and outer world Harvard professor and expert in behavioral medicine, Herbert Benson MD, did the first studies into the effects of Transcendental Meditation many years ago. He has since continued to investigate this state of psychophysical relaxation and has shown that each of us has what he calls the `relaxation response' - a natural ability to experience the relaxed state with all its benefits. All we need to tap into it is a method to turn it on. The possibilities are many. They range from meditation, yoga, breathing exercises, zazen, silent repetition of a word, and autogenic training, to steady aerobic exercise and biofeedback. Each can be useful as a tool for silencing everyday thoughts and for temporarily shutting off habitual ways of seeing the world and doing things. Practice one regularly, and you build a powerful and useful bridge between your inner and outer world. All of them are different. Some will work better for you or be more enjoyable than others. That is why it is worthwhile to try a few different techniques until you discover which ones you prefer. Progressive relaxation is a technique based on the work of Edmund Jacobson; this is an excellent way to begin if you have never done any sort of relaxation or meditation technique before, because it gives most people some sense of what relaxation feels like even the first time you try it. As you repeat your technique (it is best done for fifteen minutes at least twice a day), you will find you enter a state of relaxation that is progressively deeper and deeper. Zazen is one of the simplest ways of meditating, this technique involves nothing more than just being aware of your breathing. But don't be deceived by its simplicity. It is a potent tool for stilling the mind and regenerating the body. And concentrating your awareness on the breath is not as easy as it sounds. We live in an age where discipline is often looked down upon as something which interferes with spontaneity and freedom - something old-fashioned and stifling to life. We tend to rebel against it. But the kind of discipline needed for daily practice of meditation or deep relaxation tends - far from stifling one's ability to be involved in the spontaneous business of life - actually to free it.

The Universe is energy. From cyclones and thunderbolts to all material forms—pure energy. Dogs, kayaks and grapevines, human beings, dwellings, plants and rocks—all energy. And, although we cannot see or hear energy, when human intention is consciously focused and directed towards a particular goal, energy responds by helping us accomplish that goal. When you or I focus our intention, we have the power to change virtually anything, from the room we live in, to a person’s suffering. Here’s how physicists describe this truth. They tell us that “focused consciousness can raise a room’s physics gauge symmetry.” Sounds a bit pompous. But here’s what matters. You don’t have to be trained in physics to put focused intention to work for you. You can start right now to enhance your health, increase your serenity or your vitality, or create an ideal energetic space to live in, make love in, or do whatever your heart desires in. SENSE THE VIBES Have you ever walked into an office just after someone has been fired? Or entered a room where a heated argument has taken place? Then you’ve seen firsthand how negative energy tends to linger. On the other hand, you’ve probably also entered a house, a museum, a cathedral, or some special place in nature where just being there feels so delicious you want to stay a long time. Like our own body and mind, the space in which we live and work holds both positive and negative vibrations. Here’s what’s fun: You can “teach” an area to support your health and vitality, to relax you, to inspire you—even to increase you skill at consciously creating the life you long for. The idea that focused human intention—both conscious and unconscious—changes reality was once dismissed as supernatural nonsense. No longer. In the past three decades, controlled university studies affirm its tremendous power for altering reality. Each of us, knowingly or unknowingly, continues to influence the space in which we live and work. Because our Universe is holographic in nature, we cannot help but do this. The exciting challenge is for us to develop the ability to do this consciously. INTEND AND CREATE William A. Tiller’s work stands out amongst a growing number of new paradigm scientists who have already mapped the ways in which human intention can be used to alter physical reality. Fellow to the American Academy for the Advancement of Science, and Professor Emeritus of Stanford University’s Department of Materials Science, Tiller has a background in semiconductor processing and psychoenergetics (the focusing of human intentions). He has long carried out research with the help of what he calls “highly-inner-self-managed” people. These are people who have trained themselves to expand their consciousness and quiet their mind, often by practicing daily meditation. Tiller discovered that, together, even a handful of such people holding a specific intention, can easily shift reality in all sorts of fascinating ways. FUN RESEARCH In one experiment, four people were directed to “imprint” an electrical device with the intention of using it to alter the pH of water—something previously considered impossible to do. And it worked. Then the team decided to take their experiment further. They wrapped this intention-imprinted electrical device in aluminum foil and shipped it 2000 miles away to another laboratory. To everyone’s amazement there, in the second lab, researchers discovered that when they placed water in the vicinity of this “energy-impregnated device,” it altered the pH of their water in exactly the same way. Tiller’s real pièce de résistance came a bit later on. Having repeated these experiments many times in the same location, he and his team discovered that, by then, the laboratory in which his “intentioners” had been working had become positively conditioned to alter water’s pH automatically. In fact, the pH-changing results actually got stronger and happened faster every time they were tested. “In one of the spaces that we used,” Tiller reports, “the alteration in the space of the room has remained stable for well over a year and is still going strong.” I LOVE THIS STUFF Having for many years taught workshops in shamanism, I know firsthand what stunning changes in ourselves, our lives, the places we live and the world around us are possible. It is just a matter of learning how to do this. A shaman is a spiritual activist. It’s a great way to describe the self-directed, intentional power shamanic practitioners develop. A skilled practitioner develops a high degree of dexterity. This enables him or her, through intention, to move at will from ordinary reality to what is known as non-ordinary reality. This involves the kind of intentional power that Tiller’s work has demonstrated. A shamanic practitioner is as comfortable in the every day ordinary world as he or she is in the realms of expanded consciousness where focused intention reigns supreme. By the way, mediums tend to make lousy shamans. Why? Because they lack the grounding and the control that gives the shaman his remarkable ability to live with “a foot in both worlds” and feel completely at ease in doing so. COMPASSIONATE SERVICE Focusing their intention, shamans do all sorts of service for the community. A shaman may help the dead find peace in the realms beyond life, purify water, bring healing to the living, and a thousand other things. There are two powerful energies implicit in all shamanic work. The first is compassion. The second is intention. The stronger his or her compassion, and the clearer the intention, the more powerful and positive the results become. ANYONE CAN LEARN It’s these two secret ingredients that make all focused intentional techniques work superbly. This truth is so simple yet so powerful. Let me share with you some of the outcomes of using this amazing duo to transform reality. Here are just a few of the outcomes when we bring intention and compassion together to accomplish positive change. INTENTION + COMPASSION = FREEDOM INTENTION + COMPASSION = HEALING INTENTION + COMPASSION = TRANSFORMATIONS INTENTION + COMPASSION = ECSTASY INTENTION + COMPASSION = CREATIVITY INTENTION + COMPASSION = BLESSINGS Any way you measure it, joined together, these two powerhouses can bring about life-changing transformation. Here’s what takes place when we practice focusing intention to accomplish some goal. Universal energy aligns itself with what we are intending. It is this that makes it possible to bring what we desire into being. But this desire has to come from deep within us. It is not a mental thought, but a heartfelt longing. It is the felt passion and the soul’s longing which fuels the universe to fulfill your goal. Like any new skill, it takes a little practice to learn. It also takes an open heart full of compassion, especially for yourself. For most of us, feeling compassion for ourselves is the biggest challenge we ever face. WHAT’S YOUR INTENTION If you’d like to develop the art intentionality, this is the way to begin: First write down your desire so you are really clear about it. Remind yourself that success in doing this powerful work relies on two elements: intention and compassion. Together they make it happen. Without both, Trying to learn this practice can seem like getting into a rudderless boat on a big lake—turning the engine on and just allowing it to careen around without control. You don’t want to end up hitting a bank. So as you prepare to practice, keep your heart open as much as possible, with a feeling of friendship for yourself and all things, and keep gently repeating your intention. Be sure that your intention has meaning for you. Universal energies respond best to what comes from our heart—not from our head. BE HERE NOW Lie down or sit down if you prefer. Usually lying down is easier—especially in the beginning. Close your eyes. Take a few gentle but deep breaths stating your intention several more times. Try to let go of thoughts about what you need to do later or what you did yesterday. Let yourself just be present in the moment. Now move deeply into your body. Feel the floor beneath you. Listen to the sound of your breath and feel the air as it enters and leaves your body. Become conscious of any tensions anywhere. Allow them grow stronger. Then, taking another deep breath, let go of them as you sink deeper into the surface on which you are lying. Now bring all your senses into play. Notice what you feel, smell, taste, see, hear? Enjoy the sensuousness of this. GET EXCITED Remember when you were a child at Christmas and you couldn’t wait to find out what was inside all those bright ribboned packages sitting beneath the tree? See if you can allow this kind of anticipation and curiosity to rise up in you as you luxuriate in thoughts of what you desire to bring into being. When we grow up, we often become jaded and lose our sense of fascination and curiosity. See if you can allow yours return. Mastering the art of conscious intending is a wonderful adventure. You never know what you are going to meet, learn, or experience. Go back once more to your intention. This time, send it out from your heart. It will go before you as a herald to announce to the Universe what you asking for. You only need to do this once, the way a trumpet sounds to announce an event. Enjoy the bliss that comes on its return. Spend five or ten minutes immersed in this new way of being, while experiencing the delight in learning this new art. Then, when you are ready, very gently open your eyes and come back into the room. Practice this protocol for 15 minutes, a couple of times a week. You will be surprised how pleasurable it will become, as well as by the gifts that intentional creation can bring you. FOR PERSON AND PLANET Emerging paradigm scientists have demonstrated that the potential we hold to influence the course of personal and planetary evolution is immense. If together we learn to connect with the deepest levels of our being, together we can envision a future in which each one of us has a unique role to play. We can create new ways of living. Eventually we may be able to share the blessings of it brings our own life with all people, maybe even with our planet itself.

Amidst all the shifting magnetic fields, galactic energies and social and economic upheaval, a life-transforming opportunity is being offered to each man and woman on the planet. I call it transfiguration. Transfiguration describes the enigmatic process by which the light of your individual spirit—which is unique to each one of us, yet at the same time universal and divine—enters into our cells, DNA, and energy fields. When the light of spirit fuses with the density of the body, a flowering of our innate being can happen with unprecedented grace—provided, of course, that we welcome the process and work with it. Transfiguration can clear away false beliefs that once held us back, enhance our health, expand our creativity and fuel our capacity to live each moment of our life in joy from the core of our being, no matter what kind of devastation may be taking place within us or around us. Throughout history, such an experience appears to have been limited to a few spiritually awakened men and women. Now, for the first time in human history, it is being offered to each one of us. THE HERO’S JOURNEY It’s up to each of us whether or not we want to take up the offer. What is being asked of us if we do? Each of us is being asked to make the journey of a lifetime—our unique Hero’s Journey. The word hero comes from a Greek root which means ‘to protect and to serve’. Like ‘poet’ or ‘teacher’, it is a word which refers equally to a man or woman. A hero is someone willing to move through and beyond narrow thinking and familiar landscapes to discover larger realms of meaning. A hero is someone willing to sacrifice or transmute his or her own fears and hesitation, anger and sorrows into creative power. From a psychological point of view, the hero archetype corresponds to what Freud called the ego—that part of each one of us which, in separating from the infantile bond to the mother, establishes our ability to function as a unique member of the human race. The hero archetype also represents a human being’s search for its true identity—the Self—and for wholeness. I’m going to examine this process primarily from a woman’s point of view, but it is equally applicable to a man’s. CALL TO ADVENTURE Each person’s hero's journey is unique. Yet every hero's journey as told throughout history and in mythological stories follows the same archetypal pattern. The story begins in the ordinary world: In the “Wizard of Oz”, in “Romancing the Stone”, and in the story of the Frog Princess, where we meet the princess doing what she always does—sitting in her favorite place playing with her golden ball. Then comes the call to adventure. Something happens to turn one’s ordinary world on its head. The hero is faced with a problem, a challenge or a difficulty to overcome. For instance, a man or woman may get sick, have a love affair, or lose a job. Other times the call can come by what would appear to be sheer chance—a blunder—for example, the way the princess' golden ball falls into the well and gets lost. Except, of course, there are no chances in the psychic realm, where the interconnectedness of all things is recognized. There are many other ways in which the adventure can begin. Frequently, the call comes in the form of a challenge. It can be physical—suddenly you wake in the middle of the night with hot sweats. It can be psychological—you find one morning that your life no longer means anything to you. You wonder where you have got to, and where you are going. Something is definitely not right. In whatever form the call to adventure arrives, it heralds the beginning of your hero’s journey. It puts you on notice that destiny has summoned you, and that your spiritual center of gravity has suddenly shifted out of the familiar world of society towards realms unknown. From now on, things are never going to be the same. REFUSING THE CALL Invariably following closely in the wake of any call to adventure, fear raises its familiar head. We want to run back into our past and hide. We want to pretend we never heard the summons in the first place. The princess wants her ball and the frog fetches it, but she is not willing to honor the bargain she has had to make with him to get him to do this for her. After all, she finds him repulsive and wants only to get away. She has now become the reluctant hero. The greatest fear that any of us ever have is fear of the unknown. And what lies ahead is completely unknown. So we try to pretend that everything is all right; we try to hold things together. Maybe we work even harder, and start to lean heavily on our emotional crutches and addictions. At the beginning of any hero's journey, the world sings sweet seductive songs and sends up countless distractions to bewitch us so we go no further. In detective novels, the private eye tries to refuse the case being offered him, only to accept it later although he would rather not. Somehow he gets a little push over the edge and the tale begins to unfold. The frog follows the princess, refusing to take no for an answer. In “Star Wars”, Luke Skywalker turns away from Obi Wan Kenobi's call to adventure to run home to his aunt and uncle—only to find that the farm has been destroyed by the Emperor's storm troopers. His hesitation is then overcome by the evil that has been perpetrated on his ordinary world. And so he begins his personal quest. Gritting our teeth and battening down the hatches is a common way of refusing to heed the call. So is being a servant to social niceties. Women, the world has taught us, are supposed to be machines for serving others. They are never supposed to interfere with anything, or need anything. Women who have forced themselves to live by such rules experience the rich relationships they long for because they cannot share their soul. This in turn creates a wasteland and loneliness—the loneliness of a soul “out to lunch” or one which has been banished to the dungeon lest it challenge the rules. HELP ARRIVES When the call comes, you are being asked to enter into the loneliness you feel and to walk forth into the wasteland with your eyes wide open. If the loneliness and the wasteland we experience cannot be brought into the ordinary world and shared with others, then probably we are spending time with the wrong people. We also may need to do something on our own. At this point in the journey a mentor usually arrives to help us out. The mentor can be a Merlin-type character, a book, or perhaps an older man or woman who knows more than we do and who can help us find out what we don't yet know. The mentor's purpose is to help make us ready to face the unknown. He or she represents the tie between mother and child, Goddess and woman, healer and the healed. The helpful crone and the fairy godmother are common mentor figures in European folklore. They provide the hero with the talisman she will need against the unknown forces she will have to meet. Glenda the good witch in Wizard of Oz gives Dorothy her wisdom and a pair of ruby slippers for her journey. Then she sends her on her way. Now the adventure has begun in earnest and the presence of a mentor helps push the hero forward. INTO THE UNKNOWN Armed with the powers of destiny bestowed by the mentor, our hero approaches her first passage. Here she meets the guardians of the threshold, whose purpose is to prevent the faint-hearted from entering the magical realms that lie beyond. Before she leaves New York, in “Romancing the Stone”, Joan Wilder has to face her publisher who scathingly warns her not to go to Colombia to rescue her sister because she is not strong enough to handle the challenge. Like a nasty old witch, she even pronounces a curse that something disastrous will happen if she goes. As women approach menopause, our lives are suddenly full of guardians of the threshold. Often they are well-meaning people who prey upon our worst fears—fears of inadequacy, of failure, of hopelessness, of illness and of death. Whatever the fears are, they need to be faced before we can go on. Face them head on and you pass through the gate. Now, at last, you are committed to finding out who you are and what your life is about. Crossing the threshold is the first step we take into the sacred realm of the Dark Goddess' world—gateway to the universal source. As Joseph Campbell says in The Hero With a Thousand Faces, "The adventure is always and everywhere a passage beyond the veil of the known into the unknown; the powers that watch at the boundary are dangerous; to deal with them is risky; yet for anyone with competence and courage the danger fades." EXCITING MOVEMENT Now comes the good stuff. Your hero's journey gets into full swing. Now it is time for you to deal with the tests, allies and enemies you’ll meet along the road. Obstacles to change are always in our way—insufficient money, physical problems, fears that we have no possibility of ever fulfilling our dreams. New challenges arrive, new things need to be learned. Yet each obstacle overcome, each puzzle solved, each difficulty embraced brings us more power for what lies ahead. We meet new people, new ideas or make new relationships with nature, with animals and with the unseen world. In Star Wars, Obi Wan develops Luke's skill in using The Force by insisting that he fight blindfolded. Before long, Luke faces other minor battles which serve to hone his abilities further and help prepare him for the supreme ordeal that is to come. Joan Wilder—the timid little lady from New York—is forced to face gunfire, sinister men in black gloves, the loss of her belongings and threats to her life. Along the way she picks up an ally—Jack—who will be her companion for most of the remainder of her journey. Dorothy picks up her mentor friends—the lion, the tin man and the scarecrow—while passing her tests: She oils the tin man's joints. She coaxes the lion to face his fear. She unhooks the scarecrow, who has been unable to move. With each challenge you meet, you develop strength and collect more support from companions both in the seen and the unseen world. They will turn out to be very useful to your purpose as you approach the innermost cave. This is where the power of transformation works its wonders. And what wonders they are! Click here to read part 2 of 'Transfigure Your Life'

In Sanskrit they call it lîla. The word means play. Yet not in the limited sense of our word. Lîla is free play, deep play, wild play carried out in a timeless NOW. It speaks of divine play. It’s the kind of play that sets us free to be who, in essence, we already are, even though we may not yet know it. Lîla is also the kind of creative play that brings new worlds into existence. FROM CHILDLIKE TO GENIUS In its simplest form, lîla describes the spontaneous activity of children so absorbed in what they do that they don’t even hear you when you speak to them. One morning my three-year-old friend Marina came to visit. Scrambling onto the four-poster bed where I was writing in a state of intense concentration, she told me the story of how she had climbed to the very top of a pirate’s ship as high as the stars. Like all still-innocent children, Marina entered into her imaginal world with ease—a magical realm in which creative sparks can be seeded then begin to grow. The imaginal world is a place most of us adults have lost touch with—a powerful realm in which the joys and fruits of lîla reign supreme. At a deeper level, lîla speaks of the all-encompassing absorption out of which Beethoven, then dangerously ill and nearing the end of his life, nonetheless created the most remarkable music of the 19th century: The Late Quartets. Or the obsession of Van Gogh, which led to his having painted 900 pictures and turned out 1100 drawings pictures during a lifetime. This kind of lîla is far more complex and committed than child’s play. It can produce achievements that enrich the way we look at life, that connect us to the deepest levels of our own being. Some fruits of mature lîla even transform the world. A big deal? You bet. This is play of the highest order—nothing less than an outpouring of the most intimate and essential nature of each unique human being. Living your creativity as fully as you can while you walk the earth, in whatever way most satisfies your unique nature, is the most exciting and enriching process any individual human being can experience. It brings a sense of meaning and purpose to your own life that nothing else can. CREATIVE PASSION Creativity is not a problem to be solved or a subject to be picked apart in psychologists’ laboratories. Those who try end up wandering in an endless maze of moribund words and phrases which miss the point. Meanwhile, the wrinkled fiddler on the city street plays on—smiling. He is lost in the excitement of improvisation, magically blending movement, feeling and sound—making music never heard before, that touches his heart and awakens the senses of all with ears to hear. We have grown up with some weird ideas about creative power. We’ve been taught that creativity belongs to a few select human beings whom history labels as genius. Nothing could be further from the truth. Creating is not a rare privilege—it is a right, even a necessity for all of us, if we are to live a fulfilling life. Creating anything, from cooking a healthful meal to writing poetry or playing games with children reminds us all what life is about. From this place we learn to live and work, to imagine, invent, and finally give birth—not only to things that have never been seen, heard, felt or touched before, but to a way of living more wondrous and exciting than most of us would ever have imagined. A passion to be lived, a lîla to be danced, the wild creative power within us urges us to tell the truth and shame the devil. It demands that we express our love, our obsessions, and the fascinations which pursue us. It asks that we live out life from the very core of our being. “Genius,” as late American writer John Gardner used to remind his students, “is as common as old shoes. Everybody has it.” CREATIVE RELEASE A few years ago, I began to explore not only the power and dimensions of creativity in you, me, and all of us. I wanted to discover how each of us can gain greater access to it, and how best we can live out our own creative power in our day to day lives as scientists, professional artists, musicians, writers, dancers, actors or as businesspeople, parents, teachers, lovers, gardeners, healers, craftsmen and thinkers. I was sure that on a larger scale, the way we as a group choose to use our collective creativity determines whether or not we will be able—in the wake of having laid waste to so much of our planet—to emerge as a sustainable species in a sustainable world. A lîla of enormous proportions; what could feel more powerful or more daunting? Yet the creative power on which it depends springs from the same source within each person as Marina’s imaginative play. PRIMORDIAL POWER Mysterious, enigmatic, spontaneous, occasionally even frightening, in essence creative power is the power of life itself. It is the force that gave us birth which continues to give birth to universes. It is what created us and brought each of us our own lives. It originates from a place within each one of us where we can touch and tap into the numinous energy of the Cosmos: God, Being—call it what you will. No words can adequately describe it. In truth, it is far more an experience of aliveness than a place at all. And, although we may never describe it adequately, we are perfectly equipped to enter this locus of creative power within us and find out how to live ever more of our lives from it. For the majority of artists, creativity pours forth most easily when they have intimate support for it. Shakespeare had his actors and a Globe Theatre eager for his plays, Virginia Woolf entered a room of her own and there wove tapestries of words. Emily Dickinson wrote out of the intimate community of a family who adored her, admired her and made sure she was given the space and time to carry out her imaginative work. For others who are highly creative, there is no such intimate support. Many have suffered childhood abuse, loss, illness or intense suffering. The creativity of such people can be monumental. Each man or woman is brought to the exploration and expressions of their creative power through suffering in just the same way that, so often, we discover what is most important to us by having what we believe to be of greatest value—a loved one, a job, a title—taken from us. Painful as such experiences are, often they turn out to be great gifts when it comes to freeing our creative power. Caught up in our lives of work, children, and householder duties, few of us live in such fortunate circumstances as Shakespeare and Emily Dickinson. But that does not matter. What has not been given us we can make for ourselves. Art is not the province of the privileged few. It belongs to all people—those of us who spend our days in front of computers, cooking, sweeping streets, running errands, caring for children, handling the stupidities of bureaucracy, and living our constantly changing lives in a world that is ever less secure. THE WAY AHEAD We are alive at a moment in history where one age is dying, yet another has not yet been born. We are, each one of us, faced with a choice: As we sense the foundations of our world shaking, do we withdraw in anxiety, trying in desperation to hang on to what we once believed to be “true”? Do we become paralyzed, and try to cover our fear with apathy? Or do we summon the courage offered us by a Universe in flux, honor our personal sensitivity and consciousness, then choose to face the challenge of entering the realm of creative power within? Then, trusting our individual capacity for lîla, do we begin to play in ways that may help bring forth a new world for all? Regardless or age, background, or limiting notions about what’s possible, each one of us has a choice to make. It’s a choice between continuing to conform to established belief systems that stifle the human spirit, or trusting in ourselves. Are you willing courageously to explore your intrinsic creative gifts and make use of them? “That which we give birth to from our depths is that which lives on after us. That which is inborn in us constitutes our most intimate moments—intimate with self,” says Theologian Mathew Fox, “intimate with God the Creative Spirit, and intimate with others. To speak of creativity is to speak of profound intimacy. It is also to speak of our connecting to the Divine in us and of our bringing the Divine back to the community.” Personally, I urge you to begin connecting ever more deeply with your own brand of creativity. Discover new ways of living. Leave automatic assumptions about who you think you are and learn to respond to each moment and each day of your life with new eyes and an open heart. The more you do, the richer your life can become. Such is the joy of lîla. Such is the power of lîla. If you have not yet explored it, you have an exhilarating, wondrous adventure ahead of you. Take it. Trust it. It’s the adventure of a lifetime.

I once spent the night lying on a platform above an animal watering hole, staring into the vastness of space beholding the great, fathomless mystery of the African sky. Aaron, my youngest son, then three years old, lay curled up next to me like a kitten lost in his dreams. Dazzled by the inconceivable expanse of the sky whose darkness was so overcome with the light from billions of stars that lived in it, I lost myself in timelessness and infinity. That night, I came not to think or to wonder but to know, with absolute certainty in every cell and molecule of my body, that this cosmic world was not something separate from myself, nor I from it. We were, in a way I will never be able to understand rationally, one being. It was one of the greatest moments of my life. Like the proverbial iceberg, most of us live with the lion’s share of our potential for freedom, joy, creativity and authentic power submerged beneath a sea of unknowing. We go about our day-to-day duties and pleasures conscious only of what comes to us through our five senses. How does it taste and feel? What does it sound like? What do we see in front of our eyes? Meanwhile, beneath the vast ocean of consciousness that constitutes what it is to be fully human, our greater selves hibernate, waiting to be awakened. Sometimes—when we fall in love perhaps, or when we are faced with an event of life-shattering proportions like a critical illness or the death of a close friend—a submerged area of our being erupts in magic or horror, and often in surges of passion, energy and beauty. Then, for a time, the mundane quality of everyday life is replaced with a sense of expanded being. Not only do we feel more alive, we wake up to find that familiar things—the tree that stands outside a bedroom window, the cat that greets us when we come home each day, a simple shell we picked up and slipped into our pocket while walking on the beach—have taken on a luminosity which we can’t explain. Other times, without warning while listening to music or walking down a city street, we are suddenly gripped with a sense that the world is far greater than we ever imagined it to be, and a certainty that all we see around us somehow is us. While the experience lasts, everything seems right in the world. Then, like the sun at the point of setting, everything fades beneath the mundane horizon, leaving only the faintest wisp of color to remind us that we once stood in its glory, felt its rays on our bodies and knew that being at one with the universe brings a sense of meaning to our own life and to the lives of others that is simply indescribable. The greatest desire I have is to live my life conscious of the oneness to which we all belong. After all, the magnificence of that African sky not only stretches out to infinity above us, it lies within us, calling to us—asking us to discover that it is who we are.

Examining what works in your life and what doesn't takes courage. It is never easy. It demands that you disassemble structures that you take for granted but which may no longer serve you at the deepest level. These structures can include anything from a habit of munching your way through two pounds of chocolates every time you feel depressed, to holding on to a job that is meaningless, or to a relationship which does not help you grow - all because you are afraid you can't cope otherwise or do any better for yourself. Every transformation, every profound and life-enhancing change in some way involves dismemberment. It dissolves every structure that has become inadequate to support an organism. Like the crab which sheds his cramped shell in order to create a larger one, each of us again and again is faced with the prospect of taking apart structures in our own lives which have become too small to contain us. If we don't consciously rise to the occasion, then life takes them apart for us, and we find ourselves precipitated into crises: It seems as though you have entered a dark tunnel leading to an unknown land. You feel that you don't know yourself any more, or what you value, or even what is going on. So fundamental is this uncomfortable but necessary process of molting to human physical, emotional and spiritual health - in fact to life itself - that it takes place again and again in our lives whether we like it or not. Sometimes change comes spontaneously as a result of something that happens to us - the death of a loved one perhaps, or the loss of a job. Sometimes it is consciously chosen out of an awareness that our current life structures no longer serve our values and our goals. Whether the transition required is a big one - choosing to enter or leave a long-term relationship - or a relatively small one - putting yourself through a short spring cleaning diet to detoxify your body - it frequently brings an experience of deep uncertainty and anxiety - the sense that you are in crisis. The transition facing you seems terrifying. You want most to run away as fast as you can. You feel overwhelmed and unable to cope. The irony in all this is that it is only in facing a crisis and making the transitions it demands that we learn we can cope, and that life can be trusted. We also discover that, given half a chance, the body has an amazing capacity to heal itself, and that there exists deep within us a wisdom and a clarity more profound and powerful than the conscious mind. The Lebanese poet Kahil Gibran wisely wrote, "Your pain is but the breaking of the shell than encloses your understanding." For most of us, learning to live through our crises and to make something positive out of them means revising a lot of what we have been taught about ourselves, our minds, even life itself. Most of all, it means looking at the concept of crisis and the experience of change from a whole new point of view. It means learning to transform what may feel like a life-threatening situation into a true passage to power.

When I was six years old I had my first love affair. Yes, really. Of course, not until years later did I recognize the experience for what it was. But like every first love, it changed my life forever. My father was a jazz musician so our house was equipped with the best possible sound equipment. Both he and I loved to listen to music—just about any music—at full volume. This my mother could not stand—which made it something even more exciting. While my playmates roamed the hills of Hollywood skinning their knees, I would lie on my belly in the living room, listening to music at full blast. THE MAGIC BEGINS One day, combing through our vast supply of records, I came upon Stravinsky’s “Rite of Spring.” It meant nothing to me, but I liked the colors on the cover, so I put it on the record player, turned up the volume and flopped in front of our huge speakers. Strange, mysterious, often discordant sound flooded my body, opening a secret door to somewhere deep inside me. It was a place I had never been before. I did not even know it existed. I trembled with fear and excitement as the music wound its way into me. I flushed hot and then cold; my heart raced then calmed. I lost all sense of place and time as I rode the waves of an imaginal sea into unexplored worlds, too numerous to identify. ONE WITH STILLNESS I have no idea how long this lasted. Before long, even the “boat” carrying me along, and all the images that came with it, had dissolved like sugar in water. Then, in perfect union, the sounds and child-that-had-been-me swirled into a vortex, becoming lost in each other. We shared excitement, fear, longing, fierceness and sadness. Like lovers, we had come together—music and child—in an immediate, passionate, all encompassing union. Eventually I found myself at the centre of this whirlpool. There, even the ecstasy of the movement vanished. Like Alice down the rabbit hole, I tumbled—not into Wonderland, but into that place of unspeakable stillness. Zen practitioners claim this place is available at every moment to each one of us. For me it was an indescribable event—beyond space, beyond time, outside thought. Here I knew, without the slightest possibility of ever being able to describe it, that everything was exactly as it should be. In the words of Zen Master Daisetz Suzuki, it is a place where I would eat when I am hungry, sleep when tired. I knew that “it was fine yesterday and today it is raining.” Or, in the words of Julian of Norwich, that “All things shall be well, and all things shall be well, and all manner of thing shall be well.” My affair with Stravinsky lasted more than four hours. At least that’s what my mother said. “Don’t tell me you are still listening to that awful music.” She had to raise her voice to be heard above the sounds. “For God’s sake, turn it off. Do something useful.” MY USEFUL LIFE So I did something useful. I went to school, then to university where I learned at least some of what you are supposed to learn. I earned praises for good marks, went to work, won prizes, gave birth to four children, wrote books, gave talks and made television programmes. In effect I did what millions of men and women do—became the breadwinner, the carer, the nurturer of others’ lives. And I loved it. Yet through all the years between six and now, my passion for music, painting, books, poetry, architecture and design never left me. Far from it. During most of those years, my longing not only to experience the emptiness that listening to Stravinsky had brought me that day—an epiphany, and the experience of being fully alive for the first time in my life—but also to create things: books, films, relationships, and to explore physical places, inviting me to move beyond thoughts to a place of unity with the rest of the universe. They kept gnawing at my gut. They would not go away, just as the urge to breathe never goes away no matter how long we hold our breath. SIX YEAR OLD WISDOM That day, when I lay on the floor lost in Stravinsky, without realizing it I had decided that what interested me most was the beauty of art—whether it be music, words, film, stories, sculpture, buildings or what-have-you. Why? Certainly not because I had any idea that art was supposed to be valued since it was part of what grown-ups called culture. I knew nothing about either. I could not have cared less. After all, I was a kid who, when I was not entranced by what I was seeing, hearing, feeling or touching, spent the rest of my day learning card tricks, wrestling with my rough Collie, and trying (unsuccessfully) to sell packets of chewing gum my grandfather brought me to neighbors’ kids. Nope—I loved the beauty and wonder of art in all its many forms because, unlike the world around me, with which I seemed to have little in common, it had always grabbed hold of me and would not let me go. It demanded of me both a submission and an active participation in the making of it. TIMELESS REALITY What I did not know, and this took me scores of years to come to understand, is that the rabbit hole into which I had accidentally tumbled at six is described by every culture and religion in the world in one form or another. Nor had I any idea that, at any moment in time, anywhere in the world, regardless of the circumstances of our lives, it is available to each of us. To Zen Buddhists, this wordless, timeless space represents ultimate reality—that which can only be sampled through immediate experience. In Suzuki’s words, “For the sake of those crucial experiences Zen Buddhism has struck out on its own paths which, through methodical immersion in oneself, lead to one’s becoming aware, in the deepest ground of the soul, of the unnameable Groundlessness and Qualitylessness—nay more, to one’s becoming one with it.” ANNIHILATION AND RENEWAL It is a state in which nothing is thought or contrived, longed for or expected. It reaches out in no particular direction, yet it knows itself able to handle the possible as well as the impossible. Concentrated, yet so expanding is its potential, such power is both purposeless and egoless. As such, it is often called truly spiritual. Why? I suspect because it is charged with an awareness that spirit is present everywhere. The universe and all that is created is never attached to place or time. In such a state, because the cosmos is present everywhere, we too are present everywhere. We have direct experience of and access to the power that continues to create the universe itself. And, like water flowing through the river, we have full access to that power of creation to use in our own lives, in whatever way we choose. DOORWAY TO BLISS The Sufis call this state fana—the annihilation of your individual selfhood. When we experience fana, our everyday personality becomes transparent, so the larger being that we are shines through. You become fully absorbed in the all-encompassing fascination of the moment—textures, nuances... Cutting edge physicists speak of a holographic universe in which we live but seldom access because we are plagued by endless mental concepts which blind us to reality. They also blind us to the experience of Samadhi—“a non-dualistic state in which the consciousness of the subject becomes one with the experienced object.” This state of selfless absorption and total surrender is characteristic of children when left alone to follow their instincts. Yet it is available to each one of us, regardless of age. Honoring whatever brings us bliss in our own lives opens the door to it.

I am fascinated by stories—especially mythic tales. I have an obsession with them. Wonderful myths inspire us, open us to new ideas and help us connect more deeply with the essence of who we are—warts and all. There is one particular myth which I adore. It is not only relevant to a man who can spend a lot of energy trying to understand what the woman in his life wants, it is also valuable to women. This fun story always makes me laugh. Only when the irrational feminine within both men and women is embraced and its will honored can any of us, man or woman, come to live in wholeness. The most difficult task most of us ever come up against is that of accepting the part of ourselves which we find most ugly and loathsome. Yet, locked within what we most hate or fear about ourselves lies the greatest power for our transformation. The tale is beautifully told in the Arthurian grail myth of The Loathly Lady. WHAT WOMEN WANT One Christmastide Arthur rode out with his knights to hunt. By chance he became separated from his companions and found himself at the edge of a great brackish pond. There a knight in black armor emerged from the shadows and challenged him to a fight. Arthur reached to draw his sword Excalibur and call on its power to protect him from all harm. Alas, he had come away from court without it. He could feel every ounce of strength drain away from his body in the presence of the dark and evil stranger who raised his sword and threatened to kill him. Being a responsible king, of course, Arthur told the dark knight he didn't think that killing him was such a great idea - he had a country to rule after all and knights to look after. Where would they be without him? The stranger, bored at the thought of such an easy kill relented and replied, "OK, I won't kill you so long as you return to this place in three days with the answer to a riddle I shall give you. If you fail I shall remove your head in one full sweep." Arthur agreed. He figured that given half a chance and a mug or two of mead, his pals back at the castle would be sure to come up with something. The riddle the stranger posed was this: "What does every woman want?" So Arthur headed home to ask all of his knights and wise men to give him the answer. Everyone from Merlin to a goose girl he met along the road had a go. Each gave him a different answer: "A woman wants beauty," said one. "A woman wants power," said another, or fame, or jewels, or sanctity. None could agree. Time was running out. Finally, although he had done his best to hide from his beloved Guinevere the seriousness of the situation, the third morning arrived. Bound by his word of honor to the Black Knight, Arthur had to face the music. Along the road to the meeting at the brackish waters Arthur came upon an old woman. She sat on a tree stump by the side of the road calling his name. FACING THE HAG Arthur dismounted and approached her with all the courtesy he could muster. For the closer he came the more ghastly this old hag appeared. Although she was dressed in fine silk and wore magnificent jewels on her gnarled and twisted hands, she was unquestionably the most hideous thing he had ever seen—or dreamed of for that matter. Her nose was like a pig's, her mouth was huge toothless and dribbling. What hair remained on her head was greasy, and the skin all over her misshapen and bloated body was covered in oozing sores. Arthur swallowed hard, forcing himself not to have to look away. "My Lord," she said in a surprisingly gentle voice, "Why look you so dismayed?" Summoning up all his chivalrous training, Arthur apologized for his manner, trying to explain it away by telling her he was most unsettled at the prospect of returning to meet his death at the hand of an evil knight because he could not tell him the answer to the riddle, "What does every woman want?" "Ah," said the hag. "I can tell you that. But such knowledge cannot be given without payment". Arthur, hoping once again for a reprieve from death, replied, "Of course Madam, anything you desire shall be yours for the answer—even half my kingdom." The Loathly Lady made Arthur bend down while she whispered a few words in his ear." The moment Arthur heard them, he knew his life and his kingdom had been saved. He was about to leap on his horse again and ride off to meet the stranger when she tugged on his cloak and said, "Now I want my reward." "Of course Madam, what is it that you want?" he asked. "I want to be the wife of your bravest knight and live at your court." Arthur, who only a moment before had felt his spirits soar was plunged into the deepest despair. How could he possibly expect any knight to consent to marry such a hideous hag. And what would it be like to have to endure such ugliness every day at court? WHERE TO TURN "But Madam, that is impossible!" he said. The words slipped through his lips before he could catch them. Aghast at his own lack of courtesy and agonized by having to ask any of his knights, Arthur said, "I beg your pardon, Madam. You are quite right. Come to court tomorrow. There waiting for you will be your future husband." So saying, he mounted his horse and rode off to meet the Black Knight to convey to him the answer to the riddle. When he got back to the castle, Arthur was distraught. The knights questioned him. He confessed that he had won his life from the Black Knight but then told them at what cost and reported his promise to the Loathly Lady. "My very honor is at stake," said Arthur, wringing his hands "unless one of you will agree to wed her." His knights were horrified at the prospect and tried to avoid his gaze. But one—the youngest knight of all—Sir Gawain, the most courageous and purest of heart stood up. "Worry, not my liege," Gawain said, "I shall save you, I will marry the woman no matter what her mien." Gawain did not have long before he rued his offer. The marriage was planned for the following morning and the hag arrived at court. When he looked upon her, even Gawain with all his chivalry did not know how he could go through with the ceremony. It demanded every ounce of his courage. Somehow he managed it. But things got worse. When the festivities were over, the couple were obliged to retire to their chamber for the night. Gawain, unable to face the hideousness of his wife, sat for long hours in their bedchamber with his back to the lady, writing at his desk and praying she would go to sleep without him. Was he to spend the rest of his life shackled to such a hideous monster? THE TRANSFORMATION Long past midnight, as the candle burnt low, he felt a hand come to rest upon his shoulder. "Will you not come to bed now, my Lord?" a voice whispered from behind him. Shuddering with horror Gawain mustered his courage to look at her. To his astonishment there stood not the ugly hag he had married but the most beautiful woman he had ever seen. She had golden hair and ivory skin. "Why do you seem so surprised, My Lord?" she said to him. "I am indeed your wife. I was enchanted by a wicked magician. But now the enchantment is half broken by your having consented to marry me and so you see I stand before you now in my true form." Gawain could not believe his luck. "Half broken?" he asked. "Yes, my lord" was the reply. "Sadly I am only allowed to spend half the time in my true form. For the rest I must return to the shape of the same hag which this afternoon you married. And now you must choose, my Lord. Would you have me be my true self at night when we are alone together and the hag during daylight hours?" Gawain, whose mind was flooded with passion at the thought of her beauty filling his bed each night replied eagerly, "Yes, that is certainly how it must be." In the eye of his beautiful lady appeared a tear. "But Sir," she said, "Would you then have me suffer the humiliation of the court who cannot conceal their horror at my ugliness?" Now Gawain, if he was nothing else, was compassionate. He could not bear to bring this beautiful woman a tear of sorrow. "No, of course not," he replied. "It shall be the other way round, of course. You shall be my beautiful wife for the court during daylight hours and the hag at night." But this only made the lady weep the more. "Oh sir, would you then deny me forever the joy and pleasure of your embrace?" She asked. HOBSON’S CHOICE Poor Gawain, who after all was but a man (and man has never found it easy to deal with woman's grief) did not know what to do. After much thought he replied, "My lady, whatever choice I make will be the wrong one. It is therefore for you to choose which you prefer." At the sound of his words the Lady threw herself into his arms in glorious laughter. "In so saying, my Lord, you have given the right answer. You have bestowed upon me what every woman wants—her own way. The spell at last is broken. You will never have to look upon the hideous hag again. I am my true self and it belongs to you forever." Such is the power of accepting that which to ourselves is most loathsome. And great is the power of myth in reminding us of it.

The idea that stress is all bad is patent nonsense. As human beings we would be little more than vegetables without stress in our lives. Also, and most important, the more committed we are to the lives we are leading and the more right they are for us, the less likely we are to suffer the ravages of stress. Nevertheless we worry about stress, wonder about it, and wish it would go away. Yet seldom do we even stop to ask what it is. Little wonder. For stress is complicated even to define. YOU NEED STRESS TO LIVE The word stress comes from the language of engineering, meaning “any force which causes an object to change.” In engineering the specific change caused by stress is known as strain and there are four possible kinds: torsion, tensile, compression and sheering. In human terms the strain is you body's response to physical, chemical, emotional or spiritual forces, asking in some way that you adapt to them. As we learn this art, we also discover a great secret: How stress can become the spice of life, the exhilaration of challenge and excitement, the high of living with heavy demands on you and and thriving. For, like the tempering process involved in the production of a piece of good steel, once you make a friend of stress, forces which had seemed to be working against you become positive energies that define you, strengthen you and help you express your own brand of creativity and joy. This is one of the great gifts that stress has to offer. Without physical and mental challenges your body would become feeble and you would never feel the excitement and creative energy which are such an important part of wellbeing. But too much stress can be a killer since stress, or rather the inability to cope with it, is the common denominator in all disease states. It is also a strong contributing cause in almost every illness to which we are susceptible. Develop methods for neutralizing the negative effects of stress and you can begin to thrive on its positive aspects. TOSS OUT THE PILLS Drug-based therapy is not the answer: the a million tons of Valium swallowed each year, as well as sleeping pills and other tranquillizers, produce unpleasant and dangerous side-effects ranging from addiction to acute rage, withdrawal, long-term worsening of anxiety symptoms, sub-clinical vitamin and mineral deficiencies, aggressiveness and even acute psychotic episodes. New evidence indicates that taking tranquillizers may also encourage the growth of tumours, impair neuromuscular coordination and make takers more prone to road accidents. Quite apart from the detrimental effects these drugs exert on mind and body, the fact that they treat only the symptoms of overload and do absolutely nothing towards eliminating the causes, means they can never make a positive contribution to wellbeing. What’s worse, relying on pills weakens your ability to cope with life and undermines your autonomy and your self-esteem. QUICK ENERGY NOW It is actually possible to breathe in energy whenever you feel burdened with worry and fatigue. Try this for a couple of minutes: Close your eyes. Breathe slowly and deeply from your diaphragm, so your stomach (not your chest) swells with each in breath. Imagine that you are breathing in vitality from the air to fill your whole body through your solar plexus. As you breathe in, feel that your whole body is becoming more and more relaxed. Imagine it as a centre of immense light radiating outward in all directions, as though you are taking in energy through the solar plexus itself, transforming it into light and radiating it out again everywhere. YOUR FEELINGS MATTER Emotional stressors in your life can take their toll. But f most emotional hurdles can be overcome. Take a look at what continues to trigger off the stress response in your own life. Ask yourself whether it is something which prevents you from turning a lot of your energy to more constructive use. Some stressors provide challenges from which we can grow. Others are simply habitual. They lead nowhere and bring little in terms of increasing awareness or your ability to make better use of your energy. If there are any of these in your life see if you can eliminate them. For instance, take a look at the work you do and ask yourself if you find it really satisfying. Are the financial responsibilities you have taken on really necessary? Can you reduce them in any way? If so, have the courage to drop them and to accept the changes this will bring about; this too can make you stronger. We humans have a tendency to hang on to the status quo at all costs - and often the cost is in terms of lost adaptive energy - occasionally even life. Regardless of whether you learn the world's finest techniques for meditation to counteract stress, if you are in a job you hate year after year or are faced with a relationship that no longer has meaning for you, they will do little good. To make stress work you must not only face up to its demands, but also take responsibility for removing it wherever it is no longer useful and relevant to you. GET INTO JOY Each of us needs to develop our own personal ways of throwing off stress. A walk in the woods for clearing consciousness is something quite specifically ordered by Tibetan doctors to patients who suffer from rapid swings of mood and worry. Or you could try sailing, running, dancing, gardening, listening to music or some other form of hobby. I have a passion, verging on an addiction, for good movies. Explore them all. Find out what works best for you and make it an important part of your day-to-day life. By eliminating unnecessary stressors from your life, practising relaxation and exercise, and becoming more and more aware of which challenges are important to you and which you are better off without, you will develop a way of being which will keep you free from unnecessary illness. You will soon be tapping the kind of vitality and enthusiasm a child has which most adults have long forgotten. A special bonus too - you will quite automatically preserve your good looks and vitality decade after decade. THE ART OF SIGHING When you begin to unwind and let go the muscles' tension, the release is often accompanied by a very slow deep breath - in fact, a sort of sigh. You can use sighing throughout the day to calm your nerves and prevent tensions building up. Think of a stress producing situation which occurs fairly frequently at work, e.g. the telephone ringing and each time it happens, take a deep breath and let it out again, then answer the phone. Be sure to let your shoulders drop as you inhale and breathe deeply down into your belly and lower back. Let the lower ribs expand away from your spine as much behind as in front. When you exhale, don't collapse, but think of your head and spine lengthening upwards. THE BLISS OF BALANCE Stress and relaxation are like two sides of a coin. Learn to move easily from one to another and you will begin to experience your life as a satisfying and enriching challenge like the ebb and flow of the tides. Then you will never again have to worry about getting stuck in a high-stressed condition which saps your vitality, distorts your perceptions and can even lead to premature ageing and chronic illness. The secret of getting the right balance between stress and relaxation is threefold. First, take a look at the kind of stress that is part of your life, eliminate unnecessary stressors and discover new ways of working with the others. Second, learn one or more techniques for conscious relaxation and practise them until they become second nature. Finally, explore ways of expanding your mind, honouring your individuality and for creating an environment that supports both. Not only will this help your body stay in balance and increase your level of overall vitality, it can bring you a sense of control over your life that is hard to come by any other way.