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This was an interview I did for 50 Loving it on Move up to power and freedom. I speak about natural menopause and the powerful journey that a women takes towards her own power and freedom. I also speak about Cura Romana's fast and effective weight loss program and how it has helped participants to move more fully into their body transforming all aspect of their life, helping to discover their true power and personal freedom. Hope you enjoy it... [audio id=http://d1vg7rm5xhtxe9.cloudfront.net/audio/lesliekenton66781-edited.mp3] Move up to power and freedom. Transform your weight, your health, your life. The best is yet to come. Award-winning writer, television broadcaster, and teacher, Leslie Kenton is well known in the English-speaking world for her no-nonsense, in-depth reporting. According to London’s Time Out, “If there is one health expert who can genuinely be described as pioneering and visionary, it is Leslie Kenton.” Leslie conceived and created the worldwide Origins range for Estee Lauder. A former consultant to European Parliament for the Green Party and course developer for Britain’s Open University, Leslie is trained in Chinese medicine, nutrition, and bioenergetics. She was first Chairperson of the Natural Medicine Society in the UK and her contribution to natural health was honored by her being asked to deliver the McCarrison Lecture at the Royal Society of Medicine. Leslie now divides her time between her homes in Primrose Hill, London and South Island New Zealand.

Did you realize that as of this moment, half of the seafood in the world no longer comes from wild oceans and rivers but from fish farm? This is not only salmon but hundreds of other fish, which are now farmed. And the number of fish farms continue to rise exponentially. So what? So lots of things! Fish farming corporations hide the inconvenient truths about how their fish are raised, what they are fed, and the dangers that aquaculture brings not only to wild fish who share the same seas as their contaminated brothers but also to we humans who unknowingly buy and consume farmed fish. Let's start here: Farmed salmon and all other farmed fish often spread diseases they carry to the populations of our wild fish. How? Farmed fish continue to break through barriers erected to contain them threatening the wild fish gene pool and spreading bio-pollution that is irreversible. Norway has the greatest concentration of fish farms in the world. The Norwegian Health Department recently issued a warning to their population that they should not eat too much farmed salmon. Dr. Anne-Lise Birch Monsen from the University of Bergen is outspoken about the high level of contaminants present in farm-raised fish including salmon. Contaminants that build up in farmed fish then spread environmental pollution into the waters surrounding the fish farms causing damage to wild fish in the waters nearby. Six years ago Russia banned Norwegian farmed salmon from sale because it contains large amounts of cadmium and lead. These heavy metals and other poisonous substances come from the feed farmed fish are given. They flood into the sea contaminating the waters where our wild fish live. Wild caught Alaskan salmon who for millinia have swum in our rivers and seas have thrived on what Mother Nature provided them with: healthy fats, micronutrients, vitamins and antioxidants including natural astaxanthin. It is this astaxanthin that turns a wild salmon's flesh its beautiful red color which helps keep us healthy when we eat them. For years, ecologists have been warning people to stay away from farmed salmon and the carnivorous "fish meal" filled with junk materials that are full of it. This includes oil of anchovies which carries polychlorinated biphenyls known as PCBs. These and other toxic chemicals pollute not only farmed fish but our own bodies when we by farmed fish. Viruses, parasites, banned chemicals, and antibiotics carry dangerous consequences both for us and for the natural marine species who still inhabit the oceans. Wild salmon are the vegetarians of the sea. They eat only plankton, krill, and algae. Near the end of their life they are ready to make their perilous way upstream, returning to the place of their birth to spawn and die. They will have spent all but this final five percent of their life in the freedom of the open ocean. Yet as of now an astounding ninety-nine percent of farmed salmon are penned and held within rivers that wild salmon swim up in from the open ocean to lay their eggs and spawn. Excess fish farm feed floats into the water surrounding the farm. As well as genetically engineered ingredients, farm feeds also contains antibiotics and chemical additives, pesticides, and feces from the farmed fish that massively contaminate wild salmon and other fish in the waters surrounding farms. Farmed fish are notorious for carrying diseases and spreading them. But ask an aquaculturist about this and he will tell you nothing about this. When I contacted some well-known fish farms, requesting that they provide me with a list of ingredients in their fish foods, all of them refused. One kind man, who shall remain nameless, dared to whisper the truth. "It has to be kept hush, hush. If the public knew what they were eating, they would stop buying farmed fish altogether—including farmed salmon." How do you know that you are buying real wild fish incljuding “wild salmon? It is not easy. Half of the salmon available in the United States, twice that much in the Uk and virtually all the salmon sold in New Zealand is farmed not wild. There is a tremendous amount of mislabling taking place in stores more than 80% of what is labeled “wild” is in truth farmed salmon. In truth, as Time Magazine discovered last year, “More than 2,500 tons of the food eaten in the United States is fake.” Meanwhile 30% of shrimp present as “wild” are actuallly farmed, 87% of fish labeled “snapper” and are something else, and the deception continues to grow.

There are many other powerful helpers readily available to give a hand with banishing cellulite. Some of my favorites are: The Cactus Connection Another powerful adjunct to breaking down cellulite and keeping your system clean is drinking the biogenic—life generating—juice of the aloe vera plant. Aloe vera is a beautiful cactus. Used externally, you will find nothing better than pure aloe vera juice as a base for your own anti-cellulite treatment (see below). Used internally, it appears to help detoxify the body in general, enhance digestion so that wastes do not build up in the system, and improve the quality of micro-organisms in the large intestine, which help protect immunity and keep the body clean. But it is useful against cellulite in other ways as well, thanks to its being rich in proteolytic enzymes. These enzymes appear to help with the breakdown of necrotic, hardened, protein-based connective tissue that is essential to eliminating cellulite, although that remains to be proven. It has, though, been recently discovered that aloe vera juice enhances the development of capillaries and circulation in general, reduces water retention and inflammation, and speeds up cellular reproduction in skin. In order to make use of aloe vera’s healing properties, you either have to use the juice fresh from the cut leaves of a cactus which is at least four years old, or it has to be carefully processed at extremely low temperatures to preserve its biogenic properties. Find the best aloe vera juice you can, keep it refrigerated and use it within a month. While beating cellulite, take a small glass of pure low-heat processed aloe vera juice on rising, between breakfast and lunch, and between lunch and dinner, as well as just before you go to bed. Silica Silica plays an essential role in the development and maintenance of cellulite-free flesh. When there is an adequate supply in your body, this brings a high level of support to the metabolic pathways responsible for the production of strong new collagen, elastin and ground substance in skin. A woman’s daily requirement of silica is rather high, at 20-30mg. Organic matter in the soils should, by rights, break down readily available inorganic silica in the ground and render it available to us through the foods we eat. Unfortunately, high-tech farming methods have destroyed much organic matter in our foods, so that our fruits and vegetables are now depleted of silica. Modern food processing then tends to remove even the little that is left. As you get older, the amount of silica present in your body decreases year by year. There is only one, extremely rich source of organic silica known to man: horsetail. Never take powdered horsetail, as it is extremely irritating to the intestines and very little of it will be absorbed by your body. Find a good natural organic silica supplement instead. Most women notice a difference to their hair and nails within 3 to 6 weeks of beginning to take between 2 and 6 tablets of organic silica a day. The benefits on the inside to connective tissue will be happening at the same rate. Plants from the Depths Another source of plant complexes particularly useful in banishing cellulite and re-establishing good body ecology is the sea. All seaweeds—from kelp to dulse, to nori and kombu—are rich in the minerals which your body’s metabolic processes require to function properly. A good supplement of sea plants which have been collected from unpolluted waters and then ‘atomized’, or broken into very fine particles, can offer another source of important metabolic support on any anti-cellulite regimen. Seaweeds tend to have very hard cells walls, and unless these plants are extracted or their cell walls are exploded, much of the metabolic treasure they contain remain unavailable to the body. They are also, of course, delicious to eat. Buy them dried and crumble them onto soups and salads. DIY Cellulite Lotion The active ingredients in the best of the cellulite creams, lotions and oils include a number of potent herbal extracts to help enhance circulation, encourage fat burning, restore integrity to damaged capillaries, decrease water-logging and improve firmness. They include things like silica derivatives, free-form amino acids, herbal extracts from butcher’s broom to horsetail, and even caffeine, which, when applied in the right form to the surface of the skin, has been shown to stimulate fat burning. All of these products need to work with a whole body program, and most of them are expensive. You can make one of your own at a fraction of the cost. It is true it won’t have a sweet cosmetic smell like the others and, because it contains herbal extracts which are brown in color, you will need to be careful not to stain the white bathroom rug when applying it. But it works a treat. Here’s how Take 1 small bottle of aloe vera liquid (350ml). Add to it 25ml of liquid extract of fucus vesculosus and 25ml of kola liquid extract. Shake well. Keep refrigerated. Apply twice a day to cellulite-prone areas of the body after a bath or shower, then, using one of the special anti-cellulite gloves, mits or rollers available in most pharmacies, gently go over those areas of your body.

Based on a traditional recipe for ginger beer, I created this drink for the first part of Cura Romana Journey. But it was such a hit that every one (including me) just kept using it even long after the program was over. Sometimes I use only half a liter of water instead of a full liter, then top up just before serving with half a liter of sparkling water. My Orange Ginger Beer keeps for three days in the fridge. WHAT YOU NEED FOR THE ORANGE GINGER BEER RECIPE 50–100g of fresh ginger root, grated finely—preferably with a ginger grater—depending on how strong a ginger flavor you like. 1 liter of spring water (only half a liter if you plan when serving it to add fizzy water) Stevia to taste (see below) 1/2 teaspoon of ground cinnamon The juice of 1 large freshly-squeezed orange 1 tablespoon of finely-shredded orange zest HERE’S HOW TO MAKE ORANGE GINGER BEER Place the grated ginger and the water in a blender or food processor. Add the stevia and the cinnamon and blend. Stir in the orange juice and zest. Put in the refrigerator for 24 hours so the flavors meld. Strain, then chill for another hour. Pour over ice to serve. I use Spoonable Stevia by Stevita or several drops of Wisdom Natural SweetLeaf Liquid Stevia in Lemon Drop flavor which I order direct from iHerb.com who ship ultra-fast worldwide. STEVITA:SPOONABLE STEVIA Stevita Spoonable Stevia uses only stevia extract with at least 95% pure glycosides (extremely sweet tasting ingredients of the Stevia herb leaves), and erythritol, a crystal granulated naturally produced filler found in fruits, vegetables and grains. Buy Stevita English Toffee Stevia All Natural, Zero Calories, Dietary Supplement. SweetLeaf liquid stevia with all natural flavors is convenient and easy to use. As a supplement, add nutritious stevia to water, tea, coffee, milk, sparkling water, protein shakes, plain yogurt or anything else you can imagine.. Buy English Toffee Stevia ORDERING FROM IHERB.COM: They ship all over the world very cheaply, and their products are the cheapest and best in the world. Get your order sent to you via DHL. I use them for almost everything no matter where I am.

In my last post, we looked at unconscious image-making which prevents us from experiencing authentic freedom and undermines our sense of self. Now let’s flip destructive image making-on its head. It’s time to learn the art of conscious image-making It can improve health, heighten self esteem, and even forge the person whom you long to become in the future. All you need is a simple notebook in which to record your intentions, goals and experience plus 15 to 20 minutes a day to practice the art. This can be a lot of fun. POWERS OF THE MIND Creative imagery is the deliberate, repeated use of specific mental images, while in a deeply relaxed state or meditative state, to bring about change for the better. Just how creative imagery works has never been fully defined. It does, however, appear that the images one chooses to focus on when repeatedly held in the mind are able to affect one's body, emotions, and mind through the autonomic nervous system. Some of the process, at least, is explainable in biological and energetic terms. When a thought or image is kept in the mind of someone in a state of deep relaxation, his or her brain shows neuronal activity in both right and left hemispheres. Nerve fibres leading from the cerebral hemisphere through the hypothalamus can directly affect the autonomic nervous system and the pituitary gland as well as the adrenal cortex. Everyone has had experience of this image-making to some extent in day-to-day life. For instance, if you keep a frightening image in your mind's eye—say of a ghost, a fantastic monster, or a situation you want at all costs to avoid—your body will respond via the autonomic nervous system with a racing heartbeat, perspiration, dryness in the mouth, or gooseflesh. How strong your reactions are to the fearful thought depends entirely on how clear the image is. Similarly, when you hold a clear, relaxing image of perhaps a spring meadow or a person you love, your body responds with relaxed muscles, lowered heartbeat and blood pressure, and generally pleasant and passive bodily sensations. Researchers have found that through this mind-body connection we can exercise a great deal of control over our bodies and our behaviour simply by choosing images to focus on and using them regularly. In fact, this kind of deliberate visualization is the technique behind the ability yogis demonstrate in raising and lowering their bodily temperature or heartbeat at will, going for long periods of time without food, and performing extrasensory tasks. TRUST THE GAME Although the mechanism of creative imagery is highly complex, putting it to use is simple. For just as it is unnecessary for you to know how the nervous system, in conjunction with the brain and muscles, makes it possible for you to pick up an apple and take a bite out of it in order to perform the action, so it is not necessary to understand biological theories about creative imagery in order to practice it to your benefit. The imaging mechanism of your brain works automatically; all you have to do is provide it with images that are useful to you and let it do its job. Nor do you have to worry about whether or not you believe in creative imagery or whether or not you can do it well enough for it to work for you. If there is a goal that you want to achieve, you need simply to visualize it—again and again, at least twice a day; the rest is automatic, so long as your goal is something you consciously consider to be feasible. It would be absurd, for instance, to lie down for ten minutes each morning and afternoon and visualize yourself as an eagle. You might improve your imagination no end, you might also develop a great empathy for eagles, but it unlikely that you would develop wings or a beak. Nor need you worry about success or failure. As Maxwell Maltz says in his book Psycho-Cybernetics, "You must learn to trust your creative mechanism to do its work and not `jam it' by becoming too concerned or too anxious as to whether it will work or not, or by attempting to force it too much by conscious effort. You must let it work, rather than make it work. This trust is necessary because your creative mechanism operates below the level of consciousness." The only real "trust" needed for it to work is that which makes it possible for you to spend time repeatedly practising creative imagery. You do this by letting yourself go into a state of deep relaxation or meditation and then repeating your chosen image again and again over a sufficient length of time for it to take hold in your unconscious and begin producing results. You certainly don't have to trust it in the sense of believing in it for it to work. It will work whether you believe it or not. Just be consistent in using the technique regularly. PREPARE THE WAY Begin by learning to just let go. Creative imagery is an inner state of mind. To visualize effectively you need to put yourself into a calm, relaxed state in which mental images flow easily. Generally the more relaxed you are, the more successful your visualizations will be. This kind of relaxation is something that is learned gradually by practice. Even if you feel in the beginning that you are hardly relaxed at all, you will get benefits from your imaging and this will become progressively more true as you repeatedly practice visualization. Begin by lying down, or sitting in a comfortable chair, with your back well supported. Use a simple practice such as zazen or gentle, quiet deep breathing to let go of daily concerns and enter your private world. When you feel yourself quietly calm resting in your own inner space, there are several things you can do: In this space, you can examine in a new light any question that has been bothering you. You have access to the deeper layers of your mind where many answers can be found, provided you are willing to ask the questions simply and then just wait in stillness for the answer to come. This place is also where you can become aware of your belief systems and bring them to consciousness so that you can examine them in a detached, objective way and see whether they are working for you or not. You can then decide what you want to keep and what your want to leave behind. It is a place where you can learn to listen to the sound of your inner voice. The more you do this, the easier it becomes. This inner voice can guide you to where you are going next and tell you what you are about. It is a place where you can come to know yourself for who you really are, quite apart from roles and habitual assumptions you have always had about yourself. Most important of all in bringing about change, you can use this inner space to practise creative imagery. Go through your relaxation technique until you enter your inner space. Now you are ready to begin visualizing. You can do this in two ways: verbally, by simply repeating over and over a few words that describe the image, or visually, by simply seeing yourself as already having become what you want to be. For some, who at first experience difficulty in visualizing, the verbal method works better; for others, the visual method is more successful. Try them both and see which you prefer. Later on, after you are familiar with the use of creative imagery, you will probably want to use both. FOCUS YOUR DESIRE Let's say you pick as your goal the desire "I want to have more energy." Using the verbal method, turn the wish into a positive statement. It becomes "Every day I am more and more energetic and well." It is important that your goal be phrased in this way. It has to be in the present tense—not "One day I will be better" or "I hope that I will be more energetic," but Every day I am more and more energetic and well. It is happening now. Your subconscious mind, which holds the power to bring about change, does not function in terms of time and space as your conscious mind does. It understands only the simplest and most direct instructions, and when they are given it works as if they had already occurred or are occurring now. The words you have chosen become your image. You put them to work by simply repeating the words over and over again silently to yourself while you are in the deeply relaxed state in your inner space. It is the constant replaying of the message day after day twice a day that works best, not how long you do it each time you relax. One convenient way of doing it is to repeat the directions ten times in each session, moving one of your fingers with each repetition until you have been through all ten. Then you simply say to yourself the same, "I am now going to come out of my inner space...(by counting backwards from three, etc.) and open your eyes. The best time for most women to practice creative visualization is in bed at night just before they fall asleep, and then again in the morning just before they get up. But really you can do it anytime—whenever you can find ten minutes to yourself in the middle of the day, or in the middle of the night if you awaken, or during meditation. The important thing is to do it regularly twice a day every day. You needn't worry about doing it wrong, either. Because, in truth, there is no wrong way, and every supposed wrong in the way you are doing the technique will gradually put itself right with practice. WATCH IT HAPPEN If you prefer, you can use a visual way instead, or you can use a combination of both. Picking the same goal, I want to have more energy, go through your relaxation technique. When you are at the inner space, instead of repeating words let your mind play with the image of your goal as if it had actually come about already, almost like a daydream. In other words, see yourself moving through your day, relating to people, doing your work, playing games, all the while full of vitality and bounce. Watch yourself in your imagination and enjoy the ease with which you do things that once seemed difficult or tiring. Notice the glow of your skin, how well you look; see the vivacity in the way you speak and move. Watch yourself and enjoy it. The more of it you let yourself imagine and the more you enjoy your imaginings, the stronger will be the images you are creating and the more quickly they will become reality. But as with the verbal instructions, always keep your images in the present as if they are actually happening now and not as if they might happen in the future or are something you would like to see happen. You may find at some point that something or someone is interfering with your image. For instance, you might find that as you watch yourself moving about energetically through the day in your mind's eye, another figure appears—say an old woman—who speaks to you. Perhaps she says something like, "You silly girl, if you don't slow down you know you will exhaust yourself or make yourself ill." Or, "Why are you pretending to be full of energy when you know that you are really tired?" and so on. Pause for a moment and take a look at the figure. Who is she? Your mother? A friend who tends to be negative about everything you try? The voice of a belief system from inside you which, without your being aware of it, has been telling you for years that you are tired? Answer the figure back. Tell her quietly but firmly in your mind, "No, you are wrong. I am well and I have lots of energy. I also know how to use it wisely. I will rest and look after myself when I need to, I will eat well, I will enjoy what I do. I will be happy with my vitality." Then go on with your visualization. Unexpected intrusions like this while you are visualizing are often very useful, for they help make you aware of belief systems and notions that may have been unconsciously impeding your progress towards a goal. Then, when you have practised your visualization for, say, five or ten minutes, tell yourself you are going to count backwards from three and open your eyes. A FEW TRICKS TO HELP In the beginning, when you are just starting to explore the power of creative imagery, it is a good idea to pick only one goal at a time and work on it for several weeks or months until it is being progressively realized before taking on another thing you would like to change. The technique of keeping a journal is very useful in recording your progress, but even more important is keeping a record of insights and experiences you come upon while practising the deep relaxation and visualisation techniques. The information and insights they turn up for everyone are invariably rich. Many times something you record today which seems not particularly useful now will have a message of immediate importance to you three months from now. Finally, there is one very simple goal that I find particularly useful because it covers all areas of one's life and you can use it over and over again, year after year, with benefit. It is, "Every day I am more and more myself. My life grows richer and richer." “Practice makes perfect,” the saying goes. It most certainly does but never treat your practice as a chore. Let it be fun. When you do everything happens faster and with greater ease.

I am fascinated by stories—especially mythic tales. I have an obsession with them. Wonderful myths inspire us, open us to new ideas and help us connect more deeply with the essence of who we are—warts and all. There is one particular myth which I adore. It is not only relevant to a man who can spend a lot of energy trying to understand what the woman in his life wants, it is also valuable to women. This fun story always makes me laugh. Only when the irrational feminine within both men and women is embraced and its will honored can any of us, man or woman, come to live in wholeness. The most difficult task most of us ever come up against is that of accepting the part of ourselves which we find most ugly and loathsome. Yet, locked within what we most hate or fear about ourselves lies the greatest power for our transformation. The tale is beautifully told in the Arthurian grail myth of The Loathly Lady. WHAT WOMEN WANT One Christmastide Arthur rode out with his knights to hunt. By chance he became separated from his companions and found himself at the edge of a great brackish pond. There a knight in black armor emerged from the shadows and challenged him to a fight. Arthur reached to draw his sword Excalibur and call on its power to protect him from all harm. Alas, he had come away from court without it. He could feel every ounce of strength drain away from his body in the presence of the dark and evil stranger who raised his sword and threatened to kill him. Being a responsible king, of course, Arthur told the dark knight he didn't think that killing him was such a great idea - he had a country to rule after all and knights to look after. Where would they be without him? The stranger, bored at the thought of such an easy kill relented and replied, "OK, I won't kill you so long as you return to this place in three days with the answer to a riddle I shall give you. If you fail I shall remove your head in one full sweep." Arthur agreed. He figured that given half a chance and a mug or two of mead, his pals back at the castle would be sure to come up with something. The riddle the stranger posed was this: "What does every woman want?" So Arthur headed home to ask all of his knights and wise men to give him the answer. Everyone from Merlin to a goose girl he met along the road had a go. Each gave him a different answer: "A woman wants beauty," said one. "A woman wants power," said another, or fame, or jewels, or sanctity. None could agree. Time was running out. Finally, although he had done his best to hide from his beloved Guinevere the seriousness of the situation, the third morning arrived. Bound by his word of honor to the Black Knight, Arthur had to face the music. Along the road to the meeting at the brackish waters Arthur came upon an old woman. She sat on a tree stump by the side of the road calling his name. FACING THE HAG Arthur dismounted and approached her with all the courtesy he could muster. For the closer he came the more ghastly this old hag appeared. Although she was dressed in fine silk and wore magnificent jewels on her gnarled and twisted hands, she was unquestionably the most hideous thing he had ever seen—or dreamed of for that matter. Her nose was like a pig's, her mouth was huge toothless and dribbling. What hair remained on her head was greasy, and the skin all over her misshapen and bloated body was covered in oozing sores. Arthur swallowed hard, forcing himself not to have to look away. "My Lord," she said in a surprisingly gentle voice, "Why look you so dismayed?" Summoning up all his chivalrous training, Arthur apologized for his manner, trying to explain it away by telling her he was most unsettled at the prospect of returning to meet his death at the hand of an evil knight because he could not tell him the answer to the riddle, "What does every woman want?" "Ah," said the hag. "I can tell you that. But such knowledge cannot be given without payment". Arthur, hoping once again for a reprieve from death, replied, "Of course Madam, anything you desire shall be yours for the answer—even half my kingdom." The Loathly Lady made Arthur bend down while she whispered a few words in his ear." The moment Arthur heard them, he knew his life and his kingdom had been saved. He was about to leap on his horse again and ride off to meet the stranger when she tugged on his cloak and said, "Now I want my reward." "Of course Madam, what is it that you want?" he asked. "I want to be the wife of your bravest knight and live at your court." Arthur, who only a moment before had felt his spirits soar was plunged into the deepest despair. How could he possibly expect any knight to consent to marry such a hideous hag. And what would it be like to have to endure such ugliness every day at court? WHERE TO TURN "But Madam, that is impossible!" he said. The words slipped through his lips before he could catch them. Aghast at his own lack of courtesy and agonized by having to ask any of his knights, Arthur said, "I beg your pardon, Madam. You are quite right. Come to court tomorrow. There waiting for you will be your future husband." So saying, he mounted his horse and rode off to meet the Black Knight to convey to him the answer to the riddle. When he got back to the castle, Arthur was distraught. The knights questioned him. He confessed that he had won his life from the Black Knight but then told them at what cost and reported his promise to the Loathly Lady. "My very honor is at stake," said Arthur, wringing his hands "unless one of you will agree to wed her." His knights were horrified at the prospect and tried to avoid his gaze. But one—the youngest knight of all—Sir Gawain, the most courageous and purest of heart stood up. "Worry, not my liege," Gawain said, "I shall save you, I will marry the woman no matter what her mien." Gawain did not have long before he rued his offer. The marriage was planned for the following morning and the hag arrived at court. When he looked upon her, even Gawain with all his chivalry did not know how he could go through with the ceremony. It demanded every ounce of his courage. Somehow he managed it. But things got worse. When the festivities were over, the couple were obliged to retire to their chamber for the night. Gawain, unable to face the hideousness of his wife, sat for long hours in their bedchamber with his back to the lady, writing at his desk and praying she would go to sleep without him. Was he to spend the rest of his life shackled to such a hideous monster? THE TRANSFORMATION Long past midnight, as the candle burnt low, he felt a hand come to rest upon his shoulder. "Will you not come to bed now, my Lord?" a voice whispered from behind him. Shuddering with horror Gawain mustered his courage to look at her. To his astonishment there stood not the ugly hag he had married but the most beautiful woman he had ever seen. She had golden hair and ivory skin. "Why do you seem so surprised, My Lord?" she said to him. "I am indeed your wife. I was enchanted by a wicked magician. But now the enchantment is half broken by your having consented to marry me and so you see I stand before you now in my true form." Gawain could not believe his luck. "Half broken?" he asked. "Yes, my lord" was the reply. "Sadly I am only allowed to spend half the time in my true form. For the rest I must return to the shape of the same hag which this afternoon you married. And now you must choose, my Lord. Would you have me be my true self at night when we are alone together and the hag during daylight hours?" Gawain, whose mind was flooded with passion at the thought of her beauty filling his bed each night replied eagerly, "Yes, that is certainly how it must be." In the eye of his beautiful lady appeared a tear. "But Sir," she said, "Would you then have me suffer the humiliation of the court who cannot conceal their horror at my ugliness?" Now Gawain, if he was nothing else, was compassionate. He could not bear to bring this beautiful woman a tear of sorrow. "No, of course not," he replied. "It shall be the other way round, of course. You shall be my beautiful wife for the court during daylight hours and the hag at night." But this only made the lady weep the more. "Oh sir, would you then deny me forever the joy and pleasure of your embrace?" She asked. HOBSON’S CHOICE Poor Gawain, who after all was but a man (and man has never found it easy to deal with woman's grief) did not know what to do. After much thought he replied, "My lady, whatever choice I make will be the wrong one. It is therefore for you to choose which you prefer." At the sound of his words the Lady threw herself into his arms in glorious laughter. "In so saying, my Lord, you have given the right answer. You have bestowed upon me what every woman wants—her own way. The spell at last is broken. You will never have to look upon the hideous hag again. I am my true self and it belongs to you forever." Such is the power of accepting that which to ourselves is most loathsome. And great is the power of myth in reminding us of it.

Syndrome X Phenomenon As an awareness of the Syndrome X phenomenon of insulin resistance spread, researchers and clinicians have begun to understand that many of us who are not diabetic still experience insulin resistance. Responsible scientists began to ask questions about what causes it. The discoveries they are now making are nothing short of revolutionary. They not only offer us the power to slow the rate at which our bodies age. They are experimenting with protocols that can, potentially reverse negative conditions from hypertension, insulin resistance to cholesterol imbalances and depression, simply by changing the way you eat and live. This experience is one I became fascinated with when, several years ago, I made a television documentary in the Southern Hemisphere called To Age or Not To Age. It asked the question, “Can we slow aging by making simple nutritional changes?” We also wanted to know “Might it also be possible to reverse age-related degeneration that has already occurred?” And, finally, “Can these things be verified in medically measurable ways?” We decided to carry out what is known as a base-line study to find out. We sent all participants to have the standard test of medical parameters checked before the project began—from fasting insulin and blood sugar levels through cholesterol, triglycerides and blood pressure. These were carried out at a hospital which also had an excellent physiology laboratory, where exercise physiologists were able to establish each participant’s VO2Max, body fat percentage and lean body mass to fat ratio. To my surprise, every participant—including a 50 year old top athlete—showed abnormalities associated with Syndrome X. We then introduced our group to an Insulin Balance way of eating, which I devised. The experiment lasted only 5 weeks. Then we sent all our participants back to the hospital to have their parameters checked again. The results were mind-blowing. We had no idea that, after only 5 weeks of dietary changes, every abnormal medical parameter had normalized, except for cholesterol measurements in one woman, which took another few weeks to normalize. For me personally, the experiment confirmed yet again that the human body has a phenomenal capacity to heal itself, when given the opportunity to experience transformation at the deepest levels. This is a truth which, for the past four years, I have applied to helping to transform the lives of men and women all over the world, whom I have been mentoring on Cura Romana. The results continue to delight me.

Valerian: This is the root of the plant Valeriana officinalis, which was the primary herbal sedative used on both sides of the Atlantic before the advent of barbiturate sleeping pills. It is a safe and well tested herbal remedy with a smell like dirty old socks (the smell drives some people's cats wild). Don't let that put you off, since Valerian is a powerful and useful tool for inducing safe sleep - more potent than most of the other natural tranquilizers such as hops or skullcap or chamomile. You can take Valerian in a couple of ways, but I like the tincture best - 10 to 20 drops before bedtime in a little water, or in the middle of the night when you awaken. Alternatively you can use a couple of capsules of the dried root. Valerian in lower doses is also useful when your nerves feel 'shot' during the day. Very occasionally Valerian will be too strong for a particular woman, so that she awakens with a little sense of hangover in the morning. If so, you can either cut down on the dose or try another milder remedy. In any case, it can be a good idea to change remedies every so often so your body doesn't become accustomed to one, rendering it ineffectual. Passion Flower: Passiflora incarnata, also known as Maypops, is a climbing plant that boasts magnificent white flowers with a purple center. It has a wonderful sedative and mildly narcotic effect on the body. Passion Flower is most useful for women who wrestle frequently with nervous tension and particularly helpful when nerves seem to be edgy before and around the time of menopause, when hormones can fluctuate wildly. It is also useful for relieving pain, thanks to its mild analgesic and antispasmodic qualities - all of which has been well demonstrated in laboratory and clinical tests. Passion Flower can also be useful for a woman troubled with premenstrual tension. It is not as strong as Valerian in its actions, is more calming than sedating, and as such is a great alternative to tranquilizer drugs. Use 10 to 20 drops of the tincture or the same amount of the liquid extract in water. Alternatively take two capsules of the dried extract up to four times a day as needed. Where a woman might take Valerian at night just before bed, the best results from Passion Flower often come from taking it 2 to 4 times a day to calm nerves and make everything easier and less stressful. Chamomile Tea: Matricaria chamomilla. One of the nine herbs sacred to the Anglo Saxon god Wotan, chamomile was also much loved by the Romans. Its name Matricaria is derived either from the Latin word 'mater', meaning mother, or from 'matrix', meaning womb. It has for thousands of years been used as a woman's herb against painful menstruation, to calm anxiety and aid sleep - even to help build strong bones, since it contains a form of readily absorbed calcium. Chamomile is also a uterine tonic - something else that has been scientifically evaluated. It boasts many other therapeutic properties as well such as being antibacterial in its actions and good for skin. The easiest way to take chamomile is in the form of a tisane or tea by infusing 5 to 10 grams of the dried flowers in hot water before bed or whenever you need relaxation. Chamomile works particularly well when taken together with Passion Flower. Hops: Humulus lupulus. The flowers from this British herb are often used together with other remedies to treat everything from indigestion to calm nerves. Like Valerian, hops has a pronounced sedative effect, but is milder. Unlike Valerian, hops smells sweet, and can be used without concern for side-effects. You can use hops in the form of a tincture but by far the best way for sleep - particularly good for women who are awakened in the middle of the night and have trouble going back to sleep - is to drink hop tea, which you make before going to bed by steeping the flowers for ten minutes in hot water then straining and allowing to cool. Sit the tea - sweetened with honey if you like - by the side of your bed, so you can drink it when you awaken in the night. Also wonderful is a little pillow stuffed with dried hops blossoms, which you put under your neck when you go to bed, or if you awaken. Oatstraw: Avena sativa. The straw from oats has an ability to restore energy when nerves have been frayed, and for counteracting insomnia. It can help ease night sweats, calm anxiety, and even relieve headache. Again, stuff a little pillow with oat hulls or infuse them in hot water as with hops, and keep beside your bed through the night in case you need it.

Where we do the damage to nature's biological plan is by providing an environment which is inappropriate to the needs of a child in a particular matrix period. We do this either by not supplying these needs - for instance by not allowing the constant physical closeness at the breast right from birth, not providing the infant with a myriad of physical objects and experiences in early childhood, not giving him the opportunity to begin classifying and ordering the relationships between things after he is seven, and so on - or by trying to force on a child a way of thinking or behaving for which his brain is not yet ripe. The Japanese for instance place their children into schools at two or three years, where they are forced to read, work with numbers, and wrestle with other abstract concepts long before they are ready to do so according to their biological clocks. As a result, not only do the Japanese have a big problem with dyslexia, their children wear more glasses per capita than any other children in the world, and when they reach adulthood also have one of the world's highest suicide rates. Pearce believes that we are trying to teach our children to read far too early. `I can stand up here and attack people's notion of Mother, Country, even God, and nobody will protest,' he says, `but when I say that we are doing severe damage to our children by forcing them to read before their brain's development is ready, all hell breaks loose.' Pearce insists that the practice of forcing five year olds (or even three and two year olds) to read can do irreparable damage to their development - damage, which he points out, is beginning to show up in widespread dyslexia, illiteracy and anxiety in our society. For by forcing him to read before his brain development is ripe for the task, we are not allowing the child to complete the intelligence and brain growth at his current stage of his development before going on to the next. Of course, because the human mind is enormously adaptable - with effort and a great deal of approval from teachers and parents - many children do learn to read. Yet this may be at great cost to them. After all, Einstein not only learned to read late, he did not even learn to talk until he was three. Forcing children to read early - which includes `encouraging' them to read early - is not the only grave mistake we make, insists Pearce. Equally damaging is our discouraging daydreaming in young children. You know the kind of thing - your child sits gazing blankly out the window, or lies on the floor sucking his thumb for minutes at a time. Meanwhile the parent, who has been taught that daydreaming is `an escape from reality' says to him, `Johnny, for heaven's sake, take your thumb out of your mouth and do something...' magical child Not only is such daydreaming harmless, like any activity which is natural to a particular matrix, it is absolutely essential to a child's inner growth processes. Daydreaming - which takes place when children sit looking blank - is a form of natural meditation helpful for his brain development. The child who has been excited and stressed in a positive way by interactions with his environment one moment will retreat into a state of restorative and calming relaxation the next. The two create a balance. Another early practice which we parents discourage, with poor consequence for our children, is what Piaget called magical thinking. A child sees the world as something not separate from himself but closely connected to him, and believes that he is able to influence concrete external reality by his thoughts and actions - much in the way primitive people do. He may fantasize, make up stories of dragons and fairies, and dream dreams of wonder and power. Many parents spend a lot of our time trying to get the child to give up such magical thinking and `attend to reality.' But such behavior has an important part to play in the child's genetic organization and development. (The notion of the interconnectedness of thought and physical reality has recently been validated by findings in high-level physics, by the way.) Indeed, such childlike perceptions may even be the link between the so-called real world and what we call extrasensory perception, as well as a key to the development of man's awareness of more subtle realms of consciousness which primitive peoples and psychically endowed individuals share. It may also be an important part of man's spiritual equipment which we, by our repression of our children's `blank staring' and `magical thinking' are thwarting. What Pearce and Piaget are really asking is simply that we stop and look at what our developing child really needs, and that we set aside for a moment what we think he needs. They ask that we listen to his `heartbeat' instead of badgering him - that we give him time to grow in safety from one matrix to another. Once we learn to do this then perhaps his birthright - the enormous creativity and intelligence embodied within his seedpower - will have a far greater chance of fulfilling itself.