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If you have been following my blog, you’ll know that my life is full of herbs. The wonderful gifts that herbs provide include not just their dazzling power to heal and strengthen, but their magnificent beauty. I’m moved to the core whenever I take time to notice the way a plant looks and smells, when I sense the inexorable persistence of its growing, and its willingness to grace my life with its delicate splendor. When you become aware of a plant’s beauty at every level, even the most commonplace interaction between you and the plant feels sacred. OF GODS AND DEMONS The ancient Egyptians believed that incense was the sweat of the gods that had fallen to Earth. We associate saints with beautiful fragrances and devils with foul smells. I remember once visiting an onsen—a spa in the mountains of Japan. This is a place of healing where hot sulfurous water pours forth from natural underground wells. I walked down endless corridors before reaching the sulfur pool which was enclosed to make it possible to use even during the icy winter months. I was alone in the small room. The pool sides were encrusted with yellow growths, and sulfurous steam filled the room. As I climbed naked into the streaming water, I felt afraid. That’s how deeply ingrained our sense of uneasiness can be when faced with the overwhelming smell of sulfur, which our culture and our ancestors have always associated with the devil. FILL YOUR ROOMS WITH BLISS Use herbs and plants to care for your pets, or to cleanse the space in which you live and work. They help remind us of who we really are, and what is fundamentally important in the desacralized environment in which most of us spend most of our lives. One of the things I most love to do is fill my bedroom with lilies. These are my favorite flowers—but they have to be the white oriental lilies or the marvelous Stargazers, as these are the most scented. Over the years, I’ve come to know lilies well. I know that they give off the greatest amount of fragrance between two and three in the morning. The beauty of their fragrance at this time is so intense that it often wakes me up. Sometimes when this happens, it seems to me that these flowers—so generous with their gifts—are calling to me, asking me to celebrate their wondrous beauty. The word perfume comes from the Latin per fumum, meaning “through the smoke”. The original way in which fragrance was used in human life was to create a union of divine and mundane reality, not only in the lives of priests, but of ordinary people. Our sense of smell plays a powerful role in rituals. Scent is one of the means by which we create the bridges between the transcendent and the day-to-day. It’s just like if you say a prayer before you eat, the very act of eating nourishes your body and your soul too. CLEANSE AND SANCTIFY When you move into a new home, or you feel the need to cleanse or make sacred any space—bedroom, kitchen, workplace, or the whole house—try doing it with the traditional sacred plants first: Desert sage, copal, sweet grass; even dried lavender, thyme and rosemary. I cut back my herb plants three or four times a year, and they love it. It makes them grow stronger and bushier. I then take the cuttings and tie them in small bunches with brightly colored ribbons, and hang them from my kitchen ceiling to dry. Once dry, I can use them for potpourris, sachets, and of course, sanctifying space with their smoke. HERE’S HOW Take a bunch of dried herbs and light them over an open metal biscuit tin to catch the sparks, so that they don’t reach the floor. I use a long rectangular tin that once held a bottle of malt whisky for this. I know other people who use baking trays and turkey tins. When the herbs begin to smoke, walk around the space to be sanctified, lifting up the burning plants with the tin beneath them. All the while, ask with your heart and mind that the room be cleansed and dedicated to whatever purpose you intend for it. This could be to make a joyous harmonious space; a space in which creativity can flourish—this is something I love to do—or a space for meditation, sleep, prayer or making love. It is your intention, coupled with the cleansing abilities of the burning plants, that makes it all happen. When you are cleansing and dedicating the desired space, make sure that you offer up the smoke to all corners of the room, and to the six directions—north, south, east, west, above and below. And when you’ve finished, thank the plants for their help. They will hear you and celebrate their own beauty..

An exotic herb which grows in subtropical areas of South America, stevia is replete with non caloric sugary molecules. This is the reason for its sweet flavor. Stevia has sweetened herbal drinks since pre-Columbian times. Its properties were first recorded by a botanist named Antonio Bertoni in 1887, who wrote about ways the natives of Paraguay used it. Others have discovered stevia in the past fifty years and made good use of it. Japan and the United States have done extensive research and safety testing on the plant. Their research shows that this marvelous sweet herb is non-toxic, safe for diabetics and beneficial for weightloss as well as daily use for yourself and family. More good news: Stevia is not a source of nutrition for bacteria in the mouth nor for yeasts and fungi such as Candida Albicans in the body. A few years ago, following some rather bogus animal research promoted by Monsanto — who produce much of the artificial sweeteners in the world — the European Parliament banned the sale of stevia in Britain and Europe. There is much pressure at the moment to lift that ban. In the meantime, if you live in the EU, you can, without difficulty, order stevia online from herbal shops, either in your own country or another European country, including the UK. It is widely available in shops and stores in the United States and Canada, Australia and New Zealand and most other countries of the world. Stevia is great for all sorts of reasons on Cura Romana Spoonable Stevia By Stevita: Spoonable Stevia by Stevita uses only stevia extract with at least 95% pure glycosides (extremely sweet tasting ingredients of the Stevia herb leaves), and a little erythritol, a crystal granulated naturally produced filler found in fruits, vegetables and grains. It is best for baking and sprinkling. Order Spoonable Stevia By Stevita from iherb ENGLISH TOFFEE STEVIA: Wisdom Natural, SweetLeaf, Liquid Stevia, English Toffee Sweet Leaf liquid stevia with all natural flavors is convenient and easy to use. As a supplement, add this nutritious stevia to water, tea, coffee, milk, sparkling water, protein shakes, plain yogurt or anything else you can imagine. It comes in many different flavors including lemon but English Toffee flavor is the best by far. Order English Toffee Stevia from iherb ORDERING FROM IHERB.COM: If you decide to order any products from Iherb.com, you will automatically receive $5 or $10 off your first order. Their products are the cheapest and best in the world…I use them for everything no matter where I am. Get it sent to you via DHL. It will be with you in three to four working days… iHerb.com ship all over the world very cheaply. IMPORTANT - Do not be fooled by the artificially made Stevia products such as Truvia and Purevia. These products are not the natural Stevia plant. To learn more read my post here called beware of Truvia.

Skipping, jumping, running on the spot and arm flinging on a firm mini-trampoline is an amazingly beneficial and fun form of exercise. Rebounding will do all that other forms of aerobic exercise can—strengthening your heart and lungs, firming your muscles and more—because of the unique way in which your body is subjected to the changing force of gravity when it bounces. Rebounding crosses the generation gap too. It can be done as easily and as effectively by a six-year-old as it can by an ailing seventy-year-old whose muscles and joints have long before lost some of their capacity for smooth movement. Believe it or not, there are top athletes who use rebounders as part of their training program. Yet the infirm are given rehabilitation on the same kind of rebound exercise devices. It all depends on how you use the equipment. The units, which look like low coffee-tables, consist of a steel or aluminium frame on six or eight legs, over which is sprung a drum of firm but elastic material on which you bounce. They sit somewhere between six and ten inches off the floor, and come in many different sizes and shapes—oval, round, polygonal, square. They don't seem out of place in the corner of a kitchen, or tucked away in the bedroom. In fact, you can use a bouncer anywhere. If you’re someone who dislikes the rigmarole of changing, running and showering, or you find exercise ‘too boring for words', you can do your bouncing at home—even with small children running around. You can dress any way you like, watch movies, listen to music or carry on a conversation while you are exercising. MANIPULATING GRAVITY From a physiological point of view, what gives rebounding its power for building fitness, improving health and retarding aging is the way it makes use of the force of gravity. Apart from a Power Plate, this is the only form of overall vertical, rather than horizontal, exercise anywhere. The up and downward movement on a bouncer, coupled with acceleration-deceleration, brings about continual changes in the force that gravity exerts on your body. All your organs, the circulatory and lymphatic systems, even individual cells are energized in a way no other form of exercise can accomplish. When running or skipping on a bouncer, the G-force at the top of the bounce is non-existent. For a moment, your body experiences the weightlessness of an astronaut in space. Then when you come down again onto the elastic mat, the pull of gravity is suddenly increased to two or three times the usual G-force on earth. This puts all parts of your body, from the tiniest cell to the longest bone, under rhythmic pressure. GREAT STUFF The cellular stimulation the body receives from continual gravity/non-gravity exposure has remarkable and unique benefits. Waste materials in cells are gently eased out into the interstitial fluid so they can be carried through the lymph system and eliminated from the body. Increased oxygen is brought to the cells enhancing cell metabolism. Cell walls get stronger and healthier. Cells function more efficiently with repeated use of a rebounder. This leads to a gentle but effective detoxification of your whole system. The texture of your skin improves. Energy levels rise. Often even within only a few days, your body begins to look younger and feel better, freer, more alive. And because rebounding is amusing, it is a form of exercise which even resistant lounge-lizards take to. Taking it up one week doesn't usually mean giving it up the next. BOUNCE YOURSELF LEAN James R. White, a researcher in rehabilitation at the University of California at San Diego, designed an interesting study in the long-term effectiveness of weight-loss programs using exercise. He put some people on rebounders. Others rode bicycles; some ran on a treadmill. The control group did nothing except diet. All who exercised lost a significant amount of weight and showed a definite increase in the level of their fitness. But in the follow-up study designed to test long-term effectiveness of regular exercise, only 5 percent of the cyclists and 31 percent of the runners were still exercising, while a sound 58 percent of the bouncers were still bouncing. It helped keep off the pounds they’d shed. The explanation bouncers gave for continuing to exercise was simple. First, it was easy. Second, it was great fun. REBOUNDING FOR REHAB A number of sports medicine specialists report that using a bouncer regularly is a great way of exercising when your body has sustained some kind of injury, such as a twisted knee or Achilles tendonitis. It provides any sports enthusiast a chance to maintain his fitness while helping his injury heal. It also helps you avoid the familiar depression that sets in when you cannot exercise. Indeed, many exercise physiologists insist that, because of all the benefits rebounding brings the body—right down to a cellular level—it is a significant and powerful tool in encouraging healing, both of minor injuries and of degenerative conditions including arthritis. At Elks Hospital, Idaho, Dr Kenneth Smith, former head of the Department of Rehabilitation, reports success in using rebounders when rehabilitating patients with orthopaedic or neuromuscular conditions. In a large study involving 2,300 patients in California, where rebounding was used as the major form of physiotherapy, researchers reported excellent results. Bouncing strengthened muscles, eliminated and prevented pain in the lower back and elsewhere, and was helpful in treating both osteo- and rheumatoid arthritis. Bottom line: Manipulating gravity is not just fun. It’s great for healing and ideal for helping you feel wonderfully alive.

What a woman can accomplish through exercise is impressive not only in terms of protecting her body from the ravages of female troubles, and even from time itself, but also in preventing illness and rejuvenating her body in medically measurable ways. But exactly what kind of exercise is the right kind? It is an important question to answer because so much of what has become fashionable - fancy clothing and tossing weights around in a gym - is mostly the wrong kind. Walking or running along roads filled with air pollution and subjecting your body to the stress this brings can also do more harm than good. Aware of the benefits of exercise, most people who exercise regularly do aerobic movement - swimming, cycling, running or walking. There is a great deal that is wonderful about this kind of exercise. It improves the functioning of the heart, lowers cholesterol, and shifts brain chemistry so that you produce natural opiates which make you feel good. It also increases noradrenaline - a brain chemical which improves your self image and confidence so you feel even better about yourself and your life all round. Aerobic exercise can also enhance your body's ability to burn fat not only while you are working out but for many hours afterwards as well. This makes aerobic exercise an important part of any good exercise program. So get out and walk briskly as often as you can. But aerobic exercise doesn't go far enough. It does not offer the body enough weight resistance to maintain muscle mass. One interesting study compared the Lean Body Mass to fat ratio in three groups of women - non-exercisers, aerobic exercisers, and weight trainers. Researchers found significant differences. In sedentary women, 21.8 percent of their body weight was fat. Among the aerobic exercisers 16.2 percent was fat while among resistance trainers only 14.7 percent of their body weight was fat. This is revolutionizing fitness advice as exercise physiologists have come to realize that, although aerobic exercise has a place as part of an exercise program, it does not maintain bones and muscle the way resistance exercise does. The bottom line is we need both, although resistance exercise is the more important of the two. In an official statement of advice issued by a member of the advisory board of The American College For Sports Medicine - who in the past promoted aerobic exercise as the best form for over all health and fitness - the word is in: "Done correctly, weight training is the most efficient, effective, and safest form of exercise there is, and it won't be long before people realize it." let's get started What does a confirmed lounge-lizard do once she decides she wants to explore how exercise can change her life? First you get an OK from your doctor to make sure that there is no reason you should not start on a simple graded program. Then go easy. If you start small and work up you will win. If you start big you can not only wear out your body but also lose your taste for movement, then the whole effort will have become counter productive since you will end up hating exercise and getting nowhere. For exercise to work it has to become an ordinary part of your daily life. It needs to done regularly at least three times a week. Begin with only 15 minutes in the morning when you get up or at any other time of the day that is convenient. The great news is that right from that very first session your body will begin to rejuvenate itself. Exercise routines progress well when you work out at the same time each day. Try to do this if you can. Your body will get used to the routine and love it. When it comes to resistance training you don't need to own a lot of fancy equipment either. Nor do you need to join a gym. A couple of dumbbells will do. Later on if you catch the exercise bug big you might like to have a barbell as well. Dumb bells and barbells are what are known as free weights as opposed to the kind of gym equipment you find in a multitude of sizes and shapes and glitzy finishes these days. Beginners are often dazzled by the high tech stuff in gyms, but as any serious weight trainer will tell you, for most exercises free weights are far better. They are also far simpler since you can tuck them under the bed out of sight when they are not in use and you can make use of them any time you want without having to dress in special clothes and go to the gym. Choose the kind of dumbbells - each of which fits into one hand - that have six removable weights on each so you can add and then take off weights as needed for each exercise. When you are not using the dumbbells stash them away out of sight. Your body and their weight against gravity offer all the resistance you need to work muscles deeply. The machines you find in gyms are designed to mimic the effects of free weight exercises but - with a couple of minor exceptions - no matter how flash they look, they are not as good as simple free weights because the range of movement which you go through in each exercise is restricted by the machine. Once you get into weight training and gain a bit of confidence with it then you might find it fun to work out in the gym using these machines occasionally. But free weights should form the basis of any good weight training routine, whether you are a complete beginner, as I was, or a professional weightlifter. There are three things you want to accomplish on your exercise program. First you want to maintain and to improve your heart and lung fitness. For this you will use weights plus some form of aerobic activity for warming up and cooling down. Second you want to maintain and increase your muscle mass. Finally you want to improve and maintain your flexibility, and for this you need some kind of slow stretching afterwards. warm up It is important at the beginning of any exercise session that you spend a few minutes doing an aerobic activity. (You must never pick up a weight when your muscles are cold). This can be running in place, slow steady jumping jacks, using a rowing machine (my favorite) or bouncing on a rebounder. In the beginning, your total exercise session may only last 15 to 20 minutes, in which case you will want to devote five minutes at the beginning to the aerobic warm up. Later on it can be longer. I generally row on a Concept II rowing machine for about 10 minutes at a slow steady pace to get my heart and lungs moving and warm up before beginning my weights. As the length of your exercise session grows week by week, until it is ideally 45 minutes to an hour at a time, so will the time you spend on your aerobic activities at the beginning and end of the session, and perhaps in the middle too. stretch out After this initial warm-up period which should last long enough that you feel fully warmed up, you should then spend 5 to 10 minutes stretching. Stretch slowly and smoothly towards the ceiling, towards your toes, to the side. Never jerk when stretching and breathe deeply. Stretching before a workout but after a warm up is done to allow major muscle groups along with associated tendons and ligaments to be gently stretched, ensuring possible injuries are greatly reduced. Now you are ready for your muscle work. weights workout To work with weights properly, you need to split your sessions into different body parts and work one or two body parts per session, leaving at least 48 hours between that session and the next time you work that body part. The muscle and bone strengthening that comes with resistance training does not take place while you are using the weights. In fact, working out stresses the muscles and bones, causing tiny breakdowns in the cells to occur. It is during the rest that comes after a workout that new muscle and bone is built in direct response to the piezoelectric stimulation at a molecular level. If you come to the point of using quite heavy weights and training five times a week then it is important to work out each body part only once a week for it can take about 48 hours for the breakdown process to take place and between 48 and 72 hours to build new strong tissue to replace it. Ignorant of these facts, many gung ho body builders and weight trainers over-train their muscles and end up undermining their immune system as a result ,while getting nowhere near the benefits in terms of strengthening LBM (Lean Body Mass) that they should. Exercising a particular muscle group every 5 to 8 days is ideal for optimum progress. Stand in any gym and watch weight trainers do their stuff. It can be highly instructive, at least so far as showing you how not to work with weights. 90 percent of the men and women who use weights let their bodies swing all over the place and when they are doing an exercise such as a dumbbell curl they let the weight just fall back after each movement instead of being in control. When you do your movements be sure to keep your body absolutely centered with each movement, only using the particular muscle group that is supposed to be working, and emphasize the eccentric contraction or return movement where you are returning the weight to its original position. Resist the movement all of the way back. It is the stress placed on your muscles of lengthening again when they are under resistance load that brings about most of the gains in strength and LBM you are after. Be sure while you are working out that you drink lots of water - between each set - and eat plenty of alkaline forming foods since any kind of exercise tends to make your system more acid. the cool down It is also important to spend a few minutes at the end of a weights session again doing some kind of aerobic activity to cool down. How long depends on the length of your weights session. You can go through the same kind of activity you have used in the beginning of your session, or even take a brisk walk, but make sure you stay warm by adding an extra sweater, for after a session your body cools down fast and you don't want to become chilled. the stretch out Then do some more stretching for a couple of minutes. You will find that your body stretches more easily now since your muscles are full of blood and energized. Go slow and enjoy the feeling. It can be wonderful. beginners program All of the exercises here are classic weight training movements. They are simple and straightforward. They require nothing more than a couple of dumbbells - the kind that have six weights on each which can be unscrewed and changed will give you the particular weight you need for an exercise. Start with the lightest weights. You will be able to tell for yourself if something feels right. Never strain. As your body becomes accustomed to the lighter weight you can add a bit more. The object of the exercise is not to use heavy weights but simply to provide your body with enough weight to create resistance against which your muscles do their work. You will find pictures of the movements below in any standard book of weight training, or you can find pictures and videos showing you how to do them on the internet.  Or ask a fitness instructor to show them to you. Each exercise is done smoothly and with complete control, both on the contraction of the muscle group and on the relaxation. While one muscle group is working, the rest of the body remains still and centered. Start off by doing only three training sessions a week with one set (a set is the same exercise repeated a certain number of times: so 2x10 would mean ten repetitions of the movement, rest for two to three minutes, then ten more repetitions of the movement: 3x10 means the ten repetitions is done three times with two minutes rest between each set) per exercise, then work up to longer by adding more exercises for each muscle group you are working with, and doing one warm up set of easy repetitions (10-15) followed by a heavier set using a little more weight (5-10 repetitions). Begin with very light weights - just enough for you to feel that your muscles are being worked as you near the end of your repetitions. Then by the time you are ready to add your second set, put on a little more weight until at the end of your repetitions your muscles feel tired. Session One: Shoulders and Arms Dumbbell press 2x10 Side lateral raise 2x10 Single arm tricep extension 2x10 Tricep kickback 2x10 Dumbbell curl 2x10 Concentration curl 2x10 Session Two: Chest and Back Dumbbell bench press 2x10 Dumbbell flies 2x10 Single arm rowing 2x10 Dumbbell shrug 2x10 Floor hyperextensions 2x10 Session Three: Legs and Abdominal Muscles Dumbbell squat 2x10 Dumbbell lunge 2x10 Calf raise 2x10 Abdominal crunch 2x10-15 Reverse crunch 2x10-15 advanced workout Once you have got a taste for weights and have trained three times a week you can begin doing longer sessions - up to 45 minutes to 1 hour. You might also like to do more sessions per week moving up from three to five. Then you would divide your body part work in this way: Session One: Shoulders Dumbbell press 1x12, 2x8 Side lateral raise 1x12, 2x8 Bent lateral raise 1x12, 2x8 Front lateral raise 2x10 Session Two: Back Dumbbell dead lift 1x12, 3x8-10 Single arm rowing 3x10 Floor hypers 3x10-12 Dumbbell shrugs 3x10 Session Three: Chest Dumbbell bench press 1x12, 3x8-10 Dumbbell pullover 1x12, 2x8-10 Dumbbell flies 3x10 Session Four: Arms Single arm tricep extension 1x12, 3x8 Tricep extension 3x8-10 Dumbbell curl 1x12, 3x8 Concentration curl 3x8-10 Session Five: Legs and Abdominals Dumbbell squat 1x12, 3x8 Dumbbell lunge 3x10 Dumbbell step up 3x12 Stiff leg dead lift 3x10 Calf raise 3x12 Abdominal crunch 3x15-20 Side crunch 3x15-20 Reverse crunch 3x15-20 the result Each woman is in reality two women, an outer woman which can come in many forms - conventionally attractive, plain, sexy, dynamic, withdrawn, aggressive, apparently assured or terribly uncertain about herself - and an inner counterpart, that is an individual self that is utterly unique. Each woman has a stable center of strength and growth. Each inner woman sees the world in her own way, has her own brand of creativity, her own needs and desires, and is a law unto herself. The inner self holds the power to create, change, build, nurture and transform. The outer woman is the vehicle for what the self creates. When her self is allowed free expression, then a woman is truly beautiful for she is fully alive. Her body is strong, her skin is clear and healthy, and her movements, speech and actions radiate a kind of vitality that is unmistakably charismatic because it is real, an outward expression of who she truly is. Many of the secrets to calling forth this kind of aliveness are to be found within the body itself - secrets which are best learned by working with muscle. Once you get the hang of it, working with weights is like meditation - one of the most mind-stilling activities in the world. Meanwhile, as your LBM begins to develop, you will find your muscles and whole body have come alive. Then, as you work out, your muscles will begin to glow, until after a few months your body begins often to feel the way it did when you were a child - radiant with life and spirit.

Make up is the icing on the cake. Wear it if you love it. Play with it to discover new ways of expressing the many faces of you. When you don't feel into it, let your face go naked. That, too, is a path to freedom... the colors The idea that makeup color - say an eye shadow - is only to be used on the eyes, or a blusher only on cheeks, is absurd. Color is color, and it doesn't matter what you call a product provided it serves the purposes you want it to. The colors that you use on your face should all give support to each other, so they work together to create an overall effect that is pleasing. the whole process of making up may sound complicated, but with practice it should take very little time - no more than ten minutes from start to finish There are two basic possibilities: warm color schemes and cool ones. The effect of a warm color scheme on the face - which includes the earth colors such as browns, greens, beiges, golds, yellows, apricots, coppers, oranges, and peaches - is to enliven it, making your face look healthier and stronger and more glowing. Warm colors look wonderful on older women, too, because they accentuate youth. This is why some of the best foundations and powders now contain yellow pigments. A little peach or apricot blusher can make almost any face look younger, whereas bluish-pink blusher applied to a face over forty can age it drastically. The cool colors - the blues, purples, pale ivories, silvers, fuchsias, berries, magenta, blue-pinks, and whites give a look of delicate vulnerability to a face, especially when they are applied, as they should be, over a very pale foundation. But to wear them you have to have perfect skin and you have to be young; otherwise they can make you look tired, older, and even unwell. the moisturiser Every good makeup begins with a fine moisturizer complete with sunscreen lavishly applied over clean skin and then given a chance to settle in. You need to wait for your skin to take to the moisturizer before you put on your foundation, otherwise you will end up with a flawed finish and your makeup will not last. `Taking' time is usually between two to five minutes. In addition to the ordinary moisturizers, there are also tinted ones on the market. These products are halfway between moisturizers and foundations. They impart some color and also provide you with some measure of protection from water loss. They give a very light cover but can be a nice way of simply adding a healthy glow to your skin. Some of them also contain sunscreens. When choosing a tinted moisturizer, look for one that is not too far away from your own skin tone or you will find it doesn't blend in and cover well. A green moisturizer will soften a florid skin, toning it down and making it look more neutral. Green will also help conceal red blotches and spots on your skin. A mauve-colored moisturizer can improve a dull complexion and brighten the face of someone who is too pale. An apricot-colored corrective should be used only by the very few women who are really sallow. When you use a corrective, put it on with a sponge that has been dampened and then had all the excess water removed from it by wiping it against a towel. Among the tinted moisturizers are the `color correctives' - products tinted a specific hue in order to change the look of your own, natural coloring. They are worn under your ordinary foundation. the foundation Once your moisturizer has set, you are ready for the foundation. But why all over? Instead you can wear it only on parts of your face such as around the eyes where it gives a good base for eye shadows, on your chin,and on your cheeks. The advantage to this is that you still get the wonderful, delicate shading of natural skin, rather than that all-over deadness that can come from covering your whole face with one opaque color. Or you can wear two shades of foundation: a lighter one in the center of your face (on the nose, forehead, cheeks, and chin) and the slightly darker one of the same tone around the outside (near the hairline and along the jawline). This has the effect of preserving a natural-looking gradation of color and still lending the finished look of a well-made-up face. A foundation is not meant to give strong color to a face. It is supposed to be flat and neutral. About 80 per cent of Caucasian skin should wear one foundation color: a flat, true beige with neither pink nor peach overtones to it. It will look good on all ages of `northern European' skin, because it gives a neutral canvas on which to put your eye and lip colors. If your skin is olive or yellowish or very dark, then choose a foundation as close to its natural color as possible but slightly flatter. When testing out color, put it on your naked face and then again go out into the daylight to look at the results before buying anything. The kind of foundation you choose depends on what kind of skin you have, as well as on personal preference. Dry skin does best with a cream or oil-based liquid foundation. Aging skin needs the finest of liquid foundation. Anything heavily oily collects in the lines and makes you look haggard. Oily skin demands a water-based liquid or cream or a cake or block-type makeup. Put a little foundation in the palm of your hand and then dip the sponge into it and apply it to your face, brushing it lightly over your skin again and again until everything is well blended into your skin. the concealer Now is the time to deal with any problems you want to conceal, such as black circles under your eyes, or discolorations here and there. Concealer creams and sticks are good here, although some of them are greasy and, particularly under the eyes, tend to sink into tiny lines and make matters worse. Put your concealer on with a flat wedge-shaped brush and smooth into the skin until it blends perfectly with the surrounding areas. If you add a little powder here you will get just the finish you need to make the undesirable area fade into the surrounding skin tones. the magic of light and shade The secret of making light and shade work for you is simply to apply both sparingly and only where it matters to your face, and always to blend well into the surrounding area. Whatever part of your face you want to bring out or emphasize, you apply a light color to, and whatever part you want to minimize, you cover with a darker shade. Here are some of the things you can do with shading: To minimize a jaw that is too large or too square, apply darker shade along the jawline, blending it under the jaw and fading into nothing at the sides of the face. To shorten a pointed chin, apply shader to chin only, blending underneath into the neck and fading to nothing at the sides. To fade a double chin, put shader on the double chin and blend it skilfully. This will make it recede into the background and look less prominent. To give more interesting shape to a square face apply shader in the temple area and all around the jawline, carefully blending. To minimize a nose that is too large, apply shader in a single stripe down the centre of the nose, carefully blending into the color at the sides so that no definite line appears. To slim a broad nose apply a shader - preferably a slightly darker foundation or cream - in a stripe down each side of the nose and blend it carefully into the skin to make the nose look narrower. For most women, one of their best features is the eyes. Perhaps this is because eyes reveal so much of what goes on inside. Makeup for eyes should emphasize this and show off the eyes' beauty and color. There are lots of ways to use eye makeup to improve eyes, but all of them begin with the same principles. Use neutral tones such as slabby browns (without red tones in them), flat greys, and greyed greens, or even terracotta, for establishing the shape of the eyes (the darker shades to define the sockets and the lighter beiges or yellow, peach or apricot, or pink, on the lids and under the brows). All eye shadows are best applied to skin that has a foundation on it even if you don't put foundation on the rest of your face, and powder shadows hold best over a light skimming of translucent powder too. All eye shadows are best applied with a brush, whether they are liquid, cream, or powder. You will get a better, longer-lasting finish from them this way. the eyelids Apply the lighter shade of colored shadow you have chosen to the section of the lid nearest the lashes, and then brush it out, fading it away to nothing towards the eyebrows. Now you can have the darker shadow in the socket to define the shape. Remember that colors on the outer edges of your eyes will tend to widen the look of your face and open your gaze. Finally put on your eyeliner. A good way of emphasizing eye shape without looking too obviously made-up is to use a pencil in the same tone you are using for your eye shadow, dotting it all along the upper lashes and then just under the lower ones so the two lines meet at the outer corners and form a little triangle. This kind of liner looks good when it is gently smeared with a brush or fingertip to blend it into the surrounding area and keep it from looking hard. You can also use another color line drawn on the inside of the lower lid if you like. The other way of applying eyeliner is with a brush, in which case you use liquid or cake liner and get a more definite line. It is drawn just above the roots of the upper lashes and just below the roots of the lower ones, again meeting at the corner. Many women use black eyeliner, but usually a gentle grey or slate or muted brown is better. the mascara Mascara makes eyes look more glamorous. It seems to create an aura of mystery about the eyes when lashes are darkened and thickened. Unless you are planning to walk in the rain or to go swimming with your makeup on, you are better off using a mascara that is not waterproof. eyebrow sculpture Before you begin, brush them first one way and then the other to remove any loose hairs or makeup, and clean the skin around the eyes thoroughly. Now put moisturizer in the area, before you reach for the tweezers. Brush your brows into shape and take a good look at them. Start by removing stray hairs between the brows and the stragglers but never pluck from above the eyebrow. And always remove only one hair at a time, pulling it in the direction in which it grows. When you have finished with one brow, apply antiseptic or a simple toner to it before going on to the next one. This will help soothe the irritated skin. Don't try to apply makeup for an hour after plucking. the lips Most women tend to pick lipsticks that are too bright or too pink to flatter their coloring. There is certainly a place for fire-engine reds and vivid fuchsias, but for everyday wear you are probably better off with a muted brownish pink or a softened melon or salmon. Shop around until you find four or five lipsticks in differing tones that look good on you. Frosted lipsticks are for the very young. Older women are usually better off with cream lipsticks, since frosting shows up wrinkles on the lips and the see-through ones don't give enough definition. When applying lipstick, use a pencil or a lipbrush to outline your mouth first, so you get a good, sharply defined edge. Then apply your lipstick and blot it and apply again if you want it to stay. Alternatively use a pencil all over the mouth as well as for outline and then apply a clear gloss. It looks fresh and simple and the color tends to last. the cheeks The best colors for everyday wear for most women are terracotta, apricot-brown or dusky peach, because they make the skin look particularly healthy. Used high on the cheekbones it accentuates a well-sculptured face. Used across the cheeks it gives a simple warm glow. the powder A little translucent powder that imparts no color but gives a smooth, matte finish can actually make a face look younger. It is also an interesting effect to powder only parts of your face, such as the sides below the cheekbones, the nose, and the forehead, and then leave a sheen on cheeks and chin. Always use a powder that gives no color, just a matte, smooth finish, and always brush away every speck of excess once you have applied it. the finishing touches Last of all, after you have applied your makeup completely, you need to set it with water. This step is very useful, for it will make a face last far longer than it otherwise would. Spray your face with spring water from an aerosol can or with a fine mist from a plant-misting bottle. Then blot gently once with a tissue.

Your skin will not age by accident, or just because time goes by. Skin loses its tone and texture whenever the energy order—the psychological and biological integrity of the living matrix, that whole interconnectedness that is your body—is undermined. All sorts of stuff can cause this to happen. But nothing is more sinister and insidious than chronic high levels of blood sugar and insulin, which threaten most people over the age of 25 or 30. Stop them in your body, and you will not only slow skin aging. You can actually reverse its signs. THE GREAT DESTROYER Sugar actually destroys your skin. And I’m not just talking about the white stuff that sits in bowls. Most of the foods that people eat these days—from pasta and bread to packaged cereals and bagels—flood the bloodstream with glucose, within a very few minutes of entering the body. This carries serious consequences for the skin. CHECK OUT YOUR ANCESTORS The reasons for all of this are genetic, and very simple. Despite this fact, for the last 70 years, they have eluded most so-called scientists, nutritionists and medical doctors. Here’s the truth: Grain-based and sugary foods are recent interventions. For over a million years, humans never ate them. Because genetic adaptation is a slow process—it can take one hundred thousand years, believe it or not, for a significant alteration in a gene to take place—our bodies lack the ability to deal with these foods in large quantities. Yet grains and sugar-rich foods—many riddled with junk fats and chemicals to boot—make up the largest portion of most people’s diets these days. When our bodies are forced to handle them (and most governments, doctors and food-manufacturers are still trying to sell us the idea that low-fat, high-carb diets are good for our health), our skin—in fact our whole body—rebels. CUT THE CARBS What form this insurrection takes depends on just how vulnerable we are genetically. It can show up as adult-onset or type 2 diabetes; obesity; energy swings; raised HDL cholesterol; or chronic fatigue. Eating lots of these kinds of carbs and sugars can also cause—and few people or even doctors are as yet aware of this—all sorts of common degenerative diseases, from cancer to arthritis and coronary heart disease. When it comes to skin, the sugar monster gets busy fabricating wrinkles, sags, puffy faces, lackluster complexions. This creates a situation where, having learned all this, you wonder whether you have the energy to do anything about it. THE WRINKLE MONSTER Sugar—the wrinkle monster—has two faces. To escape his insidious attacks, you need to address both. First, there’s the all-encompassing glucose/insulin battle you need to win. After years of living the way most of us do—on convenience foods, fabricated from grains, cereals, and an infinite number of sugars and syrups—this undermines good genetic health. The other face of the sugar monster focuses on the damage that excess glucose does to the body’s proteins. It attacks skin cells and collagen fibers, producing what is known as advanced glycosylation end products. These nasties, conveniently known as AGEs, are like terrorists that wreak havoc within the living matrix, causing collagen fibers to lose their ability to maintain order. AGEs do this by making collagen fibers to cross link. This results in the formation of wrinkles, sags and bags on your face and elsewhere. WIN THE AGING WAR It’s not just one or two anti-aging battles you need to win to make a significant difference to your skin, regardless of your age. Cutting out the high-carb stuff from your diet needs to reduce your blood sugar and insulin levels. By doing so this counters the formation of AGEs—as well as detoxifying your skin and your body as a whole. Radical though it may sound doing this will set you on the right track both to skin rejuvenation and to whole body health and vitality. Of course, knowing this stuff is not enough. You have to take action. Every skin improvement and de-aging process is inexorably woven together with all of the other within your entire living matrix. If you want powerful anti aging skin care, you need to address the whole shebang. By altering the way you eat, live, and look after your body internally and externally, your skin not only looks younger and more beautiful. It will bring your whole being access to levels of energy, emotional balance and well-being that turn the dream of living a full and creative life into reality. This is how to create a revolution in the look and health of skin. And here’s the great news: This can also bring you beauty at the deepest level, transforming your whole experience of yourself in the process.

Beautiful nails are no accident. A few fortunate women seem to have been born with genes which lend themselves to the growth of long, strong nails, but the rest of us have to work at it. The encouraging thing is that a little work - some changes in nutrition plus a new regime of external care - can transform your nails within a few months. why weak nails? The standard advice (still, sadly, given by a lot of so-called nail experts) is that if your nails are weak or thin or break easily, you need to eat lots of protein to correct the condition. It is this assumption that leads manicurists to suggest gelatin capsules for weak nails. But it is a false one. Very soft nails most often announce not a protein deficiency, but either a mineral deficiency or hypochlorhydrin: lack of sufficient stomach acid. This prevents the adequate production of amino acids from which nails can be built. One of the best possible overall treatments for nails is to go on a six-week course of nutritional supplementation aimed at eliminating hypochlorhydrin. This means taking three 500 mg capsules of a good blend of amino acids (ideally formulated to mimic the balance found naturally in an egg), together with one or two tablets of betaine hydrochloride, and three to six kelp tablets after each meal. It is a method which tends to work even when all others fail. For anyone who has consistently struggled with the problem of poor nails it can be a real blessing. nail glamour Part of the fun of looking glamorous is having 10 beautiful lady-of-leisure nails to waft about. Yet who wants to spend their life wearing protective gloves, worrying about the `catastrophe' of breaking a nail? Learn the French manicure secrets for strong nails and then you can renew your manicure just once a week. Nail Saver Tips Without becoming obsessive, there are certain precautions you can take to help protect your nails from physical damage: Use a pencil to dial the telephone. Use a knuckle rather than your fingertip to push buttons, for example to call a lift. Keep hand lotion ready to use after you wash your hands and during the day. Use rubber gloves every time you wash the dishes. the french manicure You need: nail varnish remover, cotton wood pads, emery board or nail soak, orange stick, cuticle trimmer, nail scissors, buffer (optional), base coat, nail varnish, top coat. The pre-manicure If you are short on time, just do steps 1 and 2. Save the longer pre-manicure for really pampering yourself. 1. Filing It is best to file your nails while they still have polish on so that they are afforded some protection. Keep the sides of the nails straight and only file the corners in a gentle curve. Follow the natural shape of your nails as a guide and file away from the outer edge towards the center in one direction. 2. Cleaning Soak a cotton pad with a remover containing conditioner and press it onto the nail for a few seconds, then wipe it outwards away from the cuticle. If you have been wearing colored varnish you may need to soak a cotton bud with remover and go around the edge of the cuticle to help lift away any remaining color. If your nails are stained , use a cut piece of lemon to help dissolve the stain and whiten them. 3. Soaking Soak your fingertips in a bowl of warm water containing a conditioning nail soak. You can make your own using a few drops of your favorite bath oil dissolved in water. Cuticle care Rinse your hands and pat them dry. Using an orange stick, gently push back your cuticles. This will make your nails appear longer. 5. Top abrasion This step can be helpful if your nails have bad ridges, while you are waiting for the nutritional supplements to affect the new nail growth. Also, if you do not like to wear nail varnish, you can get a polished look naturally. Using a special flexible buffing board with three different grades of roughness on it, simply buff the nail in one direction several times. Start with the heaviest grade and work towards the finest. 6. Final squeak Rub over each nail once more with a cotton pad soaked in nail varnish remover to prepare an oil-free base on which to apply your varnish. The manicure Three steps to success: 1. The base Apply a layer of protective base coat to each nail. Look for a base coat which incorporates nail strengthener. 2. Tip treat Paint the tip of each nail - the white part - with white enamel. This can be matte white or pearlized white. Not only does this keep your nails looking fresh and clean but, more importantly, it gives them extra strength at the tips where they need it. Let the tips dry and then add another tip coat. 3. Top Finish the manicure by applying a layer of top coat to the entire nail to seal the lacquers. To keep your manicure fresh and protect your nails even further, paint a coat of top coat over the top of your manicure every evening and massage a little cuticle cream into your cuticles.

When I was six years old, I had my first love affair. Yes, really. Of course, not until years later did I recognize the experience for what it was. But like every first love, it changed my life forever. My father was a jazz musician, so our house was equipped with the best possible sound equipment. He and I loved to listen to music—just about any music available—at full volume, of course. This, my mother, could not stand—which made it, even more, exciting. While my playmates roamed the hills of Hollywood skinning their knees, I would lie on my belly in our living room, listening to music as loud as I could make it. One day, combing through our vast supply of records, I came upon Stravinsky's "Rite of Spring." The name meant nothing to me. But I liked the colors on the cover, so I put it on the record player, turned up the volume and flopped down in front of our huge speakers. Strange, mysterious, discordant sound flooded my body, opening a secret door to somewhere deep inside me—a mysterious inner world I had never entered. I didn't know such a place even existed. I trembled with fear and excitement while Stravinsky's music continued to wind its way through my body. I flushed hot and then cold. My heart raced, then calmed. I lost all sense of place and time as I rode the waves of an imaginal sea of sound into unexplored worlds, too numerous to name. I have no idea how long all this lasted. Eventually, even the "boat" carrying me along on vivid images began to dissolve like sugar in water. In a perfect union, the sounds and the child-that-had-been-me swirled into a vortex and became lost in each other. We shared the excitement, fear, longing, fierceness, and sadness. As lovers, we had come together—music and child—in an immediate, passionate, all-encompassing union. Eventually, I found myself at the center of this whirlpool. Then, even the ecstasy of the movement vanished. Like Alice down the rabbit hole, I tumbled—not into Wonderland, but into an experience of unspeakable stillness. Zen practitioners claim this experience is available at any moment to each one of us. For me, it was an indescribable event—beyond space, beyond time, outside thought. Without the slightest possibility of ever being able to describe it, I knew that everything was as perfect as it was meant to be. In the words of Zen Master Daisetz Suzuki, in this place, I would eat when I am hungry, sleep when tired. I knew that "it was fine yesterday and today it is raining." In the words of Julian of Norwich, I was sure that "All things shall be well, and all things shall be well, and all manner of things shall be well." My affair with Stravinsky lasted more than four hours. At least, that's what my mother said. "Don't tell me you are still listening to that awful music." She had to raise her voice to be heard above the sounds. "For God's sake, turn it off. Do something useful." So I did something useful. I went to school, then to university where I learned, at least, some of what you are supposed to learn. I earned praises for top marks, went to work, won prizes, gave birth to four children by four different men, raised them on my own, wrote books, made films, gave talks, led workshops, created products for companies, made television programs and so on and so on. In effect, I did what millions of men and women do—I became the breadwinner, the caretaker, the nurturer of people's lives. Through all the years between six and now, my passion for music, painting, books, poetry, architecture and movies has never left me. Far from it. During all of these years, the epiphany of emptiness that Stravinsky brought to me that day and the sense of absolute stillness has never faded. It has made it possible for me to create so many things as well as to explore new places and ideas. It's invited me to move beyond thought towards a place of unity with the rest of the universe. All this continues gnawing at me. I suspect it will never go away, just as the urge to breathe never goes away, no matter how long we try to hold our breath. What I did not know—and this took me scores of years to find out—is that the rabbit hole into which I had unexpectedly tumbled has for millennia, been, described by every culture and religion in the world in one form or another. Nor had I any idea that, at any moment in time, regardless of the circumstances of our lives, it is available to each of us. To Zen Buddhists, this wordless, timeless space represents ultimate reality: That which can only come through immediate experience. In Suzuki's words, "For the sake of those crucial experiences Zen Buddhism has struck out on its own paths which, through methodical immersion in oneself, lead to one's becoming aware, in the deepest ground of the soul, of the unnameable Groundlessness and Qualitylessness—nay more, to one's becoming one with it." It is a state in which nothing is thought or contrived, longed for or expected. It reaches out in no particular direction, yet it knows itself able to handle the possible as well as the impossible. Concentrated, yet so expanded too, such power is both purposeless and egoless. As such, it can be called truly spiritual. Why? I believe because it is charged with an awareness that spirit is present everywhere. Because the cosmos is present everywhere, we too are present everywhere. We can have direct experience of this, and access the power that continues to create the universe itself. And we have full access to that power of creation to use in our lives, in whatever way we choose. The Sufis call this state fana—the annihilation of your individual selfhood. When you experience fana, your everyday personality becomes transparent, so the larger being that you are shines through. You soon become absorbed in an all-encompassing fascination for the moment. Life is lived in the NOW. Cutting-edge physicists speak of a holographic universe in which we live but seldom access because we are plagued by endless mental concepts that blind us to so-called reality. This blinds us to the experience of Samadhi—"a non-dualistic state in which the consciousness of the subject becomes one with an experience of the object." This selfless absorption and total surrender of Samadhi is characteristic of children when left alone to follow their instincts. It is available to each one of us, regardless of age or condition. Honoring whatever brings you bliss in your life opens the door to it. That day, when I lay on the floor lost in Stravinsky, without recognizing, I became conscious of it what would inspire me most: The beauty of art—whether it be music, words, stories, sculpture, buildings or what-have-you. Why? Certainly not because I had any idea that art was supposed to be valued as part of what grown-ups refer to as culture. I couldn't have cared less. After all, I was a kid who, when not entranced by what I was seeing, hearing, feeling or touching, spent the rest of my day learning card tricks, wrestling with my huge dog Tuffy, and trying—unsuccessfully—to sell packets of chewing gum which my grandfather gave me to neighbors' kids. Nope—I loved the beauty and wonder of art in all its many forms because, unlike the world around me, with which had little in common, it had grabbed hold of me and would never let me go. It demanded of me both a submission as well as active participation in the making of it. I now believe that my first love affair at the age of six became the harbinger for how I have lived my life. At any moment in time, regardless of the circumstances of our lives, fana is available to all of us regardless of age. Honoring whatever brings you bliss opens the door to it for you.

The reward of each and every hero’s journey is life-transformation on every level—caterpillar into butterfly, base metal into gold.  Gifts from experiencing this process are legion.  They range from radiant wellbeing, creativity and joy, to becoming free so you can live your life authentically from the core of your being. If you have not yet read “Transfigure Your Life Part One”, I suggest you do this now before reading further... SPIRITUAL SANCTUARY As we move into the second part of every hero’s journey, we enter an unfamiliar and potentially dangerous realm.  Yet it is here, within your own dark inner cave, that you begin to discover your unique life purpose and values. In Arthurian legends, this Innermost Cave is the Chapel Perilous—a dangerous room wherein the Grail is hidden.  As each hero enters his or her dark cave, they need to be prepared for a new reality.  To a woman, this is the place where the mythological Dark Goddess dwells. To a man, the cave is often the arena in which he will need to fight his unique dragon so he can win his treasure. In stories of male heroes, the central image for what is sought is often a gem or a radiant jewel.  For a woman, it is frequently the image of a child—an offspring of her own spiritual rebirth. Instead of having to slay a dragon, a woman often has to remain in this place, enduring what can seem like unendurable silence.  She needs to listen and learn before she unearths her own treasure. Sometimes, as a woman makes her descent into the innermost cave, she tumbles headlong into an experience of the dark night of the soul. Often the hero’s journey a woman makes takes place around the time of menopause. It can be fraught with confusion and grief, or filled with loneliness and anger.  Meanwhile, in this place of bone-chilling darkness within her own being, she may feel turned inside out, naked and exposed.  For all the things she thought she knew about herself and her life no longer apply here. WOMAN’S WAY Far away from comfort and companionship—which she may, at this point, only vaguely remember—silence pervades.  Endless tears without name she may shed.  Occasionally, when a woman enters the innermost cave, she may not even have the strength to get dressed—let alone cook or clean or buy food.  To friends and family, she may seem like a lost creature.  She may forget things. She may dig in her garden or wander in the woods.  Yet all these tasks are wise woman’s work. The route that can eventually lead her out of the underworld and then return her home in a transfigured state is not the same as that of a man.  He often needs to move up, away from himself, to locate his path.  For a woman to find the treasure, she must lay aside any interest in culture or games of the mind and turn within. As she does this, she becomes more and more connected with her body, her sexuality, her dreams, images and desires.  And, as she moves even further into the depths, she begins to reclaim those parts of her that have been lost.  Here, in the ground of her being, she will come face to face with her greatest yet most rewarding challenges.  Here she will confront her fears and touch the pivotal crux of her hero's journey.  Here she tastes “death” by facing her own shadow.  And, when at last it is all over, the Dark Goddess waits ready to bless her and bestow upon her the greatest treasure of all—her body and soul.  But this is not the end of any man or woman’s hero's journey.  These heroes are soon faced with the task of bringing this treasure back home. It’s a job easier said than done. THE ROAD HOME The Wizard of Oz’s Dorothy escapes from the castle of the wicked witch. Luke rescues Princess Leia and gets the plans of the Death Star. The Princess throws her frog against the wall and he turns into the beautiful prince.  Yet the game is far from over.  Having survived the ordeal, withstood the pressure, slain the monster and taken possession of the treasure, every hero now has to make his or her way home. Further challenges invariably appear.  Dorothy discovers that the hot air balloon which the Wizard has provided to take her back to Kansas is not the sure form of transport she had hoped.  Toto runs off after a cat.  In trying to bring him back, the balloon takes off without her and we fear she may be trapped forever in the underworld.  Luke Skywalker and Princess Leia are pursued by Darth Vader as they make their escape from the Death Star.  Joan Wilder—having defeated the evil men who wanted to kill her and steal the stone—returns to New York, where she faces the arduous task of turning what has happened into her next romantic novel.  It is never an easy task for any hero to pass back and forth between ordinary and non-ordinary reality.  For much energy is spent during the supreme ordeal, and he or she may not have banished their enemy completely. Sometimes, on the road home, the hero experiences a sudden reversal of fortune just when he or she thought that the worst was over.  Should this take place, he or she is being given a chance to test out those newfound powers by overcoming adversity. There may still be a few shadows lurking—old ideas, old ways of doing things. But the game has changed now.  While within the innermost cave, an alchemical process has been completed.  We are no longer the men or women that we once were.  Now we need to learn new ways of living, and new methods of returning to the surface, because most of the rules we once lived by may no longer apply. DEEP CLEANSING In primitive societies, after a woman had entered the traditional moon lodge for a few days during her menstrual period, or when a man returned from a hunt, they were required to be washed and purified before being allowed back into the community. After all, they too had visited an underworld of non-ordinary reality while away. They had walked in the land of the dead.  Any blood that had stained their hands during this experience, or any soil that remained on their bodies, needed to be washed away.  At the end of a hero’s journey, the newly born offspring is now returning home in its transfigured form. This, too, is a time for spring-cleaning the body and mind, for doing whatever is most comforting and rewarding so the returning hero regenerates him or herself—perhaps by listening to music for hours on end, awakening at dawn to take a long walk, or carrying out some ritual  or meditation to help refocus life while getting used to being home again. Finally, he or she arrives back home with the elixirs, treasures, wisdom and knowledge.  The mysterious world of non-ordinary reality has been entered. Trials have been faced and overcome.  In the process, they have made a deeper connection with their own essential being. Dorothy gets back to Kansas having learned that she is loved and finds that, after all is said and done, "there's no place like home." Luke Skywalker destroys the Death Star so peace and order can return to the galaxy.  Joan Wilder writes her book, keeps the faith and gets her Jack, complete with alligator boots and a boat in which she can sail around the world.  Their hero's journey has come full circle.  They have returned to the place from which it started.  Yet for neither is this place as it was before their journey began. For, having brought back home the power and the blessing they earned while in the numinous realms they visited, they have been reborn.  In truth, even the world itself has been renewed. ENDS AND NEW BEGINNINGS A woman who completes her passage into the underworld and returns discovers that, within her darkness, confusion and loneliness, she has discovered a new joy, a new sense of meaning.  She now knows that the world which once seemed fragmented now all fits together.  She has tasted—often for the first time—her own authentic power and freedom.  She knows that she no longer has to live by other people's rules.  Indeed, she is likely to find it is no longer possible for her to do so.  She is no longer ‘seducible' by those who once made her feel inadequate so they could sell her another body, another BMW, another love affair to fill up the emptiness that used to be there.  Having been released from all of this, she has become set free to learn the new art of living as mistress of her own life. And so a hero's tale ends. Yet one big question remains for each man and woman who has chosen to make the journey.  What will they do with the treasure they brought back?  In most of the male myths, there are said to be two choices.  Either he takes his treasure into his castle and lives happily ever after or, like Percival, having found the Grail, he decides to share it with the world, so that the Fisher King's wounding is healed and the land that had become barren and devastated by his wound becomes fertile again. MY OWN EXPERIENCE It is my observation that, having completed her hero’s journey, a woman has no such choice.  By her nature, woman is more connected with the energies of life and the powers of the earth than her male counterpart.  She is therefore more aware of the interrelatedness of all things than most men. Sooner or later, most women heroes have no choice but to share with others the wisdom they bring back.  The female hero has by now incorporated the essence of the Dark Goddess—the most essential, generous, wise and healing of female energy—into her heart.  The mysterious goddess has communed with her wordlessly.  Now she too has become a keeper of the wisdom by which battles are won and lost.  She has  also tasted the power and the joy of transfiguration.  Now, like the Dark Goddess, she often develops a passion to share all this with the world by nurturing her own life as well as the lives of all living things. BOUNDLESS ENTHUSIASM Doing what somebody else wants you to do is living by a slave mentality. It is a perfect way to encourage physical degeneration and lose touch with your own unique truth and creativity. Now, however, you begin to live in freedom.  Whatever you do or say as you learn more and more to trust yourself flows forth with enthusiasm from the core of your being.  Little wonder, since the word entheos means ‘god-filled.”