personal growth

Thanks to our growing understanding of the natural laws of health and advanced research into high-tech biochemistry, what was once little more than a pipe dream - the notion that the length of human life can be extended - is becoming a reality. Gerontologists have now challenged the maximum lifespans of many species of animals. Man is next. Already physicians are using antioxidant nutrients, electromagnetic techniques and other anti-aging tools to prevent physical degeneration and to restore health and balance to ailing bodies. Meanwhile psychiatrists and psychologists trained in biochemistry and in the orthomolecular treatment of the brain are not only beginning to cure mental and emotional problems associated with age, they are even using the tools of their trade to expand consciousness. It becomes important to ask the question, `With what consequences?' The first worry about life extension for most people is usually, `What will we do with these old people we are creating?' `Won't they be yet a further burden to society?' Naturally they want to know about the effect that longevity will have on housing, medical costs and the rest. Such questions are valid. But it is also important to penetrate the point of view from which they come - the assumptions and paradigms which underlie them. Our society has imprinted its members with negative concepts about being old. In the book for which he won a Pulitzer Prize, Why Survive? Being Old in America, Dr Robert Buffer outlined the enormous practical problems of dealing with the aged: housing, pensions, personal security, need for meaningful occupations and the rest, and the horrific conditions in which many old people in modern Western society live. He also pointed out that we hold many unconscious assumptions about the aged which continue to create these conditions. They are always with us and they greatly distort our view of aging, old people and their place in society. These assumptions include a belief that the aged are inflexible, senile, unproductive people waiting for the inevitable arrival of the grim reaper. Basically not interesting, of little value, they are people worthy of being assigned to a foreclosed existence. Alex Comfort refers to these common views of age and the elderly as `ageism' which he defines as `the notion that people cease to be people, to be the same people or become people of a distinct and inferior kind, by virtue of having lived a specified number of years'. The assumptions of `ageism' lie behind many of the most often asked questions about the social and political consequences of ageless aging. They make such questions impossible to answer adequately from our current perspective and with our current views of reality. They also force us to ignore a number of important realities. We forget for instance that chronological age at its very best is only a limited indication of biological and functional age. Even our present old people are capable of far more than society allows them to express or contribute - indeed more than they themselves allow. We also forget that every major disease is age-dependent and all of the major causes of death and disability are secondary to the progressive degeneration of aging. Little wonder, for until now, after the age of 30 we have been witnessing a steady and inexorable increase in the probability of morbidity and mortality from one disease or another. But people living by the principles of ageless aging will be different. Highly resistant to the ravages of degeneration which manifest themselves in our major destructive chronic diseases such as cancer, coronary heart disease, arthritis and the rest, they will be less rather than more of a burden to the state in terms of medical, social and psychiatric care. Application of these life-lengthening and life-enhancing principles to health on a wide scale should lead to an increase in the ratio of productive to nonproductive men and women with prolonged life spans. This has been the conclusion of Yale's Professor Larry Kotlikoff, one of the few academics to look seriously at the issue. Kotlikoff initiated an inquiry into the economic effects of increased lifespan. He also concluded that this increase in the ratio of productive to nonproductive people would result in an increased per capita output whether or not the working period increased year for year with life expectancy. With the increased longevity and the improved resistance to degeneration which are the natural outcome of applying the findings of age-researchers to our everyday lives, the population of our old people will also change. So will our attitudes to them. No longer a burden, like the Vilcabamba Indians or the Abkhazians of the Soviet Caucasus they will become not `old people' but `long lived people'. Such a simple shift in attitude could revolutionize us as human beings not only in terms of politics and economics but by shifting us towards a more value orientated society. At that point the question of `What will we do with all these old people?' begins to take on quite a different meaning. For the challenge now becomes not how we house, feed, and care for a growing sector of the nonproductive population but rather how we can best use the energy and wisdom of the older members of our society.

A woman's average menstrual cycle is 29 1/2 days—exactly the length of the moon's passage from new to full and back to new again. In tribal cultures, where women live in close physical proximity to each other and their natural menstrual cycles are not disrupted by such things as alterations in exposure to natural light, electromagnetic fields, drugs and hormones, not only do they menstruate at the same time, ovulation tends to occur when light is brightest at the full moon, and menstruation begins during the moon's dark phase—at new moon. There is by no means anything pathological in any woman in the modern world not cycling in this particular natural rhythm. However, it has also been demonstrated that the menstrual cycle can be regulated according to the exposure to varying degrees of light, which mimic the waxing and waning of the moon's phases. Under such circumstances the three phases of the moon—waxing, full and waning—correlate exactly with the monthly cycle of ebb and flow of female hormones—the oestrogen dominated proliferative phase, ovulation, the secretory luteal phase, and menstruation itself. SPLENDID PASSAGES In the realm of myth and symbols, these phases are superbly mirrored in the three phases of every woman's life—childhood, before the sex hormones begin to flow, the childbearing years, which begin at the menarche, and the postmenopausal years of the Moon Goddess in her Crone guise. In ancient cultures, the moon was considered the source of fertility and birth. She ruled destiny and time, the secrets of the unseen world, transformation, death and regeneration. It was the moon's power that quickened all of life. Sowing and harvesting were done in harmony with her ebbs and flows. It was the moon which grew bright then darkened and disappeared altogether each month that taught people that nothing in life is constant. The only thing on which you can rely is change. The moon became a symbol of the cycle of transformation that makes its home in a woman's body, while woman came to rule all things that involved change. Archaeologist Marija Gimbutas, professor Emerita at UCLA, is the acknowledged world expert on Neolithic goddess-centered cultures in pre-patriarchal Europe. Author of more than twenty books, she paints a richly detailed picture of their social structure, agriculture, customs, rituals, religion and art. Much has been learned in recent years about the nature of the goddess-centered cultures, which existed for literally tens of thousands of years in Europe and Asia. The miniature sculptures that have been unearthed in the past twenty years give insight into the great variety of female manifestation of the divine which appeared as long ago as 27,000 to 25,000 years BC. Three thousand of these have been found in Siberia alone. In The Civilization of the Goddess, a monumental encyclopedic book which has already changed history, Gimbutas writes, "According to myriad images that have survived from the great span of human prehistory on the Eurasian continents, it was the sovereign mystery and creative power of the female as the source of life that developed into the earliest religious experiences. The Great Mother Goddess who gives birth to all creation out of the holy darkness of her womb became a metaphor for Nature herself, the cosmic giver and taker of life, ever able to renew Herself within the eternal cycle of life, death and rebirth." WOMAN’S MANY FACES We learn from ancient sources that, like woman herself, the Moon Goddess has many faces. At the new moon, she is the Virgin Goddess, wrapped in enthusiasm for new beginnings as seeds sprout and first shoots appear. When her second phase begins, so does puberty. Buds turn into flowers and flowers to fruits as virgin becomes transformed into Divine Mother in charge of procreation and sexuality. She is the pregnant goddess, mistress of animals, bringer of life, the Madonna. As the moon begins to wane, woman passes through her next initiation to a time of harvest and a time of death, during which all that is old becomes compost for her new life. It is the Dark Goddess who rules the darkness of the moon, death and rebirth. Ancient statues of the Dark Goddess carved in bone, marble, alabaster or clay are often white—for white is the color of death. Bones are turned white by the elements. The big breasts and hips you find on statues of the Divine Mother become replaced by stiff nudes. The Dark Goddess is often depicted without breasts, her hands either on her chest or extended along her sides. She is shown with an enlarged pubic triangle, for the Dark Goddess of the waning moon is not only goddess of death but of regeneration. She rules the time in a woman's life when everything that has run its course, everything which has become outmoded or no longer has meaning in a woman’s life, must be destroyed to make way for a more authentic life. THE GIFTS OF MENOPAUSE Menopause is the initiation of the Dark Goddess. It is the passage during which a woman is asked to confront the possibility of her own death and probe the mysteries of decay, dismemberment, and regeneration. For only through the death of the old can the exciting new birth that awaits us take place. As menopause approaches, often a woman wants to spend more time in nature and to feel her spirit fed by the earth. The fear of menopause and the fear of the Crone, so widespread in our society, are nothing more than a reflection of our misguided fear of death itself. For, in today’s world, we have forgotten the great cyclic flow of birth, flowering, death and regeneration that is hidden within the circle of the moon—as it is within all life—and reflected in the circle of our own souls. Little wonder, since our patriarchal culture denies cyclical time and views events as linear. In linear time, the end is not connected with the beginning. Birth and death are not viewed as two vital passages in a continuing cycle of life, but as opposites—the one to be celebrated the other to be resisted at all costs until the bitter end. It is no wonder our society wants to black out menopause and to reject the older female. In the fearful fragmented world we live in, this appears to be the only way that human beings can deny for a time their own mortality. This is why the Dark Goddess remains a focus of fear and loathing in stereotypical male-dominated linear thinking. BANISH FEAR AND CELEBRATE Any woman who does not break through the limitations of such thinking and move beyond it risks becoming so paralyzed by fear that she looks upon The Dark Goddess (and menopause itself) as an enemy to be resisted. In truth, she is the archetype-medium by which the internal split that took place thousands of years ago between woman and her feminine nature can be healed forever. She is death's priestess. It is she that wipes out outmoded patterns of thinking and living. Then, acting the role of the midwife, she brings new forms of living to birth. The Dark Goddess—often called the Crone— can seem a terrifying figure to the uninformed women approaching menopause. She has so long remained repressed within our psyches that, when at last her energy rises and she makes her presence known, it can sometimes feel like an earthquake, a volcano, or some eruption of Nature that occurs to us as when pressures held too long within the earth are released. Yet the Crone has always been present in our lives: She has appeared each month as the moon grows dark and menstrual blood—the source of all creation—flows. Now, as menopause approaches, the Dark Goddess comes at last to rest within a woman's being. For instead of being released each month, the dark blood of creative power is retained within a woman's body and made available for her use. MONUMENTAL TRANSFORMATIONS The presence of the Dark Goddess in a woman's life is easy to spot. She arises whenever we experience dramatic changes—the death of a loved one, loss of a job, disfiguration. She is our teacher who guides us through the transformation that is being asked of us onto a new level of being. She is there in our deepest despair and at times when we connect most powerfully with our own creative fire. She is the hand-maiden that nurtures us through dark nights once we are willing to make the descent into our own psyche, and connect with whatever forms are sleeping there, so we can begin to live our own power. When these connections are made she is present too. She teaches us by her presence alone to become deeply and spontaneously sexual, assertive, straight, incorruptible, prophetic, intuitive and free. All of these qualities arise at menopause. These are the most precious gifts of the Crone. They herald the beginning of what is potentially the most creative part of any woman’s life... This time in which her biological creativity is let go of to be replaced by creativity of the highest order in any woman’s life. It must be said—it is these powerful gifts of the Dark Goddess which are still the most terrifying threats to the linear patriarchal culture of control in which most of us still live. More to come next week...

Every human being is brimming with creative power. Creativity lies at the core of what it is to be fully alive and vital, so each of us can express our unique visions as gifts to all life. I believe it’s time to set free our indestructible passion to create from the core of our being. I believe that we are all being called to do this, not only for our own sake but also for the sake of all beings and the Earth itself. I am excited about answering the call. Are you? Creativity is a mind-body-soul experience. It demands that you have access not only to your intelligence and to the layers of your psyche of which you are consciously aware, but also to the whole of your being, including what is commonly called the unconscious mind. Most of us have been taught to ignore the unconscious parts of us. To some degree this may be a result of Freud’s insistence that the deepest layers of a human being are a repository of repressed desires that need to be codified, pathologized, and treated. It is this belief that, for better or for worse, has propelled tens of millions of men and women into psychotherapy in the past hundred years. As a result, most of us still live with the lion’s share of our potential for creativity and freedom unavailable to us. Meanwhile, beneath the vast ocean of what it is to be fully human, our creative powers slumber is crying out for us to awaken it. Then, when the founder of depth psychology, Carl Jung, came along, he announced what every creative artist discovers for himself or herself: Freud’s “fearful unconscious” is in truth a realm replete with visions, archetypes, insight, and soul—all of which are fuels for our creative fires. Once we embrace the depths of our psyche and learn to work with them, we can access the gifts they hold and live our lives from a foundation of authentic freedom and power. Jung insisted that a person’s interior life not only merits attention but also calls for dedicated exploration, which is exactly what he himself did and then recorded in his fascinating and posthumously published Red Book. Thanks to more than half a century of exploration, Jung came to see the human psyche—both conscious and unconscious—as an inherently spiritual and fluid medium—a magnificent ocean in which we humans can fish for enlightenment, creativity, healing, and personal transformation. Jung then went on to discover that the dreams, myths, and archetypes that reside in our unconscious are highly personal to each of us. We are also given access to what Jung called the collective unconsciousness; that is, to archetypal realities that are not only personal but also universal. Now this is revolutionary stuff. It speaks of truths few people ever consider, unless they happen to be one of the visionary artists, thinkers, or scientists who discover this for themselves in the course of their work. The men and women who do discover all this for themselves are never willing to buy into the general consensus of what is taken to be reality. They prefer to strike out on their own, determined to enter uncharted territories and discover for themselves what treasures can be found there. Then they tend to bring these discoveries back, using them to fuel their work and transform their own lives as well as the lives of others. Invariably, when someone is courageous enough to question the stuff that the rest of us take to be true, they discover whole new realities. I have a passion to explore the nature and power of creativity from every angle possible in this blog. I hope you will join me through your own journeys.

Herbert Benson, who wrote The Relaxation Response and Maximum Mind, discovered that measurable physical benefits accrue from practicing any form of meditation which depends on the silent repetition of a mantra - a word-sound. This can be done by repeating any word over and over while the eyes are closed and the body is in a quiet state. Meditation using a mantra has a long tradition. Some mantras are said to be sacred words that have particular sound vibrations which transmit particular powers. Each tradition has its own mantras such as Guru Om, Om mani padme hum, La ilaha illa 'lla or, in the Catholic religion, Hail Mary, full of grace, the Lord is with thee. Whether their magic aspects are true or not, the technique works beautifully to replace the habitual chatter that runs through one's mind, worries about things past and things yet to come. Benson suggests you find a word that is pleasing to you. It could be anything, say, `flower', `peace', or `love'. He likes the word `one' as it is simple and has the connotation of unity about it. Here's how. Find a quiet place where you won't be disturbed for fifteen to twenty minutes and a comfortable chair that supports your back. Sit down and close your eyes. Give yourself a moment to settle in and you are ready to begin. Simply sit there, feet on the floor and eyes closed, quietly repeating your word over and over to yourself: `one...one...one...' Whenever your mind wanders or you are disturbed by a sound or thought, simply turn your mind gently back to repeating the word again. That is all there is to it. After fifteen to twenty minutes, stop repeating the mantra and get ready to open your eyes. Open your eyes, stretch, and go about your everyday activities. This is a particularly useful technique once you have practiced it a few times because you can do it in so many different places, such as in a waiting room or on a commuter train or bus.

Deep within you lies a font of endless creativity. The most powerful force for freedom and fulfillment in any life, every human being has literally been made in the image of creation. How freely we are able to allow this sacred creativity to pour forth determines how rich our lives can become. It may even decide the future of our planet. This most sacred creative force can provide us with whatever we need to meet the challenges facing us in a world which increasingly appears to be edging towards chaos. And, just in case you think that when the gifts of creativity were being passed out, they bypassed you, think again. Sacred creative power is by no means only available to those who can write a book or paint a picture. It shows itself in how you think and function, in how you relate to others, as well as how we are able tocreate for ourselves the lives we long to live. Why is creativity sacred? Because, set free, it permeates every aspect of your life, lighting it up with wonder and possibility. Discovering and releasing your unique creative power enables you to turn difficulties you face on their head, transforming them into opportunities. YOUR BIRTHRIGHT Few of us come anywhere near to tapping our creative potential. Too often it is burnt out of us by education, or parental and religious training which teaches us to trust outside authority, undermining our abilities to trust in ourselves. It is time to reclaim our creative birthright. When we do, we discover a sense of purpose. Then we can call forth the support of the Universe to fulfill it. Health improves. We come to look upon our life as a great adventure which goes on expanding, year after year, towards greater fulfillment and satisfaction. Let’s now take a short journey through the mysterious labyrinth of sacred creativity. Hopefully it will inspire you to discover some truths about your own creative potential in all its magnificence. Doing so can carry us out of a life of dry responsibility and duty—sometimes tinged with disappointment, addiction and compromise—towards a pathway to authenticity, personal power, and freedom. SACRED CREATIVITY REVEALED Fifty years ago I first became fascinated by the creative process. I spent 4 years writing my first novel, Ludwig: A Spiritual Thriller. In the middle of the night, I would sit for hours on the floor in a corner of my little study listening to every piece of music Beethoven ever wrote, over and over again, always asking the question, “Where was his consciousness when he created this?” During that period I read a dozen books a week. In the beginning, they were biographies of Beethoven. I took a course in harmony and counterpoint since I knew little about either, and I felt I needed to understand more about how music is constructed. Then, for reasons I could not figure out, I found myself immersed in researching shadow governments and what was really going on in the world behind the façade of mainstream media. I kept saying to myself, “Why on earth are you learning about all this stuff when it has nothing to do with Beethoven?” What I did not realize then was just how incredibly complex and multidimensional every human being’s creative processes are nor how they work to expand and inspire our lives and our goals. For, by the time I finished the last page of my novel, every scrap of information I had amassed from my research, including what I had learned about the shadow world of political control and deceit, had all come together in ways I could never have imagined within the book to make it whole. The experience of all this brought new meaning and purpose into my own life. The bottom line is this: Once you decide to commit yourself to what you long to do or be or make in your life, and then follow it through thick and thin, this not only releases creative energies from within; it transforms your life in wonderful ways you could never have imagined. CREATIVITY: LESLIE’S PRINCIPLES Here is a short list of what I’ve discovered about the creativity within each of us: Creativity is the natural order of life. Life is energy: pure creative vitality. Our creative dreams and yearnings come from the very core of our being. As we move toward our dreams, we move toward our divinity. There is an underlying in-dwelling creative force seated in the body which infuses all of life— including ourselves. When we seek the creative core within allowing its energy to permeate our body, we call forth sacred gifts and bring their transformative power into our lives. Creativity is the Divine’s gift to us. Using our creativity is our gift back to the Divine. The refusal to be creative is counter to our true nature and the greatest impediment to a fulfilling life. When we open ourselves to exploring creativity, we open ourselves to the unending support of universal energy. For creativity is always aligned to universal creative power so we can receive its endless gifts. As we open the sacredness of our creativity, many gentle but powerful changes start to take place in us and in those around we love. It is safe to open ourselves up to greater and greater creativity. Cross the threshold into your creative world, and you enter the realm of the imagination—the place in which intention can create reality. In this magical place, most of the day-to-day rules and reassurances that help us feel safe and comfortable fall away to reveal life of a different order—wilder, deeper, more authentic and unpredictable. Here’s how the adventure begins. DOORS OF PERCEPTION Human beings are, first and foremost, creators of their own lives. We do this either consciously or unconsciously. When we create consciously, we envision something close to our soul and then dance with it until out of the union—more like a love affair than anything else—our creations are born. When we create unconsciously, our creations come from a view of life that has been distorted and polluted by conditioning. The secret is to cleanse the doors of perception so that you are able to envision clearly and create what, from the deepest levels of your being, you want in your life. It is the simplest, the most challenging, and the most satisfying thing any human being ever does. What do you want to create? MEET THE DAEMON Take one part vision, mix it with methods for shifting consciousness, and a willingness to meet your Daemon and dance with it. Enter this dance of fire in a state of rapture, sometimes ecstatic and others daunting, but always exciting. In ancient times, the daemon—indispensable to creation—was considered to be a spirit of genius. Like the muse, he or she acted as an interface between you and the divine. Like nature herself, the daemon is neither good nor bad. The Greeks believed each of us was given a daemon at birth as a guardian spirit, useful in connecting earth with heaven. Through your daemon, the transcendent becomes the commonplace. A vision is tempered, honed and shaped. You are asked to fall in love with whatever you want to bring into being. Artistic visions take form. Relationships find new birth. So does everyday life. What do you love enough to want to bring into being? DANCE WITH YOUR DAEMON A willingness to do this, initiates a delicate, all encompassing, erotic process of transformation. It asks that you surrender to the dance, and at the same time maintain awareness of your separateness. This is not a loss of self, it’s a kind of cellular metamorphosis—a remembering through your subtle body who you really are. It touches your bones, your flesh, your muscles and your heart. Out of the depths of this union, destructive energies can be transformed into sheer power for creation. It’s a fascinating process—one to carry you back and forth from the very depths of your soul to the lofty heights of invention. Living it transforms an ordinary existence into a life of passion. WASTE DISPOSAL OK. So each of us comes into this life with the natural capacity to create. Indeed, that is what we are here for and what makes us unique. But our educational system, our parental and religious training—the very hierarchical structures of work and society—too often pollute our consciousness with destructive notions, lack of self-belief and an imprisoning sense of limitation. These things teach us not to be creative, not to listen to our inner voice, not to trust our visions. It is authority we are taught to bow down to. All these false notions distort our natural creative powers and truncate them, leaving us frustrated and often not knowing what is wrong. So we collect more money or lovers, crave more status and long for more holidays—none of which can fulfill the deep longing in every human being to exercise his or her birthright: To create one’s own destiny and realize our deepest dreams. HONOR THE WHISPERS Uncovering and making use of your own creative energies brings a willingness to witness what is happening to you and around you, without passing judgment and without negating whispers from your soul. Each thing you create exists in some form in consciousness before it is ever made—within your own mind to be sure, but also in the collective unconscious. This is what Plato described with his forms, and what Michelangelo knew when he chiseled a hunk of marble to allow the form he insisted was hidden within it to emerge. Creativity demands an abundance of life energy, clarity of mind and emotion, and the stamina to see something you really want to happen right through to the final moment when it does. This energy depends not on age but on aliveness. EMBRACING CHAOS All creativity demands that we enter the realm of chaos. Here the creative intention coupled with a sense of compassion for yourself and for all life, can be used to harnesses chaos and bring to birth what we you dream of creating. Good science (and, these days, little that is called “science” can claim to be valid) has much to teach about the process: Bohm’s explicate implicate order, the quantum leaps of physics, Prigogine’s bifurcation points, open systems, and dissipative structures. These visionaries have themselves made new maps of the mysterious creative process, and can help you make quantum leaps to higher orders of being, greater power, creativity and authenticity. PATH TO WHOLENESS Creativity at the highest order bursts forth from that part of your being in which you are most whole—aware simultaneously on an intellectual, instinctual and physical level. It embraces the presence of the rational thought, but it insists that reason not overstep its boundaries. With active intuition and a feeling of wonder, you enter the passionate creative dance that can become fruitful beyond your wildest dreams. Every time you choose to do this, you gain greater skills in making this fecund state of consciousness a familiar and bounteous part of everyday life. Such is the splendor of the mysterious and sacred power of your own creativity.  

Who would have thought that taking the right kind of walk can not only clear stress, and energize mind and body but even bring you face to face with satori? Satori brings a sense of living in the fullness of your being, moment by moment. So often, we think we need to make decisions about what we are going to do in the next hour, the next day, the next year. We worry about how to discipline our bodies, get the work done and pay the bills, as well as a thousand other things.You can find yourself walking in new ways, with different rhythms. Aches and pains diminish. You sense a new relationships developing—to yourself, your surroundings and the world as a whole. I am passionate about taking two quite different kinds of walks which I’m keen to share with you because they have brought me much pleasure as well as so many other benefits. They are, each in their own way a lot of fun to. FREE FLOW Once a day, regardless of the weather outside, and whenever it suits you, go out walking for the sheer pleasure of doing it. It can be fun to walk in sunshine, but just as wonderful to walk in rain—unhurried and unburdened by the need to ‘look good’. Look around, smell the air, notice the way your body has begun to move. The next step is likely to sound weird, but try it: When you see a tree, say silently to yourself, ‘Tree.’ When you see a flower—‘Flower.’ This simple naming practice helps you become aware of where you are in space and time. And it does this in a wonderful, spontaneous, improvizing way. As you walk, life takes on an unexpected, exciting feel. Meanwhile, futile internal monologues begin to fade away. One of my favorite books was written by a musician named Stephen Nachmanovitch. It is called Free Play: Improvisation in Life and Art. It’s a superb book. If you are interested in creativity on any level—and I don’t mean just being an artist, but any and all kinds of creativity—I highly recommend it. In a chapter called ‘Inspiration and Time Flow’, Nachmanovitch describes this first way of walking I want to pass on to you. (Of course, you are probably unlikely to be walking down a street in a foreign city as he describes, but much of what he writes about this way of walking is relevant no matter where you are.) It reminds us all that it is not impossible to live our lives moment to moment, fully present with real awareness and joy. Here is what Nachmanovitch writes: A walk, following your intuitive promptings down the streets of a foreign city, holds rewards far beyond a planned tour of the tried and tested. Such a walk is totally different from random drifting. Leaving your eyes and ears wide open, you allow your likes and dislikes, your conscious and unconscious desires and irritations, your irrational hunches to guide you whenever there is a choice of turning right or left. You cut a path through a city that’s yours alone. This brings you face to face with surprises that are destined for you alone. You might discover conversations and friendships, meetings with remarkable people. When you travel in this way, when you walk in this way, you are free. There are no ‘have tos’ and ‘shoulds’. You are structured at first only by the date of the plane departure. As the pattern of people and places unfolds, the trip, like an improvised piece of music, reveals its own inner structure and rhythm. Thus do you set the stage for fateful encounters. I’ve got to add here that some of the most important ‘fateful encounters’ he speaks of are likely to be brand new encounters with yourself, in ways you may never have dreamed of. INSTANT ENERGY IS YOURS This is the second of my favorite walks. It’s a way not only of relieving stress, but of energizing yourself, learning to be present in the moment and, like Nachmanovitch’s walk, releasing your mind from the habitual chatter that prevents our feeling fully alive. I learned this technique from a Belleruth Naparstek’s “Meditations to Relieve Stress” audio. Here’s how it goes: Choose a place where you will be able to walk without meeting a lot of people, so you allow yourself to connect with your surroundings the way a child might. You don’t have to smile or relate to anyone. Instead, you will be drawing in energy from your surroundings. What will amaze you is just how much vitality you can absorb from your environment when you are not wasting your own energy with meaningless social contact. So, just for 10 to 15 minutes, let yourself retreat inwards and see what amazing things happen. GETTING EARTHED Begin your walk by shaking out your body a little. Feel the earth beneath your feet. Take a deep breath and let it out with no effort. Now look around you, at the sky, the earth, the trees, grass, rocks or flowers—whatever you find around you. Take another slow, even breath deep down into your abdomen. Now, aware of your breath going steadily in and out, start walking at a comfortable pace, opening all your senses to your environment as if it were part of you. Let yourself enjoy the light, the mist, the colors, the rocks and sand; whatever is there. Let yourself become aware of the way things move in light and shade, so you are in effect feeding on the richness of your surroundings. Let your body move easily and gently, so it feels as though it is dancing with your surroundings. Allow yourself to experience everything you see and feel, smell and touch, as though you are doing it for the first time, with the curious mind of a child. Feel the air on your skin, smell the fragrance around you in all its layers and textures as you walk. Continue to be aware of the ground beneath your feet, and how your breath going in and out feels. Notice how well the earth supports you. Enjoy the feel of your body in motion. See how heightened your senses become to the colors and the fragrances. Notice how clear your vision has become. This simple focus, this increased awareness of the sound of your own feet on the ground, the feel of your breath, the movement of your legs and torso will become more acute, more intense, more nourishing and more satisfying. LIKE MAGIC Colors become more and more intense, richer, clearer. You can find your senses opening as you become ever more aware of everything around you. You may even sense that you are immersed in a wonderful new ocean of reality. That the trees and the rocks, the air you breathe, and the sky have become part of you and you of them. Indulge yourself. Smell the air, feel the ground, immerse yourself in the sea of life and generosity in which you find yourself. Now, simply draw the energy of the earth into you. Let it fill you up. Breathe in the beauty of the sky. Take in every sight and sound, deep into your heart, as you become aware that you are attuned to everything around you. This energy is available to you whenever you want it. All it depends on is your own willingness to connect with the sea of life of which you are a part. Whenever you do, the whole world feeds you, belongs to you, nourishes you at every level. Continue to walk as long as you like, easily and blissfully, aware of your feet on the ground, your breath moving in and out, and the part you play in this wonderful sea of reality which belongs to you, and you to it. BACK TO SOURCE Both of these walking techniques are wonderful. Don’t just read about them—print up these descriptions and carry them with you. Then have a go. See what happens to you. Even better, take a look at where I learned about them. Stephen Nachmanovitch’s book is the best book on creativity I have ever read. I have read it at least 12 times. (As a present for Aaron who loves listening to audio books, I even made a recording of most of the chapters and gave it to him.) When it comes to Belleruth Naparstek’s work, her recordings are unparalleled in the world for their transformative power. You can purchase the one below on CD. Better still, just download it and put it on an MP3 player so you can begin using it today. You can find them below: Free Play - Stephen Nachmanovitch’s Improvisation In Life And Art - Stephen Nachmanovitch’s book is the best book on creativity I have ever read. I have read it at least 12 times. To find out more click on the links below. Order Free Play - Stephen Nachmanovitch’s from Amazon MEDITATIONS TO RELIEVE STRESS imagery for mastering anxiety; guided imagery to pump up feelings of love, safety and protection; a soothing, walking meditation for the fidgeters among us who can’t sit still; and affirmations for use anytime. (72 min.) Order Meditations To Relieve Stress at iTunes Order Meditations To Relieve Stress at Amazon

Take a look at how you may be putting yourself under unnecessary stress. Try to identify unnecessary stressors in your life. By eliminating as many as you can, you free a lot of energy for more positive use, and for meeting important challenges. For instance, physical inactivity is a stressor - it decreases your body's ability to function at optimum levels, it encourages the storage of wastes in the muscles and skin, and makes you chronically fatigued. So instead of indulging in it, start some kind of exercise program, and follow it regularly. Many people who take up regular exercise report that they experience conceptual shifts so that things which appeared stressful before no longer bother them. Like cigarettes and drugs, various foods and drinks can be heavy stressors, too. They offer nothing in the way of positive health and vitality, but are a constant drain on the adaptive energy in your body. It is well established that caffeine, alcohol, tobacco, sugar and excess fat are stressors, which actively work against its normal healthy functioning.

Everybody’s heard of death curses. Literature is laced with accounts of how Aboriginal witch doctors have brought about the death of the young and healthy by cursing them. No sooner do these people learn about the fate which has been cast for them than, inexplicably, they begin to sicken and die. Through complex biological processes, their simple belief in the curse foisted upon starts to bring about their downfall. MODERN-DAY DEATH CURSES In civilized society we look upon such phenomena as anthropological curiosities—products of primitive superstition which can’t touch us in our “enlightened age”. What we don’t know, however, is this: We in the so-called civilized world are, more often than not, living under our own brand of “death curses”—most of which we are not even aware of. They are subtler than those issued by witch doctors, yet every bit as deadly in creating the physical and mental decline that we have been taught to associate with aging. Common charged words and phrases associated with aging like “retirement”, “middle-age”, “It's all downhill after forty”, and “At your age you must start taking things more easily” are widely voiced. They can exert a powerful effect on the process of aging for all of us by creating destructive self-fulfilling expectations of age decline. Then, instead of facing our future full of confidence and excitement about what lies ahead, optimism gets replaced by anxiety as we are warned to “Be careful”, or “Never take chances on a new career at your age.” The list of such frequently proffered “sensible” advice is a long one. Such suggestions often lead us to make changes in the way we live that actually encourage physical decline—like decreasing the amount of exercise we get, or altering our eating habits away from fiber-rich natural foods towards “softer” foods and “convenience foods”. We may even limit the amount of social and intellectual stimulation we have been used to. What’s worse, this kind of advice tends to undermine our self-image and destroy our self-confidence. This in turn interferes with the proper functioning of the immune system, which plays such a central role in protecting the body from aging. An essential ingredient in healthy aging is becoming aware of just how powerfully our emotions, state of mind, and unconscious assumptions influence susceptibility to illness and the rate at which we age. Once this awareness penetrates your consciousness, you can begin to make use of a few powerful techniques that quite automatically banish death curses from your life, and help you live healthy, decade after decade. MIND-BODY CONNECTIONS The notion that your state of mind can influence your health and the rate at which you age was once something that had to be taken on faith. Now it’s been scientifically proven, thanks to a scientific discipline with a tongue-twisting name: psychoneuroimmunology (PNI). PNI has established that the body's immune system, that bulwark of defense, is undeniably affected by your unconscious assumptions, your emotional states and your behavioral patterns. They lead either to a significant resistance to rapid aging on the one hand, or to an increased susceptibility to decrepitude and degenerative diseases on the other. The happier you are, the better you feel about yourself and the more positive are your expectations about the future, the more likely is it that you will age slowly and gracefully, and the less likely you will be to fall prey to illness of whatever sort—from a common cold to a chronic life-threatening disease. LIVE LIKE ZORBA No area of what I call “ageless aging” is more fun to explore than this one. I always think of positive aging as “Zorba the Greek” consciousness. It makes possible the most amazing physical and mental feats by quite ordinary people living ordinary lives. Take the man who is able to work eighteen hours a day, drink whisky by the tumblerful, dance on tables until the early hours of the morning and still live to be 110, thanks to the sheer joy of his passion for living. (I had a grandfather like this whom I absolutely adored!) You also find this positive vision of ageing amongst saints and holy men who carry out their day-to-day activities, from writing letters to peeling potatoes, in a state of bliss—samadhi. Take a look at their superbly unlined faces. Many could as easily be thirty as seventy. Mainstream medicine has long acknowledged that emotional states such as anxiety and depression can make some illnesses worse. These include asthma, diabetes, peptic ulcer, ulcerative colitis, migraine and cardiovascular problems. But until the advent of PNI, it has paid little attention to examining the power—both positive and negative—of their psychological components, nor has it explored ways and means of improving these conditions by altering a patient's mental state or behavioral patterns. Meanwhile, it still ignores psychological components in the vast majority of other illnesses—from lung disease and cancer to rheumatism and allergic reactions—choosing to treat them instead as nothing other than physiological conditions, little affected by whether the patient experiencing them felt good or bad in himself. Western medicine, bound by the Cartesian notion of a split between mind and matter, fails to consider the people it treats as psychobiological beings, whose feelings, thoughts, expectations and perceptions are intimately bound to their physiology and biochemistry. They never bother to ask the question: Why do some people who smoke forty cigarettes a day for 20 years end up with lung cancer, while others following exactly the same pattern don't? TIME TO TRANSFORM Just as prolonged unmitigated stress, depression and anxiety suppress immune functions, a positive frame of mind frees us from death curses. It brings us a sense that we can cope with whatever comes our way, offers potent protection from illness and age-degeneration. Those of us who succumb to anxiety, depression and a sense of helplessness when life difficulties arise invariably show suppressed immune functions. The Zorba-like people who feel they can deal effectively with whatever comes their way most often have good immune functions, even when faced with major life changes. In a well controlled study of women suffering from breast cancer who underwent mastectomy, British researcher Dr Steven Greer reported that women who react to their diagnosis by denying that they are seriously ill or with a determination to conquer the problem are far more likely five years later to be free of the disease than those who stoically accept a diagnosis while feeling hopeless or helpless. MAKE AGE WORK FOR YOU What can you do, starting right now, to develop your mind as a tool for positive aging? Begin by exploring the benefits of mind/body techniques that alter your mental attitudes and emotional states from negative to positive, therefore encouraging good immune functions and slowing down the rate at which you age. There are many. Some 40 years back, Dr Herbert Benson at Harvard Medical School developed a simple meditative technique, called the Relaxation Response. It consists of sitting with your eyes closed for 15 or 20 minutes morning and night and repeating a single word—say “one” or “peace”—over and over again silently. Practiced regularly every day, it not only counters the immune-suppressing tendencies of stress, but even brings about major psychological shifts in belief systems that gradually change a self-defeating sense of helplessness into a free spirit who, like Zorba himself, can dance on tables just for fun. I recently wrote about Benson’s amazing work. You’ll find it here. I’ve even posted a video so you can learn the technique and practice it with me every day if you like. Finally, there is an excellent video by Benson about working with the Relaxation Response and the amazingly positive benefits research shows it to have on those who practice it daily. HOW MUCH DO YOU KNOW ABOUT AGING? Explore how many negative expectations you have unconsciously connected with aging. Then you simply and methodically go about changing them. Start right now: How many of the following notions would you agree with? They have been adapted from a questionnaire designed by gerontologist Erdman Palmore from Duke University Medical Center in the United States. TAKE THIS QUIZ Then check your answers at the end. (Just mark “T” for true or “F” for false.) The majority of old people (past age sixty-five) are senile (i.e. defective memory, disoriented or demented). All five senses tend to decline with age. Most old people have no interest in sex. Lung capacity tends to decline in old age. The majority of old people feel miserable most of the time. The majority of old people are seldom irritated or angry. At least one-tenth of the aged are living in long-stay institutions (i.e. nursing homes, mental hospitals, homes for the aged, etc). Aged drivers have fewer accidents per person than drivers under age sixty-five. Most older workers cannot work as effectively as younger workers. About 80 per cent of the aged are healthy enough to carry out their normal activities. Most old people are set in their ways and are unable to change. The majority of old people are working or would like to have some kind of work to do (including housework and volunteer work). It is almost impossible for most old people to learn new things. The reaction time of most old people tends to be slower than reaction time of younger people. In general, most old people are pretty much alike. The majority of old people are seldom bored. The majority of old people are socially isolated and lonely. Older workers have fewer accidents than younger workers. Older people tend to become more religious as they age. Most medical practitioners tend to give low priority to the aged. NOW CHECK YOUR ANSWERS The even-numbered questions are true. The odd numbered ones are false. How many of your own answers are correct? AGE REBORN Contrary to popular opinion, a mere 2 or 3 per cent of old people are institutionalized because of psychiatric disorders. The vast majority of older people do not have memory defects. Most people over sixty-five continue to be interested in sex, and sexual relations often continue well into the eighties between healthy men and women. Studies made of morale and happiness amongst the elderly show no difference between their enjoyment of life and that of younger people. Meanwhile, people over sixty-five have fewer accidents per person driving than younger drivers do. They also have fewer accidents at work. The majority of old people are not “set in their ways” as we have been taught, although it can take them longer to learn something new than their younger counterparts. Studies show that very few old people suffer from boredom. Neither are they socially isolated or lonely. More than 10 per cent of older people work and two-thirds of those who don't would like to. Finally, older people are seldom irritated or angry. This has been established by three separate studies. VISUALIZE AGE ANEW Becoming conscious of any false assumptions you make about aging is a good first step. The next is to create for yourself a new vision of what it means to have time passing. Make use of creative visualization techniques where, in a state of relaxation, you allow your mind to play on positive images of yourself five, ten, thirty years from now. It is only a matter of letting yourself indulge in positive daydreaming. Or practice a meditation or deep-relaxation technique once a day, and finish off by repeating silently to yourself Coue's formula for personal growth and healing: “Every day in every way I am getting better and better.” It is exquisitely simple, yet enormously powerful when practiced daily in a deeply relaxed state so that it is your imagination rather than your will which is brought into play.

What goes up must come down. These words should be engraved on everyone’s brain, particularly those of us who live full and busy lives. We worry about stress, wonder why we don’t do anything about it, and wish it would go away. Seldom do we even stop to ask what it is. If stress gets out of hand it can wear you down, ruin your looks and destroy your peace of mind. Yet stress is the spice of life, the exhilaration of challenge and excitement, the ‘high’ of living with heavy demands. The big secret about stress is that it is not what appears to be causing it that does the damage. It’s how you respond to it that does that. Change your attitude to stress and you can make it work for you rather than against you. In short, chill out. Stress is hard to pin down: fatigue, overwork, loss of blood, physical injury, grief and joy can all produce stress, but none of them accurately describes what it is. The word stress comes from the language of engineering meaning ‘any force which causes an object to change’. Austrian-Canadian scientist, Hans Selye, first coined the word stress in relation to humans back in the 1930s. In human terms it refers to your body’s response to physical, chemical, emotional or spiritual forces that ask you to adapt to them. Selye discovered a typical physical reaction to stress which he called the General Adaptation Syndrome. Its function is to keep your body in a steady state, known as homeostasis. Every stressor you come into contact with threatens to destroy this steady state. The General Adaptation Syndrome has three states: alarm, where the body becomes alert; resistance, where all systems go in order to meet the challenge and protect you from harm; and exhaustion, which happens if stress lasts for too long and the body’s weakest systems begin to break down causing illness, chronic fatigue, even death. you are unique Everyone responds differently to stress. This depends to some degree on your conditioning, and on the amount of adaptive energy you were born with. This is why some people seem to breeze through stressful situations while others quickly reach exhaustion. Selye believed that once adaptive energy is used up, nothing can be done to restore it. We now know that this is not altogether true, but adaptive energy is certainly precious. This makes it imperative to examine carefully how yours is being used and if it is being burnt up unnecessarily. It also makes it important to remember that what goes up must come down. For making stress work for you means being able to switch off at will. This is something that most of us have to learn to do. Learn to move easily between stress and relaxation, and you will begin to experience your life as a satisfying and enriching challenge like the ebb and flow of the tides. Then you will never again have to worry about getting stuck in a high-stress condition which saps your energy, distorts your view of the world, and can lead to premature aging and chronic illness. Humans are natural seekers of challenge. Primitive man faced the daily challenge of survival – when in danger, the body reacted instantaneously to provide the energy needed to fight or flee, then relaxed again when the danger passed. We may no longer need to worry about meeting a saber-toothed tiger, but we still react to stress with the same physical responses – raised blood pressure and breathing, a rush of adrenaline throughout the body. The trouble is that modern life, with its noise, quick pace, social pressures, environmental poisons, and our tendency to sedentary, mental work, presents many of us with almost constant threat situations. This is particularly true in the business world where someone, instead of moving rhythmically in and out stressful situations, remains in the danger state for long periods, with all the internal physical conditions that accompany it. balance it The automatic, or involuntary, functions of your body are governed by the autonomic nervous system. It looks after the changes in the rate at which your heart beats. It regulates your blood pressure by altering the size of veins and arteries. It stimulates the flow of digestive juices and brings on muscular contractions in the digestive system to deal with the foods you take in. It makes you sweat when you are hot and is responsible for the physical changes in your body that come with sexual arousal. This autonomic system has two opposing branches: the sympathetic and the parasympathetic. The sympathetic branch is concerned with energy expenditure - particularly the energy involved with stress and meeting challenges. It spurs the heart to beat faster, makes you breathe hard, encourages you to sweat, raises your blood pressure, and sends blood to the muscles to get you ready for action. The other branch of the autonomic nervous system - the parasympathetic - is concerned with rest and regeneration rather than action. The parasympathetic branch slows your heartbeat, reduces the flow of air to your lungs, stimulates the digestive system, and helps relax your muscles. When you are in a state of stress, the sympathetic nervous system comes into play. The parasympathetic branch is dominant when you are relaxed. A good balance between the two is the key to making stress work for you. Balance makes it possible for you to go out into the world to do, to make, to create, to fight, and to express yourself, as well as to retire into yourself for regeneration, rest, recuperation, enjoyment, and the space to discover new ideas and plant the seeds of future actions. make stress work for you The secret is getting the right balance between stress and relaxation, between the sympathetic and parasympathetic branches. Unfortunately, few of us get it right by accident - we have to learn. Take a look at the kind of stress you think you are under, eliminate unnecessary stressors, and discover new ways of working with stress. Second, begin to support your body physically with food, exercise and natural stress relievers to enable you to face stress with ease. Finally, learn to relax fully so that you can find the right balance between stress and relaxation and keep it. Not only will this help your body stay in balance and increase your level of overall vitality, it can bring you a sense of control over your life that is hard to come by any other way.