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To understand cellulite it is important to understand how your flesh is structured. Let's look at the deeper layers first. They are known as subcutaneous tissues. In your thighs, these are made up of three layers of fat with two planes of connective tissue and ground substance in between. This brings us to one of the interesting things about cellulite: It is almost always a female complaint. With a very few remarkable exceptions, men simply do not get it. In part this is hormonal. A woman's body is rich in female hormones such as oestrogen, which encourage the laying down of fat. (For years farmers injected oestrogen-like substances in cattle and chickens to fatten them rapidly for market.) This is also why cellulite tends first to appear during times of intense hormonal change such as puberty, pregnancy or when she goes onto a birth control pill. In part, however, cellulite is a woman's condition because the basic construction of subcutaneous tissue of the thigh differs in men and women. In women, the topmost subcutaneous layer is made up of what are termed large 'standing fat-cell chambers', which are separated by radial and arching dividing walls of connective tissue attached to the overlying tissue of the dermis or true skin. The uppermost part of the subcutaneous tissue of men is different. It is thinner, and there is a network of crisscrossing connective tissue walls which makes it harder for a man's body to lay down large fat cells and to trap stored wastes and water in the tissues. Also the corium - the connective tissue structure between the true skin and the deeper layers or hypodermis - is thicker in men than in women. You can check on these differences yourself by carrying out a 'pinch test'. It is only pinching the thighs of women that results in the 'mattress phenomenon' with its pitting, bulging and deformation of skin. Pinch the thighs of most men and you will get gentle skin folds or furrows, completely without bulges or pits. beware the ravages of time Age-related changes in women also encourage the build up of cellulite. For instance, as women get older, their skin gets progressively looser and thinner. This encourages the migration of fat cells into this layer. The connective tissue walls between the chambers of fat cells also get thinner allowing the fat-cell chambers to enlarge - a condition known as hypertrophy. This progressive thinning of connective tissue structures is another major factor in the development of cellulite and creates the granular texture and buckshot feel of much cellulite-riddled flesh. An examination of cellulite tissue under the microscope also reveals that a number of histological changes have taken place. They include a distension of the lymphatic vessels of the upper skin, for instance, and a decrease in the number of elastic fibers. The circulation of blood, too, has been slowed, and the connective fibers have undergone a sclerotic hardening, so that the fluids and the wastes they contain become trapped in an unpleasant network which pinches nerve endings (hence the pain in well developed cellulite) and create stasis in the tissue - rather like a polluted swamp - where energy exchange is reduced. The whole area takes on a deadened quality - a sure sign of poor body ecology.

Not only is wholeheartedness important if one is to realize the full potential for exercise, the enormous power for self-expression and physical transformation which can come through movement only takes place when muscles and exercise are also linked through mind-body awareness. We are not machines, no matter how much we are told otherwise. When we have treated ourselves as such, either by neglecting to care for our physical needs or by forcing our bodies through exercise routines like automatons, we both create distortions of posture and body shape and dissipate precious adaptive energy instead of renewing it. In fact most of us have quite literally grown up with postural distortions which over the years become so much a part of us they are almost like physical symbols for our personality. When you begin to approach exercise from a more unified perspective it's important to find ways of unlocking some of the residual tensions which underlie these distortions and to set the body free to move naturally so we can make the most of whatever form of exercise we choose to do. A good yoga teacher can help you do this gradually over a period of time. So can some very simple exercises which I learned from a quite extraordinary movement teacher called Lilla Bek. Herself a longtime teacher of yoga as well as an acclaimed healer and writer, Lilla Bek's approach to movement is an ancient one - based on the principles of sacred dance where the body is not only put through its physical paces to tighten muscles and firm contours but to balance the body's energies through what in mystic traditions are known as the chakra centers. There are believed to be seven of these, starting at the base of the spine and rising through the solar plexus to finish at the crown of the head. Each chakra is said to be connected with specific endocrine glands and to influence the functions of organs related to it as well as energy in the part of the body it governs. Each is also believed to have specific psychic qualities - the one in the belly, for instance, is said to be connected with the actions of the will, while the chakra at the throat is a center for creative energies, particularly artistic ones and for self expression. The purpose of sacred dance is to revitalize the energetic circuits of the body and mind and to unify the system so that one connects up both with the earth as well as one's own energies and is fed by them. Whether or not the chakra system is ever validated by scientific research, working with exercise and movement in this way can be a superb means of integrating mind and body as well as working out long-standing bodily tensions and postural distortions that make you look and feel older than you are. After a while your body really does become a vehicle for the expression of the inner being. Its movements become naturally graceful and authentic. Over a period of time even the most distorted frame seems to untwist itself as the muscles are freed from chronic postural habits and tensions which deplete energies and undermine natural beauty. But for me the most rewarding thing of all in beginning to work in an energetically aware way with movement is the extraordinary levels of energy it brings. It is as if you create for yourself a link with the earth which supports you at a high level of calm vitality long after other, more disconnected, exercisers have fallen by the wayside. postures for transformation To begin working energetically rather than mechanically with your body it is necessary to do two things. First you need to identify areas of chronic tension, which are distorting body shape and posture, and eliminate them by an active process of letting go. Second you need to begin drawing conscious awareness to the ways in which even the smallest movement, whether it takes place while running, dancing, speaking or whatever, affects muscle groups and energy-focus in other areas of the body not directly related to the muscles doing the work. Lilla Bek has worked out some gentle but useful postures which do both. 'Most people,' she says, `even very active people, have many areas of residual tension which restrict full movement and interfere with the free flow of energy so that they become unnecessarily fatigued. These areas are really the result of how we live and how we use our bodies. Our waking hours are largely spent using only a small amount of space right in front of us - for instance as when we are driving a car or eating, working at a desk or watching television. Every group of muscles in the body has another that works in opposition to it. When we restrict our movement to such a small space we tend to contract the muscles of one group without ever doing any kind of contrastretch to bring its opposing muscles into play. This is how chronically tense muscles lead to body distortions such as dowager's hump, slumped shoulders, excessively curved backs and the rest.' undoing the kinks The postures Lilla Bek uses to undo long-standing kinks in the body are designed specifically to create a contrastretch for each group of chronically tightened muscles. At the same time, because they are done slowly and deliberately in a deeply relaxed state they make it possible for the person practicing them to begin experiencing just how connected up his body is energetically. Take the movements implied in Leonardo's famous spread-eagled man for example. Hold yourself in this position and slowly move your arms from your sides to above your head - palms turned outwards. At each level of movement you will find that a different group of muscles come into action which are quite separate from those of the arms and shoulders involved in the movement. First the lower abdomen is tightened and the energy there is stimulated, then the solar plexus, the chest and the area of the heart chakra come into play. Then the jaw line, the lower face and ears, the roof of the mouth, the eyes, cheeks and forehead each in their turn are activated as you move your arms higher and higher. To someone who has never had any consciousness of the energetic phenomenon of exercise and the unification of body movement such an experience is like a revelation. Practice a few of the postures which heighten your body awareness and you will find very soon not only that your posture changes as your body becomes more fluid and more supple and a more articulate expression of your being, but when you turn to your aerobics or your yoga or your running or your sacred dance there is a lightness and a freedom which you have never experienced before. Here are five of Lilla Bek's simple postures. Spend two to five minutes on each once a day and you are likely to experience new energy levels as well as a sense of authentic natural grace which no amount of mechanical jogging around the park or sweating it out in they gym can match. the opening This position has a remarkable ability to open out the body, expanding the chest, releasing chronic tension from the neck and shoulders, gradually smoothing out hollow backs, and greatly expanding contracted hip joints. here's how Lying flat on the floor relax and close your eyes. Ask a friend to take a look at the position of your chin. It should be pointing straight up at the ceiling, forming a right angle with your neck.  If it is higher than this, place a book under your head to bring it back into alignment. As the natural alignment of your spine improves you will need a thinner and thinner book until you can do it without one altogether. Does your back lie flat against the floor or is there a hollow? An arched spine indicates that you normally hold your chin wrongly which stretches the skin of the neck and creates a double-chin look. How far are your shoulders off the floor? Do they differ in this? As chronic tension is released by doing the exercise regularly your shoulders will come closer and closer to the floor, your back will lengthen and your chin will naturally align. Draw your right foot up while placing your palms downwards on the floor and rest it near your buttocks. Do the same with the other foot placing your heels together, soles flat on the floor. Now, starting with your palms against the sides of your hips, begin to explore the space around you with your arms and notice the parts of your body which slowly moving your arms outwards and upwards activates. Moving your arms up and out you begin to activate energy first in the pelvic area, then the solar plexus, heart, thymus, forehead and top of the head. When you get to the level where you are lying with your arms in line with your shoulders, let your hands open slightly and you will have reached the level of the throat energies. Explore the feel of each level of the arms in turn by moving them slowly and then leaving them at each level to sink quietly to the floor. If while doing this you gradually open out or close your fingers you will produce many interesting changes in energy at different levels of your body. With your arms extended like this at the sides your shoulder blades will separate and then by letting your knees open outwards to the natural pull of gravity you will discover your breathing opens up. Explore this position for two or three minutes before going on to the next. expansion This position opens out a collapsed midriff, lengthens the body, energizes the solar plexus and even tightens the muscles of the face. here's how Moving from the first position, now place your feet about 18 inches apart with soles flat against the floor. Leave your arms at shoulder level and very slowly roll your hips to the right side simultaneously rolling your head to the left. Return to the center keeping your lower spine in contact with the floor and repeat the movement to the other side. Your knee should gradually fit into the arches of the opposite leg. Don't worry if they don't touch the floor. They will eventually. Most people have a shortened midriff and the solar-plexus chakra which provides the body with dynamic physical energy cannot function properly when this is the case. This position has a remarkable effect on the look of the face when it is practiced regularly and can make you look considerably younger. But for this to work you must `connect up' your face with your body - particularly in the spaces through which the knees move in your awareness as you carry out the movement. Take a full breath before you begin and exhale as your hips roll to the side then inhale again slowly as they return to center, exhale in starting position and repeat to the other side. the rainbow This is a position of natural grace. It brings a superb stretch to the waistline, lengthens the whole body, flattens and firms the abdomen, and integrates body energies. here's how Lying flat on your back take a full breath, exhale and roll to the left side, bringing your arms together in the same direction. Now bring your right knee across and exhale. Keep your knee down by holding it with your left hand to make sure it will not go back up. Now very gently try to take your right hand up and around your body. If it does not come in contact easily with the floor above your head then the energies from your heart and throat areas are not freed for use. Have a friend calculate in this position how much your arm is off the floor. If it is more than 6 inches then problems of distortion will be exaggerated in your body and it will take a bit of time to correct. If it is exaggerated it is a good idea not to exercise vigorously until the exaggeration disappears. bow to the earth Not only is this position profoundly relaxing - an excellent way to relieve stress after the end of a long day - it is also wonderful for alleviating lower-back problems and period aches and it encourages energy to rise up the spine flooding the whole body with new vitality and clearing a fuzzy mind. here's how From a kneeling position, bend your body forward, pushing your hands out in front, and stretch forward like a cat. On the in-breath, bring your hands to lie at the sides of your feet and lower your buttocks. If you have difficulty in doing this be gentle but persevere since chronic contraction here can lead to lower-back problems later. On the out-breath, bring the top of your head down in front of your knees. Rest a moment and then bring your hands forwards and place them one palm on top of the other. Rest your forehead on top. Close your eyes and relax for two minutes or more. The detensing effects of this position work slowly. It can be held for longer than most. It too is excellent for the solar plexus but it is also good for releasing energy that has been blocked at the base of the spine. the lengthener This position and the gentle movement which accompanies it activates the base of the spine, improves blood flow to the brain, takes pressure off of tired legs, alleviates lower-back tensions, improves circulation in the pelvis and is a superb antidote to stress. here's how Lying flat on your back relax as fully as you can. Now start to raise one leg slowly up as high as you can go. Be aware as your leg moves through the arc that with each 6 or 8 inches it passes through different parts of your body become energized, starting with the base chakra and moving up through the belly, heart and throat when it reaches a right angle. If you can go beyond this upright position you can also activate head energies. Now with your hand on one knee, don't pull by force but hold your knee with your hands and see how far you can bring it into your body. On the in-breath raise your forehead to the knee. Breathe out as you bring them together, relax and lie back. Repeat with the other leg, going through the whole sequence for two or three minutes. If you are unable to bring your knee all the way to your body do persist with the exercise. It will help protect you from lower-back troubles later. You will get a splendid feeling of lengthening over your whole body after working through this position. Combine these simple `untwisters' with a habit of regular aerobic activity - walking, swimming, rebounding on a mini-trampoline, cycling, running, jogging or rowing - and you will find a new sense of integration takes place and your energy levels will soar.

The first time I climbed a rock was 35 years ago. I was terrified. I was the only woman on an all men Outward Bound course for top executives, which purported to teach them to work better as a team in the corporate world. The course was run by a ruthless retired Major from the SAS. He was also a Scottish Rugby International with an ego to match. TESTS AND MORE On the first day, each participant had to choose from one of three activities that he would follow for the week—canoeing, underwater diving or climbing. I rejected diving and canoeing, since neither posed a challenge to me. I carelessly opted for rock climbing. Whatever activity one chose, the course demanded that we accomplished a series of personal tests. These became more and more severe as the week went on, culminating in an all-day challenge which was a bit like a grail quest. All challenges were team challenges. On the final day, the grand quest involved doing something over the water (which the canoeists did), under the water (which the divers did) and, for us climbers, scaling a pinnacle of rock high above the trees, towering above the river—a place, we were told, where “only men and gods dared go.” DAY ONE Having opted for rock-climbing on the afternoon of that first day, I stood at the foot of a spiky rock surrounded by 10 men who had made the same choice as I had. Most of them were none too happy to have a woman as part of their team—something that did not inspire self-confidence in me at the challenge that lay ahead. Our climbing tutor turned out to be a muscular creature with a voice as gorgeous as Richard Burton and a caustic sense of humor. I later found out that, in addition to being accomplished at rock climbing, he was also the director of an adventure center in the wilds of Wales, as well as an expert at mountaineering and orienteering. His name was Graham Jones. Graham stood in shorts with legs spread and hands on his hips at the top of the rock and shouted to us below, “Which one of you is going to go first?” My male colleagues shuffled around, looking down at their feet. They failed to respond to Graham’s demand. Meanwhile, I was trying to deal with contempt from other members of my team at being forced to work with a woman. Far more important, I was frozen with fear. This made me blurt out, “I’ll go first.” “OK,” shouted Graham, “get moving.” MY CHALLENGE I started up the rock. I had no idea if I’d ever get to the top. I had to grab onto any little crevice I encountered with the tips of my fingers. Then, instinctually, I began to move the way a spider does, reaching out with hand or foot, pulling up, sliding over, reaching out again. I completely stopped thinking; it felt far too dangerous to think. At that point, I discovered something amazing: When you are crawling over a rock face, stresses concerning anything else in your life vanish. Mental chatter goes silent. There is only your body and the rock face. It is one of the most exciting relationships I have ever formed with anything or anyone… A simple, authentic freedom develops that cannot be described. It can only be lived. When I got to the top, Graham was waiting. The scowl he’d worn looking down at us from the top of the rock was now gone. He was grinning like a wicked child. Without warning, he handed me a rope woven through a stitch plate. The other end of the rope was tied to the belt of one of the men standing below. This guy was big—maybe 90 kg—rotund and awkward. “Wrap the rope around your waist,” Graham told me. “Put it over your shoulder then hold while he climbs.” “There’s no way I can hold this guy.” I said, and began to tremble. “Climb,” shouted Graham to the man below. “We don’t have all day.” I did the best I could to tighten the rope through the stitch plate in my hand as the man got closer. Halfway up, the guy did come off the rock. I held on for dear life. To my amazement, I found I could hold him without difficulty. Of course, what I did not know is that Graham had also tied me to a tree so even if I had failed in my belaying duties, neither he nor I were in any real danger. Like a lot of outdoor activities, provided it is done right, the danger of climbing is an illusion. For a beginner, this illusion is essential to make it a worthwhile activity. Complete trust in your instructor is as essential as the illusion of fear. You cannot leap into the process until you are confident that your instructor knows what he is doing. THE VALUE OF FALSE DANGER Rock climbing can feel like the most frightening thing you can do. Such beginner’s fear is of great value. Enduring it can ultimately breed confidence. In reality, skilful rock climbing puts much more emphasis on mental and emotional strength than on physical prowess. Because of this, I think it may well be the most valuable of all outdoor sports activities. Most of us could make a list a mile long of things we are unable to do. Rock climbing has a remarkable way of shortening that list tremendously. Anybody who has scaled 100 feet of sheer rock straight up rapidly comes to know there is little one can’t accomplish, if one sets one’s mind to it. Most climbers will agree that rock climbing is far more than a mere sport. It is a perpetual challenge to climb better, faster, and with more agility than before. Soon, you develop more skills than you ever imagined you’d have. This special relationship develops between you and the rock: A sense of closeness and friendship. Once established, you begin to experience the most extraordinary sense of “flowing over” the rock—almost like a dance. This relationship demands all of your attention. This is how, while you are on the rock face, there can be nothing on your mind except how you are going to make the next move, find your way, keep going. It’s an experience which somehow sets your spirit free. I had never dreamed that I could get to the top of the rock. Graham taught me how to do it. You put one hand or one foot in front of the other. You care only about one step at a time. A journey of a thousand miles begins with just one step. By the way, all the men in our team who had treated me scornfully that first day had elected me leader of the team three days later. When the final day’s holy grail task took place, our team not only won the much sought-after grail prize. We achieved the highest number of points ever given to any team in the history of the organization. Miracles can happen! TRANSFORMING LIVES My experiences rock climbing, and later climbing mountains, are by no means unique. Deprived children who have never set foot out of the city have similar experiences and are rewarded with similar self-transcendence. The main difference between you and them is that you will be aware of what is going on, while they just blindly follow. Yet they, too, transcend themselves as we do. Rock climbing seems a dangerous sport, and because of its inherent dangers, safety rules and equipment are excellent. Provided you use them, you are safer on the rock face than you would be on the motorway. Yet there is something about the feeling of danger when you are climbing a rock or abseiling down from the edge of a cliff that is very valuable in terms of breaking through self-perceived limitations. You are safe, and yet you are presented in an immediate way with the idea of death. TAKE A COURSE You do not have to be fit to begin climbing. Take it slowly, climb regularly and you will rapidly gain skills and become fit. Sheer face climbing requires skill more than brute force. To learn, you can either join a club or go on a course where a guide teaches you. The best climbing gear is a pair of riding breeches with long socks, although a pair of straight-legged jeans or trousers will do just as well in the beginning. The equipment itself—ropes, belts, helmets and shoes—is usually supplied by the course. You’ll never know how much rock climbing or mountaineering can do for you until you try it. The exercise you’ll get is invaluable for toning muscles, improving skin and bringing you a new sense of vitality, whatever your age. Equally important, it can take you away from your everyday problems. You find yourself faced with totally different, unknown and unforeseen tasks to accomplish. I also love the way there is no competition involved in rock climbing. The only thing you are working against is yourself—bettering previous attempts, becoming more skilled, gaining more confidence in your judgment and yourself. This alone is what matters. There are very few areas in anybody’s life where you can say that. Try it. You may well come to love it as much as I have, no matter what your age.

Since its publication 25 years ago, my bestselling 10 Day Clean-Up Plan has appeared in many editions and many languages. The original book still continues to generate 5 star reviews at Amazon.co.uk and elsewhere such as, “This is the BEST, most effective detox/cleanse plan I have ever tried. I have been using this little book for the last ten years.” Spring Clean Your Body I created the original 10 Day Clean-Up Plan as a step-by-step guide for regenerating energy, transforming the way you look and feel and enhancing wellbeing all round—in a mere 10 days. The book was, and is, a complete home-spa program, spring cleaning your body, firming skin and muscles, trimming a few excess pounds, clearing your mind and brightening your spirits.In the past few years I have received scores of requests for new 10 Day Clean-Up Plan. Right now, I’m excited to be able to share with you some great news. We’ve just published a brand new 10 Day Clean-Up Plan book. It brings this dynamic detox well into the 21st Century embracing, as yet little known, cutting-edge research, tools, techniques and valid scientific breakthroughs. Discover Your Vitality If anything, The New 10 Day Clean-Up Plan is even more energizing and easy to follow than the original program was. It includes brand new recipes plus advanced information based on new discoveries about the relationship between the food you eat and your health, protecting yourself from degenerative conditions, clearing brain fog, calming food cravings and regenerating your your life. It brings you the inside story on what fats to eat and what to shun forever, what’s the best whey in the world to use for smoothies, why cereals and grains can seriously undermine your health, and how to sweeten your drinks and foods safely and deliciously. Do check out my new book on Amazon.co.uk, Amazon.com, ibookstore and the Kobo store. I hope you will enjoy reading and, even more important, that you will derive lasting benefits from introducing the new program into your own life. Hope you Enjoy

In my last post, we looked at unconscious image-making which prevents us from experiencing authentic freedom and undermines our sense of self. Now let’s flip destructive image making-on its head. It’s time to learn the art of conscious image-making It can improve health, heighten self esteem, and even forge the person whom you long to become in the future. All you need is a simple notebook in which to record your intentions, goals and experience plus 15 to 20 minutes a day to practice the art. This can be a lot of fun. POWERS OF THE MIND Creative imagery is the deliberate, repeated use of specific mental images, while in a deeply relaxed state or meditative state, to bring about change for the better. Just how creative imagery works has never been fully defined. It does, however, appear that the images one chooses to focus on when repeatedly held in the mind are able to affect one's body, emotions, and mind through the autonomic nervous system. Some of the process, at least, is explainable in biological and energetic terms. When a thought or image is kept in the mind of someone in a state of deep relaxation, his or her brain shows neuronal activity in both right and left hemispheres. Nerve fibres leading from the cerebral hemisphere through the hypothalamus can directly affect the autonomic nervous system and the pituitary gland as well as the adrenal cortex. Everyone has had experience of this image-making to some extent in day-to-day life. For instance, if you keep a frightening image in your mind's eye—say of a ghost, a fantastic monster, or a situation you want at all costs to avoid—your body will respond via the autonomic nervous system with a racing heartbeat, perspiration, dryness in the mouth, or gooseflesh. How strong your reactions are to the fearful thought depends entirely on how clear the image is. Similarly, when you hold a clear, relaxing image of perhaps a spring meadow or a person you love, your body responds with relaxed muscles, lowered heartbeat and blood pressure, and generally pleasant and passive bodily sensations. Researchers have found that through this mind-body connection we can exercise a great deal of control over our bodies and our behaviour simply by choosing images to focus on and using them regularly. In fact, this kind of deliberate visualization is the technique behind the ability yogis demonstrate in raising and lowering their bodily temperature or heartbeat at will, going for long periods of time without food, and performing extrasensory tasks. TRUST THE GAME Although the mechanism of creative imagery is highly complex, putting it to use is simple. For just as it is unnecessary for you to know how the nervous system, in conjunction with the brain and muscles, makes it possible for you to pick up an apple and take a bite out of it in order to perform the action, so it is not necessary to understand biological theories about creative imagery in order to practice it to your benefit. The imaging mechanism of your brain works automatically; all you have to do is provide it with images that are useful to you and let it do its job. Nor do you have to worry about whether or not you believe in creative imagery or whether or not you can do it well enough for it to work for you. If there is a goal that you want to achieve, you need simply to visualize it—again and again, at least twice a day; the rest is automatic, so long as your goal is something you consciously consider to be feasible. It would be absurd, for instance, to lie down for ten minutes each morning and afternoon and visualize yourself as an eagle. You might improve your imagination no end, you might also develop a great empathy for eagles, but it unlikely that you would develop wings or a beak. Nor need you worry about success or failure. As Maxwell Maltz says in his book Psycho-Cybernetics, "You must learn to trust your creative mechanism to do its work and not `jam it' by becoming too concerned or too anxious as to whether it will work or not, or by attempting to force it too much by conscious effort. You must let it work, rather than make it work. This trust is necessary because your creative mechanism operates below the level of consciousness." The only real "trust" needed for it to work is that which makes it possible for you to spend time repeatedly practising creative imagery. You do this by letting yourself go into a state of deep relaxation or meditation and then repeating your chosen image again and again over a sufficient length of time for it to take hold in your unconscious and begin producing results. You certainly don't have to trust it in the sense of believing in it for it to work. It will work whether you believe it or not. Just be consistent in using the technique regularly. PREPARE THE WAY Begin by learning to just let go. Creative imagery is an inner state of mind. To visualize effectively you need to put yourself into a calm, relaxed state in which mental images flow easily. Generally the more relaxed you are, the more successful your visualizations will be. This kind of relaxation is something that is learned gradually by practice. Even if you feel in the beginning that you are hardly relaxed at all, you will get benefits from your imaging and this will become progressively more true as you repeatedly practice visualization. Begin by lying down, or sitting in a comfortable chair, with your back well supported. Use a simple practice such as zazen or gentle, quiet deep breathing to let go of daily concerns and enter your private world. When you feel yourself quietly calm resting in your own inner space, there are several things you can do: In this space, you can examine in a new light any question that has been bothering you. You have access to the deeper layers of your mind where many answers can be found, provided you are willing to ask the questions simply and then just wait in stillness for the answer to come. This place is also where you can become aware of your belief systems and bring them to consciousness so that you can examine them in a detached, objective way and see whether they are working for you or not. You can then decide what you want to keep and what your want to leave behind. It is a place where you can learn to listen to the sound of your inner voice. The more you do this, the easier it becomes. This inner voice can guide you to where you are going next and tell you what you are about. It is a place where you can come to know yourself for who you really are, quite apart from roles and habitual assumptions you have always had about yourself. Most important of all in bringing about change, you can use this inner space to practise creative imagery. Go through your relaxation technique until you enter your inner space. Now you are ready to begin visualizing. You can do this in two ways: verbally, by simply repeating over and over a few words that describe the image, or visually, by simply seeing yourself as already having become what you want to be. For some, who at first experience difficulty in visualizing, the verbal method works better; for others, the visual method is more successful. Try them both and see which you prefer. Later on, after you are familiar with the use of creative imagery, you will probably want to use both. FOCUS YOUR DESIRE Let's say you pick as your goal the desire "I want to have more energy." Using the verbal method, turn the wish into a positive statement. It becomes "Every day I am more and more energetic and well." It is important that your goal be phrased in this way. It has to be in the present tense—not "One day I will be better" or "I hope that I will be more energetic," but Every day I am more and more energetic and well. It is happening now. Your subconscious mind, which holds the power to bring about change, does not function in terms of time and space as your conscious mind does. It understands only the simplest and most direct instructions, and when they are given it works as if they had already occurred or are occurring now. The words you have chosen become your image. You put them to work by simply repeating the words over and over again silently to yourself while you are in the deeply relaxed state in your inner space. It is the constant replaying of the message day after day twice a day that works best, not how long you do it each time you relax. One convenient way of doing it is to repeat the directions ten times in each session, moving one of your fingers with each repetition until you have been through all ten. Then you simply say to yourself the same, "I am now going to come out of my inner space...(by counting backwards from three, etc.) and open your eyes. The best time for most women to practice creative visualization is in bed at night just before they fall asleep, and then again in the morning just before they get up. But really you can do it anytime—whenever you can find ten minutes to yourself in the middle of the day, or in the middle of the night if you awaken, or during meditation. The important thing is to do it regularly twice a day every day. You needn't worry about doing it wrong, either. Because, in truth, there is no wrong way, and every supposed wrong in the way you are doing the technique will gradually put itself right with practice. WATCH IT HAPPEN If you prefer, you can use a visual way instead, or you can use a combination of both. Picking the same goal, I want to have more energy, go through your relaxation technique. When you are at the inner space, instead of repeating words let your mind play with the image of your goal as if it had actually come about already, almost like a daydream. In other words, see yourself moving through your day, relating to people, doing your work, playing games, all the while full of vitality and bounce. Watch yourself in your imagination and enjoy the ease with which you do things that once seemed difficult or tiring. Notice the glow of your skin, how well you look; see the vivacity in the way you speak and move. Watch yourself and enjoy it. The more of it you let yourself imagine and the more you enjoy your imaginings, the stronger will be the images you are creating and the more quickly they will become reality. But as with the verbal instructions, always keep your images in the present as if they are actually happening now and not as if they might happen in the future or are something you would like to see happen. You may find at some point that something or someone is interfering with your image. For instance, you might find that as you watch yourself moving about energetically through the day in your mind's eye, another figure appears—say an old woman—who speaks to you. Perhaps she says something like, "You silly girl, if you don't slow down you know you will exhaust yourself or make yourself ill." Or, "Why are you pretending to be full of energy when you know that you are really tired?" and so on. Pause for a moment and take a look at the figure. Who is she? Your mother? A friend who tends to be negative about everything you try? The voice of a belief system from inside you which, without your being aware of it, has been telling you for years that you are tired? Answer the figure back. Tell her quietly but firmly in your mind, "No, you are wrong. I am well and I have lots of energy. I also know how to use it wisely. I will rest and look after myself when I need to, I will eat well, I will enjoy what I do. I will be happy with my vitality." Then go on with your visualization. Unexpected intrusions like this while you are visualizing are often very useful, for they help make you aware of belief systems and notions that may have been unconsciously impeding your progress towards a goal. Then, when you have practised your visualization for, say, five or ten minutes, tell yourself you are going to count backwards from three and open your eyes. A FEW TRICKS TO HELP In the beginning, when you are just starting to explore the power of creative imagery, it is a good idea to pick only one goal at a time and work on it for several weeks or months until it is being progressively realized before taking on another thing you would like to change. The technique of keeping a journal is very useful in recording your progress, but even more important is keeping a record of insights and experiences you come upon while practising the deep relaxation and visualisation techniques. The information and insights they turn up for everyone are invariably rich. Many times something you record today which seems not particularly useful now will have a message of immediate importance to you three months from now. Finally, there is one very simple goal that I find particularly useful because it covers all areas of one's life and you can use it over and over again, year after year, with benefit. It is, "Every day I am more and more myself. My life grows richer and richer." “Practice makes perfect,” the saying goes. It most certainly does but never treat your practice as a chore. Let it be fun. When you do everything happens faster and with greater ease.

Several years ago, as a result of an unexpected breakthrough in my own life, I came to understand something remarkable: Bliss is a natural state for human beings. When we feel blissful, it’s not only a wonderful personal experience—it connects us with our compassion for ourselves and others and with innate creative power. It shows us that we are capable of living life to the full, regardless of current circumstances. Unfortunately, in the chaotic atmosphere of the 21st century, with all its economic uncertainties, political unrest and suffering, too few of us tap into our capacity for bliss. Perhaps the greatest reward of working with participants on the on-line Cura Romana program is this: As a result of changes that take place physically, emotionally, and spiritually bliss becomes a frequent visitor in their lives. BODY OF BLISS Our capacity for bliss, as well as our need to experience it, is inscribed in our primitive brain—almost as deeply as our need for air, water and food. Bliss is the medium through which mind, spirit and emotions weave a tapestry of meaning. Bliss renews. Bliss cleanses. It makes us feel whole, solid, stable and alive. Bliss tells us: “This is something I want to try.” Then it brings us the courage to go for it. So important is bliss to our discovering who in truth we already are and to our realizing our goals, that when we deny our need for it we are forced to look for artificial substitutes. Addictions arise: to food, drugs, alcohol, sex—even ambition. But addictions always disempower us. They lead us further away from the authentic freedom that is our birthright. Here’s the bottom line: Find out what brings you bliss day by day. Make space for it in your life and you forge your own unique path to authentic freedom, creativity and joy. Where do you begin? Here’s a three-stage process: Dive into stillness Immerse yourself in sound Discover your passions JOURNEY TO THE CORE At the center of your being is a place of safety and security which you can move into when you so choose then out of again to meet the outside world, form friendships and share your gifts with others. This place within is a permanent sanctuary to which you are able to return when you feel tired, confused, or in need of more vitality and new directions. The key that opens this particular door to stillness is sensuous breathing for letting go. HERE’S HOW: Lie on the floor on your back and just let go, so your arms and legs flop. Close your eyes. Feel your body against the floor. Do you notice any tension in any part of it? Shoulders? Back? Legs? Focus inside your body; notice where you sense any movement in your muscles as you breathe. Imagine you are breathing into that spot. Imagine you can exhale through that part of your body. As you do, experience the breath relaxing your sore muscles as it filters through them. As you become more and more relaxed, experiment with movements that are a natural consequence of free breathing. They are blissful movements. WHOLE BODY SENSUALITY As you breathe in, your pelvis tips back ever so gently, creating a slight arch to your back. Your abdomen and chest rise. Your ribs and back expand and your chin tilts forward just barely. Then, when you exhale, your pelvis moves down again so your spine almost touches the floor, your back contracts, and your chin and head move back again, exposing the front of your neck a bit more. This subtle, natural movement turns into a wave-like motion that gently flows without hesitation from in-breath to out-breath. The whole process of sensuous breathing is already encoded in the human body. Experiment with this kind of breathing, and before long you will discover that it happens automatically. And as this takes place, you can enter a realm of deep stillness and begin to experience a surprising bliss. It’s a bliss that revives, restores energy and helps set you free from habit patterns that no longer serve you. Try it a few times and see for yourself.  SOUND POWER Sound is another effective medium for invoking bliss. The sound of running water winding its way over stones in a stream cleanses the mind of worries and leaves us feeling calm and clear. The sound of a heartbeat played in an infant's cot reassure her and send her into blissful sleep. Take advantage of the sounds of nature even if you live a bustling city life by regularly using earphones and an MP3 audio which reproduces the breaking of waves or the calling of birds. Then there is simply listening to music. This is one of the few human activities that activates the whole brain. Intrinsic to all cultures, music brings us profound benefits—improving memory and focusing attention, as well as enhancing physical coordination and development. It opens our mind and body to experiences of deep pleasure and joy. The right kind of music clears the mind. It filters out distractions and improves focus on whatever activity we happen to be involved in. The finest classical music is generally the best choice. By now it is common knowledge that babies exposed to classical music while in the womb are likely to be born with higher intelligence. GIFTS FOR FREEDOM Music also spurs creativity. Artists and writers learn this from experience. For some, even writer’s block can be cleared by listening to music. Sound and music are processed by both sides of the brain simultaneously. This encourages a unity of perception and feeling in us. Listening to music also reduces chronic pain, including that of osteoarthritis rheumatoid arthritis, back problems and muscular aches. It also alleviates depression by as much as 25%. This is one of the reasons that music therapy is increasingly used in hospitals. It reduces the need for medication during childbirth, decreases post-operative pain, and complements the use of anesthesia during surgery. How does music do this? Music helps us feel that we have a sense of calm control over our bodies. It triggers bliss, fosters relaxation and encourages the release of endorphins. Gentle music relaxes us, slowing the rate of breathing and the heartbeat. It reduces stress all round. Music also boosts immune functions. Some kinds of music can create a positive and profound emotional experience which leads to the secretion of immune-boosting hormones. This contributes to a reduction in the factors responsible for illness. Listening to music or singing decreases levels of the stress-related hormone, cortisol. CHOOSE YOUR MUSIC The most important question then becomes “What kind of music do you use for what?” This is such an individual experience. Everything from Mozart to the soul dynamism of Brazil’s Capoeira can do it for you. I believe that we humans need lots of different kinds of music if we are to gain the greatest value from it. Let me share with you some of my own favorite music and composers. Get yourself an inexpensive iPod or other MP3 player. Experiment with music from different artists and genres. Don’t be afraid to explore lots of different kinds of music in your own life. Find out what each makes you feel. The bliss awaiting you as you do is virtually unlimited. Here are a few of my personal suggestions to get you started: Beethoven’s Seventh Symphony Craig Armstrong’s film music Brazilian Capoeira Arvo Part John Martyn Al Gromer Khan  YOUR OWN BLISS TRIGGERS OK. We’ve explored a few bliss-creating experiences together, from stillness and sensuous breathing to sound. There are many more. It’s time to find out what brings you joy. Get yourself a simple notebook. Start making a list of all the things that bring pleasure to your body and mind by enlivening your senses. Continue adding to your list day-by-day and week-by-week as you become aware of more possibilities. Let your imagination run wild. At the beginning of each week, make a pact with yourself to enjoy one or more of these things within the next three days. And keep your promise. Experiment. Find out just how much enjoyment your body can take! Remember, your body thrives on bliss—feed it and it will reward you with energy, rejuvenation and joy that builds week by week into a whole new way of being for you. Here are a few of my own favorites. Making love. Running along the cliffs above the sea. Smelling lilies and freesias, roses, jasmine, and honeysuckle. Watching a good movie. Dancing with abandon to wonderful wild music. Feeling the breeze on my face on a bike ride. Swimming naked. Listening to all sorts of music. Lounging in front of an open fire. Reading a fascinating book. Spending time with a young child listening to its stories and make-believe games. Snuggling up to my cats. Eating fresh organic strawberries. Walking in the rain. What are yours? Write them down. Then create an intention to make them a part of your life, day-by-day. DIVE DEEP This experience feels like diving deep into a lake where the water is shot through with streams of light in constant motion—one moment gentle and lulling, the next wild or filled with the excitement of wind or the pounding of rain. This is what it can feel like for each of us as we delve deeper into the blissful state and develop greater aliveness. Bliss asks us to immerse ourselves in a way of being and thinking, living and dreaming that feels brand new. Try some of the activities that bring you the greatest joy, will help you rediscover ancient echoes of an endlessly rich way of living too long forgotten. Of course, at the deepest levels, we have never forgotten at all. Reconnecting with your innate capacity for bliss doesn’t happen overnight. It is a constantly developing experience, which makes it possible for us to reach levels of vitality, joy, clarity and radiant health which previously seemed beyond reach. The process begins by reconnecting with the body and developing a determination to live life your own way come hell or high water.

When I was six years old I had my first love affair. Yes, really. Of course, not until years later did I recognize the experience for what it was. But like every first love, it changed my life forever. My father was a jazz musician so our house was equipped with the best possible sound equipment. Both he and I loved to listen to music—just about any music—at full volume. This my mother could not stand—which made it something even more exciting. While my playmates roamed the hills of Hollywood skinning their knees, I would lie on my belly in the living room, listening to music at full blast. THE MAGIC BEGINS One day, combing through our vast supply of records, I came upon Stravinsky’s “Rite of Spring.” It meant nothing to me, but I liked the colors on the cover, so I put it on the record player, turned up the volume and flopped in front of our huge speakers. Strange, mysterious, often discordant sound flooded my body, opening a secret door to somewhere deep inside me. It was a place I had never been before. I did not even know it existed. I trembled with fear and excitement as the music wound its way into me. I flushed hot and then cold; my heart raced then calmed. I lost all sense of place and time as I rode the waves of an imaginal sea into unexplored worlds, too numerous to identify. ONE WITH STILLNESS I have no idea how long this lasted. Before long, even the “boat” carrying me along, and all the images that came with it, had dissolved like sugar in water. Then, in perfect union, the sounds and child-that-had-been-me swirled into a vortex, becoming lost in each other. We shared excitement, fear, longing, fierceness and sadness. Like lovers, we had come together—music and child—in an immediate, passionate, all encompassing union. Eventually I found myself at the centre of this whirlpool. There, even the ecstasy of the movement vanished. Like Alice down the rabbit hole, I tumbled—not into Wonderland, but into that place of unspeakable stillness. Zen practitioners claim this place is available at every moment to each one of us. For me it was an indescribable event—beyond space, beyond time, outside thought. Here I knew, without the slightest possibility of ever being able to describe it, that everything was exactly as it should be. In the words of Zen Master Daisetz Suzuki, it is a place where I would eat when I am hungry, sleep when tired. I knew that “it was fine yesterday and today it is raining.” Or, in the words of Julian of Norwich, that “All things shall be well, and all things shall be well, and all manner of thing shall be well.” My affair with Stravinsky lasted more than four hours. At least that’s what my mother said. “Don’t tell me you are still listening to that awful music.” She had to raise her voice to be heard above the sounds. “For God’s sake, turn it off. Do something useful.” MY USEFUL LIFE So I did something useful. I went to school, then to university where I learned at least some of what you are supposed to learn. I earned praises for good marks, went to work, won prizes, gave birth to four children, wrote books, gave talks and made television programmes. In effect I did what millions of men and women do—became the breadwinner, the carer, the nurturer of others’ lives. And I loved it. Yet through all the years between six and now, my passion for music, painting, books, poetry, architecture and design never left me. Far from it. During most of those years, my longing not only to experience the emptiness that listening to Stravinsky had brought me that day—an epiphany, and the experience of being fully alive for the first time in my life—but also to create things: books, films, relationships, and to explore physical places, inviting me to move beyond thoughts to a place of unity with the rest of the universe. They kept gnawing at my gut. They would not go away, just as the urge to breathe never goes away no matter how long we hold our breath. SIX YEAR OLD WISDOM That day, when I lay on the floor lost in Stravinsky, without realizing it I had decided that what interested me most was the beauty of art—whether it be music, words, film, stories, sculpture, buildings or what-have-you. Why? Certainly not because I had any idea that art was supposed to be valued since it was part of what grown-ups called culture. I knew nothing about either. I could not have cared less. After all, I was a kid who, when I was not entranced by what I was seeing, hearing, feeling or touching, spent the rest of my day learning card tricks, wrestling with my rough Collie, and trying (unsuccessfully) to sell packets of chewing gum my grandfather brought me to neighbors’ kids. Nope—I loved the beauty and wonder of art in all its many forms because, unlike the world around me, with which I seemed to have little in common, it had always grabbed hold of me and would not let me go. It demanded of me both a submission and an active participation in the making of it. TIMELESS REALITY What I did not know, and this took me scores of years to come to understand, is that the rabbit hole into which I had accidentally tumbled at six is described by every culture and religion in the world in one form or another. Nor had I any idea that, at any moment in time, anywhere in the world, regardless of the circumstances of our lives, it is available to each of us. To Zen Buddhists, this wordless, timeless space represents ultimate reality—that which can only be sampled through immediate experience. In Suzuki’s words, “For the sake of those crucial experiences Zen Buddhism has struck out on its own paths which, through methodical immersion in oneself, lead to one’s becoming aware, in the deepest ground of the soul, of the unnameable Groundlessness and Qualitylessness—nay more, to one’s becoming one with it.” ANNIHILATION AND RENEWAL It is a state in which nothing is thought or contrived, longed for or expected. It reaches out in no particular direction, yet it knows itself able to handle the possible as well as the impossible. Concentrated, yet so expanding is its potential, such power is both purposeless and egoless. As such, it is often called truly spiritual. Why? I suspect because it is charged with an awareness that spirit is present everywhere. The universe and all that is created is never attached to place or time. In such a state, because the cosmos is present everywhere, we too are present everywhere. We have direct experience of and access to the power that continues to create the universe itself. And, like water flowing through the river, we have full access to that power of creation to use in our own lives, in whatever way we choose. DOORWAY TO BLISS The Sufis call this state fana—the annihilation of your individual selfhood. When we experience fana, our everyday personality becomes transparent, so the larger being that we are shines through. You become fully absorbed in the all-encompassing fascination of the moment—textures, nuances... Cutting edge physicists speak of a holographic universe in which we live but seldom access because we are plagued by endless mental concepts which blind us to reality. They also blind us to the experience of Samadhi—“a non-dualistic state in which the consciousness of the subject becomes one with the experienced object.” This state of selfless absorption and total surrender is characteristic of children when left alone to follow their instincts. Yet it is available to each one of us, regardless of age. Honoring whatever brings us bliss in our own lives opens the door to it.

I have a passion for plants—especially house plants. I have many in my house. In one large room, I even have a Ficus benjamina, which is 30 feet tall. I’ve had it for years. It was maybe 10 feet tall when I started with it. Now it is a magnificent life-form that delights me. It lives in a room with about five or six others, many of them rainforest plants. It’s a room we use for meditation, celebration, and work. PLANTS FOR PURE AIR What has happened—and I find this so exciting—is that there has been some recent research done by NASA scientists keen to explore the possible effects plants have on the environment, with reference to off-planet facilities for astronauts. What they discovered is that common indoor plants are amazingly powerful in fighting against the rising levels of indoor air-pollution in both offices and homes. Why? Because a number of plants—and they only studied and verified the effects of nineteen, though they strongly suspect there are many more—absorb potentially harmful gases, and clean the air inside our homes and buildings. Plant physiologists have long known that plants absorb carbon dioxide and release oxygen. But what the researchers have now found is that many house plants absorb nasty chemicals like benzene, formaldehyde, and trichloroethylene. How the scientists discovered this was to take a particular plant, put it in an enclosed space, and then introduce chemicals individually to see how the plant responded. The responses were fabulous. This is really important for all of us, because newer buildings are often tightly insulated and sealed to conserve heat or air-conditioning. This insulation, combined with the kind of chemicals used in building and painting, causes what is known as the “sick building syndrome”. I’ve always felt that house plants are beneficial to our lives, and sensed that they purify and renew our stale indoor air by filtering out toxins and replacing our exhaled carbon dioxide with life-sustaining oxygen. OXYGENATE YOUR LIFE Some HousePlants, according to NASA’s research, are more efficient in filtering out toxins than others. Philodendrons, for instance; spider plants; common English Ivy; even Ficus benjamina. Mostly they looked at green plants, but they also looked at a couple of flowering plants—one of them was Chrysanthemums. If people get Chrysanthemums, they usually bring them in while blossoming, and then take them outside. But it may be that we should keep some of these flowers inside permanently. Finally, one of the plants which I am very fond of, that they found enormously helpful in creating good air, is the Aloe vera plant. HOW MANY ARE IDEAL The NASA studies recommend that we use 15-18 good size plants to improve air quality in an average 1800 square foot house. I am going to explore the possibility of introducing a lot more plants to my wonderful indoor collection. I hope you will too.

The response to my recent blog “Your Magnificent Self” was enormous. This week’s is PART ONE of my reply to your having asked for more...PART TWO comes next week... Each one of us is ceaselessly involved in creating the quality of our own life. We do this through image-making—a universal characteristic of the human mind which even precedes thinking in the brain. We see, worry, put together ideas, dream, speak, and wonder, all through images. In fact, we experience a continuous flow of mental pictures, both conscious and unconscious, every moment of our life. This capacity to visualize—to 'image'—is one of the miracles of that comes with being human. Thanks to it, we are able to organize our reality, communicate with each other, and make sense of the limits of time and space around which our lives can be organized. THE MAGIC OF IMAGING Images have tremendous potency. When used wisely, your personal images are easy to direct for your own good. They are too often used against you when you are not conscious of them, or when you remain unaware of the amazing powers of choice you were gifted with from the moment you were born. Despite Freud’s assertions to the contrary, we human beings are most certainly not, as he believed, a collection of repressed destructive urges, only restrained by learned moral constructs from destroying ourselves and others. In truth, each of us is autonomous. And, like all beings in the universe, each of us has freedom of choice. CORE FRUSTRATIONS The destructive tendencies we all carry are most often the result of frustrations in the expression of one’s essential being—your unique and magnificent core self. Moving toward happiness and freedom from frustration, as well as freedom from the negative thought patterns and the destructive behavior they engender, develop as we learn to trust our innate self-actualizing tendency. This comes with finding out what we most desire at the deepest levels of our being—when we begin to discover the unique truths that lie within us and live out our day-to-day lives guided by them. In too many of us, self-actualizing tendencies remain undeveloped. Until we become committed to discovering them within and calling them forth, we tend to regress into fear, frustration, and confusion. When we decide to discover them inside us, we start to become stronger, in every way... physically, emotionally and spiritually. Life becomes a process of deep, often rapid growth. Potentials we did not know we had surface then start to blossom into creative projects. A whole new view of our life and self-worth is issued in. Life becomes simpler and happier even if, as is often the case, the world all around us seems to be rapidly crumbling or completely insane. RADIANT AND UNIQUE A fully functioning human being is radiant—more alive than most. He or she is someone who has access to mental and physical powers and is able to use them wisely. As such, these people carry their own unconventional view of things but they are, at the same time, spontaneously more accepting of themselves and of others. Their sense of satisfaction comes from inside, not from the 'carrots' offered through advertisements and self-proclaimed New Age gurus who are now riddling the world with “systems” purporting to bring step by step enlightenment, if only we follow to the letter what they are teaching. Such sheep-like behavior is becoming endemic because there is so much suffering and fear in the world. It is time for each man and woman to connect with their unique authentic being, and come to live life from there. Perhaps the most important question to ask then, if full functioning or self-actualization is so beneficial both physically and mentally, is: how do you go about strengthening your natural tendencies towards it? There are several ways to begin. Here are some simple tools to start with. FIRST STEPS First, entertain the possibility that your essential being—your core self—exists. You are someone quite individual, quite different from everyone else in the world. To those who have not yet experienced this awareness, it can seem a bit strange at first. Others will find it is something they have known all along without ever putting it into words. Still others will immediately accept the notion as self-evident. WHAT YOU BELIEVE Take a look at the ideas, behavior patterns, or assumptions about yourself and your life—in effect, your belief systems. So often, collections of notions which are largely unconscious can be major blocks to your free expression. They come in many forms. They can be ideas you hold about yourself such as ‘I am physically weak', or 'I can't wear my hair back because my nose is too big', or 'I will never be successful...”a good person”...someone of genuine value', or 'I am too old to change'. Some belief systems are even more deeply embedded things like 'I can never do anything right', or 'I am only a woman'. When you become aware of these notions and the power they hold over you, then write them down, you will discover that many are little more than habitual assumptions with no basis in fact. Then you will gradually find them falling away, so that you are free to be whatever you want to be. LIVE THE MOMENT Whatever you are doing, try letting yourself experience it fully. Get really involved in an event, action, or project in the way a child would—wholeheartedly. Whether you are peeling potatoes, enjoying music, scrubbing floors, planning work, making love, or eating, let yourself be absorbed in the task, forgetting everything else for the moment. While we live in the moment and surrender ourselves to it, we can discover a whole new way of relating to life. There is a real delight in this kind of involvement. It silences the usually worried thoughts and concerns that sap your energy and make every event less interesting than it should be. This ability of complete involvement is also a key to enormous vitality. At such times, little of you is wasted on anxiety about the past or future, or meaningless and unproductive worry about yourself and others. WRITE IT DOWN Another way to develop this awareness is through meditation or deep relaxation. When you are relaxed yet alert, non-productive thought patterns and habits loosen their hold, as do common interfering emotions such as anxiety and fear, so you are better able to hear your inner voice. Listen to it. Let it be your guide in matters of taste and in decisions you have to make. Most of us listen not to ourselves, but to Mummy or Daddy's interjected voice or the voice of the Establishment, of the Elders, of authority or of tradition. Begin to explore how you feel about something or what you really want. Then record it. Keep a simple little journal with you at all times. Leave it on the nightstand when you go to bed with a pen or pencil to record whatever imagery comes to you when you walk, relax, meditate or dream. This is a delightful and easy way to begin the process. I suggest that you keep this simple notebook with you wherever you go as artists and writers do. You never know when desires, visions, questions and insights are going to make an appearance. As they do, record them in words or drawings. My suggestion is that, if at all possible, keep your journal to yourself and don’t let others see it. This provides greater freedom for the powerful imaginal world within you to reveal itself to you in marvelous and unique ways. PATH TO FREEDOM STARTS HERE The more we can become aware of what we think, feel, want and don’t want—in short, of our own quite unique values, the better our health becomes and the greater we experience absence of pain, discomfort, anxiety, tension, insomnia, nightmares, indigestion, constipation; lack of fear, longevity, and pleasure, in coming to live more and more as a fully functioning human being. This experience is not so much a state as a process which leads to the discovery of your own identity, nature, and creativity, as well as your own unique brand of joy and freedom. More to come next week... Every blessing... Leslie