beauty

For generations European experts in natural medicine and top athletes have been masters at using hydrotherapy to vitalise, restore strength, regenerate and rejuvenate the body. Yet few of us anglo-saxons have been privy to their secrets. It’s time you learned about them. You’ll it once you do. Hydrotherapy is a powerful external tool for rejuvenation. The Germans are masters of it. Thanks to the electrical properties of water, using alternate hot and cold water on your body can alter the electrical charges of its molecules in the body—particularly the low-level voltages which regulate lymphatic drainage—by alternately increasing and decreasing them. In physiological terms this opens up your capillaries increasing blood flow and helping to stimulate the elimination of wastes through your blood and lymph systems. It also relaxes and tones muscles and heightens your overall vitality. Hydrotherapy - Blitz guss Hydrotherapy in one form or another is a must both for helping to prevent cellulite and for restoring cellulite-riddled tissues to normal. It enhances circulation, eliminates stored wastes, increases energy exchange on a cellular level and even heightens immunity. The best water treatment for cellulite is the traditional German Blitzguss. The classic Blitz Guss needs to be done by a professional but you can get much of the same effecta and benefits in the shower yourself at home—especially if you have a hand held shower which you can direct on different parts of your body. Here’s what to do Take a three minute hot shower so you skin is really glowing. Then turn off the hot and immediately turn on the cold water so it flows on you face and down your shoulders and arms, your chest and belly and back then down your legs but for no more than 30 seconds. Now go back to 2 to 3 minutes of hot shower followed by 30 seconds of a cold then back to hot again and so on. You repeat this process three times, always finishing off with 30 seconds of cold water. If 30 seconds seems a daunting length of time in cold water at the beginning only do 15 seconds of cold followed by 2 to 3 minutes of hot three times finishing off with cold. You’ll be surprised at how quickly you want to adapt to the full 30 seconds I suspect. When you get out of the shower, dry yourself briskly with a thick soft towel. The main reason you always finish your Blitz Guss with cold is that this stimulates warmth in your skin and whole body. It will surprise you just how warm and enlivening this experience can be. which leaves you glowing with life. How Good You Feel Once you get used to your Blitz Guss protocol you are you’re going to be surprised at how good you feel and how vital. Never do a Blitz Guss just before bed or you more likely to feel so energetic that you can’t sleep. And, of course, if you have a pacemaker or any sort of heart issue or other condition it is essential that you check with your health practitioner and get his or her OK before you try it. Be brave and give it a go. I thik you’re going to love the experience.

There are a lot of things you can do for your hair and with your hair to make it more attractive, and more manageable, but it is important to realize from the beginning that you have to work with what you've got. There is no way to change your genetic inheritance, and it is fruitless to worry about it. No woman is ever satisfied with her hair. When it is straight, she wants it curly, and when it is wavy, she wants it straight. The color is either too light, too dark, or too drab, and she either has too much or too little of it. what type are you? Straight hair is often strong and beautiful hair. It can be lank, in which case you should work it with a `stripping' shampoo which will enlarge the shaft of each hair and make it look fuller. If it is lackluster, go for a conditioner to make the scales of the cuticle lie flat and enable hair shafts to reflect light better. Straight hair is often good blunt cut and worn not too long, or tied up in a twist, a braid, or a chignon. Curly hair needs to be carefully cut, for this can make all the difference between its looking fantastic and frizzy. It is best not to impose a particular style on your hair, but rather to go with the natural swing of things. If your hair tends to be wiry, you can correct this by using a softening conditioner. Thin hair must never be allowed to get greasy, for excess of oil on it will only make it look limp and lank. It is usually best to have it cut in a short style, and it is useful to shampoo it often using a shampoo that contains no conditioners, and then use a volumizer - a spray or gel containing polymers which you apply to wet hair before blow-drying. The heat from the dryer swells the polymers that cover the hair shaft, making it look thicker. This will give it bounce and fullness. Blowing it dry helps increase the fullness too. Fine hair is delicate hair, but it is usually beautiful hair, too, like a baby's. Unlike thin hair, which is caused by a paucity of hair shafts, fine hair is made up of hair shafts of small diameter. You have to be particularly careful about what you do to it, because fine hair is the easiest of all hair types to damage from chemical treatments such as coloring or by using shampoos that are too alkaline, or by exposing it to heat or even the sun. Fine hair does well on protein shampoos and needs to be cut superbly and worn short unless you have a great deal of it. Volumizers are useful here, too. Thick hair is a blessing, although few women who have it realize this - particularly if their hair is curly. In this case, you should probably not wear it too short, or it can be unmanageable. Thick hair is the easiest to handle and the toughest. It will withstand chemical treatments and coloring far better than any of the other hair types and may not even need a conditioner at all when it is washed. If it is straight and you decide to have it chemically curled then you should expect the waving process to take at least a third as long again as it usually does, because the hair shaft is big and tough to break down. But the effects can last you as much as a year, where anyone else's will have to be renewed in a few months. hair loss Each day, you can expect to lose between 100 and 200 hairs. So you shouldn't be discouraged when you look down at the pillow in the morning to see a few lying there. This only means that new hairs will quickly be growing. That is, provided your hair is not coming out by the handful. Sometimes, as a result of sudden shock, hormonal change, or illness, large numbers of hairs are lost all at once. Even this is nothing to worry about unduly, so long as whatever triggered the loss is either past (as in the case of childbirth) or being corrected with a relaxation technique and dietary supplements for undue stress or illness. the cut is the thing A good cut is more important than any other single factor when it comes to the way a head of hair looks. Everyone is an individual, and hairstyling that doesn't take this into account is worse than second-rate. Changing your cut or style every year or two keeps you from getting stuck in a time warp and can lift spirits like nothing else short of falling in love. hair cosmetics perms There are two types of perms: acid-based which are soft and used to give a subtle lift at the roots to create an illusion of fullness; and the conventional alkaline perms. Acid or `body' perms don't last as long as the rest and need to be redone every three or four months. They are more natural and soft-looking, adding fullness and swing to hair without heavy curls. caring for processed hair Provided your hair is healthy and you look after it well after a perm, there is no reason to worry about its condition being spoiled by the waving. A perm will add a lot of body to lank hair and can often improve an over-oily condition as well. Once your hair is waved, it is more vulnerable to damage than ever before, so there are a few special precautions you need to take in order to preserve its health and sheen. For instance only use acid-balanced shampoos when you wash your hair, and always apply an acid rinse such as lemon juice in water. Protein treatments are particularly good for permed and colored hair. Also, instead of brushing 50 strokes a day, cut it down to 20. If your hair has been bleached or tinted, it is a good idea only to have an acid wave especially designed for bleached or damaged hair. They don't last so long, but they do ensure that the hair remains in good condition. straightening hair Aside from chemical straightening, there are also some short-term but simple ways to straighten hair. It can be done by blow-drying with a brush to smooth it out or by washing your hair and then wrapping it wet around your head in a circle, like a cap, fastening it with clips and letting it dry. Then, when it is dry, you simply comb it out straighter. You can use hair straighteners, and you could always use the old-fashioned and very efficient method for long, curly hair -  simply ironing it with an electric iron. Spread the hair out on a board, keep the iron on the lowest setting, and go over it gently from roots to ends. But the same applies as for blow drying and using heated rollers - be careful not to put too much heat on your hair. Burnt hair is irretrievably lost. a change of color One of the simplest and most effective ways of changing your appearance is to change the color of your hair. As we get older, the color of hair tends to fade so that a once shimmery golden mane or deep mahogany tresses can become lackluster and dull. Hair coloring these days is effective and reasonably priced and can look even better than most natural hair - provided, of course, it is done correctly. There are two categories of hair colorants: permanent colorants, which cannot be washed out, and the temporary and semipermanent, which can be used to highlight and intensify your own hair color. temporary colorants These are the easiest to use. They coat the cuticle of the hair with color that washes away with the next shampoo. You can get temporary highlighting shampoos and color rinses in a great variety of colors and most of them have a shine-promoting pH, too. But what you can do with them is limited, for while they will darken the hair - say from blonde to red or to black - they are really designed for minor color changes only. If you try to go too many shades away from your natural color, they tend to streak and give uneven coverage and also they cannot make your hair lighter. semipermanents Like the temporaries, they, too, coat the outside of the hair shaft and so are not good for drastically changing hair color. Nor will they lighten. Some of the semi-permanents are `color baths' which penetrate the hair so that they last up to a dozen shampoos. What they are good for is touching up hair that has just started to go gray, highlighting your own natural coloring, and making gray hair look shinier and more attractive without really changing its shade. If you use one, be sure to use a pH-balanced shampoo and a lemon and water rinse afterwards. permanents There are three kinds of permanent hair colorants: vegetable dyes such as henna, metallic dyes such as those used to gradually cover gray hair, and the aniline dyes or oxidation tints, which include most of the colorants used professionally in salons. vegetable dyes Henna will give brunette and black hair a lovely reddish glow.  The darker your hair the more chestnut is the effect. Lighter hair goes Titian. Henna does not do well on mousy hair, as the resulting tone is usually an unattractive orange. It should never be used over a tint, is no good on gray hair, and can be very drying to any hair, so it is better to avoid it if your hair is already dry. The only color of henna you should use is red which in its natural, powder form, is a pale green. The standard way of using henna is to add hot water to make a creamy paste and then put this on the hair and leave it for up to one hour. Daniel Galvin, Britain's top colorist, who is an expert in the use of herbal hair colorings, uses a different method and gets beautiful results. He adds hot black coffee to the powder, mixes it into a paste, and then adds the juice of a fresh lemon and the yolk of an egg. The coffee brings out the depth and richness of the hair color, the acid in the lemon accelerates the reddening, and the egg yolk keeps the mixture moist and easy to maneuver through the hair. Sometimes he also adds some 10 per cent peroxide to lighten the whole effect. Chamomile, another herbal colorant, has a gentle lightening effect on hair and is wonderful for `sun-streaking' blonde and light brown hair. But you must be patient, for it takes several applications and plenty of time to work. It is not useful for brown hair or dark hair, but it will gently lighten red and works beautifully on all shades of natural blonde. The herb also adds shine to the hair. You can make a chamomile rinse to use after each shampoo (as the last rinse) by taking 2 tablespoons of dried chamomile flowers and tossing them into a pint of boiling water. Simmer for fifteen minutes, strain, cool and use as a final rinse (you can make enough for several rinses and refrigerate it for up to ten days). You leave the rinse in your hair and towel it dry. metallic dyes These are often called color restorers. They deposit metallic dyes and salts of various metals such as manganese, cobalt, silver, and copper on your hair shaft, which gradually darken the hair. But hair dyed this way does not perm well, nor is its condition very good, as this kind of dye tends to make the hair look a dull, flat color. Metallic dyes have to be removed completely, with the use of a special preparation, several days before waving or tinting with a permanent colorant. Because of their many disadvantages, I think they are best avoided. THE ANILINE OR OXIDATION COLORANTS The most permanent (and the most successful), these dyes are included in a number of products for coloring hair such as tinting shampoos, highlighting shampoos, and the single-step and double-step permanent colorants you can buy in packages at the chemist. They are permanent dyes, because the artificial pigment is made to penetrate into the cortex of the hair shaft. There it stays. How this happens is most interesting. Tiny molecules of colorless dye are mixed with a "developer" such as hydrogen peroxide and then put on the hair. The hydrogen peroxide opens up the imbrications of the cuticle, and the molecules enter through them into the cortex. Once inside, they react with the oxygen from the peroxide (a very unstable substance), which spurs the molecules of the dye to oxidize and combine, forming larger molecules. In the process, these new and larger molecules develop the desired color, but they have now become so large that they can no longer pass through the cuticle, so they get stuck on the inside. There are more than 50,000 aniline dyes, each different in shade, thanks to slight changes in arrangements of their molecules. They are potent and effective. They are also potential allergens, since about one woman in ten cannot tolerate an aniline dye without reacting adversely to it. This is why it is important, whenever using a permanent colorant on your hair either at home or at the hairdresser, that a patch test be done first. The anilines can even cause blindness, so they should never be used to tint eyelashes or eyebrows. If you have your hair dyed with an aniline dye, you must wait at least a week before having it permanent-waved or straightened, and you must use a pH-balanced shampoo and conditioner every time you wash it. One of the advantages of the anilines is that tinting limp, straight hair can often make it more manageable, since the peroxide in the dye disturbs the cuticle just enough to give the hair some body and eliminate its lankness. In this category of hair colorant you will find shampoo tints and highlight shampoos, which can be used at home to cover gray if there is too much of it, to lighten hair a couple of shades, to add depth, or to highlight hair that is drab and dull. You put the products on as you would an ordinary shampoo and then leave them in the hair for a few minutes while the peroxide and dye does its work, and then rinse off. They are simple to use. The single and double-step tints also fall into this category. They are the dyes most frequently used by hairdressers. If you want to change the color of your hair dramatically, you should have it done professionally. There is quite an art to color mixing and application (I know women who literally fly 5,000 miles to have their color done by someone who is a real master at it). Although there are some excellent products available for home use, if it were my hair, I would still shun them and head for a salon that specializes in color. The single-step tints are a mixture of aniline dyes, peroxide, and ammonia in an oil base. They are applied carefully to sectioned hair, starting an inch or so away from the roots to the end. The hair is left to sit for a few minutes and then the root area is done. The hair is rested for another half hour or so. These dyes can change the color of your hair to almost any other color, but they are not successful in changing very dark shades to blonde. For that, you need a two-step tint, which bleaches out the existing pigment in the hair shafts in the first step and then adds dye separately in the second. All aniline dyes and bleaching procedures have to be touched up often as the roots grow out, particularly if you change the color drastically from your normal hair shade. They also cause considerable damage to the hair shaft. If you have your hair tinted with them; you must look after it using a pH-balanced shampoo and conditioner and having a protein treatment every couple of weeks. HIGHLIGHTS One of the best and most easily manageable ways of changing your hair color is to have it highlighted or lowlighted. This involves the same procedures as the single-and double-step tinting, but instead of being done all over your head, they are done only on some strands or areas. Highlighting and lowlighting are particularly useful for older hair that has darkened or faded. Highlights can bring new life to a head of hair by lightening some of the strands, but they create no harsh lines between the tinted and natural hair at the scalp, as total dyeing does. Lowlights add a color slightly darker to some strands. They are done just as highlights are by wrapping strands of hair in foil-covered bunches, letting the color develop and then being washed out. Both highlights and lowlights look natural and as they leave no hard-edged margins at the roots so they only need to be redone three or four times a year. This means that you don't need touchups more frequently than every two or three months. There are an enormous number of techniques used in highlighting. Some of the most interesting involve three or more colors put into the hair to give a remarkably natural look. SPECIAL CARE FOR BLEACHED OR TINTED HAIR The golden rule for processed hair is to stay out of the sun. The sun does harm in two ways: It dries out the hair, and it alters the color. Keratin needs water to stay soft and flexible. When too much water is lost as a result of sun or of using heated rollers or of blow-drying too often, then its fibres crack and split and the hair becomes so dry and brittle that it breaks off. It also loses its shine. Sunlight does strange things to hair color by oxidising it. It can turn it greenish or very brassy, or simply make the tint go flat and gray. If you are going into the sun and your hair is bleached or tinted, wear a hat or a towel wrapped around it. Even virgin - that is, untreated - hair needs protection from sunlight. You can use one of the sunscreen products especially made for hair or simply rub in some of the high-protection suntan lotion you use on your body shampooing it out at the end of the day. WHAT ABOUT CANCER RISKS? There is some indication that about 1 percent of the chemical hair dyes used on hair will penetrate through the skin and be absorbed into the bloodstream. The question is, what damage will they do? Professor Bruce Ames, at the University of California, has tested 169 hair dyes on bacterial cells to find out if they cause mutations to the cells. Of these, 89 percent were found to be mutagenic. Although all carcinogens (cancer-causing substances) are mutagenic, not all mutagens are carcinogens, nor do we know if the same results will occur on human cells. The people most at risk from exposure to hair tints are those hair colorists in salons who use them daily without wearing gloves (something you should never do). It is unlikely that cancer risks are very great for the average woman who has her hair tinted. If you are uneasy about it, use one of the semipermanents or herbal dyes instead.

Real age—your biological age—has little to do with how old you are in years. Most people age prematurely. This is avoidable. It is also reversible. Some of the reasons I have such a passion for herbs is: when you know what to use, they can slow biological aging, help restore balance, and improve how you look and feel, as well as how your body functions. Combined with regular detoxification and a natural diet low in carbohydrates and sugars but high in a wide variety of fresh vegetables and top-quality protein, herbs can rejuvenate your body in medically measurable ways: better circulation, increased resistance to illness as well as balancing emotions and bringing clarity. They also help you rediscover innate vitality, whatever your chronological age. Each herb and plant works in its own special way. Some, like ginseng, garlic, and gotu kola are specifically anti-ageing in their actions. Others such as purslane and thyme together with foods like seaweeds, oranges, carrots, and green vegetables—are brimming with anti-oxidants and other phyto-chemicals. These are protective to your whole body as well as immune enhancing. They will help protect you from free radical damage that underlies both premature aging and the development of degenerative diseases.   Here are my favorite anti-ageing herbs: Gotu Kola—Centella asiatica—has been used for centuries in India to extend life span and enhance memory. Gotu kola, like many quality bulk herbs, is native to the tropical regions of Asia and Africa, particularly Sri Lanka and Madagascar. Traditionally, its leaves are dried and steeped in order to create a tea or infusion. Gotu kola is also easy to grow in your garden or in a pot in the kitchen window. It’s also easy to introduce into your life. Just add a fresh leaf or two or a teaspoon of dried gotu kola to whatever herb tea you are drinking. You can also put a few leaves into salad when you make it. Nori Seaweed—If you have never used sea vegetables for cooking, you have a wonderful discovery ahead of you. Not only are they delicious—imparting a wonderful, spicy flavor to soups and salads—they are the richest source of organic mineral salts in nature, particularly iodine. Iodine is the mineral needed by your thyroid gland. As your thyroid gland is largely responsible for the body’s metabolic rate, iodine is essential for vitality as well as protecting you from early aging. I like to use powdered seaweeds as a seasoning. It adds flavor and minerals to salad dressings, salads, and soups. Personally I’m excessively fond of nori seaweed, which comes in long thin sheets or tiny flakes. It is a delicious snack food that you can eat along with a salad or at the beginning of the meal. It has a beautiful, crisp flavor. I toast sheets of nori by passing it over a hob flame for no more than a few seconds. This brings out its wonderful flavor and turns it crunchy. The only problem I have with toasting nori is that one of my Burmese cats, Gus, is completely addicted to it. This means there is no peace while I’m making it. He can smell nori from far away, even when the kitchen door is closed. As soon as I open it, he devours a couple of big sheets that I have crumbled into tiny pieces for him. Green Barley—This is a dried form of the natural juice taken from young barley leaves. It must be to be organically grown, GMO free, and pesticide free. Rich in proteins, flavonoids, minerals, including iron, and vitamins such as K and B15, as well as chlorophyll and other nutrients, green barley boasts thousands of enzymes, not all of which are destroyed in the digestive process. Enzymes play important roles in anti-aging metabolic processes. It also contains a high concentration of superoxide dismutase (SOD)—an anti-oxidant enzyme. Sprinkle from 1⁄2 to 1 teaspoon of green barley on to salads or mix into juices, miso broth or water. Purslane—Portulaca oleracea brims with anti-oxidants as well as vitamins known for their abilities to quench excess free radicals in the body. Purslane improves immune functioning. You can grow purslane in a vegetable patch or just about anywhere—even in window boxes, between the rose bushes, or wherever you have an extra bit of space. Add purslane to fresh vegetable juices or put it through a blender to make ‘live’ vegetable drinks.   Ginkgo Biloba—improves circulation to your brain.  European research confirms this. The leaves from this most ancient of trees restore memory, elevate mood, and quell anxiety. There are more than 300 published studies and reports that support the anti-ageing properties of Ginkgo. Its extract is used in Germany to treat everything from depression and cerebrovascular insufficiency to asthma, transplant rejection, and hearing loss. It is even added to expensive skin products to protect against environmental irritation. You can take ginkgo as an extract, tincture, or in capsules. I prefer a high potency herbal tincture—1/4 to 1/2 teaspoon 2 or 3 times a day. Horsetail—Equisetum arvense is the best natural source of the mineral silicon, which declines in your body after 35. Silicon is essential for you to maintain strong bones, prevent osteoporosis, firm your skin, and protect it from wrinkles and sagging. Horsetail is one of the world’s oldest plants. Organic horsetail tea is the best way to take this wonderful plant several cups a day. My favorite brand is organic, of course, and sells for less than US $12 a pound. Make a friend of these herbs, use them daily, and you will be surprised at how much they can help protect you from early aging. Here are some of the very best products: GOTU KOLA ORGANIC Gotu kola herb, like many quality bulk herbs, is native to the tropical regions of Asia and Africa, particularly Sri Lanka and Madagascar. Traditionally, the leaves of such herbs are dried and steeped in order to create a tea or infusion. Order organic Gotu Kola from iherb NORI ORGANIC SEAWEED Emerald Cove, Organic Pacific Nori Order Organic Nori Seaweed from iherb ORGANIC GREEN BARLEY Frontier Natural Products, Organic Powdered Barley Grass Order Organic Green Barley from iherb HORSETAIL ORGANIC FOR TEAS Frontier Natural Products, Organic Cut & Sifted Horsetail Order Organic Horsetail from iherb

You know the old saying: “Good things come in small packages.” Well, it’s true. Flower essences are sold in little dark-glass dropper bottles. Open one. You’ll discover that, unlike herbal tinctures or essential oils, the liquid inside—from a chemical point of view—is nothing more than water mixed with a little alcohol. This is the medium in which the vibrational energy of a flower (or a gem) has been preserved. You see, the healing power of a vibrational essence depends not on its chemical constituents, but on the frequencies and energies it carries—the spirit or soul energy of the flowers or gems themselves. ENERGETIC FIELDS Where herbs and essential oils bring about direct biochemical and physiological changes, vibrational essences—rather like homeopathic remedies—influence the body via its energetic fields and electrical pathways. So do acupuncture, pulsed electromagnetic treatments, prayer and the laying on of hands. They can all transmit vibrational life-force energy. Dyed-in-the-wool materialists, still totally unaware of fifth entity physics, are surprised by how profoundly healing such energy treatments can be. Provided the vibrational essence chosen is an appropriate one, its health-enhancing effects are deep and long lasting—sometimes even permanent. Let’s examine flower essences carefully. They are made from living blossoms, harvested at the peak of their vibrational power. They influence our emotional and mental states by changing our body’s own vibrational state as well as altering our consciousness. These changes then filter down to a physical level, where they can do many things: energize, stop erratic eating patterns, clear chronic fear and anxiety and increase self-confidence, to name only a few. They can even—to me most interesting of all—help us align our outer lives and the way we choose live them with the nature of our unique innate essential being. When this happens, not only do we experience natural joy and creativity, we experience a sense of expanding freedom. We find it easier to live life by our own rules. We gain access to our unique authentic power. This helps us become aware of what we feel most passionate about, and empowers us to live an authentic life. VIBRATIONS AND WHOLENESS Flower essence healing is only one aspect of what is now known as vibrational medicine—a form of treatment about which have been hearing more and more as the century 21st century develops. British physician Peter Mansfield, one of its pioneers, describes this rather well in his book Flower Remedies. “Vibrational healing,” Mansfield says, uses “the different energy patterns present in nature to modify the vibrations within living bodies, leading indirectly to changes on the physical plane. This encompasses on the one hand methods which use the vibrations directly—light, sound, magnetism etc.—and on the other, methods which involve the preparation of essences from the source of the vibration, which can be absorbed into the body.” PROOF OF THE PUDDING Psychologists and doctors examining the effects of carefully chosen flower essences report that they are completely safe. They can be remarkably effective in helping patients deal with simple troubles—like insomnia, low energy, and fear of flying—as well as deeper issues. Dr Jeffrey Cram at the Sierra Health Institute in California gave subjects either a flower essence or a placebo and then exposed them to stress-inducing fluorescent lighting for long periods. He found, that unlike the placebo which had little effect, flower essences significantly reduced the muscle tension and erratic brainwave activity associated with stress. Meanwhile, Italian medical researchers who tested the effects of flower essences on patients suffering from depression and anxiety found that a surprising 89 out of 115 anxious, depressed and stressed patients who took part in the experiment were greatly helped by flower essence treatments. MAKE IT SIMPLE One of the best practical descriptions I have come across of how flower essences work, comes from the highly respected American researcher, and flower essences creator, Patricia Kaminski. “Just think about a hologram,” she says. “Each separate part of a holographic picture contains images of the whole. This is how it can be used to recreate a three-dimensional image. So it is with a flower essence. One drop of a flower essence holds within it all the energy characteristics of the flower it was made from.” An essence carries the spirit or soul of the flower in its energetic architecture. It communicates this healing blue-print at a very deep level to the energy fields of a human being using it. VISIONARY DOCTOR The first flower essences were created in the 1920s by a highly respected British immunologist and bacteriologist. Dr Edward Bach had become dissatisfied with the way orthodox medicine so often seemed unable to help patients suffering from both chronic and acute illness. Studying the work of the father of homeopathy, Dr Samuel Hahnemann, Bach discovered that many of his own beliefs about the nature of healing echoed Hahnemann’s findings. Like Hahnemann, Bach insisted that it works best to treat the patient, not the disease. Early in his career, Bach prepared bacterial vaccines then administered them to people homeopathically. The results of his work were widely acclaimed by his peers. They carved out a place of high esteem for him in the medical world. The vaccines he made were widely used—some still are. But Bach was not satisfied. He knew in his heart that there is more to healing than treating symptoms. He was convinced that the most effective healing can only take place at the very deepest levels. Bach knew that mental states like anxiety, worry, unhappiness and fear not only undermine vitality, they compromise the immune system, making us highly susceptible to illness and degeneration. He reasoned that, if he could find methods for clearing such negative states, this might well be a key to preventing and curing both acute and chronic illnesses. No matter what symptoms it presents, Bach insisted that any illness is the result of disharmony deep within. RESTORING HARMONY In 1928, Bach began to explore the possibility that the energy of flowers could do this for human beings. He chose to turn his back on a successful career in London and retreat into the wilderness of Wales in search of ways to help suffering people. Bach fasted, he walked in the hills, he opened his mind and his heart to nature, calling out for her help. His intuitive gifts were greatly expanded by the way he was living and eating and by his having abandoned a sophisticated industrial world for raw simplicity. As he came face to face with one herb and flower after another, he became aware of the vast life-force each carried. He also noticed that the healing energies which each held intensified greatly at just the moment when these plants blossomed. Over the next seven years, he worked with these plants in search of a way of collecting their life-healing energies. Gradually, he was able to identify the unique characteristics of each and to understand the kind of disharmony which they help clear. He formulated a group of 12 now-famous flower remedies known as ‘Twelve Healers’. Later he went on to expand them until finally he ended up with a group of thirty-eight flower essences. They are still today known as the Bach Flower Remedies. HEALING FOR THE MASSES So impressed was Bach by the results he got using these flower essences that he decided to leave behind forever his successful orthodox medical practice to devote himself full-time to their development, as well as to teaching people how to use them. Bach had observed that people were becoming more and more divorced from nature—and therefore from their own essential soul nature as well. He believed that in an industrialized world, flower essences are an effective way to counter the destructive processes that resulted from “desensitization” of people which he saw happening all around him. This was a process which he became certain was central to the development of disease. His flower remedies helped re-establish bonds not only between people and nature, but between a human being’s outer personality and his intrinsic soul nature—his innate essence. Before long, Bach’s beliefs would lead him into serious conflict with the medical establishment—especially his insistence that flower remedies should be available to everyone, not just to trained medical practitioners. LIVE YOUR TRUTH The Bach philosophy is simple. It says that each of us has incarnated on the earth to live out a unique divine purpose—our soul’s destiny, if you like. When we are diverted from doing so, either by our own resistance or by learned thought patterns, trauma, emotional repression, inner conflict, or the influence of others, then our personality is not able to become a free expression of our unique soul energy and we get sick. We become anxious, fearful, irritable and angry, thereby lowering our resistance to disease. In time, depending on our genetically inherited weaknesses, we often end up in pain, ill, and degenerating rapidly. Illness, Bach insisted, has its purposes. It is there to warn us when we are going in the wrong direction—to help make us aware of what needs to be honored in our lives that we may not yet be honoring. To be healed, a harmony between our outer life and our inner purpose needs to be re-established. Flower therapy is a powerful way of doing this. Not only does it release stress and trauma. It can help clear repression of our innate life energy and creativity. Most important of all, it can help us realign ourselves with our essential being as well as with nature herself. When this happens, much illness is healed and many degenerative processes are reversed. FOUR-FOLD WAY To Bach, health is not the absence of illness so much as it is an ability to identify its messages and act on them. This does not mean that we should blame ourselves if we become ill. Doing so would only result in further emotional repression. Instead we need to become aware of whatever emotional discord hides beneath a persistent cold or stomach upset and then be prepared to address it and finally let it go. To Bach, healing is a four-fold process. It asks that we: Recognize that we can overcome all difficulties Realize that illness is an expression of disharmony between our outer life or our personality and our soul Discover the cause of this disharmony Clear the cause of disharmony and strengthen the areas in our lives where the expression of our soul nature has been weak. ALCHEMY OF FLOWERS Bach’s explorations into the healing power of flowers, like the work of Kaminski and other flower essence developers, harks back to the ancient art of the alchemists. According to alchemy, when the four elements—earth, air, fire and water—come together in balance then a fifth substance, a quintessence, is created. This quintessence in turn becomes the healing force for body and soul. Bach collected the dew that gathered on plants in the early morning. This dew, he believed, contained the quintessence he had been looking for. It was a perfect fusion of the four elements. In these sparkling drops, he identified the earth that feeds the plant, the natural air in which it grows, the water element in the dew, and fire from the energy of the sun—on which all life depends for its existence. In his healing work, Bach relied strongly on his intuition when figuring out how to work with these elements in relation to extracting the essential healing body of each flower. For days before he investigated the healing potential of a flower, he would himself welcome into his body the physical and mental symptoms of the condition he was seeking to make a remedy for. Then searching for the right plant, he would place a petal or flower in the palm of his hand or on his tongue, register its effects on mind and his body, and record his findings. Gradually he developed a method for transferring a plant’s healing energy to spring water rather than continuing to collect morning dew. It is simple: You can easily learn to do it yourself. To identify the emotional states that each flower essence helps clear, Bach relied on intuition, as has every natural healer, wise woman and mystic throughout the ages. But being a fine scientist, he also “proved” or tested them out on one person after another until he became clear about their actions and confident of their effectiveness. The best of the flower essences prepared today are made in very much the same way—inspired by intuition, observation, conjecture, folklore, herbal tradition, sometimes even shamanic journeying, where the person expands their consciousness to connect with the spirit of the flower and learn from it. Then, once made, each flower essence is rigorously tested on volunteers and colleagues, the sick and the well, and information about its effects is recorded. DEEPEST HEALING Flower essences have been in existence for almost a century now—ever since the visionary Doctor Bach wandered in the Welsh hills in search of a new way to heal the fundamental underlying cause of all illness—classic splits we all have to deal with sooner or later, between soul purpose and the outer life; between mind and body; between emotions and enforced behavior. It’s at this deepest level of human life that flower essences work their finest magic. They bring greater integration and access to authentic power. They can help us shrug off much of the polluting physical, mental and emotional rubbish that prevents each of us from living out the essential beauty and creativity of our true nature. Bach himself knew that once we heal these splits within, the body’s innate tendency to restore harmony will encourage healing to take place on a physical level as well. That is just how flower essences work. They are gentle yet powerful catalysts. They can not only be used to shift emotional or spiritual patterns which we get stuck in. They can also help us remember at the most fundamental spiritual level who we are, then teach us to allow our unique inner radiance to shine forth. Next week we’ll explore how to connect with the essence of flowers yourself, how to make your own flower essences—it’s simple to do—and all the wonderful ways to make use of them enhancing your wellbeing and enriching your life. See you then...

Make up is the icing on the cake. Wear it if you love it. Play with it to discover new ways of expressing the many faces of you. When you don't feel into it, let your face go naked. That, too, is a path to freedom... the colors The idea that makeup color - say an eye shadow - is only to be used on the eyes, or a blusher only on cheeks, is absurd. Color is color, and it doesn't matter what you call a product provided it serves the purposes you want it to. The colors that you use on your face should all give support to each other, so they work together to create an overall effect that is pleasing. the whole process of making up may sound complicated, but with practice it should take very little time - no more than ten minutes from start to finish There are two basic possibilities: warm color schemes and cool ones. The effect of a warm color scheme on the face - which includes the earth colors such as browns, greens, beiges, golds, yellows, apricots, coppers, oranges, and peaches - is to enliven it, making your face look healthier and stronger and more glowing. Warm colors look wonderful on older women, too, because they accentuate youth. This is why some of the best foundations and powders now contain yellow pigments. A little peach or apricot blusher can make almost any face look younger, whereas bluish-pink blusher applied to a face over forty can age it drastically. The cool colors - the blues, purples, pale ivories, silvers, fuchsias, berries, magenta, blue-pinks, and whites give a look of delicate vulnerability to a face, especially when they are applied, as they should be, over a very pale foundation. But to wear them you have to have perfect skin and you have to be young; otherwise they can make you look tired, older, and even unwell. the moisturiser Every good makeup begins with a fine moisturizer complete with sunscreen lavishly applied over clean skin and then given a chance to settle in. You need to wait for your skin to take to the moisturizer before you put on your foundation, otherwise you will end up with a flawed finish and your makeup will not last. `Taking' time is usually between two to five minutes. In addition to the ordinary moisturizers, there are also tinted ones on the market. These products are halfway between moisturizers and foundations. They impart some color and also provide you with some measure of protection from water loss. They give a very light cover but can be a nice way of simply adding a healthy glow to your skin. Some of them also contain sunscreens. When choosing a tinted moisturizer, look for one that is not too far away from your own skin tone or you will find it doesn't blend in and cover well. A green moisturizer will soften a florid skin, toning it down and making it look more neutral. Green will also help conceal red blotches and spots on your skin. A mauve-colored moisturizer can improve a dull complexion and brighten the face of someone who is too pale. An apricot-colored corrective should be used only by the very few women who are really sallow. When you use a corrective, put it on with a sponge that has been dampened and then had all the excess water removed from it by wiping it against a towel. Among the tinted moisturizers are the `color correctives' - products tinted a specific hue in order to change the look of your own, natural coloring. They are worn under your ordinary foundation. the foundation Once your moisturizer has set, you are ready for the foundation. But why all over? Instead you can wear it only on parts of your face such as around the eyes where it gives a good base for eye shadows, on your chin,and on your cheeks. The advantage to this is that you still get the wonderful, delicate shading of natural skin, rather than that all-over deadness that can come from covering your whole face with one opaque color. Or you can wear two shades of foundation: a lighter one in the center of your face (on the nose, forehead, cheeks, and chin) and the slightly darker one of the same tone around the outside (near the hairline and along the jawline). This has the effect of preserving a natural-looking gradation of color and still lending the finished look of a well-made-up face. A foundation is not meant to give strong color to a face. It is supposed to be flat and neutral. About 80 per cent of Caucasian skin should wear one foundation color: a flat, true beige with neither pink nor peach overtones to it. It will look good on all ages of `northern European' skin, because it gives a neutral canvas on which to put your eye and lip colors. If your skin is olive or yellowish or very dark, then choose a foundation as close to its natural color as possible but slightly flatter. When testing out color, put it on your naked face and then again go out into the daylight to look at the results before buying anything. The kind of foundation you choose depends on what kind of skin you have, as well as on personal preference. Dry skin does best with a cream or oil-based liquid foundation. Aging skin needs the finest of liquid foundation. Anything heavily oily collects in the lines and makes you look haggard. Oily skin demands a water-based liquid or cream or a cake or block-type makeup. Put a little foundation in the palm of your hand and then dip the sponge into it and apply it to your face, brushing it lightly over your skin again and again until everything is well blended into your skin. the concealer Now is the time to deal with any problems you want to conceal, such as black circles under your eyes, or discolorations here and there. Concealer creams and sticks are good here, although some of them are greasy and, particularly under the eyes, tend to sink into tiny lines and make matters worse. Put your concealer on with a flat wedge-shaped brush and smooth into the skin until it blends perfectly with the surrounding areas. If you add a little powder here you will get just the finish you need to make the undesirable area fade into the surrounding skin tones. the magic of light and shade The secret of making light and shade work for you is simply to apply both sparingly and only where it matters to your face, and always to blend well into the surrounding area. Whatever part of your face you want to bring out or emphasize, you apply a light color to, and whatever part you want to minimize, you cover with a darker shade. Here are some of the things you can do with shading: To minimize a jaw that is too large or too square, apply darker shade along the jawline, blending it under the jaw and fading into nothing at the sides of the face. To shorten a pointed chin, apply shader to chin only, blending underneath into the neck and fading to nothing at the sides. To fade a double chin, put shader on the double chin and blend it skilfully. This will make it recede into the background and look less prominent. To give more interesting shape to a square face apply shader in the temple area and all around the jawline, carefully blending. To minimize a nose that is too large, apply shader in a single stripe down the centre of the nose, carefully blending into the color at the sides so that no definite line appears. To slim a broad nose apply a shader - preferably a slightly darker foundation or cream - in a stripe down each side of the nose and blend it carefully into the skin to make the nose look narrower. For most women, one of their best features is the eyes. Perhaps this is because eyes reveal so much of what goes on inside. Makeup for eyes should emphasize this and show off the eyes' beauty and color. There are lots of ways to use eye makeup to improve eyes, but all of them begin with the same principles. Use neutral tones such as slabby browns (without red tones in them), flat greys, and greyed greens, or even terracotta, for establishing the shape of the eyes (the darker shades to define the sockets and the lighter beiges or yellow, peach or apricot, or pink, on the lids and under the brows). All eye shadows are best applied to skin that has a foundation on it even if you don't put foundation on the rest of your face, and powder shadows hold best over a light skimming of translucent powder too. All eye shadows are best applied with a brush, whether they are liquid, cream, or powder. You will get a better, longer-lasting finish from them this way. the eyelids Apply the lighter shade of colored shadow you have chosen to the section of the lid nearest the lashes, and then brush it out, fading it away to nothing towards the eyebrows. Now you can have the darker shadow in the socket to define the shape. Remember that colors on the outer edges of your eyes will tend to widen the look of your face and open your gaze. Finally put on your eyeliner. A good way of emphasizing eye shape without looking too obviously made-up is to use a pencil in the same tone you are using for your eye shadow, dotting it all along the upper lashes and then just under the lower ones so the two lines meet at the outer corners and form a little triangle. This kind of liner looks good when it is gently smeared with a brush or fingertip to blend it into the surrounding area and keep it from looking hard. You can also use another color line drawn on the inside of the lower lid if you like. The other way of applying eyeliner is with a brush, in which case you use liquid or cake liner and get a more definite line. It is drawn just above the roots of the upper lashes and just below the roots of the lower ones, again meeting at the corner. Many women use black eyeliner, but usually a gentle grey or slate or muted brown is better. the mascara Mascara makes eyes look more glamorous. It seems to create an aura of mystery about the eyes when lashes are darkened and thickened. Unless you are planning to walk in the rain or to go swimming with your makeup on, you are better off using a mascara that is not waterproof. eyebrow sculpture Before you begin, brush them first one way and then the other to remove any loose hairs or makeup, and clean the skin around the eyes thoroughly. Now put moisturizer in the area, before you reach for the tweezers. Brush your brows into shape and take a good look at them. Start by removing stray hairs between the brows and the stragglers but never pluck from above the eyebrow. And always remove only one hair at a time, pulling it in the direction in which it grows. When you have finished with one brow, apply antiseptic or a simple toner to it before going on to the next one. This will help soothe the irritated skin. Don't try to apply makeup for an hour after plucking. the lips Most women tend to pick lipsticks that are too bright or too pink to flatter their coloring. There is certainly a place for fire-engine reds and vivid fuchsias, but for everyday wear you are probably better off with a muted brownish pink or a softened melon or salmon. Shop around until you find four or five lipsticks in differing tones that look good on you. Frosted lipsticks are for the very young. Older women are usually better off with cream lipsticks, since frosting shows up wrinkles on the lips and the see-through ones don't give enough definition. When applying lipstick, use a pencil or a lipbrush to outline your mouth first, so you get a good, sharply defined edge. Then apply your lipstick and blot it and apply again if you want it to stay. Alternatively use a pencil all over the mouth as well as for outline and then apply a clear gloss. It looks fresh and simple and the color tends to last. the cheeks The best colors for everyday wear for most women are terracotta, apricot-brown or dusky peach, because they make the skin look particularly healthy. Used high on the cheekbones it accentuates a well-sculptured face. Used across the cheeks it gives a simple warm glow. the powder A little translucent powder that imparts no color but gives a smooth, matte finish can actually make a face look younger. It is also an interesting effect to powder only parts of your face, such as the sides below the cheekbones, the nose, and the forehead, and then leave a sheen on cheeks and chin. Always use a powder that gives no color, just a matte, smooth finish, and always brush away every speck of excess once you have applied it. the finishing touches Last of all, after you have applied your makeup completely, you need to set it with water. This step is very useful, for it will make a face last far longer than it otherwise would. Spray your face with spring water from an aerosol can or with a fine mist from a plant-misting bottle. Then blot gently once with a tissue.

The power that floral essential oils can exert over mind and body has been known for centuries. For example, before Cleopatra sailed out to meet Marc Antony, she drenched the sails of her barge with the scent of jasmine—an aphrodisiac. He could not resist her. The faintest hint of a floral perfume can transport you back to a place in your memories, and evoke all the emotions that go with it. Why should something as ordinary as a scent have such a powerful effect upon you? It is because your sense of smell is governed by the limbic system—the most primitive part of your brain. The limbic system also governs your most intense emotions—joy, fear, desire, or rage. So an evocative scent has the power to reach into the deepest parts of your mind and body. When you smell any odor, you are reacting to volatile molecules that are wafting their way to odor receptors behind the bridge of your nose. From there, nerve impulses are carried to your limbic system. The chemical messages from the fragrance are then interpreted, and a response is sent by the hypothalamus to the rest of your body.   It was not until the 1920s that the extraordinary physical healing powers of essential oils began to be explored in depth. It was at this time that the birth of modern aromatherapy took place in the laboratory of a French chemist, Rene-Maurice Gattefosse, who became interested in the healing qualities of the natural essential oils that he used in his family’s perfume business. Then, one day Gattefosse burned his hand in a laboratory explosion and he immediately plunged his hand into a bowl of pure lavender oil. He was amazed to find how quickly the wound healed without even leaving a scar. It was Gattefosse who coined the word “aromatherapy,” in a 1928 scientific paper. Floral essential oils work from outside in. They impact your body and senses through your sense of smell and by absorption through your skin. When essential oils meet your human body, their molecules not only produce psychological responses like euphoria and increased alertness as well as relaxation but also induce direct and measurable pharmacological changes through your blood stream. They affect your hormones and glandular system, your metabolic processes, and your nervous system, and subtly induce healing on many levels. There are over 1000 aromatherapy oils on the market—about 30% of them derived from flowers. Each floral essential oil has its own distinct personality, which is sometimes quite different from its ‘soul energy,’ which comes through in flower essence healing. Each can be used singularly or in combination. If you have not yet experienced the blessings of floral essential oils in your life, you are in for a treat. Here are some of my favorite flowers, from which teas can be made and whose essential oils or absolutes can be used for a multitude of other purposes. Get to know their healing effects and their uses, then experiment with them in your own life. SACRED ESSENTIAL OILS To open to the abundance of the universe Rose Otto, Neroli, Lavender To clear unhelpful habits and thought patterns Carnation, Tuberose, Hyssop For increased confidence and self-worth Geranium, Rose Maroc, Ylang Ylang To release guilt Clary Sage, Jasmine, Linden Blossom To enhance the connection with your higher self Rose Maroc, Jasmine, Neroli Immerse yourself in a bath laced with essential oils. Breathe in the mind-altering aroma while you absorb the life-enhancing molecules through your skin. Don't disrupt the experience with perfumed soaps, shampoos, or body washes. If you need to get clean, shower first, then bask in the full aromatherapy experience. Once you emerge from your bath, let yourself enjoy the floral aura that you will carry with you for hours. The simplest method for taking an aromatherapy bath is to sprinkle a few drops of essential oil into your bath, swish it around so that the oil is well dispersed, then immerse yourself. Begin with only 2 drops of essential oil in a tub of water then gradually build up over a period of weeks to 4-7 drops. This may seem like a very small amount, but undiluted essences are extremely potent. More than this could irritate your skin. Also be aware that some florals stimulate while others sedate. For example, if you want a relaxing bath, choose an essential oil like lavender, which has a sedating effect, and use it in warm rather than hot water (somewhere between 28-35 degrees C). If you need invigoration, use a stimulating essential oil like neroli and take a shorter, hotter bath (around 35-39 degrees C). If you prefer a moisturizing bath, make your own bath oil blend by combining the following ingredients: To each 1-2 teaspoons of avocado oil or sweet almond oil, add 1 drop of a mild shampoo 2-5 drops of essential oil Shake the mixture in a small glass jar or bottle and add the blend to your bath. Experiment with your essential oils singly or in combination. Don’t use more than 3-5 drops of essential oil in total. Each has its own personality, and you will quickly learn which ones help you most and in which situations. Above all, have fun experimenting. Rediscover the ancient art of bathing that the Romans knew so well. Take time out to indulge your senses with a prolonged floral soak. It will benefit you in so many ways that it would be hard to list them all.