personal growth

Within each one of us lies an essence, a core of self, with one and only one intention—that it may be fully expressed while we live on this earth. With each passing year, I become more and more aware that illness, lack of energy, a sense of confusion or lack of meaning in someone’s life stems from a basic frustration of the expression of their unique essential being. These experiences are calls from your soul. They ask you to become more aware of who you are at the deepest level of your being. They want to awaken you to your unique nature. Energy, power and authentic freedom All healing is a process of transformation. Energy, power and authentic freedom grow as you engage in the process of connecting with your essence and discovering what your values and your soul’s purposes are, then expressing them in how you choose to live your life. To do this, you can call on all sorts of tools and techniques, from detoxifying body and mind, to herbs and natural treatments, to exercises for expanding awareness. Take energy. Being able to live out your energy potential depends on how well you nourish yourself—physically, emotionally and spiritually—day by day. It helps to develop a lifestyle that incorporates pleasurable exercise, good food, restorative sleep and other helpful practices—from hydrotherapy to taking super nutrients—that support vitality. But more than anything else, the energy you have depends on how much you are living your day-to-day life from your core and not by trying to follow conventions and other people’s rules. It depends on expressing what you love in the way you choose, and discovering what feeds you most at the deepest levels of your being. soul’s passion Here’s the secret to experiencing it: Begin to live out your soul’s passion day by day. Soon you will be able to call on virtually endless energy. You see, health not only depends on how you eat and what exercise you get or how well you deal with stress. Yes, all of these things are important. But real health doesn’t stop here. Why? Because, ultimately, health is nothing less than the process of unfolding that each one of us has to go through to become more fully aware of who we really are. Once you begin to align your life with your own sense of truth, you will find out that the universe supports you in ways you may never have dreamed possible. unique health I‘ve worked with people for many years, helping them discover their own unique health processes, helping them find out what matters most to them, to discover their needs and longings on both a physical and spiritual level. It has been the most rewarding and exciting thing in my life. Every one of us carries a divine spark which we are here to live out to the full, bringing our own unique spirit into material form as we walk the earth. For me, the beauty of watching this happen to men and women I work with is like walking in a garden and coming face to face with unique flowers, plants, trees and rocks that I have never seen before. There is nothing more wondrous to behold.

The power of the Dark Goddess or Crone which I wrote about last week, at its most profound, represents the irrational power of nature which causes all things to decay and be changed—as well as true human freedom to be liberated. The experience of change at such deep levels can be a terrifying one both to men and women. Why? Because, these days, most try to live their lives believing that material reality is all there is, and that the great god reason is the ultimate means by which all their problems will be solved. Whatever else she may be, the Dark Goddess is most certainly not reasonable. No more reasonable than the forces which cause leaves to decay in autumn, transforming them into leaf mold that will eventually bring new life to the forest. No more reasonable than the hurricane which, irrespective of man's wishes or longings, blows its course through city and countryside. No more reasonable than the earth herself, as she quakes and trembles with shifts taking place in the continental plates of her body. INSTRUMENT OF TRANSFORMATION It is little wonder that male-centered religions have diabolized the Crone. For she is the ultimate destroyer, the emasculator of male reason. Nature and the Crone aspect of the Dark Goddess become, in the male mind, the castrator—so much so that, during the inquisition, witches were accused of collecting severed penises in boxes or birds' nests. Yet even the male penis itself represented—and still represents—an instinctive power to the male which most Western men feel uncomfortable with. For the penis seems to have a life of its own, quite separate from the man to which it is attached. Like the Dark Goddess it defies man's sterile reason. As Barbara Walker says in The Crone, Woman of Age, Wisdom and Power: "The conviction peculiar to males that sex organs have an uncontrollable, independent life of their own is expressed in the churchman's belief that the stolen penises moved about and ate food in their captivity like animals." The penis, too, is an instrument of the Dark Goddess. The Dark Goddess lives at every woman's core. She guards the Self. She is the friend of the soul whose purpose in our life is to fiercely protect and further the whole process of our learning to live authentically from our essential beings. She never trades in deceit, she never lies, nor does she veil her power. She refuses to uphold any relationship that doesn't work and she tears away with clawed hands or severs with her sword anything within us that is greedy, grasping or infantile. Throughout the lives of both men and women, she urges us to reclaim our own power—the power to set limits and to shout "no", and the power to say "this is what I will do and this is what I won't do" when we are faced with any sort of abuse, or anyone trying to steal our power or dominate us. WILD ENERGY LIBERATED But she is far more than even this. The Dark Goddess is the female power so long rejected and repressed by Western civilization that, when it rises to the surface, it often breaks forth in fury to devastate our ordinary view of reality. Sometimes when she forces her presence to be felt at menopause, she can well up inside, making us hysterical. Her frenzies—which in the rational world of linear thinking, are looked upon as something for which a human being should be tranquilized and kept under control—in the lives of both men and women were once treated with the deepest respect, as visitations from the gods. It was in such a state that the pythia or sibyl at Delphi prophesied the future, and told secrets capable of turning those who sought her help into conquerors of nations. When we forget the power of the Dark Goddess—when we separate ourselves from her essential nature—then we begin to look upon her as a destroyer who arrives like a great snake to break up the structures of our lives, devour our relationships and make mince-meat of our most precious self-deceptions. DESTROY TO RENEW In the lives of both women and men, she can quickly cut through the patriarchal image of being ‘pleasing’, ‘submissive’, ‘gentle’ and ‘nice’. If anyone has so much control of her own behavior that the Dark Goddess is unable to arise when it is time for her appearance to be made, if she remains deeply suppressed, then man or woman can experience her energies in the form of a life-threatening disease, depression, hopelessness, or seemingly endless despair. They can find themselves living in a wasteland, and feel their life to be meaningless and without direction. It is only by finding ways to reconnect with her energy within that the powers of transformation can be set free to work their magic and lead each of us on our own individual path towards freedom. As Demetra George says in Mysteries of the Dark Moon, “Whether we see the Dark Goddess as dancing ecstatically in a swirl of red flames, or enveloped in mist gazing into the inner pools of her psychic awareness, or throbbing with her orgasmic, magical creative energy, or embracing us in our grief, or furiously raging, screaming, crying, or desperately withdrawing into a stupor of denial or numbness, her ultimate purpose in each one of these guises is the same. She destroys in order to renew. The Dark Goddess of the dark moon is the mistress of transformation, and she exists everywhere there is change.” AN ACT OF LOVE The Dark Goddess demands that each one of us clear out of our lives what is no longer essential to our authentic being, whether this be possessions, relationships, jobs—anything that does not help us grow and fulfil our deepest needs. If we try to ignore her demands, like the wild and unruly creature she becomes when thwarted, she ruthlessly tears apart whatever in our own lives is restricting the full expression of our soul. Her rise can threaten everything which in ordinary life we try desperately to hold on to—our self confidence, our self-image, our sense of accomplishment, our material possessions—all of the things which for many years may have supported us now come under the scrutiny of her gaze and the ruthlessness of her sword. What can be hard to realize, while all this is happening, is that everything she does is done with love. We see such things as the breakdown of a marriage, the loss of a job, physical illness that can come at times of enormous change, as evil and negative. For we spend most of our lives trying to avoid a crisis at all cost. Yet crises are often the only means by which we can be thrust forward to a new life. Were the energies of the Dark Goddess not to rise, we would remain stagnated. We might continue living out an artificial existence, all the while trying to fill up the emptiness within with whatever we can lay our hands on, from drugs and sex to success and power in the world—yet never succeed. It is the Dark Goddess that gives us the motivation to change, and brings us the power to be able to carry it out. INNER SILENCE She also pulls us away from the external world, asking us to withdraw inside to a place of stillness and power in which we can begin to hear the echoes of our own souls—sounds which for years may have been ignored or forgotten. She stirs our being at the deepest level. She asks us to enter our own personal darkness, calling us to make a vision quest, presenting us with pain over any issues of our lives that we have been denying. She asks us to face our fears and taboos, whether they are addictions, dependencies, inadequacies—that we bring them into the open, where they can be looked at and healed. Like the Crone who is her messenger, the Dark Goddess has no adornments. She is naked and raw in her confrontations. She arrives to lead us into the labyrinthine recesses of our own being. If we consent, she offers us the courage and the strength to face our own personal demons—demons who for generations have been feeding on our inadequacies, fears, and dependencies and undermining our potential for joy. Either we acknowledge her call, retreat from the outer world and begin to make our descent voluntarily, or she grabs us by the throat and drags us under. And just in case we might be tempted to think that when menopause arrives, sexuality is dead, she makes us think again. It has not died but rather been transformed. INSTINCTUAL SEXUALITY The sexuality of the postmenopausal woman is the sexuality of the Crone. It is the sexuality of sheer instinct—wildness set free. It is she that calls a woman into the secret places of the woods and provokes her to dance naked in wild abandon. Hers is a sexuality to be used in any way a woman chooses—in union with another or alone to generate the alchemical meeting of male and female within her own body. The sexuality of the Crone belongs to herself alone. She will be what she is, she will have what she wants. She is neither passive nor submissive, and her sexuality also has nothing whatever to do with bringing physical children into being. The Crone's eroticism is sheer ecstasy, lived for its own sake, and sheer creativity. She creates in an uninhibited, animated, fiery way, which emanates from the soul of a woman. Such sexuality is the fuel for all creative powers in the world. It carries with it the energy of regeneration and of healing, not only for a woman herself but for the world. It is the kundalini power—the rejuvenating cosmic illumination, the power of the serpent, the sacred fire which heals. As the Crone gains entrance into the body and psyche of the menopausal woman, she illuminates one dark corner of her psyche after another, lifting away all that is old and dead and without meaning—the way kundalini energy rises up within a woman's body to illuminate each of the chakras. Her power becomes the power of the menopausal woman. It lies in her dark blood—the blood of creation. It is the indomitable creative power that has lain sleeping in the consciousness of both men and women. It is asking for us to honor it and set it free. Never in human history has it been more urgent that we do so for our own sake, and the benefit of all beings.

The idea that stress is all bad is patent nonsense. As human beings we would be little more than vegetables without stress in our lives. Also, and most important, the more committed we are to the lives we are leading and the more right they are for us, the less likely we are to suffer the ravages of stress. Nevertheless we worry about stress, wonder about it, and wish it would go away. Yet seldom do we even stop to ask what it is. Little wonder. For stress is complicated even to define. YOU NEED STRESS TO LIVE The word stress comes from the language of engineering, meaning “any force which causes an object to change.” In engineering the specific change caused by stress is known as strain and there are four possible kinds: torsion, tensile, compression and sheering. In human terms the strain is you body's response to physical, chemical, emotional or spiritual forces, asking in some way that you adapt to them. As we learn this art, we also discover a great secret: How stress can become the spice of life, the exhilaration of challenge and excitement, the high of living with heavy demands on you and and thriving. For, like the tempering process involved in the production of a piece of good steel, once you make a friend of stress, forces which had seemed to be working against you become positive energies that define you, strengthen you and help you express your own brand of creativity and joy. This is one of the great gifts that stress has to offer. Without physical and mental challenges your body would become feeble and you would never feel the excitement and creative energy which are such an important part of wellbeing. But too much stress can be a killer since stress, or rather the inability to cope with it, is the common denominator in all disease states. It is also a strong contributing cause in almost every illness to which we are susceptible. Develop methods for neutralizing the negative effects of stress and you can begin to thrive on its positive aspects. TOSS OUT THE PILLS Drug-based therapy is not the answer: the a million tons of Valium swallowed each year, as well as sleeping pills and other tranquillizers, produce unpleasant and dangerous side-effects ranging from addiction to acute rage, withdrawal, long-term worsening of anxiety symptoms, sub-clinical vitamin and mineral deficiencies, aggressiveness and even acute psychotic episodes. New evidence indicates that taking tranquillizers may also encourage the growth of tumours, impair neuromuscular coordination and make takers more prone to road accidents. Quite apart from the detrimental effects these drugs exert on mind and body, the fact that they treat only the symptoms of overload and do absolutely nothing towards eliminating the causes, means they can never make a positive contribution to wellbeing. What’s worse, relying on pills weakens your ability to cope with life and undermines your autonomy and your self-esteem. QUICK ENERGY NOW It is actually possible to breathe in energy whenever you feel burdened with worry and fatigue. Try this for a couple of minutes: Close your eyes. Breathe slowly and deeply from your diaphragm, so your stomach (not your chest) swells with each in breath. Imagine that you are breathing in vitality from the air to fill your whole body through your solar plexus. As you breathe in, feel that your whole body is becoming more and more relaxed. Imagine it as a centre of immense light radiating outward in all directions, as though you are taking in energy through the solar plexus itself, transforming it into light and radiating it out again everywhere. YOUR FEELINGS MATTER Emotional stressors in your life can take their toll. But f most emotional hurdles can be overcome. Take a look at what continues to trigger off the stress response in your own life. Ask yourself whether it is something which prevents you from turning a lot of your energy to more constructive use. Some stressors provide challenges from which we can grow. Others are simply habitual. They lead nowhere and bring little in terms of increasing awareness or your ability to make better use of your energy. If there are any of these in your life see if you can eliminate them. For instance, take a look at the work you do and ask yourself if you find it really satisfying. Are the financial responsibilities you have taken on really necessary? Can you reduce them in any way? If so, have the courage to drop them and to accept the changes this will bring about; this too can make you stronger. We humans have a tendency to hang on to the status quo at all costs - and often the cost is in terms of lost adaptive energy - occasionally even life. Regardless of whether you learn the world's finest techniques for meditation to counteract stress, if you are in a job you hate year after year or are faced with a relationship that no longer has meaning for you, they will do little good. To make stress work you must not only face up to its demands, but also take responsibility for removing it wherever it is no longer useful and relevant to you. GET INTO JOY Each of us needs to develop our own personal ways of throwing off stress. A walk in the woods for clearing consciousness is something quite specifically ordered by Tibetan doctors to patients who suffer from rapid swings of mood and worry. Or you could try sailing, running, dancing, gardening, listening to music or some other form of hobby. I have a passion, verging on an addiction, for good movies. Explore them all. Find out what works best for you and make it an important part of your day-to-day life. By eliminating unnecessary stressors from your life, practising relaxation and exercise, and becoming more and more aware of which challenges are important to you and which you are better off without, you will develop a way of being which will keep you free from unnecessary illness. You will soon be tapping the kind of vitality and enthusiasm a child has which most adults have long forgotten. A special bonus too - you will quite automatically preserve your good looks and vitality decade after decade. THE ART OF SIGHING When you begin to unwind and let go the muscles' tension, the release is often accompanied by a very slow deep breath - in fact, a sort of sigh. You can use sighing throughout the day to calm your nerves and prevent tensions building up. Think of a stress producing situation which occurs fairly frequently at work, e.g. the telephone ringing and each time it happens, take a deep breath and let it out again, then answer the phone. Be sure to let your shoulders drop as you inhale and breathe deeply down into your belly and lower back. Let the lower ribs expand away from your spine as much behind as in front. When you exhale, don't collapse, but think of your head and spine lengthening upwards. THE BLISS OF BALANCE Stress and relaxation are like two sides of a coin. Learn to move easily from one to another and you will begin to experience your life as a satisfying and enriching challenge like the ebb and flow of the tides. Then you will never again have to worry about getting stuck in a high-stressed condition which saps your vitality, distorts your perceptions and can even lead to premature ageing and chronic illness. The secret of getting the right balance between stress and relaxation is threefold. First, take a look at the kind of stress that is part of your life, eliminate unnecessary stressors and discover new ways of working with the others. Second, learn one or more techniques for conscious relaxation and practise them until they become second nature. Finally, explore ways of expanding your mind, honouring your individuality and for creating an environment that supports both. Not only will this help your body stay in balance and increase your level of overall vitality, it can bring you a sense of control over your life that is hard to come by any other way.

Before we begin I would like to share a short interview I did with Helen Musset, who was on Leslie Kenton's Cura Romana and lost 20 kilos while on the program. I was lucky enough to interview her about her experience. You can listen to the interview here. Now back to my newsletter. Frequently discussed yet little understood in our post-industrial society is the value of ecstasy and the spiritually creative power of the erotic. For power, it is of an order that can be both frightening and tremendously creative. It is no accident that in all of the Eastern religions it is the erotic which symbolizes man's pathway to realizing the Divine. In our capacity to experience ecstasy at the deepest levels may lie both the key to our survival and our ability to create. Studies of the human brain and its interfaces with the body have for the first time in history begun to chart what takes place biologically when one allows oneself to enter fully into the erotic state. PATH TO FREEDOM The results of this research are not only helping us see just how important this can be to health and wholeness, they make us conscious of just how far away the so-called sexual revolution has taken us from our being able to experience true ecstasy. For the mechanistic approach to sexuality with which we have lived for the past four decades, with all its sex-manuals and all the advice on “how-to-do-it-better”—instead of leading us towards a state in which we are more able to plunge into the irrational, oceanic, all-trusting state which every ecstatic encounter demands—has taught us to intellectualize sexuality. We’ve made it into something which too often we do and watch ourselves doing; something that we learn about and something that we try to control. Yet right at the core of every truly ecstatic experience is a fundamental demand that we give up all control, so that for a time we allow ourselves to dissolve our boundaries and merge into a celebration of the body, of life itself. In doing so, we experience being fully present in the moment. THE PRIMITIVE BRAIN Each man and woman has not one brain but two: The rational brain or the neocortex, which like an immensely complicated computer enables us to make conscious choices and to collect, store and interpret the data we receive from our sensory organs. We also have the subcortical nervous system known as the primitive brain. This primitive brain is sometimes referred to as the “reptilian structure”. From an evolutionary point of view, it is the oldest part of our brain. Unlike our conscious mind, it can never be disassociated from our basic adaptive systems such as the hormonal system and the immune system, on which survival depends. Your emotions and your instincts are bonded to the activity of your primitive brain. The hormone control center area regulates the activity of all your endocrine glands through complex feedback mechanisms. When you experience joy, your hormonal functioning is better. When you grieve or when you engage in intellectual thought, it is subject to greater stress. This complex feedback network between our mind and body, mediated through the primitive brain, is often referred to as our primitive adaptive system. On the quality of its responses and how well it is balanced with the functioning of our neocortex depends how healthy we are physically, mentally and spiritually. LOSS OF TRUST But being human in the so-called civilized world is not always easy. In our culture, the neocortex—our rational brain—has become highly developed. It is this development which gives us the capacity to make rational decisions, to define what we perceive to be “reality”, and to consciously manipulate the outside world to our advantage. In a truly healthy person, the balance between the two brains is good. However in most of us, our rational brain inhibits the primitive brain. In truth, in our 21st century world, this neocortical inhibition of the primitive brain has been carried to extremes. So much is this the case that we have undermined our ability to experience ecstasy, diminished our capacity for creativity and joy and have forgotten how to trust in the wisdom of our instincts. Take the experience of childbirth, for example. Instead of our being able during the birth process to give over our bodies to the event and trust that at the right time the appropriate hormone will be secreted to dilate the cervix and bring the child into the world. This leads instinctively to the desire to nurture new life at the breast and experience the oceanic love that comes with mother/child bonding. When we try to exert conscious control of the process, we undermine our natural, primitive adaptive processes. As a result, hormones shift in inappropriate ways and we lose touch with the ecstatic experience of surrender to the body, as well as with all the joy this brings. In short, Whenever we bring into play the rational brain at an inappropriate time we suffer for it. (So, incidentally, does the baby.) Then we experience ourselves as separate from what is happening to our body, and we feel pain. THE PAIN OF SEPARATION It is not our rational brain that is the problem, but the inappropriateness of allowing it to come into play at the wrong time, which results in an experience of separation and anguish. Human instincts, which need to be valued, trusted and allowed freedom to be for us to live in real health and wholeness Fragile things, they are easily repressed and inhibited, constantly changed and controlled by the power of the neocortex. So much is this the case in the majority of people nowadays these inhibitions have become so unconscious and habitual that they are not even aware of them—something which eliminates the possibility of choice. Quite simply, we have forgotten how to let go and trust to our body. We deny the power of our instincts. Then, instead of working for us they work against us. Each woman is a great deal more than her rational mind. To be whole, to be healthy, to live the power of her own individual truth, she requires a highly developed emotional and instinctive life as well as a strong rationality. She needs to learn to trust her body so that, at appropriate times, such as in childbirth or lovemaking, she can abandon herself to it fully. Then the highly developed neocortex—responsible for the development of culture and rational achievement—instead of working against our vitality, can help channel her instinctive and emotional life in exciting and creative ways. We become able to experience joy in simply being, the way a child can—a joy and a radiance which does not depend upon what we do or have, or on how clever we are, or how admired: We come to live life moment by moment, simply by being fully present to whatever is happening. THE SERPENT AWAKENS How do we rediscover this kind of trust in our body and our instincts? The answer is not simple. It involves experiment, listening, adjustment. Usually it develops slowly, in fits and starts, by learning to trust ourselves, by becoming aware when instinctive responses begin to take place and allowing them to happen. This is especially important in the experience of sexuality—a realm in which the primitive brain comes into its own more easily than in any other. The erotic, the ecstatic, has a power far beyond the experience of pleasure it brings. Ancient philosophical and religious traditions teach that the font of our sexual power, known as the kundalini, lies coiled like a sleeping serpent at the base of the spine. When aroused, this intense procreative energy, the most powerful energy known to human life, begins to uncoil and rise up the body, activating our energy centers—chakras—one by one. There are seven main chakras in the body. These locusts are where life energy, which controls biological processes, interfaces with the physical body. Each chakra relates to particular endocrine glands and each manifests a different quality of powerful instinctive energy. For instance, the first chakra which lies near the base of the spine deals with our survival. The next chakra, located in the pelvis, looks after procreative energies. The chakra at the solar plexus is involved with our will, the heart chakra with compassion, the throat with our higher creative energies, and so forth. The seventh chakra at the crown of the head is known as the thousand petal lotus. It has long been believed to be responsible for man's spiritual development at the highest level. When fully activated, this crown chakra can emit a radiance which you find depicted in every religious tradition in the form of the halo around the head of saints, the Christ, the Buddha and all the rest. CREATIVE FREEDOM The kundalini or life force is not something which can be aroused or activated through rational effort by the conscious mind. For its energies, being sexual in the very deepest sense of the word—a sense which encompasses self-expression and creativity in every way from giving birth, to art, to Dionysian celebration of the erotic in sexual intercourse—are irrational in nature. They belong to the realm of the primitive brain. As such, they defy definition and elude any who would classify, categorize or try to control them. Since we belong to a civilization that places great value on classification and control—and which therefore has sought conveniently to ignore or dismiss as non-existent any part of experience which does not fit into whatever is rational and controllable. We often feel particularly unsettled whenever the power of these profound life energies surface. They can make us decidedly uncomfortable. After all, if we decide to follow them, we risk dissolving the boundaries of ourselves. Then we fear a loss of the very control which the overdeveloped rational mind so loves. The irony is that it is this very loss of this control that we most long for. Here’s the bottom line: Without an ability to live the instinctive as well as the rational, we will never experience our wholeness. Without this, the full creativity of our longings and our humanity can never be realized. For it is the inhibition of this ability to experience the ecstatic and to trust in ourselves and our bodies that bring feelings of powerlessness and meaninglessness which are now widespread in our society. CELEBRATE ECSTASY As black American writer Audre Lorde says, “The Erotic is a resource within each of us that lies in a deeply female and spiritual plane, firmly rooted in the power of our unexpressed or unrecognized feeling... As women we have come to distrust that power which rises from our deepest and nonrational knowledge... It has been made into the confused, the trivial, the psychotic, the plasticized sensation. But the erotic offers a well of replenishing and provocative force to the woman who does not fear its revelation, nor succumb to the belief that sensation is enough.” Exploring the realms of ecstasy, the truly erotic in your own life, is a long way from experimenting with all the mechanistic sexual stuff you will find in the popular press which tells us how we are supposed to get more pleasure from sex by doing this or that to your partner. Sadly, instead of freeing us to explore ecstasy, the so-called “sexual revolution” has crushed our erotic power not set it free. When this happens, what is meant to bring ecstasy instead turns pornographic then our powers for creativity and freedom are truncated. It is time that we develop the ability to surrender ourselves to the realm of instinct, to trust our bodies and stop relegating our sexuality to the realm of the neocortex. To experience high level health and wholeness, we must find a marriage between instinct and reason. It is a union which like any marriage takes time to develop and grow, but a union which in terms of our wellbeing, self-respect and capacity for joy in day to day life can bear infinite fruit. DOWNLOAD MY FREE BOOK 7 STUNNING SECRETS FOR WEIGHT LOSS FREE It Will Bring You: • A clear understanding of why conventional weight loss diets fail. • A step-by-step guide to help you shed excess fat permanently. • Insight into food cravings and why they are not your fault. • Actions you can take right now to move forward towards a leaner and healthier body. latter Download 7 Stunning Secrets For Weight Loss HELEN LOST 20 KILOS ON CURA ROMANA - INTERVIEW Helen Musset, who was on Leslie Kenton’s Cura Romana lost 20 kilos while on the program. I was lucky enough to interview her about her experience in this short audio conversation. Many people find it hard to understand the transformation that occurs through out the Cura Romana program as it almost always seems to good to be true. I hope this sheds some light into this process from someone who has been through the program and experienced it’s powerful weight loss properties as well as it’s ability to provide tremendous personal transformation. I hope you enjoy. Listen to Helen’s Interview

At the moment we have about a quarter of a century allotted to us in which to grow to adulthood. The next forty years are generally directed towards accomplishment in the outside world, realizing the goals of adulthood, procreation and raising a family. Then we tend to slide headlong downhill until we die. The character Vitek in Karel Capek's celebrated play The Makropoulos Secret describes the plight of modern man: . . he hasn't had time for gladness, and he hasn't had time to think, and he hasn't had time for anything except a desire for bread. He hasn't done anything. No, not even himself... What else is immortality of the soul but a protest against the shortness of life? A human being is something more than a turtle or a raven; a man needs more time to life. Sixty years - it is not right. It's weakness, it's innocence, and it's animal-like. Within the confines of our three score and ten years and under the pressures of contemporary social values, modern man and modern woman have become quite extraordinarily obsessed with accomplishment. Since for most of us the time for worldly accomplishment is limited to this middle period we push ourselves forward, often at health-breaking and heartbreaking speed. To many of us the concern with fulfilling ourselves in our career, paying the rent, buying the baby a new pair of shoes, during what are supposed to be the best years of our lives, forces us to postpone the pleasures of a time to dream, a time to think and a time to play - in the very highest sense of the word. If we are to find a means of coping with the problems of our society-problems of poor statesmanship, overpopulation, Third World famine, pollution and economic inequities - we desperately need this time to dream. We need this time to recreate our own world and to take our destiny responsibly into our own hands, aside from the demands of adult life. connectedness - a priority Nobel laureate novelist Hermann Hesse wrote about such a time-expanded world in his Glass Bead Game. There, time's limits become the rules of the game of life and each human being is freed to order his existential choices. Such a time-expanded world could help us draw together our learning and re-synthesize our knowledge. It might enable the coming together of disciplines such as mathematics, physics, philosophy, biology, medicine, psychology, anthropology, art, literature, politics, theology and law - in fact the whole gamut of human concerns and disciplines - into a kind of connectedness which is urgently needed in the excessively fragmented postindustrial society that has become our home. Healthy longevity - ageless aging - would make available to us the steadily maturing wisdom of our old people - people whose experience and awareness have not become distorted by ill-functioning minds and rapidly waning energies. Such wisdom is, I believe, exactly what we need to help guide our species into its further evolution. Moreover, such time expansion takes hold of our personal sense of the present and in a very real way draws it into the future. For when we are able to project ourselves into the future, that future becomes not an abstract consideration but of active concern to all of us. The future of the earth is our future. We become responsible for it and we will live to see it as caretakers instead of irresponsible tenants of a rented property. Ageless aging will help us become its owners and like all owners we are far more likely to look after our property. In George Bernard Shaw's preface to Back to Methuselah - the play in which his character Dr Conrad Barnabas promotes an extended lifespan of 300 years - he writes: `Men do not live long enough; they are, for the purposes of high civilization, mere children when they die.' He then goes on to consider some of the creative possibilities of our being able to lengthen life: This possibility came to me when history and experience had convinced me that the social problems raised by millionfold national populations are far beyond the political capacity attainable in three score and ten years of life by slow growing mankind. On all hands as I write the cry is that our statesmen are too old, and that Leagues of Youth must be formed everywhere to save civilization from them. But despairing ancient pioneers tell me that the statesmen are not old enough for their jobs . . . We have no sages old enough and wise enough to make a synthesis of these reactions, and to develop the magnetic awe-inspiring force which must replace the policeman's baton as the instrument of authority. creators of destiny For me this magnetic awe-inspiring force of which he speaks is nothing less than man's potential to become the creator of his destiny on earth. The situation in which we live with all the global dangers to which we are exposed from the possibility of mass nuclear extinction to world economic collapse - are not accidents of nature. We have created them. And no act of God can suddenly remove their potential destructiveness from our future. Only we ourselves have the possibility of doing that. If we are to succeed, we will need to call forth every resource that we have - intelligence, wisdom, strength, courage, and patience, wit, compassion - and work with them. Ageless aging can help us do that. Life extension, the freedom from mental and physical degeneration, is no curious artifact of twentieth-century science. Who cares if, at the age of 85, we are all capable of running a marathon or if we look 30 years younger? Such things matter little on their own. But the high-level health, mental clarity and wellbeing, which are rewards of ageless aging, are of urgent concern to our future as residents of the earth. They form the foundation on which we as human beings can build if we are to make use of our full potential for creativity. In the full use of such creativity lies the future of our children our planet and ourselves. Again in the words of Capek's Vitek: Let's give everyone a three-hundred-year life. It will be the biggest event since the creation of man; it will be the liberating and creating anew of man! God, what man will be able to do in three hundred years! To be a child and pupil for fifty years; fifty years to understand the world and its ways and to see everything there is; and a hundred years to work in; and then a hundred years, when we have understood everything, to live in wisdom, to teach, and to give example. How valuable human life would be if it lasted for three hundred years! There would be no fear, no selfishness. Everything would be wise and dignified. Give people life! Give them full human life! Capek's Vitek An idealistic plea in the midst of the profound disillusionment with man that is so much a part of modern life? A dream? Perhaps. Yet our dreams become the myths by which we live. And right now we urgently need new myths to give our life direction - dreams which, having been tempered by the wisdom of age and experience, are large enough and rich enough to take us forward. Such dreams have power. They also have a remarkable way of becoming reality: All men dream; but not equally. Those who dream by night in the dusty recesses of their minds wake in the day to find it was vanity: but the dreamers of the day are dangerous men, for they may act their dream with open eyes, to make it possible. T.E. Lawrence

In Sanskrit they call it lîla. The word means play. Yet not in the limited sense of our word. Lîla is free play, deep play, wild play carried out in a timeless NOW. It speaks of divine play. It’s the kind of play that sets us free to be who, in essence, we already are, even though we may not yet know it. Lîla is also the kind of creative play that brings new worlds into existence. FROM CHILDLIKE TO GENIUS In its simplest form, lîla describes the spontaneous activity of children so absorbed in what they do that they don’t even hear you when you speak to them. One morning my three-year-old friend Marina came to visit. Scrambling onto the four-poster bed where I was writing in a state of intense concentration, she told me the story of how she had climbed to the very top of a pirate’s ship as high as the stars. Like all still-innocent children, Marina entered into her imaginal world with ease—a magical realm in which creative sparks can be seeded then begin to grow. The imaginal world is a place most of us adults have lost touch with—a powerful realm in which the joys and fruits of lîla reign supreme. At a deeper level, lîla speaks of the all-encompassing absorption out of which Beethoven, then dangerously ill and nearing the end of his life, nonetheless created the most remarkable music of the 19th century: The Late Quartets. Or the obsession of Van Gogh, which led to his having painted 900 pictures and turned out 1100 drawings pictures during a lifetime. This kind of lîla is far more complex and committed than child’s play. It can produce achievements that enrich the way we look at life, that connect us to the deepest levels of our own being. Some fruits of mature lîla even transform the world. A big deal? You bet. This is play of the highest order—nothing less than an outpouring of the most intimate and essential nature of each unique human being. Living your creativity as fully as you can while you walk the earth, in whatever way most satisfies your unique nature, is the most exciting and enriching process any individual human being can experience. It brings a sense of meaning and purpose to your own life that nothing else can. CREATIVE PASSION Creativity is not a problem to be solved or a subject to be picked apart in psychologists’ laboratories. Those who try end up wandering in an endless maze of moribund words and phrases which miss the point. Meanwhile, the wrinkled fiddler on the city street plays on—smiling. He is lost in the excitement of improvisation, magically blending movement, feeling and sound—making music never heard before, that touches his heart and awakens the senses of all with ears to hear. We have grown up with some weird ideas about creative power. We’ve been taught that creativity belongs to a few select human beings whom history labels as genius. Nothing could be further from the truth. Creating is not a rare privilege—it is a right, even a necessity for all of us, if we are to live a fulfilling life. Creating anything, from cooking a healthful meal to writing poetry or playing games with children reminds us all what life is about. From this place we learn to live and work, to imagine, invent, and finally give birth—not only to things that have never been seen, heard, felt or touched before, but to a way of living more wondrous and exciting than most of us would ever have imagined. A passion to be lived, a lîla to be danced, the wild creative power within us urges us to tell the truth and shame the devil. It demands that we express our love, our obsessions, and the fascinations which pursue us. It asks that we live out life from the very core of our being. “Genius,” as late American writer John Gardner used to remind his students, “is as common as old shoes. Everybody has it.” CREATIVE RELEASE A few years ago, I began to explore not only the power and dimensions of creativity in you, me, and all of us. I wanted to discover how each of us can gain greater access to it, and how best we can live out our own creative power in our day to day lives as scientists, professional artists, musicians, writers, dancers, actors or as businesspeople, parents, teachers, lovers, gardeners, healers, craftsmen and thinkers. I was sure that on a larger scale, the way we as a group choose to use our collective creativity determines whether or not we will be able—in the wake of having laid waste to so much of our planet—to emerge as a sustainable species in a sustainable world. A lîla of enormous proportions; what could feel more powerful or more daunting? Yet the creative power on which it depends springs from the same source within each person as Marina’s imaginative play. PRIMORDIAL POWER Mysterious, enigmatic, spontaneous, occasionally even frightening, in essence creative power is the power of life itself. It is the force that gave us birth which continues to give birth to universes. It is what created us and brought each of us our own lives. It originates from a place within each one of us where we can touch and tap into the numinous energy of the Cosmos: God, Being—call it what you will. No words can adequately describe it. In truth, it is far more an experience of aliveness than a place at all. And, although we may never describe it adequately, we are perfectly equipped to enter this locus of creative power within us and find out how to live ever more of our lives from it. For the majority of artists, creativity pours forth most easily when they have intimate support for it. Shakespeare had his actors and a Globe Theatre eager for his plays, Virginia Woolf entered a room of her own and there wove tapestries of words. Emily Dickinson wrote out of the intimate community of a family who adored her, admired her and made sure she was given the space and time to carry out her imaginative work. For others who are highly creative, there is no such intimate support. Many have suffered childhood abuse, loss, illness or intense suffering. The creativity of such people can be monumental. Each man or woman is brought to the exploration and expressions of their creative power through suffering in just the same way that, so often, we discover what is most important to us by having what we believe to be of greatest value—a loved one, a job, a title—taken from us. Painful as such experiences are, often they turn out to be great gifts when it comes to freeing our creative power. Caught up in our lives of work, children, and householder duties, few of us live in such fortunate circumstances as Shakespeare and Emily Dickinson. But that does not matter. What has not been given us we can make for ourselves. Art is not the province of the privileged few. It belongs to all people—those of us who spend our days in front of computers, cooking, sweeping streets, running errands, caring for children, handling the stupidities of bureaucracy, and living our constantly changing lives in a world that is ever less secure. THE WAY AHEAD We are alive at a moment in history where one age is dying, yet another has not yet been born. We are, each one of us, faced with a choice: As we sense the foundations of our world shaking, do we withdraw in anxiety, trying in desperation to hang on to what we once believed to be “true”? Do we become paralyzed, and try to cover our fear with apathy? Or do we summon the courage offered us by a Universe in flux, honor our personal sensitivity and consciousness, then choose to face the challenge of entering the realm of creative power within? Then, trusting our individual capacity for lîla, do we begin to play in ways that may help bring forth a new world for all? Regardless or age, background, or limiting notions about what’s possible, each one of us has a choice to make. It’s a choice between continuing to conform to established belief systems that stifle the human spirit, or trusting in ourselves. Are you willing courageously to explore your intrinsic creative gifts and make use of them? “That which we give birth to from our depths is that which lives on after us. That which is inborn in us constitutes our most intimate moments—intimate with self,” says Theologian Mathew Fox, “intimate with God the Creative Spirit, and intimate with others. To speak of creativity is to speak of profound intimacy. It is also to speak of our connecting to the Divine in us and of our bringing the Divine back to the community.” Personally, I urge you to begin connecting ever more deeply with your own brand of creativity. Discover new ways of living. Leave automatic assumptions about who you think you are and learn to respond to each moment and each day of your life with new eyes and an open heart. The more you do, the richer your life can become. Such is the joy of lîla. Such is the power of lîla. If you have not yet explored it, you have an exhilarating, wondrous adventure ahead of you. Take it. Trust it. It’s the adventure of a lifetime.

Watch an animal move. The rhythmic lope of a wolf and the way its body becomes the motion. A horse in a field—tossing its mane, pounding its hooves, running for sheer pleasure. The dolphin as it leaps high in the air above the water, twisting its powerful body then disappears beneath the waves to emerge a minute later in another joyous leap. For many years, I wondered why most of us after childhood no longer experience this kind of rhythmical freedom, joy and vitality. Why, so often do we often feel only half alive? Why have we been tutored to think of our body as separate from ourselves—something to be criticised, judged, or pushed and shoved into shape, rather than celebrating its power and feeling the enthusiasm that comes with the natural movement that is our birthright? For many the primary experience of life is one of deadness. And since nobody can live long in deadness.We start to seek out artificial stimulants—drugs, alcohol, compulsive work or sex—in the hope that these things might, at least, bring back our sense of aliveness. The trouble is, none of the artificial practices work. Where do you find the real guide to joy and freedom? Listen to our animal friends be they domesticated or wild. Your whole life will change for the better. It stunned me when I became aware of this I then decided to see what I could learn from animals in my personal life. The experience of becoming fully awake and alive lies in the body of an animal itself. The same applies to us humans. It has to do with muscle. It's not our mind but our muscle that creates life-energy for us to think, move and feel. The power of the horse, the rhythmical gait of the wolf, the wild playfulness of the dolphin come from strong, fluid muscles. The more fluid the muscles in any living body, the more does it feel fully alive. Animal bodies have two fundamental components. So do we. They consist of lean body mass and fat. Like our own body organs like the heart, liver, spleen and pancreas, as well as their bones and skin must have a good supply of oxygen. They also need top quality nutrients from pesticide-free foods—proteins, fruits and vegetables. Both animals and humans thrive on foods grown in healthy soils. This is essential for us to think, feel, move, and grow so we can stay healthy naturally. The bodies of wild animals, as well as domestic ones—whose owners know enough not to feed their pets on the kibbled pet food junk sold everywhere—remain lean, sleek and beautiful lifelong. This brings power, ease of movement, stamina and beauty. Then they quite naturally express the exuberance essential to their nature that so inspires us when we are in their presence. Too often, we humans treat our bodies as if they were machines. Your body is nothing like a machine. Use a machine, and it wears out. Move your body, which is designed to be active, and you can delight in watching yourself becoming stronger, more fluid and more alive— no matter what your age or condition right now. Here are some more truths animals can share with us: Animals trust their instincts. If something smells bad, they don't question they just get away from it. Animals are in touch with their innate rhythms and the rhythms of the earth. This creates a life-sustaining harmony. Animals are powerful killers when they need to be. They are infinitely soulful as well and open to forming deep bonds both with us humans and with other animals. An animal eats when it's hungry if food is available. When it is not, it fasts. Animals love to play. Animals respect their elders and embrace the social order. Animals are unabashedly honest and loyal. An animal's patience and discipline when stalking or hunting is phenomenal. Animals form deep bonds with other animals even if they don't belong to the same species. A cat with an owl, a cheetah with a dog, a wild polar bear with a husky, a dolphin with a child, a duck with a rabbit. In Buddhist cosmology, there are beings known as "Bodhisattvas." These are believed to be perfected souls who, out of compassion for the struggles of all of us, choose to forsake enlightenment in order to dedicate themselves to helping liberate all beings. It is said that a Bodhisattva can appear in many forms—as a teacher, a helper, a lover—even an animal. According to Mahayana Buddhist teachings, the Buddha himself spent many lifetimes before experiencing his own liberation beneath the Bodhi tree. In many of these lives, he came to earth as an animal with the intention of bringing wisdom, healing and comfort to all beings. The eighth-century Indian saint Shantideva describes every Bodhisattva's intention: For as long as space endures And for as long as living beings remain. Until then may I too abide To dispel the misery of the world. I believe the gifts of a Bodhisattva are beautifully given us through the generosity of our animal friends. I have intimately known three animals that I sense carried the wisdom, healing power and compassion of a Bodhisattva. There was a cat named Carciofo (Artichoke in Italian), Alba, a hundred and forty pounds of pure white Arctic Wolf, whom Aaron and I shared a room with for five nights in Canada, and Tuffy, a gigantic Collie, who went everywhere with me from the time I was six years old. I have learned so very much from them. They showed me how important it is to watch and listen to animals I meet everywhere. I have always been so grateful for their wisdom. Try spending more and more time with animals, be they wild or domestic. Ask them to teach you how to make your own life richer, healthier and more wonderful. Listen in silence to what they show you. You can be quite sure that they won't let you down.

The reward of each and every hero’s journey is life-transformation on every level—caterpillar into butterfly, base metal into gold.  Gifts from experiencing this process are legion.  They range from radiant wellbeing, creativity and joy, to becoming free so you can live your life authentically from the core of your being. If you have not yet read “Transfigure Your Life Part One”, I suggest you do this now before reading further... SPIRITUAL SANCTUARY As we move into the second part of every hero’s journey, we enter an unfamiliar and potentially dangerous realm.  Yet it is here, within your own dark inner cave, that you begin to discover your unique life purpose and values. In Arthurian legends, this Innermost Cave is the Chapel Perilous—a dangerous room wherein the Grail is hidden.  As each hero enters his or her dark cave, they need to be prepared for a new reality.  To a woman, this is the place where the mythological Dark Goddess dwells. To a man, the cave is often the arena in which he will need to fight his unique dragon so he can win his treasure. In stories of male heroes, the central image for what is sought is often a gem or a radiant jewel.  For a woman, it is frequently the image of a child—an offspring of her own spiritual rebirth. Instead of having to slay a dragon, a woman often has to remain in this place, enduring what can seem like unendurable silence.  She needs to listen and learn before she unearths her own treasure. Sometimes, as a woman makes her descent into the innermost cave, she tumbles headlong into an experience of the dark night of the soul. Often the hero’s journey a woman makes takes place around the time of menopause. It can be fraught with confusion and grief, or filled with loneliness and anger.  Meanwhile, in this place of bone-chilling darkness within her own being, she may feel turned inside out, naked and exposed.  For all the things she thought she knew about herself and her life no longer apply here. WOMAN’S WAY Far away from comfort and companionship—which she may, at this point, only vaguely remember—silence pervades.  Endless tears without name she may shed.  Occasionally, when a woman enters the innermost cave, she may not even have the strength to get dressed—let alone cook or clean or buy food.  To friends and family, she may seem like a lost creature.  She may forget things. She may dig in her garden or wander in the woods.  Yet all these tasks are wise woman’s work. The route that can eventually lead her out of the underworld and then return her home in a transfigured state is not the same as that of a man.  He often needs to move up, away from himself, to locate his path.  For a woman to find the treasure, she must lay aside any interest in culture or games of the mind and turn within. As she does this, she becomes more and more connected with her body, her sexuality, her dreams, images and desires.  And, as she moves even further into the depths, she begins to reclaim those parts of her that have been lost.  Here, in the ground of her being, she will come face to face with her greatest yet most rewarding challenges.  Here she will confront her fears and touch the pivotal crux of her hero's journey.  Here she tastes “death” by facing her own shadow.  And, when at last it is all over, the Dark Goddess waits ready to bless her and bestow upon her the greatest treasure of all—her body and soul.  But this is not the end of any man or woman’s hero's journey.  These heroes are soon faced with the task of bringing this treasure back home. It’s a job easier said than done. THE ROAD HOME The Wizard of Oz’s Dorothy escapes from the castle of the wicked witch. Luke rescues Princess Leia and gets the plans of the Death Star. The Princess throws her frog against the wall and he turns into the beautiful prince.  Yet the game is far from over.  Having survived the ordeal, withstood the pressure, slain the monster and taken possession of the treasure, every hero now has to make his or her way home. Further challenges invariably appear.  Dorothy discovers that the hot air balloon which the Wizard has provided to take her back to Kansas is not the sure form of transport she had hoped.  Toto runs off after a cat.  In trying to bring him back, the balloon takes off without her and we fear she may be trapped forever in the underworld.  Luke Skywalker and Princess Leia are pursued by Darth Vader as they make their escape from the Death Star.  Joan Wilder—having defeated the evil men who wanted to kill her and steal the stone—returns to New York, where she faces the arduous task of turning what has happened into her next romantic novel.  It is never an easy task for any hero to pass back and forth between ordinary and non-ordinary reality.  For much energy is spent during the supreme ordeal, and he or she may not have banished their enemy completely. Sometimes, on the road home, the hero experiences a sudden reversal of fortune just when he or she thought that the worst was over.  Should this take place, he or she is being given a chance to test out those newfound powers by overcoming adversity. There may still be a few shadows lurking—old ideas, old ways of doing things. But the game has changed now.  While within the innermost cave, an alchemical process has been completed.  We are no longer the men or women that we once were.  Now we need to learn new ways of living, and new methods of returning to the surface, because most of the rules we once lived by may no longer apply. DEEP CLEANSING In primitive societies, after a woman had entered the traditional moon lodge for a few days during her menstrual period, or when a man returned from a hunt, they were required to be washed and purified before being allowed back into the community. After all, they too had visited an underworld of non-ordinary reality while away. They had walked in the land of the dead.  Any blood that had stained their hands during this experience, or any soil that remained on their bodies, needed to be washed away.  At the end of a hero’s journey, the newly born offspring is now returning home in its transfigured form. This, too, is a time for spring-cleaning the body and mind, for doing whatever is most comforting and rewarding so the returning hero regenerates him or herself—perhaps by listening to music for hours on end, awakening at dawn to take a long walk, or carrying out some ritual  or meditation to help refocus life while getting used to being home again. Finally, he or she arrives back home with the elixirs, treasures, wisdom and knowledge.  The mysterious world of non-ordinary reality has been entered. Trials have been faced and overcome.  In the process, they have made a deeper connection with their own essential being. Dorothy gets back to Kansas having learned that she is loved and finds that, after all is said and done, "there's no place like home." Luke Skywalker destroys the Death Star so peace and order can return to the galaxy.  Joan Wilder writes her book, keeps the faith and gets her Jack, complete with alligator boots and a boat in which she can sail around the world.  Their hero's journey has come full circle.  They have returned to the place from which it started.  Yet for neither is this place as it was before their journey began. For, having brought back home the power and the blessing they earned while in the numinous realms they visited, they have been reborn.  In truth, even the world itself has been renewed. ENDS AND NEW BEGINNINGS A woman who completes her passage into the underworld and returns discovers that, within her darkness, confusion and loneliness, she has discovered a new joy, a new sense of meaning.  She now knows that the world which once seemed fragmented now all fits together.  She has tasted—often for the first time—her own authentic power and freedom.  She knows that she no longer has to live by other people's rules.  Indeed, she is likely to find it is no longer possible for her to do so.  She is no longer ‘seducible' by those who once made her feel inadequate so they could sell her another body, another BMW, another love affair to fill up the emptiness that used to be there.  Having been released from all of this, she has become set free to learn the new art of living as mistress of her own life. And so a hero's tale ends. Yet one big question remains for each man and woman who has chosen to make the journey.  What will they do with the treasure they brought back?  In most of the male myths, there are said to be two choices.  Either he takes his treasure into his castle and lives happily ever after or, like Percival, having found the Grail, he decides to share it with the world, so that the Fisher King's wounding is healed and the land that had become barren and devastated by his wound becomes fertile again. MY OWN EXPERIENCE It is my observation that, having completed her hero’s journey, a woman has no such choice.  By her nature, woman is more connected with the energies of life and the powers of the earth than her male counterpart.  She is therefore more aware of the interrelatedness of all things than most men. Sooner or later, most women heroes have no choice but to share with others the wisdom they bring back.  The female hero has by now incorporated the essence of the Dark Goddess—the most essential, generous, wise and healing of female energy—into her heart.  The mysterious goddess has communed with her wordlessly.  Now she too has become a keeper of the wisdom by which battles are won and lost.  She has  also tasted the power and the joy of transfiguration.  Now, like the Dark Goddess, she often develops a passion to share all this with the world by nurturing her own life as well as the lives of all living things. BOUNDLESS ENTHUSIASM Doing what somebody else wants you to do is living by a slave mentality. It is a perfect way to encourage physical degeneration and lose touch with your own unique truth and creativity. Now, however, you begin to live in freedom.  Whatever you do or say as you learn more and more to trust yourself flows forth with enthusiasm from the core of your being.  Little wonder, since the word entheos means ‘god-filled.”

Who would have thought that taking the right kind of walk can not only clear stress, and energize mind and body but even bring you face to face with satori? Satori brings a sense of living in the fullness of your being, moment by moment. So often, we think we need to make decisions about what we are going to do in the next hour, the next day, the next year. We worry about how to discipline our bodies, get the work done and pay the bills, as well as a thousand other things.You can find yourself walking in new ways, with different rhythms. Aches and pains diminish. You sense a new relationships developing—to yourself, your surroundings and the world as a whole. I am passionate about taking two quite different kinds of walks which I’m keen to share with you because they have brought me much pleasure as well as so many other benefits. They are, each in their own way a lot of fun to. FREE FLOW Once a day, regardless of the weather outside, and whenever it suits you, go out walking for the sheer pleasure of doing it. It can be fun to walk in sunshine, but just as wonderful to walk in rain—unhurried and unburdened by the need to ‘look good’. Look around, smell the air, notice the way your body has begun to move. The next step is likely to sound weird, but try it: When you see a tree, say silently to yourself, ‘Tree.’ When you see a flower—‘Flower.’ This simple naming practice helps you become aware of where you are in space and time. And it does this in a wonderful, spontaneous, improvizing way. As you walk, life takes on an unexpected, exciting feel. Meanwhile, futile internal monologues begin to fade away. One of my favorite books was written by a musician named Stephen Nachmanovitch. It is called Free Play: Improvisation in Life and Art. It’s a superb book. If you are interested in creativity on any level—and I don’t mean just being an artist, but any and all kinds of creativity—I highly recommend it. In a chapter called ‘Inspiration and Time Flow’, Nachmanovitch describes this first way of walking I want to pass on to you. (Of course, you are probably unlikely to be walking down a street in a foreign city as he describes, but much of what he writes about this way of walking is relevant no matter where you are.) It reminds us all that it is not impossible to live our lives moment to moment, fully present with real awareness and joy. Here is what Nachmanovitch writes: A walk, following your intuitive promptings down the streets of a foreign city, holds rewards far beyond a planned tour of the tried and tested. Such a walk is totally different from random drifting. Leaving your eyes and ears wide open, you allow your likes and dislikes, your conscious and unconscious desires and irritations, your irrational hunches to guide you whenever there is a choice of turning right or left. You cut a path through a city that’s yours alone. This brings you face to face with surprises that are destined for you alone. You might discover conversations and friendships, meetings with remarkable people. When you travel in this way, when you walk in this way, you are free. There are no ‘have tos’ and ‘shoulds’. You are structured at first only by the date of the plane departure. As the pattern of people and places unfolds, the trip, like an improvised piece of music, reveals its own inner structure and rhythm. Thus do you set the stage for fateful encounters. I’ve got to add here that some of the most important ‘fateful encounters’ he speaks of are likely to be brand new encounters with yourself, in ways you may never have dreamed of. INSTANT ENERGY IS YOURS This is the second of my favorite walks. It’s a way not only of relieving stress, but of energizing yourself, learning to be present in the moment and, like Nachmanovitch’s walk, releasing your mind from the habitual chatter that prevents our feeling fully alive. I learned this technique from a Belleruth Naparstek’s “Meditations to Relieve Stress” audio. Here’s how it goes: Choose a place where you will be able to walk without meeting a lot of people, so you allow yourself to connect with your surroundings the way a child might. You don’t have to smile or relate to anyone. Instead, you will be drawing in energy from your surroundings. What will amaze you is just how much vitality you can absorb from your environment when you are not wasting your own energy with meaningless social contact. So, just for 10 to 15 minutes, let yourself retreat inwards and see what amazing things happen. GETTING EARTHED Begin your walk by shaking out your body a little. Feel the earth beneath your feet. Take a deep breath and let it out with no effort. Now look around you, at the sky, the earth, the trees, grass, rocks or flowers—whatever you find around you. Take another slow, even breath deep down into your abdomen. Now, aware of your breath going steadily in and out, start walking at a comfortable pace, opening all your senses to your environment as if it were part of you. Let yourself enjoy the light, the mist, the colors, the rocks and sand; whatever is there. Let yourself become aware of the way things move in light and shade, so you are in effect feeding on the richness of your surroundings. Let your body move easily and gently, so it feels as though it is dancing with your surroundings. Allow yourself to experience everything you see and feel, smell and touch, as though you are doing it for the first time, with the curious mind of a child. Feel the air on your skin, smell the fragrance around you in all its layers and textures as you walk. Continue to be aware of the ground beneath your feet, and how your breath going in and out feels. Notice how well the earth supports you. Enjoy the feel of your body in motion. See how heightened your senses become to the colors and the fragrances. Notice how clear your vision has become. This simple focus, this increased awareness of the sound of your own feet on the ground, the feel of your breath, the movement of your legs and torso will become more acute, more intense, more nourishing and more satisfying. LIKE MAGIC Colors become more and more intense, richer, clearer. You can find your senses opening as you become ever more aware of everything around you. You may even sense that you are immersed in a wonderful new ocean of reality. That the trees and the rocks, the air you breathe, and the sky have become part of you and you of them. Indulge yourself. Smell the air, feel the ground, immerse yourself in the sea of life and generosity in which you find yourself. Now, simply draw the energy of the earth into you. Let it fill you up. Breathe in the beauty of the sky. Take in every sight and sound, deep into your heart, as you become aware that you are attuned to everything around you. This energy is available to you whenever you want it. All it depends on is your own willingness to connect with the sea of life of which you are a part. Whenever you do, the whole world feeds you, belongs to you, nourishes you at every level. Continue to walk as long as you like, easily and blissfully, aware of your feet on the ground, your breath moving in and out, and the part you play in this wonderful sea of reality which belongs to you, and you to it. BACK TO SOURCE Both of these walking techniques are wonderful. Don’t just read about them—print up these descriptions and carry them with you. Then have a go. See what happens to you. Even better, take a look at where I learned about them. Stephen Nachmanovitch’s book is the best book on creativity I have ever read. I have read it at least 12 times. (As a present for Aaron who loves listening to audio books, I even made a recording of most of the chapters and gave it to him.) When it comes to Belleruth Naparstek’s work, her recordings are unparalleled in the world for their transformative power. You can purchase the one below on CD. Better still, just download it and put it on an MP3 player so you can begin using it today. You can find them below: Free Play - Stephen Nachmanovitch’s Improvisation In Life And Art - Stephen Nachmanovitch’s book is the best book on creativity I have ever read. I have read it at least 12 times. To find out more click on the links below. Order Free Play - Stephen Nachmanovitch’s from Amazon MEDITATIONS TO RELIEVE STRESS imagery for mastering anxiety; guided imagery to pump up feelings of love, safety and protection; a soothing, walking meditation for the fidgeters among us who can’t sit still; and affirmations for use anytime. (72 min.) Order Meditations To Relieve Stress at iTunes Order Meditations To Relieve Stress at Amazon