personal growth

Ageless aging is not medical self-care, or holistic medicine. It goes way beyond. It is not only a question of caring for your body. It transforms the way you view yourself and your life. It deepens your connection with you own soul. It sets you free from false beliefs. It opens up your capacity for joy and strength and helps you discover a whole new outlook on life. Preventative medicine is mainly concerned with avoiding illness; holistic health is primarily aimed at treatment—although the treatment of the whole person rather than specific symptoms. Medical self-care aims to make a person able to diagnose and take care of his own minor medical problems. A NEW WORLD Although quantum health for ageless aging shares in some of the benefits of all three, it goes far beyond. Quantum health for ageless aging does not focus primarily on disease or its prevention. Its major thrust is a deliberate choice on the part of the person practising it to live at the peaks and explore the heights of wellbeing: physically, emotionally and spiritually. The choice for living at the peaks, and making full use of your creative potentials, is one which an increasing number of people are making. This is evident in our growing desire for strength, high-level fitness, improving and preserving good looks and establishing lasting vitality. Where once an ambitious man or woman might have wanted recognition, money and possessions, now these are not enough. As we age, we want to make the most of our own potentials in every possible way. Quantum health for ageless aging aims at an enjoyable, challenging and sometimes amusing search for whole-person functioning. As such, it is its own goal and its own reward. The process of moving towards it can be as much fun as the achievements of its ends. WONDERFUL GAME Developing quantum health for ageless aging is a kind of game. Like any game, it has its obstacles, its rules, its rewards, its penalties, and a goal. The Shorter Oxford Dictionary defines game as ‘amusement, fun, sport... a diversion of the nature of a contest played according to the rules and decided by superior skill, strength, or good fortune'. The quantum health game is very much like this. In many ways, it is probably the most challenging and rewarding journey you can ever take—a real 'master game'. This is not only because playing to win can keep you looking and feeling great long after the 'losers' have been left by the wayside, but because, like all good games, the play itself can be fascinating to learn. It can also demand considerable skill. Some find the quest for ageless aging easy—they seem to have a natural flair for the challenge. Or, without realising it, they instinctively know the rules. Others have to work harder to learn them. Yet often it’s those who have to work the hardest who get the greatest satisfaction from play, and make the most dramatic improvements in their health and their lives. WHAT YOU NEED Information about how attitudes, techniques and practices such as optimal nutrition, relaxation skills, exercise, political responsibility, and treats and treatments contribute to optimal wellness. What are you playing against? Time. Perhaps your genes too. Some people find their genetic inheritance an asset to the play. Others, like me, have to compensate for what they didn't get at birth with more effort and more awareness of how to make the best possible use of what they have been given. One of the major obstacles for all of us is the environmental pollution we are all exposed to. To counter it, you need to increase your awareness of its dangers as well as making good use of agents to counter its effects. These include home-grown foods, herbs, and antioxidant nutrients, which help defeat its negative effect on your body. You also need to take social and political action to ensure that your water, air and food supplies are not further denatured by environmental poisons and radiation. Another major challenge to the goals of ageless aging is indifference; the tendency we all have to go along with cultural and social norms. Why not live on fast foods and chocolate bars? Everybody else does. It is easier than seeking out a fresh crisp salad. Why not indeed? Any skilled quantum health player will tell you quite clearly why not: Such a way of eating is part of a lifestyle that will never help you experience radiant wellbeing and peak functioning mentally, emotionally and spiritually. EXAMINE YOUR BELIEFS Who are your opponents in the play? There are many. For instance, people who are content to allow time to take its course. Those who have been brainwashed into believing that, as the years pass, your body, your vitality and your good looks will inevitably deteriorate. Chronic illness, they think, is a natural part of growing older. Well, my friend, this just ain’t so! False notions about health are also major opponents. For example, the notion that responsibility for your health rests not with yourself but with your doctor or your mother or the state. Then there’s the idea that ageless aging demands too many sacrifices or is not rewarding enough; it might take too much time for too little fun. This is a fierce opponent. But your biggest challenge to overcome is a lack of faith in your ability to play the game. Many uninformed people can’t even imagine that quantum health is possible for them. “We are,” they say, “too old”, “too fat”, “too lazy”, “too busy”. In fact, just the opposite is likely to be true. Learn to play the game, create an ageless aging way of life for yourself and all those “toos” vanish, leaving you an abundance of time and energy. Ageless aging is a game you need no previous experience to play. You simply start wherever you are now and, step-by-step, build your knowledge and your skills until, in time, you can far surpass someone who seemed infinitely better endowed than you at the beginning. Human life is never static. Either you’re getting better or you are getting worse. And, as with any game, how fast you progress and how many rewards you get from playing depends to a large extent on how much fun you find it, and how hard you are willing to play. WELLNESS RULES Most people think of health as a state in which you are not ill. You are free of pain and you show no signs or symptoms of the development of disease. They think health is characterized by the absence of something— namely sickness. So long as this is the case, they figure all is well (touch wood), and go about their business until at some later date when, if their luck runs out, they may inadvertently be struck down. Then their rather tenuous state called “health” suddenly turns into its opposite—“illness”. Thinking of health in this way is incredibly limiting. The best anyone can hope for is “non-sickness”. Ageless aging players take a different point of view. They see reality differently. They understand that taking responsibility for how they think and live brings them a high level of protection from illness. They know that the wellness they are aiming for has positive attributes and brings rewards far beyond the absence of disease. It encompasses a whole new view of reality which honors the peaks as well as the depths. Not content with being “un-sick”, they demand vitality, passion, confidence and a sense of freedom to be who they are. They work and play hard. They value authenticity. They seek mental clarity, emotional balance, and spiritual openness which makes it possible to develop their unique creative potentials to the limits. Ageless agers hold an important belief which, to most people, seems quite foreign: They know that we are the prime cause of what happens to our health and our life, not blind fate. Without such a commitment to autonomy, no player in the ageless aging game becomes a winner. With such a commitment, the sky’s the limit. There is no reason why you should not be fit at 90, look twenty years younger than your peers at 70 and feel good about being who you are, warts and all. It is all a matter of developing skills and playing with the knowledge and determination of a pro. Ageless aging has six major facets to it: nutritional action, physical fitness, stress management, self-responsibility, age control and environmental awareness. THE JOY OF FREEDOM One morning I went for a run, as I often did, along the cliffs in Pembrokeshire, Wales. After running for about three miles, I had a sudden impulse to plunge into the wild Irish Sea and swim back to the beach in Manorbier where we lived. This was something I’d never done before. The sun was warmer than usual that morning so I did—running shoes and all. The water was freezing and rough. I had to swim against the tide. An hour later I finally arrived back on our home beach—fingers tingling with the cold and legs a wobbly, as I attempted to make the transition from the water world I'd been moving through to the thinner air-medium of land. But I felt great. I loved the feeling of freedom that this brought me—a strong sense of my own physical limits and a knowledge that they are considerably broader than they were ten years earlier, before I myself became involved in the ageless aging game. Why did I do that swim? To prove I could? Not really. I had few doubts on that account. To make myself fitter and stronger? I had no such notions in my head. I did it for the sheer pleasure of it. It was the same impulse that makes children climb trees. Not to get to the top, but just because the trees are there. WHY PLAY? The serious answer goes something like this: so you will feel better, look younger, have more energy and live longer. Indeed, all those things are true. But once you get involved in this exciting game, you realize that something much more wonderful is happening. You start to feel exhilarated, vibrantly alive, freer and stronger. Before long, these experiences become a normal part of your daily life. Grasp even a little of these payoffs, realize that they are possible for you no matter what your age or condition right now and you are already half way to your goal. Make this kind of passion part of your life, and the rules of the ageless aging game, which at first needed to be tediously learned, one by one become second nature. By then just playing the game begins to feel so rich and so delightful that you are likely to forget all about its goals. After all, it’s the play itself that you come to love.

I once spent the night lying on a platform above an animal watering hole, staring into the vastness of space beholding the great, fathomless mystery of the African sky. Aaron, my youngest son, then three years old, lay curled up next to me like a kitten lost in his dreams. Dazzled by the inconceivable expanse of the sky whose darkness was so overcome with the light from billions of stars that lived in it, I lost myself in timelessness and infinity. That night, I came not to think or to wonder but to know, with absolute certainty in every cell and molecule of my body, that this cosmic world was not something separate from myself, nor I from it. We were, in a way I will never be able to understand rationally, one being. It was one of the greatest moments of my life. Like the proverbial iceberg, most of us live with the lion’s share of our potential for freedom, joy, creativity and authentic power submerged beneath a sea of unknowing. We go about our day-to-day duties and pleasures conscious only of what comes to us through our five senses. How does it taste and feel? What does it sound like? What do we see in front of our eyes? Meanwhile, beneath the vast ocean of consciousness that constitutes what it is to be fully human, our greater selves hibernate, waiting to be awakened. Sometimes—when we fall in love perhaps, or when we are faced with an event of life-shattering proportions like a critical illness or the death of a close friend—a submerged area of our being erupts in magic or horror, and often in surges of passion, energy and beauty. Then, for a time, the mundane quality of everyday life is replaced with a sense of expanded being. Not only do we feel more alive, we wake up to find that familiar things—the tree that stands outside a bedroom window, the cat that greets us when we come home each day, a simple shell we picked up and slipped into our pocket while walking on the beach—have taken on a luminosity which we can’t explain. Other times, without warning while listening to music or walking down a city street, we are suddenly gripped with a sense that the world is far greater than we ever imagined it to be, and a certainty that all we see around us somehow is us. While the experience lasts, everything seems right in the world. Then, like the sun at the point of setting, everything fades beneath the mundane horizon, leaving only the faintest wisp of color to remind us that we once stood in its glory, felt its rays on our bodies and knew that being at one with the universe brings a sense of meaning to our own life and to the lives of others that is simply indescribable. The greatest desire I have is to live my life conscious of the oneness to which we all belong. After all, the magnificence of that African sky not only stretches out to infinity above us, it lies within us, calling to us—asking us to discover that it is who we are.

When the soul of a flower meets the spirit of a human being, prepare for magic. You won’t be disappointed. In our vast universe, all things have consciousness. These days even leading edge physicists tell us so: From rocks to ravens, and rivers to ratchets. Each thing also has a special brand of friendship to share with us and can become our teacher - if only we have the eyes to see and the ears to hear. FLOWER HEALING In the Native American tradition the word medicine has nothing to do with pills you take to get rid of a headache. It is the word used to describe anything that draws us deeper into a sense of connection with the divine spirit that radiates from all things around us. In making such connections we gain wisdom, healing, creativity and vision. We also support the blossoming of our own soul. There is no medicine more bounteous in its blessings than flower medicine, and no better way to bring its immense power into your own life than flower meditation. The generosity of a flower, its willingness to teach, bless and guide whoever comes to it with an open heart, is unbounded. The genus and species to which a flower belongs carries ancient mythology, as well as chemical and vibrational energy. Each flower has its own spirit and is capable of bringing wisdom and spiritual healing to those who know how to access it. Each flower can help unify our strengths in its own unique way. VOICES FROM NATURE Throughout history there have been a few who could read the nature of living plants and make use of their strengths. Using intuition and sensitivity, these healers, diviners, poets and mystics simply opened their hearts to a flower, and then listened to what the flower told them. Each time they did this they learned more about each flower’s essential nature – not through words or rational deductions but by attuning their own spirit to commune with the spirit of the flower. They came to know how a flower can be used for healing thanks to spiritual gifts it bestows upon you. Bards told stories about the flowers they came to know in this way. Artists painted pictures. Gradually a rich mythology developed around each one. Take the beautiful blessed thistle. You find it gracing most Renaissance paintings of the Virgin. It is a plant still used to bless a barren woman with fertility. LISTEN TO THE WHISPERS Healers who worked with flower spirits learned to converse with plants and created herbal remedies from them. Others extracted essential oils from rose, lavender and jasmine then used them to make incense for worshipping the Divine and to fashion fine perfumes or to embalm and sanctify their dead. Shamans in the rainforest were taught by the plants themselves what illnesses they could cure and how to use them. They still are for that matter. Multi-national pharmaceutical corporations now send their left-brained chemists off to Peru or Sarawalk in search of new plants from which to derive and patent drugs for profit. “But how do you know this flower cures arthritis?” the drug-researchers ask jungle shamans and healers. “How do we know?” is the reply, “Why, the plants tell us of course!” The pioneering work of Edward Bach – a man who knew well the art of flower communication – has led to the development of this wonderful form of vibrational flower medicine. In common with the great physicians who came before him - Hippocrates, Paracelsus and Hahnemann - Bach understood both that true healing comes from within and that it depends on bringing into balance the spiritual, mental and emotional faculties of a human being. It was the flowers themselves who showed him how they could help bring this about. OPEN YOUR HEART The ability to communicate with a flower does not require that we become mystics or trained intuitives. Far from it. We need only to reclaim abilities we had naturally as a child. Such creative intuitive abilities have often been educated out of us by a system which treats them as inferior to left brained linear thinking – sometimes to such a degree that it prevents us from listening to the whispers of our own soul. For many years I have been involved in the practice and teaching of shamanic skills. Shamanism is the oldest known methodology in the world for expanding consciousness at will. It allows you to tap creativity and vision, intuitive knowing and healing. It brings access to immediate spiritual experience. It also enables you to return at will to ordinary reality, and in complete control, bringing back richness from the numinous realms to benefit your own life and the lives of others. QUANTUM CONSCIOUSNESS I used to believe (most people still do) that the ability to do this is limited to a few very gifted people like Dr Bach, Paracelsus, Beethoven and Mozart, Einstein and other great artists and scientists. I used to think that the rest of us did not have access to visionary realms or to the blessings, healing, creativity and spiritual power that they tapped into. My own shamanic work and the experience of teaching shamanic techniques to others has shown me otherwise. Techniques for expanding consciousness, communing with flowers, with animals, with rocks and guardian angels – with our own inner soul truth are not only simple to learn, they can be used by anyone at any age. Learning flower meditation is a great way to begin. The consciousness matrix is the natural ability which each of us has to access quantum realms of multi-dimensional reality – or you could say to pass through the membrane between the world of everyday reality and the holographic realms which leading edge scientists speak of. These are the realms the mystics associate with spiritual truth and spiritual healing. This matrix is a kind of interface - probably within our very DNA or morphogenic fields - which provides a means of shifting back and forth between different levels of consciousness at will. This ability enabled Einstein to experience riding on a beam of light. And, because he was a mathematician, to return afterwards to ordinary reality and encode his experience in the language of mathematics. The formula he recorded became the General Theory of Relativity which changed the whole course of scientific history and philosophical thought. The matrix made it possible for Blake to write his poetry and etch his pictures, and for Galileo, Copernicus and Newton to gain world-changing scientific insights that eventually expanded our perceptions of reality. ENDLESS CREATIVITY All through human history the consciousness matrix has rewarded those who knew how to make use of it – from plant healers in the Amazon to great artists, writers and musicians - with a direct experience of wisdom, vision, creativity, and often too a luminous sense of freedom. That was then, but the world is changing fast. We are now living in the midst of a revolution in knowledge and vision so vast that nothing like it has ever been experienced by mankind. Science is approaching new thresholds of meaning. As the scientific view of reality moves ever closer to the cosmology of the great mystics – a cosmology often referred to as the perennial philosophy and which crosses all cultural barriers - we now have access to new methods of vibrational healing such as the flower essences. The awareness of all of us is being opened to the possibility of learning about the nature of reality not only by reading or hearing what others have to say but by direct intuitive experience, as mystics, artists and visionaries have always done. Well-tested methods for learning to shift consciousness and expand awareness are now widely available to anyone who wants to use them to dive into the ocean of the vast universe and become immersed in its richness. ACCESS NATURE’S POWER In my Journey to Freedom workshops, among many other ways of expanding consciousness, I encourage people to explore the rich, empowering relationship that can develop between a human being and a flower. When you meditate on a flower, you listen to its whispers and are touched by its deep healing. Speak to it from your heart. The experience can be transforming. A flower can act as a bridge between your ordinary state of consciousness and expanded awareness thanks to its unique beauty, texture, colour and fragrance. Doing this can bring you an awareness of how the world around is filled with consciousness – what mystics and shamans call spirit energies – that bring us energy, strength, friendship when we most need it, as well as comfort, wisdom and support for the sometimes challenging passages each of us has to make again and again in our life. Next week I’ll show you how set your spirit free and tap into infinite creativity through Flower Meditation. It is not only powerful and healing but a lot of fun. See you then.

In my last post, we looked at unconscious image-making which prevents us from experiencing authentic freedom and undermines our sense of self. Now let’s flip destructive image making-on its head. It’s time to learn the art of conscious image-making It can improve health, heighten self esteem, and even forge the person whom you long to become in the future. All you need is a simple notebook in which to record your intentions, goals and experience plus 15 to 20 minutes a day to practice the art. This can be a lot of fun. POWERS OF THE MIND Creative imagery is the deliberate, repeated use of specific mental images, while in a deeply relaxed state or meditative state, to bring about change for the better. Just how creative imagery works has never been fully defined. It does, however, appear that the images one chooses to focus on when repeatedly held in the mind are able to affect one's body, emotions, and mind through the autonomic nervous system. Some of the process, at least, is explainable in biological and energetic terms. When a thought or image is kept in the mind of someone in a state of deep relaxation, his or her brain shows neuronal activity in both right and left hemispheres. Nerve fibres leading from the cerebral hemisphere through the hypothalamus can directly affect the autonomic nervous system and the pituitary gland as well as the adrenal cortex. Everyone has had experience of this image-making to some extent in day-to-day life. For instance, if you keep a frightening image in your mind's eye—say of a ghost, a fantastic monster, or a situation you want at all costs to avoid—your body will respond via the autonomic nervous system with a racing heartbeat, perspiration, dryness in the mouth, or gooseflesh. How strong your reactions are to the fearful thought depends entirely on how clear the image is. Similarly, when you hold a clear, relaxing image of perhaps a spring meadow or a person you love, your body responds with relaxed muscles, lowered heartbeat and blood pressure, and generally pleasant and passive bodily sensations. Researchers have found that through this mind-body connection we can exercise a great deal of control over our bodies and our behaviour simply by choosing images to focus on and using them regularly. In fact, this kind of deliberate visualization is the technique behind the ability yogis demonstrate in raising and lowering their bodily temperature or heartbeat at will, going for long periods of time without food, and performing extrasensory tasks. TRUST THE GAME Although the mechanism of creative imagery is highly complex, putting it to use is simple. For just as it is unnecessary for you to know how the nervous system, in conjunction with the brain and muscles, makes it possible for you to pick up an apple and take a bite out of it in order to perform the action, so it is not necessary to understand biological theories about creative imagery in order to practice it to your benefit. The imaging mechanism of your brain works automatically; all you have to do is provide it with images that are useful to you and let it do its job. Nor do you have to worry about whether or not you believe in creative imagery or whether or not you can do it well enough for it to work for you. If there is a goal that you want to achieve, you need simply to visualize it—again and again, at least twice a day; the rest is automatic, so long as your goal is something you consciously consider to be feasible. It would be absurd, for instance, to lie down for ten minutes each morning and afternoon and visualize yourself as an eagle. You might improve your imagination no end, you might also develop a great empathy for eagles, but it unlikely that you would develop wings or a beak. Nor need you worry about success or failure. As Maxwell Maltz says in his book Psycho-Cybernetics, "You must learn to trust your creative mechanism to do its work and not `jam it' by becoming too concerned or too anxious as to whether it will work or not, or by attempting to force it too much by conscious effort. You must let it work, rather than make it work. This trust is necessary because your creative mechanism operates below the level of consciousness." The only real "trust" needed for it to work is that which makes it possible for you to spend time repeatedly practising creative imagery. You do this by letting yourself go into a state of deep relaxation or meditation and then repeating your chosen image again and again over a sufficient length of time for it to take hold in your unconscious and begin producing results. You certainly don't have to trust it in the sense of believing in it for it to work. It will work whether you believe it or not. Just be consistent in using the technique regularly. PREPARE THE WAY Begin by learning to just let go. Creative imagery is an inner state of mind. To visualize effectively you need to put yourself into a calm, relaxed state in which mental images flow easily. Generally the more relaxed you are, the more successful your visualizations will be. This kind of relaxation is something that is learned gradually by practice. Even if you feel in the beginning that you are hardly relaxed at all, you will get benefits from your imaging and this will become progressively more true as you repeatedly practice visualization. Begin by lying down, or sitting in a comfortable chair, with your back well supported. Use a simple practice such as zazen or gentle, quiet deep breathing to let go of daily concerns and enter your private world. When you feel yourself quietly calm resting in your own inner space, there are several things you can do: In this space, you can examine in a new light any question that has been bothering you. You have access to the deeper layers of your mind where many answers can be found, provided you are willing to ask the questions simply and then just wait in stillness for the answer to come. This place is also where you can become aware of your belief systems and bring them to consciousness so that you can examine them in a detached, objective way and see whether they are working for you or not. You can then decide what you want to keep and what your want to leave behind. It is a place where you can learn to listen to the sound of your inner voice. The more you do this, the easier it becomes. This inner voice can guide you to where you are going next and tell you what you are about. It is a place where you can come to know yourself for who you really are, quite apart from roles and habitual assumptions you have always had about yourself. Most important of all in bringing about change, you can use this inner space to practise creative imagery. Go through your relaxation technique until you enter your inner space. Now you are ready to begin visualizing. You can do this in two ways: verbally, by simply repeating over and over a few words that describe the image, or visually, by simply seeing yourself as already having become what you want to be. For some, who at first experience difficulty in visualizing, the verbal method works better; for others, the visual method is more successful. Try them both and see which you prefer. Later on, after you are familiar with the use of creative imagery, you will probably want to use both. FOCUS YOUR DESIRE Let's say you pick as your goal the desire "I want to have more energy." Using the verbal method, turn the wish into a positive statement. It becomes "Every day I am more and more energetic and well." It is important that your goal be phrased in this way. It has to be in the present tense—not "One day I will be better" or "I hope that I will be more energetic," but Every day I am more and more energetic and well. It is happening now. Your subconscious mind, which holds the power to bring about change, does not function in terms of time and space as your conscious mind does. It understands only the simplest and most direct instructions, and when they are given it works as if they had already occurred or are occurring now. The words you have chosen become your image. You put them to work by simply repeating the words over and over again silently to yourself while you are in the deeply relaxed state in your inner space. It is the constant replaying of the message day after day twice a day that works best, not how long you do it each time you relax. One convenient way of doing it is to repeat the directions ten times in each session, moving one of your fingers with each repetition until you have been through all ten. Then you simply say to yourself the same, "I am now going to come out of my inner space...(by counting backwards from three, etc.) and open your eyes. The best time for most women to practice creative visualization is in bed at night just before they fall asleep, and then again in the morning just before they get up. But really you can do it anytime—whenever you can find ten minutes to yourself in the middle of the day, or in the middle of the night if you awaken, or during meditation. The important thing is to do it regularly twice a day every day. You needn't worry about doing it wrong, either. Because, in truth, there is no wrong way, and every supposed wrong in the way you are doing the technique will gradually put itself right with practice. WATCH IT HAPPEN If you prefer, you can use a visual way instead, or you can use a combination of both. Picking the same goal, I want to have more energy, go through your relaxation technique. When you are at the inner space, instead of repeating words let your mind play with the image of your goal as if it had actually come about already, almost like a daydream. In other words, see yourself moving through your day, relating to people, doing your work, playing games, all the while full of vitality and bounce. Watch yourself in your imagination and enjoy the ease with which you do things that once seemed difficult or tiring. Notice the glow of your skin, how well you look; see the vivacity in the way you speak and move. Watch yourself and enjoy it. The more of it you let yourself imagine and the more you enjoy your imaginings, the stronger will be the images you are creating and the more quickly they will become reality. But as with the verbal instructions, always keep your images in the present as if they are actually happening now and not as if they might happen in the future or are something you would like to see happen. You may find at some point that something or someone is interfering with your image. For instance, you might find that as you watch yourself moving about energetically through the day in your mind's eye, another figure appears—say an old woman—who speaks to you. Perhaps she says something like, "You silly girl, if you don't slow down you know you will exhaust yourself or make yourself ill." Or, "Why are you pretending to be full of energy when you know that you are really tired?" and so on. Pause for a moment and take a look at the figure. Who is she? Your mother? A friend who tends to be negative about everything you try? The voice of a belief system from inside you which, without your being aware of it, has been telling you for years that you are tired? Answer the figure back. Tell her quietly but firmly in your mind, "No, you are wrong. I am well and I have lots of energy. I also know how to use it wisely. I will rest and look after myself when I need to, I will eat well, I will enjoy what I do. I will be happy with my vitality." Then go on with your visualization. Unexpected intrusions like this while you are visualizing are often very useful, for they help make you aware of belief systems and notions that may have been unconsciously impeding your progress towards a goal. Then, when you have practised your visualization for, say, five or ten minutes, tell yourself you are going to count backwards from three and open your eyes. A FEW TRICKS TO HELP In the beginning, when you are just starting to explore the power of creative imagery, it is a good idea to pick only one goal at a time and work on it for several weeks or months until it is being progressively realized before taking on another thing you would like to change. The technique of keeping a journal is very useful in recording your progress, but even more important is keeping a record of insights and experiences you come upon while practising the deep relaxation and visualisation techniques. The information and insights they turn up for everyone are invariably rich. Many times something you record today which seems not particularly useful now will have a message of immediate importance to you three months from now. Finally, there is one very simple goal that I find particularly useful because it covers all areas of one's life and you can use it over and over again, year after year, with benefit. It is, "Every day I am more and more myself. My life grows richer and richer." “Practice makes perfect,” the saying goes. It most certainly does but never treat your practice as a chore. Let it be fun. When you do everything happens faster and with greater ease.

If you can't sleep, keep a pen and paper next to the bed.  When you awaken, rather than lying awake worrying, write down all the things that come into your mind. Don't worry if you jump from one thought to another, just keep jotting down thoughts, ideas and worries. When you run out of things to write, you can assure yourself that you can let go of all those concerns for the night because they will be right there on the paper when you wake up. A good friend of mine awakened each night for several years just before menopause, and would lie silently beside her husband in bed brimming with anger, although she didn't know at what. Finally she decided to get up in the night instead of just lying there. She would go to the kitchen and sit down and write out whatever came to her without even reading what she put down and without trying to make sense of any of it. After several weeks of this, she noticed that the anger seemed to become transmuted into new ideas. New plans and solutions to problems would come through her pen. For her, rising from her bed and writing built a bridge between the inner world, which was trying to make itself heard, and the outer, conscious, world in which she lived. A good night's sleep, as Shakespeare knew, can "knit up the ravell'd sleeve of care."

Great stories carry hidden secrets that can transform a life. They bring us face-to-face with hidden truths that help free us from false beliefs and attitudes, self-criticism and negativity that crush us. Cultural conditioning has taught us to undervalue the wild creativity that lies within—that part of us which is instinctual, irrational, and full of passion. Conventional society is so frightened of these things that we have been taught to fear ourselves and to judge ourselves harshly. We swallow our anger even when it is righteous. We crush our wild nature and we see ourselves as ugly. Yet locked within what we most hate and fear lies the greatest power for true freedom. Today I’d like to share with you one of my favorite mythologies of self-discovery—as delightful and important for men as it is for women. Here’s how it goes: THE LOATHLY LADY One Christmastide Arthur rode out with his knights to hunt. By chance he became separated from his companions and found himself at the edge of a great brackish pond. There, a knight in black armour emerged from the shadows and challenged him to a fight. Arthur reached to draw his sword Excalibur and call on its power to protect him from all harm. Alas, he had come away from court without it. He could feel every ounce of strength drain away from his body in the presence of the dark and evil stranger who raised his sword and threatened to kill him. Being a responsible king, of course, Arthur told the dark knight he didn't think that killing him was such a great idea—he had a country to rule, after all, and knights to look after. Where would they be without him? The stranger, bored at the thought of such an easy kill, relented and replied, "OK, I won't kill you so long as you return to this place in three days with the answer to a riddle I shall give you. If you fail I shall remove your head in one fwll swoop." WHAT DOES SHE WANT Arthur agreed. He figured that given half a chance and a mug or two of fancy mead, his pals back at the castle would be sure to come up with something. The riddle the stranger posed was this: "What does every woman want?" So Arthur headed home to ask all of his knights and wise men to give him the answer. Everyone from Merlin to a goose girl he met along the road had a go. Each gave him a different answer: "A woman wants beauty," said one. "A woman wants power," said another, or fame, or jewels, or sanctity. None could agree. Time was running out. Finally, although he had done his best to hide from his beloved Guinevere the seriousness of the situation, the third morning arrived. Bound by his word of honor to the Black Knight, Arthur had to face the music. Along the road to the meeting at the brackish waters, Arthur came upon an old woman. She sat on a tree stump by the side of the road calling his name. Arthur dismounted and approached her with all the courtesy he could muster. For the closer he came, the more ghastly this old hag appeared. Although she was dressed in fine silk and wore magnificent jewels on her gnarled and twisted hands, she was unquestionably the most hideous thing he had ever seen—or dreamed of, for that matter. Her nose was like a pig's, her mouth was huge, toothless and dribbling. What hair remained on her head was greasy, and the skin all over her misshapen and bloated body was covered in oozing sores. COURTESY CHALLENGED Arthur swallowed hard, forcing himself not to have to look away. "My Lord," she said in a surprisingly gentle voice, "Why look you so dismayed?" Summoning up all his chivalrous training, Arthur apologized for his manner, trying to explain it away by telling her he was most unsettled at the prospect of returning to meet his death at the hand of an evil knight because he could not tell him the answer to the riddle, "What does every woman want?" "Ah," said the hag. "I can tell you that. But such knowledge cannot be given without payment." Arthur, hoping once again for a reprieve from death, replied, "Of course Madam, anything you desire shall be yours for the answer—even half my kingdom." IMPOSSIBLE REQUEST The Loathly Lady made Arthur bend down while she whispered a few words in his ear." The moment Arthur heard them, he knew his life and his kingdom had been saved. He was about to leap on his horse again and ride off to meet the stranger when she tugged on his cloak and said, "Now I want my reward." "Of course Madam, what is it that you want?" he asked. "I want to be the wife of your bravest knight and live at your court." Arthur, who only a moment before had felt his spirits soar, was plunged into the deepest despair. How could he possibly expect any knight to consent to marry such a hideous hag? And what would it be like to have to endure such ugliness every day at court? "But Madam, that is impossible!" he said. The words slipped through his lips before he could catch them. Aghast at his own lack of courtesy and agonized by having to ask any of his knights, Arthur said, "I beg your pardon, Madam. You are quite right. Come to court tomorrow. There waiting for you will be your future husband." So saying, he mounted his horse and rode off to meet the Black Knight to convey to him the answer to the riddle. When he got back to the castle, Arthur was distraught. The knights questioned him. He confessed that he had won his life from the Black Knight but then told them at what cost and reported his promise to the Loathly Lady. "My very honor is at stake," said Arthur, wringing his hands, "unless one of you will agree to wed her." His knights were horrified at the prospect and tried to avoid his gaze. But one—the youngest knight of all—Sir Gawain, the most courageous and purest of heart stood up. "Worry, not my liege," Gawain said, "I shall save you, I will marry the woman no matter what her mien." SELF-PROFESSED HERO Gawain did not have long before he rued his offer. The marriage was planned for the following morning and the hag arrived at court. When he looked upon her, even Gawain with all his chivalry did not know how he could go through with the ceremony. It demanded every ounce of his courage. Somehow he managed it. But things got worse. When the festivities were over, the couple were obliged to retire to their chamber for the night. Gawain, unable to face the hideousness of his wife, sat for long hours in their bedchamber with his back to the lady, writing at his desk and praying she would go to sleep without him. Was he to spend the rest of his life shackled to such a hideous monster? ENCHANTED WOMAN Long past midnight, as the candle burnt low, he felt a hand come to rest upon his shoulder. "Will you not come to bed now, my Lord?" a voice whispered from behind him. Shuddering with horror, Gawain mustered his courage to look at her. To his astonishment there stood not the ugly hag he had married but the most beautiful woman he had ever seen. She had golden hair and ivory skin. "Why do you seem so surprised, My Lord?" she said to him. "I am indeed your wife. I was enchanted by a wicked magician. But now the enchantment is half broken by your having consented to marry me and so you see I stand before you now in my true form." Gawain could not believe his luck. "Half broken?" he asked. "Yes, my lord" was the reply. "Sadly I am only allowed to spend half the time in my true form. For the rest I must return to the shape of the same hag which this afternoon you married. And now you must choose, my Lord. Would you have me be my true self at night when we are alone together and the hag during daylight hours?" Gawain, whose mind was flooded with passion at the thought of her beauty filling his bed each night replied eagerly, "Yes, that is certainly how it must be." TEARS FOR FREEDOM In the eye of his beautiful lady appeared a tear. "But sir," she said, "Would you then have me suffer the humiliation of the court who cannot conceal their horror at my ugliness?" Now Gawain, if he was nothing else, was compassionate. He could not bear to bring this beautiful woman a tear of sorrow. "No, of course not," he replied. "It shall be the other way round, of course. You shall be my beautiful wife for the court during daylight hours and the hag at night." But this only made the lady weep the more. "Oh sir, would you then deny me forever the joy and pleasure of your embrace?" She asked. Poor Gawain, who after all was but a man (and man has never found it easy to deal with woman's grief) did not know what to do. After much thought he replied, "My lady, whatever choice I make will be the wrong one. It is therefore for you to choose which you prefer." At the sound of his words the Lady threw herself into his arms in glorious laughter. "In so saying, my Lord, you have given the right answer. You have bestowed upon me what every woman wants—her own way. The spell at last is broken. You will never have to look upon the hideous hag again. I am my true self and it belongs to you forever." Such is the power of accepting that which to ourselves is most loathsome. And such is the power of myth in reminding us of it.

In Sanskrit they call it lîla. The word means play. Yet not in the limited sense of our word. Lîla is free play, deep play, wild play carried out in a timeless NOW. It speaks of divine play. It’s the kind of play that sets us free to be who, in essence, we already are, even though we may not yet know it. Lîla is also the kind of creative play that brings new worlds into existence. FROM CHILDLIKE TO GENIUS In its simplest form, lîla describes the spontaneous activity of children so absorbed in what they do that they don’t even hear you when you speak to them. One morning my three-year-old friend Marina came to visit. Scrambling onto the four-poster bed where I was writing in a state of intense concentration, she told me the story of how she had climbed to the very top of a pirate’s ship as high as the stars. Like all still-innocent children, Marina entered into her imaginal world with ease—a magical realm in which creative sparks can be seeded then begin to grow. The imaginal world is a place most of us adults have lost touch with—a powerful realm in which the joys and fruits of lîla reign supreme. At a deeper level, lîla speaks of the all-encompassing absorption out of which Beethoven, then dangerously ill and nearing the end of his life, nonetheless created the most remarkable music of the 19th century: The Late Quartets. Or the obsession of Van Gogh, which led to his having painted 900 pictures and turned out 1100 drawings pictures during a lifetime. This kind of lîla is far more complex and committed than child’s play. It can produce achievements that enrich the way we look at life, that connect us to the deepest levels of our own being. Some fruits of mature lîla even transform the world. A big deal? You bet. This is play of the highest order—nothing less than an outpouring of the most intimate and essential nature of each unique human being. Living your creativity as fully as you can while you walk the earth, in whatever way most satisfies your unique nature, is the most exciting and enriching process any individual human being can experience. It brings a sense of meaning and purpose to your own life that nothing else can. CREATIVE PASSION Creativity is not a problem to be solved or a subject to be picked apart in psychologists’ laboratories. Those who try end up wandering in an endless maze of moribund words and phrases which miss the point. Meanwhile, the wrinkled fiddler on the city street plays on—smiling. He is lost in the excitement of improvisation, magically blending movement, feeling and sound—making music never heard before, that touches his heart and awakens the senses of all with ears to hear. We have grown up with some weird ideas about creative power. We’ve been taught that creativity belongs to a few select human beings whom history labels as genius. Nothing could be further from the truth. Creating is not a rare privilege—it is a right, even a necessity for all of us, if we are to live a fulfilling life. Creating anything, from cooking a healthful meal to writing poetry or playing games with children reminds us all what life is about. From this place we learn to live and work, to imagine, invent, and finally give birth—not only to things that have never been seen, heard, felt or touched before, but to a way of living more wondrous and exciting than most of us would ever have imagined. A passion to be lived, a lîla to be danced, the wild creative power within us urges us to tell the truth and shame the devil. It demands that we express our love, our obsessions, and the fascinations which pursue us. It asks that we live out life from the very core of our being. “Genius,” as late American writer John Gardner used to remind his students, “is as common as old shoes. Everybody has it.” CREATIVE RELEASE A few years ago, I began to explore not only the power and dimensions of creativity in you, me, and all of us. I wanted to discover how each of us can gain greater access to it, and how best we can live out our own creative power in our day to day lives as scientists, professional artists, musicians, writers, dancers, actors or as businesspeople, parents, teachers, lovers, gardeners, healers, craftsmen and thinkers. I was sure that on a larger scale, the way we as a group choose to use our collective creativity determines whether or not we will be able—in the wake of having laid waste to so much of our planet—to emerge as a sustainable species in a sustainable world. A lîla of enormous proportions; what could feel more powerful or more daunting? Yet the creative power on which it depends springs from the same source within each person as Marina’s imaginative play. PRIMORDIAL POWER Mysterious, enigmatic, spontaneous, occasionally even frightening, in essence creative power is the power of life itself. It is the force that gave us birth which continues to give birth to universes. It is what created us and brought each of us our own lives. It originates from a place within each one of us where we can touch and tap into the numinous energy of the Cosmos: God, Being—call it what you will. No words can adequately describe it. In truth, it is far more an experience of aliveness than a place at all. And, although we may never describe it adequately, we are perfectly equipped to enter this locus of creative power within us and find out how to live ever more of our lives from it. For the majority of artists, creativity pours forth most easily when they have intimate support for it. Shakespeare had his actors and a Globe Theatre eager for his plays, Virginia Woolf entered a room of her own and there wove tapestries of words. Emily Dickinson wrote out of the intimate community of a family who adored her, admired her and made sure she was given the space and time to carry out her imaginative work. For others who are highly creative, there is no such intimate support. Many have suffered childhood abuse, loss, illness or intense suffering. The creativity of such people can be monumental. Each man or woman is brought to the exploration and expressions of their creative power through suffering in just the same way that, so often, we discover what is most important to us by having what we believe to be of greatest value—a loved one, a job, a title—taken from us. Painful as such experiences are, often they turn out to be great gifts when it comes to freeing our creative power. Caught up in our lives of work, children, and householder duties, few of us live in such fortunate circumstances as Shakespeare and Emily Dickinson. But that does not matter. What has not been given us we can make for ourselves. Art is not the province of the privileged few. It belongs to all people—those of us who spend our days in front of computers, cooking, sweeping streets, running errands, caring for children, handling the stupidities of bureaucracy, and living our constantly changing lives in a world that is ever less secure. THE WAY AHEAD We are alive at a moment in history where one age is dying, yet another has not yet been born. We are, each one of us, faced with a choice: As we sense the foundations of our world shaking, do we withdraw in anxiety, trying in desperation to hang on to what we once believed to be “true”? Do we become paralyzed, and try to cover our fear with apathy? Or do we summon the courage offered us by a Universe in flux, honor our personal sensitivity and consciousness, then choose to face the challenge of entering the realm of creative power within? Then, trusting our individual capacity for lîla, do we begin to play in ways that may help bring forth a new world for all? Regardless or age, background, or limiting notions about what’s possible, each one of us has a choice to make. It’s a choice between continuing to conform to established belief systems that stifle the human spirit, or trusting in ourselves. Are you willing courageously to explore your intrinsic creative gifts and make use of them? “That which we give birth to from our depths is that which lives on after us. That which is inborn in us constitutes our most intimate moments—intimate with self,” says Theologian Mathew Fox, “intimate with God the Creative Spirit, and intimate with others. To speak of creativity is to speak of profound intimacy. It is also to speak of our connecting to the Divine in us and of our bringing the Divine back to the community.” Personally, I urge you to begin connecting ever more deeply with your own brand of creativity. Discover new ways of living. Leave automatic assumptions about who you think you are and learn to respond to each moment and each day of your life with new eyes and an open heart. The more you do, the richer your life can become. Such is the joy of lîla. Such is the power of lîla. If you have not yet explored it, you have an exhilarating, wondrous adventure ahead of you. Take it. Trust it. It’s the adventure of a lifetime.

To be beautiful, you must be who you are. Because who you are is far more creative, vital, and powerful than anything or anyone you might try to be. It’s a fundamental truth too often forgotten. Still we live in a world that teaches us, however unwittingly, that whatever we are is not as good as what we should or could be. It tells us that we need someone or something outside ourselves to give our lives meaning. All of which is utter hogwash. You’ll never fulfill the magnificence and uniqueness of who you are by following convention, bowing down to some guru or following somebody else’s rules. The truth about YOU lies within your own body—your own being. And there has never been a better time to uncover it than right now. SEDUCTION BY ILLUSION The media is full of programs, articles, advertisements, and imperatives that urge you to "be a better lover", "wear this fashion," "make more money". It is an amazing game. It keeps selling dresses, books, and automobiles because it keeps people wanting. But, in the process, it creates enormous misery and dissatisfaction as we look outside ourselves for yardsticks to measure ourselves by. This is because, no matter how well it works, the "want-need-get" game obscures one really important truth: What you need to experience wholeness, meaning and joy is not "out there," "one day," or "if I only had…” It does not need to be bought, sought, seduced, or copied. It already exists right here, right now, inside of you. It simply needs to be discovered within you and then lived out. CONQUERING CONFLICT A woman is, in reality, two women. The first, the outer woman, is a collection of physical characteristics, habits of speech and movement, and ways of thinking and of expressing her essential being. This outer part is the result of past experience, conditioning, and values—either your own or, more often, those given you by your family, educational background, and society, plus a great many preconceived ideas you have about who you are and what you can and can't do. The outer woman comes in many different forms. She may be conventionally attractive, plain, sexy, dynamic, withdrawn, aggressive, apparently assured, or terribly uncertain about herself. And for each outer woman, there is also an inner counterpart, an individual self that is utterly unique. This stable center of strength and growth, your inner core, sees the world in its own way, has its own needs, desires, and its own brand of creativity, and is a law unto itself. Your core holds the power to create, change, build, and nurture. The outer woman is little more than the vehicle for what your essential being creates. THE OUTER AND THE INNER When your essential being is allowed free expression, a woman can be truly beautiful without the need for artificiality or imitation, concealment, or excessive adornment. Her body will be strong and well, her skin clear and healthy, and her movements, speech, and actions will radiate a kind of vitality that is unmistakably charismatic, because it is real—an outward expression of who she truly is. Often, though, the inner and the outer woman have diverged so that there is conflict. The inner truth of a woman can be particularly clear and direct while her outer expression is a mass of confusion in how she dresses, speaks, acts, and looks. Usually this is because she is stifled by false ideas of how she is supposed to be, think, act, dress, and look. Where there is no free channel for expression of your essence, there is much disharmony. Eventually both your health and beauty will suffer. Perhaps even more importantly, you will probably feel you lack identity—have no firm idea of who you are or what you want. TRUTH FROM YOUR ESSENCE Discovering the power of your essential being and learning to live from it involves transformation. This process can be tremendously exciting. Sometimes this can also be challenging, for it means peeling away the superfluous mechanical façades we all collect—the ways of appearing and acting that have little to do with who we really are, but that have come to seem safe and secure. But this transformative process can be thrilling, too. You needn't look for a specific end result to justify it. In short, being beautiful is being authentic. It is all about becoming who you really are. Begin by letting yourself become aware that you are someone quite different from everyone else in the world. To some women who have never experienced this awareness before, this can seem scary at first. Others will find it is something they have known all along without ever putting it into words. Still others will accept the notion as self-evident. When you are relaxed yet alert, nonproductive thought patterns and habits loosen their hold, as do common interfering emotions such as anxiety and fear, so you are better able to hear your inner voice. Listen to it. Let it be your guide in matters of taste and in decisions you have to make. Most of us have been programmed to listen not to ourselves but to Mommy's interjected voice, or Daddy's voice, or the voice of the Establishment, of the Elders, of authority or of tradition. Instead, begin to explore how you feel about something or what you really want. Take a look at the ideas, behavior patterns, or assumptions about yourself and your life that might be blocking your free expression. These mechanical patterns of thinking and behaving are usually unconscious. They come in many forms. They can be ideas you hold about yourself such as "I am physically weak," or "I can't wear my hair back because my nose is too big," or "I will never be slender," or "I am too old to change"; or they can be even more deeply embedded notions such as "I can never do anything right," or "I am only a woman." When you become aware of these notions and the power they hold over you, you will see that many of them are little more than habitual assumptions with no basis in fact, and you will gradually find them falling away so that you are more free to be whatever you want to be. Whatever you happen to be doing, try letting yourself experience it fully. Get involved in an event, action, or project in the way a child would—wholeheartedly. Whether you are peeling potatoes, enjoying music, scrubbing floors, planning work, making love, or eating, let yourself be absorbed, forgetting everything else for the moment. When you are wholly and fully human—your essential being is being set free. These are times which all of us experience, and there is a real delight in this kind of involvement. It silences the usually worried thoughts and concerns that tend to sap your energy and make every event less interesting than it should be. This ability of complete involvement is a key to enormous vitality. At such times, little of you is wasted on anxiety about the past or future, or meaningless and unproductive worry about yourself and others. Explore new ways of doing things instead of mechanically following the same old patterns. Risk being different from the rest—your own natural way of living, thinking, dressing, working may be unique from the way you have been trained to do these things. Your opinions may differ greatly from those of people around you. Be courageous about seeing things your own way and dare to be different in what you say and do when you feel different. Be as honest as you can. Telling the truth has great power. Most of us lean far too much in the direction of being diplomatic and discreet. Many women tend too often to adjust their opinions and answers to fit in with the opinions of others. This leads to a sense of confusion where one is not really sure what one thinks. When you answer something honestly, when you do and say what you want instead of what you think is asked of you, it makes you aware that you are responsible for yourself. This in turn leads towards further freedom, creativity and truth. Take a look at any roles you find yourself playing. There are dozens—the "intelligent woman," the "woman to be reckoned with," the "shy violet," the "sexy lady"' and so forth. Some of them may be appropriate to what you want from other people; others are not only irrelevant but also sap energy that could otherwise be used effectively. The more you are aware of them, the freer you will become from the hold they have over you, and the more you will be able to discover who you are and what you are about. The other thing about roles in relation to beauty is that no role that any woman plays (no matter how delightful) comes anywhere near being as exciting, vital, and fulfilling as the truth of what she is at her core. And gradually beginning to peel away the roles by becoming aware of them is one way of discovering this. Pay attention to any peak experiences in which you perceive the world as a whole and everything as being right. Everyone has these occurrences, but many of us do not articulate them and so they happen and then are forgotten or ignored. The occurrence of these small moments of joy can be tremendously enriching. They temporarily set you free from habitual ways of thinking and behaving that tend to stifle your creativity. Look for peak experiences and enjoy them when they come. They can be useful as guidelines to decision making from day to day. Finally, work out what you want and then go get it. Whatever you work for, work hard and wholeheartedly. This brings a sense of self-reliance and frees a lot of otherwise frustrated energy for constructive use. These things have always been very important to living my own life. They still are. I would love to hear from you about your experience with all of this, if you would like to share it with me.

Handled positively, crisis frequently portends the unleashing of powerful creative energies. Instead of taking tranquilizers and battening down the hatches when your life seems to be falling apart, it can be useful to begin looking at crisis as a pivot for change - a door to the kind of transformation the caterpillar undergoes. Deeply woven into the silk threads of his cocoon, the creature's body dissolves into white jelly, only to be reformed again in a completely different shape and set free as a butterfly. A growing number of biologists, psychologists and philosophers believe that our attitude to crisis needs reexamining. They insist (as I, in my own struggle for individual freedom, continually discover) that crisis need not be a negative event. Of course old attitudes die hard. Most psychologists and physicians still see things as Freud did. They still believe that the unconscious mind is full of dangerous repressed impulses and material that, if you are to remain balanced and healthy, you need to keep the lid on. Freud's assertions, brilliant though they were, were a product of the nineteenth century mechanistic thinking on which he was raised. Freud completely ignored the spiritual dimension of consciousness, believing that such phenomena as visions of angels and devils were always an indication of pathology. For half a century, other psychiatrists and psychologists - from Carl Jung, who formulated the concept of the Self (the archetypal unchanging center which has both universal and individual characteristics) to Abraham Maslow, who first coined the phrase "peak experience", and Roberto Assigioli, who is responsible for the concept of the higher self, have all insisted that Freud's model of the mind, like the worldview out of which it developed, is too limited. These men have been instrumental in the formation of new paradigms of consciousness which take in the spiritual dimension of human life. They no longer view the human mind as a static entity, the balance of which must be maintained at all costs. They see each of us involved in a constant process of spiritual growth, and a movement towards wholeness. The twists and turns through which we pass in life, they say, are part of this movement, and each crisis - each molting - is an attempt to bring us closer and closer to being able to live from our own center and experience our own wholeness. Metamorphosis should not be viewed as something to be avoided, they say. It is as common and as natural as birth, growth and death - an essential part of human existence. transpersonal perspectives Such a notion has long existed in religious spheres, and is echoed in Biblical phrases such as the process of "becoming what thou art", but was completely new to psychology. This new view of consciousness not only recognizes the conscious mind, of which we are aware in our day to day life, and the unconscious mind, which directs the basic psychological activities and instinctual urges and which encompasses archetypal energies, but also what is often referred to as the super-conscious or transpersonal mind. The transpersonal realm is described as the domain of higher feelings and capacities, including intuition and inspiration. It is called transpersonal because it is more than personal in its nature. It also taps universal consciousness, crossing over barriers of culture to connect us with the universal energies. The acknowledgment of the transpersonal realm by psychologists closely parallels findings in the new physics, which emphasize both the interconnectedness of all life and the all pervasive universal stuff of consciousness. Frequently a woman undergoing a major crisis finds she has tapped into this universal consciousness and is experiencing other dimensions of being or even other times and places. When this happens, it can bring about quantum leaps in personal growth and creativity. It is then that crisis becomes transformational.