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For decades, we’ve been warning men and women not to take calcium supplements—whether in pill form or by drinking and eating many cows’ milk products. By now, excellent scientific studies confirm that our advice is right. Thanks to the milk marketing people and pharmaceutical companies, we have for two generations been bombarded with misinformation about calcium. It’s time to share with you a few simple truths. Supplementing your diet with calcium can not only be toxic to your body. It could even shorten your life. Death by Calcium Thomas E Levy, M.D. is one of the world’s leading experts in vitamin C and antioxidants used to treat and protect against degenerative diseases. Levy has written an excellent book, Death by Calcium. If you care about your health and want to know the truth, I urge you to read it. Meanwhile, here is a quick list of some of the secrets you need to know about supplementing calcium. encourages the development of cancers What few people know is that all degenerative diseases, from heart disease to cancer, show increased levels of calcium inside your cells and arteries where they do not belong. And, as calcium deposits increase, so does your chance of malignancies—for this encourages the development of cancers. That’s the bad news. The good news is that, if you eat a healthy diet based on organic fresh fruits, vegetables and protein foods, you automatically supplies all the calcium your body will ever need—so long as you are getting plenty of sunlight or taking a good quality vitamin D3 plus Vitamin K2 daily. By the way, women with the highest calcium consumption have a death rate two and a half times higher than those with a lower consumption of calcium, according to a huge research project involving 61,433 women followed over 19 years. And, for a long time, we have been urged to supplement our diet with calcium to avoid osteoporosis. A man or woman unwittingly following such advice is far more likely to die of a heart attack or stroke than from a bone fracture. osteoporosis and calcium You see, if you have osteoporosis you do not have an overall deficiency of calcium in the body. You will have a deficiency of calcium in your bones while you have an excess of calcium in the rest of your body. And while calcium supplementation may increase calcium density in your bones, this does not decrease your chances of bone fracture. What it does do is lay down potentially dangerous deposits of excess calcium outside your bones. Excess calcium circulating in your blood is far more dangerous than high cholesterol when it comes to causing a stroke or heart disease. The proofs for all these things are overwhelming. Get your calcium from fresh, organic vegetables and a healthy diet of real fresh food. Stay away from packaged convenience foods, sugars, grains and cereals, and you’ll never need to swallow milk or pop another calcium pill to stay strong and well. It is all so simple. Meanwhile, if you want to learn more, read Levy’s book Death by Calcium. It’s a great read—clear, honest and vital for your health. Death By Calcium In this book, Death by Calcium, board-certified cardiologist, Thomas E. Levy, offers scientific proof that the regular intake of dairy and calcium supplementation promotes all known chronic degenerative diseases and significantly shortens life. Order Death By Calcium from iherb Vitamin D3 and K2 Vitamin D3 promotes calcium absorption and calcium transport to bones. Vitamin K2, likewise has been shown to be critical for bone cardiovascular health through its role in the support of proper calcium metabolism in bone and vascular structures. Vitamin K2 is the most biologically active form of Vitamin K. Order Vitamin D-3 & K-2 from iherb

Handled positively, crisis frequently portends the unleashing of powerful creative energies. Instead of taking tranquilizers and battening down the hatches when your life seems to be falling apart, it can be useful to begin looking at crisis as a pivot for change - a door to the kind of transformation the caterpillar undergoes. Deeply woven into the silk threads of his cocoon, the creature's body dissolves into white jelly, only to be reformed again in a completely different shape and set free as a butterfly. A growing number of biologists, psychologists and philosophers believe that our attitude to crisis needs reexamining. They insist (as I, in my own struggle for individual freedom, continually discover) that crisis need not be a negative event. Of course old attitudes die hard. Most psychologists and physicians still see things as Freud did. They still believe that the unconscious mind is full of dangerous repressed impulses and material that, if you are to remain balanced and healthy, you need to keep the lid on. Freud's assertions, brilliant though they were, were a product of the nineteenth century mechanistic thinking on which he was raised. Freud completely ignored the spiritual dimension of consciousness, believing that such phenomena as visions of angels and devils were always an indication of pathology. For half a century, other psychiatrists and psychologists - from Carl Jung, who formulated the concept of the Self (the archetypal unchanging center which has both universal and individual characteristics) to Abraham Maslow, who first coined the phrase "peak experience", and Roberto Assigioli, who is responsible for the concept of the higher self, have all insisted that Freud's model of the mind, like the worldview out of which it developed, is too limited. These men have been instrumental in the formation of new paradigms of consciousness which take in the spiritual dimension of human life. They no longer view the human mind as a static entity, the balance of which must be maintained at all costs. They see each of us involved in a constant process of spiritual growth, and a movement towards wholeness. The twists and turns through which we pass in life, they say, are part of this movement, and each crisis - each molting - is an attempt to bring us closer and closer to being able to live from our own center and experience our own wholeness. Metamorphosis should not be viewed as something to be avoided, they say. It is as common and as natural as birth, growth and death - an essential part of human existence. transpersonal perspectives Such a notion has long existed in religious spheres, and is echoed in Biblical phrases such as the process of "becoming what thou art", but was completely new to psychology. This new view of consciousness not only recognizes the conscious mind, of which we are aware in our day to day life, and the unconscious mind, which directs the basic psychological activities and instinctual urges and which encompasses archetypal energies, but also what is often referred to as the super-conscious or transpersonal mind. The transpersonal realm is described as the domain of higher feelings and capacities, including intuition and inspiration. It is called transpersonal because it is more than personal in its nature. It also taps universal consciousness, crossing over barriers of culture to connect us with the universal energies. The acknowledgment of the transpersonal realm by psychologists closely parallels findings in the new physics, which emphasize both the interconnectedness of all life and the all pervasive universal stuff of consciousness. Frequently a woman undergoing a major crisis finds she has tapped into this universal consciousness and is experiencing other dimensions of being or even other times and places. When this happens, it can bring about quantum leaps in personal growth and creativity. It is then that crisis becomes transformational.

I think maybe I know what's wrong with you.' `What?' I asked skeptically. `You're always thinking about such serious things. You're always telling yourself what to do and what not to do. No wonder you're angry. You've forgotten how to have fun, Mummy. One day in summer, everything seemed to go wrong for me. For no apparent reason I awakened in the morning with the awful feeling that nothing was worthwhile. At 10am I received a telegram from a publisher saying that two manuscripts (of which I had no copies) had been lost in the mail. By noon not even the brilliance of California sunshine (where we were on holiday at the time) could shake off the heavy black cloud that surrounded me. I was angry with myself - and trying to avoid being angry with everyone else. My two younger children, Jesse, aged eight, and Susannah, ten, kept asking me to take them to the beach. I didn't want to go anywhere, especially the beach. I did not want to do anything for anyone. Finally, in the worst possible spirit, I consented - making sure, of course, that they realized I was doing them a big favor. The pure white sand and the fresh sea air on the almost deserted beach did nothing to improve my mood. It seemed to me that life was `out there' and I was `in here' locked away in the depths of the gloomy dungeon I'd built and was powerless to break out of. As the sun shone brighter and more beautiful, I grew steadily more gloomy. Finally I could stand it no longer. Despite the fact that the children were playing in the sand nearby and I didn't want to upset them, I broke down and cried. Susannah asked what was wrong. `I don't know, just about everything seems wrong at the moment,' I whined. `I feel like that sometimes,' Jesse said, offering no sympathy whatsoever. `I think you must be angry.' `So what if I am?' I snapped. `Why don't you hit something?' he suggested. `There's nothing to hit,' I replied irritably, `and anyway that's stupid.' `No, it's not,' Susannah chimed in. `It will make you feel ever so much better, Mummy. Or maybe you could growl like a dog.' I was willing to try anything. So, feeling like a complete fool and admonishing myself for behaving so stupidly in front of my own children, I growled and complained. I hated everyone, I said. I hated myself. I was lonely and I felt the whole world was stupid. Then I growled some more while the two of them sat listening silently. Not once did they try to console me, or tell me I was wrong or protest that the world was really a lovely place to love. Not once did they pass judgment on me or make me feel ashamed of myself or foolish. They just sat and waited. Finally I felt a little better. Jesse had been right, I thought, but I still had no idea where to go from here. At last I was quiet. Only then did Susannah say, `I think maybe I know what's wrong with you.' `What?' I asked skeptically. `You're always thinking about such serious things. You're always telling yourself what to do and what not to do. No wonder you're angry. You've forgotten how to have fun, Mummy.' She was certainly right. Having fun seemed as far away as the moon at that moment. I realized then, that for several months I had saddled myself with my work as if work were the only thing that mattered. I'd hated almost every minute of it but had felt proud of being such a `responsible adult.' `Maybe you're right,' I replied. `But how does somebody who's forgotten something so important remember it?' `Come on, let's dig a hole,' was her reply. `Yeah, I like holes,' Jesse chimed in. Feeling like a half-frozen hippopotamus, I lifted myself off the towel and mechanically moved toward the site they'd chosen for the hole. I started to dig. Jesse, who tended to act a bit of a clown, was soon sliding down into it and Susannah was snapping at him for `ruining the shape.' I looked at the two of them fiercely sneering at each other and saw myself as I had been just a few minutes before. I began to laugh. So did they. Before long we had a beautiful hole dug. It was probably the most beautiful hole you've ever seen... or so it seemed to me. We had a contest to see who was best at running up and leaping over it. Then we drew pictures in the sand and ran into the ice-cold water, splashing each other. By the time the first wave struck me, I, like the two of them, had become part of the sea and the sky. There was no more gloom and no more supercilious self-assurances that I was `doing the best thing.' I was alive again. Later that evening I thanked Jesse and Susannah for helping me and teaching me to have fun again. Then in typical adult fashion, I added, `You know I'm likely to forget and be all grumbly again before long.' `That's all right,' replied Susannah, `we'll remind you.' And they have - again and again over the years.

I had a beautiful mother. She was a cross between a golden-haired fairy godmother and a Hitchcock blonde. Always impeccably dressed, my mother could walk through a barnyard in a white suit and emerge without a speck. Not me. I am a walking advertisement for what I ate for lunch, since most of it ends up down my shirt. COOL BEAUTY My mother never shared with me her clothes, her jewelry, or her cosmetics. Even to walk through her dressing room and touch them was a crime punishable by banishment. She did share some important advice though: She taught me that beautiful skin matters. To maintain it, she insisted, you need just the right amount of sunlight –half an hour early or late in the day–and no more ever. She was also adamant I needed to eat natural foods and to supplement my diet with some judiciously chosen vitamins and minerals as well. Stay away from sugar and breads and pizzas, she insisted. Never go to bed without cleansing your face first, and nourish your skin to keep it soft and smooth with something really active—be it fresh papaya or an absurdly expensive but irresistible French night cream—to help repair cell damage that occurs during the day. It was she who taught me to fall in love with the ritual of nurturing my skin. At first I balked at the idea. Then, in my mid-twenties, I decided she was right. I began to make a little time each day to look after myself. I came to realize that the time a woman spends at her dressing table (this can be as simple an affair as a cardboard box covered with cloth at which you sit on a cushion) is a time of silence, solitude, and renewal. It is even better than meditation. And it’s a lot more fun. Fifty years later, I still believe this with all my heart. CAUGHT IN THE NET My professional involvement with beauty began when I became Health and Beauty Editor for Harpers & Queen magazine in London. For that matter, I was the first ‘health and beauty editor’ anywhere. Why health and beauty? Because I insisted that these two aspects of a woman’s life are so dependent on each other that they cannot be separated. At Harpers & Queen, I was blessed with a remarkable Editor for my boss: Willie Landels, a man of vision, humor, intelligence and the best possible kind of genuine sophistication. Willie gazed benignly upon my naïve American enthusiasm and my obsession with getting to the bottom of whatever I was investigating and he decided to place his trust in me. We worked together for almost fifteen years. From the very first month, he provided me with the freedom to write whatever I thought was important, and to say whatever I found to be true about it. In the decade and a half I worked with Harpers & Queen, only once did Willie question anything I wanted to write. It was a piece on Outward Bound for women. He thought it was “too downmarket”. Nobody ever changed anything in my copy— except to correct my abysmall [sic] spelling. Nor, after the first few weeks, did anyone attempt to influence or control what I alone decided I wanted to write about. AIN’T NOTHIN’ SO NICE AS FREEDOM Such freedom is a great blessing. It set me free to delve deep into whatever fascinated me—from writing about how Lancôme formulated their first liposome, to exposing the way plutonium, with its radioactive half life of 2,300 years, was being irresponsibly dumped into the Irish Sea from Britain’s nuclear fuel reprocessing plant in Cumberland. It still is by the way. (That was kind of scary. After the article appeared my telephones were tapped for more than a year and my London home broken into twice, although nothing was stolen.) TO HELL WITH PRESSURE In the magazine world, a beauty editor (most nowadays hold the far grander title of “Beauty Director”) is continually bombarded by the publisher and advertising director at the magazine to write about products from cosmetic companies who have bought advertising. Harpers & Queen was no exception. Within the first fortnight, I was approached by its Advertising Director, Terry Mansfield—who later became Managing Director and Chairman of the National Magazine Group in Britain. Terry told me that one of the cosmetic giants had just bought an expensive double paged spread to promote some new skin cream. Would I please make sure I wrote glowing words of praise about the product in our next issue, he requested. With puritanical American blood surging through my veins, I was shocked. (More than a wee bit self-righteous as well.) “But Terry,” I whined, “I can’t do that. I can only write about what I believe in. If I wrote that kind of stuff, our readers would never come to trust me. After all, your advertisers wouldn’t want to buy space in a magazine its readers can’t trust. Would they?” I think Terry was so stunned by my naiveté that he didn’t quite know what to say. When Willie, the editor, learned about my response to Terry’s request, he smiled a secret smile. A year later, Harper’s beauty advertising had doubled. Before long, it tripled. Terry never brought up the subject again. Gradually my articles on health and beauty—some of which, I suspect, were too technical for anybody to fathom—attracted a wide audience. An ‘inside joke’ began to circulate. It was said that the reason why Leslie Kenton’s stuff was so widely was that although, few people understood a word of it, nobody wanted to admit to this. So they just kept on buying the magazine while Willie kept on smiling…

The shine of your hair depends on the condition of the cuticle. Made up of transparent keratin, the cells of your hair's cuticle should form a clear, flat surface that refracts light, making your hair look shiny. But in order for these fish-scale-like plates to lie flat, the cuticle has to be healthy and contracted. This means that the imbrications - the natural shingles of the cuticle - need to be closed. When they are closed, your hair is protected from much physical and chemical damage and light catches it beautifully. Many things can disrupt the cuticle and lead to the opening of the imbrications: very alkaline shampoos, for instance, which make the hair shaft swell. The swelling pushes out the scaly cells, making them stand away from the shaft. Very strong alkaline substances such as perm solutions and bleaching agents can even dissolve some of the cuticle, leaving holes and tears in it, which makes your hair look permanently dull. Damage to the cuticle can come from physical causes too. For instance, too much heat on the hair from careless blow drying, teasing, or back-combing, and overexposure to the sun. To have shiny hair, you have to be particularly careful not to damage it from the outside. There are some things, however, that help restore a smooth cuticle to hair: mildly acidic substances, for instance, such as vinegar and lemon rinse or one of the proprietary conditioning treatments, all of which shrink the hair shaft and encourage the imbrications to close and the cells to lie flat. For most women they are far better than conditioners you can buy since they don't build up on the hair surface or weaken the hair over a long period of time. Simple rinses will also strengthen the keratin.  The natural oils secreted from the follicle which coat the outside shaft also help the hair look shiny. Provided, that is, that you wash your hair often enough. Oil left on hair for too long tends to accumulate dust and dirt on the shaft which quickly destroys shine. How much flexibility and bounce your hair has is also something that can be determined by how you look after it from the outside. It depends on the water content of each shaft. Healthy hair has enough water in it to keep the keratin in the hair shaft supple and firm, so that your hair will stretch without breaking, keep a style well, and feel silky. If the hair's water content becomes depleted from exposure to too much heat or the sun or a very alkaline shampoo, then it will become brittle, break easily, and refuse to hold a style. Another dehydrator is chlorine in swimming pools. Conditioners containing silicone can help coat the outside of each hair shaft to keep it from drying excessively. But the best insurance of all is simply keeping your hair away from too much heat and from chemical desiccators. the craft of hair care To be beautiful your hair has to be kept clean, well cut, brushed, and protected from external damage. It also needs the benefit of regular massage to ensure that circulation to the follicles in the scalp is good. Fullness, body, and the overall look of a head of hair are greatly determined by a good cut and by the kind of products and treatments you use on it. shampooing There are two types of shampoos: those containing soap and those that are artificial detergents. Most, these days, are detergent-based. The reason for this is that while soap is good for cleansing away old hair spray, dull oil, and epidermal debris, it tends to leave scum, particularly in hard water. Also, modern detergent shampoos do more than just clean. They contain other chemical ingredients, which impart cosmetic properties such as shine and manageability to hair. If your hair is short and you live in a soft-water area, you can probably get away with using soap, provided you use a conditioner afterwards. These days they come in many forms: pastes, clear liquids, cloudy lotions, and gels, and also with special ingredients such as herbs, protein, balsam, eggs, and lemon. But whatever their form, most shampoos are put together from the same basic chemicals. First there is the detergent itself to do the cleansing. Then there is a sequestering agent, which is a chemical that traps the minerals in hard water (such as lime) so that the shampoo lathers well and rinses away easily. Most shampoos also contain foam builders to increase their lathering abilities, plus either clarifying or opacifying agents, which do nothing for your hair but render the product either clear, cloudy or creamy depending on what manufacturers think will best appeal to the market. And, of course, all shampoos contain preservatives to keep their ingredients from spoiling. Conditioners are added to most shampoos nowadays. They vary from one formula to the next, but they include ingredients to eliminate static electricity from the hair when it dries, to coat the hair shaft with protein and thereby enlarge it making your hair look thicker, and to render the hair shafts slippery so that your hair doesn't tangle when you comb it out. Shampoos become more and more sophisticated every few years in their formulations - a sophistication that is certainly to the benefit of your hair, provided you can find the right one for you. And provided you change the shampoo you use every few weeks. Apart from certain guidelines that depend on your hair type, finding the right one is mostly a matter of trial and error. the question of PH There is one more additive - not exactly an additive, rather a group of them - which is important; chemicals are added to shampoos to make them pH-balanced. Your hair, like your skin, has an acid mantle, with a pH from 4.5 to 5.5, made out of the natural oils from the follicle. This acid mantle plays an important protective role keeping the imbrications of the cuticle from opening and the hair from becoming hard to manage, dull-looking, and vulnerable to damage. A shampoo that is pH-balanced, that is which is slightly acidic so that its pH is about the same as your hair's, helps to maintain the hair's strength and health. If it does not say "pH-balanced" on the label, you can check it with litmus paper. Alkaline shampoos disturb and disrupt the acid mantle, causing the tiny scales of the cuticle to open and the hair shaft to swell. Using a pH-balanced shampoo is particularly important if your hair is fragile, permed or colored. If your hair is strong and in good condition, then it does not really matter what kind of shampoo you use on it, provided you put a cream rinse or a homemade vinegar-and-water or lemon-and-water rinse on it afterwards. Since conditioners and rinses such as these are acidic, they will close up the imbrications opened by the shampoo, shrink the hair shaft back to its normal size and leave it looking shiny. what kind of shampoo for you? Lemon: These shampoos are especially good for oily hair, because they help remove the oil without leaving the hair lackluster and lank. Balsam: This is a good ingredient to choose if your hair is very fine or lacks body. Balsam is a resinous substance from the bark of certain trees. In a shampoo it coats the hair shafts, lending them thickness and strength. Chamomile: This is an excellent ingredient for blonde or light brown hair, since this flower has mild bleaching properties. If you use a chamomile shampoo regularly it helps keep light hair bright and shiny. Herbs: "Herbs" added to a shampoo doesn't mean a great deal, for many herb formulas (unlike chamomile) have no real action on the hair and are created only to appeal to women's back-to-nature feelings. Some, however, such as white nettle, can be useful for dandruff. Protein: Protein shampoos come in two types; both can be useful for hair. The first type contains a simple protein made from eggs, milk, soya, gelatin, beef, or an exotic vegetable called tong bean, which helps to coat the outer layers of the hair making the hair look thicker. Most protein shampoos are of this type. The second type does far more. Called substantive protein, the protein it contains is hydrolyzed and of the correct molecular weight and size to be absorbed into the cuticle, strengthening it at the same time as aligning its scales and thickening the shaft. This kind of protein shampoo is particularly good for use on treated, damaged, or fine hair. It is not so valuable on strong and healthy hair, for hydrolyzed polypeptide proteins are absorbed more rapidly by damaged hair than by a relatively compact keratin structure which does not really need them. When buying a shampoo don't worry if it does not give much lather since this is more a measure of the sequestering agent it contains than of its cleaning ability. It should have a good conditioning action to leave your hair soft and gleaming, and your hair should be easy to comb out afterwards. It should also rinse out easily. How often you shampoo depends on you and on the type of hair you have. If it is dry, not more than a couple of times a week is best. If it is normal or oily you can shampoo every day if you like, provided you use a pH-balanced shampoo. However often you do, you need only lather once, unless your hair is really grimy. More than once strips away too much of the hair's natural oils from the cuticle. getting hair into condition All cream rinses, conditioners, and treatments are on the acidic side of the pH scale. They are intended to close up the imbrications of the cuticle after shampooing and to shrink it back to normal size. In addition, a cream rinse should contain ingredients such as quaternary aluminum salts to separate the individual hairs and make them easy to comb out and to protect against static electricity. Finally, they coat hairs with an ingredient such as protein or balsam, which is supposed to give more body and protect the cuticle from moisture loss. Some conditioners contain a large quantity of oil. They are fine for dry hair but will make normal and oily hair into a lank mop that needs to be washed again the next day or so. If you ever have this trouble with a conditioner or cream rinse then try one of the oil-free ones. They do a better job in adding body and protecting hair without causing lankness. Protein packs or concentrated treatments left on the hair for from five to twenty minutes (the hair will take up all of a substance it is going to in twenty minutes, so there is never any reason to leave it any longer) are excellent as an occasional treatment for hair of all types (say once a month or every six weeks) and exceptionally good for colored, permed, or damaged hair used once a week. They will strengthen and protect the hair and leave it soft and shiny. But beware of over-conditioning. It is one of the worst and most commonly unrecognized causes of dull, limp hair. It also shortens the life of any perm significantly. Many women dissatisfied with the state of their hair keep using more and more conditioners in an attempt to make things better. Instead these products penetrate deep into the cortex undermining the strength of the hair shaft and causing hairs to split and fracture. If this is happening to you, use a gentle shampoo with no conditioners and rinse with lemon juice and water instead for a few shampoos. style and setting Because the keratin that makes up hair is a protein, like all proteins it can be treated with heat to change its shape. This makes it possible to curl, uncurl, shape, and mold your hair into a particular style by blow-drying it, by setting it wet and allowing it to dry, or by using heated rollers, straighteners  or curling tongs on dry hair. The protein of hair consists of molecules arranged in organized patterns held together by two kinds of chemical bonds: hydrogen and sulfur. The hydrogen bonds are the weaker of the two. When you set your hair on rollers, or blow it dry while easing it into a particular shape, you break, then re-form, these hydrogen bonds to create a temporary new structure. But it is a tenuous one for water, heat, lots of brushing and time can break the hydrogen bonds again so that your hair returns to its former structure and you lose the new shape. Sulfur bonds are strong. They can be broken only by strong alkaline solutions such as those of perms, straightening or coloring products. Sulfur bonds are broken and then re-formed when you have your hair permed, and the new structure formed through these changes lasts far longer. The problem with breaking either hydrogen or sulfur bonds and then re-forming them is that most of the things used to style a head of hair, such as heat and alkaline solutions, are potentially damaging to it. They have to be used with care. Blow drying is an excellent way to style straight or curly hair, provided you have patience and strong arms. If you have dry or brittle hair don't blow dry it every day. Hot air can cause progressive, cumulative damage to the cuticle and, finally, to the cortex and medulla, too. If your hair is delicate, choose a dryer that is not too high in watts (1,000 is enough), as a high wattage may do the job faster but your hair will suffer if you are not extremely careful to keep the dryer far enough from the hair or to use the lowest setting. If your hair is heated above 150 degrees Fahrenheit (66 C), you can do irreversible damage to it, making it brittle, dry, and scorched. There are some protein-based lotions that you can spray on your hair to help protect it from the intense heat - these are specifically designed for blow dryers, and most of them are very good. But you still need to be careful. Do your hair in two stages: First use the dryer on its own to get the hair almost dry all over, then begin styling with the dryer in one hand and your curved or round brush (made specially for blow drying) in the other. Keep the dryer six inches from your hair - which should be raised off the head at a 90 degree angle - and constantly moving. Section your hair into the sides, the back, the side back, and the top front, clipping each section and then letting it down as you need it. Begin on the underneath of one side and then work around the whole head, drying the hair section by section. Do the back first, the front always last, brushing and drying the hair against the direction in which it grows. This creates volume. Do the underneath layers first. When they are dry, bring down another layer from above to work on, constantly twirling the brush in the hair to get the curve and the shape you are after. Last of all, do the front or the fringe, brushing it back and then curving it over the forehead and finally brushing it into place. The art of blow-drying your hair yourself is something that takes time and a great deal of practice to learn, and it is important before you begin styling that your hair is almost dry or you will exhaust yourself in the process. Setting your hair can be done wet on rollers or dry on heated rollers or the hair can be curled dry using curling tongs or a heated brush. A wet set will last you longest, provided you dry it thoroughly under a dryer or in the air. Heated rollers, if you have dry or brittle hair, are something you should not use every day for they tend to damage the ends of the hair. This can he avoided somewhat by wrapping each roller with a piece of tissue paper or toilet paper before putting it into your hair. Never use heated rollers on wet hair - they won't work. And never use a curling iron on wet hair or you may damage it badly. Always section your hair carefully when you are putting rollers in - the more rollers you use and the less hair on each the better and longer-lasting will be the style you get. A useful technique is to blow-dry the hair and then put in a couple of heated rollers at the front to give it extra swing and shape. However you style your hair, always let it cool before brushing out, or you will ruin the new structure of it. brushing and combing Brushing is good for hair, provided you have a good brush and you do not overdo it. It stimulates circulation of the scalp, removes loose scales from the skin on the head, and distributes your hair's natural oils well, which means it helps protect the cuticles and creates shine. The brush you choose should have evenly spaced bristles with rounded ends. The best brushes for your hair are still made from animal bristles. Nylon bristles have blunt ends, which can cause splits and cracks to the hair. Some brushes have bristles set in rubber. They are particularly good, for they give a massage to the scalp while you brush. About thirty to fifty strokes a day is good - more than that is too much, and with less you are not really doing anything. When you brush, you need to bend at the waist and brush your hair from underneath as well as back from the crown. The more positions you can brush from (leaning to the side, with head hanging down, etc.) the better job you will do. Lowering your head while you brush back the side does something else, too. It brings circulation to the scalp in the way that the yoga headstand does. If your hair is long, don't pull the brush through the full length of it. Instead, brush to the shoulder and then, taking hold of the rest of the hair with your other hand, pull the brush down the rest of the way to the ends. You should always brush firmly, but never drag. And you should never brush wet hair, for the disruption of the hydrogen bonds that comes with wetting makes your hair a great deal more susceptible to breakage and damage than when it is dry. Some women fear that brushing is going to take out too much hair. This is unfounded. You will only lose the telogen hairs, which are ready to be lost anyway, and their loss will simply stimulate new growth. When choosing a comb, pick one with the largest teeth you can find that are blunt at the ends so they don't scratch the scalp. Hard rubber, nylon, or bone are the best. Always comb your hair gently, never yanking or pulling at a tangle. massage can be wonderful Anything that increases circulation to the scalp and activates the papillae and follicles tends to make for sturdier hair shafts and to improve hair growth. Besides daily brushing, the best thing you can do for the hair is to massage the scalp. Many people have a genetic tendency to restricted circulation in the scalp, which shows itself in slow hair growth and poor-quality hair. Each hair root is fed by the complex vascular network in the scalp that brings nutrients and oxygen through the blood and carries away carbon dioxide and other metabolic wastes. When circulation there is poor, the hair root suffers. Waste products build up in the tissues so that the hair cells grow only slowly and may even die, resulting in thinning hair. This can be avoided (and often corrected, too) by scalp massage. People with a tendency to oily hair can also benefit from massage. A healthy scalp is loose, rich in vascularity, and thick. The scalp of someone who produces excessive oil is usually just the opposite of this: tight, with poor circulation, and thin. Daily massage can do a great deal to correct this. The idea that massaging your head will make an oily condition even worse because it stimulates the follicles to produce even more oil is just not true. It is far more likely to help normalize trigger-happy oil glands than to stimulate them to further production. Many a too oily head of hair is put right by massage. here's how to massage Using your finger tips and the palm of your hand just below the thumb, push them firmly into your scalp at the sides and, keeping them in the same place, rotate them in small circles. You will be moving the scalp, not your fingers, it is important that fingers stay in the same place to stimulate circulation well and so that you never pull your hair. After you have worked in one position for about thirty seconds, remove both hands from your head and take up a new position, rotating fingertips again firmly for thirty seconds there and so on until you have done your whole scalp. The massage shouldn't take more than three minutes, and it will leave you feeling fresher as well as doing something good for your hair. An electric vibrator is also a good investment for hair: Use it both on your scalp and on your neck and shoulders.

How much do you know about your second brain? Never heard of it? Most people haven’t. But so important is it to your health, ability to deal with stress, emotional balance and spiritual life, that it is essential you learn about it as quickly as possible. PERILS OF THE GUT Your digestive system is, in truth, a second brain. It boasts more nerve endings than the brain itself. Most people find this astounding. When we eat foods that antagonize these nerve endings, we experience all sorts of physical and emotional states that compromise our lives. If you have any tendency to gain weight, disturbances in the second brain will cause you to do so, and make it very difficult for you to lose weight. Even more surprising—disturbances in the second brain can create extreme symptoms in both adults and children, from disorientation and poor judgement, to deep fatigue, depression, anxiety, slurred speech and more. THE INTESTINE The intestine is porous by nature. A healthy digestive system depends on good-guy bacteria to plug any holes in the gut, neutralize toxins, and metabolize vitamins and nourishment from the food you eat. We are completely dependent upon a symbiotic relationship with these good bacteria to plug any holes in the gut wall, through which proteins—such as gluten and casein—are able to pass and enter the bloodstream. The proper balance of good-guy vs bad-guy bacteria in the gut creates a barrier against toxicity entering the blood to cause problems. When we have enough good-guy bacteria—flora—they enable us to metabolize and break down our food. When, however, we get an overgrowth of bad-guy, opportunistic flora, such as candida albicans, vast quantities of toxins get through the porous gut, creating allergies and other health conditions: inflammation on the skin, food cravings. emotional issues, which are not in fact emotional at all, but biochemical in origin and lots of other problems. What happens is that undigested particles penetrate a “leaky gut”, making the body react to these “foreign” materials—wreaking havoc on our lives. BEWARE ANTIBIOTICS How do we get bad-guy bacteria into our system? By eating lots of grains, cereals, sugar, and using unnecessary antibiotics. Antibiotics, which are far too often used, let the bad-guys establish colonies. Why? Because they also wipe out good-guys. When a course of antibiotics has finished, your body cannot re-establish balanced flora in the body. By the way, babies get their first dose of good bacteria while passing through the birth canal. If a mother has a history of taking antibiotics and an overgrowth of bad gut flora, then the baby’s body becomes colonized with them as well. ALLERGIC TOXEMIA Second brain issues were first identified as far back as the 1920s by the famous allergist, Dr. Albert Rowe. Clinical ecologists know very well that second brain issues are the most common cause of chronic fatigue, weight gain, anxiety, allergies and depression. It was Rowe himself who dubbed these conditions “allergic toxemia”. Later on, when he realized just how widespread negative food reactions had become (and they are much worse today, with all the convenience foods and grains, cereals and sugars we consume) he came to refer to second brain disorders as “allergic tension-fatigue syndrome”. Theron Randolph MD, another pioneer in the field of environmental medicine, charted a myriad of emotional and physical symptoms caused by eating foods with which the body can’t cope, and overgrowths of bad gut flora, resulting in leaky gut syndrome. Randolph worked with over 20,000 patients in a career that spanned 60 years, and published almost 400 scientific articles on his discoveries. CHECKLIST Here are a few questions you can ask if you suspect you are among the many who are unsuccessfully wrestling with the manifestations of second brain issues: Are you chronically tired? Do you struggle with your weight and suffer from food cravings? Do you suffer from chronic anxiety or depression? Do you have allergies, asthma, or eczema? Do you have a child with autism? DIET HOLDS THE KEY Hippocrates (460-370 BC) believed that “All diseases begin in the gut”. In the last 10 or 15 years, Dr. Natasha Campbell-McBride MD, has made an in-depth study into the nutritional aspects of how the gut works, and how poor gut function seriously impacts not only physical health but brain functions for all children with learning and behavioral difficulties, as well as for adults who are themselves experiencing second brain issues. She has written a book called Gut and Psychology Syndrome, which is an in-depth examination of how to counter second brain problems through diet alone. The book is very detailed and includes a number of recipes. I highly recommend it to anyone who suffers from depression or whose children experience dyslexia, ADHD, ADD, dyspraxia or autism.

Make up is the icing on the cake. Wear it if you love it. Play with it to discover new ways of expressing the many faces of you. When you don't feel into it, let your face go naked. That, too, is a path to freedom... the colors The idea that makeup color - say an eye shadow - is only to be used on the eyes, or a blusher only on cheeks, is absurd. Color is color, and it doesn't matter what you call a product provided it serves the purposes you want it to. The colors that you use on your face should all give support to each other, so they work together to create an overall effect that is pleasing. the whole process of making up may sound complicated, but with practice it should take very little time - no more than ten minutes from start to finish There are two basic possibilities: warm color schemes and cool ones. The effect of a warm color scheme on the face - which includes the earth colors such as browns, greens, beiges, golds, yellows, apricots, coppers, oranges, and peaches - is to enliven it, making your face look healthier and stronger and more glowing. Warm colors look wonderful on older women, too, because they accentuate youth. This is why some of the best foundations and powders now contain yellow pigments. A little peach or apricot blusher can make almost any face look younger, whereas bluish-pink blusher applied to a face over forty can age it drastically. The cool colors - the blues, purples, pale ivories, silvers, fuchsias, berries, magenta, blue-pinks, and whites give a look of delicate vulnerability to a face, especially when they are applied, as they should be, over a very pale foundation. But to wear them you have to have perfect skin and you have to be young; otherwise they can make you look tired, older, and even unwell. the moisturiser Every good makeup begins with a fine moisturizer complete with sunscreen lavishly applied over clean skin and then given a chance to settle in. You need to wait for your skin to take to the moisturizer before you put on your foundation, otherwise you will end up with a flawed finish and your makeup will not last. `Taking' time is usually between two to five minutes. In addition to the ordinary moisturizers, there are also tinted ones on the market. These products are halfway between moisturizers and foundations. They impart some color and also provide you with some measure of protection from water loss. They give a very light cover but can be a nice way of simply adding a healthy glow to your skin. Some of them also contain sunscreens. When choosing a tinted moisturizer, look for one that is not too far away from your own skin tone or you will find it doesn't blend in and cover well. A green moisturizer will soften a florid skin, toning it down and making it look more neutral. Green will also help conceal red blotches and spots on your skin. A mauve-colored moisturizer can improve a dull complexion and brighten the face of someone who is too pale. An apricot-colored corrective should be used only by the very few women who are really sallow. When you use a corrective, put it on with a sponge that has been dampened and then had all the excess water removed from it by wiping it against a towel. Among the tinted moisturizers are the `color correctives' - products tinted a specific hue in order to change the look of your own, natural coloring. They are worn under your ordinary foundation. the foundation Once your moisturizer has set, you are ready for the foundation. But why all over? Instead you can wear it only on parts of your face such as around the eyes where it gives a good base for eye shadows, on your chin,and on your cheeks. The advantage to this is that you still get the wonderful, delicate shading of natural skin, rather than that all-over deadness that can come from covering your whole face with one opaque color. Or you can wear two shades of foundation: a lighter one in the center of your face (on the nose, forehead, cheeks, and chin) and the slightly darker one of the same tone around the outside (near the hairline and along the jawline). This has the effect of preserving a natural-looking gradation of color and still lending the finished look of a well-made-up face. A foundation is not meant to give strong color to a face. It is supposed to be flat and neutral. About 80 per cent of Caucasian skin should wear one foundation color: a flat, true beige with neither pink nor peach overtones to it. It will look good on all ages of `northern European' skin, because it gives a neutral canvas on which to put your eye and lip colors. If your skin is olive or yellowish or very dark, then choose a foundation as close to its natural color as possible but slightly flatter. When testing out color, put it on your naked face and then again go out into the daylight to look at the results before buying anything. The kind of foundation you choose depends on what kind of skin you have, as well as on personal preference. Dry skin does best with a cream or oil-based liquid foundation. Aging skin needs the finest of liquid foundation. Anything heavily oily collects in the lines and makes you look haggard. Oily skin demands a water-based liquid or cream or a cake or block-type makeup. Put a little foundation in the palm of your hand and then dip the sponge into it and apply it to your face, brushing it lightly over your skin again and again until everything is well blended into your skin. the concealer Now is the time to deal with any problems you want to conceal, such as black circles under your eyes, or discolorations here and there. Concealer creams and sticks are good here, although some of them are greasy and, particularly under the eyes, tend to sink into tiny lines and make matters worse. Put your concealer on with a flat wedge-shaped brush and smooth into the skin until it blends perfectly with the surrounding areas. If you add a little powder here you will get just the finish you need to make the undesirable area fade into the surrounding skin tones. the magic of light and shade The secret of making light and shade work for you is simply to apply both sparingly and only where it matters to your face, and always to blend well into the surrounding area. Whatever part of your face you want to bring out or emphasize, you apply a light color to, and whatever part you want to minimize, you cover with a darker shade. Here are some of the things you can do with shading: To minimize a jaw that is too large or too square, apply darker shade along the jawline, blending it under the jaw and fading into nothing at the sides of the face. To shorten a pointed chin, apply shader to chin only, blending underneath into the neck and fading to nothing at the sides. To fade a double chin, put shader on the double chin and blend it skilfully. This will make it recede into the background and look less prominent. To give more interesting shape to a square face apply shader in the temple area and all around the jawline, carefully blending. To minimize a nose that is too large, apply shader in a single stripe down the centre of the nose, carefully blending into the color at the sides so that no definite line appears. To slim a broad nose apply a shader - preferably a slightly darker foundation or cream - in a stripe down each side of the nose and blend it carefully into the skin to make the nose look narrower. For most women, one of their best features is the eyes. Perhaps this is because eyes reveal so much of what goes on inside. Makeup for eyes should emphasize this and show off the eyes' beauty and color. There are lots of ways to use eye makeup to improve eyes, but all of them begin with the same principles. Use neutral tones such as slabby browns (without red tones in them), flat greys, and greyed greens, or even terracotta, for establishing the shape of the eyes (the darker shades to define the sockets and the lighter beiges or yellow, peach or apricot, or pink, on the lids and under the brows). All eye shadows are best applied to skin that has a foundation on it even if you don't put foundation on the rest of your face, and powder shadows hold best over a light skimming of translucent powder too. All eye shadows are best applied with a brush, whether they are liquid, cream, or powder. You will get a better, longer-lasting finish from them this way. the eyelids Apply the lighter shade of colored shadow you have chosen to the section of the lid nearest the lashes, and then brush it out, fading it away to nothing towards the eyebrows. Now you can have the darker shadow in the socket to define the shape. Remember that colors on the outer edges of your eyes will tend to widen the look of your face and open your gaze. Finally put on your eyeliner. A good way of emphasizing eye shape without looking too obviously made-up is to use a pencil in the same tone you are using for your eye shadow, dotting it all along the upper lashes and then just under the lower ones so the two lines meet at the outer corners and form a little triangle. This kind of liner looks good when it is gently smeared with a brush or fingertip to blend it into the surrounding area and keep it from looking hard. You can also use another color line drawn on the inside of the lower lid if you like. The other way of applying eyeliner is with a brush, in which case you use liquid or cake liner and get a more definite line. It is drawn just above the roots of the upper lashes and just below the roots of the lower ones, again meeting at the corner. Many women use black eyeliner, but usually a gentle grey or slate or muted brown is better. the mascara Mascara makes eyes look more glamorous. It seems to create an aura of mystery about the eyes when lashes are darkened and thickened. Unless you are planning to walk in the rain or to go swimming with your makeup on, you are better off using a mascara that is not waterproof. eyebrow sculpture Before you begin, brush them first one way and then the other to remove any loose hairs or makeup, and clean the skin around the eyes thoroughly. Now put moisturizer in the area, before you reach for the tweezers. Brush your brows into shape and take a good look at them. Start by removing stray hairs between the brows and the stragglers but never pluck from above the eyebrow. And always remove only one hair at a time, pulling it in the direction in which it grows. When you have finished with one brow, apply antiseptic or a simple toner to it before going on to the next one. This will help soothe the irritated skin. Don't try to apply makeup for an hour after plucking. the lips Most women tend to pick lipsticks that are too bright or too pink to flatter their coloring. There is certainly a place for fire-engine reds and vivid fuchsias, but for everyday wear you are probably better off with a muted brownish pink or a softened melon or salmon. Shop around until you find four or five lipsticks in differing tones that look good on you. Frosted lipsticks are for the very young. Older women are usually better off with cream lipsticks, since frosting shows up wrinkles on the lips and the see-through ones don't give enough definition. When applying lipstick, use a pencil or a lipbrush to outline your mouth first, so you get a good, sharply defined edge. Then apply your lipstick and blot it and apply again if you want it to stay. Alternatively use a pencil all over the mouth as well as for outline and then apply a clear gloss. It looks fresh and simple and the color tends to last. the cheeks The best colors for everyday wear for most women are terracotta, apricot-brown or dusky peach, because they make the skin look particularly healthy. Used high on the cheekbones it accentuates a well-sculptured face. Used across the cheeks it gives a simple warm glow. the powder A little translucent powder that imparts no color but gives a smooth, matte finish can actually make a face look younger. It is also an interesting effect to powder only parts of your face, such as the sides below the cheekbones, the nose, and the forehead, and then leave a sheen on cheeks and chin. Always use a powder that gives no color, just a matte, smooth finish, and always brush away every speck of excess once you have applied it. the finishing touches Last of all, after you have applied your makeup completely, you need to set it with water. This step is very useful, for it will make a face last far longer than it otherwise would. Spray your face with spring water from an aerosol can or with a fine mist from a plant-misting bottle. Then blot gently once with a tissue.

Zazen has been practiced for 2,500 years. It traveled from India, China and Japan to arrive in the West around the middle of the last century. The practice of zazen is neither a means of introspection nor of contemplation. It is a means by which we come to experience the unity with our selves and the Universe. As a technique, it is easy to learn and simple to practice. As with most valuable techniques, what matters is not trying to understand it, for there is nothing in it to be understood. What matters is doing it. As you do it day by day, it transforms your health and your life. A powerful technique for re-establishing life-giving balance at every level, zazen is a simple, yet almost infinitely transformative practice. Zazen deepens our connection with the innate self simply by becoming aware of our breathing. Practice it daily, and it can relieve fear, release anxieties and clear away internal monologues where the mind chases its tail like an obsessive dog, getting nowhere. Zazen also strengthens vitality, and teaches us the art of being present in the eternal NOW. STILL WATERS RUN DEEP In essence, the human mind is meant to be like the still water of a lake at dawn. But, when the rains fall or the winds blow, its natural glass-like surface, which is meant to reflect the sun and the moon, gets disturbed with eddies and waves, distorting our perception of our bodies, ourselves and the world around us. As we practice zazen, our mind returns to its mirror-like state. Then it can reflect the world around us without becoming obstructed or distorted by anything in it. Gradually we learn that we do not have to hold on to anything to be able to create the life for which we long. We become free. This experience of freedom becomes contagious—a blessing not only for ourselves but for others. Marianne Williamson said it well: ‘As we are liberated from our own fear, our presence automatically liberates others.’ The word ‘spirit’ means breath—that is, life force. In Japanese they call it ki, in Chinese chi. In English we refer to it as energy or power. It is the electrical energy that fuels the living matrix of your body. Practice zazen and you learn how closely the way your breath is connected with the kind of thoughts you have and the emotions you feel. Working with the breath, you inadvertently work with body and mind. For these three are different aspects of a single reality. EXPAND CONSCIOUSNESS As we develop awareness of the breath, as it enters and leaves our body, and of all the sensations this brings, we come to touch the ‘still point’ and gradually develop a natural ability to focus the mind. We start by sitting in a comfortable but straight posture and counting the breath: inhale . . . ‘one’, exhale . . . ‘two’, and so on, up to ten. Then we begin again back at ‘one’. The point of the counting has nothing to do with trying to get to ten—it is just a simple tool for focusing attention. If you lose count and your mind begins to wander, notice this, bless your thoughts, whatever they are, then let them go by gently returning your concentration to the breath and starting again at ‘one’. Each time you choose consciously to let a thought go and bring yourself back to your breathing, you increase your ability to place your mind where you want it to be. It’s an incredibly powerful experience. After a while, you begin to break free of the limiting thoughts, worries and obsessions that rule most people’s lives. Connection with your innate being grows stronger, as does your capacity to experience bliss, pleasure and the sense that you have the right to be who you are without having to conform to other people’s imperatives. Your spiritual power grows, as do your intuitive skills. Creativity, which is closely allied to intuition, blossoms. We lose the sense of isolation which so many have, where we feel alone and alienated from the Universe. Want to try it? Let’s get started. POSITION YOUR BODY The way you hold your body—your posture—helps create your state of consciousness. There are many choices. You can sit tailor-fashion on the floor, using a small firm pillow, or zafu, which raises your bottom slightly off the floor. Sit on the front third of your zafu, tipping the body slightly forward. This creates the strongest feeling of stability. You can also use a chair. When sitting on a chair it is important also to use a cushion so that you can sit on the front third of the cushion and keep your back away from its back. Make sure your feet are flat on the floor. However you choose to sit, your back needs to be straight. Imagine that your head is pressing against the ceiling. Now allow your muscles to soften so the natural curve of the back appears and the abdomen pushes slightly forward so that the diaphragm moves freely—rising and falling with each breath. POSITION YOUR HANDS Place your hands in what is known as a cosmic mudra, where your active hand (right if you are right-handed, left if you are left-handed) lies palm up in your lap. Nestle the other hand gently on to the palm of the active hand so that the knuckles overlap and your thumb tips just touch, forming a kind of oval. This connects your body’s right and left energy fields. It also acts as a symbol for the unity of the breath, your life, and the Universe. This also helps turn you inwards away from the confusion and chaos of daily life. GROW QUIET Allow your body to settle into a comfortable posture. Your back is erect but never stiff; your chin is tucked in slightly; the tip of your tongue rests easily against the roof of your mouth, just behind your upper teeth, which keeps you from salivating too much. Breathe through your nose. Lower your eyes so that you are looking at the ground 2 or 3 feet in front of you. After a while you may be surprised to find that, although your eyes are open, you are no longer ‘seeing’ what you are looking at, since the focus of your attention will have shifted within. GO TO THE CENTER This is the hara—the physical and spiritual centre of the body. It is a place of power from which all the martial arts are performed. Located in the pelvis, 2½ to 3 inches below the navel, it is also the centre of gravity in the body. Allowing your focus of attention to rest at the hara creates a sense of balance for body and mind. As you breathe in, imagine your breath going down to the hara, then returning from the hara as you breathe out. Of course, on a physical level the breath is really filling the lungs, but imagining this helps centre you. BREATHE EASY Pay attention to your breath without trying to change anything. Be aware of the tactile feelings that come with breathing. Notice the cool air entering your body as you inhale through your nose and what it feels like as it travels down the back of your throat. Feel the warmth of the out-breath as you exhale. When you stay in touch with this tactile sensation of breathing, you are less likely to be distracted by thoughts. COUNT THE INS AND OUTS Inhalation is ‘one’. Exhalation is ‘two’. Inhalation is ‘three’ and so on until you get to ten. Then start all over again. The simple agreement you make with yourself is only that when the mind begins to distract you, you notice this and consciously choose to let it go, then go back to watching the breath, and begin counting again from one. Zazen is as simple as that. Practicing it for 15 minutes twice a day—preferably at the beginning of the day and the end of the day—we touch the still point within us again and again. In the process we begin to build up joriki—the power of focus and concentration so that, in time, instead of becoming caught up in the endless mental machinations that draw us away from living our lives fully whatever we are doing, we become able to choose consciously to let go and turn our mind towards whatever we wish. The connection with our innate being strengthens so that our inner world and our day-to-day life come together in harmony. The more you practice, the easier it becomes eventually, at will, to move into your still point even in highly stressful situations that once had you frantic. Practicing zazen day after day brings many other gifts from the Universe as well. The practice of zazen is highly experiential. Trying to understand or rationalize it is a waste of time. Like most transformative practices, it can never be fully understood; it is meant to be lived.

Kids are meant to hate salads. In my experience what most, very young, children hate is not salads but the textures to some salads, because they are not cut or shredded finely enough. I don't blame them. I don't like salads either unless there is real aesthetic variety to the vegetables in their color, the way they are cut and arranged or mixed on a plate. I started my children on what my youngest calls `Spiderman Salad'. He came up with that name one day when I was explaining to him that if you wanted to be strong like Spiderman you needed to eat lots of raw vegetables. These first salads are more like vegetable pates. You can chop or puree them (depending on the age of the child) in a food processor or with a handheld blender. The secret is in the `binding' such as avocado or ground cashews or pureed hard boiled eggs which makes them stick together. The great thing about these `Spidermans' is that they are highly concentrated once they have been chopped or pureed. A dessertspoonful at a meal can give more nourishment than an adult side-salad. Experiment, but always taste your experiments yourself. If they are yummy to you, they are likely to appeal to a child. If not - re-season until you have created a real prize. spiderman salad When you make any salad for yourself, including dressing, put a little of it into a food-blender, the sort that has a blade, add a spoonful of cashews or avocado or the yolk of a hard boiled egg, or even a little thick yogurt - something that will bind. Mix it all together and season with vegetable bouillon powder and herbs plus a little salt and maybe a drop or two of olive oil. What you have left is a "Spiderman", a pate which can even be spread on crackers for older children. sprout magic salad Make a base with alfalfa or other sprouts and around the dish arrange: Grated carrot Finely shredded cabbage Chopped apples Grated beetroot Add: Sliced mushrooms, black olives, spring onions Sprinkle raisins over the grated vegetables and add a spoonful of seed or nut cheese. dressings basic french dressing 3/4 cup oil 1/4 cup lemon juice or cider vinegar 1 tsp whole-grain mustard or mustard powder 2 tsp honey A little vegetable bouillon powder and pepper to season A small clove of crushed garlic (optional) Combine all the ingredients in a blender, or simply place in a screw-top jar and shake well to mix. Some people like to thin the dressing and make it a little lighter by adding a couple of tablespoonfuls of water. avocado dip or dressing This is my favorite of all salad dressings. Kids adore it; you can make it thick for them to spread on crackers, leave out the curry powder and feed it pureed to babies, or make it thin to pour over salad. 1-2 avocados 1 cup fresh orange juice (use more or less to give the desired consistency) 1 tsp curry powder 2 tsp vegetable bouillon powder Fresh herbs (e.g. lovage and French parsley) 1 small clove garlic (optional) Peel and stone the avocados. Blend all the ingredients together in a food processor until smooth.