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In the realm of cooking a whole new ethos is being born. You don’t need to have every ingredient to make a recipe work. I no longer worry about coming into my kitchen and making a meal out of practically nothing—wilted spinach, whatever herbs I have in the garden, four eggs, an apple, half a carrot, and a piece of fresh ginger. Make up your own recipes. Don’t get hung up on measurements. Use them only as guidelines. Try a little more of something that intrigues you, a little less of what does not. If you like the look of some recipe you’ve come across but don’t have all the ingredients, substitute. At the age of 11, one of my sons, Jesse, decided to make Banana Bread. The recipe he found called for nine ingredients but he had only five. So he tossed all five of them together and whipped it all up. Much to his amazement and ours, he managed to create what we in the family thought was the nicest “Banana err...something or other” that we had ever tasted. So put your kitchen scales away and forget the complex routines for preparing a béchamel sauce. You see, Come Alive Cookery breaks all the rules. It’s not rules that matter when preparing foods. It is a kind of passion for the foods themselves—a feeling reflected in your passion for the earth and life itself. You can watch this in a small child as he enthusiastically devours a bowl of fresh strawberries drizzled with honey. Such passion, which is visual, visceral, and sensuous, can become an inspiration in food preparation, which leads you automatically to make certain choices. If two things look good together they taste good together. Open wide your kitchen window. Welcome the breezes of experiment, wit and spontaneity. The standard meal of roast meat and boiled Brussels sprouts topped off with a piece of sticky toffee pudding must be replaced by something far more hedonistic: slivers of raw Pacific salmon, luscious garden-fresh salads with a slice or two of Russian black bread followed by a winter sorbet of cranberry and mint—foods that are lighter, richer in top quality proteins, full of texture, flavor, and surprises. I look on food as a source of both delight and life-energy passed on to us from the earth. And I believe this energy needs to be preserved by not cooking food too much but by eating it fresh and respecting its essential nature. That way meals become a medium for building the kind of natural vitality that protects your body from premature aging and illness, enhances good looks, and keeps your minds clear. It is the life-energy present in abundance in fresh foods and clean, simple proteins from fish, game, organic meat, and poultry that makes such foods irresistible. Shun manufactured convenience foods that fill up the shelves of supermarket. They’re dead and can make you feel dead if you eat them. Instead, use Real Food—fresh, organic stuff untainted by chemicals, preservatives, colorants, and phony flavor enhancers. We thrive on the kind of food our grandparents grew for themselves. Why? Because these foods are both the most delicious and the most life nurturing. Your kitchen, big or small, should be treated like an artist’s atelier in which you can lose yourself in creative games. I remember as a child sitting in front of an old Stanley stove gazing into the flame filled with delightful visions as my grandmother canned pears, peaches, and green beans for winter. My kitchen is more like a sculptor’s studio than a food preparation station. It is a place where I can laugh with friends, workmates, and family while discussing both serious and trivial stuff as we prepare meals together. Every kitchen should be a space that reflects things that delight you or amuse you. Twenty years ago I bought a gigantic soup ladle that has hung above my sink ever since. It is so big I use it only rarely. It would be ideal for a Salvation Army soup kitchen. Practical? Not really. But I love its beautiful shape and the absurdity of its size makes me laugh. In India the best foods are those you buy in the cheapest cafés because they have been made with love and joy (sometimes with humor too). The word “café” is really a euphemism, since these places are little more than a few stone slabs in which a fire has been built for cooking. Yet the foods they sell are infinitely better tasting, more nourishing and “safer”—less likely to cause Delhi belly than all the fancy foods you get in India’s most expensive restaurants and hotels. Unless each dish you prepare is invested with love—or at least lots of affection—the meal will be dead. Have you noticed how much better food tastes when it’s cooked by someone who likes cooking? This is not because they know what they’re doing; it’s because they love what they do. The bottom line is simple: Experiment and enjoy. The rewards can be endless in terms of health and sensuous pleasure. Above all...have fun!

Authentic freedom develops when you life from the the core of your being. It is all about discovering what you chose to incarnate on this earth to do or to be. Why? Because this brings each of us the greatest joy and satisfaction possible. After all, we can only collect so many BMWs, university degrees, and new lovers. All of these things are nice, but none of them leads to true freedom. Freedom is the birthright of every human being. Deciding you deserve your own is the first step in claiming yours. For many of us this is also the most difficult step to take, for it means deciding to respect and honor yourself enough that you allow freedom into your life. Doing this enables you to bring the very best of yourself to your day to day life—in your family, your community, the earth as a whole. Mind Body and Spirit ARE ONE When people begin Cura Romana, they experience their body as something separate from themselves. Their minds are filled with the false idea that changing their weight and their lives can never be more than a dream. Then they learn otherwise. They discover just how connected it’s possible to become at every level, and how exciting it can be to live one’s life in wholeness. As the program brings together body, mind and spirit in a harmonious way, you begin to experience a natural lifting off and clearing away of limiting beliefs and false notions that have dogged you, bringing a new sense of self-respect and authentic freedom to your life. This process greatly clarifies and expands our experience of the world around us too. For every blinkered view of reality blocks freedom, entraps creativity, limits bliss and disconnects us—not only from our essential nature, but from the Universe as a whole, in all its beauty, wonderment and the power it can bring for growth and transformation of our lives and our world. AUTHENTIC POWER IS YOURS Connecting with who you really are, accessing authentic power, and living your freedom requires that you expand your consciousness in a major way. In this chapter we explore the way that, as human beings, we have a natural capacity to move beyond our limited experience of five-sensory three-dimensional reality—how we can learn at will and with total control to enter the expanded realms of consciousness. In doing so, you begin to learn about your own seedpower—those divine, highly individual soul qualities which are unique to you. WORLD VIEW REVOLUTION The new expanding worldview is called holism. It looks upon the nature of the Universe as holographic. It was named after the work of scientists who demonstrated that living organisms are integrated energetic systems within an integrated Universe. They showed that our brain and body are holographic. Each small part of us, like each part of the Universe, is not only connected to the rest, it actually embodies the nature of the whole within it. The tension between the new holism and the old mechanism—which depended on a belief in separation between spirit and matter, form and substance—is important to resolve if we are to break out of whatever self-imposed prisons still limit our lives. Each of us is being asked to let go of our preconceived notions about what’s real, in order to explore the further reaches of a wider, more exciting and transformative Universe. And for reasons I still don’t fully understand, Cura Romana has become the perfect opportunity for most people to let this happen. DANCE YOUR FREEDOM To experience real freedom you need only allow more and more of your essential soul nature into your everyday experience of life— through dance, through ritual, through prayer, through your work and your relationships, and in your interactions with the world around you—in ever more direct and fearless ways. Such freedom not only brings an immense sense of joy and satisfaction, it’s also self-perpetuating. The more you do of this, the easier and more satisfying it becomes. There is nothing more fun than being who you really are. Learn to dance with freedom, and the Universe dances with you. A true expression of living your mind body spirit truth.

The most rewarding thing I’ve ever done was giving birth to four children and learning how to be a successful mother.  "Your children are not your children," the Lebanese poet Kahil Gibran wrote. "They are the sons and daughters of Life's longing for itself...You are the bows from which your children as living arrows are sent forth."   I love this quote, not only because—having brought up four children by four different men all on my own—I believe it’s  just about the most accurate description of parenthood I have ever heard.  It also emphasizes the 'lightness' that develops when we give up trying to be perfect, and come to trust the processes of Nature while feeding, healing, and guiding each of our children towards what works best for them at any moment in time.   Like the seed of a plant that has encoded within its genetic material the characteristics that will, in time, produce a full-grown flower, every baby comes into this world carrying a package of incredibly rich potential that encompasses his or her unique nature.  I call it seedpower.  It holds far greater physical, creative and spiritual energy than any of us could hope to experience in ten lifetimes.   Each child is like the brush stroke a zen painter makes to represent one leaf on a shaft of bamboo. The leaf he paints is totally singular—like no leaf that has ever existed before. Yet within this uniqueness, your child’s universal beauty is to be found, as well as life energy of the highest order.   When my first son Branton was born, I was 18 years old in university.  Like most parents, I had some harebrained idea that we parents need to mold our children from the outside.  We need to impose on them our ideas about what they should act like, think like, look like, and all the rest. Of course, this never works—but when we are young and naïve as I was, we just don’t know any better.   With a bit of luck, sooner or later we come to realize that what most certainly does work is not trying to mold a child at all, but listening to the whispers of each child's seedpower that comes from within. By doing this, we can respond to our children by offering whatever at any moment seems most useful to them, in the form of food, health, guidance, education and so on. This is infinitely easier and more successful all round.   Taking on the job of guardian for any child from birth to adulthood involves having to make 'contractual agreements', which of course must be re-negotiated from time to time as a child grows. Like every contract, the parent/child relationship is always a two-way deal. It has to be fair on both sides. It also has to nurture both people involved. How well your own contracts develop and how much joy there is for the both of you in fulfilling them depends to a great extent on how clearly the agreements between the two of you are understood. Let me show you what I mean.   In establishing 'contracts' with my own children, I was sure of a few things. First, I was committed to supplying them with wholesome food and clean surroundings, as well as physical warmth and safety. I also wanted them to have the right to their own opinions, even when they markedly differed from my own. In return, I expected them to appreciate the home, food and care I provided for them, although I knew it would never be perfect.  I also demanded that they be as honest and respectful of me and my decisions as their age would allow.   What I never asked of any of my children—and I think this is where so many parents go wrong—is that they love me. Trying to get into that particular agreement creates nothing but trouble. Whether or not your child loves you is fundamentally beside the point. Our responsibility as a parent is to use our best judgment and physical resources to help our child grow, and to discover his or her unique gifts.   Early on, I decided that I would try to do my best for my children, but they were stuck with me as a parent for better or for worse—complete with all my warts. And while I didn't expect them to love me, I did expect them to know that whatever I did, I did because I believed it to be right. Whenever some decision I made or action I took turned out to be wrong, I always owned up and asked for their forgiveness—just as I forgave them their mistakes.   What I discovered, quite by accident, was that there is a certain magic to all this. You see, when you decide to give up all claims to being a so-called 'good parent', or having your child love you, this creates a vast expanse of freedom for you both. What’s more, not only do children eventually end up loving you of their own accord, they develop a lot of respect for you—whether they agree with you or not. Most important of all, they come to feel safe, because they know that even though you can be unreasonable at times and unbending, your strength—on which they rely for security—remains uncorrupted by flattery or the kind of emotional blackmail which even very young children are masters at. In time, your children learn that your strength is there to serve them. It’s a discovery that can bring a sense of joy, even during the most challenging of times.   Now, of course, all my four children are grown up.  My daughter Susannah and I have written five books together.  My youngest son Aaron and I work together, developing internet sites which some say can be life-changing. My other two sons—Branton and Jesse—now have families of their own, including six unique and highly independent children.  This makes me a grandmother.  I adore all of them. But I confess that I am probably the world’s worst grandmother.  I don’t bake cookies, babysit or do any of the expected grandmotherly things. Why? Well, I loved being a mother more than anything in the world. But I’ve done that. So now my future belongs to me. I sense there are lots more adventures that lie ahead for me now.  I intend to be free to explore them.  What I find so wonderful is that all four of my children respect and understand where I’m coming from and, without judgment, bless me for just being who I am.

I love high quality herbal products you can rely on to do the job when you need some help. I have just discovered one such product on iHerb.com. It’s called Arctic Root. I use it when I feel stressed, need mental clarity and have a sense I could do with some more stamina. A proprietary blend centered around SHR-5 extract of Rhodiola rosea root, Arctic Root was awarded Product of the Year by the Swedish Health Council four years in a row. A creation of the Swedish Health Institute—a world leader in natural immune support and adaptogens with more than 35 years of research—Arctic Root is a real find. An adaptogenic plant means a plant capable of strengthening an organism's "non-specific resistance" to aging, illness and fatigue. Adaptogens include many 'rejuvenating' plants such as ginseng, damiana, and sarsaparilla - all of which are capable of enhancing the body's ability to adapt itself to all forms of stress while at the same time normalizing its biochemical activities. The product comes in a packet of 40 capsules at one of iHerb.com’s ridiculously low prices—US$10 when the product retails elsewhere at US$16.55. Even Aaron, whom I convinced to try it, was impressed by the support it brings him. Original Arctic Root Rhodiola Rosea The recommended dose is 2 capsules a day—one in the morning and the other later in the day—so I order three packs at a time. iHerb ship worldwide so fast that it sometimes makes my head spin and their shipping costs are the lowest anywhere. Order Original Arctic Root Rhodiola Rosea from iherb ORDERING FROM IHERB.COM: If you decide to order any products from Iherb.com, you will automatically receive $5 or $10 off your first order. Their products are the cheapest and best in the world…I use them for everything no matter where I am. Get it sent to you via DHL. It will be with you in three to four working days… iHerb.com ship all over the world very cheaply.

Handled positively, crisis frequently portends the unleashing of powerful creative energies. Instead of taking tranquilizers and battening down the hatches when your life seems to be falling apart, it can be useful to begin looking at crisis as a pivot for change - a door to the kind of transformation the caterpillar undergoes. Deeply woven into the silk threads of his cocoon, the creature's body dissolves into white jelly, only to be reformed again in a completely different shape and set free as a butterfly. A growing number of biologists, psychologists and philosophers believe that our attitude to crisis needs reexamining. They insist (as I, in my own struggle for individual freedom, continually discover) that crisis need not be a negative event. Of course old attitudes die hard. Most psychologists and physicians still see things as Freud did. They still believe that the unconscious mind is full of dangerous repressed impulses and material that, if you are to remain balanced and healthy, you need to keep the lid on. Freud's assertions, brilliant though they were, were a product of the nineteenth century mechanistic thinking on which he was raised. Freud completely ignored the spiritual dimension of consciousness, believing that such phenomena as visions of angels and devils were always an indication of pathology. For half a century, other psychiatrists and psychologists - from Carl Jung, who formulated the concept of the Self (the archetypal unchanging center which has both universal and individual characteristics) to Abraham Maslow, who first coined the phrase "peak experience", and Roberto Assigioli, who is responsible for the concept of the higher self, have all insisted that Freud's model of the mind, like the worldview out of which it developed, is too limited. These men have been instrumental in the formation of new paradigms of consciousness which take in the spiritual dimension of human life. They no longer view the human mind as a static entity, the balance of which must be maintained at all costs. They see each of us involved in a constant process of spiritual growth, and a movement towards wholeness. The twists and turns through which we pass in life, they say, are part of this movement, and each crisis - each molting - is an attempt to bring us closer and closer to being able to live from our own center and experience our own wholeness. Metamorphosis should not be viewed as something to be avoided, they say. It is as common and as natural as birth, growth and death - an essential part of human existence. transpersonal perspectives Such a notion has long existed in religious spheres, and is echoed in Biblical phrases such as the process of "becoming what thou art", but was completely new to psychology. This new view of consciousness not only recognizes the conscious mind, of which we are aware in our day to day life, and the unconscious mind, which directs the basic psychological activities and instinctual urges and which encompasses archetypal energies, but also what is often referred to as the super-conscious or transpersonal mind. The transpersonal realm is described as the domain of higher feelings and capacities, including intuition and inspiration. It is called transpersonal because it is more than personal in its nature. It also taps universal consciousness, crossing over barriers of culture to connect us with the universal energies. The acknowledgment of the transpersonal realm by psychologists closely parallels findings in the new physics, which emphasize both the interconnectedness of all life and the all pervasive universal stuff of consciousness. Frequently a woman undergoing a major crisis finds she has tapped into this universal consciousness and is experiencing other dimensions of being or even other times and places. When this happens, it can bring about quantum leaps in personal growth and creativity. It is then that crisis becomes transformational.

Herbert Benson, who wrote The Relaxation Response and Maximum Mind, discovered that measurable physical benefits accrue from practicing any form of meditation which depends on the silent repetition of a mantra - a word-sound. This can be done by repeating any word over and over while the eyes are closed and the body is in a quiet state. Meditation using a mantra has a long tradition. Some mantras are said to be sacred words that have particular sound vibrations which transmit particular powers. Each tradition has its own mantras such as Guru Om, Om mani padme hum, La ilaha illa 'lla or, in the Catholic religion, Hail Mary, full of grace, the Lord is with thee. Whether their magic aspects are true or not, the technique works beautifully to replace the habitual chatter that runs through one's mind, worries about things past and things yet to come. Benson suggests you find a word that is pleasing to you. It could be anything, say, `flower', `peace', or `love'. He likes the word `one' as it is simple and has the connotation of unity about it. Here's how. Find a quiet place where you won't be disturbed for fifteen to twenty minutes and a comfortable chair that supports your back. Sit down and close your eyes. Give yourself a moment to settle in and you are ready to begin. Simply sit there, feet on the floor and eyes closed, quietly repeating your word over and over to yourself: `one...one...one...' Whenever your mind wanders or you are disturbed by a sound or thought, simply turn your mind gently back to repeating the word again. That is all there is to it. After fifteen to twenty minutes, stop repeating the mantra and get ready to open your eyes. Open your eyes, stretch, and go about your everyday activities. This is a particularly useful technique once you have practiced it a few times because you can do it in so many different places, such as in a waiting room or on a commuter train or bus.

It is not easy to live in our 21st century world full of suffering and confusion for many. The challenges we now face worldwide have come about from the long-term rejection and degradation of the Sacred Feminine. The Sacred Feminine is the mysterious source of all life, the wellspring of all creation, and we have forgotten this. Its creative power exists in men as much as it does in women. The Sacred Feminine carries great wisdom, sensitivity, and a tender love for all life. It respects the need for suffering and vulnerability, for deaths and rebirths. It asks that we embrace life and preserve it. In all its wildness, the Sacred Feminine brings to us the ability to unify body and soul, spirituality and politics, the human and the divine. Yet most of us have lost touch with the Sacred Feminine. It’s time to regain it, and there is no better place to begin than to move into the world of women and see what we find there. A WOMAN’S LIFE So great are the demands on women now—many of them self-imposed—that we are often in danger of losing track of our own soul and of burning ourselves out. There is no place for the old female rituals in our lives. In other cultures—among the Native Americans, for instance—women would leave the tribe for a few days each month to enter the soul realms and experience the Moon Lodge during menstruation. There, in the presence of other women, they gave themselves permission to enter altered states of consciousness, to restore their energies, and to express the wildness of their own creativity—a creativity which, at the dark moon time of menstruation, has nothing to do with nurturing or relating to men or to children. We in the Western world have no such opportunity. Instead, many women, unaware of the value of venturing into the soul realms where dreams, instincts and wild energies abound as a way of reconnecting with personal meaning, choose to “control” their moods and cycles by taking hormones—not only to avoid unwanted pregnancies but even to regulate events so that a business meeting doesn't come up in the middle of a menstrual period, when they might not be as rational or socially acceptable as at other times. Then, sooner or later, every woman gets moonstruck. When it happens, the ordinary world in which she has been living is rent asunder. She is being initiated into the wild and wonderful mysteries of the Sacred Feminine. Menopause has arrived. A LOST WOMAN "Isn't it wonderful?" the editor of the woman's page of a national newspaper said to me one day, "Science has finally conquered women's biology.” “What are you talking about?" I replied. "Oh, you know," she went on, "It's great. We don't have to menstruate anymore and we don't have to have babies thanks to the Pill. We don't even have to go through menopause or get old now that we have HRT. At last, women are set free from their biology. I'd like you to write a piece on it." It took me a few seconds to recover from the shock of hearing an intelligent woman voice an opinion so far away from my own sense of what the nature of the Sacred Female is about. I knew there was no point in even discussing the issue. I said that the idea didn't grab me and walked out of the office literally stunned by how carelessly this poor frazzled and confused woman could dismiss a million years of inherited female creativity, wisdom and blood. She had done it with the wave of a hand and the swallow of a pill. Then, almost as an obituary, she had proposed a 750 word article on modern women's new-found “freedom”. At the door I turned to look at her. There sat a haggard 35-year-old who looked 50, hunched over her computer smoking cigarettes. Three years later someone told me she had just had her womb removed. SUFFERINGS OF THE WASTELAND The editor's sense of freedom, like much of the so-called “freedom” we hear about, is certainly of a very limited kind. Since all freedom is won at a price, I cannot help wondering how high a price we are paying and if it is real freedom at all—or is it a new form of slavery dressed up for make-believe? I know too many dynamic, successful women who appear to have everything. Yet, when you sit down with them alone—away from the glitter of their busy lives—they describe feeling out of sync with themselves. A sense of sterility and stagnation permeates their lives, and they carry a feeling of emptiness and even of betrayal, yet from what and by whom they rarely know. Many have aimed for the top and arrived. So now what? Where is the next challenge, the next battle to be won, the next social occasion? Like the editor, they tend to pack their days with duties and appointments, always uneasy that if they stop for a moment they might let somebody down or their lives might fall apart. PERILS OF LOGIC Just as our mothers and their mothers before them embraced the expectations of their culture that fulfillment would come through being a good wife, a good mother or good servant, women now have taken on another cultural stereotype. We have learned to do things logically. We have largely bought into a male stereotype based on the attainment of academic, financial or artistic success. We have thrown ourselves headlong into the male world, and many of us have “made it” within that world's terms. Yet in the wake of our success, we often find ourselves pursued by a confusing sense of barrenness and despair that further achievement in the world, new love affairs or the prospect of a facelift can do nothing to cure. It is at this point that many women, myself included, first hear the call to adventure. It comes as a powerful challenge to leave the ordinary world in which we have lived decades of our lives and set out in search of answers: Why did this happen? What was wrong? What secrets have we forgotten, and what connections had we lost, in our obsession with doing things and our tendency to opt for chemical control of our body's cycles? And what are we missing out on? BACK TO SOURCE How could we, as women, continue to buy into values and ways of living which not only didn’t serve the coming to fruition of our own talents and our capacities for joy, but were inexorably destroying the earth? Where had all our real freedom gone, and our power—not power in the masculine sense of power over, but in the feminine sense of power to? I delved deep into the past in search of archaeological findings and archetypal connections that might give clues to just what as women we had lost, and how any of these lost treasures might be rediscovered. This led me into the realm of myth and ritual. I discovered that the two worlds—the world of science, with all its shifting biochemistry and rising and falling hormones, and the world of myth, peopled with archetypes, symbols, goddesses and rituals—not only met, they are blended within a woman's body and psyche. And where they meet is a cauldron of blood. SACRED BLOOD According to written records, since the beginning of human history, the power of creation was believed to reside in the holy blood that pours forth from a woman's body. It ebbs and flows with the waxing and waning of the moon. Blood has always been credited with magical power and with containing the essence of a person's soul—"one's lifeblood". Medieval physicians believed that a woman's menstrual blood could cure leprosy and act as an aphrodisiac. For centuries, both male and female rituals for receiving the gifts of the Sacred Feminine involved ingesting menstrual blood: It was mixed with red wine and taken as an alchemical drink. Ancient Egyptians, Celts, Persians and Taoists in China all held similar beliefs about menstrual blood, and carried out similar rituals. In Ancient Greece during planting festivals, women mixed their menstrual blood with corn seeds, then spread them upon the earth for fertility. In the 17th century, when William Harvey wrote his famous scientific treatise on circulation, he referred to the flow of blood through the body as the coursing of spiritual power. Even our word “blessing” is derived from the Old English bloedsed, which means bleeding. HARMLESS AND FREE Menstrual blood and the blood of childbirth are the only kinds of blood given freely—that is shed without wounding. Not only metaphorically but speaking strictly from a scientific point of view, human life cannot be created without the blood in a woman's womb. So profoundly did an awareness of the power of a woman's blood touch the lives of primitive people that native words for menstruation carry connotations of spirit, divinity and magic—of the supernatural and of the sacred. Ancient Hindus taught that all life is created out of the congealing of Great Mother's menstrual substance, which had been worked and thickened to form curds or clots from which the crust of solid matter emerges. Their goddess of creation, Kali-Ma, “invited the gods to bathe in the bloody flow of her womb and to drink of it; and the gods, in holy communion, drank of the fountain of life and bathed in it, and rose blessed to the heavens.” INSTINCTUAL SEXUALITY The sexuality of the genuinely free woman is the sexuality of sheer instinct—the wildness of the Sacred Feminine set free. It is she that calls a woman into the secret places of the woods and provokes her to dance naked in wild abandon. Hers is a sexuality to be used in any way she chooses—in union with another; as power to heal the earth and all its creatures in need of healing; or alone to generate the alchemical meeting of male and female within her own body. She will be what she is, she will have what she wants. She is neither passive nor submissive, and her sexuality also has nothing whatever to do with bringing physical children into being. The Sacred Feminine’s eroticism is sheer ecstasy, lived for its own sake, and sheer creativity. She creates in an uninhibited, animated, fiery way, which emanates from the soul of a woman or a man. Such sexuality is the fuel for all creative powers in the world. It carries with it the energy of regeneration and of healing for the world. It is the kundalini power—the rejuvenating cosmic illumination, the power of the serpent, the sacred fire which heals. LIGHT OUT OF DARKNESS As the Sacred Feminine gains entrance into the body and psyche of a woman or a man, it illuminates one dark corner of his or her psyche after another, lifting away all that is old and dead and without meaning, the way kundalini energy rises up within a body to illuminate each of the chakras. Their power becomes the power to leave behind what is dead and useless to make way both for personal rebirth and renewal to the natural world. It is the indomitable creative power that lies sleeping in the consciousness of both men and women. Perhaps more urgently than ever before, the Sacred Feminine now calls to us to remember who we really are, and all the creative blessings we have, which the world around us needs so very much. Never in human history has it been more urgent that we listen and respond, for our own sake and for the benefit of all beings and all living things on the earth.

Make up is the icing on the cake. Wear it if you love it. Play with it to discover new ways of expressing the many faces of you. When you don't feel into it, let your face go naked. That, too, is a path to freedom... the colors The idea that makeup color - say an eye shadow - is only to be used on the eyes, or a blusher only on cheeks, is absurd. Color is color, and it doesn't matter what you call a product provided it serves the purposes you want it to. The colors that you use on your face should all give support to each other, so they work together to create an overall effect that is pleasing. the whole process of making up may sound complicated, but with practice it should take very little time - no more than ten minutes from start to finish There are two basic possibilities: warm color schemes and cool ones. The effect of a warm color scheme on the face - which includes the earth colors such as browns, greens, beiges, golds, yellows, apricots, coppers, oranges, and peaches - is to enliven it, making your face look healthier and stronger and more glowing. Warm colors look wonderful on older women, too, because they accentuate youth. This is why some of the best foundations and powders now contain yellow pigments. A little peach or apricot blusher can make almost any face look younger, whereas bluish-pink blusher applied to a face over forty can age it drastically. The cool colors - the blues, purples, pale ivories, silvers, fuchsias, berries, magenta, blue-pinks, and whites give a look of delicate vulnerability to a face, especially when they are applied, as they should be, over a very pale foundation. But to wear them you have to have perfect skin and you have to be young; otherwise they can make you look tired, older, and even unwell. the moisturiser Every good makeup begins with a fine moisturizer complete with sunscreen lavishly applied over clean skin and then given a chance to settle in. You need to wait for your skin to take to the moisturizer before you put on your foundation, otherwise you will end up with a flawed finish and your makeup will not last. `Taking' time is usually between two to five minutes. In addition to the ordinary moisturizers, there are also tinted ones on the market. These products are halfway between moisturizers and foundations. They impart some color and also provide you with some measure of protection from water loss. They give a very light cover but can be a nice way of simply adding a healthy glow to your skin. Some of them also contain sunscreens. When choosing a tinted moisturizer, look for one that is not too far away from your own skin tone or you will find it doesn't blend in and cover well. A green moisturizer will soften a florid skin, toning it down and making it look more neutral. Green will also help conceal red blotches and spots on your skin. A mauve-colored moisturizer can improve a dull complexion and brighten the face of someone who is too pale. An apricot-colored corrective should be used only by the very few women who are really sallow. When you use a corrective, put it on with a sponge that has been dampened and then had all the excess water removed from it by wiping it against a towel. Among the tinted moisturizers are the `color correctives' - products tinted a specific hue in order to change the look of your own, natural coloring. They are worn under your ordinary foundation. the foundation Once your moisturizer has set, you are ready for the foundation. But why all over? Instead you can wear it only on parts of your face such as around the eyes where it gives a good base for eye shadows, on your chin,and on your cheeks. The advantage to this is that you still get the wonderful, delicate shading of natural skin, rather than that all-over deadness that can come from covering your whole face with one opaque color. Or you can wear two shades of foundation: a lighter one in the center of your face (on the nose, forehead, cheeks, and chin) and the slightly darker one of the same tone around the outside (near the hairline and along the jawline). This has the effect of preserving a natural-looking gradation of color and still lending the finished look of a well-made-up face. A foundation is not meant to give strong color to a face. It is supposed to be flat and neutral. About 80 per cent of Caucasian skin should wear one foundation color: a flat, true beige with neither pink nor peach overtones to it. It will look good on all ages of `northern European' skin, because it gives a neutral canvas on which to put your eye and lip colors. If your skin is olive or yellowish or very dark, then choose a foundation as close to its natural color as possible but slightly flatter. When testing out color, put it on your naked face and then again go out into the daylight to look at the results before buying anything. The kind of foundation you choose depends on what kind of skin you have, as well as on personal preference. Dry skin does best with a cream or oil-based liquid foundation. Aging skin needs the finest of liquid foundation. Anything heavily oily collects in the lines and makes you look haggard. Oily skin demands a water-based liquid or cream or a cake or block-type makeup. Put a little foundation in the palm of your hand and then dip the sponge into it and apply it to your face, brushing it lightly over your skin again and again until everything is well blended into your skin. the concealer Now is the time to deal with any problems you want to conceal, such as black circles under your eyes, or discolorations here and there. Concealer creams and sticks are good here, although some of them are greasy and, particularly under the eyes, tend to sink into tiny lines and make matters worse. Put your concealer on with a flat wedge-shaped brush and smooth into the skin until it blends perfectly with the surrounding areas. If you add a little powder here you will get just the finish you need to make the undesirable area fade into the surrounding skin tones. the magic of light and shade The secret of making light and shade work for you is simply to apply both sparingly and only where it matters to your face, and always to blend well into the surrounding area. Whatever part of your face you want to bring out or emphasize, you apply a light color to, and whatever part you want to minimize, you cover with a darker shade. Here are some of the things you can do with shading: To minimize a jaw that is too large or too square, apply darker shade along the jawline, blending it under the jaw and fading into nothing at the sides of the face. To shorten a pointed chin, apply shader to chin only, blending underneath into the neck and fading to nothing at the sides. To fade a double chin, put shader on the double chin and blend it skilfully. This will make it recede into the background and look less prominent. To give more interesting shape to a square face apply shader in the temple area and all around the jawline, carefully blending. To minimize a nose that is too large, apply shader in a single stripe down the centre of the nose, carefully blending into the color at the sides so that no definite line appears. To slim a broad nose apply a shader - preferably a slightly darker foundation or cream - in a stripe down each side of the nose and blend it carefully into the skin to make the nose look narrower. For most women, one of their best features is the eyes. Perhaps this is because eyes reveal so much of what goes on inside. Makeup for eyes should emphasize this and show off the eyes' beauty and color. There are lots of ways to use eye makeup to improve eyes, but all of them begin with the same principles. Use neutral tones such as slabby browns (without red tones in them), flat greys, and greyed greens, or even terracotta, for establishing the shape of the eyes (the darker shades to define the sockets and the lighter beiges or yellow, peach or apricot, or pink, on the lids and under the brows). All eye shadows are best applied to skin that has a foundation on it even if you don't put foundation on the rest of your face, and powder shadows hold best over a light skimming of translucent powder too. All eye shadows are best applied with a brush, whether they are liquid, cream, or powder. You will get a better, longer-lasting finish from them this way. the eyelids Apply the lighter shade of colored shadow you have chosen to the section of the lid nearest the lashes, and then brush it out, fading it away to nothing towards the eyebrows. Now you can have the darker shadow in the socket to define the shape. Remember that colors on the outer edges of your eyes will tend to widen the look of your face and open your gaze. Finally put on your eyeliner. A good way of emphasizing eye shape without looking too obviously made-up is to use a pencil in the same tone you are using for your eye shadow, dotting it all along the upper lashes and then just under the lower ones so the two lines meet at the outer corners and form a little triangle. This kind of liner looks good when it is gently smeared with a brush or fingertip to blend it into the surrounding area and keep it from looking hard. You can also use another color line drawn on the inside of the lower lid if you like. The other way of applying eyeliner is with a brush, in which case you use liquid or cake liner and get a more definite line. It is drawn just above the roots of the upper lashes and just below the roots of the lower ones, again meeting at the corner. Many women use black eyeliner, but usually a gentle grey or slate or muted brown is better. the mascara Mascara makes eyes look more glamorous. It seems to create an aura of mystery about the eyes when lashes are darkened and thickened. Unless you are planning to walk in the rain or to go swimming with your makeup on, you are better off using a mascara that is not waterproof. eyebrow sculpture Before you begin, brush them first one way and then the other to remove any loose hairs or makeup, and clean the skin around the eyes thoroughly. Now put moisturizer in the area, before you reach for the tweezers. Brush your brows into shape and take a good look at them. Start by removing stray hairs between the brows and the stragglers but never pluck from above the eyebrow. And always remove only one hair at a time, pulling it in the direction in which it grows. When you have finished with one brow, apply antiseptic or a simple toner to it before going on to the next one. This will help soothe the irritated skin. Don't try to apply makeup for an hour after plucking. the lips Most women tend to pick lipsticks that are too bright or too pink to flatter their coloring. There is certainly a place for fire-engine reds and vivid fuchsias, but for everyday wear you are probably better off with a muted brownish pink or a softened melon or salmon. Shop around until you find four or five lipsticks in differing tones that look good on you. Frosted lipsticks are for the very young. Older women are usually better off with cream lipsticks, since frosting shows up wrinkles on the lips and the see-through ones don't give enough definition. When applying lipstick, use a pencil or a lipbrush to outline your mouth first, so you get a good, sharply defined edge. Then apply your lipstick and blot it and apply again if you want it to stay. Alternatively use a pencil all over the mouth as well as for outline and then apply a clear gloss. It looks fresh and simple and the color tends to last. the cheeks The best colors for everyday wear for most women are terracotta, apricot-brown or dusky peach, because they make the skin look particularly healthy. Used high on the cheekbones it accentuates a well-sculptured face. Used across the cheeks it gives a simple warm glow. the powder A little translucent powder that imparts no color but gives a smooth, matte finish can actually make a face look younger. It is also an interesting effect to powder only parts of your face, such as the sides below the cheekbones, the nose, and the forehead, and then leave a sheen on cheeks and chin. Always use a powder that gives no color, just a matte, smooth finish, and always brush away every speck of excess once you have applied it. the finishing touches Last of all, after you have applied your makeup completely, you need to set it with water. This step is very useful, for it will make a face last far longer than it otherwise would. Spray your face with spring water from an aerosol can or with a fine mist from a plant-misting bottle. Then blot gently once with a tissue.

One of the simplest ways of meditating, this technique involves nothing more than just being aware of your breathing. But don't be deceived by its simplicity. It is a potent tool for stilling the mind and regenerating the body. And concentrating your awareness on the breath is not as easy as it sounds. You need to find yourself a quiet place where you will not be disturbed. You can sit cross-legged on the floor with a small cushion underneath you, or you can sit in a chair if you prefer, but your back should be straight. This straight-back position is a requirement for many meditation techniques, since it creates a physical equilibrium which makes calm mental focus possible. Let your hands rest quietly in your lap. count your breaths Close your eyes. Take several long, slow breaths, breathing from your abdomen so it swells out with each in-breath and sinks in again when you breathe out. Now rock your body from side to side and then around in large, gentle circles from your hips to the top of your head. Rock in increasingly smaller circles until you gradually come to rest in the center. Now breathe in and out through your nose quietly without doing anything to your breathing - that is, don't try to breathe deeper or slower or faster, just breathe normally. With each out-breath count silently to yourself. So it goes: in-breath, out-breath `one'...in-breath, out-breath `two'... and so on up to ten, counting only on the out-breath. When you get to ten, go back and begin again at one. If you lose count halfway, it doesn't matter. Go back and start the count at one again. Counting isn't the point. It is a way of focusing your mind on your breath. After fifteen minutes - sneak a look at your wristwatch if you must - stop. Sit still for a moment, then open your eyes and slowly begin to go about your everyday activities again. If you are like most people, the first few times you do the exercise you will find you lose count often and you are frequently distracted by thoughts or noises. It makes no difference. It works just as well anyway. Each time some random thought distracts you, simply turn your mind gently back again to counting the breaths. Distractions don't change the effectiveness of the meditation. The exercise, like most techniques, is best done twice a day, morning and evening. A beginner will usually notice positive results by the end of a week, but they become increasingly apparent the longer you go on doing it. Some Buddhist monks do this exercise for two or three years before beginning any other form of meditation. beyond relaxation Once you are familiar with the practice of deep relaxation or meditation and with all the benefits it can bring you, you might be interested to go on to investigate other, more complex forms of meditation. There are many, for meditation is not a word that is easy to define. It takes in such different practices. Some forms such as zazen or vispassana (sometimes called insight meditation) demand complete immobility. You sit watching the rise and fall of your abdomen as you breathe, and whenever your mind wanders you gently turn it back to this observation. This simply concentrated attention, which can be likened to the `continuum of awareness' in Gestalt theory, is capable of bringing up many repressed feelings and thoughts that have been stifling your full expression and of liberating them. The Siddha Yoga of Muktananda and the chaotic meditation of Rajneesh, where the body is let go to move as it will, are examples of this sort. They often involve spontaneous changes in muscle tension and relaxation and in breathing, and they demand a sense of surrender to the physical body for the release of the mental, emotional and bodily tensions. These kinds of meditation can be particularly good for someone with a tendency to be physically rigid. Then there are the visualization meditations such as those used in Tibetan Buddhism in which you focus your mind on a particular image, fine-tuning it to the specific beneficial energies or influences this symbol carries (the creative imagery techniques in the next section are also an example of this kind of meditation). They have been used recently to cure serious illness and also in the sports world to improve athletic performance. Another form of meditation is that of "mindfulness," where you go about your daily activities simply being aware of each thing that you do, as in Gurdjieff's "self-remembering," shikantaza or mahamudra. These are just a few of the possibilities worth investigating if you want to go further. Each has something worthwhile to offer, and the mere act of learning a new method and the set of ideas and attitudes that go with it can be an exciting experience as well as tremendously beneficial.