personal growth

When I was six years old, I had my first love affair. Yes, really. Of course, not until years later did I recognize the experience for what it was. But like every first love, it changed my life forever. My father was a jazz musician, so our house was equipped with the best possible sound equipment. He and I loved to listen to music—just about any music available—at full volume, of course. This, my mother, could not stand—which made it, even more, exciting. While my playmates roamed the hills of Hollywood skinning their knees, I would lie on my belly in our living room, listening to music as loud as I could make it. One day, combing through our vast supply of records, I came upon Stravinsky's "Rite of Spring." The name meant nothing to me. But I liked the colors on the cover, so I put it on the record player, turned up the volume and flopped down in front of our huge speakers. Strange, mysterious, discordant sound flooded my body, opening a secret door to somewhere deep inside me—a mysterious inner world I had never entered. I didn't know such a place even existed. I trembled with fear and excitement while Stravinsky's music continued to wind its way through my body. I flushed hot and then cold. My heart raced, then calmed. I lost all sense of place and time as I rode the waves of an imaginal sea of sound into unexplored worlds, too numerous to name. I have no idea how long all this lasted. Eventually, even the "boat" carrying me along on vivid images began to dissolve like sugar in water. In a perfect union, the sounds and the child-that-had-been-me swirled into a vortex and became lost in each other. We shared the excitement, fear, longing, fierceness, and sadness. As lovers, we had come together—music and child—in an immediate, passionate, all-encompassing union. Eventually, I found myself at the center of this whirlpool. Then, even the ecstasy of the movement vanished. Like Alice down the rabbit hole, I tumbled—not into Wonderland, but into an experience of unspeakable stillness. Zen practitioners claim this experience is available at any moment to each one of us. For me, it was an indescribable event—beyond space, beyond time, outside thought. Without the slightest possibility of ever being able to describe it, I knew that everything was as perfect as it was meant to be. In the words of Zen Master Daisetz Suzuki, in this place, I would eat when I am hungry, sleep when tired. I knew that "it was fine yesterday and today it is raining." In the words of Julian of Norwich, I was sure that "All things shall be well, and all things shall be well, and all manner of things shall be well." My affair with Stravinsky lasted more than four hours. At least, that's what my mother said. "Don't tell me you are still listening to that awful music." She had to raise her voice to be heard above the sounds. "For God's sake, turn it off. Do something useful." So I did something useful. I went to school, then to university where I learned, at least, some of what you are supposed to learn. I earned praises for top marks, went to work, won prizes, gave birth to four children by four different men, raised them on my own, wrote books, made films, gave talks, led workshops, created products for companies, made television programs and so on and so on. In effect, I did what millions of men and women do—I became the breadwinner, the caretaker, the nurturer of people's lives. Through all the years between six and now, my passion for music, painting, books, poetry, architecture and movies has never left me. Far from it. During all of these years, the epiphany of emptiness that Stravinsky brought to me that day and the sense of absolute stillness has never faded. It has made it possible for me to create so many things as well as to explore new places and ideas. It's invited me to move beyond thought towards a place of unity with the rest of the universe. All this continues gnawing at me. I suspect it will never go away, just as the urge to breathe never goes away, no matter how long we try to hold our breath. What I did not know—and this took me scores of years to find out—is that the rabbit hole into which I had unexpectedly tumbled has for millennia, been, described by every culture and religion in the world in one form or another. Nor had I any idea that, at any moment in time, regardless of the circumstances of our lives, it is available to each of us. To Zen Buddhists, this wordless, timeless space represents ultimate reality: That which can only come through immediate experience. In Suzuki's words, "For the sake of those crucial experiences Zen Buddhism has struck out on its own paths which, through methodical immersion in oneself, lead to one's becoming aware, in the deepest ground of the soul, of the unnameable Groundlessness and Qualitylessness—nay more, to one's becoming one with it." It is a state in which nothing is thought or contrived, longed for or expected. It reaches out in no particular direction, yet it knows itself able to handle the possible as well as the impossible. Concentrated, yet so expanded too, such power is both purposeless and egoless. As such, it can be called truly spiritual. Why? I believe because it is charged with an awareness that spirit is present everywhere. Because the cosmos is present everywhere, we too are present everywhere. We can have direct experience of this, and access the power that continues to create the universe itself. And we have full access to that power of creation to use in our lives, in whatever way we choose. The Sufis call this state fana—the annihilation of your individual selfhood. When you experience fana, your everyday personality becomes transparent, so the larger being that you are shines through. You soon become absorbed in an all-encompassing fascination for the moment. Life is lived in the NOW. Cutting-edge physicists speak of a holographic universe in which we live but seldom access because we are plagued by endless mental concepts that blind us to so-called reality. This blinds us to the experience of Samadhi—"a non-dualistic state in which the consciousness of the subject becomes one with an experience of the object." This selfless absorption and total surrender of Samadhi is characteristic of children when left alone to follow their instincts. It is available to each one of us, regardless of age or condition. Honoring whatever brings you bliss in your life opens the door to it. That day, when I lay on the floor lost in Stravinsky, without recognizing, I became conscious of it what would inspire me most: The beauty of art—whether it be music, words, stories, sculpture, buildings or what-have-you. Why? Certainly not because I had any idea that art was supposed to be valued as part of what grown-ups refer to as culture. I couldn't have cared less. After all, I was a kid who, when not entranced by what I was seeing, hearing, feeling or touching, spent the rest of my day learning card tricks, wrestling with my huge dog Tuffy, and trying—unsuccessfully—to sell packets of chewing gum which my grandfather gave me to neighbors' kids. Nope—I loved the beauty and wonder of art in all its many forms because, unlike the world around me, with which had little in common, it had grabbed hold of me and would never let me go. It demanded of me both a submission as well as active participation in the making of it. I now believe that my first love affair at the age of six became the harbinger for how I have lived my life. At any moment in time, regardless of the circumstances of our lives, fana is available to all of us regardless of age. Honoring whatever brings you bliss opens the door to it for you.

Harvard professor and expert in cardiology and behavioral medicine, Herbert Benson MD, began the first scientific studies into the effects of meditation almost 40 years ago. Ever since, Benson and his colleagues at the Benson-Henry Institute for Mind Body Medicine at Massachusetts General Hospital have continued to conduct clinical research and to map the benefits of regularly practicing the relaxation response: In Benson’s own words, "a physical state of deep rest that changes the physical and emotional responses to stress.” The relaxation response can enhance brain function, slow age-related changes, stabilize heart beat, alleviate anxiety and dissipate stress. What is even more remarkable is this: When ordinary people with no training of any kind practice the relaxation response once or twice a day, it brings about cognitive restructuring and rapidly alters the expression of their genes. When it comes to rejuvenating, regenerating and healing the body, these findings are nothing short of revolutionary. WHAT IS GENE EXPRESSION? Uninformed people as well as many mainstream scientists believe that our health, biological age and death are written into the genes we inherit at birth. They view genetic inheritance as something akin to a dour clairvoyant prediction of our future—something which we remain powerless to alter. It is true that the genes we inherit may indeed define our “risk” of early aging, degeneration and disease. But whether or not this “risk” becomes fact, so negative events actually happen to us, has far less to do with our genetic inheritance than it does with how we choose to live our lives—in effect, on how our genes are expressed. Gene expression is the scientific term for how well or poorly we manage our genetic inheritance. For instance, how do your own genes express themselves? Do your genes provide you with great vitality? Clarity of mind? Creativity? Freedom from illness? Or are they expressing themselves in negative ways, like creating obesity, sagging skin and spirit, early aging and degeneration? HOW’S YOUR OWN GENE EXPRESSION? You see, there are many possible versions of you tucked within your genes and chromosomes. Which versions become expressed—which potentials become “facts”—depends almost entirely on the way care for and use your body, handle stress, and orient yourself spiritually and creatively. Here’s where the food you eat, the exercise you get, and practicing Benson’s relaxation response really come into their own by helping to prevent degenerative conditions: Alzheimer’s disease, many forms of cancer, heart disease, diabetes, arthritis, obesity—even overt signs of skin aging, to mention only a few. And there is even better news: Once signs of degeneration have already appeared, practicing the relaxation response daily can reverse them while rejuvenating mind and body, halting stress damage and setting your spirit free. All you need to tap into it to use a method to turn it on. The possibilities are many. They range from relaxation response meditation, yoga, breathing exercises, zazen, silent repetition of a word and autogenic training to steady aerobic exercise and even biofeedback. Some will work better for you or be more enjoyable than others. It is worthwhile trying a couple of different techniques so you discover which you like best. My own favorite method is “relaxation response meditation.” I am happy to be able to share with you a simple and fun video so you can do the exercise along with me. Click here to watch the video FREEDOM’S DISCIPLINE We live in an age where discipline is looked down on as something which interferes with our spontaneity and freedom. So we tend to rebel against it. But the kind of discipline needed for a daily relaxation response practice—far from stifling your ability to be involved in the spontaneous business of life—actually frees it. At first it may take a little effort to get up fifteen minutes early each morning to practice the technique and (if you can manage the time) take fifteen minutes out of your afternoon or early evening to practice again. You will find it is well worth it. The most common objection most people make is that they don't have time. The reality of the situation is this: Even if you practice this technique once a day for fifteen minutes, it will expand time for you. You’ll find you can do everything with greater efficiency and enjoyment, and far less of your energy is wasted on fruitless activity. Every minute you spend in this deeply relaxed meditative state will bring you a fourfold return in the energy you have to use in the rest of your life. LIVING STRESS-FREE Herbert Benson first described the relaxation response as the physiological opposite of the stressed fight-or-flight response. Working with his team, he then went on to pioneer the application of mind/body techniques to a wide range of health issues and meditative practices. They charted the measurable physical benefits which accrue from practicing any form of meditation, including those that rely on the silent repetition of a mantra—a word-sound. Meditation using a mantra has a long tradition. Some mantras are considered “sacred words” that hold particular sound vibrations to transmit particular powers. Each spiritual tradition has its own mantras, such as Guru Om, Om mani padme hum, La ilaha illa 'lla or, in the Catholic religion, Hail Mary, full of grace, the Lord is with thee. Whether their magic aspects are true or not, these techniques work beautifully to replace the habitual chatter that runs through one's mind, worries about things past and things yet to come. BENSON’S QUANTUM LEAP To learn a relaxation response meditative practice (which I have recorded on video so you can do it with me), Benson suggests you choose a word that is pleasing to you. It could be anything, say, “flower”, “peace”, or “love”. He likes the word “one”, as it is simple and has the connotation of unity about it. Here's how to do it: Find a quiet place where you won't be disturbed for fifteen to twenty minutes and a comfortable chair that supports your back. Sit down and close your eyes. Give yourself a moment to settle in and you are ready to begin. Simply sit there, feet on the floor and eyes closed, quietly repeating your word over and over to yourself: “one...one...one...” Whenever your mind wanders or you are disturbed by a sound or thought, simply turn your mind gently back to repeating the word again. That is all there is to it. After fifteen to twenty minutes, stop repeating the mantra and get ready to open your eyes. Open your eyes, stretch, and go about your everyday activities. This is a particularly useful technique once you have practiced it a few times because you can do it in so many different places, such as in a waiting room or on a commuter train or bus. THE RACE IS ON We live in exciting times—times when the breach between science and spirituality originally ushered in 400 years ago by the Copernican Revolution is rapidly narrowing. We need to make use of the gifts that the closing of this gap brings us. Even if you have neglected yourself over the years—most of us have, by the way—it is never too late to change. Making simple alterations in the way you live can regenerate your health and rejuvenate your body and mind. In my opinion, practicing the relaxation response once or twice a day is a powerful way to begin. Collectively, we are involved in a race against time. It has no precedent in human history. The stakes are high—ultimately the future of our planet. Scientific discoveries about the relationships between mind and body, and about life changes which can alter our genetic expression, are here to be understood and used. Experiential methods of self-exploration, healing and personal transformation emerging from humanistic and transpersonal psychologies offer enormous potential for taking control of our lives and creating the future we want. Making good use of what is already tried and tested can transform the whole way you experience life. Living can become a process of growth and joy, instead of one of degeneration and disillusion. If a sufficient number of us undergo a process of deep physical and spiritual transformation, we may in time reach a critical mass that enables us, working together, to envisage another finer and more just way of living together on the planet. Two things are certain: Now is the time. We are the people. May your own life be blessed.

Ageless aging is not medical self-care, or holistic medicine. It goes way beyond. It is not only a question of caring for your body. It transforms the way you view yourself and your life. It deepens your connection with you own soul. It sets you free from false beliefs. It opens up your capacity for joy and strength and helps you discover a whole new outlook on life. Preventative medicine is mainly concerned with avoiding illness; holistic health is primarily aimed at treatment—although the treatment of the whole person rather than specific symptoms. Medical self-care aims to make a person able to diagnose and take care of his own minor medical problems. A NEW WORLD Although quantum health for ageless aging shares in some of the benefits of all three, it goes far beyond. Quantum health for ageless aging does not focus primarily on disease or its prevention. Its major thrust is a deliberate choice on the part of the person practising it to live at the peaks and explore the heights of wellbeing: physically, emotionally and spiritually. The choice for living at the peaks, and making full use of your creative potentials, is one which an increasing number of people are making. This is evident in our growing desire for strength, high-level fitness, improving and preserving good looks and establishing lasting vitality. Where once an ambitious man or woman might have wanted recognition, money and possessions, now these are not enough. As we age, we want to make the most of our own potentials in every possible way. Quantum health for ageless aging aims at an enjoyable, challenging and sometimes amusing search for whole-person functioning. As such, it is its own goal and its own reward. The process of moving towards it can be as much fun as the achievements of its ends. WONDERFUL GAME Developing quantum health for ageless aging is a kind of game. Like any game, it has its obstacles, its rules, its rewards, its penalties, and a goal. The Shorter Oxford Dictionary defines game as ‘amusement, fun, sport... a diversion of the nature of a contest played according to the rules and decided by superior skill, strength, or good fortune'. The quantum health game is very much like this. In many ways, it is probably the most challenging and rewarding journey you can ever take—a real 'master game'. This is not only because playing to win can keep you looking and feeling great long after the 'losers' have been left by the wayside, but because, like all good games, the play itself can be fascinating to learn. It can also demand considerable skill. Some find the quest for ageless aging easy—they seem to have a natural flair for the challenge. Or, without realising it, they instinctively know the rules. Others have to work harder to learn them. Yet often it’s those who have to work the hardest who get the greatest satisfaction from play, and make the most dramatic improvements in their health and their lives. WHAT YOU NEED Information about how attitudes, techniques and practices such as optimal nutrition, relaxation skills, exercise, political responsibility, and treats and treatments contribute to optimal wellness. What are you playing against? Time. Perhaps your genes too. Some people find their genetic inheritance an asset to the play. Others, like me, have to compensate for what they didn't get at birth with more effort and more awareness of how to make the best possible use of what they have been given. One of the major obstacles for all of us is the environmental pollution we are all exposed to. To counter it, you need to increase your awareness of its dangers as well as making good use of agents to counter its effects. These include home-grown foods, herbs, and antioxidant nutrients, which help defeat its negative effect on your body. You also need to take social and political action to ensure that your water, air and food supplies are not further denatured by environmental poisons and radiation. Another major challenge to the goals of ageless aging is indifference; the tendency we all have to go along with cultural and social norms. Why not live on fast foods and chocolate bars? Everybody else does. It is easier than seeking out a fresh crisp salad. Why not indeed? Any skilled quantum health player will tell you quite clearly why not: Such a way of eating is part of a lifestyle that will never help you experience radiant wellbeing and peak functioning mentally, emotionally and spiritually. EXAMINE YOUR BELIEFS Who are your opponents in the play? There are many. For instance, people who are content to allow time to take its course. Those who have been brainwashed into believing that, as the years pass, your body, your vitality and your good looks will inevitably deteriorate. Chronic illness, they think, is a natural part of growing older. Well, my friend, this just ain’t so! False notions about health are also major opponents. For example, the notion that responsibility for your health rests not with yourself but with your doctor or your mother or the state. Then there’s the idea that ageless aging demands too many sacrifices or is not rewarding enough; it might take too much time for too little fun. This is a fierce opponent. But your biggest challenge to overcome is a lack of faith in your ability to play the game. Many uninformed people can’t even imagine that quantum health is possible for them. “We are,” they say, “too old”, “too fat”, “too lazy”, “too busy”. In fact, just the opposite is likely to be true. Learn to play the game, create an ageless aging way of life for yourself and all those “toos” vanish, leaving you an abundance of time and energy. Ageless aging is a game you need no previous experience to play. You simply start wherever you are now and, step-by-step, build your knowledge and your skills until, in time, you can far surpass someone who seemed infinitely better endowed than you at the beginning. Human life is never static. Either you’re getting better or you are getting worse. And, as with any game, how fast you progress and how many rewards you get from playing depends to a large extent on how much fun you find it, and how hard you are willing to play. WELLNESS RULES Most people think of health as a state in which you are not ill. You are free of pain and you show no signs or symptoms of the development of disease. They think health is characterized by the absence of something— namely sickness. So long as this is the case, they figure all is well (touch wood), and go about their business until at some later date when, if their luck runs out, they may inadvertently be struck down. Then their rather tenuous state called “health” suddenly turns into its opposite—“illness”. Thinking of health in this way is incredibly limiting. The best anyone can hope for is “non-sickness”. Ageless aging players take a different point of view. They see reality differently. They understand that taking responsibility for how they think and live brings them a high level of protection from illness. They know that the wellness they are aiming for has positive attributes and brings rewards far beyond the absence of disease. It encompasses a whole new view of reality which honors the peaks as well as the depths. Not content with being “un-sick”, they demand vitality, passion, confidence and a sense of freedom to be who they are. They work and play hard. They value authenticity. They seek mental clarity, emotional balance, and spiritual openness which makes it possible to develop their unique creative potentials to the limits. Ageless agers hold an important belief which, to most people, seems quite foreign: They know that we are the prime cause of what happens to our health and our life, not blind fate. Without such a commitment to autonomy, no player in the ageless aging game becomes a winner. With such a commitment, the sky’s the limit. There is no reason why you should not be fit at 90, look twenty years younger than your peers at 70 and feel good about being who you are, warts and all. It is all a matter of developing skills and playing with the knowledge and determination of a pro. Ageless aging has six major facets to it: nutritional action, physical fitness, stress management, self-responsibility, age control and environmental awareness. THE JOY OF FREEDOM One morning I went for a run, as I often did, along the cliffs in Pembrokeshire, Wales. After running for about three miles, I had a sudden impulse to plunge into the wild Irish Sea and swim back to the beach in Manorbier where we lived. This was something I’d never done before. The sun was warmer than usual that morning so I did—running shoes and all. The water was freezing and rough. I had to swim against the tide. An hour later I finally arrived back on our home beach—fingers tingling with the cold and legs a wobbly, as I attempted to make the transition from the water world I'd been moving through to the thinner air-medium of land. But I felt great. I loved the feeling of freedom that this brought me—a strong sense of my own physical limits and a knowledge that they are considerably broader than they were ten years earlier, before I myself became involved in the ageless aging game. Why did I do that swim? To prove I could? Not really. I had few doubts on that account. To make myself fitter and stronger? I had no such notions in my head. I did it for the sheer pleasure of it. It was the same impulse that makes children climb trees. Not to get to the top, but just because the trees are there. WHY PLAY? The serious answer goes something like this: so you will feel better, look younger, have more energy and live longer. Indeed, all those things are true. But once you get involved in this exciting game, you realize that something much more wonderful is happening. You start to feel exhilarated, vibrantly alive, freer and stronger. Before long, these experiences become a normal part of your daily life. Grasp even a little of these payoffs, realize that they are possible for you no matter what your age or condition right now and you are already half way to your goal. Make this kind of passion part of your life, and the rules of the ageless aging game, which at first needed to be tediously learned, one by one become second nature. By then just playing the game begins to feel so rich and so delightful that you are likely to forget all about its goals. After all, it’s the play itself that you come to love.

The power of the Dark Goddess or Crone which I wrote about last week, at its most profound, represents the irrational power of nature which causes all things to decay and be changed—as well as true human freedom to be liberated. The experience of change at such deep levels can be a terrifying one both to men and women. Why? Because, these days, most try to live their lives believing that material reality is all there is, and that the great god reason is the ultimate means by which all their problems will be solved. Whatever else she may be, the Dark Goddess is most certainly not reasonable. No more reasonable than the forces which cause leaves to decay in autumn, transforming them into leaf mold that will eventually bring new life to the forest. No more reasonable than the hurricane which, irrespective of man's wishes or longings, blows its course through city and countryside. No more reasonable than the earth herself, as she quakes and trembles with shifts taking place in the continental plates of her body. INSTRUMENT OF TRANSFORMATION It is little wonder that male-centered religions have diabolized the Crone. For she is the ultimate destroyer, the emasculator of male reason. Nature and the Crone aspect of the Dark Goddess become, in the male mind, the castrator—so much so that, during the inquisition, witches were accused of collecting severed penises in boxes or birds' nests. Yet even the male penis itself represented—and still represents—an instinctive power to the male which most Western men feel uncomfortable with. For the penis seems to have a life of its own, quite separate from the man to which it is attached. Like the Dark Goddess it defies man's sterile reason. As Barbara Walker says in The Crone, Woman of Age, Wisdom and Power: "The conviction peculiar to males that sex organs have an uncontrollable, independent life of their own is expressed in the churchman's belief that the stolen penises moved about and ate food in their captivity like animals." The penis, too, is an instrument of the Dark Goddess. The Dark Goddess lives at every woman's core. She guards the Self. She is the friend of the soul whose purpose in our life is to fiercely protect and further the whole process of our learning to live authentically from our essential beings. She never trades in deceit, she never lies, nor does she veil her power. She refuses to uphold any relationship that doesn't work and she tears away with clawed hands or severs with her sword anything within us that is greedy, grasping or infantile. Throughout the lives of both men and women, she urges us to reclaim our own power—the power to set limits and to shout "no", and the power to say "this is what I will do and this is what I won't do" when we are faced with any sort of abuse, or anyone trying to steal our power or dominate us. WILD ENERGY LIBERATED But she is far more than even this. The Dark Goddess is the female power so long rejected and repressed by Western civilization that, when it rises to the surface, it often breaks forth in fury to devastate our ordinary view of reality. Sometimes when she forces her presence to be felt at menopause, she can well up inside, making us hysterical. Her frenzies—which in the rational world of linear thinking, are looked upon as something for which a human being should be tranquilized and kept under control—in the lives of both men and women were once treated with the deepest respect, as visitations from the gods. It was in such a state that the pythia or sibyl at Delphi prophesied the future, and told secrets capable of turning those who sought her help into conquerors of nations. When we forget the power of the Dark Goddess—when we separate ourselves from her essential nature—then we begin to look upon her as a destroyer who arrives like a great snake to break up the structures of our lives, devour our relationships and make mince-meat of our most precious self-deceptions. DESTROY TO RENEW In the lives of both women and men, she can quickly cut through the patriarchal image of being ‘pleasing’, ‘submissive’, ‘gentle’ and ‘nice’. If anyone has so much control of her own behavior that the Dark Goddess is unable to arise when it is time for her appearance to be made, if she remains deeply suppressed, then man or woman can experience her energies in the form of a life-threatening disease, depression, hopelessness, or seemingly endless despair. They can find themselves living in a wasteland, and feel their life to be meaningless and without direction. It is only by finding ways to reconnect with her energy within that the powers of transformation can be set free to work their magic and lead each of us on our own individual path towards freedom. As Demetra George says in Mysteries of the Dark Moon, “Whether we see the Dark Goddess as dancing ecstatically in a swirl of red flames, or enveloped in mist gazing into the inner pools of her psychic awareness, or throbbing with her orgasmic, magical creative energy, or embracing us in our grief, or furiously raging, screaming, crying, or desperately withdrawing into a stupor of denial or numbness, her ultimate purpose in each one of these guises is the same. She destroys in order to renew. The Dark Goddess of the dark moon is the mistress of transformation, and she exists everywhere there is change.” AN ACT OF LOVE The Dark Goddess demands that each one of us clear out of our lives what is no longer essential to our authentic being, whether this be possessions, relationships, jobs—anything that does not help us grow and fulfil our deepest needs. If we try to ignore her demands, like the wild and unruly creature she becomes when thwarted, she ruthlessly tears apart whatever in our own lives is restricting the full expression of our soul. Her rise can threaten everything which in ordinary life we try desperately to hold on to—our self confidence, our self-image, our sense of accomplishment, our material possessions—all of the things which for many years may have supported us now come under the scrutiny of her gaze and the ruthlessness of her sword. What can be hard to realize, while all this is happening, is that everything she does is done with love. We see such things as the breakdown of a marriage, the loss of a job, physical illness that can come at times of enormous change, as evil and negative. For we spend most of our lives trying to avoid a crisis at all cost. Yet crises are often the only means by which we can be thrust forward to a new life. Were the energies of the Dark Goddess not to rise, we would remain stagnated. We might continue living out an artificial existence, all the while trying to fill up the emptiness within with whatever we can lay our hands on, from drugs and sex to success and power in the world—yet never succeed. It is the Dark Goddess that gives us the motivation to change, and brings us the power to be able to carry it out. INNER SILENCE She also pulls us away from the external world, asking us to withdraw inside to a place of stillness and power in which we can begin to hear the echoes of our own souls—sounds which for years may have been ignored or forgotten. She stirs our being at the deepest level. She asks us to enter our own personal darkness, calling us to make a vision quest, presenting us with pain over any issues of our lives that we have been denying. She asks us to face our fears and taboos, whether they are addictions, dependencies, inadequacies—that we bring them into the open, where they can be looked at and healed. Like the Crone who is her messenger, the Dark Goddess has no adornments. She is naked and raw in her confrontations. She arrives to lead us into the labyrinthine recesses of our own being. If we consent, she offers us the courage and the strength to face our own personal demons—demons who for generations have been feeding on our inadequacies, fears, and dependencies and undermining our potential for joy. Either we acknowledge her call, retreat from the outer world and begin to make our descent voluntarily, or she grabs us by the throat and drags us under. And just in case we might be tempted to think that when menopause arrives, sexuality is dead, she makes us think again. It has not died but rather been transformed. INSTINCTUAL SEXUALITY The sexuality of the postmenopausal woman is the sexuality of the Crone. It is the sexuality of sheer instinct—wildness set free. It is she that calls a woman into the secret places of the woods and provokes her to dance naked in wild abandon. Hers is a sexuality to be used in any way a woman chooses—in union with another or alone to generate the alchemical meeting of male and female within her own body. The sexuality of the Crone belongs to herself alone. She will be what she is, she will have what she wants. She is neither passive nor submissive, and her sexuality also has nothing whatever to do with bringing physical children into being. The Crone's eroticism is sheer ecstasy, lived for its own sake, and sheer creativity. She creates in an uninhibited, animated, fiery way, which emanates from the soul of a woman. Such sexuality is the fuel for all creative powers in the world. It carries with it the energy of regeneration and of healing, not only for a woman herself but for the world. It is the kundalini power—the rejuvenating cosmic illumination, the power of the serpent, the sacred fire which heals. As the Crone gains entrance into the body and psyche of the menopausal woman, she illuminates one dark corner of her psyche after another, lifting away all that is old and dead and without meaning—the way kundalini energy rises up within a woman's body to illuminate each of the chakras. Her power becomes the power of the menopausal woman. It lies in her dark blood—the blood of creation. It is the indomitable creative power that has lain sleeping in the consciousness of both men and women. It is asking for us to honor it and set it free. Never in human history has it been more urgent that we do so for our own sake, and the benefit of all beings.

Thanks to our growing understanding of the natural laws of health and advanced research into high-tech biochemistry, what was once little more than a pipe dream - the notion that the length of human life can be extended - is becoming a reality. Gerontologists have now challenged the maximum lifespans of many species of animals. Man is next. Already physicians are using antioxidant nutrients, electromagnetic techniques and other anti-aging tools to prevent physical degeneration and to restore health and balance to ailing bodies. Meanwhile psychiatrists and psychologists trained in biochemistry and in the orthomolecular treatment of the brain are not only beginning to cure mental and emotional problems associated with age, they are even using the tools of their trade to expand consciousness. It becomes important to ask the question, `With what consequences?' The first worry about life extension for most people is usually, `What will we do with these old people we are creating?' `Won't they be yet a further burden to society?' Naturally they want to know about the effect that longevity will have on housing, medical costs and the rest. Such questions are valid. But it is also important to penetrate the point of view from which they come - the assumptions and paradigms which underlie them. Our society has imprinted its members with negative concepts about being old. In the book for which he won a Pulitzer Prize, Why Survive? Being Old in America, Dr Robert Buffer outlined the enormous practical problems of dealing with the aged: housing, pensions, personal security, need for meaningful occupations and the rest, and the horrific conditions in which many old people in modern Western society live. He also pointed out that we hold many unconscious assumptions about the aged which continue to create these conditions. They are always with us and they greatly distort our view of aging, old people and their place in society. These assumptions include a belief that the aged are inflexible, senile, unproductive people waiting for the inevitable arrival of the grim reaper. Basically not interesting, of little value, they are people worthy of being assigned to a foreclosed existence. Alex Comfort refers to these common views of age and the elderly as `ageism' which he defines as `the notion that people cease to be people, to be the same people or become people of a distinct and inferior kind, by virtue of having lived a specified number of years'. The assumptions of `ageism' lie behind many of the most often asked questions about the social and political consequences of ageless aging. They make such questions impossible to answer adequately from our current perspective and with our current views of reality. They also force us to ignore a number of important realities. We forget for instance that chronological age at its very best is only a limited indication of biological and functional age. Even our present old people are capable of far more than society allows them to express or contribute - indeed more than they themselves allow. We also forget that every major disease is age-dependent and all of the major causes of death and disability are secondary to the progressive degeneration of aging. Little wonder, for until now, after the age of 30 we have been witnessing a steady and inexorable increase in the probability of morbidity and mortality from one disease or another. But people living by the principles of ageless aging will be different. Highly resistant to the ravages of degeneration which manifest themselves in our major destructive chronic diseases such as cancer, coronary heart disease, arthritis and the rest, they will be less rather than more of a burden to the state in terms of medical, social and psychiatric care. Application of these life-lengthening and life-enhancing principles to health on a wide scale should lead to an increase in the ratio of productive to nonproductive men and women with prolonged life spans. This has been the conclusion of Yale's Professor Larry Kotlikoff, one of the few academics to look seriously at the issue. Kotlikoff initiated an inquiry into the economic effects of increased lifespan. He also concluded that this increase in the ratio of productive to nonproductive people would result in an increased per capita output whether or not the working period increased year for year with life expectancy. With the increased longevity and the improved resistance to degeneration which are the natural outcome of applying the findings of age-researchers to our everyday lives, the population of our old people will also change. So will our attitudes to them. No longer a burden, like the Vilcabamba Indians or the Abkhazians of the Soviet Caucasus they will become not `old people' but `long lived people'. Such a simple shift in attitude could revolutionize us as human beings not only in terms of politics and economics but by shifting us towards a more value orientated society. At that point the question of `What will we do with all these old people?' begins to take on quite a different meaning. For the challenge now becomes not how we house, feed, and care for a growing sector of the nonproductive population but rather how we can best use the energy and wisdom of the older members of our society.

Every one of us has more potential for health, happiness, self expression, energy and good looks than we ever make use of. Although there are many tools to help you towards self fulfillment - good food, exercise, stress control, beauty techniques, etc. - by far the most important of all is learning to use the power of your mind. you are what you think Because we create our lives from thoughts, it is important that we think constructively. Unfortunately most of us, without being aware of it, limit our possibilities for fulfillment because we continually bombard ourselves with negative thoughts. We all carry on some sort of internal conversation throughout the day. Usually if we tune in and listen, we find that it is full of negative thoughts and self doubts. Most often we are hearing the voices of our parents, or of people in authority telling us that we can't expect to be happy, that we are bound to fail, that life is suffering and that we should face the stark realities. Out of these negative thoughts arise our self-image and our sense of purpose and direction. It is clear to see, with so much criticism and so little sense of possibility, why we never dare dream of better things. The first step in changing your attitude towards yourself and your life is to stand back and listen to the voices in your head objectively and realize just how ill founded they are. Once you detach yourself from the rubbish going on in your head, you can begin on the path to self-fulfillment. love thyself Whether you feel you are too fat, too thin, too short, too tall, too selfish, too sensitive etc., in order to change, you must begin by accepting yourself right now for what you are. Try this exercise: Look at yourself in a mirror and repeat the words, "I love and accept myself completely, as I am" in your head over and over. And as you do write down any blocks that seem to keep you from accepting yourself. You may feel stupid or ridiculous or embarrassed, but stick with the exercise and you will find that it begins to ring true. positive affirmations You can learn to program your mind to bring about success and fulfillment in all areas of your life through positive affirmations. An affirmation is a phrase which can be silently thought, spoken aloud, written down or all three. The great thing is that affirmations can be done anytime and anywhere in one form or another. There are a few basic guidelines for contacting the appropriate part of your brain and evoking results. Once you understand them, you can create your own affirmations to help you become all that you can be. present tense The subconscious part of the brain only understands now - the present tense - so it is important to phrase your affirmation in the present tense. If you try the future tense, e.g. "I will be happy." your goal will remain constantly out of your reach. It may take a bit of getting used to to write or speak your dreams in the present tense, but remember that is just a formality. first person The most powerful suggestions are those made in the first person. Remember when you say "I" you are including all of you and so helping to integrate and employ your entire being in your goals. It is always better to make affirmations positive rather than negative. In other words in stead of saying, "I no longer overeat" say "Everything I eat returns me to my ideal weight of...." specific and realistic Set yourself specific goals at first, which are within your capabilities to achieve. Once you have accomplished them you will be encouraged and can set more challenging goals. If you are trying to give up smoking, for instance, begin with the affirmation that you will cut down the amount you smoke by half. Then you can cut by half again until you finally stop altogether. short and simple Keep affirmations as short and direct as possible. A concise brief affirmation will have more impact than a long wordy one. suspend disbelief Try while doing affirmations to cast aside doubts and believe in the possibility of what you are saying. If you keep experiencing negative thoughts, get them down on paper, then get rid of them and reassert your positive affirmation. personally phrased Make sure that you are happy with the wording of your affirmation. For each person, the word choice may need to be slightly different. Feel free to change any of the affirmations we suggest to suit your own requirements. all encompassing Remember that the affirmation can be used to transform any area of your life, from career and self image to your relationships with others. The Bible says: 'Ask and it shall be given you; seek and ye shall find.' Know that you have every right to be successful and happy and that your life is yours to create. Here are some favorite affirmations. Find one or two that you particularly like and repeat them to yourself often. My daughter and I both like the written affirmations, because for us they seem to solidify things. Other people prefer to repeat them silently in meditation, or even sing them. If you do write them down keep a special affirmation journal and write in it any thoughts that arise as you write. Also make a note of things that change for you for the better, and be sure to give thanks for what is given to you. We find seven a useful number to work with. Repeat the affirmations in multiples of seven at a time. some affirmations Every day in every way I am getting better and better. I have everything I need to enjoy life here and now. I create my life and it is good. I love and appreciate myself just I am. Each day my life unfolds in beautiful perfection. I enjoy to love and be loved. The more I give to others the more I have to give. My relationship with ....... is getting better and better. It is good and right for me to have everything I want. Everything I eat makes me strong and healthy. I eliminate wastes easily and completely from my system. I have an exciting, rewarding and well paid job. I have plenty of energy and I enjoy work. I communicate freely and easily with others. I have all the time I need to accomplish all I want to do. It's okay for me to enjoy myself and have fun. God's energy within me produces perfect results in everything I do. Everything that happens is working for the good in my life. I can do ........ and nothing can stop me. ....... or something better now comes to me for the total good of all concerned. I give thanks for all that I am blessed with.

This Documentary is a remarkable eye opener to the nature of our universe and the power of electricity. This is a must see for everyone but particularly for anyone who is interested in learning about the nature of the magical universe we live in. Details of the Electric Universe Thunderbolts of the Gods by David Talbott and Wallace Thornhill introduces the reader to a former age of planetary instability and earthshaking electrical events. The 108-page full-color monograph, based on the life’s work of the two authors, offers a revolutionary synthesis of historical investigation and the newly discovered “Electric Universe.” Talbott and Thornhill claim that cosmic upheaval occurred so recently as to have profoundly affected early human cultures, provoking “incomprehensible” myths, symbols, and commemorative practices. Through a synthesis of ancient testimony, high-energy plasma experiments, and space age discoveries, the authors bring the ancient world to life. If their hypothesis is correct, it will surely alter many paths of scientific investigation as well. The little-known study of powerful electrical discharges in plasma is a new and exciting development in plasma cosmology, with profound implication for space age astronomy. Talbott and Thornhill have followed these developments because they see plasma science as a bridge between the ancient and modern worlds. To advance their case, they present side-by-side comparisons of laboratory plasma experiments and globally recurring symbols of the ancient sky. The evidence, they report, shows an ancient obsession with extremely violent electrical discharge formations in the heavens. At the core of this reconstruction lies the unique behavior of plasma. Plasma, often called the “fourth state of matter,” has been studied for less than a hundred years, and only in the recent decades of the space age have some physicists begun to realize its importance to the understanding of structure in space produced by electric currents. All stars and astronomical objects ranging from supernovae to beautiful filamentary nebulae are now known to be constituted of plasma—a conductive medium that permeates the near-vacuum of space. Charged celestial objects move within insulating cells of plasma that may discharge spectacularly upon close encounters. The plasma discharge currents take complex filamentary forms resulting in the panoply of astonishing structures seen by Hubble and other new telescopes. From these discoveries, a new approach to the understanding of the physical universe is emerging. This approach is called plasma cosmology. Through unimaginable labors, our ancestors carved unexplained pictures on stone, numbering in the tens of millions. But what inspired this massive endeavor around the world? The laboratory experiments make clear that the ancient artists were copying spectacular electrical phenomena in the heavens. Indeed, the global correspondence between laboratory discharge forms and the pictographs on stone is so detailed that same-scale images.

The mind's depths are rarely plumbed in everyday life. In fact scientists estimate that we usually use only a mere 10% of our total mental capacity - an unfortunate loss of potential. By expanding our consciousness and awareness and setting the power of imagination in motion we can learn to draw upon the remaining reserves and use them to create and actualize our goals and dreams. The process is known as creative visualization or conscious dreaming. It is based on the principle that in everything we do a thought or an image always precedes an action. For example, the thought, "I will go and make dinner." or "I am hungry." results in the meal. By using this principle we can program our minds with positive and creative thoughts and images to bring about rewarding results. This is something which we have both worked with for a very long time. That the mind is capable of influencing our lives and the world in which we live is only beginning to be appreciated. At clinics throughout the world doctors are starting to acknowledge the role of creative visualization in the seemingly miraculous 'spontaneous remission' of terminal patients. Patients are being taught to visualize their immune systems sending out white blood cells in armies to destroy malignant cells. Whatever particular image works best for the person is encouraged. They may see their white blood cells as little men in work clothes clearing away a tumor VricBor visualize them as sharks attacking and engulfing the cancerous cells. The specific image is unimportant as long as it is vivid and meaningful to the patient. The medical profession also acknowledges the power of the mind in the use of placebos. A placebo is an inert substance or procedure which is presented to the patient as a powerful therapeutic drug or technique and which often leads to a dramatic recovery from a serious physical illness. An American physician studying women in early stages of pregnancy who were complaining of morning sickness and stomach contractions, offered one woman a 'drug' which he said would soothe her discomfort and alleviate her nausea. Within minutes the woman felt better. In fact, the doctor had actually given her a powerful emetic - a substance designed to induce vomiting in someone who has swallowed a harmful substance. Because the woman had faith in her doctor, this fact overcame her nausea and reversed the effect of the drug. Such are the powers of the mind. Conscious dreaming is a way of beginning to tap the powers of your mind in order to take control over your life and accept responsibility for what comes to you. It is done in a state of deep relaxation in which we are able to let go of the tensions, worries and doubts that normally plague us, and contact our deeper self. You can use conscious dreaming to improve all areas of your life, for instance to give you more confidence and a better self image, to improve your performance at work or in athletics, to intensify your healing abilities, to increase your creativity so that you express your talents with greater ease - to even gain insights into problems that vex you. It works on the principle that your subconscious does not draw a distinction between an actual experience and a vivid mental image so that your dreams can take on the weight of reality and eventually become part of your conscious life. And because thought and intention precede physical reality, when you ask your imagination to alter your expectations, you can actually improve that reality. journey to the center To begin the journey of self discovery and transformation you need to relax deeply. Our favorite relaxation exercise was taught to us by a friend Angela Farmer, a talented and dedicated teacher of yoga. It focuses on the breath to still the mind and body and is called total breath. Here's how: total breath technique: This complete exercise can be difficult to learn at first. We suggest you have someone read it slowly as you do it. Or read it through several times and then memorize the key words. You needn't remember all the images, but you may find one or two stick out in your mind. Begin by lying down on a carpet or blanket on the floor. The firm surface of the floor is better than a bed because it allows your muscles to relax more deeply against it. Make sure you are warm enough - cover yourself with a blanket if necessary. Place a rolled up towel or small blanket or book under your neck and head. (The size will depend upon the curvature of your neck.) Your head should be supported and your chin parallel to the floor. Take the phone off the hook and make sure no one disturbs you. Lying on your back bend your knees up and place your feet hip width apart comfortably near your buttocks. Bend your elbows and rest your - palms on your abdomen. Bring your awareness to the contact of your body with the ground. Notice where you touch the floor. Let yourself give up your entire weight to the floor so that you sink into it. Imagine the earth embracing you from behind. Let the breath flow through your body like water, gently easing away any tension in the joints and muscles. Once you have eased your back muscles on the floor your spine will naturally lengthen out. Help this lengthening by putting your hands gently behind your head and easing your head and neck out. (You may have to readjust your head rest.) Instead of breathing, release your back to create a space and then wait for the breath to enter. This waiting is very important. It eliminates the sense of trying and doing which fills our lives every day. Trust that your breath will enter automatically. You need make no effort to breathe. As the breath enters feel it rippling through the layers of muscles in your back and have the sense of "It breathes me". Bring your awareness to the where your legs attach to your pelvis and try to let go of any holding in your hips and pelvis. Don't try to move your legs, but imagine your knees being pulled gently up and away on a diagonal. Consider the possibility of your legs floating away from your pelvis. Now feel the weight of your pelvis against the floor. Imagine it as a hollow basin and let your belly and inner organs melt back into it. Feel the bony part of the pelvis (the sacrum) spreading out on the floor as the breath comes in. As the breath leaves the whole spine lengthens out and the back relaxes further back into the floor. Work slowly up the spine in this way, taking your awareness to the waist or lumbar area then to the lower, middle and upper chest - all the time checking that it is not you breathing, but you waiting, releasing, watching as the breath enters and leaves your body. Observe as more and more layers of muscles give up their tensions. When the breath enters the back of your rib cage, remember that your ribs are only connected to the spine by cartilage and can expand to the sides to create more space for the breath. Notice any hardness and holding in the front ribs and chest and allow them to soften. The front of the body can sink back and be received by the back of the body. Bring your attention to the shoulders and top chest. For most of us a lot of worry, stress and fear are held here. See if you can gently soften in these areas, allowing the sternum (breast bone) to drop down and melt. Let your shoulders gradually sink down towards the floor. Imagine in the center of your chest going through to the back between your shoulder blades and from this point see if you can allow the shoulders to drift apart. The shoulder blades can slide away from each other on the floor with the inhalation and rest separated on the outbreath. Let go of any tension in your throat and neck and allow your head to float away from the rest of your body. Let your hair flow away from your head. Imagine your eyes as two pebbles dropping backwards into a pool of water. Let the skin of your face become heavy and flow sideways and down towards your ears. Become aware of your body as a whole. Feel the gentle ebbing and flowing of the breath throughout you. Now is the time to begin conscious dreaming. Once you have reached this state of deep relaxation it is time to begin conscious dreaming. Explore a sanctuary within your mind to which you can return each time you do the conscious dreaming. Imagine yourself in a beautiful place. It may be a place from your past or entirely imaginary. Let yourself feel safe and at peace. Now evoke your dream. Picture your ideal self. If you want to lose weight for instance, see yourself slim and happy going about your everyday affairs. Try to see yourself as vividly as possible. Imagine other people you know responding positively to the ideal you. If you want to kick a bad habit such as smoking see yourself in a situation where you would normally smoke, such as after a meal and picture yourself quite happily foregoing the cigarette. If you are sick imagine yourself well again and doing your favorite things. If you have a problem, for example with a relationship that is not going well or you need to make an important decision, quietly ask your inner self for advice. By taking the time to listen to your higher wisdom you'll be surprised at how easily problems are resolved. Successful conscious dreaming comes in both an active and a passive mode. You can create images and ideals for yourself actively or you can take a receptive stance and allow images and thoughts to arise on their own accord. Both are important and can lead to valuable insights. At the end of each conscious dreaming session conclude by saying to yourself, "This or something better now happens to me for the total good of all concerned." This phrase allows the possibility of the higher wisdom to work through your dreams. You can return to the conscious dream images throughout the day. By beginning to contact your inner self in this way you will find that it becomes usefully integrated into (your everyday life. Gradually open your eyes and for a few seconds look around you. Then slowly roll over onto one side and gently get up.

In Sanskrit they call it lîla. The word means play. Yet not in the limited sense of our word. Lîla is free play, deep play, wild play carried out in a timeless NOW. It speaks of divine play. It’s the kind of play that sets us free to be who, in essence, we already are, even though we may not yet know it. Lîla is also the kind of creative play that brings new worlds into existence. FROM CHILDLIKE TO GENIUS In its simplest form, lîla describes the spontaneous activity of children so absorbed in what they do that they don’t even hear you when you speak to them. One morning my three-year-old friend Marina came to visit. Scrambling onto the four-poster bed where I was writing in a state of intense concentration, she told me the story of how she had climbed to the very top of a pirate’s ship as high as the stars. Like all still-innocent children, Marina entered into her imaginal world with ease—a magical realm in which creative sparks can be seeded then begin to grow. The imaginal world is a place most of us adults have lost touch with—a powerful realm in which the joys and fruits of lîla reign supreme. At a deeper level, lîla speaks of the all-encompassing absorption out of which Beethoven, then dangerously ill and nearing the end of his life, nonetheless created the most remarkable music of the 19th century: The Late Quartets. Or the obsession of Van Gogh, which led to his having painted 900 pictures and turned out 1100 drawings pictures during a lifetime. This kind of lîla is far more complex and committed than child’s play. It can produce achievements that enrich the way we look at life, that connect us to the deepest levels of our own being. Some fruits of mature lîla even transform the world. A big deal? You bet. This is play of the highest order—nothing less than an outpouring of the most intimate and essential nature of each unique human being. Living your creativity as fully as you can while you walk the earth, in whatever way most satisfies your unique nature, is the most exciting and enriching process any individual human being can experience. It brings a sense of meaning and purpose to your own life that nothing else can. CREATIVE PASSION Creativity is not a problem to be solved or a subject to be picked apart in psychologists’ laboratories. Those who try end up wandering in an endless maze of moribund words and phrases which miss the point. Meanwhile, the wrinkled fiddler on the city street plays on—smiling. He is lost in the excitement of improvisation, magically blending movement, feeling and sound—making music never heard before, that touches his heart and awakens the senses of all with ears to hear. We have grown up with some weird ideas about creative power. We’ve been taught that creativity belongs to a few select human beings whom history labels as genius. Nothing could be further from the truth. Creating is not a rare privilege—it is a right, even a necessity for all of us, if we are to live a fulfilling life. Creating anything, from cooking a healthful meal to writing poetry or playing games with children reminds us all what life is about. From this place we learn to live and work, to imagine, invent, and finally give birth—not only to things that have never been seen, heard, felt or touched before, but to a way of living more wondrous and exciting than most of us would ever have imagined. A passion to be lived, a lîla to be danced, the wild creative power within us urges us to tell the truth and shame the devil. It demands that we express our love, our obsessions, and the fascinations which pursue us. It asks that we live out life from the very core of our being. “Genius,” as late American writer John Gardner used to remind his students, “is as common as old shoes. Everybody has it.” CREATIVE RELEASE A few years ago, I began to explore not only the power and dimensions of creativity in you, me, and all of us. I wanted to discover how each of us can gain greater access to it, and how best we can live out our own creative power in our day to day lives as scientists, professional artists, musicians, writers, dancers, actors or as businesspeople, parents, teachers, lovers, gardeners, healers, craftsmen and thinkers. I was sure that on a larger scale, the way we as a group choose to use our collective creativity determines whether or not we will be able—in the wake of having laid waste to so much of our planet—to emerge as a sustainable species in a sustainable world. A lîla of enormous proportions; what could feel more powerful or more daunting? Yet the creative power on which it depends springs from the same source within each person as Marina’s imaginative play. PRIMORDIAL POWER Mysterious, enigmatic, spontaneous, occasionally even frightening, in essence creative power is the power of life itself. It is the force that gave us birth which continues to give birth to universes. It is what created us and brought each of us our own lives. It originates from a place within each one of us where we can touch and tap into the numinous energy of the Cosmos: God, Being—call it what you will. No words can adequately describe it. In truth, it is far more an experience of aliveness than a place at all. And, although we may never describe it adequately, we are perfectly equipped to enter this locus of creative power within us and find out how to live ever more of our lives from it. For the majority of artists, creativity pours forth most easily when they have intimate support for it. Shakespeare had his actors and a Globe Theatre eager for his plays, Virginia Woolf entered a room of her own and there wove tapestries of words. Emily Dickinson wrote out of the intimate community of a family who adored her, admired her and made sure she was given the space and time to carry out her imaginative work. For others who are highly creative, there is no such intimate support. Many have suffered childhood abuse, loss, illness or intense suffering. The creativity of such people can be monumental. Each man or woman is brought to the exploration and expressions of their creative power through suffering in just the same way that, so often, we discover what is most important to us by having what we believe to be of greatest value—a loved one, a job, a title—taken from us. Painful as such experiences are, often they turn out to be great gifts when it comes to freeing our creative power. Caught up in our lives of work, children, and householder duties, few of us live in such fortunate circumstances as Shakespeare and Emily Dickinson. But that does not matter. What has not been given us we can make for ourselves. Art is not the province of the privileged few. It belongs to all people—those of us who spend our days in front of computers, cooking, sweeping streets, running errands, caring for children, handling the stupidities of bureaucracy, and living our constantly changing lives in a world that is ever less secure. THE WAY AHEAD We are alive at a moment in history where one age is dying, yet another has not yet been born. We are, each one of us, faced with a choice: As we sense the foundations of our world shaking, do we withdraw in anxiety, trying in desperation to hang on to what we once believed to be “true”? Do we become paralyzed, and try to cover our fear with apathy? Or do we summon the courage offered us by a Universe in flux, honor our personal sensitivity and consciousness, then choose to face the challenge of entering the realm of creative power within? Then, trusting our individual capacity for lîla, do we begin to play in ways that may help bring forth a new world for all? Regardless or age, background, or limiting notions about what’s possible, each one of us has a choice to make. It’s a choice between continuing to conform to established belief systems that stifle the human spirit, or trusting in ourselves. Are you willing courageously to explore your intrinsic creative gifts and make use of them? “That which we give birth to from our depths is that which lives on after us. That which is inborn in us constitutes our most intimate moments—intimate with self,” says Theologian Mathew Fox, “intimate with God the Creative Spirit, and intimate with others. To speak of creativity is to speak of profound intimacy. It is also to speak of our connecting to the Divine in us and of our bringing the Divine back to the community.” Personally, I urge you to begin connecting ever more deeply with your own brand of creativity. Discover new ways of living. Leave automatic assumptions about who you think you are and learn to respond to each moment and each day of your life with new eyes and an open heart. The more you do, the richer your life can become. Such is the joy of lîla. Such is the power of lîla. If you have not yet explored it, you have an exhilarating, wondrous adventure ahead of you. Take it. Trust it. It’s the adventure of a lifetime.