mindfulness

My first child was born in a huge teaching hospital in Los Angeles. The labor was long and regrettably not natural. I was given an analgesic during labor and an epidural for the delivery. It was all very cold, efficient and mechanical. The hospital I was in happened to be a Catholic one in which every other woman there seemed already to know the ropes since she was giving birth to her fifth or eighth or tenth child. Nobody bothered to tell me much about what was going on or what was expected of me. My baby was taken from me immediately after the birth and put into a nursery with all of the other babies while I was wheeled off to a private room. Soon they brought this tiny creature to me. I held him in my arms and stared at him in stark wonder. Then at three hourly intervals he would reappear for twenty minutes at a time and I'd hold him in bed beside me until the nurse would come and take him away again. The third or fourth time they brought him to me, he began to cry. I nestled him, rocked him, and spoke gently to him but he wouldn't stop so I rang for the nurse. `My baby's crying,' I said, `What should I do?' `Have you burped him?' `Burped him?' `You have fed him haven't you?' `Fed him? Am I supposed to feed him?` The nurse took him and put him to my breast. His tiny mouth opened and reached for me as if he had known forever what to do. He began to suck with such force it took my breath away. It was like being attached to a vacuum cleaner. I began to laugh. I couldn't help myself. It seemed incredible that such a tiny creature could have such power and determination. He too had a purpose. He was raw, insistent and real. With every fiber of his being, this child was drawing his life and he would not be denied. Tears of joy ran shamelessly down my cheeks while he sucked. There in the midst of all that clinical green and white, I had discovered what love was all about. It was really quite simple—a meeting of two beings. The age, the sex, the relationship didn't matter. That day two creatures--he and I—had met. We touched each other in utter honesty and simplicity. This experience was for me a true epiphany. My life was forever altered by it. There was nothing romantic or solemn about it. No obligations, no duties, no fancy games, and you didn't have to read an encyclopedia of baby care to experience it. We'd met, just that. Somewhere in spirit we were friends. I knew beyond all doubt that I had found something real and real it has remained.

Christmas had been full of laughter. But on Boxing Day when the children left, Emma began to cry. Grief racked her body. It was as though she had been taken over by a power beyond herself. There was no apparent reason for this, yet it went on for three hours. That was the beginning. Within three weeks, each time she went out to walk in the woods near her house, the trees, the grass, the rocks – all came alive. They seemed to vibrate with energy and to glisten with light, almost to breathe. Their colors had become overwhelming – too intense to bear. Panic set in. This healthy and competent woman in her early fifties feared that she was losing her mind. The doctor suggested tranquillizers, sleeping pills and psychotherapy. “Don’t worry,” he assured her. “We will soon have it all under control.” For Rebecca, 32, the crunch came at work after neglecting her relationship with her lover and ignoring a mounting biological urge to have a child, then passing up two intriguing job offers and working 18 hours a day for seven months on a marketing plan for a new toothpaste. She knew it was just what she needed for a promotion which would make her the first woman on the board. Then the managing director announced the take over. The launch had to be scrapped. The product would have been in direct competition with the new company’s own product already on the market. Two days later, her boyfriend announced he had fallen in love with someone else and was leaving. Then one morning while doing her morning run in the park, Rebecca sprained her left ankle so badly that she could not walk at all for two weeks. This meant that now, when it was absolutely crucial that she be at work to secure her future, she found herself completely bedridden. She felt her life collapsing around her and knew she was helpless to do anything about it. THE MOULTING BEGINS Two women in crisis – that moment in life when the foundations of personal safety, beliefs, security or values are challenged, overwhelmed by either internal forces or external events. When any one of us experiences such a crisis it is a sign that a moulting is about to take place. We are being asked to walk a passage which, if made with awareness and trust, can expand our experience of life and our sense of ourselves enormously. This demand for personal metamorphosis may be triggered by a death, the ending of a love affair, the recognition that one is addicted to alcohol, drugs or work, a dawning awareness that what you have always worked for and what you have achieved no longer holds meaning for you, the loss of a job or reputation, or even the detoxification process of a cleansing regime. Although each person’s metamorphosis is unique, experiences of profound change have much in common. The advice to people in the midst of crisis is pretty standard too. It goes something like this: “Pull yourself together,” or “Don’t worry,” or “Go see the doctor” (who most often supplies a long-standing prescription for potent antidepressants, barbiturates, or tranquillizers). In the case of women – particularly women of menopausal age – the men in their lives (whether they be husbands, lovers or bosses) are frequently made so uncomfortable by the unexpected changes in a woman’s feelings and behavior (changes that they themselves feel unable to handle) that they insist she must be mentally or biologically ill. For they, like most of us, just want things to return to normal. We are all afraid of crisis, and fair enough. Change that is truly transformative seldom comes easily. FRIENDSHIP HEALS As it turned out, Emma was lucky. Despite her embarrassment and shame about what had been happening to her, she frequently spoke about it to people whom she did not know very well. “It was as if I had to tell someone” she says “and I couldn’t speak to my family and closest friends since they were convinced I was crazy.” One of the people she told was a woman who had herself been through a similar experience five years earlier. Emma, relieved to find anybody who “understood” and didn’t brand her psychotic, began spending time with this woman. On the advice of her husband who thought a change of scene would be good for her, she decided to spend a fortnight with her new friend in a small holiday cottage in the Lowlands of Scotland. There the two women lived together, ate together and walked in the wilderness. Emma’s symptoms continued, but the woman she was with was not in the least afraid of them, neither did she worry about Emma’s intense emotions – feelings of grief at the loss of her children, of uncertainty about her future, of abandonment much like a baby must feel when taken from its mother – nor about her strange bodily sensations which were particularly severe at night. She simply stayed with her friend and allowed it all to happen. In Emma’s own words, “The experience of her simply letting me be in the state I was in and her complete sense of trust that what was happening to me was all right was incredible for me. I learnt from it that the death I feared was not physical death as I had thought, but the death of everything in myself that was meant to die – the end of the life I had lived as a mother, always sacrificing myself for the sake of my children and my husband, and the death of my image of myself as a responsible but limited person with no real sense of identity apart from the way I could serve others.” After about ten days, her symptoms peaked and then began to subside. By the time she got home she was still experiencing strange energy flows in her body and the colors still seemed extraordinarily bright (it took about three months for all that to change) but now she no longer feared what was happening because, she says, “I could feel for the first time in my life that there really was something inside me – something very alive and real. I am determined to get to know it and to find out what it is all about. Where it will lead I don’t know. I have begun to paint – to try to get some of that vibrancy of color on paper. Incidentally, a lot of people don’t like the `new me’. They prefer the `good old reliable Emma’. But I feel, far from my life being over, that I am beginning a new adventure and that wherever it takes me, it is uniquely mine.” HARBINGERS OF CHANGE This sense of impending death which Emma experienced is common in the experience of moulting. It is something I have experienced again and again before a major change takes place in my life. As American expert in transformative psychology, John Wier Perry MD says,: “Whenever a profound experience of change is about to take place, its harbinger is the motif of death. This is not particularly mysterious, since it is the limited view and appraisal of oneself that must be outgrown or transformed, and to accomplish transformation the self-image must be dissolved… one is forced to let go of old expectations… let oneself be tossed about by the winds of change…cultivating a more capacious consciousness, open to new dimensions of experience.” Perry, a Jungian analyst, encourages people to work through their experiences—even when they are very extreme – without the mitigating effect of drugs. Instead they are given the support of a safe place to be while their particular moulting is taking place, and a lot of loving support from people who have, from experience in their own lives, learned to turn the experience of crisis into a passage to power. Perry insists that, like the crab in need of a new shell, what precipitates such a crisis is the surfacing of energy from deep within the psyche, which has been bound up in the structures of a self-image or a worldview that has become obsolete – too limited to suit a person’s needs. AS INNER AND OUTER MEET One of the most common objections amongst conventional “batten-down-the-hatches” psychologists to viewing crisis as part of a transformational process is that, while a crisis such as Emma’s appears largely to have arisen from within, that of Rebecca was triggered entirely by outside events – the company take over, the decision of the man in her life to leave her, the accident to her ankle which put her to bed – all things over which she had no control. Or did she? According to transpersonal psychologist Barbara Sommers, the outer and the inner world are not as separate as we might imagine. A woman like Rebecca may be far more responsible for precipitating the outer events that triggered her crisis than she thinks. Each of us has an inner and an outer world. When these two get out of balance, say, by emphasizing external or material values to the detriment of more personal deeper values, then a person invites disruption. The more someone like Rebecca pushes on with her ambitions and neglects her inner voice, the closer she brings herself to situations that precipitate crisis. Then crisis becomes a way of rebalancing things by forcing her to turn and look within. Things fail: She loses the man she loves because she has, by her actions, undervalued and neglected the relationship, and she damages her body so she is quite literally forced to go to bed, to be alone and to listen to her inner voice. In Sommers’ words, “The real woman inside her doesn’t like the way she has been living so she starts to cry out, `What about me?’ The more she drives her energy into her conscious external life, the more power from her unconscious is generated to redress the balance. The `feeling’ side of her (as opposed to the `doing’ side) actually magnetizes a field around her so things start to happen.” According to Sommers the important thing about Rebecca’s crisis is that out of its forcing her to be with herself, instead of constantly being caught up in doing, comes the opportunity to ask questions such as “Who am I?” and “What do I want? – is my goal really to have a seat on the board? Or is that something I think I want because my father, my society, my friends think it is important?” All crises big or small are opportunities to get in touch with the wholeness of ourselves, not just to live lopsidedly or as partial people pushed into the way we are living by our culture, by education or by other people’s views or values. REHEARSAL FOR REBIRTH All crisis offers transformation provided, as the poet Rilke says, we have the courage to embrace it: “…this very abyss is full of the darkness of God, and where one experiences it, let him climb down and howl in it (that is more necessary than to cross over it.” Let yourself become aware of any structures of your own life – emotional, physical, environmental, intellectual – which no longer serve you and the choices you are making. See if there are any passages that are appropriate for you to make consciously. Making simple changes willingly can be useful practice for developing the skill of transforming crises, when they appear, into passages to power. You might like to experience the passage to new energy and clarity that a detoxification diet followed for a few days can bring. Or you might try doing without some addictive substance or activity which you feel is draining your energies. If you choose to do either, notice any changes that come about and pay attention to any messages that you get from within in the process. After all a brand new year has just begin. It may well be calling forth a new you...perhaps the richest most creative just waiting to be born.

We are poised at a moment in history where one age is dying and the next is about to be born. Each of us is being faced with a choice. As we sense the foundations of our world shaking, do we withdraw in anxiety and try to hang on to what we once believed to be “the way things should be?” Do we become paralyzed, and attempt to cover our fear with apathy? Or do we embrace the courage being offered to us by a Universe in flux, and, step-by-step, commit ourselves to discovering who in essence we are at the deepest levels of our being and decide to live our lives from there? How do you feel about this? Can you to honor your instincts? Will you choose to face the challenge of entering into the realms of your innate creative power and forging a new life for yourself in the midst of all the chaos, confusion, and deception with which this crazy world surrounds us? I believe we can. The choice we are being asked to make is either joining the “sheep” and conforming to established belief systems, even though they no longer offer a sense of safety that we once believed could be counted on, or taking a chance on discovering our own truth. Of course this means leaping into the unknown for which there is no precedent. What are the rewards of choosing the second possibility? They are immense. This makes it possible for each of us to tap into the immense joy and power of our own creativity and begin to live our lives from it—for our own the benefit, and the benefit of those we love as well as the world we live in. Authenticity—being true to yourself at the deepest level of your being—is the greatest gift you’ll ever experience. It’s all about discovering how unique you really are. This brings the greatest joy and satisfaction possible. After all, we can only collect so many BMWs, university degrees, and new lovers. All of these things are great, but none of them lead to a sense of self-worth, simple joy, and genuine freedom. I believe that freedom is the birthright of every human being. Realizing you deserve it is the first step in claiming it as your own. For some people this can seem the most difficult step to take, because it means coming to respect and honor yourself enough that you allow your unique truths to arise from deep within. In the past seven years I have personally worked with men and women all over the world. When many begin their Cura protocol, more often than not their minds are filled with the false notion that changing their weight and expanding their health and their lives with joy could never be more than a pipe dream. They soon learn otherwise. When they follow their protocol to the letter, they discover for themselves how exciting it can be to live one’s life in wholeness. The program brings body, mind, and spirit together in a harmonious way, and they experience a natural clearing away of limiting beliefs and false notions that they may have carried for years. This process clarifies and expands their experience of the world around them. This is because every blinkered view of reality blocks freedom, entraps our creativity, limits bliss, and disconnects us—not only from our essential beauty but also from the Universe as a whole, in all its wonderment and the power it can bring for growth and transformation for our own lives and for the world. Connecting with who you really are, accessing authentic power, and living your freedom require that you expand your consciousness in a major way. As human beings, we have a natural capacity to move beyond our limited experience of five-sensory three-dimensional reality. We can learn to enter expanded realms of consciousness. This new expanding worldview is called holism. It looks upon the Universe as holographic. Holism was named after the work of scientists who demonstrated that living organisms are integrated energetic systems within an integrated whole. Even your brain and body are holographic. Each small part of us, like each part of the Universe, is not only connected to the rest, it but actually embodies the nature of the whole within it. The tension between the new holism and the old mechanism—which depended on a belief in a separation of Spirit from matter, form, and substance—must be urgently resolved if we are to break out of the self-imposed prisons that have been forced upon us by restrictive rules and conventions. I believe that every one of us is now being called upon to let go of our preconceived notions about what’s real, in order to explore the further reaches of a wider, more exciting, and transformative reality. For reasons I still don’t fully understand, Cura’s Inner Circle has been an ideal opportunity for most people to discover this. To experience real freedom you only need to welcome more and more of your essential soul nature into your everyday experience of life—through dance, through ritual, through prayer, through your work, your relationships, and in your interactions with the world around you—in ever more direct and fearless ways. I have long loved a saying that I first heard when I was twelve years old. It goes like this: “Tell the truth and shame the devil.” In regard to how it relates here, what I’ve been describing is nothing more or less that discovering your own truth and choosing to live your life from it at every level, whether or not it fits with what you have been taught you are “supposed” to do. The more you dare to do this not only brings you an immense sense of joy and natural confidence; it becomes easier and easier to trust yourself. There is nothing more fun than being who you truly are. Dance your unique truth, and the Universe dances with you. The rewards of living this way can be virtually infinite.

A thorough, comprehensive technique for relaxation and personal transformation, autogenic training - developed in the early 1930s by the German psychiatrist Johannes H Schultz - consists of a series of simple mental exercises designed to turn off the body's `fight or flight' mechanism, and turn on the restorative rhythms and harmonizing associated with profound psychophysical relaxation. Practiced daily, it can bring results comparable to those achieved by serious Eastern meditators. Yet unlike meditation, autogenics has no cultural, religious or cosmological overtones. It demands no special clothing, unusual postures or practices. When you practice autogenics, emotional and spiritual detoxification happens in just the way physical detoxification occurs on Clean Sweep Diet, and once again the whole process is generated from within. freedom from within Johannes Schultz was a student of the clinically orientated neuro-pathologist Oskar Vogt, who at the turn of the century at the Berlin Neurological Institute was deeply involved in research on sleep and hypnosis. Vogt remarked that some of his patients who had been subjected to hypnosis developed the ability to put themselves in and out of a hypnotic state - or rather autohypnotic, since it was self-induced. These people experienced remarkable relief from tension and fatigue and also tended to lose whatever psychosomatic disorders they had been suffering from. Drawing on Vogt's observations, Schultz went on to design techniques that would enable people to induce this deep mental and psychological relaxation at will. Schultz found that when men and women enter the autohypnotic state they experience two specific physical phenomena: the first was a sensation of heaviness in their limbs and torso, and the second a feeling of diffuse warmth throughout the body. This warmth is the result of vasodilation in the peripheral arteries and the sensation of heaviness is caused by deep relaxation in the body's muscles. Schultz reasoned that if he taught people to suggest to themselves that these things were happening to their bodies, they might rapidly and simply be able to experience a state of passive concentration, which in turn would exert a positive influence over the autonomic nervous system, balancing energies of mind and body, helping a person experience a high level of relaxed vitality and freedom from premature degeneration, and gradually clearing away negative thought and behavior patterns that have been interfering with a person making full use of his or her potential. organismic abandon Schultz discovered - as have many since - that in a state of passive concentration, all activities governed by the autonomic nervous system, once believed to be out of man's control, can be influenced by the person himself. This happens not by exercising any conscious act of will but rather by learning to abandon oneself to an ongoing organismic process. This strange paradox of self-induced passivity is central to the way autogenic training works its wonders. It is a skill which Eastern yogis, famous for their ability to resist cold and heat, to change the rate of their heartbeat, levitate and perform many other extraordinary feats, have long practiced. But until the development of biofeedback and autogenic training, and the arrival of Eastern meditation techniques, this passive concentration largely remained a curiosity in the West, where active, logical, linear, verbal thinking has been encouraged to the detriment of practicing our innate ability to simply be. Many experts on the psychological processes of aging believe that it is overemphasis on the use of the conscious will in the West that makes us so prone to premature aging and stress-based illnesses in the first place. get warm and heavy To help his patients induce the autogenic state, Schultz worked with the sensations of heaviness and warmth. Later he added suggestions about regular heartbeat and gentle quiet breathing - two more natural physiological characteristics of relaxation - and then went on to suggestions of warmth in the belly and coolness of the forehead. These six physiologically-orientated directions - heaviness and warmth in the legs and arms, regulation of the heartbeat and breathing, abdominal warmth and cooling of the forehead - form the core of autogenic training. A person learning autogenics goes through each of the six steps, one by one: "My arms and legs are heavy and warm, my heartbeat is calm and regular etc" each time he or she practices. Because of the body and mind's ability with repetition to slip more and more rapidly into the deeply relaxed yet highly aware autogenic state, the formula becomes increasingly shortened until after a few weeks or months of practicing you can virtually induce a state of profound psychophysical relaxation at will. Once you have mastered the exercises, they can be practiced anywhere - even sitting on a bus. balance life energies A key principle on which autogenics is based is that the body will naturally balance its life energies, biochemically and psychologically, when allowed to repeatedly enter a relaxed state. The benefits of being able to do this are virtually endless. Some of them come immediately - such as being able to counteract acute stress and fatigue, refresh yourself and clear your mind. People with high blood pressure who learn autogenics report drops in systolic blood pressure from 11 to 25% and more, as well as 5 to 15% in diastolic pressure. Brain-wave activity also changes so that you get a better balance of right and left hemisphere, leading to improved creativity at work and a sense of being at peace with oneself. Other benefits come more slowly over the weeks and months and years that you practice. Recoveries from bronchial asthma and a whole range of other psychosomatic disorders have been reported, as well as the elimination of self-destructive behavior patterns and habits such as drug taking, compulsive eating and alcoholism. As a result, autogenic training is now given as a standard instruction in Germany and Switzerland. let's begin The basic autogenic exercises are simple. Taking up one of three optional postures - sitting slumped rather like a rag doll on a stool, lounging in an easy chair, or lying on your back with your arms at your side - make sure you are reasonably protected from noise and disturbances and that your clothes are loose and comfortable. It is easiest to learn autogenics lying flat on a floor or on a very firm bed. Once you have got the basic exercise under your belt you can do it just about any time, anywhere, sitting up or even very discretely on a bus on the way to work. If you like, you can record the autogenic exercises that follow on tape very slowly and play it to yourself in the beginning. I generally find, however, that it is better to learn it very simply from the words that are in the box below. go within Lie down on your back in bed or on the floor. Make yourself comfortable with whatever pillows or covers you need to do so. Close your eyes gently. Take a deep slow breath and pause for a moment. Now exhale fully and completely. Let yourself breathe slowly and naturally. Feel your body sinking back into the floor. Now repeat the following phrases to yourself slowly and silently letting yourself savor the sensations of heaviness and warmth as you do. The first phrase is: My left arm is heavy... my left arm is heavy... my left arm is heavy... my right arm is heavy... my right arm is heavy... my right arm is heavy... Let go of any tension in your arms as you say to yourself: My left arm is heavy... my left arm is heavy... my left arm is heavy... repeating each suggestion three times. Continue to breathe slowly and naturally, remembering to exhale fully. Say to yourself: Both arms are heavy... both arms are heavy... both arms are heavy. Let go of any tension in your arms. Then say: Both legs are heavy... both legs are heavy... both legs are heavy... As you continue to breathe slowly and naturally, say to yourself: Arms and legs heavy... arms and legs heavy... arms and legs heavy... arms and legs warm... arms and legs warm... arms and legs warm... feel it Feel the warmth flow through to your arms and legs as you say to yourself: Arms and legs warm... arms and legs warm... arms and legs warm... Continue to breathe slowly and freely while you repeat silently to yourself: My breathing calm and easy... my breathing calm and easy... my breathing calm and easy... my heartbeat calm and regular... my heartbeat calm and regular... my heartbeat calm and regular... Feel your strong, regular heartbeat as you say the words to yourself. Continue to breathe easily and say to yourself: My solar plexus is warm... my solar plexus is warm... my solar plexus is warm... Feel the muscles in your face relax as you say to yourself: My forehead is cool and clear... my forehead is cool and clear... my forehead is cool and clear... Enjoy the feeling of softness and calm throughout your body and say to yourself: I am at peace... I am at peace... I am at peace... the return When you have finished the exercise you are ready for the return. It will bring you back to normal everyday consciousness: Quickly clench both fists, take a deep breath in, flex both arms up in a stretch, then breathe out slowly and completely, returning your arms with unclenched fists to your sides. Now open your eyes. Lie for a moment with your eyes open and just allow yourself to BE HERE NOW WITH WHATEVER IS, then get up and go about your life. When first learning autogenics, you will need to repeat each suggestion three times and the entire exercise itself needs to be repeated at three different periods each day. The best time is just before you get out of bed, just before you go to sleep, and at some other moment of the day. If there is no way you can lie down during the day you can always do the exercise sitting in a chair. If you are practicing in public such as on a bus or at your desk in an office, draw your fists up to your chest by bending your elbows rather than bringing the whole arm above the head for the return. autogenic triggers Before long you will find that even the simple suggestion "my right arm is heavy" will trigger the psychophysical relaxation process in the whole body. Some people get feelings of heaviness and warmth right away. For others it can take as long as a week or two of practicing three times a day for 10 or 15 minutes at a time. To everybody it comes eventually, and with it comes a profound sense of relaxation. Canceling the training session occurs when you clench your hand into a fist and raise your arm straight above your head, or bend your arm and draw your fist to your shoulders, at the same time taking a deep breath and then stretching. This trains your body to return to normal consciousness right away. Meanwhile your temporary excursion into the realm of deep relaxation keeps working its magic. autogenic training made simple Here is an aid memoir for practice. Repeat each suggestion 3 times: MY LEFT ARM IS HEAVY... MY RIGHT ARM IS HEAVY BOTH ARMS ARE HEAVY... BOTH ARMS ARE WARM... BOTH LEGS ARE HEAVY ARMS AND LEGS HEAVY... ARMS AND LEGS WARM BREATHING IS CALM AND EASY... HEARTBEAT CALM AND REGULAR MY SOLAR PLEXUS IS WARM... MY FOREHEAD IS COOL I AM AT PEACE the return: CLENCH BOTH FISTS TAKE A DEEP BREATH FLEX BOTH ARMS UP IN A STRETCH BREATHE OUT SLOWLY RETURN ARMS UNCLENCH FISTS OPEN YOUR EYES LIE FOR A MOMENT WITH EYES OPEN BE HERE NOW WITH WHATEVER IS. Repeat each suggestion three times, repeat the exercise three times a day. discharge the blocks Although autogenic training brings about a `low-arousal' state similar to yoga and meditation, where parasympathetic activity dominates, it stems from exercises meant specifically to induce simple physical sensations leading to a state of relaxation of a purely physical nature. The benefits which come with practicing it go far beyond the physical: in addition to slowing the heartbeat, reducing blood pressure, regenerating and rejuvenating the body, autogenics triggers changes in the reticular activating system in the brain stem which can result in what are known as `autogenic discharges'. These are a spontaneous way of de-stressing and de-aging the body, eliminating old tensions and wiping away thought patterns that may have been inhibiting the full expression of your being. Autogenic discharges can manifest themselves as temporary twitching of the arms or legs - much like the twitch experienced occasionally on falling into a deep sleep - during the session itself, or increased peristaltic movement - stomach grumbles - or various transient feelings of dizziness or visual or auditory effects. These phenomena are harmless, quick to come and go, yet an important part of throwing out life-accumulated, stressful material stored in the body or psyche. cleansing reactions A few people - I among them - when they first begin autogenic training, go through two or three weeks where a lot of old stress and emotional rubbish gets released through autogenic discharge. Old feelings of discouragement or depression, laughter or anxiety can sometimes rise to the surface. It is important to be aware of this possibility and to be aware of what is happening if it does occur. It is only the psychic side of detox that will help renew, refresh, and rejuvenate you, as old stress you have been carrying about with you rises to the surface to clear permanently. Because of this discharge phenomenon, some psychologists in the English speaking world who teach autogenics like to work on a one-to-one basis with their students in order to help them gain perspective on what is coming up from their consciousness. In Germany and Switzerland this is not considered important. There, autogenic training is taught as a matter of course both to adults and school children with no such psychological back up. The important thing to remember is whatever surfaces is likely to be very old indeed, stuff you've been carrying around for a long time and which you are far better off without. three's the charm Begin your practice of autogenics on day 2 of 10 Day Rejuvenation Plan adding it to Clean Sweep Diet. It takes about ten to fifteen minutes to run through autogenics while you are learning it. Afterwards the exercises can be done much more quickly - eventually in two or three minutes if necessary. Rather like Pavlov's dog, who learned to salivate simply because the bell sounded and the food appeared together so many times, the magic of autogenics depends on your continual repetition of the exercise again and again, day after day. Once the initial period of learning is completed, you can then choose to practice the exercises once or twice a day whenever you like. In the process you will have gained a lifelong skill that is invaluable for de-aging the body and mind. Within 10 days to 2 weeks of practicing autogenics,most people feel a steady and increasing release of creative energy, and a sense that great burdens are being lifted away so that - often for the first time - they begin to feel more free to live their own life by their own values. It is rejuvenation at its very best. the zen of now There are two important aspects to making autogenic training work for you. The first is a real acceptance of your current circumstances or position - knowing that anything that you feel just now, whether it happens to be fear, anxiety, joy, frustration, inadequacy or environmental stress, is OK for the moment. It is only through acceptance of 'what is' now that we open the gateways to change. The second important thing about autogenic training is self-discipline. You need to make time to do the exercises each day and to establish a routine.

Everybody’s heard of death curses. Literature is laced with accounts of how Aboriginal witch doctors have brought about the death of the young and healthy by cursing them. No sooner do these people learn about the fate which has been cast for them than, inexplicably, they begin to sicken and die. Through complex biological processes, their simple belief in the curse foisted upon starts to bring about their downfall. MODERN-DAY DEATH CURSES In civilized society we look upon such phenomena as anthropological curiosities—products of primitive superstition which can’t touch us in our “enlightened age”. What we don’t know, however, is this: We in the so-called civilized world are, more often than not, living under our own brand of “death curses”—most of which we are not even aware of. They are subtler than those issued by witch doctors, yet every bit as deadly in creating the physical and mental decline that we have been taught to associate with aging. Common charged words and phrases associated with aging like “retirement”, “middle-age”, “It's all downhill after forty”, and “At your age you must start taking things more easily” are widely voiced. They can exert a powerful effect on the process of aging for all of us by creating destructive self-fulfilling expectations of age decline. Then, instead of facing our future full of confidence and excitement about what lies ahead, optimism gets replaced by anxiety as we are warned to “Be careful”, or “Never take chances on a new career at your age.” The list of such frequently proffered “sensible” advice is a long one. Such suggestions often lead us to make changes in the way we live that actually encourage physical decline—like decreasing the amount of exercise we get, or altering our eating habits away from fiber-rich natural foods towards “softer” foods and “convenience foods”. We may even limit the amount of social and intellectual stimulation we have been used to. What’s worse, this kind of advice tends to undermine our self-image and destroy our self-confidence. This in turn interferes with the proper functioning of the immune system, which plays such a central role in protecting the body from aging. An essential ingredient in healthy aging is becoming aware of just how powerfully our emotions, state of mind, and unconscious assumptions influence susceptibility to illness and the rate at which we age. Once this awareness penetrates your consciousness, you can begin to make use of a few powerful techniques that quite automatically banish death curses from your life, and help you live healthy, decade after decade. MIND-BODY CONNECTIONS The notion that your state of mind can influence your health and the rate at which you age was once something that had to be taken on faith. Now it’s been scientifically proven, thanks to a scientific discipline with a tongue-twisting name: psychoneuroimmunology (PNI). PNI has established that the body's immune system, that bulwark of defense, is undeniably affected by your unconscious assumptions, your emotional states and your behavioral patterns. They lead either to a significant resistance to rapid aging on the one hand, or to an increased susceptibility to decrepitude and degenerative diseases on the other. The happier you are, the better you feel about yourself and the more positive are your expectations about the future, the more likely is it that you will age slowly and gracefully, and the less likely you will be to fall prey to illness of whatever sort—from a common cold to a chronic life-threatening disease. LIVE LIKE ZORBA No area of what I call “ageless aging” is more fun to explore than this one. I always think of positive aging as “Zorba the Greek” consciousness. It makes possible the most amazing physical and mental feats by quite ordinary people living ordinary lives. Take the man who is able to work eighteen hours a day, drink whisky by the tumblerful, dance on tables until the early hours of the morning and still live to be 110, thanks to the sheer joy of his passion for living. (I had a grandfather like this whom I absolutely adored!) You also find this positive vision of ageing amongst saints and holy men who carry out their day-to-day activities, from writing letters to peeling potatoes, in a state of bliss—samadhi. Take a look at their superbly unlined faces. Many could as easily be thirty as seventy. Mainstream medicine has long acknowledged that emotional states such as anxiety and depression can make some illnesses worse. These include asthma, diabetes, peptic ulcer, ulcerative colitis, migraine and cardiovascular problems. But until the advent of PNI, it has paid little attention to examining the power—both positive and negative—of their psychological components, nor has it explored ways and means of improving these conditions by altering a patient's mental state or behavioral patterns. Meanwhile, it still ignores psychological components in the vast majority of other illnesses—from lung disease and cancer to rheumatism and allergic reactions—choosing to treat them instead as nothing other than physiological conditions, little affected by whether the patient experiencing them felt good or bad in himself. Western medicine, bound by the Cartesian notion of a split between mind and matter, fails to consider the people it treats as psychobiological beings, whose feelings, thoughts, expectations and perceptions are intimately bound to their physiology and biochemistry. They never bother to ask the question: Why do some people who smoke forty cigarettes a day for 20 years end up with lung cancer, while others following exactly the same pattern don't? TIME TO TRANSFORM Just as prolonged unmitigated stress, depression and anxiety suppress immune functions, a positive frame of mind frees us from death curses. It brings us a sense that we can cope with whatever comes our way, offers potent protection from illness and age-degeneration. Those of us who succumb to anxiety, depression and a sense of helplessness when life difficulties arise invariably show suppressed immune functions. The Zorba-like people who feel they can deal effectively with whatever comes their way most often have good immune functions, even when faced with major life changes. In a well controlled study of women suffering from breast cancer who underwent mastectomy, British researcher Dr Steven Greer reported that women who react to their diagnosis by denying that they are seriously ill or with a determination to conquer the problem are far more likely five years later to be free of the disease than those who stoically accept a diagnosis while feeling hopeless or helpless. MAKE AGE WORK FOR YOU What can you do, starting right now, to develop your mind as a tool for positive aging? Begin by exploring the benefits of mind/body techniques that alter your mental attitudes and emotional states from negative to positive, therefore encouraging good immune functions and slowing down the rate at which you age. There are many. Some 40 years back, Dr Herbert Benson at Harvard Medical School developed a simple meditative technique, called the Relaxation Response. It consists of sitting with your eyes closed for 15 or 20 minutes morning and night and repeating a single word—say “one” or “peace”—over and over again silently. Practiced regularly every day, it not only counters the immune-suppressing tendencies of stress, but even brings about major psychological shifts in belief systems that gradually change a self-defeating sense of helplessness into a free spirit who, like Zorba himself, can dance on tables just for fun. I recently wrote about Benson’s amazing work. You’ll find it here. I’ve even posted a video so you can learn the technique and practice it with me every day if you like. Finally, there is an excellent video by Benson about working with the Relaxation Response and the amazingly positive benefits research shows it to have on those who practice it daily. HOW MUCH DO YOU KNOW ABOUT AGING? Explore how many negative expectations you have unconsciously connected with aging. Then you simply and methodically go about changing them. Start right now: How many of the following notions would you agree with? They have been adapted from a questionnaire designed by gerontologist Erdman Palmore from Duke University Medical Center in the United States. TAKE THIS QUIZ Then check your answers at the end. (Just mark “T” for true or “F” for false.) The majority of old people (past age sixty-five) are senile (i.e. defective memory, disoriented or demented). All five senses tend to decline with age. Most old people have no interest in sex. Lung capacity tends to decline in old age. The majority of old people feel miserable most of the time. The majority of old people are seldom irritated or angry. At least one-tenth of the aged are living in long-stay institutions (i.e. nursing homes, mental hospitals, homes for the aged, etc). Aged drivers have fewer accidents per person than drivers under age sixty-five. Most older workers cannot work as effectively as younger workers. About 80 per cent of the aged are healthy enough to carry out their normal activities. Most old people are set in their ways and are unable to change. The majority of old people are working or would like to have some kind of work to do (including housework and volunteer work). It is almost impossible for most old people to learn new things. The reaction time of most old people tends to be slower than reaction time of younger people. In general, most old people are pretty much alike. The majority of old people are seldom bored. The majority of old people are socially isolated and lonely. Older workers have fewer accidents than younger workers. Older people tend to become more religious as they age. Most medical practitioners tend to give low priority to the aged. NOW CHECK YOUR ANSWERS The even-numbered questions are true. The odd numbered ones are false. How many of your own answers are correct? AGE REBORN Contrary to popular opinion, a mere 2 or 3 per cent of old people are institutionalized because of psychiatric disorders. The vast majority of older people do not have memory defects. Most people over sixty-five continue to be interested in sex, and sexual relations often continue well into the eighties between healthy men and women. Studies made of morale and happiness amongst the elderly show no difference between their enjoyment of life and that of younger people. Meanwhile, people over sixty-five have fewer accidents per person driving than younger drivers do. They also have fewer accidents at work. The majority of old people are not “set in their ways” as we have been taught, although it can take them longer to learn something new than their younger counterparts. Studies show that very few old people suffer from boredom. Neither are they socially isolated or lonely. More than 10 per cent of older people work and two-thirds of those who don't would like to. Finally, older people are seldom irritated or angry. This has been established by three separate studies. VISUALIZE AGE ANEW Becoming conscious of any false assumptions you make about aging is a good first step. The next is to create for yourself a new vision of what it means to have time passing. Make use of creative visualization techniques where, in a state of relaxation, you allow your mind to play on positive images of yourself five, ten, thirty years from now. It is only a matter of letting yourself indulge in positive daydreaming. Or practice a meditation or deep-relaxation technique once a day, and finish off by repeating silently to yourself Coue's formula for personal growth and healing: “Every day in every way I am getting better and better.” It is exquisitely simple, yet enormously powerful when practiced daily in a deeply relaxed state so that it is your imagination rather than your will which is brought into play.

In Sanskrit they call it lîla. The word means play. Yet not in the limited sense of our word. Lîla is free play, deep play, wild play carried out in a timeless NOW. It speaks of divine play. It’s the kind of play that sets us free to be who, in essence, we already are, even though we may not yet know it. Lîla is also the kind of creative play that brings new worlds into existence. FROM CHILDLIKE TO GENIUS In its simplest form, lîla describes the spontaneous activity of children so absorbed in what they do that they don’t even hear you when you speak to them. One morning my three-year-old friend Marina came to visit. Scrambling onto the four-poster bed where I was writing in a state of intense concentration, she told me the story of how she had climbed to the very top of a pirate’s ship as high as the stars. Like all still-innocent children, Marina entered into her imaginal world with ease—a magical realm in which creative sparks can be seeded then begin to grow. The imaginal world is a place most of us adults have lost touch with—a powerful realm in which the joys and fruits of lîla reign supreme. At a deeper level, lîla speaks of the all-encompassing absorption out of which Beethoven, then dangerously ill and nearing the end of his life, nonetheless created the most remarkable music of the 19th century: The Late Quartets. Or the obsession of Van Gogh, which led to his having painted 900 pictures and turned out 1100 drawings pictures during a lifetime. This kind of lîla is far more complex and committed than child’s play. It can produce achievements that enrich the way we look at life, that connect us to the deepest levels of our own being. Some fruits of mature lîla even transform the world. A big deal? You bet. This is play of the highest order—nothing less than an outpouring of the most intimate and essential nature of each unique human being. Living your creativity as fully as you can while you walk the earth, in whatever way most satisfies your unique nature, is the most exciting and enriching process any individual human being can experience. It brings a sense of meaning and purpose to your own life that nothing else can. CREATIVE PASSION Creativity is not a problem to be solved or a subject to be picked apart in psychologists’ laboratories. Those who try end up wandering in an endless maze of moribund words and phrases which miss the point. Meanwhile, the wrinkled fiddler on the city street plays on—smiling. He is lost in the excitement of improvisation, magically blending movement, feeling and sound—making music never heard before, that touches his heart and awakens the senses of all with ears to hear. We have grown up with some weird ideas about creative power. We’ve been taught that creativity belongs to a few select human beings whom history labels as genius. Nothing could be further from the truth. Creating is not a rare privilege—it is a right, even a necessity for all of us, if we are to live a fulfilling life. Creating anything, from cooking a healthful meal to writing poetry or playing games with children reminds us all what life is about. From this place we learn to live and work, to imagine, invent, and finally give birth—not only to things that have never been seen, heard, felt or touched before, but to a way of living more wondrous and exciting than most of us would ever have imagined. A passion to be lived, a lîla to be danced, the wild creative power within us urges us to tell the truth and shame the devil. It demands that we express our love, our obsessions, and the fascinations which pursue us. It asks that we live out life from the very core of our being. “Genius,” as late American writer John Gardner used to remind his students, “is as common as old shoes. Everybody has it.” CREATIVE RELEASE A few years ago, I began to explore not only the power and dimensions of creativity in you, me, and all of us. I wanted to discover how each of us can gain greater access to it, and how best we can live out our own creative power in our day to day lives as scientists, professional artists, musicians, writers, dancers, actors or as businesspeople, parents, teachers, lovers, gardeners, healers, craftsmen and thinkers. I was sure that on a larger scale, the way we as a group choose to use our collective creativity determines whether or not we will be able—in the wake of having laid waste to so much of our planet—to emerge as a sustainable species in a sustainable world. A lîla of enormous proportions; what could feel more powerful or more daunting? Yet the creative power on which it depends springs from the same source within each person as Marina’s imaginative play. PRIMORDIAL POWER Mysterious, enigmatic, spontaneous, occasionally even frightening, in essence creative power is the power of life itself. It is the force that gave us birth which continues to give birth to universes. It is what created us and brought each of us our own lives. It originates from a place within each one of us where we can touch and tap into the numinous energy of the Cosmos: God, Being—call it what you will. No words can adequately describe it. In truth, it is far more an experience of aliveness than a place at all. And, although we may never describe it adequately, we are perfectly equipped to enter this locus of creative power within us and find out how to live ever more of our lives from it. For the majority of artists, creativity pours forth most easily when they have intimate support for it. Shakespeare had his actors and a Globe Theatre eager for his plays, Virginia Woolf entered a room of her own and there wove tapestries of words. Emily Dickinson wrote out of the intimate community of a family who adored her, admired her and made sure she was given the space and time to carry out her imaginative work. For others who are highly creative, there is no such intimate support. Many have suffered childhood abuse, loss, illness or intense suffering. The creativity of such people can be monumental. Each man or woman is brought to the exploration and expressions of their creative power through suffering in just the same way that, so often, we discover what is most important to us by having what we believe to be of greatest value—a loved one, a job, a title—taken from us. Painful as such experiences are, often they turn out to be great gifts when it comes to freeing our creative power. Caught up in our lives of work, children, and householder duties, few of us live in such fortunate circumstances as Shakespeare and Emily Dickinson. But that does not matter. What has not been given us we can make for ourselves. Art is not the province of the privileged few. It belongs to all people—those of us who spend our days in front of computers, cooking, sweeping streets, running errands, caring for children, handling the stupidities of bureaucracy, and living our constantly changing lives in a world that is ever less secure. THE WAY AHEAD We are alive at a moment in history where one age is dying, yet another has not yet been born. We are, each one of us, faced with a choice: As we sense the foundations of our world shaking, do we withdraw in anxiety, trying in desperation to hang on to what we once believed to be “true”? Do we become paralyzed, and try to cover our fear with apathy? Or do we summon the courage offered us by a Universe in flux, honor our personal sensitivity and consciousness, then choose to face the challenge of entering the realm of creative power within? Then, trusting our individual capacity for lîla, do we begin to play in ways that may help bring forth a new world for all? Regardless or age, background, or limiting notions about what’s possible, each one of us has a choice to make. It’s a choice between continuing to conform to established belief systems that stifle the human spirit, or trusting in ourselves. Are you willing courageously to explore your intrinsic creative gifts and make use of them? “That which we give birth to from our depths is that which lives on after us. That which is inborn in us constitutes our most intimate moments—intimate with self,” says Theologian Mathew Fox, “intimate with God the Creative Spirit, and intimate with others. To speak of creativity is to speak of profound intimacy. It is also to speak of our connecting to the Divine in us and of our bringing the Divine back to the community.” Personally, I urge you to begin connecting ever more deeply with your own brand of creativity. Discover new ways of living. Leave automatic assumptions about who you think you are and learn to respond to each moment and each day of your life with new eyes and an open heart. The more you do, the richer your life can become. Such is the joy of lîla. Such is the power of lîla. If you have not yet explored it, you have an exhilarating, wondrous adventure ahead of you. Take it. Trust it. It’s the adventure of a lifetime.

Cats laze in the sun. The caterpillar dozes on a tomato plant. A bumblebee nestles between two blades of grass. Yet we humans seem to be continually on the run. It’s as though we have become programmed by the media, advertising, and personal growth gurus to do it better and faster, to be more efficient, to keep going no matter what. We have lost the art of stillness. As a result, we miss out on the gifts that come to us when for a time we put aside doing and let ourselves just enjoy being. “What goes up must come down.” It would be great if these words were engraved on the brain of those of us who live busy lives. When stress gets out of hand it wears you down and creates deep fatigue. When stress is prolonged, it can make you feel overwhelmed, undermine your peace of mind, and turn into adrenal exhaustion that undermines your health. Yet, when you learn how to balance with relaxation, what was once stressful can feel like the spice of your life—fun even when life makes heavy demands. You know you’ll be able to meet them and enjoy the process. You and I and every other living thing have two fundamental modes—solar and lunar. Physiologically the solar—stressed—mode is a dynamic outpouring of energy and spirit. Oriental cultures call this mode the yang rhythm. When it’s in control you feel excited, love the thrill of a challenge, and become determined to make things happen. The lunar mode, your yin rhythm, is its exact opposite. When lunar energy predominates, you move into deep relaxation, which restores and rebalances your body and mind. Instead of an outpouring of spirit and energy, you become deeply receptive—literally able to draw energy, strength, and bliss into your body and your life as a cat does lying in front of a winter fire. Few of us are taught how to ease back and forth from dynamic to receptive mode and vice versa. As a result, our bodies are seldom at peace. Our minds are always busy. We can’t let go of those endless internal monologues. Continually mulling over past and the future, we miss out on the joy of moment-to-moment awareness. We eat food but don’t really taste it. We make love then wonder why it is not always as satisfying as we know it could be. We have forgotten how to live in the moment from the core of our being and let life flow through us instead of attempting to “manage” it. In short, we have lost connection with the two rhythms on which lasting health, vitality, and joy depend. Let’s now look at the simplest and most efficient way of reconnecting with both. It’s called Zazen. A powerful technique for reestablishing life-giving balance, zazen is a simple, yet almost infinitely transformative practice. I have taught this simple practice to thousands of people who continue to sing its praises. Practiced for 10 or 15 minutes a day, it silences your endless internal chatter, releases anxiety, and stops the kind of tail chasing like an obsessive dog that gets us nowhere. It gently trains your body and mind to move at will from the dynamic, solar, stressed state into the deeply receptive, restorative lunar one, helping us to become fully present in the eternal NOW like a child, a sage, an artist, a lover. Zazen is all about a new way of breathing. The word Spirit means breath—that is, life force. In Japanese they call it ki, and in Chinese it is called chi. In English we refer to it as energy or power. It is the electrical energy that fuels the living matrix of your body. Practice zazen and you learn how closely your breath is connected with the kinds of thoughts you have and the emotions you feel. As you develop awareness of your breath, entering and leaving your body, and of all the sensations this brings, you come to touch the still point of your being. You start by sitting in a comfortable but straight back posture and silently counting your breath: Inhale... “one,” exhale... “two,” and so on up to ten. Then you begin again back at “one.” The point of the counting has nothing to do with trying to get to ten. This is just a simple tool. If you lose count and your mind begins to wander, notice this, bless your thoughts, whatever they are, then let them go and gently return your concentration to the breath and start again at “one.” Each time you choose consciously to let a thought go and bring yourself back to your breathing, you increase your ability to place your mind where you want it to be. Believe me, this is an incredibly powerful experience. Before long it will help you break free of the limiting thoughts, worries, and obsessions that can rule our lives. Your sense of connection with your innate being grows stronger, as does your capacity to experience bliss, pleasure, and the that you have the right to be who you are without having to conform to other people’s imperatives. Your spiritual power grows, as do your intuitive skills. Creativity, which is closely woven into intuition, blossoms. Ok let’s get started together: • Position Your Body: The way you hold your body—your posture—helps create your state of consciousness. There are many choices. You can sit tailor-fashion on the floor using a small firm pillow or zafu, which raises your bottom slightly off the floor. Sit on the front third of your zafu tipping your body slightly forward. This creates the strongest feeling of stability. You can also use a chair. When sitting on a chair it is also important to use a cushion so you can sit on the front third of the cushion and keep your back away from its back. Make sure your feet are flat on the floor. However you choose to sit, your back needs to be straight. Imagine that your head is pressing against the ceiling. Now allow your muscles to soften so the natural curve of the back appears and the abdomen pushes slightly forward so your diaphragm moves freely—rising and falling with each breath. • Position Your Hands: Place your hands in what is known as a cosmic mudra where your active hand (right if you are right handed and left if you are left handed) lies palm up in your lap. Nestle the other hand gently onto the palm of the active hand so that the knuckles overlap and your thumb tips just touch, forming a kind of oval. This connects your body’s right and left energy fields. It acts as a symbol for the unity of the breath, your life, and the Universe. This also helps turn you inward away from the confusion and chaos of daily life. • Grow Quiet: Allow your body to settle into a comfortable posture. Your back is erect but never stiff, your chin is tucked in slightly, and the tip of your tongue rests easily against the roof of your mouth, just behind your upper teeth. • Breathe through your nose. Lower your eyes so you are looking at the ground two or three feet in front of you. After a while you may be surprised to find that although your eyes are open, you are no longer “seeing” what you are looking at, since the focus of your attention will have shifted within. • Discover Your Center: This is the hara—the physical and spiritual center of the body. It is a place of power from which all the martial arts are performed. Located in the pelvis, two-and-a-half to three inches below the navel, it is also the center of gravity in your body. Allowing your focus of attention to rest at the hara creates a sense of balance for body and mind. As you breathe in, imagine your breath going down to the hara and returning from the hara. Of course, on a physical level the breath is really filling the lungs but you need to just imagine this, which helps you with the breathing. • Breathe Easy: Pay attention to your breath without trying to change anything. Be aware of the tactile feelings that come with breathing. Notice the cool air entering your body as you inhale through your nose and what it feels like as it travels down the back of your throat. Feel the warmth of the out-breath as you exhale. When you stay in touch with this tactile sensation of breathing, you are less likely to be distracted by thoughts. • Silently count the Ins and Outs: Inhalation is “one.” Exhalation is “two.” Inhalation is “three” and so on until you get to ten. Then start all over again. The simple agreement you make with yourself is only that when the mind begins to distract you, you notice this and consciously choose to let it go and go back to watching the breath, and begin counting again from one. • Zazen is as simple as this. Practicing it for fifteen minutes once or twice a day—preferably at the beginning of the day and the end of the day—you begin to touch the still point within you again and again. In the process you build up joriki—the power of focus and concentration so that, in time, instead of becoming caught up in the endless mental machinations that draw us away from living our lives fully whatever you are doing, you become able to choose consciously to let go and turn your mind towards whatever you choose. The connection with your innate being strengthens so that your inner world and your day-to-day life gradually come together in harmony. The more you practice the easier it becomes so, at will you are able to move into in and out of highly stressful situations that at one time would have made you frantic. In essence, the mind is meant to be like the still water of a lake at dawn. But when the rains fall or the winds blow, its natural glass-like surface, which is meant to reflect sun and moon, becomes disturbed with eddies and waves which distort your perception of your feelings, your body, and the world around you. As you practice zazen your mind returns to its mirror-like state. Then it is able to reflect the world around you without becoming obstructed or distorted by anything in it. You learn first hand that you do not have to hold on to anything to create the life you long for. You become truly free. This experience of freedom becomes contagious—a blessing not only for ourselves but for others as well. Marianne Williamson describes it well: “As we are liberated from our own fear, our presence automatically liberates others.” Trying to understand or rationalize the practice of zazen is a waste of time. Like every genuinely transformative practice, it can never be fully understood. Zazen can only be lived.

When I was six years old I had my first love affair. Yes, really. Of course, not until years later did I recognize the experience for what it was. But like every first love, it changed my life forever. My father was a jazz musician so our house was equipped with the best possible sound equipment. Both he and I loved to listen to music—just about any music—at full volume. This my mother could not stand—which made it something even more exciting. While my playmates roamed the hills of Hollywood skinning their knees, I would lie on my belly in the living room, listening to music at full blast. THE MAGIC BEGINS One day, combing through our vast supply of records, I came upon Stravinsky’s “Rite of Spring.” It meant nothing to me, but I liked the colors on the cover, so I put it on the record player, turned up the volume and flopped in front of our huge speakers. Strange, mysterious, often discordant sound flooded my body, opening a secret door to somewhere deep inside me. It was a place I had never been before. I did not even know it existed. I trembled with fear and excitement as the music wound its way into me. I flushed hot and then cold; my heart raced then calmed. I lost all sense of place and time as I rode the waves of an imaginal sea into unexplored worlds, too numerous to identify. ONE WITH STILLNESS I have no idea how long this lasted. Before long, even the “boat” carrying me along, and all the images that came with it, had dissolved like sugar in water. Then, in perfect union, the sounds and child-that-had-been-me swirled into a vortex, becoming lost in each other. We shared excitement, fear, longing, fierceness and sadness. Like lovers, we had come together—music and child—in an immediate, passionate, all encompassing union. Eventually I found myself at the centre of this whirlpool. There, even the ecstasy of the movement vanished. Like Alice down the rabbit hole, I tumbled—not into Wonderland, but into that place of unspeakable stillness. Zen practitioners claim this place is available at every moment to each one of us. For me it was an indescribable event—beyond space, beyond time, outside thought. Here I knew, without the slightest possibility of ever being able to describe it, that everything was exactly as it should be. In the words of Zen Master Daisetz Suzuki, it is a place where I would eat when I am hungry, sleep when tired. I knew that “it was fine yesterday and today it is raining.” Or, in the words of Julian of Norwich, that “All things shall be well, and all things shall be well, and all manner of thing shall be well.” My affair with Stravinsky lasted more than four hours. At least that’s what my mother said. “Don’t tell me you are still listening to that awful music.” She had to raise her voice to be heard above the sounds. “For God’s sake, turn it off. Do something useful.” MY USEFUL LIFE So I did something useful. I went to school, then to university where I learned at least some of what you are supposed to learn. I earned praises for good marks, went to work, won prizes, gave birth to four children, wrote books, gave talks and made television programmes. In effect I did what millions of men and women do—became the breadwinner, the carer, the nurturer of others’ lives. And I loved it. Yet through all the years between six and now, my passion for music, painting, books, poetry, architecture and design never left me. Far from it. During most of those years, my longing not only to experience the emptiness that listening to Stravinsky had brought me that day—an epiphany, and the experience of being fully alive for the first time in my life—but also to create things: books, films, relationships, and to explore physical places, inviting me to move beyond thoughts to a place of unity with the rest of the universe. They kept gnawing at my gut. They would not go away, just as the urge to breathe never goes away no matter how long we hold our breath. SIX YEAR OLD WISDOM That day, when I lay on the floor lost in Stravinsky, without realizing it I had decided that what interested me most was the beauty of art—whether it be music, words, film, stories, sculpture, buildings or what-have-you. Why? Certainly not because I had any idea that art was supposed to be valued since it was part of what grown-ups called culture. I knew nothing about either. I could not have cared less. After all, I was a kid who, when I was not entranced by what I was seeing, hearing, feeling or touching, spent the rest of my day learning card tricks, wrestling with my rough Collie, and trying (unsuccessfully) to sell packets of chewing gum my grandfather brought me to neighbors’ kids. Nope—I loved the beauty and wonder of art in all its many forms because, unlike the world around me, with which I seemed to have little in common, it had always grabbed hold of me and would not let me go. It demanded of me both a submission and an active participation in the making of it. TIMELESS REALITY What I did not know, and this took me scores of years to come to understand, is that the rabbit hole into which I had accidentally tumbled at six is described by every culture and religion in the world in one form or another. Nor had I any idea that, at any moment in time, anywhere in the world, regardless of the circumstances of our lives, it is available to each of us. To Zen Buddhists, this wordless, timeless space represents ultimate reality—that which can only be sampled through immediate experience. In Suzuki’s words, “For the sake of those crucial experiences Zen Buddhism has struck out on its own paths which, through methodical immersion in oneself, lead to one’s becoming aware, in the deepest ground of the soul, of the unnameable Groundlessness and Qualitylessness—nay more, to one’s becoming one with it.” ANNIHILATION AND RENEWAL It is a state in which nothing is thought or contrived, longed for or expected. It reaches out in no particular direction, yet it knows itself able to handle the possible as well as the impossible. Concentrated, yet so expanding is its potential, such power is both purposeless and egoless. As such, it is often called truly spiritual. Why? I suspect because it is charged with an awareness that spirit is present everywhere. The universe and all that is created is never attached to place or time. In such a state, because the cosmos is present everywhere, we too are present everywhere. We have direct experience of and access to the power that continues to create the universe itself. And, like water flowing through the river, we have full access to that power of creation to use in our own lives, in whatever way we choose. DOORWAY TO BLISS The Sufis call this state fana—the annihilation of your individual selfhood. When we experience fana, our everyday personality becomes transparent, so the larger being that we are shines through. You become fully absorbed in the all-encompassing fascination of the moment—textures, nuances... Cutting edge physicists speak of a holographic universe in which we live but seldom access because we are plagued by endless mental concepts which blind us to reality. They also blind us to the experience of Samadhi—“a non-dualistic state in which the consciousness of the subject becomes one with the experienced object.” This state of selfless absorption and total surrender is characteristic of children when left alone to follow their instincts. Yet it is available to each one of us, regardless of age. Honoring whatever brings us bliss in our own lives opens the door to it.

Herbert Benson, who wrote The Relaxation Response and Maximum Mind, discovered that measurable physical benefits accrue from practicing any form of meditation which depends on the silent repetition of a mantra - a word-sound. This can be done by repeating any word over and over while the eyes are closed and the body is in a quiet state. Meditation using a mantra has a long tradition. Some mantras are said to be sacred words that have particular sound vibrations which transmit particular powers. Each tradition has its own mantras such as Guru Om, Om mani padme hum, La ilaha illa 'lla or, in the Catholic religion, Hail Mary, full of grace, the Lord is with thee. Whether their magic aspects are true or not, the technique works beautifully to replace the habitual chatter that runs through one's mind, worries about things past and things yet to come. Benson suggests you find a word that is pleasing to you. It could be anything, say, `flower', `peace', or `love'. He likes the word `one' as it is simple and has the connotation of unity about it. Here's how. Find a quiet place where you won't be disturbed for fifteen to twenty minutes and a comfortable chair that supports your back. Sit down and close your eyes. Give yourself a moment to settle in and you are ready to begin. Simply sit there, feet on the floor and eyes closed, quietly repeating your word over and over to yourself: `one...one...one...' Whenever your mind wanders or you are disturbed by a sound or thought, simply turn your mind gently back to repeating the word again. That is all there is to it. After fifteen to twenty minutes, stop repeating the mantra and get ready to open your eyes. Open your eyes, stretch, and go about your everyday activities. This is a particularly useful technique once you have practiced it a few times because you can do it in so many different places, such as in a waiting room or on a commuter train or bus.