beauty

The United Nations Environmental Program calculates that 70,000 chemicals are in common use across the world. Another 1000 new chemicals are introduced each year, polluting the planet and our bodies. Legal loopholes in every country still allow perfumes and other personal care products to be sold containing potentially deadly toxins that disrupt the order of the body’s living matrix and undermine your health. Each time you buy a bottle of perfume, be aware that it could contain any number of poisonous chemicals. There are more than 5000 stock chemical ingredients used by the fragrance industry, which manufacturers are not obliged to disclose on the labels. They are often hidden within a dangerous loophole of “trade secret formulas”. BUYER BEWARE More than ten years ago, the Sunday Times published an article shouting “Top Perfumes Linked to Cancer Scare Chemicals”. The article went on to report that when a Swedish government-accredited laboratory analyzed 34 common products, researchers found that well-known perfumes like “Chanel No. 5”, Dior’s “Poison”, Calvin Klein’s “Eternity” and “Tommy Girl” all contained di-ethylhexyl phthalate (DEHP) or similar chemicals. Commonly used as “plasticizers”, phthalates are dangerous. They are linked to decreased sperm count, early breast development, kidney and liver damage and birth defects. Since then, the situation has become infinitely worse. Phthalates have long been known to be both carcinogenic and mutagenic. They adversely affect sperm in men and disrupt reproductive processes in women. Nonetheless, they continue to be used. Theys are found in other common products as well—body sprays, compacts, and hair mousses—even flooring materials. Now, largely in response to several research projects, the EU has banned their use based on the fear that they may be responsible for genital abnormalities recorded in 4 percent of male babies. Yet they are still be used in fragrance products under the sneaky “trade secret formulas” label. And phthalates are merely a pale echo of the problem—a minute concern—in a much more threatening and complex multi-dimensional and pervasive chemical toxicity which pervades our lives. POISONOUS SEAS In our 21st century industrialized world, we live in a sea of petrochemically-derived chemicals dangerous to health, and life. All manmade chemicals are foreign to living systems. As such, they are potentially dangerous to us. Why? Because, in a million years of evolution, our bodies have never come into contact with them. Our genes are not adapted to handling them. Nor do we have the enzyme systems needed to clear them from our system. Included in the group of potentially destructive chemicals are hundreds of common cosmetic ingredients—from artificial preservatives to fragrances. There are over 7000 ingredients commonly found in perfumes, cosmetics and other fragranced products from household cleansers to baby toys. More than 1000 of these have already been individually shown to produce toxic effects on living systems. It is simply not possible to determine just what blends of substances have been used to produce the product, and what is listed on any label represents only the tip of the iceberg. Companies manufacturing fragrances, cosmetics and toiletries, such as shampoos, are legally required to list the ingredients they use; however, fragrances and trade-secret formulas in these products are considered legally exempt. In effect, manufacturers indulge in stealth by hiding large quantities of ingredients which we have no way of finding out about. SECRETS SECRETS The Campaign for Safe Cosmetics commissioned the Environmental Working Group (EWG) to analyze ingredients in several well-known perfumes and toiletry products made by companies such as Chanel, Armani, and Calvin Klein. They found a total of 38 chemicals not listed on product labels. According to the report: “Among them are chemicals associated with hormone disruption, allergic reactions...in the rank of undisclosed ingredients are chemicals with troubling hazardous properties or with a propensity to accumulate in human tissues. These include diethyl phthalate, a chemical found in 97% of Americans and linked to sperm damage in human epidemiological studies, and musk ketone, a synthetic fragrance ingredient that concentrates in human fat and breast tissue.” Chemical hormone mimics not only carry dangers for male health, being largely responsible for the fall in male sperm count by almost 50 percent since 1940. They are also major culprits behind the exponential growth of reproductive disorders in women—from PMS, endometriosis and fibroid tumors, to infertility, osteoporosis and menopausal miseries. And, here’s the rub: Far more important than the potential harm any single chemical can do, is the dangerous way in which these chemicals can interact to produce far more toxic compounds within our bodies. This important truth still remains ignored by government bodies whose job it is to protect the public. LIVING TRUTHS A continuous interchange is meant to take place between your body’s trillions of cells and the surrounding interstitial fluids. This is how nutrients and oxygen enter the cells and cellular wastes are cleared from them. Wastes are then carried through lymph vessels to be eliminated from the system on the breath, and via urine, the bowels and the skin. This exchange of nutrients and oxygen and the elimination of waste are regulated by subtle electrochemical energies. A build up of toxicity in your body’s living matrix results in poor circulation and electro-chemical stagnation, causing poor cellular metabolism, distortions in the transmission of information, and a breakdown in hormone regulation. When cells thrive and your body is radiant, you have a high level of protection from aging. This continues so long as plenty of nutrients and oxygen get into its cells, and toxic wastes are efficiently removed from them. And, although your body has elegant ways of clearing wastes—including its own antioxidant enzyme system and detoxification processes through the liver and kidneys—chemical and electromagnetic pollution can create the kind of toxic overload that undermines its ability to do the job. AVOID TOXIC OVERLOAD Here are just a few of the most widespread chemicals commonly used in perfumes, makeup, and skincare. By now, every fragrance or skincare manufacturer of integrity should be working diligently to eliminate them from the products they sell. So far few companies are. Parabens: Made from toluene, a petrochemical derivative, these are the most common synthetic preservatives. They are still used in 99 percent of all products. They show up on labels with names like butyl paraben, methyl paraben, and propyl paraben. Naïve cosmetic manufacturers claim parabens are “safe” since they don’t directly cause inflammatory reactions to skin. But these enzyme inhibitors do damage the DNA of skin cells—something easy to verify by feeding placebos to live cells in a laboratory and then recording what happens to the cells via flow cytometry. Research carried out in Japan, Germany and Britain also implicates parabens—which we absorb in significant quantity day in day out—as a causative factor in male fertility problems and breast tumors in women, because it interferes with hormone production and hormone release. Synthetic musks: These have been shown to cause hormone disruption. They accumulate in breast milk and in the umbilical cord blood of newborns. DEA diethanolamine, MEA monoethanolamine, and TEA triethanolamine: These hormone-disrupting chemicals can form carcinogenic nitrates and nitrosamines. They are widespread in the United States and other countries. Hydantoin and Urea—Imidazolidinyl: Two of the many preservatives commonly found in self-care products, these release formaldehyde into the body, where they can trigger skin reactions, allergies, joint pain, dizziness and lowering of immunity. Formaldehyde undermines the life processes of your living matrix. This is why morticians use it to embalm dead bodies. Fragrances in general: Many chemicals used to make artificial fragrances are known to be both toxic and carcinogenic. They affect the central nervous system, and can set off emotional disturbances and behavioral problems in some people. This is a wide chemical group, most of the members of which are dangerous—to some degree—because of the solvents used to disperse their molecules and suspend these chemicals in solution. Where once the great perfumes were formulated from natural products like civet and essential oils, sadly this is most certainly no longer the case. HEADACHES AND FATIGUE Have you experienced a headache or felt sick when passing through the cosmetic area of a department store? I have. That’s why I tend to stay away from these places. Our olfactory mechanisms are closely allied to our limbic system—the primitive part of the brain that oversees our emotions, our behavior, and our memories. The limbic system also rules our basic animal drives and influences our autonomic nervous system, hormones and sexuality. Being exposed to cosmetic counters, or sitting next to people who are wearing poisonous perfumes can make you feel confused, dazed, bad-tempered and deeply fatigued. So can wearing many well known perfumes and using other fragranced products in your home or workplace. It’s far better to make your own fragrances to wear—as well as to make your home beautifully fragrant—out of organic essential oils. Your health and your life will benefit, and this could help protect you from potentially destructive long-term damage to your body. WANT TO KNOW MORE? “Scent of Danger: Are There Toxic Ingredients in Perfumes and Colognes?” Scientific American September 29, 2012. The Campaign for Safe Cosmetics, Not So Sexy Examiner November 9, 2013 Environmental Working Group December 6, 2007 2 New York Times May 14, 2000 Business Week June 16, 2010 Psychological Science December 22, 2009

Make up is the icing on the cake. Wear it if you love it. Play with it to discover new ways of expressing the many faces of you. When you don't feel into it, let your face go naked. That, too, is a path to freedom... the colors The idea that makeup color - say an eye shadow - is only to be used on the eyes, or a blusher only on cheeks, is absurd. Color is color, and it doesn't matter what you call a product provided it serves the purposes you want it to. The colors that you use on your face should all give support to each other, so they work together to create an overall effect that is pleasing. the whole process of making up may sound complicated, but with practice it should take very little time - no more than ten minutes from start to finish There are two basic possibilities: warm color schemes and cool ones. The effect of a warm color scheme on the face - which includes the earth colors such as browns, greens, beiges, golds, yellows, apricots, coppers, oranges, and peaches - is to enliven it, making your face look healthier and stronger and more glowing. Warm colors look wonderful on older women, too, because they accentuate youth. This is why some of the best foundations and powders now contain yellow pigments. A little peach or apricot blusher can make almost any face look younger, whereas bluish-pink blusher applied to a face over forty can age it drastically. The cool colors - the blues, purples, pale ivories, silvers, fuchsias, berries, magenta, blue-pinks, and whites give a look of delicate vulnerability to a face, especially when they are applied, as they should be, over a very pale foundation. But to wear them you have to have perfect skin and you have to be young; otherwise they can make you look tired, older, and even unwell. the moisturiser Every good makeup begins with a fine moisturizer complete with sunscreen lavishly applied over clean skin and then given a chance to settle in. You need to wait for your skin to take to the moisturizer before you put on your foundation, otherwise you will end up with a flawed finish and your makeup will not last. `Taking' time is usually between two to five minutes. In addition to the ordinary moisturizers, there are also tinted ones on the market. These products are halfway between moisturizers and foundations. They impart some color and also provide you with some measure of protection from water loss. They give a very light cover but can be a nice way of simply adding a healthy glow to your skin. Some of them also contain sunscreens. When choosing a tinted moisturizer, look for one that is not too far away from your own skin tone or you will find it doesn't blend in and cover well. A green moisturizer will soften a florid skin, toning it down and making it look more neutral. Green will also help conceal red blotches and spots on your skin. A mauve-colored moisturizer can improve a dull complexion and brighten the face of someone who is too pale. An apricot-colored corrective should be used only by the very few women who are really sallow. When you use a corrective, put it on with a sponge that has been dampened and then had all the excess water removed from it by wiping it against a towel. Among the tinted moisturizers are the `color correctives' - products tinted a specific hue in order to change the look of your own, natural coloring. They are worn under your ordinary foundation. the foundation Once your moisturizer has set, you are ready for the foundation. But why all over? Instead you can wear it only on parts of your face such as around the eyes where it gives a good base for eye shadows, on your chin,and on your cheeks. The advantage to this is that you still get the wonderful, delicate shading of natural skin, rather than that all-over deadness that can come from covering your whole face with one opaque color. Or you can wear two shades of foundation: a lighter one in the center of your face (on the nose, forehead, cheeks, and chin) and the slightly darker one of the same tone around the outside (near the hairline and along the jawline). This has the effect of preserving a natural-looking gradation of color and still lending the finished look of a well-made-up face. A foundation is not meant to give strong color to a face. It is supposed to be flat and neutral. About 80 per cent of Caucasian skin should wear one foundation color: a flat, true beige with neither pink nor peach overtones to it. It will look good on all ages of `northern European' skin, because it gives a neutral canvas on which to put your eye and lip colors. If your skin is olive or yellowish or very dark, then choose a foundation as close to its natural color as possible but slightly flatter. When testing out color, put it on your naked face and then again go out into the daylight to look at the results before buying anything. The kind of foundation you choose depends on what kind of skin you have, as well as on personal preference. Dry skin does best with a cream or oil-based liquid foundation. Aging skin needs the finest of liquid foundation. Anything heavily oily collects in the lines and makes you look haggard. Oily skin demands a water-based liquid or cream or a cake or block-type makeup. Put a little foundation in the palm of your hand and then dip the sponge into it and apply it to your face, brushing it lightly over your skin again and again until everything is well blended into your skin. the concealer Now is the time to deal with any problems you want to conceal, such as black circles under your eyes, or discolorations here and there. Concealer creams and sticks are good here, although some of them are greasy and, particularly under the eyes, tend to sink into tiny lines and make matters worse. Put your concealer on with a flat wedge-shaped brush and smooth into the skin until it blends perfectly with the surrounding areas. If you add a little powder here you will get just the finish you need to make the undesirable area fade into the surrounding skin tones. the magic of light and shade The secret of making light and shade work for you is simply to apply both sparingly and only where it matters to your face, and always to blend well into the surrounding area. Whatever part of your face you want to bring out or emphasize, you apply a light color to, and whatever part you want to minimize, you cover with a darker shade. Here are some of the things you can do with shading: To minimize a jaw that is too large or too square, apply darker shade along the jawline, blending it under the jaw and fading into nothing at the sides of the face. To shorten a pointed chin, apply shader to chin only, blending underneath into the neck and fading to nothing at the sides. To fade a double chin, put shader on the double chin and blend it skilfully. This will make it recede into the background and look less prominent. To give more interesting shape to a square face apply shader in the temple area and all around the jawline, carefully blending. To minimize a nose that is too large, apply shader in a single stripe down the centre of the nose, carefully blending into the color at the sides so that no definite line appears. To slim a broad nose apply a shader - preferably a slightly darker foundation or cream - in a stripe down each side of the nose and blend it carefully into the skin to make the nose look narrower. For most women, one of their best features is the eyes. Perhaps this is because eyes reveal so much of what goes on inside. Makeup for eyes should emphasize this and show off the eyes' beauty and color. There are lots of ways to use eye makeup to improve eyes, but all of them begin with the same principles. Use neutral tones such as slabby browns (without red tones in them), flat greys, and greyed greens, or even terracotta, for establishing the shape of the eyes (the darker shades to define the sockets and the lighter beiges or yellow, peach or apricot, or pink, on the lids and under the brows). All eye shadows are best applied to skin that has a foundation on it even if you don't put foundation on the rest of your face, and powder shadows hold best over a light skimming of translucent powder too. All eye shadows are best applied with a brush, whether they are liquid, cream, or powder. You will get a better, longer-lasting finish from them this way. the eyelids Apply the lighter shade of colored shadow you have chosen to the section of the lid nearest the lashes, and then brush it out, fading it away to nothing towards the eyebrows. Now you can have the darker shadow in the socket to define the shape. Remember that colors on the outer edges of your eyes will tend to widen the look of your face and open your gaze. Finally put on your eyeliner. A good way of emphasizing eye shape without looking too obviously made-up is to use a pencil in the same tone you are using for your eye shadow, dotting it all along the upper lashes and then just under the lower ones so the two lines meet at the outer corners and form a little triangle. This kind of liner looks good when it is gently smeared with a brush or fingertip to blend it into the surrounding area and keep it from looking hard. You can also use another color line drawn on the inside of the lower lid if you like. The other way of applying eyeliner is with a brush, in which case you use liquid or cake liner and get a more definite line. It is drawn just above the roots of the upper lashes and just below the roots of the lower ones, again meeting at the corner. Many women use black eyeliner, but usually a gentle grey or slate or muted brown is better. the mascara Mascara makes eyes look more glamorous. It seems to create an aura of mystery about the eyes when lashes are darkened and thickened. Unless you are planning to walk in the rain or to go swimming with your makeup on, you are better off using a mascara that is not waterproof. eyebrow sculpture Before you begin, brush them first one way and then the other to remove any loose hairs or makeup, and clean the skin around the eyes thoroughly. Now put moisturizer in the area, before you reach for the tweezers. Brush your brows into shape and take a good look at them. Start by removing stray hairs between the brows and the stragglers but never pluck from above the eyebrow. And always remove only one hair at a time, pulling it in the direction in which it grows. When you have finished with one brow, apply antiseptic or a simple toner to it before going on to the next one. This will help soothe the irritated skin. Don't try to apply makeup for an hour after plucking. the lips Most women tend to pick lipsticks that are too bright or too pink to flatter their coloring. There is certainly a place for fire-engine reds and vivid fuchsias, but for everyday wear you are probably better off with a muted brownish pink or a softened melon or salmon. Shop around until you find four or five lipsticks in differing tones that look good on you. Frosted lipsticks are for the very young. Older women are usually better off with cream lipsticks, since frosting shows up wrinkles on the lips and the see-through ones don't give enough definition. When applying lipstick, use a pencil or a lipbrush to outline your mouth first, so you get a good, sharply defined edge. Then apply your lipstick and blot it and apply again if you want it to stay. Alternatively use a pencil all over the mouth as well as for outline and then apply a clear gloss. It looks fresh and simple and the color tends to last. the cheeks The best colors for everyday wear for most women are terracotta, apricot-brown or dusky peach, because they make the skin look particularly healthy. Used high on the cheekbones it accentuates a well-sculptured face. Used across the cheeks it gives a simple warm glow. the powder A little translucent powder that imparts no color but gives a smooth, matte finish can actually make a face look younger. It is also an interesting effect to powder only parts of your face, such as the sides below the cheekbones, the nose, and the forehead, and then leave a sheen on cheeks and chin. Always use a powder that gives no color, just a matte, smooth finish, and always brush away every speck of excess once you have applied it. the finishing touches Last of all, after you have applied your makeup completely, you need to set it with water. This step is very useful, for it will make a face last far longer than it otherwise would. Spray your face with spring water from an aerosol can or with a fine mist from a plant-misting bottle. Then blot gently once with a tissue.

Epsom salts baths are one of the world’s most potent yet underrated natural treatments. Don’t take them lightly. They can improve your health and they cost almost nothing. They can be useful if you have been having a stressful day because they deep cleanse the body, both physiologically and energetically. They are great for encouraging deep, restful sleep and relaxation. Epsom salts also carry a magic that goes way beyond this. Lying in an Epsom salts bath is a superb way to enter your inner world and make you aware of dreams and longings you may not even have discovered yet. Use them to help forge deep connections with your essential being. Use them often and just allow yourself to BE instead of having to DO all the time. Named after a compound of minerals discovered in 17th century England, Epsom salts were first discovered by Nehemiah Grew in Epsom, a small town not far from London. He discovered that Epsom salts could relieve pain in muscles, calm headaches, and quell inflammation. Early on, drinking Epsom water was used as a purgative. The salts themselves were produced by boiling Epsom water until it turned into hydrated magnesium sulfate—which is where the name Epsom salts comes from. This hydrated magnesium sulfate brings important minerals your body, and they are absorbed through the skin when you take an Epsom salts bath. Both the magnesium and the sulfate molecules have the ability to leach excess sodium, phosphorous, and nitrogenous wastes from the body. As they reduce toxicity, more of your body’s energetic potential gets freed up for use. Magnesium and sulfur also happen to be among the most alkalinizing of earth minerals. In practical terms, what this means is that they have the ability to create more physical space between the atoms and molecules of your body. This is important since the greater the acidity in the body and the more compressed this molecular space becomes, the greater the physical and emotional pressure you feel. There’s more good news. When you step into an Epsom salts bath, magnesium sulfate immerses your body in a unified electrical field. This takes excess electrical discharge from one area of the body and sends it to areas that are undercharged, which creates energetic balance and flow. There is nothing quite as good as an Epsom salts bath; for instance, taking an Epsom salts bath after you have been on a long flight or if you are suffering from jet lag, emotional tension, or fatigue. Magnesium deficiencies are rampant in the Western world as industrial agriculture has removed massive quantities of magnesium from our soils and also because most people choose to feed themselves on packaged convenience foods. More than 80 percent of people in the United States are deficient in magnesium. Very few have any idea just how important magnesium is to their health. Magnesium is the second-most abundant element in your cells. It is also the fourth most positively charged ion in your body and essential to more than 300 specific enzymes in the body. Magnesium helps activate your muscles and nerves. It’s a catalyst for vital neurotransmitters like serotonin. It helps create ATP, which are energy molecules for your body. And it must be present for optimization of the mitochondria in cells, which are crucial for vitality, health, and athletic performance. What about sulfur—the other half of the Epsom salts equation? Sulfur is a natural detoxifier. It is a powerful antioxidant, pain reliever, and anti-inflammatory. Inviting sulfur into your body through the surface of your skin while lying in an Epsom salts bath is a superb way to strengthen your system as a whole. The electrical charge between magnesium with its positive charge and sulfur with its negative charge helps these two minerals blend together in a superb way. There is a very specific way of taking an Epsom salts bath. Let me share it with you: Pour two large cups of industrial grade Epsom salts into the bathtub. You can find them in small amounts at the chemist and in supermarkets. Far better is this: order in bulk a 25 kg bag over the Internet. This way Epsom salts are inexpensive. One more tip: I like to add a pound of sodium bicarbonate (baking soda) to every Epsom salts bath because it blends well with magnesium sulfate and is wonderful for skin. But you must make sure that any baking soda you use contains no aluminum since this is the last thing you should ever put into your bath water or anywhere else. Fill the bath with blood-heat tepid water, just above body temperature. Immerse yourself in it for at least 20 to 30 minutes. If your body gets too cool, add some more hot water. If your body becomes too warm, add some cold water. You need to be able to sustain being in this bath in a very relaxed state for 20 to 30 minutes. Then get out of the bath and wrap yourself in a towel. If you are doing this just before bed, now climb into bed, cover yourself up, keep warm, and you can easily drift into blissful sleep. If it’s during the day or if you are trying to restore yourself to be able to go out in the evening, then when you get out of the Epsom salts bath wrap yourself up in a towel and lie down for 10 minutes. Then get up, get dressed, and go about doing whatever you are intending to do. In our home we are completely addicted to the joys and the benefits of daily Epsom salts baths. I predict that you too may become the addicts we have become. Try it and see.

For most people, the face is the focus of attention and the most immediate expression of a woman's beauty. It is certainly the area of the body women most worry about. They spend a great deal of money looking after it with creams and lotions, cleansers and toners and masks, and of course the traditional facials, special treatments, and face-lifts. Everything seems to depend on the face. And all of this is done in an attempt to make sure skin stays smooth and young-looking, well colored, and free from blemishes. Skin is one of the most important criteria for sexual attraction between men and women. Perhaps this is the main reason the face seems so important. the craft of skin care A living, breathing thing, skin is far more than just a superficial covering for your body. It is your largest organ. It covers a surface area of about 17 square feet and weighs between six and eight pounds. So complex is this stuff called skin that a piece of it with the surface area of your thumbnail boasts a yard of blood vessels, twenty-five nerve endings, one hundred sweat glands, and over three million cells. Lasting skin beauty is a question of lasting care, just not spending lavishly on fancy creams and treatments. It is the everyday way you treat skin that matters year after year. But to know how to look after your skin you must first know something about it - what it is and isn't, what it's meant to do, and the many things that affect it for better or worse. For then you can see that its needs are met from day to day. In return it will give you what you desire: beauty that at the very least is skin deep. how your skin works Your skin is a world all its own: living tissue composed of billions of cells bathed in a lake of liquid with the same salt content as seawater. Each skin cell is separated from its neighbor by a membrane through which nutrients and respiratory gases pass, and all skin tissue is nourished by the myriad of tiny capillaries which bring fresh oxygen and nutrients to the cell. Cell growth and reproduction go on unceasingly in each of these microcosms. Life is sustained, wastes eliminated to be carried away via the lymph and blood, so that all of these cells can work together to perform the many vital functions that your skin carries out: It protects your body from invasion by bacteria, virus, or fungus. It helps eliminate the waste products of the metabolism directly through its surface. It conveys information about the outside world by way of a vast network of complex sensory nerve endings. It helps guard the inside of your body from the destructive ultraviolet rays of the sun. And it registers pleasure and pain from your environment. Your skin both depends on the rest of your body for its healthy existence and also offers help to it. And like all live things, in order to function well and look beautiful, it has to be free to carry out all its duties unimpaired by lack of proper nutrients or oxygen, poor circulation, illness, internal pollution, or prolonged stress, all of which threaten its integrity. Real skin care is not just skin deep. skin comes in layers Skin is made up of three layers: the stratified cellular epidermis (the part you see when you look into the mirror); an underlying dermis, made up of connective tissue, nerves, blood, and lymph systems, which also contain the sebaceous, or oil, glands, and sweat glands with ducts leading to its surface; and finally a fatty layer of subcutaneous tissue. The outermost layer, the epidermis, consists of two parts: an inner part of living cells called the stratum Malpighii, and an outer part of anucleated (meaning they have lost their nucleus) horny cells, the stratum corneum. The inner part is in direct contact with the dermis, beneath it. the outer skin Here, at the base of the epidermis, is the stratum Malpighii.  A single layer of cells known as the basal layer forms new cells for the rest of the epidermis by continuous cell reproduction. As they are formed, these new cells constantly push outward and upward towards its surface. In the process, they synthesize an insoluble protein called keratin, lose their cell nuclei, die, and dry out, becoming mere shells on the skin's surface. Once there, they are forever being sloughed off and replaced by new arrivals from below. Most skin care products concern themselves only with the treatment of this stratum corneum, making sure it does not dry out excessively (moisturizer); that the dead cells are periodically sloughed off (exfoliater, which stimulates the basal layer to produce more fresh cells and leaves the skin looking more translucent); and finally, that it is covered with a chemical or physical sunscreen to guard the deeper layers of the skin from damage as a result of exposure to sunlight. When the layers of dead cells in the stratum corneum lie flat and smooth against each other, the skin refracts light well, making your skin look beautifully smooth and silky. If, instead, they are turned up at the edges, then the skin looks dry and lacks smoothness. For they are the outermost manifestation of skin beauty and health. On the stratum corneum, that is on the surface of your skin, there is also a hydrolipidic film composed of water from the sweat glands and oil from the sebaceous glands in a kind of oil-in-water emulsion. This film acts as a natural moisturizer, maintaining acidity (referred to as the pH of skin) to help guard the body against invasion of any kind, and to protect it from chemical onslaught. The natural pH of your skin is between 4.5 and 5.5, which means that it is slightly acid. It is important to maintain this acid mantle. It can be disturbed by the use of soaps, most of which are strongly alkaline, and cosmetics which are not acid-balanced. This is particularly true if your skin is sensitive by nature, tends to be either excessively dry or excessively oily, or if it often breaks out in acne. the living skin Beneath the epidermis, in the dermis, or true skin (which unlike the epidermis is entirely a living thing), are found the nerves. They register pleasure, pain, touch, heat and cold. Here, too, is a rich supply of blood vessels and lymphatics plus all the various skin appendages: the hair follicles, with their sebaceous glands, and the sweat glands. Also important in the dermis is an elaborate network of fibers, made by special cells called fibroblasts. These fibers look like the warp and weft of fine cloth. They are collectively known as connective tissues, and are made up mostly of protein called collagen together with about 2 percent elastin. This network gives your skin its form and resilience. So long as it remains smooth and ordered, your skin stays young-looking and firm. When its fibers start to bunch up and harden or to cross-link and become disorganized, your skin rapidly begins to sag, to wrinkle, and to age. This aging process has many causes. It can occur as a result of exposure to the sun, internal wear and tear from illness, or an insufficiency of certain vitamins and minerals (particularly vitamin C and the trace element zinc), or exposure to cigarette smoke and pollution. It also appears to be part of your genetic programming. Much of the beauty and health of your skin depends on the dermal layer. The things it needs to stay strong and healthy come as much - if not more - from the inside than from what you apply to skin. This internal aspect of skin care is what is most ignored. Few women even consider it, and yet without ensuring that the dermis gets all it needs through optimum nutrition and regular exercise (not only for the face but also for the body as a whole), there is no way you can prevent or correct the disorganization of connective tissue, its consequent loss of tone, and the resulting deep line formation on the face. the subskin Underneath the dermis, in the subcutaneous tissue, are layers of muscle and fatty tissue which act as insulation to the body and which also give young female skin its characteristic (and very attractive) padding. When this padding starts to go, either because of hormonal changes that come with age or because of simple neglect, your skin loses tone and firmness. Looking after this layer of skin is a whole body challenge. Particularly important to it is the health of your endocrine system, in which constant regular exercise plays a vital part. Truly effective skin care has to ensure the continuous health and proper functioning of all three layers, to preserve beauty. This means treatment and protection from the outside of the epidermis. It also means treatment of the dermis through first-rate nutrition, vitamins and minerals, rest and exercise, and perhaps, too, the application of specific essential oils, fatty acids such as gamma linolenic acid (GLA), certain vitamins such as vitamin E, and/or other active substances which can be absorbed through the skin's outer layers into the dermis to stimulate cell metabolism, encourage waste elimination from cells, and help protect and preserve the collagen and elastin fibers. Finally, the subcutaneous layer has to be kept intact by maintaining a firm and well-used, healthy body. In other words, really good skin care for lasting beauty has to tackle the challenge simultaneously from within and without. And there are no shortcuts.

The shine of your hair depends on the condition of the cuticle. Made up of transparent keratin, the cells of your hair's cuticle should form a clear, flat surface that refracts light, making your hair look shiny. But in order for these fish-scale-like plates to lie flat, the cuticle has to be healthy and contracted. This means that the imbrications - the natural shingles of the cuticle - need to be closed. When they are closed, your hair is protected from much physical and chemical damage and light catches it beautifully. Many things can disrupt the cuticle and lead to the opening of the imbrications: very alkaline shampoos, for instance, which make the hair shaft swell. The swelling pushes out the scaly cells, making them stand away from the shaft. Very strong alkaline substances such as perm solutions and bleaching agents can even dissolve some of the cuticle, leaving holes and tears in it, which makes your hair look permanently dull. Damage to the cuticle can come from physical causes too. For instance, too much heat on the hair from careless blow drying, teasing, or back-combing, and overexposure to the sun. To have shiny hair, you have to be particularly careful not to damage it from the outside. There are some things, however, that help restore a smooth cuticle to hair: mildly acidic substances, for instance, such as vinegar and lemon rinse or one of the proprietary conditioning treatments, all of which shrink the hair shaft and encourage the imbrications to close and the cells to lie flat. For most women they are far better than conditioners you can buy since they don't build up on the hair surface or weaken the hair over a long period of time. Simple rinses will also strengthen the keratin.  The natural oils secreted from the follicle which coat the outside shaft also help the hair look shiny. Provided, that is, that you wash your hair often enough. Oil left on hair for too long tends to accumulate dust and dirt on the shaft which quickly destroys shine. How much flexibility and bounce your hair has is also something that can be determined by how you look after it from the outside. It depends on the water content of each shaft. Healthy hair has enough water in it to keep the keratin in the hair shaft supple and firm, so that your hair will stretch without breaking, keep a style well, and feel silky. If the hair's water content becomes depleted from exposure to too much heat or the sun or a very alkaline shampoo, then it will become brittle, break easily, and refuse to hold a style. Another dehydrator is chlorine in swimming pools. Conditioners containing silicone can help coat the outside of each hair shaft to keep it from drying excessively. But the best insurance of all is simply keeping your hair away from too much heat and from chemical desiccators. the craft of hair care To be beautiful your hair has to be kept clean, well cut, brushed, and protected from external damage. It also needs the benefit of regular massage to ensure that circulation to the follicles in the scalp is good. Fullness, body, and the overall look of a head of hair are greatly determined by a good cut and by the kind of products and treatments you use on it. shampooing There are two types of shampoos: those containing soap and those that are artificial detergents. Most, these days, are detergent-based. The reason for this is that while soap is good for cleansing away old hair spray, dull oil, and epidermal debris, it tends to leave scum, particularly in hard water. Also, modern detergent shampoos do more than just clean. They contain other chemical ingredients, which impart cosmetic properties such as shine and manageability to hair. If your hair is short and you live in a soft-water area, you can probably get away with using soap, provided you use a conditioner afterwards. These days they come in many forms: pastes, clear liquids, cloudy lotions, and gels, and also with special ingredients such as herbs, protein, balsam, eggs, and lemon. But whatever their form, most shampoos are put together from the same basic chemicals. First there is the detergent itself to do the cleansing. Then there is a sequestering agent, which is a chemical that traps the minerals in hard water (such as lime) so that the shampoo lathers well and rinses away easily. Most shampoos also contain foam builders to increase their lathering abilities, plus either clarifying or opacifying agents, which do nothing for your hair but render the product either clear, cloudy or creamy depending on what manufacturers think will best appeal to the market. And, of course, all shampoos contain preservatives to keep their ingredients from spoiling. Conditioners are added to most shampoos nowadays. They vary from one formula to the next, but they include ingredients to eliminate static electricity from the hair when it dries, to coat the hair shaft with protein and thereby enlarge it making your hair look thicker, and to render the hair shafts slippery so that your hair doesn't tangle when you comb it out. Shampoos become more and more sophisticated every few years in their formulations - a sophistication that is certainly to the benefit of your hair, provided you can find the right one for you. And provided you change the shampoo you use every few weeks. Apart from certain guidelines that depend on your hair type, finding the right one is mostly a matter of trial and error. the question of PH There is one more additive - not exactly an additive, rather a group of them - which is important; chemicals are added to shampoos to make them pH-balanced. Your hair, like your skin, has an acid mantle, with a pH from 4.5 to 5.5, made out of the natural oils from the follicle. This acid mantle plays an important protective role keeping the imbrications of the cuticle from opening and the hair from becoming hard to manage, dull-looking, and vulnerable to damage. A shampoo that is pH-balanced, that is which is slightly acidic so that its pH is about the same as your hair's, helps to maintain the hair's strength and health. If it does not say "pH-balanced" on the label, you can check it with litmus paper. Alkaline shampoos disturb and disrupt the acid mantle, causing the tiny scales of the cuticle to open and the hair shaft to swell. Using a pH-balanced shampoo is particularly important if your hair is fragile, permed or colored. If your hair is strong and in good condition, then it does not really matter what kind of shampoo you use on it, provided you put a cream rinse or a homemade vinegar-and-water or lemon-and-water rinse on it afterwards. Since conditioners and rinses such as these are acidic, they will close up the imbrications opened by the shampoo, shrink the hair shaft back to its normal size and leave it looking shiny. what kind of shampoo for you? Lemon: These shampoos are especially good for oily hair, because they help remove the oil without leaving the hair lackluster and lank. Balsam: This is a good ingredient to choose if your hair is very fine or lacks body. Balsam is a resinous substance from the bark of certain trees. In a shampoo it coats the hair shafts, lending them thickness and strength. Chamomile: This is an excellent ingredient for blonde or light brown hair, since this flower has mild bleaching properties. If you use a chamomile shampoo regularly it helps keep light hair bright and shiny. Herbs: "Herbs" added to a shampoo doesn't mean a great deal, for many herb formulas (unlike chamomile) have no real action on the hair and are created only to appeal to women's back-to-nature feelings. Some, however, such as white nettle, can be useful for dandruff. Protein: Protein shampoos come in two types; both can be useful for hair. The first type contains a simple protein made from eggs, milk, soya, gelatin, beef, or an exotic vegetable called tong bean, which helps to coat the outer layers of the hair making the hair look thicker. Most protein shampoos are of this type. The second type does far more. Called substantive protein, the protein it contains is hydrolyzed and of the correct molecular weight and size to be absorbed into the cuticle, strengthening it at the same time as aligning its scales and thickening the shaft. This kind of protein shampoo is particularly good for use on treated, damaged, or fine hair. It is not so valuable on strong and healthy hair, for hydrolyzed polypeptide proteins are absorbed more rapidly by damaged hair than by a relatively compact keratin structure which does not really need them. When buying a shampoo don't worry if it does not give much lather since this is more a measure of the sequestering agent it contains than of its cleaning ability. It should have a good conditioning action to leave your hair soft and gleaming, and your hair should be easy to comb out afterwards. It should also rinse out easily. How often you shampoo depends on you and on the type of hair you have. If it is dry, not more than a couple of times a week is best. If it is normal or oily you can shampoo every day if you like, provided you use a pH-balanced shampoo. However often you do, you need only lather once, unless your hair is really grimy. More than once strips away too much of the hair's natural oils from the cuticle. getting hair into condition All cream rinses, conditioners, and treatments are on the acidic side of the pH scale. They are intended to close up the imbrications of the cuticle after shampooing and to shrink it back to normal size. In addition, a cream rinse should contain ingredients such as quaternary aluminum salts to separate the individual hairs and make them easy to comb out and to protect against static electricity. Finally, they coat hairs with an ingredient such as protein or balsam, which is supposed to give more body and protect the cuticle from moisture loss. Some conditioners contain a large quantity of oil. They are fine for dry hair but will make normal and oily hair into a lank mop that needs to be washed again the next day or so. If you ever have this trouble with a conditioner or cream rinse then try one of the oil-free ones. They do a better job in adding body and protecting hair without causing lankness. Protein packs or concentrated treatments left on the hair for from five to twenty minutes (the hair will take up all of a substance it is going to in twenty minutes, so there is never any reason to leave it any longer) are excellent as an occasional treatment for hair of all types (say once a month or every six weeks) and exceptionally good for colored, permed, or damaged hair used once a week. They will strengthen and protect the hair and leave it soft and shiny. But beware of over-conditioning. It is one of the worst and most commonly unrecognized causes of dull, limp hair. It also shortens the life of any perm significantly. Many women dissatisfied with the state of their hair keep using more and more conditioners in an attempt to make things better. Instead these products penetrate deep into the cortex undermining the strength of the hair shaft and causing hairs to split and fracture. If this is happening to you, use a gentle shampoo with no conditioners and rinse with lemon juice and water instead for a few shampoos. style and setting Because the keratin that makes up hair is a protein, like all proteins it can be treated with heat to change its shape. This makes it possible to curl, uncurl, shape, and mold your hair into a particular style by blow-drying it, by setting it wet and allowing it to dry, or by using heated rollers, straighteners  or curling tongs on dry hair. The protein of hair consists of molecules arranged in organized patterns held together by two kinds of chemical bonds: hydrogen and sulfur. The hydrogen bonds are the weaker of the two. When you set your hair on rollers, or blow it dry while easing it into a particular shape, you break, then re-form, these hydrogen bonds to create a temporary new structure. But it is a tenuous one for water, heat, lots of brushing and time can break the hydrogen bonds again so that your hair returns to its former structure and you lose the new shape. Sulfur bonds are strong. They can be broken only by strong alkaline solutions such as those of perms, straightening or coloring products. Sulfur bonds are broken and then re-formed when you have your hair permed, and the new structure formed through these changes lasts far longer. The problem with breaking either hydrogen or sulfur bonds and then re-forming them is that most of the things used to style a head of hair, such as heat and alkaline solutions, are potentially damaging to it. They have to be used with care. Blow drying is an excellent way to style straight or curly hair, provided you have patience and strong arms. If you have dry or brittle hair don't blow dry it every day. Hot air can cause progressive, cumulative damage to the cuticle and, finally, to the cortex and medulla, too. If your hair is delicate, choose a dryer that is not too high in watts (1,000 is enough), as a high wattage may do the job faster but your hair will suffer if you are not extremely careful to keep the dryer far enough from the hair or to use the lowest setting. If your hair is heated above 150 degrees Fahrenheit (66 C), you can do irreversible damage to it, making it brittle, dry, and scorched. There are some protein-based lotions that you can spray on your hair to help protect it from the intense heat - these are specifically designed for blow dryers, and most of them are very good. But you still need to be careful. Do your hair in two stages: First use the dryer on its own to get the hair almost dry all over, then begin styling with the dryer in one hand and your curved or round brush (made specially for blow drying) in the other. Keep the dryer six inches from your hair - which should be raised off the head at a 90 degree angle - and constantly moving. Section your hair into the sides, the back, the side back, and the top front, clipping each section and then letting it down as you need it. Begin on the underneath of one side and then work around the whole head, drying the hair section by section. Do the back first, the front always last, brushing and drying the hair against the direction in which it grows. This creates volume. Do the underneath layers first. When they are dry, bring down another layer from above to work on, constantly twirling the brush in the hair to get the curve and the shape you are after. Last of all, do the front or the fringe, brushing it back and then curving it over the forehead and finally brushing it into place. The art of blow-drying your hair yourself is something that takes time and a great deal of practice to learn, and it is important before you begin styling that your hair is almost dry or you will exhaust yourself in the process. Setting your hair can be done wet on rollers or dry on heated rollers or the hair can be curled dry using curling tongs or a heated brush. A wet set will last you longest, provided you dry it thoroughly under a dryer or in the air. Heated rollers, if you have dry or brittle hair, are something you should not use every day for they tend to damage the ends of the hair. This can he avoided somewhat by wrapping each roller with a piece of tissue paper or toilet paper before putting it into your hair. Never use heated rollers on wet hair - they won't work. And never use a curling iron on wet hair or you may damage it badly. Always section your hair carefully when you are putting rollers in - the more rollers you use and the less hair on each the better and longer-lasting will be the style you get. A useful technique is to blow-dry the hair and then put in a couple of heated rollers at the front to give it extra swing and shape. However you style your hair, always let it cool before brushing out, or you will ruin the new structure of it. brushing and combing Brushing is good for hair, provided you have a good brush and you do not overdo it. It stimulates circulation of the scalp, removes loose scales from the skin on the head, and distributes your hair's natural oils well, which means it helps protect the cuticles and creates shine. The brush you choose should have evenly spaced bristles with rounded ends. The best brushes for your hair are still made from animal bristles. Nylon bristles have blunt ends, which can cause splits and cracks to the hair. Some brushes have bristles set in rubber. They are particularly good, for they give a massage to the scalp while you brush. About thirty to fifty strokes a day is good - more than that is too much, and with less you are not really doing anything. When you brush, you need to bend at the waist and brush your hair from underneath as well as back from the crown. The more positions you can brush from (leaning to the side, with head hanging down, etc.) the better job you will do. Lowering your head while you brush back the side does something else, too. It brings circulation to the scalp in the way that the yoga headstand does. If your hair is long, don't pull the brush through the full length of it. Instead, brush to the shoulder and then, taking hold of the rest of the hair with your other hand, pull the brush down the rest of the way to the ends. You should always brush firmly, but never drag. And you should never brush wet hair, for the disruption of the hydrogen bonds that comes with wetting makes your hair a great deal more susceptible to breakage and damage than when it is dry. Some women fear that brushing is going to take out too much hair. This is unfounded. You will only lose the telogen hairs, which are ready to be lost anyway, and their loss will simply stimulate new growth. When choosing a comb, pick one with the largest teeth you can find that are blunt at the ends so they don't scratch the scalp. Hard rubber, nylon, or bone are the best. Always comb your hair gently, never yanking or pulling at a tangle. massage can be wonderful Anything that increases circulation to the scalp and activates the papillae and follicles tends to make for sturdier hair shafts and to improve hair growth. Besides daily brushing, the best thing you can do for the hair is to massage the scalp. Many people have a genetic tendency to restricted circulation in the scalp, which shows itself in slow hair growth and poor-quality hair. Each hair root is fed by the complex vascular network in the scalp that brings nutrients and oxygen through the blood and carries away carbon dioxide and other metabolic wastes. When circulation there is poor, the hair root suffers. Waste products build up in the tissues so that the hair cells grow only slowly and may even die, resulting in thinning hair. This can be avoided (and often corrected, too) by scalp massage. People with a tendency to oily hair can also benefit from massage. A healthy scalp is loose, rich in vascularity, and thick. The scalp of someone who produces excessive oil is usually just the opposite of this: tight, with poor circulation, and thin. Daily massage can do a great deal to correct this. The idea that massaging your head will make an oily condition even worse because it stimulates the follicles to produce even more oil is just not true. It is far more likely to help normalize trigger-happy oil glands than to stimulate them to further production. Many a too oily head of hair is put right by massage. here's how to massage Using your finger tips and the palm of your hand just below the thumb, push them firmly into your scalp at the sides and, keeping them in the same place, rotate them in small circles. You will be moving the scalp, not your fingers, it is important that fingers stay in the same place to stimulate circulation well and so that you never pull your hair. After you have worked in one position for about thirty seconds, remove both hands from your head and take up a new position, rotating fingertips again firmly for thirty seconds there and so on until you have done your whole scalp. The massage shouldn't take more than three minutes, and it will leave you feeling fresher as well as doing something good for your hair. An electric vibrator is also a good investment for hair: Use it both on your scalp and on your neck and shoulders.

Hydrotherapy is a powerful external tool for rejuvenation. The Germans are masters at it. Thanks to the electrical properties of water, using alternate hot and cold water on the body can alter the electrical charges of molecules in the body—particularly the low-level voltages which regulate lymphatic drainage—by alternately increasing and decreasing them. In physiological terms this opens up the capillaries increasing blood flow and helping to stimulate the elimination of wastes through the blood and lymph systems. It also relaxes and tones muscles and helps you feel energetic. Here's how: After standing under a hot shower for 3 to 5 minutes so that your body is warm and comfortable, alternate hot and cold water—2 minutes of hot followed by 30 seconds of cold—three times, finishing off with cold. Once you get used to the Blitz Guss protocol you are likely to find that you want to increase the time your body is exposed to cold water just because it makes you feel so good and so alive. Don't do this just before bed or you may feel so energetic that you can’t sleep. And, of course, if you have a pacemaker or any sort of heart condition it is essential that you check with your medical practitioner and get his or her OK before you try it. Be sure to check out the video below: [video src=http://d1vg7rm5xhtxe9.cloudfront.net/video/sd/blitz-guss.mp4 poster=http://d3oy45cyct8ffi.cloudfront.net/health/into-the-bliss/wp-content/uploads/sites/2/2012/02/lk-video-blitz-guss.jpg ]

Cellulite makes everybody uneasy - from the woman who worries about her orange peel thighs to the British or American 'obesity expert' intent on proving that fat is fat, cellulite is nothing more than a figment of foolish women's imagination, and what any woman with lumpy thighs should do is get down to a good old calorie-controlled diet to shed it. Even staunch feminists who write hard-hitting polemics about the coercion of women by the beauty industry get het up about cellulite. It is, they insist, something invented by fashion magazines to make women feel bad about themselves. Meanwhile hundreds of thousands of women with the problem bemoan their fate at having contracted a "nonexistent" condition and hope that if only they spend a little more money or endure a little more discomfort from one of the high-tech treatments - being pricked with multi-injector syringes or subjected to brutal pummeling for instance - it will make her legs smooth, sleek and svelte. banishing disbelief I've seen medical papers from all over Europe and America on cellulite, its cause and its development as well as proposed solutions to this lumpy bumpy flesh which can mar the thighs of even the leanest women. As of this moment literally hundreds of medical references to cellulite exist, some of them going back a hundred and fifty years. Next time someone tries to tell you you are imagining pea d'orange thighs smile knowingly and ignore them. None of the theories, analyses and descriptions of elaborate chemical treatments for cellulite have the full answer. In part this is because cellulite is a difficult condition to study in vivo - within the body of a woman who has it - since this means performing a biopsy of the tissue which is a painful medical process. In part it is because cellulite is a many-facetted syndrome with no single cause and no single effective treatment. what is cellulite? A misnomer catchall word used to describe the orange peel syndrome, cellulite is a cosmetic defect which results in jodhpur thighs and what is known as the 'mattress phenomenon' - that is pitting, bulging, and deformation of the skin on the thighs, hips, and abdomen (sometimes even arms and shoulders too) when subjected to a 'pinch test'. In the medical literature, cellulite has been called a variety of things from mesenchymal disease to cellulitic dermo-hypodermosis, edemato-fibrosclerotic panniculopathy and, most recently, panniculosis and liposclerosis. A condition which by any name smells as odious, cellulite is a syndrome with well defined clinical, histological and histochemical characteristics. What this means in ordinary language is that cellulite not only looks a certain way when you examine it objectively with your eyes and fingers. Where it is present in a body, you will also find that certain measurable biochemical and physical changes have taken place in skin, connective tissues and at the deeper layers of the body. By the way, one thing the disbelievers say is true: Cellulite does often occur in an overweight body. If you are overweight, shedding excess ordinary fat will be essential to shedding your cellulite. But cellulite occurs on the thighs and bottoms of very slim women as well. For it is quite different in many ways than ordinary fat. a checkered history Cellulite has a shady past full of contradiction and confusion. Far from being some newfangled notion created by glossy women's magazines, cellulite was first described in depth by European physicians at the beginning of the 19th Century. It is now believed to affect 80 out of every 100 women in Europe and America. In 1816, Balfour first commented on the cutaneous nodule formations which were later named cellulite. In 1929, P. Lageze, a French physician, discovered that cellulite comes in stages: First tissues in thighs, buttocks, knees, abdomen and upper arms become traps for free serum outside the capillaries. Then fibrous formations develop, which in time turn into the retracted sclerotic connective fibers which create a dimpled orange peel effect. After Lageze, many researchers proposed numerous theories about the causes of cellulite but none of them could fully agree. Then in 1966, two Spanish dermatologists named Bassas-Grau confirmed that, while no inflammation of the tissues is present in cellulite, watery fluid does indeed accumulate in the tissue. They also reported that the molecules of subcutaneous connective tissue in cellulite seem to be larger than molecules in the normal connective tissue, for they undergo what is called a hyperpolymerization. In the 1970s, a few researchers such as Braun-Falco and Ribuffo came out in favor of the view that cellulite is simple fat. In later years they were to modify their beliefs considerably. Most European researchers grew increasingly convinced that cellulite is a well-defined clinical condition and a physiological entity. 'A defect of the mesenchyme' said Pisani. 'No, a disturbance in the vasomotor reflex and an irritation of the sympathetic nerve fibers leading to a disturbance of normal fat deposits and water logged tissues' argued Merlin. Binazzi insisted that 'cellulite' should rightly be renamed dermatpanniculopathy oedmato-fibro-sclerosis. In 1972, Muller and Nurnberger showed that where cellulite occurs, there is also a decrease in the quantity of elastin fibers in the dermis and a rearrangement of the collagen bundles. Then in 1977, Braun-Falco and Scherwitz demonstrated that a dilation of the lymph vessels takes place in cellulite, as well as an enlargement of the adipocytes or fat cells. But it was not until the well-respected Italian anatomo-pathologist and molecular biologist, Professor Sergio Curri, took up the study of cellulite tissue that the whole of the European medical world began to stand up and take notice. Now considered the leading scientific authority on cellulite in the world, Curri carried out in-depth studies comparing cellulite to normal fat, and established quite conclusively that cellulite is indeed a specific syndrome.

Skipping, jumping, running on the spot and arm flinging on a firm mini-trampoline is an amazingly beneficial and fun form of exercise. Rebounding will do all that other forms of aerobic exercise can—strengthening your heart and lungs, firming your muscles and more—because of the unique way in which your body is subjected to the changing force of gravity when it bounces. Rebounding crosses the generation gap too. It can be done as easily and as effectively by a six-year-old as it can by an ailing seventy-year-old whose muscles and joints have long before lost some of their capacity for smooth movement. Believe it or not, there are top athletes who use rebounders as part of their training program. Yet the infirm are given rehabilitation on the same kind of rebound exercise devices. It all depends on how you use the equipment. The units, which look like low coffee-tables, consist of a steel or aluminium frame on six or eight legs, over which is sprung a drum of firm but elastic material on which you bounce. They sit somewhere between six and ten inches off the floor, and come in many different sizes and shapes—oval, round, polygonal, square. They don't seem out of place in the corner of a kitchen, or tucked away in the bedroom. In fact, you can use a bouncer anywhere. If you’re someone who dislikes the rigmarole of changing, running and showering, or you find exercise ‘too boring for words', you can do your bouncing at home—even with small children running around. You can dress any way you like, watch movies, listen to music or carry on a conversation while you are exercising. MANIPULATING GRAVITY From a physiological point of view, what gives rebounding its power for building fitness, improving health and retarding aging is the way it makes use of the force of gravity. Apart from a Power Plate, this is the only form of overall vertical, rather than horizontal, exercise anywhere. The up and downward movement on a bouncer, coupled with acceleration-deceleration, brings about continual changes in the force that gravity exerts on your body. All your organs, the circulatory and lymphatic systems, even individual cells are energized in a way no other form of exercise can accomplish. When running or skipping on a bouncer, the G-force at the top of the bounce is non-existent. For a moment, your body experiences the weightlessness of an astronaut in space. Then when you come down again onto the elastic mat, the pull of gravity is suddenly increased to two or three times the usual G-force on earth. This puts all parts of your body, from the tiniest cell to the longest bone, under rhythmic pressure. GREAT STUFF The cellular stimulation the body receives from continual gravity/non-gravity exposure has remarkable and unique benefits. Waste materials in cells are gently eased out into the interstitial fluid so they can be carried through the lymph system and eliminated from the body. Increased oxygen is brought to the cells enhancing cell metabolism. Cell walls get stronger and healthier. Cells function more efficiently with repeated use of a rebounder. This leads to a gentle but effective detoxification of your whole system. The texture of your skin improves. Energy levels rise. Often even within only a few days, your body begins to look younger and feel better, freer, more alive. And because rebounding is amusing, it is a form of exercise which even resistant lounge-lizards take to. Taking it up one week doesn't usually mean giving it up the next. BOUNCE YOURSELF LEAN James R. White, a researcher in rehabilitation at the University of California at San Diego, designed an interesting study in the long-term effectiveness of weight-loss programs using exercise. He put some people on rebounders. Others rode bicycles; some ran on a treadmill. The control group did nothing except diet. All who exercised lost a significant amount of weight and showed a definite increase in the level of their fitness. But in the follow-up study designed to test long-term effectiveness of regular exercise, only 5 percent of the cyclists and 31 percent of the runners were still exercising, while a sound 58 percent of the bouncers were still bouncing. It helped keep off the pounds they’d shed. The explanation bouncers gave for continuing to exercise was simple. First, it was easy. Second, it was great fun. REBOUNDING FOR REHAB A number of sports medicine specialists report that using a bouncer regularly is a great way of exercising when your body has sustained some kind of injury, such as a twisted knee or Achilles tendonitis. It provides any sports enthusiast a chance to maintain his fitness while helping his injury heal. It also helps you avoid the familiar depression that sets in when you cannot exercise. Indeed, many exercise physiologists insist that, because of all the benefits rebounding brings the body—right down to a cellular level—it is a significant and powerful tool in encouraging healing, both of minor injuries and of degenerative conditions including arthritis. At Elks Hospital, Idaho, Dr Kenneth Smith, former head of the Department of Rehabilitation, reports success in using rebounders when rehabilitating patients with orthopaedic or neuromuscular conditions. In a large study involving 2,300 patients in California, where rebounding was used as the major form of physiotherapy, researchers reported excellent results. Bouncing strengthened muscles, eliminated and prevented pain in the lower back and elsewhere, and was helpful in treating both osteo- and rheumatoid arthritis. Bottom line: Manipulating gravity is not just fun. It’s great for healing and ideal for helping you feel wonderfully alive.

I want to share with you something I find pretty surprising which so many seem to experience on Cura Romana. To be fully alive you must be who you in essence are. For who you truly are is far more interesting, vital and exciting than anything or anyone you might aspire to be. Sadly, this fact is one most of us forget. Thanks to the diencephalic changes taking place via the autonomic nervous system to body, brain and hormones, the CURA ROMANA JOURNEY is a time in which we seem to be offered the finest opportunity I have ever come across to connect with the true nature of our own being, if, of course, we choose to take it. On a physiological level alone the changes in the appetite and fat control center in the brain seem to invite this kind of transformation. Let me tell you a little bit about this center in the brain. In Simeons’ words: “Buried deep down in the massive human brain there is a part which we have in common with all vertebrate animals, the so-called diencephalon. It is a very primitive part of the brain and has in man been almost smothered by the huge masses of nervous tissue with which we think, reason and voluntarily move our body. The diencephalon is the part from which the central nervous system controls all the automatic animal functions of the body, such as breathing, the heart beat, digestion, sleep, sex, the urinary system, the autonomous or vegetative nervous system and via the pituitary the whole interplay of the endocrine glands.” The Cura Romana transformations no doubt begin as physiological and functional alterations in diencephalic functioning. Yet why they happen so much more easily on the Cura Romana we use now than they did on the original one, I don’t yet understand. Has it to do with the vibrational nature of the Essential Spray which, together with the dietary protocol, may be affecting not only the physicality of the body but also its energetic aspects? These are a few of the questions I keep asking myself. In another of Simeons’ books Man’s Presumptuous Brain, he explores interesting conflicts which often take place in civilized man between the primitive, instinctual diencephalon area of the brain and our highly developed cerebral cortex from which we do our rational thinking. These are conflicts, Simeons points out, which often result in illness. I suspect that Cura Romana helps create a finer balance between our cool, rational conscious mind and our rich, primitive and instinctual animal nature, thereby creating greater harmony between body and mind. For we live in a cerebral, intellectual culture which pays too little attention to the importance of connecting with our essential being—our soul, if you like. Then so many of our potentials for expanded consciousness, tapping higher levels of insight, joy and bliss, too often remain dormant. Whatever is going on with people on their Cura Romana Journeys, it is pretty amazing for many. This is how Mirjana in England describes it. She shed 19.8 pounds on her program: “‘Cura Romana has completely transformed my life.” She says. “I wake up every morning energized and blissful. I am more aware of everything and everyone around me and, most important of all, I am more aware of my own needs and of myself.” It all remains a mystery…but a beautiful one.