personal growth

Below you will find an interview I did for Bias Magazine. Speaking about Human freedom, creativity and natural menopause. Unfortunately the recording is quite bad in the beginning but get better about 5 minutes in. Hope you Enjoy... [audio id=http://d1vg7rm5xhtxe9.cloudfront.net/audio/cheryl-el-interview.mp3] Award-winning writer, television broadcaster, and teacher, Leslie Kenton is well known in the English-speaking world for her no-nonsense, in-depth reporting. According to London’s Time Out, “If there is one health expert who can genuinely be described as pioneering and visionary, it is Leslie Kenton.” Leslie has written more than three dozen best selling books for Random House UK. She conceived and created the worldwide Origins range for Estee Lauder. A former consultant to European Parliament for the Green Party and course developer for Britain’s Open University, Leslie is trained in Chinese medicine, nutrition, homeopathy, and bioenergetics. She was first Chairperson of the Natural Medicine Society in the UK and her contribution to natural health was honored by her being asked to deliver the McCarrison Lecture at the Royal Society of Medicine in London. Leslie now divides her time between her homes in Britain and South Island New Zealand. To find out more about her work: lesliekenton.com, curaromana.com.

This Documentary is a remarkable eye opener to the nature of our universe and the power of electricity. This is a must see for everyone but particularly for anyone who is interested in learning about the nature of the magical universe we live in. Details of the Electric Universe Thunderbolts of the Gods by David Talbott and Wallace Thornhill introduces the reader to a former age of planetary instability and earthshaking electrical events. The 108-page full-color monograph, based on the life’s work of the two authors, offers a revolutionary synthesis of historical investigation and the newly discovered “Electric Universe.” Talbott and Thornhill claim that cosmic upheaval occurred so recently as to have profoundly affected early human cultures, provoking “incomprehensible” myths, symbols, and commemorative practices. Through a synthesis of ancient testimony, high-energy plasma experiments, and space age discoveries, the authors bring the ancient world to life. If their hypothesis is correct, it will surely alter many paths of scientific investigation as well. The little-known study of powerful electrical discharges in plasma is a new and exciting development in plasma cosmology, with profound implication for space age astronomy. Talbott and Thornhill have followed these developments because they see plasma science as a bridge between the ancient and modern worlds. To advance their case, they present side-by-side comparisons of laboratory plasma experiments and globally recurring symbols of the ancient sky. The evidence, they report, shows an ancient obsession with extremely violent electrical discharge formations in the heavens. At the core of this reconstruction lies the unique behavior of plasma. Plasma, often called the “fourth state of matter,” has been studied for less than a hundred years, and only in the recent decades of the space age have some physicists begun to realize its importance to the understanding of structure in space produced by electric currents. All stars and astronomical objects ranging from supernovae to beautiful filamentary nebulae are now known to be constituted of plasma—a conductive medium that permeates the near-vacuum of space. Charged celestial objects move within insulating cells of plasma that may discharge spectacularly upon close encounters. The plasma discharge currents take complex filamentary forms resulting in the panoply of astonishing structures seen by Hubble and other new telescopes. From these discoveries, a new approach to the understanding of the physical universe is emerging. This approach is called plasma cosmology. Through unimaginable labors, our ancestors carved unexplained pictures on stone, numbering in the tens of millions. But what inspired this massive endeavor around the world? The laboratory experiments make clear that the ancient artists were copying spectacular electrical phenomena in the heavens. Indeed, the global correspondence between laboratory discharge forms and the pictographs on stone is so detailed that same-scale images.

What gives any woman charisma? The Chanel suit she wears? The car she drives? The way she has been taught to use her body or speaks her words? Not really. For stylish or charming as these things may be they are ultimately externals - things put on from the outside. As such they offer a woman little more than the appearance of charisma. And like pastiche, appearances never deceive a discerning eye. What are the characteristics of real charisma? Where does it come from? How to you get it? And what is living with it all about? Charisma - the real McCoy - has certain characteristics: expansiveness for instance and energy, joy and creativity. It is not only a way of being which calls forth all the powers of a woman - from the pragmatic to the inspirational, the intellectual to the intuitional. It is also a way of relating to yourself, to those you work with and play with - even to the planet itself - through all of these modes. That is why at its core, charisma is both disarmingly simple and immeasurably complex - neither more nor less than living day by day from a full and honest outpouring of your own individuality - the spirit which is unique to you. This unique nature, which each woman has but most are still trying to discover, can be expressed in a myriad of ways from the most simple and playful to the most profound - in the colors you like best for instance, in the way you choose to have your hair cut, the kind of make-up you wear (or prefer not to wear). It is also explicit in the way you think and talk, and in the kind of deep values you embody, the dreams you dream and the things you create whether they be works of art, intellectual or physical feats, or simple day-to-day ways of being. Charisma is also evident in the rhythms and fluctuations of this energy. How different you are for instance on the tennis court, than when you hold a child in your arms, produce a piece of work, get involved in an intellectual discussion, or embrace a lover. Yet in each of these circumstances provided you are true to yourself you will have charisma - the originality of your spirit will shine through. Contacting that unique spirit, coming to respect it and having the courage to live from it is what gaining charisma is all about. Sometimes challenging, frequently exciting, this process can be a lot of fun too. As it takes place the externals - the clothes and make up you wear, the way you move and how you relate to your world cease to be arbitrary, like things you pick up with uncertainty to carry around with you. Instead they seem to unfold and develop beautifully and mysteriously - almost organically - from within as ever more honest and potent expressions of who you are. Whatever forms or shapes your individuality takes, one quality tends to permeate every facet of charisma as it unfolds: aliveness. That is where health comes in. Health is right at the core of charisma. Being healthy is a lot more than not being sick. It means having access to all of your energies from the physical stamina you need on the tennis court through the depths of your sexuality and creativity to an expanding awareness of how your mind works via the complex interface of your body's endocrine and nervous system. Such an awareness which can not only help keep you healthy and free from the ravages of premature aging but, according to advanced research may even give you the ability to alter your external reality by choice. The more fully and honestly your unique nature shows itself, the more charisma you will have. Simple? Nothing could be simpler. Yet in our society in this last decade of the 20th century, it would seem that our every encounter with the world around us - from breathing increasingly polluted air to interacting with a media intent upon selling us things we don't need or don't want at prices we can often ill afford - contrives in one way or another to interfere with the process. That is why another aspect of developing charisma is the process of gaining a strong awareness of ones own values and of finding ways of separating them from those which we are all constantly being sold by the exploitive 20th century urban world in which we live. (This by the way is every bit as important a part of health and beauty as the kind of food you eat for breakfast and the kind of creams you spread on your face.) Health, like charisma, also comes from within. Yet health needs a lot of support from the outside too - in the way you eat, exercise, deal with stress, look after your body and learn to listen to its prompting so that your potential for energy and aliveness can be maximized. For most of us this doesn't happen automatically. We have to learn how to create a high level of aliveness and to become wary of all the things which can impede it. Take toxicity in your body for instance. The build up of waste products in the cells restricts metabolic processes and depletes energy. It can also result in a great variety of unwanted conditions - from cellulite to poor skin, and anxiety and depression to degenerative conditions such as arthritis, obesity and cancer. Yet in an urbanized polluted environment all of our bodies tend to build up more waste than they are able to eliminate efficiently. Such a build up impedes aliveness. So part of developing charisma means sorting out a lifestyle for yourself which encourages continual detoxification. It can also mean learning about specific techniques from daily skin brushing, to special breathing methods, or hydrotherapy tricks which you can call on for periodic spring cleaning. To live with charisma in the fullness of ones being, to live with charisma, each of us needs continually to break down barriers, to bring to consciousness the self-imposed limitations we have been living with and to open oneself to new possibilities whether they come in the form of physical beauty - hair, body, skin, nails and all the rest - or new passions and ideals. It is a funny thing about self-expression. We in the Anglo Saxon world tend to think of it as something rather self-indulgent or self-obsessive. We have been brought up in a culture that affirms the value of altruism and insists that one should forget oneself in constant service and self-sacrifice to others. This is particularly true of women, many of whom spend their whole lives in one way or another denying their own needs and worrying about others or following a career path which society's values (not ones own) have imposed upon them only to wake up at the age of 45 to find that they feel lost, empty, and that life appears without meaning. The truth is that at the heart of serving others, as well as at the core of nurturing life lies charisma - an ability to express the totality of one's being. For only then can you bring to whatever else you are doing the full impact of your aliveness through beauty, intellect, enthusiasm, compassion, creativity, fun and joy. The pathway towards fullness of being often lies through a tremendously exciting exploration of such very personal and supposedly self-indulgent things as the kind of eyeshadow you wear or how best to look after your skin or make yourself look more beautiful. It is only when the pursuit of beauty becomes a thing apart from the expression of one's individual nature (like the notion so many women have that they will not be acceptable unless they wear designer clothes or paint their faces perfectly in order to be 'acceptable') that it goes all wrong. This is because beauty treated only as an external has sad repercussions for your own sense of self-worth. Like the old mechanistic world view which has blinded us to what we have been doing to our planet, it can imprison you within false images and limitations which make it impossible to live creatively or bring the joy of your own unique energy to those around you. So forget fears of narcissism and self indulgence. Each woman is unique and the charisma which celebrates that uniqueness can not only lift her to new levels of joy and energy and accomplishment but also enrich the lives of all who know her. Perhaps most important of all, through the expression of that uniqueness in her feelings, thoughts and actions, it can enable her to play the unique part she has to play in the future of her society and of the planet itself. Sounds revolutionary? It is. But this last decade of the twentieth century the astounding is becoming commonplace and the impossible a daily occurrence. Who would have thought the Berlin wall would fall? Exercise Let's get down to the nuts and bolts of charisma - the seemingly superficial trimmings such as make up, hairstyle and fashion which can help you explore who you are and feel good about yourself. As you will discover, when you select these trimmings and trappings from core impulses and desires the results are anything but superficial. The first step in developing your own brand of charisma is to get to know and make friends with the many facets of yourself. Each facet is like a character just itching for the chance to play a role in your life. When you encourage your characters to find expression, your reward is not only a great deal of pleasure and fun, but an abundance of core energy. THE CHARISMA DETECTIVE EXERCISE The following steps can reveal clues to characters inside you which carry energy for you. Answer each question as fully as you can in your journal. Also make a note of any feelings (good or bad) that come up as you do the exercise. You might like to work with a friend, one of you asking the questions and noting down the answers while the other allows her fantasies to run free. Whether you work with a friend or on your own, let yourself play at it. Although the issues that arise are important ones, exploring charisma above all means having fun. Choose a Photograph Find a photograph of yourself that you like. (For some this may not be easy, but you can at least find a photo that you prefer to others). Ask yourself why you have chosen this picture. What do you like about the person you see? What qualities does she have? How is the person in the photo the same as, and how is she different from, the person you feel yourself to be now? Scan Your Wardrobe Make a note of any item or items of your wardrobe that you really love - things you feel good in, for example a dress, a pair of shoes. (It could be something from your past or even something that you once borrowed.) Now ask yourself what it is you like about the thing. What qualities does it express? How does it make you feel? What image/character does it suggest? Pick Your Accessories Make a note of accessories, past, present or future, that you particularly like. Include jewellery, scarves, belts, hats, gloves, glasses, the lot. What is it about the accessory that you like? What does it remind you of? What part of you does it express? How About Your Hair? Ask yourself what was your favourite haircut or hairstyle/hair colour ever? Why did you like it? How did it make you feel? What aspect of you did it express? What Is Your Make-Up Look? Ask yourself is there an item of make up that you particularly like? Or more than one? What do you like about the way they make you feel? What part of you do they help to express? WHO ARE YOUR CORE CHARACTERS? By the end of this exercise you should have an idea of the types of images that are inspiring and hold power for you. See if you can group the images under a character or several characters that can serve as reference points for you. For instance, if you are inspired by a pair of bright red shoes because they make you feel bold and daring and suggest the sort of woman who dances on table tops, your character reference point might be "The Flamenco Dancer." Here are a few examples of characters which may help you to find labels for your own: The Romantic The Shaman The Seductress The Amazon The Athlete The Artist The English Rose The Witch The Gypsy The Glitzy Power-Broker The Princess The Anarchist The Nature Spirit The Earth Goddess The Clown The Gamine The Executive The Sophisticated Lady The Country Lady The Medieval Maiden WRITE YOUR CHARACTERS TO LIFE If one or more of your characters is particularly exciting, get to know her by writing her into existence. Describe her as fully as you can. What does she wear? What is her hair like? Her make up? Her nails? How does she move? Where does she go? What does she do? How does she speak? What does she say? What does she like and hate? Although simple, this exercise is powerful and can evoke a lot of different feelings, thoughts and memories. Whatever comes up for you, acknowledge it by writing it down, no matter how insignificant or stupid it may seem. Anything can be a clue to helping your charisma unfold from the core. Commonly women feel a sense of hopelessness and longing. They may have an image of a character who seems to be everything they feel they are not. Then, instead of inspiring them, the image overwhelms them. If this is the case remember that your character carries energy for you because she reflects an important part of you. No matter how far away from the you which you know she may seem, you can begin to live her right now. Obviously if your character is a waif-like wood nymph and you are 3 stone overweight it will take time to adjust this difference. Nevertheless it may be that by rearranging your hair or wearing a colour that the wood nymph would wear you can begin to draw upon her as an inspiration and start to tap into her quality of energy. Let these images inspire, not discourage, you. The best way to deal with a sense of discouragement in the face of anything that seems impossible is to begin by making a tiny step in the direction you want to go. We have learnt over and over that the way to climb a mountain (either physical or metaphorical) is just to put one foot in front of the other. Crack the Codes of Convention In exploring charisma it can be very freeing to break the rules and try something completely new. For instance, if you always wear make up to work, dare one day to go completely bare faced. One of us (Leslie) used to frequently go to work as the health and beauty editor of a magazine with a naked face. She found it immensely freeing to break the rules and discovered it gave her a fresh sense of herself.

Great stories carry hidden secrets that can transform a life. They bring us face-to-face with hidden truths that help free us from false beliefs and attitudes, self-criticism and negativity that crush us. Cultural conditioning has taught us to undervalue the wild creativity that lies within—that part of us which is instinctual, irrational, and full of passion. Conventional society is so frightened of these things that we have been taught to fear ourselves and to judge ourselves harshly. We swallow our anger even when it is righteous. We crush our wild nature and we see ourselves as ugly. Yet locked within what we most hate and fear lies the greatest power for true freedom. Today I’d like to share with you one of my favorite mythologies of self-discovery—as delightful and important for men as it is for women. Here’s how it goes: THE LOATHLY LADY One Christmastide Arthur rode out with his knights to hunt. By chance he became separated from his companions and found himself at the edge of a great brackish pond. There, a knight in black armour emerged from the shadows and challenged him to a fight. Arthur reached to draw his sword Excalibur and call on its power to protect him from all harm. Alas, he had come away from court without it. He could feel every ounce of strength drain away from his body in the presence of the dark and evil stranger who raised his sword and threatened to kill him. Being a responsible king, of course, Arthur told the dark knight he didn't think that killing him was such a great idea—he had a country to rule, after all, and knights to look after. Where would they be without him? The stranger, bored at the thought of such an easy kill, relented and replied, "OK, I won't kill you so long as you return to this place in three days with the answer to a riddle I shall give you. If you fail I shall remove your head in one fwll swoop." WHAT DOES SHE WANT Arthur agreed. He figured that given half a chance and a mug or two of fancy mead, his pals back at the castle would be sure to come up with something. The riddle the stranger posed was this: "What does every woman want?" So Arthur headed home to ask all of his knights and wise men to give him the answer. Everyone from Merlin to a goose girl he met along the road had a go. Each gave him a different answer: "A woman wants beauty," said one. "A woman wants power," said another, or fame, or jewels, or sanctity. None could agree. Time was running out. Finally, although he had done his best to hide from his beloved Guinevere the seriousness of the situation, the third morning arrived. Bound by his word of honor to the Black Knight, Arthur had to face the music. Along the road to the meeting at the brackish waters, Arthur came upon an old woman. She sat on a tree stump by the side of the road calling his name. Arthur dismounted and approached her with all the courtesy he could muster. For the closer he came, the more ghastly this old hag appeared. Although she was dressed in fine silk and wore magnificent jewels on her gnarled and twisted hands, she was unquestionably the most hideous thing he had ever seen—or dreamed of, for that matter. Her nose was like a pig's, her mouth was huge, toothless and dribbling. What hair remained on her head was greasy, and the skin all over her misshapen and bloated body was covered in oozing sores. COURTESY CHALLENGED Arthur swallowed hard, forcing himself not to have to look away. "My Lord," she said in a surprisingly gentle voice, "Why look you so dismayed?" Summoning up all his chivalrous training, Arthur apologized for his manner, trying to explain it away by telling her he was most unsettled at the prospect of returning to meet his death at the hand of an evil knight because he could not tell him the answer to the riddle, "What does every woman want?" "Ah," said the hag. "I can tell you that. But such knowledge cannot be given without payment." Arthur, hoping once again for a reprieve from death, replied, "Of course Madam, anything you desire shall be yours for the answer—even half my kingdom." IMPOSSIBLE REQUEST The Loathly Lady made Arthur bend down while she whispered a few words in his ear." The moment Arthur heard them, he knew his life and his kingdom had been saved. He was about to leap on his horse again and ride off to meet the stranger when she tugged on his cloak and said, "Now I want my reward." "Of course Madam, what is it that you want?" he asked. "I want to be the wife of your bravest knight and live at your court." Arthur, who only a moment before had felt his spirits soar, was plunged into the deepest despair. How could he possibly expect any knight to consent to marry such a hideous hag? And what would it be like to have to endure such ugliness every day at court? "But Madam, that is impossible!" he said. The words slipped through his lips before he could catch them. Aghast at his own lack of courtesy and agonized by having to ask any of his knights, Arthur said, "I beg your pardon, Madam. You are quite right. Come to court tomorrow. There waiting for you will be your future husband." So saying, he mounted his horse and rode off to meet the Black Knight to convey to him the answer to the riddle. When he got back to the castle, Arthur was distraught. The knights questioned him. He confessed that he had won his life from the Black Knight but then told them at what cost and reported his promise to the Loathly Lady. "My very honor is at stake," said Arthur, wringing his hands, "unless one of you will agree to wed her." His knights were horrified at the prospect and tried to avoid his gaze. But one—the youngest knight of all—Sir Gawain, the most courageous and purest of heart stood up. "Worry, not my liege," Gawain said, "I shall save you, I will marry the woman no matter what her mien." SELF-PROFESSED HERO Gawain did not have long before he rued his offer. The marriage was planned for the following morning and the hag arrived at court. When he looked upon her, even Gawain with all his chivalry did not know how he could go through with the ceremony. It demanded every ounce of his courage. Somehow he managed it. But things got worse. When the festivities were over, the couple were obliged to retire to their chamber for the night. Gawain, unable to face the hideousness of his wife, sat for long hours in their bedchamber with his back to the lady, writing at his desk and praying she would go to sleep without him. Was he to spend the rest of his life shackled to such a hideous monster? ENCHANTED WOMAN Long past midnight, as the candle burnt low, he felt a hand come to rest upon his shoulder. "Will you not come to bed now, my Lord?" a voice whispered from behind him. Shuddering with horror, Gawain mustered his courage to look at her. To his astonishment there stood not the ugly hag he had married but the most beautiful woman he had ever seen. She had golden hair and ivory skin. "Why do you seem so surprised, My Lord?" she said to him. "I am indeed your wife. I was enchanted by a wicked magician. But now the enchantment is half broken by your having consented to marry me and so you see I stand before you now in my true form." Gawain could not believe his luck. "Half broken?" he asked. "Yes, my lord" was the reply. "Sadly I am only allowed to spend half the time in my true form. For the rest I must return to the shape of the same hag which this afternoon you married. And now you must choose, my Lord. Would you have me be my true self at night when we are alone together and the hag during daylight hours?" Gawain, whose mind was flooded with passion at the thought of her beauty filling his bed each night replied eagerly, "Yes, that is certainly how it must be." TEARS FOR FREEDOM In the eye of his beautiful lady appeared a tear. "But sir," she said, "Would you then have me suffer the humiliation of the court who cannot conceal their horror at my ugliness?" Now Gawain, if he was nothing else, was compassionate. He could not bear to bring this beautiful woman a tear of sorrow. "No, of course not," he replied. "It shall be the other way round, of course. You shall be my beautiful wife for the court during daylight hours and the hag at night." But this only made the lady weep the more. "Oh sir, would you then deny me forever the joy and pleasure of your embrace?" She asked. Poor Gawain, who after all was but a man (and man has never found it easy to deal with woman's grief) did not know what to do. After much thought he replied, "My lady, whatever choice I make will be the wrong one. It is therefore for you to choose which you prefer." At the sound of his words the Lady threw herself into his arms in glorious laughter. "In so saying, my Lord, you have given the right answer. You have bestowed upon me what every woman wants—her own way. The spell at last is broken. You will never have to look upon the hideous hag again. I am my true self and it belongs to you forever." Such is the power of accepting that which to ourselves is most loathsome. And such is the power of myth in reminding us of it.

Examining what works in your life and what doesn't takes courage. It is never easy. It demands that you disassemble structures that you take for granted but which may no longer serve you at the deepest level. These structures can include anything from a habit of munching your way through two pounds of chocolates every time you feel depressed, to holding on to a job that is meaningless, or to a relationship which does not help you grow - all because you are afraid you can't cope otherwise or do any better for yourself. Every transformation, every profound and life-enhancing change in some way involves dismemberment. It dissolves every structure that has become inadequate to support an organism. Like the crab which sheds his cramped shell in order to create a larger one, each of us again and again is faced with the prospect of taking apart structures in our own lives which have become too small to contain us. If we don't consciously rise to the occasion, then life takes them apart for us, and we find ourselves precipitated into crises: It seems as though you have entered a dark tunnel leading to an unknown land. You feel that you don't know yourself any more, or what you value, or even what is going on. So fundamental is this uncomfortable but necessary process of molting to human physical, emotional and spiritual health - in fact to life itself - that it takes place again and again in our lives whether we like it or not. Sometimes change comes spontaneously as a result of something that happens to us - the death of a loved one perhaps, or the loss of a job. Sometimes it is consciously chosen out of an awareness that our current life structures no longer serve our values and our goals. Whether the transition required is a big one - choosing to enter or leave a long-term relationship - or a relatively small one - putting yourself through a short spring cleaning diet to detoxify your body - it frequently brings an experience of deep uncertainty and anxiety - the sense that you are in crisis. The transition facing you seems terrifying. You want most to run away as fast as you can. You feel overwhelmed and unable to cope. The irony in all this is that it is only in facing a crisis and making the transitions it demands that we learn we can cope, and that life can be trusted. We also discover that, given half a chance, the body has an amazing capacity to heal itself, and that there exists deep within us a wisdom and a clarity more profound and powerful than the conscious mind. The Lebanese poet Kahil Gibran wisely wrote, "Your pain is but the breaking of the shell than encloses your understanding." For most of us, learning to live through our crises and to make something positive out of them means revising a lot of what we have been taught about ourselves, our minds, even life itself. Most of all, it means looking at the concept of crisis and the experience of change from a whole new point of view. It means learning to transform what may feel like a life-threatening situation into a true passage to power.

At the moment we have about a quarter of a century allotted to us in which to grow to adulthood. The next forty years are generally directed towards accomplishment in the outside world, realizing the goals of adulthood, procreation and raising a family. Then we tend to slide headlong downhill until we die. The character Vitek in Karel Capek's celebrated play The Makropoulos Secret describes the plight of modern man: . . he hasn't had time for gladness, and he hasn't had time to think, and he hasn't had time for anything except a desire for bread. He hasn't done anything. No, not even himself... What else is immortality of the soul but a protest against the shortness of life? A human being is something more than a turtle or a raven; a man needs more time to life. Sixty years - it is not right. It's weakness, it's innocence, and it's animal-like. Within the confines of our three score and ten years and under the pressures of contemporary social values, modern man and modern woman have become quite extraordinarily obsessed with accomplishment. Since for most of us the time for worldly accomplishment is limited to this middle period we push ourselves forward, often at health-breaking and heartbreaking speed. To many of us the concern with fulfilling ourselves in our career, paying the rent, buying the baby a new pair of shoes, during what are supposed to be the best years of our lives, forces us to postpone the pleasures of a time to dream, a time to think and a time to play - in the very highest sense of the word. If we are to find a means of coping with the problems of our society-problems of poor statesmanship, overpopulation, Third World famine, pollution and economic inequities - we desperately need this time to dream. We need this time to recreate our own world and to take our destiny responsibly into our own hands, aside from the demands of adult life. connectedness - a priority Nobel laureate novelist Hermann Hesse wrote about such a time-expanded world in his Glass Bead Game. There, time's limits become the rules of the game of life and each human being is freed to order his existential choices. Such a time-expanded world could help us draw together our learning and re-synthesize our knowledge. It might enable the coming together of disciplines such as mathematics, physics, philosophy, biology, medicine, psychology, anthropology, art, literature, politics, theology and law - in fact the whole gamut of human concerns and disciplines - into a kind of connectedness which is urgently needed in the excessively fragmented postindustrial society that has become our home. Healthy longevity - ageless aging - would make available to us the steadily maturing wisdom of our old people - people whose experience and awareness have not become distorted by ill-functioning minds and rapidly waning energies. Such wisdom is, I believe, exactly what we need to help guide our species into its further evolution. Moreover, such time expansion takes hold of our personal sense of the present and in a very real way draws it into the future. For when we are able to project ourselves into the future, that future becomes not an abstract consideration but of active concern to all of us. The future of the earth is our future. We become responsible for it and we will live to see it as caretakers instead of irresponsible tenants of a rented property. Ageless aging will help us become its owners and like all owners we are far more likely to look after our property. In George Bernard Shaw's preface to Back to Methuselah - the play in which his character Dr Conrad Barnabas promotes an extended lifespan of 300 years - he writes: `Men do not live long enough; they are, for the purposes of high civilization, mere children when they die.' He then goes on to consider some of the creative possibilities of our being able to lengthen life: This possibility came to me when history and experience had convinced me that the social problems raised by millionfold national populations are far beyond the political capacity attainable in three score and ten years of life by slow growing mankind. On all hands as I write the cry is that our statesmen are too old, and that Leagues of Youth must be formed everywhere to save civilization from them. But despairing ancient pioneers tell me that the statesmen are not old enough for their jobs . . . We have no sages old enough and wise enough to make a synthesis of these reactions, and to develop the magnetic awe-inspiring force which must replace the policeman's baton as the instrument of authority. creators of destiny For me this magnetic awe-inspiring force of which he speaks is nothing less than man's potential to become the creator of his destiny on earth. The situation in which we live with all the global dangers to which we are exposed from the possibility of mass nuclear extinction to world economic collapse - are not accidents of nature. We have created them. And no act of God can suddenly remove their potential destructiveness from our future. Only we ourselves have the possibility of doing that. If we are to succeed, we will need to call forth every resource that we have - intelligence, wisdom, strength, courage, and patience, wit, compassion - and work with them. Ageless aging can help us do that. Life extension, the freedom from mental and physical degeneration, is no curious artifact of twentieth-century science. Who cares if, at the age of 85, we are all capable of running a marathon or if we look 30 years younger? Such things matter little on their own. But the high-level health, mental clarity and wellbeing, which are rewards of ageless aging, are of urgent concern to our future as residents of the earth. They form the foundation on which we as human beings can build if we are to make use of our full potential for creativity. In the full use of such creativity lies the future of our children our planet and ourselves. Again in the words of Capek's Vitek: Let's give everyone a three-hundred-year life. It will be the biggest event since the creation of man; it will be the liberating and creating anew of man! God, what man will be able to do in three hundred years! To be a child and pupil for fifty years; fifty years to understand the world and its ways and to see everything there is; and a hundred years to work in; and then a hundred years, when we have understood everything, to live in wisdom, to teach, and to give example. How valuable human life would be if it lasted for three hundred years! There would be no fear, no selfishness. Everything would be wise and dignified. Give people life! Give them full human life! Capek's Vitek An idealistic plea in the midst of the profound disillusionment with man that is so much a part of modern life? A dream? Perhaps. Yet our dreams become the myths by which we live. And right now we urgently need new myths to give our life direction - dreams which, having been tempered by the wisdom of age and experience, are large enough and rich enough to take us forward. Such dreams have power. They also have a remarkable way of becoming reality: All men dream; but not equally. Those who dream by night in the dusty recesses of their minds wake in the day to find it was vanity: but the dreamers of the day are dangerous men, for they may act their dream with open eyes, to make it possible. T.E. Lawrence

The core of a human being - that source of virtually boundless creative power, as well as physical and psychic energy - will never be found by dissecting the human body. Nor can it be arrived at by analyzing the human mind. Yet a sense of what I call living from the core or the soul, an experience of living - living truthfully to your own values - is something each of us experiences at certain times in our lives. Although most of us only happen upon this experience accidentally, it can also be cultivated by pursuing actions which we enjoy or which make us feel good about ourselves and our lives. It can happen when we fall in love; when we feel happy because everything seems in harmony around us; or when we feel pleased with ourselves, our children, or some accomplishment. In such moments, everything seems to fit together, or feel right, and life has meaning. Such a sense is central to an experience of living with energy. The techniques for building a high-energy lifestyle with lots of energy are only of lasting value if you value yourself, and live your life on that assumption. tuning into core energy Psychologist Abraham Maslow, who spent his life studying not human pathology, but rather human beings who lived their lives with great energy, creativity and joy - he called them self-actualizers - referred to the special moments in our lives as ‘peak experiences.’ After examining the experiences of thousands of high energy, creative and happy people, he came to the conclusion that these self-actualizers have certain things in common. They tend, for instance, to be the healthiest people in society, mentally and physically. They tend to have a lot of values in common too, such as prizing simplicity, wholeness, effortlessness, truth, honesty, uniqueness, completeness, and perfection - in fact, the same values one might expect mystics to possess. They are, in effect, fully functioning people who tend frequently to have peak experiences - moments of great happiness, rapture, ecstasy - in which life’s conflicts are at least temporarily transcended or resolved. Other psychologists, anthropologists and philosophers have described Maslow’s self-actualizing person too. Carl Rogers - perhaps most appropriately of all - refers to Maslow’s self-actualizer as a ‘fully functioning’ person. Out of their work has emerged a whole new picture of what it is to be human. It has changed our perspective so that we no longer see a human being the way Freud did - as a collection of repressed destructive urges, only barely restrained by learned moral constructs from destroying ourselves and others - but as potentially autonomous human beings. We recognize that the destructive and self-defeating tendencies that we all have are far less the hidden truth of a person than the results of a frustration in the expression of what Maslow called the Self - or soul of life itself. Not only boundless energy, but happiness and freedom from this frustration and from negative thought patterns and the behavior they engender, lie in letting your natural self-actualizing tendencies (which in most of us are still weak or dormant) develop. Until they grow, we all regress into fear and frustration or laziness. Once they become stronger, one’s life becomes an ongoing process of energy release, growth, and unfolding of potential as well as, quite simply, much happier. what are your peak experiences? Take a notebook and, on a clean page, describe a moment or moments in your life where you felt a sense of `living from your core' - a time when everything seemed to work for you, where you felt temporarily fulfilled and good about yourself. If you are not sure you understand the idea, simply describe a moment when you felt particularly happy. Remember the scene as vividly as possible, and use as much detail as you can to recall your impressions. Use this description as a reference point from now on for how good you can feel and how wonderfully life can fit together. As you become more and more self-actualizing and come to live more and more from your soul, peak experiences become more frequent. Create New Visions of You and Your Life Now start to dream of what it will be like for you to have all the energy you ever need. Begin to play with a number of clear mental pictures of yourself fit, well and looking great. But don't just consider the physical changes you would like to make. Get to know the person you aim to be, and see yourself in this image. Record what you see, hope for, want to bring into being in your notebook and refer to it often when you feel unsure of your goals and direction. Here are some of the characteristics of high energy self-actualizing to use as inspiration: An exceptional ability to cope with change and to learn from it. Most people have trouble with change. It is unsettling and frightening. It needn't be. It all depends on how you look at it. We all face fear of changes, but the more you come to live from your core - to manifest your soul energy - the more you will tend to view change not as threatening, but as a challenge to learn from and grow from, whether any particular change at face value appears to be `good' or `bad'. And as far as failure is concerned, instead of being a source of fear, it can be viewed as something that shows us how to deal with a similar situation in the future. After all, human beings do fail sometimes. No great worry about saying ‘No’. Not aggression, but assertiveness, plays a central role in creating energy. It implies a strong sense of your individual right to your values and opinions, and a tendency to respect the rights of other people as well. You need to be able to say no to a food or drink you don't really want, a request from a lover or spouse, a demand from a child or a colleague. The best way to develop healthy assertiveness is simply to practice it. It feels a bit strange at first, but the more you do the easier it becomes. Paradoxically, only when you are positively assertive can you discover what real unselfishness is, because then what you give is what you choose to give, not what you feel obliged to give. A well-conditioned body. This not only brings you energy, it also helps you cope with stress better, look better and younger, and strengthens your sense of self-reliance. It also shifts hormonal balance and brain chemistry, making you highly resistant to depression and anxiety, and highly prone to feeling good about yourself and your life. Top-level fitness leads to a freedom to achieve excellence in other non-physical areas of your life as well. It increases stamina, strength and flexibility - not only physically, but emotionally as well. A marked absence of common minor ailments and troubles. Most people believe that the Monday morning `blues' or the aches and pains in joints after forty are a normal part of living. But they take up little space when you have an abundance of energy. `Normal' means moving with ease, and feeling pretty good about things day after day - sometimes feeling very good indeed - not because something stupendous has just happened, but because when you are really fit and well that is the normal way to feel. Laughter comes easily. An ability to laugh at the absurd (including yourself when appropriate) and a sense of fun are perhaps the most important of all the high-energy characteristics. Joy is health-giving. Paradoxically, often the most delightful sense of humor parallels a strong sense of purpose in a person - another high-energy characteristic. Integrity. The more you become a self-actualizer, the more you set your own standards and live up to them. Your values become a source of strength and energy for you. You don't have to compromise them to achieve some temporary advantage. You can feel the truth, be who you really are, and make your life work. Hard to believe? It’s time to.

My first child was born in a huge teaching hospital in Los Angeles. The labor was long and regrettably not natural. I was given an analgesic during labor and an epidural for the delivery. It was all very cold, efficient and mechanical. The hospital I was in happened to be a Catholic one in which every other woman there seemed already to know the ropes since she was giving birth to her fifth or eighth or tenth child. Nobody bothered to tell me much about what was going on or what was expected of me. My baby was taken from me immediately after the birth and put into a nursery with all of the other babies while I was wheeled off to a private room. Soon they brought this tiny creature to me. I held him in my arms and stared at him in stark wonder. Then at three hourly intervals he would reappear for twenty minutes at a time and I'd hold him in bed beside me until the nurse would come and take him away again. The third or fourth time they brought him to me, he began to cry. I nestled him, rocked him, and spoke gently to him but he wouldn't stop so I rang for the nurse. `My baby's crying,' I said, `What should I do?' `Have you burped him?' `Burped him?' `You have fed him haven't you?' `Fed him? Am I supposed to feed him?` The nurse took him and put him to my breast. His tiny mouth opened and reached for me as if he had known forever what to do. He began to suck with such force it took my breath away. It was like being attached to a vacuum cleaner. I began to laugh. I couldn't help myself. It seemed incredible that such a tiny creature could have such power and determination. He too had a purpose. He was raw, insistent and real. With every fiber of his being, this child was drawing his life and he would not be denied. Tears of joy ran shamelessly down my cheeks while he sucked. There in the midst of all that clinical green and white, I had discovered what love was all about. It was really quite simple—a meeting of two beings. The age, the sex, the relationship didn't matter. That day two creatures - he and I — had met. We touched each other in utter honesty and simplicity. This experience was for me a true epiphany. My life was forever altered by it. There was nothing romantic or solemn about it. No obligations, no duties, no fancy games, and you didn't have to read an encyclopedia of baby care to experience it. We'd met, just that. Somewhere in spirit we were friends. I knew beyond all doubt that I had found something real and real it has remained.

In Sanskrit they call it lîla. The word means play. Yet not in the limited sense of our word. Lîla is free play, deep play, wild play carried out in a timeless NOW. It speaks of divine play. It’s the kind of play that sets us free to be who, in essence, we already are, even though we may not yet know it. Lîla is also the kind of creative play that brings new worlds into existence. FROM CHILDLIKE TO GENIUS In its simplest form, lîla describes the spontaneous activity of children so absorbed in what they do that they don’t even hear you when you speak to them. One morning my three-year-old friend Marina came to visit. Scrambling onto the four-poster bed where I was writing in a state of intense concentration, she told me the story of how she had climbed to the very top of a pirate’s ship as high as the stars. Like all still-innocent children, Marina entered into her imaginal world with ease—a magical realm in which creative sparks can be seeded then begin to grow. The imaginal world is a place most of us adults have lost touch with—a powerful realm in which the joys and fruits of lîla reign supreme. At a deeper level, lîla speaks of the all-encompassing absorption out of which Beethoven, then dangerously ill and nearing the end of his life, nonetheless created the most remarkable music of the 19th century: The Late Quartets. Or the obsession of Van Gogh, which led to his having painted 900 pictures and turned out 1100 drawings pictures during a lifetime. This kind of lîla is far more complex and committed than child’s play. It can produce achievements that enrich the way we look at life, that connect us to the deepest levels of our own being. Some fruits of mature lîla even transform the world. A big deal? You bet. This is play of the highest order—nothing less than an outpouring of the most intimate and essential nature of each unique human being. Living your creativity as fully as you can while you walk the earth, in whatever way most satisfies your unique nature, is the most exciting and enriching process any individual human being can experience. It brings a sense of meaning and purpose to your own life that nothing else can. CREATIVE PASSION Creativity is not a problem to be solved or a subject to be picked apart in psychologists’ laboratories. Those who try end up wandering in an endless maze of moribund words and phrases which miss the point. Meanwhile, the wrinkled fiddler on the city street plays on—smiling. He is lost in the excitement of improvisation, magically blending movement, feeling and sound—making music never heard before, that touches his heart and awakens the senses of all with ears to hear. We have grown up with some weird ideas about creative power. We’ve been taught that creativity belongs to a few select human beings whom history labels as genius. Nothing could be further from the truth. Creating is not a rare privilege—it is a right, even a necessity for all of us, if we are to live a fulfilling life. Creating anything, from cooking a healthful meal to writing poetry or playing games with children reminds us all what life is about. From this place we learn to live and work, to imagine, invent, and finally give birth—not only to things that have never been seen, heard, felt or touched before, but to a way of living more wondrous and exciting than most of us would ever have imagined. A passion to be lived, a lîla to be danced, the wild creative power within us urges us to tell the truth and shame the devil. It demands that we express our love, our obsessions, and the fascinations which pursue us. It asks that we live out life from the very core of our being. “Genius,” as late American writer John Gardner used to remind his students, “is as common as old shoes. Everybody has it.” CREATIVE RELEASE A few years ago, I began to explore not only the power and dimensions of creativity in you, me, and all of us. I wanted to discover how each of us can gain greater access to it, and how best we can live out our own creative power in our day to day lives as scientists, professional artists, musicians, writers, dancers, actors or as businesspeople, parents, teachers, lovers, gardeners, healers, craftsmen and thinkers. I was sure that on a larger scale, the way we as a group choose to use our collective creativity determines whether or not we will be able—in the wake of having laid waste to so much of our planet—to emerge as a sustainable species in a sustainable world. A lîla of enormous proportions; what could feel more powerful or more daunting? Yet the creative power on which it depends springs from the same source within each person as Marina’s imaginative play. PRIMORDIAL POWER Mysterious, enigmatic, spontaneous, occasionally even frightening, in essence creative power is the power of life itself. It is the force that gave us birth which continues to give birth to universes. It is what created us and brought each of us our own lives. It originates from a place within each one of us where we can touch and tap into the numinous energy of the Cosmos: God, Being—call it what you will. No words can adequately describe it. In truth, it is far more an experience of aliveness than a place at all. And, although we may never describe it adequately, we are perfectly equipped to enter this locus of creative power within us and find out how to live ever more of our lives from it. For the majority of artists, creativity pours forth most easily when they have intimate support for it. Shakespeare had his actors and a Globe Theatre eager for his plays, Virginia Woolf entered a room of her own and there wove tapestries of words. Emily Dickinson wrote out of the intimate community of a family who adored her, admired her and made sure she was given the space and time to carry out her imaginative work. For others who are highly creative, there is no such intimate support. Many have suffered childhood abuse, loss, illness or intense suffering. The creativity of such people can be monumental. Each man or woman is brought to the exploration and expressions of their creative power through suffering in just the same way that, so often, we discover what is most important to us by having what we believe to be of greatest value—a loved one, a job, a title—taken from us. Painful as such experiences are, often they turn out to be great gifts when it comes to freeing our creative power. Caught up in our lives of work, children, and householder duties, few of us live in such fortunate circumstances as Shakespeare and Emily Dickinson. But that does not matter. What has not been given us we can make for ourselves. Art is not the province of the privileged few. It belongs to all people—those of us who spend our days in front of computers, cooking, sweeping streets, running errands, caring for children, handling the stupidities of bureaucracy, and living our constantly changing lives in a world that is ever less secure. THE WAY AHEAD We are alive at a moment in history where one age is dying, yet another has not yet been born. We are, each one of us, faced with a choice: As we sense the foundations of our world shaking, do we withdraw in anxiety, trying in desperation to hang on to what we once believed to be “true”? Do we become paralyzed, and try to cover our fear with apathy? Or do we summon the courage offered us by a Universe in flux, honor our personal sensitivity and consciousness, then choose to face the challenge of entering the realm of creative power within? Then, trusting our individual capacity for lîla, do we begin to play in ways that may help bring forth a new world for all? Regardless or age, background, or limiting notions about what’s possible, each one of us has a choice to make. It’s a choice between continuing to conform to established belief systems that stifle the human spirit, or trusting in ourselves. Are you willing courageously to explore your intrinsic creative gifts and make use of them? “That which we give birth to from our depths is that which lives on after us. That which is inborn in us constitutes our most intimate moments—intimate with self,” says Theologian Mathew Fox, “intimate with God the Creative Spirit, and intimate with others. To speak of creativity is to speak of profound intimacy. It is also to speak of our connecting to the Divine in us and of our bringing the Divine back to the community.” Personally, I urge you to begin connecting ever more deeply with your own brand of creativity. Discover new ways of living. Leave automatic assumptions about who you think you are and learn to respond to each moment and each day of your life with new eyes and an open heart. The more you do, the richer your life can become. Such is the joy of lîla. Such is the power of lîla. If you have not yet explored it, you have an exhilarating, wondrous adventure ahead of you. Take it. Trust it. It’s the adventure of a lifetime.