personal growth

What goes up must come down. These words should be engraved on everyone’s brain, particularly those of us who live full and busy lives. We worry about stress, wonder why we don’t do anything about it, and wish it would go away. Seldom do we even stop to ask what it is. If stress gets out of hand it can wear you down, ruin your looks and destroy your peace of mind. Yet stress is the spice of life, the exhilaration of challenge and excitement, the ‘high’ of living with heavy demands. The big secret about stress is that it is not what appears to be causing it that does the damage. It’s how you respond to it that does that. Change your attitude to stress and you can make it work for you rather than against you. In short, chill out. Stress is hard to pin down: fatigue, overwork, loss of blood, physical injury, grief and joy can all produce stress, but none of them accurately describes what it is. The word stress comes from the language of engineering meaning ‘any force which causes an object to change’. Austrian-Canadian scientist, Hans Selye, first coined the word stress in relation to humans back in the 1930s. In human terms it refers to your body’s response to physical, chemical, emotional or spiritual forces that ask you to adapt to them. Selye discovered a typical physical reaction to stress which he called the General Adaptation Syndrome. Its function is to keep your body in a steady state, known as homeostasis. Every stressor you come into contact with threatens to destroy this steady state. The General Adaptation Syndrome has three states: alarm, where the body becomes alert; resistance, where all systems go in order to meet the challenge and protect you from harm; and exhaustion, which happens if stress lasts for too long and the body’s weakest systems begin to break down causing illness, chronic fatigue, even death. you are unique Everyone responds differently to stress. This depends to some degree on your conditioning, and on the amount of adaptive energy you were born with. This is why some people seem to breeze through stressful situations while others quickly reach exhaustion. Selye believed that once adaptive energy is used up, nothing can be done to restore it. We now know that this is not altogether true, but adaptive energy is certainly precious. This makes it imperative to examine carefully how yours is being used and if it is being burnt up unnecessarily. It also makes it important to remember that what goes up must come down. For making stress work for you means being able to switch off at will. This is something that most of us have to learn to do. Learn to move easily between stress and relaxation, and you will begin to experience your life as a satisfying and enriching challenge like the ebb and flow of the tides. Then you will never again have to worry about getting stuck in a high-stress condition which saps your energy, distorts your view of the world, and can lead to premature aging and chronic illness. Humans are natural seekers of challenge. Primitive man faced the daily challenge of survival – when in danger, the body reacted instantaneously to provide the energy needed to fight or flee, then relaxed again when the danger passed. We may no longer need to worry about meeting a saber-toothed tiger, but we still react to stress with the same physical responses – raised blood pressure and breathing, a rush of adrenaline throughout the body. The trouble is that modern life, with its noise, quick pace, social pressures, environmental poisons, and our tendency to sedentary, mental work, presents many of us with almost constant threat situations. This is particularly true in the business world where someone, instead of moving rhythmically in and out stressful situations, remains in the danger state for long periods, with all the internal physical conditions that accompany it. balance it The automatic, or involuntary, functions of your body are governed by the autonomic nervous system. It looks after the changes in the rate at which your heart beats. It regulates your blood pressure by altering the size of veins and arteries. It stimulates the flow of digestive juices and brings on muscular contractions in the digestive system to deal with the foods you take in. It makes you sweat when you are hot and is responsible for the physical changes in your body that come with sexual arousal. This autonomic system has two opposing branches: the sympathetic and the parasympathetic. The sympathetic branch is concerned with energy expenditure - particularly the energy involved with stress and meeting challenges. It spurs the heart to beat faster, makes you breathe hard, encourages you to sweat, raises your blood pressure, and sends blood to the muscles to get you ready for action. The other branch of the autonomic nervous system - the parasympathetic - is concerned with rest and regeneration rather than action. The parasympathetic branch slows your heartbeat, reduces the flow of air to your lungs, stimulates the digestive system, and helps relax your muscles. When you are in a state of stress, the sympathetic nervous system comes into play. The parasympathetic branch is dominant when you are relaxed. A good balance between the two is the key to making stress work for you. Balance makes it possible for you to go out into the world to do, to make, to create, to fight, and to express yourself, as well as to retire into yourself for regeneration, rest, recuperation, enjoyment, and the space to discover new ideas and plant the seeds of future actions. make stress work for you The secret is getting the right balance between stress and relaxation, between the sympathetic and parasympathetic branches. Unfortunately, few of us get it right by accident - we have to learn. Take a look at the kind of stress you think you are under, eliminate unnecessary stressors, and discover new ways of working with stress. Second, begin to support your body physically with food, exercise and natural stress relievers to enable you to face stress with ease. Finally, learn to relax fully so that you can find the right balance between stress and relaxation and keep it. Not only will this help your body stay in balance and increase your level of overall vitality, it can bring you a sense of control over your life that is hard to come by any other way.

The first thing you need to know about freedom is that it comes from within. It is only by listening to what I call ‘the whispers of your soul’ that you will learn what freedom means to you and how to go about achieving it in your own life. The more frequently you practice the following exercise the more clear the whispers of your soul become and the easier it is to experience your own freedom. I give this exercise in my workshops as a means of beginning to build a bridge between your soul and your outer personality. In practicing it you will discover your own place of silence and natural beauty - a sanctuary to which you can return, no matter where you are or in what circumstances you find yourself. It is here that you will find the space to allow your soul to speak from its deepest levels. Take the phone off the hook so you won’t be disturbed for the next five minutes. Sit on a straight backed chair, or on the floor if you prefer. Take three or four nice deep breaths through your nose letting the air escape gently through your mouth on the outbreath. Close your eyes. Put your imagination into gear. Let your mind go back to some place in nature which you have seen and which you especially like. This is a real place, not somewhere from a dream or a story. It may be a place familiar to you, say at the end of your garden. Or it can be somewhere you have visited only once. When you have found the place you like, sit for a moment quietly remembering as much about it as you can. Now see what happens when you activate your senses. Let yourself BE. Notice what you see, smell, hear, how the air feels, how the earth feels under your body. Is there anyone there with you? Are there any helpful or supporting energies there? Ask your soul to speak to you. Listen to what it says and what it wants. These things may surprise you. Ask for whatever you think you need right now. For example, ask what is the most appropriate thing for you to eat, the best form of exercise, if there is anything you can do to improve your health. When you are ready, give thanks for the friendship and the beauty around you and say good-bye for the moment to your inner sanctuary knowing that you can return to it whenever you like. The more often you return the richer the experience will become. Now, very gently, in your own time, open your eyes and come back into the room. bridge building This is important if you are to make use of what you have learned. Take a notebook and record what you have experienced - where you went, what you saw, felt, tasted, sensed, who was there, what happened there, what were the answers to your questions. Just let the words flow. Remember this is not an essay for school. There is no right or wrong way of doing it. Practice this exercise for five minutes each day for two weeks. At the end of two weeks come back to your notebook and read what you have written. You may find there are themes coming up time and again, something you should be addressing but are putting off, perhaps, or something you have always wanted but have never allowed yourself to have. These are the whispers of your soul. The more you listen out for them the more you will be able to experience authentic freedom in your life.

Like the moon's waxing and waning, or the snake which sheds its skin to be born anew, woman is a cycling creature. Both the fecundity of the moon and the snake's bondage to the changes of life through time are endemic to her nature. They are, in fact, so much a part of our make up that seldom do we stop to think about them. Yet both depend upon the almost infinitely complex multiple interactions of hormones within our bodies. In short, hormones matter a lot. An awareness of the profound influence they exert on a woman's health and emotions - even her view of reality - is crucial. So complicated are the interactions between hormones in the human body, many are still not understood by science. spiritual interface So complex are the hormonal events within the female body, and so central is their relationship to how we think and feel, that it would be no exaggeration to say the female endocrine system is an interface between body and spirit. Even our hopes and dreams are echoed in surges of hormones and in their shifting patterns - much as chords and rhythms develop into the themes and movements of a symphony. Changes in hormonal balance from day to day - even from moment to moment - can not only alter the way you feel emotionally; they can even affect your view of reality. Whether you see life as a challenge to be met, or a source of constant misery and disappointment, can also be reflected in hormone shifts. This is why hormonal imbalances create such emotional and spiritual agonies in women, such as those associated with PMS or menopausal symptoms. The psychic and spiritual aspects of a woman's hormonal interactions are all too often forgotten living within the confines of the mechanistic thinking that rules our society. Instead of recognizing the changes in mood and personality as natural to any cycling creature, we tend to think we should always be the same - always rational, reliable, reasonable and steady. Meanwhile, synthetic hormones - drugs with potentially devastating side-effects - continue to be doled out to us from puberty onwards, with no respect for a woman's cycling nature, and little concern for the long term consequences these chemicals can have on our health and emotions. There is, I believe, far too little awareness of the way in which the use of one or two artificial hormones year after year may not only undermine our long term health, but can also affect a woman's ability to fulfill her potentials for wholeness and may even impede her spiritual development. i excite The word hormone comes from the a Greek word, hormao, which means "I excite", and this is exactly what hormones do. They are messenger chemicals, made in minute quantities in the brain or in special endocrine glands such as the thyroid, adrenals, pancreas and ovaries - sometimes even in fat cells - and then carried by the blood stream to distant parts of the body where they control, activate and direct the ever-changing systems and organ functions, urges and feelings which are you. Your body is continually creating new hormones out of amino acids, peptides and cholesterol in the presence of certain vitamins and minerals - all in response to its specific needs. Hormones are also continually being destroyed - that is, metabolized and removed from your system - as your need for one or another of them changes. All this happens in much the same way a theme or cadence in a piece of music gives way to the next. So rapidly can hormonal shifts take place, and so closely interwoven is the endocrine system with your thoughts, feelings and external events, that measurements of oestrogen or progesterone levels can differ drastically when taken only an hour apart. Hormones perform many tasks. Some help produce or store energy; some trigger growth, or balance blood sugar; some affect your water balance; others your metabolic rate. Still others regulate respiration, cell metabolism or neural activity. Classified by their chemical structure, hormones can be either polypeptides or proteins, phenol derivatives or steroids. The steroid hormones - from the oestrogens and progesterone to DHEA, cortisol, aldosterone and others - that are nature's servants for regulating sex and reproduction, as well as for balancing brain chemistry and helping the body handle stress without succumbing to illness. Although they are only produced in small doses, steroids pack a big wallop. Each is highly specific in its actions. Each hormone will only excite the particular cells it is designed to affect. How this happens is one of nature's most clever tricks. A molecule of a certain hormone - take progesterone or DHEA - has a unique shape. It will be ignored by all receptor molecules - key-holes on the cells - as it travels through your body, until it is at last recognized by the particular receptor molecule with which it is meant to connect. Into this receptor site in cells, and into it alone, the hormone molecule fits perfectly - just the way a key does in its lock. So powerful are a hormone's actions that your body only needs to make minute quantities of each as they are required. For instance, at any moment there may be as little as one molecule of a particular hormone to every fifty thousand million other molecules in your bloodstream. The body's production of hormones, and the way in which the relationship between them is continuously adjusted, relies on complex interactions involving your pituitary (a tiny gland at the base of your brain) and your hypothalamus, often called the master gland, as well as other glands such as the adrenals. In addition to producing sex related hormones such as the oestrogens, the adrenals manufacture other important steroids including cortisol and aldosterone. Cortisol's main function is looking after blood sugar levels on which energy depends, while aldosterone oversees potassium and magnesium excretion as well as sodium retention, and influences both blood pressure and fluid retention. It is how you live during the menstrual years - the way you eat, how you use your body, and the decisions you make about what medications you take or don't take - that the stage is set for a trouble-free life, and when the time arrives, for a natural menopause.

Whether you’re aware of it or not, you are ceaselessly involved in the act of creating the quality of your own life—your looks, values, attitudes, actions, and the nature of your relationships. You do this through image-making—a universal characteristic of the human mind which appears even to precede thinking in the brain. We see, worry, put together ideas, dream, speak, wonder, all through the use of images. We experience a continuous flow of mental pictures, both conscious and unconscious, every moment of our waking lives. In fact, the capacity to visualize—to "image"—is one of the miracles of the human organism, for through it we are able to organize reality, communicate with others, and make sense of the restrictions of time and space around which our lives are organized. And images have tremendous potency. Your own images can be used for your good or they can be used against you. WHAT WE’VE BEEN TAUGHT Each of us comes into the world with a particular set of genes that determine our skin colour, sex, body type and, to a certain extent, our personality and intelligence. But by the time we are four or five, the form of what we were at birth has been altered physically and mentally so that we have become more complex and quite different in the way we respond and function, think and express ourselves. Some of these changes, such as physical growth, come from the same genetic inheritance that gave us our original form. Others, probably by far the largest number, come from what is commonly referred to as behavioural programming—the things we learn spontaneously through day-to-day living, such as motor control and speech, as well as the things we are taught, such as how to communicate with people, dress ourselves, use a pencil, and so forth. In all that we have learned from experience (things like if you touch a hot stove it hurts) and all we have been taught by our parents and other people, there are an enormous number of mental images that greatly affect our ideas and our lives ever after. For instance, from our programming we get a notion of what in our behaviour is considered good and what is called bad. We form innumerable impressions of what we are like and what others are like. And, finally, we come to have "sets" of knowledge about the world. All these things form our belief systems—conglomerates of images, ideas, and assumptions that make it possible for us to function from day to day. Some of these belief systems are individual—they pertain to our inner world alone and are entirely personal. Others we share with the rest of humanity—for instance, together we "agree" that the brown-and-white, rather square-shaped animals with horns that graze in fields and give milk are "cows." We also agree in common with others that if you step in front of a moving bus you will be hurt. Such belief systems are important, for without them we would not be able to live or share our experiences with others. WHAT WE ASSUME IS TRUE Our own individual belief systems are somewhat different in character. They consist of the many unconscious notions and assumptions we hold about what we are and are not and can and cannot do. They influence whether we see life as exiting and challenging or rather as painful and hopeless. And although most people are not aware of it, these belief systems, formed gradually as we grow up, wield enormous power over us. GROWING UP IS NEVER EASY A child who grows up in a family where he or she is treated with respect tends to grow up believing that she is worthy of this respect. When her needs are frequently met, she comes to believe that they are likely to be met in a similar way in the future and, although he is probably completely unaware of this, she actually comes to expect it. Similarly, if someone is brought up in an environment where she is treated with disdain or carelessness or as if she were stupid, then she gradually forms more negative assumptions about herself and they become the "systems" by which she lives her life. The whole creation and formation of our belief systems is a very complex process. It is largely an unconscious one, too, because the amount of sensory information fed into a human brain even in one day is immeasurably rich. We are continually responding to one perception, feeling, word, or sensory experience after another. Our belief systems, formed from these events, are therefore many-layered and extraordinarily elaborate. But they all have one thing in common: power. The images we hold, consciously or unconsciously, about ourselves and our lives are real in the sense that they tend to reaffirm themselves over and over again in our experience. Studies have been done in which a child's IQ, tested at school, is measured against her expectation of herself and her performance in the classroom. Almost invariably, the child whose belief systems include the idea or image of herself as not really very bright does badly in schoolwork regardless of what her IQ shows, and vice versa. In fact, there is also considerable evidence in older children that even IQ measurements soon come to reflect a child's basic intellectual self-esteem—or lack of it. All because of the belief systems she holds about herself. SELF-FULFILLING NOTIONS When it comes to health, relationships with other people, and creative functions, belief systems are particularly important in determining our success or lack of it. If you take the time to sit down and look at a particular area in your life that you consider reasonably successful—say your work, or your relationship with a particular person—you will find that your ideas, feelings, and attitudes about it are generally of a positive nature: pleasing, charming, fun, interesting, and so forth. Similarly, if you look at an area of your life that doesn't work so well or with which you are not satisfied, you will find it is accompanied by negative images or visualizations. Most important of all, these negative images and the belief systems they create will tend, when put to the test in real situations, to bring about exactly the effects you expect. If you feel you are uncreative when you paint a picture, it will turn out to be uninteresting. If you feel like a failure when you try to reach a goal, you will fail. Under even mildly stressful situations you become ill, and so on. And, of course, failures only further strengthen the negative belief systems you already hold. It is a vicious circle—that is, until you are able to become aware of these negative belief systems you are unconsciously carrying around with you, examine them objectively, and then make a decision to change them. So long as they are unconscious, you are in their power and no real act of will is going to change them much. When they become conscious, you can begin working with them, looking at them, examining where they come from and their validity or lack of it, and decide on whether or not they are useful. Then gradually you can become free of them. In a fortnight, we’ll exploring simple practices that make use of the power of creative imagery—the deliberate repeated use of specific mental images— to bring about dazzling positive changes to your health, your life and your core beliefs about who you are and what you love most. See you then...

In Sanskrit they call it lîla. The word means play. Yet not in the limited sense of our word. Lîla is free play, deep play, wild play carried out in a timeless NOW. It speaks of divine play. It’s the kind of play that sets us free to be who, in essence, we already are, even though we may not yet know it. Lîla is also the kind of creative play that brings new worlds into existence. FROM CHILDLIKE TO GENIUS In its simplest form, lîla describes the spontaneous activity of children so absorbed in what they do that they don’t even hear you when you speak to them. One morning my three-year-old friend Marina came to visit. Scrambling onto the four-poster bed where I was writing in a state of intense concentration, she told me the story of how she had climbed to the very top of a pirate’s ship as high as the stars. Like all still-innocent children, Marina entered into her imaginal world with ease—a magical realm in which creative sparks can be seeded then begin to grow. The imaginal world is a place most of us adults have lost touch with—a powerful realm in which the joys and fruits of lîla reign supreme. At a deeper level, lîla speaks of the all-encompassing absorption out of which Beethoven, then dangerously ill and nearing the end of his life, nonetheless created the most remarkable music of the 19th century: The Late Quartets. Or the obsession of Van Gogh, which led to his having painted 900 pictures and turned out 1100 drawings pictures during a lifetime. This kind of lîla is far more complex and committed than child’s play. It can produce achievements that enrich the way we look at life, that connect us to the deepest levels of our own being. Some fruits of mature lîla even transform the world. A big deal? You bet. This is play of the highest order—nothing less than an outpouring of the most intimate and essential nature of each unique human being. Living your creativity as fully as you can while you walk the earth, in whatever way most satisfies your unique nature, is the most exciting and enriching process any individual human being can experience. It brings a sense of meaning and purpose to your own life that nothing else can. CREATIVE PASSION Creativity is not a problem to be solved or a subject to be picked apart in psychologists’ laboratories. Those who try end up wandering in an endless maze of moribund words and phrases which miss the point. Meanwhile, the wrinkled fiddler on the city street plays on—smiling. He is lost in the excitement of improvisation, magically blending movement, feeling and sound—making music never heard before, that touches his heart and awakens the senses of all with ears to hear. We have grown up with some weird ideas about creative power. We’ve been taught that creativity belongs to a few select human beings whom history labels as genius. Nothing could be further from the truth. Creating is not a rare privilege—it is a right, even a necessity for all of us, if we are to live a fulfilling life. Creating anything, from cooking a healthful meal to writing poetry or playing games with children reminds us all what life is about. From this place we learn to live and work, to imagine, invent, and finally give birth—not only to things that have never been seen, heard, felt or touched before, but to a way of living more wondrous and exciting than most of us would ever have imagined. A passion to be lived, a lîla to be danced, the wild creative power within us urges us to tell the truth and shame the devil. It demands that we express our love, our obsessions, and the fascinations which pursue us. It asks that we live out life from the very core of our being. “Genius,” as late American writer John Gardner used to remind his students, “is as common as old shoes. Everybody has it.” CREATIVE RELEASE A few years ago, I began to explore not only the power and dimensions of creativity in you, me, and all of us. I wanted to discover how each of us can gain greater access to it, and how best we can live out our own creative power in our day to day lives as scientists, professional artists, musicians, writers, dancers, actors or as businesspeople, parents, teachers, lovers, gardeners, healers, craftsmen and thinkers. I was sure that on a larger scale, the way we as a group choose to use our collective creativity determines whether or not we will be able—in the wake of having laid waste to so much of our planet—to emerge as a sustainable species in a sustainable world. A lîla of enormous proportions; what could feel more powerful or more daunting? Yet the creative power on which it depends springs from the same source within each person as Marina’s imaginative play. PRIMORDIAL POWER Mysterious, enigmatic, spontaneous, occasionally even frightening, in essence creative power is the power of life itself. It is the force that gave us birth which continues to give birth to universes. It is what created us and brought each of us our own lives. It originates from a place within each one of us where we can touch and tap into the numinous energy of the Cosmos: God, Being—call it what you will. No words can adequately describe it. In truth, it is far more an experience of aliveness than a place at all. And, although we may never describe it adequately, we are perfectly equipped to enter this locus of creative power within us and find out how to live ever more of our lives from it. For the majority of artists, creativity pours forth most easily when they have intimate support for it. Shakespeare had his actors and a Globe Theatre eager for his plays, Virginia Woolf entered a room of her own and there wove tapestries of words. Emily Dickinson wrote out of the intimate community of a family who adored her, admired her and made sure she was given the space and time to carry out her imaginative work. For others who are highly creative, there is no such intimate support. Many have suffered childhood abuse, loss, illness or intense suffering. The creativity of such people can be monumental. Each man or woman is brought to the exploration and expressions of their creative power through suffering in just the same way that, so often, we discover what is most important to us by having what we believe to be of greatest value—a loved one, a job, a title—taken from us. Painful as such experiences are, often they turn out to be great gifts when it comes to freeing our creative power. Caught up in our lives of work, children, and householder duties, few of us live in such fortunate circumstances as Shakespeare and Emily Dickinson. But that does not matter. What has not been given us we can make for ourselves. Art is not the province of the privileged few. It belongs to all people—those of us who spend our days in front of computers, cooking, sweeping streets, running errands, caring for children, handling the stupidities of bureaucracy, and living our constantly changing lives in a world that is ever less secure. THE WAY AHEAD We are alive at a moment in history where one age is dying, yet another has not yet been born. We are, each one of us, faced with a choice: As we sense the foundations of our world shaking, do we withdraw in anxiety, trying in desperation to hang on to what we once believed to be “true”? Do we become paralyzed, and try to cover our fear with apathy? Or do we summon the courage offered us by a Universe in flux, honor our personal sensitivity and consciousness, then choose to face the challenge of entering the realm of creative power within? Then, trusting our individual capacity for lîla, do we begin to play in ways that may help bring forth a new world for all? Regardless or age, background, or limiting notions about what’s possible, each one of us has a choice to make. It’s a choice between continuing to conform to established belief systems that stifle the human spirit, or trusting in ourselves. Are you willing courageously to explore your intrinsic creative gifts and make use of them? “That which we give birth to from our depths is that which lives on after us. That which is inborn in us constitutes our most intimate moments—intimate with self,” says Theologian Mathew Fox, “intimate with God the Creative Spirit, and intimate with others. To speak of creativity is to speak of profound intimacy. It is also to speak of our connecting to the Divine in us and of our bringing the Divine back to the community.” Personally, I urge you to begin connecting ever more deeply with your own brand of creativity. Discover new ways of living. Leave automatic assumptions about who you think you are and learn to respond to each moment and each day of your life with new eyes and an open heart. The more you do, the richer your life can become. Such is the joy of lîla. Such is the power of lîla. If you have not yet explored it, you have an exhilarating, wondrous adventure ahead of you. Take it. Trust it. It’s the adventure of a lifetime.

This was an interview I did for 50 Loving it on Move up to power and freedom. I speak about natural menopause and the powerful journey that a women takes towards her own power and freedom. I also speak about Cura Romana's fast and effective weight loss program and how it has helped participants to move more fully into their body transforming all aspect of their life, helping to discover their true power and personal freedom. Hope you enjoy it... [audio id=http://d1vg7rm5xhtxe9.cloudfront.net/audio/lesliekenton66781-edited.mp3] Move up to power and freedom. Transform your weight, your health, your life. The best is yet to come. Award-winning writer, television broadcaster, and teacher, Leslie Kenton is well known in the English-speaking world for her no-nonsense, in-depth reporting. According to London’s Time Out, “If there is one health expert who can genuinely be described as pioneering and visionary, it is Leslie Kenton.” Leslie conceived and created the worldwide Origins range for Estee Lauder. A former consultant to European Parliament for the Green Party and course developer for Britain’s Open University, Leslie is trained in Chinese medicine, nutrition, and bioenergetics. She was first Chairperson of the Natural Medicine Society in the UK and her contribution to natural health was honored by her being asked to deliver the McCarrison Lecture at the Royal Society of Medicine. Leslie now divides her time between her homes in Primrose Hill, London and South Island New Zealand.

We have inherited an albatross. It hangs about our necks in the form of a widely accepted, negative, highly destructive view of aging. It’s ugly and simply untrue. Now is the time to explode any false beliefs you may carry about aging—time to reveal amazing truths which lie buried beneath them. NATURE’S RULES Like a beautifully designed engine, your body has been created to live a long and healthy life fueled by nature’s own molecules, not by “drug therapy.” Driven by powerful corporate entities, for more than a century, mainstream medicine has been doling out artificial chemical drugs to suppress symptoms while making little progress towards improving health or slowing age degeneration. Prescribing potentially dangerous drugs in the belief that they can improve the long-term wellbeing of your body year-by year has turned out to be a fruitless task. Back in 377 BC, Hippocrates, the father of medicine, wrote “Natural forces are the healers of disease.” Nothing has changed since then. It’s time to take a whole new view of the aging process, to discard false beliefs and learn the art of ageless aging. It’s also time to celebrate the process together. QUESTION EVERYTHING In the 1970s and 80s, when interest in gerontology—the study of aging—began to be supported by government funding, age researchers fell into a mire of confusion, primarily because they lacked any conceptual foundation for understanding the nature of aging in its many facets—biological, psychological, and spiritual. They became obsessed with disability, disease, and chronological age instead of seeing the experience of aging as a whole, in all of its positive as well as its negative aspects. Since then, the media has come to focus on the weakness and pathos of the elderly. Scientific literature on gerontology is still obsessed with the issues of nursing home admissions, frailty, and the economic costs of looking after our impaired elders. It is all part of the negative obsession that we as a society seem to have developed with aging. As a result, very little accurate information has become available to bring us a positive understanding of how human beings can function effectively in later life. IGNORE THE LIES How long you live rests largely in your own hands. So does how well you live, how much vitality you have and how good you will look in 20 years’ time. Ageless aging is not an accident of fate. Neither is it heavily dependent on the kind of medical care you get, nor on your genetic inheritance, although certainly both have a part to play. It depends upon how you choose, right here, right now, to live your life from here on out. And this is regardless of how much self-neglect you have poured on yourself in the past. Almost everybody has heard of death curses. Psychological literature is laced with accounts of how Aboriginal witch doctors have brought about the death of the young and healthy by cursing them. No sooner do these people learn of the fate which has been cast for them than they begin inexplicably to sicken and eventually to die. It appears that through complex biological processes, their simple belief in the curse brings about destruction of their organism. LAY THE GHOST In so-called civilized society, we look upon such phenomena as anthropological curiosities—products of primitive superstition which simply don't touch us in our more enlightened age. What we are not aware of, however, is that most of us in the civilized world live under our own brand of “death curses”. They may be subtler than those issued by witch doctors, but they can be every bit as potent in bringing about the physical and mental decline which we have come to associate with aging. Common, unconscious notions such as “retirement”, “middle-age”, “It's all downhill after 40” and “At your age you must start taking things more easily”, are widely held. They can exert a powerful effect on the process of aging by creating destructive self-fulfilling expectations about age decline. Instead of facing the future full of confidence and excitement about what lies ahead, optimism is replaced by anxiety as we are warned to “Be careful”, or “Don't take chances on a new career at your age.” Most of us hold a lot of false notions about aging and life expectancy. These ghosts need to be laid before we can make ageless aging a workable part of our lives, for they are truly legends of the fall, and like many false legends, they carry the warning that if you believe in them, the belief itself goes a long way to making them true. So deeply entrenched are these negative legends in the worldview of our culture that each one needs to be examined quite carefully before we can begin to transform them. TO HELL WITH LIES To most people in the West, old age brings ghastly images of decrepitude—not pictures of vigorous and sexually active old men and women intensively involved in work and looking forward to what comes next. The potential for creativity and enjoyment which is wasted in age-degeneration in the developed countries of the world is shocking. So is the cost to the state in providing medical treatment, hospitalization, food and care for people for whom aging has become a nightmare of physical pain and emotional isolation. Few of us even come close to fulfilling our psychobiological potentials. Instead we look forward to a steady and inexorable increase in morbidity and mortality from one disease to another. Applying the principles of ageless aging, however, will give you a very different view. For the same principles which help keep your skin smooth, your muscles firm and your vitality and creativity high can also reduce the incidence of chronic disease and postpone degenerative illnesses so that if they occur at all, they come only very late in life. BASIC PRINCIPLES So much for the myths of aging. The next time you find yourself grunting when you get out of a chair, or refusing to play run-around after a young niece or nephew on the grounds that you are too old, think again. Forget the myths and remember three important facts: FACT ONE: It is biological—not chronological—age that matters. FACT TWO: by improving your ability to adapt to stressors and maintain physiological balance and function, you can effectively prevent accelerated aging and the degenerative diseases associated with it. FACT THREE: There is even better news. Even when negative changes in your body have already taken place, by making alterations to the way you live and eat, many —in most people even all—of these changes can be reversed. This means that in medically measurable terms—the hard-core parameters doctors use to register health and degeneration such as cholesterol levels, fasting blood sugar, insulin levels, triglycerides, blood pressure and all the rest—aging can now be reversed, rejuvenating your body and de-aging your life. What was once a pipe-dream, followed by rich eccentrics who had themselves injected with monkey glands or drank snake blood in an effort to grow younger, has become a real possibility. It can be done right here, right now. For me, these three facts add up to the most exciting information to come out of 20th century science related to establishing and maintaining high level health. For the first time in history, ageless aging is possible for each of us—a journey into wholeness, authenticity and fulfilment. What could be better than that? SACRED TRUTHS Your body is a multi-dimensional organism, not a machine: We are body, mind and spirit—so interrelated that they cannot be separated. Each of us is an utterly unique being. Health at its most profound level is a full expression of that uniqueness in everything we are and do. By improving our ability to adapt to stressors and maintain physiological balance and function, we can effectively prevent accelerated aging as well as most degenerative diseases associated with it. Where negative changes in the body have already taken place, most can be reversed. This is measured by hard-core parameters doctors use such as cholesterol levels, fasting blood sugar, insulin levels, triglycerides, blood pressure and all the rest. Natural methods work best for regeneration and rejuvenation. It’s time to learn to live and think in ways that encourage the best possible expression of our genes. Regeneration is a process by which the body and psyche rid themselves of whatever does not support the highest levels of gene expression, strengthen physical vitality, and empower greater expression of your authentic nature. By living out our unique biological, spiritual and creative potentials, we not only fulfil ourselves, we also bring the greatest gifts we have to offer our family, our community and the world as a whole. Of all the subjects that you asked me most often to write about, how to age beautifully tops the bill. I’m glad. Since I am now 74, I have learned a lot about all of this. So I plan in the weeks and months that lay ahead to send you a number of weekly newsletters and release a number of Sacred Truth videos on how to make practical use of ageless aging principles in your own life, regardless of your age. Be sure to sign up so you can receive them. I look forward to sharing all of this and more with you in the future.

In my last post, we looked at unconscious image-making which prevents us from experiencing authentic freedom and undermines our sense of self. Now let’s flip destructive image making-on its head. It’s time to learn the art of conscious image-making It can improve health, heighten self esteem, and even forge the person whom you long to become in the future. All you need is a simple notebook in which to record your intentions, goals and experience plus 15 to 20 minutes a day to practice the art. This can be a lot of fun. POWERS OF THE MIND Creative imagery is the deliberate, repeated use of specific mental images, while in a deeply relaxed state or meditative state, to bring about change for the better. Just how creative imagery works has never been fully defined. It does, however, appear that the images one chooses to focus on when repeatedly held in the mind are able to affect one's body, emotions, and mind through the autonomic nervous system. Some of the process, at least, is explainable in biological and energetic terms. When a thought or image is kept in the mind of someone in a state of deep relaxation, his or her brain shows neuronal activity in both right and left hemispheres. Nerve fibres leading from the cerebral hemisphere through the hypothalamus can directly affect the autonomic nervous system and the pituitary gland as well as the adrenal cortex. Everyone has had experience of this image-making to some extent in day-to-day life. For instance, if you keep a frightening image in your mind's eye—say of a ghost, a fantastic monster, or a situation you want at all costs to avoid—your body will respond via the autonomic nervous system with a racing heartbeat, perspiration, dryness in the mouth, or gooseflesh. How strong your reactions are to the fearful thought depends entirely on how clear the image is. Similarly, when you hold a clear, relaxing image of perhaps a spring meadow or a person you love, your body responds with relaxed muscles, lowered heartbeat and blood pressure, and generally pleasant and passive bodily sensations. Researchers have found that through this mind-body connection we can exercise a great deal of control over our bodies and our behaviour simply by choosing images to focus on and using them regularly. In fact, this kind of deliberate visualization is the technique behind the ability yogis demonstrate in raising and lowering their bodily temperature or heartbeat at will, going for long periods of time without food, and performing extrasensory tasks. TRUST THE GAME Although the mechanism of creative imagery is highly complex, putting it to use is simple. For just as it is unnecessary for you to know how the nervous system, in conjunction with the brain and muscles, makes it possible for you to pick up an apple and take a bite out of it in order to perform the action, so it is not necessary to understand biological theories about creative imagery in order to practice it to your benefit. The imaging mechanism of your brain works automatically; all you have to do is provide it with images that are useful to you and let it do its job. Nor do you have to worry about whether or not you believe in creative imagery or whether or not you can do it well enough for it to work for you. If there is a goal that you want to achieve, you need simply to visualize it—again and again, at least twice a day; the rest is automatic, so long as your goal is something you consciously consider to be feasible. It would be absurd, for instance, to lie down for ten minutes each morning and afternoon and visualize yourself as an eagle. You might improve your imagination no end, you might also develop a great empathy for eagles, but it unlikely that you would develop wings or a beak. Nor need you worry about success or failure. As Maxwell Maltz says in his book Psycho-Cybernetics, "You must learn to trust your creative mechanism to do its work and not `jam it' by becoming too concerned or too anxious as to whether it will work or not, or by attempting to force it too much by conscious effort. You must let it work, rather than make it work. This trust is necessary because your creative mechanism operates below the level of consciousness." The only real "trust" needed for it to work is that which makes it possible for you to spend time repeatedly practising creative imagery. You do this by letting yourself go into a state of deep relaxation or meditation and then repeating your chosen image again and again over a sufficient length of time for it to take hold in your unconscious and begin producing results. You certainly don't have to trust it in the sense of believing in it for it to work. It will work whether you believe it or not. Just be consistent in using the technique regularly. PREPARE THE WAY Begin by learning to just let go. Creative imagery is an inner state of mind. To visualize effectively you need to put yourself into a calm, relaxed state in which mental images flow easily. Generally the more relaxed you are, the more successful your visualizations will be. This kind of relaxation is something that is learned gradually by practice. Even if you feel in the beginning that you are hardly relaxed at all, you will get benefits from your imaging and this will become progressively more true as you repeatedly practice visualization. Begin by lying down, or sitting in a comfortable chair, with your back well supported. Use a simple practice such as zazen or gentle, quiet deep breathing to let go of daily concerns and enter your private world. When you feel yourself quietly calm resting in your own inner space, there are several things you can do: In this space, you can examine in a new light any question that has been bothering you. You have access to the deeper layers of your mind where many answers can be found, provided you are willing to ask the questions simply and then just wait in stillness for the answer to come. This place is also where you can become aware of your belief systems and bring them to consciousness so that you can examine them in a detached, objective way and see whether they are working for you or not. You can then decide what you want to keep and what your want to leave behind. It is a place where you can learn to listen to the sound of your inner voice. The more you do this, the easier it becomes. This inner voice can guide you to where you are going next and tell you what you are about. It is a place where you can come to know yourself for who you really are, quite apart from roles and habitual assumptions you have always had about yourself. Most important of all in bringing about change, you can use this inner space to practise creative imagery. Go through your relaxation technique until you enter your inner space. Now you are ready to begin visualizing. You can do this in two ways: verbally, by simply repeating over and over a few words that describe the image, or visually, by simply seeing yourself as already having become what you want to be. For some, who at first experience difficulty in visualizing, the verbal method works better; for others, the visual method is more successful. Try them both and see which you prefer. Later on, after you are familiar with the use of creative imagery, you will probably want to use both. FOCUS YOUR DESIRE Let's say you pick as your goal the desire "I want to have more energy." Using the verbal method, turn the wish into a positive statement. It becomes "Every day I am more and more energetic and well." It is important that your goal be phrased in this way. It has to be in the present tense—not "One day I will be better" or "I hope that I will be more energetic," but Every day I am more and more energetic and well. It is happening now. Your subconscious mind, which holds the power to bring about change, does not function in terms of time and space as your conscious mind does. It understands only the simplest and most direct instructions, and when they are given it works as if they had already occurred or are occurring now. The words you have chosen become your image. You put them to work by simply repeating the words over and over again silently to yourself while you are in the deeply relaxed state in your inner space. It is the constant replaying of the message day after day twice a day that works best, not how long you do it each time you relax. One convenient way of doing it is to repeat the directions ten times in each session, moving one of your fingers with each repetition until you have been through all ten. Then you simply say to yourself the same, "I am now going to come out of my inner space...(by counting backwards from three, etc.) and open your eyes. The best time for most women to practice creative visualization is in bed at night just before they fall asleep, and then again in the morning just before they get up. But really you can do it anytime—whenever you can find ten minutes to yourself in the middle of the day, or in the middle of the night if you awaken, or during meditation. The important thing is to do it regularly twice a day every day. You needn't worry about doing it wrong, either. Because, in truth, there is no wrong way, and every supposed wrong in the way you are doing the technique will gradually put itself right with practice. WATCH IT HAPPEN If you prefer, you can use a visual way instead, or you can use a combination of both. Picking the same goal, I want to have more energy, go through your relaxation technique. When you are at the inner space, instead of repeating words let your mind play with the image of your goal as if it had actually come about already, almost like a daydream. In other words, see yourself moving through your day, relating to people, doing your work, playing games, all the while full of vitality and bounce. Watch yourself in your imagination and enjoy the ease with which you do things that once seemed difficult or tiring. Notice the glow of your skin, how well you look; see the vivacity in the way you speak and move. Watch yourself and enjoy it. The more of it you let yourself imagine and the more you enjoy your imaginings, the stronger will be the images you are creating and the more quickly they will become reality. But as with the verbal instructions, always keep your images in the present as if they are actually happening now and not as if they might happen in the future or are something you would like to see happen. You may find at some point that something or someone is interfering with your image. For instance, you might find that as you watch yourself moving about energetically through the day in your mind's eye, another figure appears—say an old woman—who speaks to you. Perhaps she says something like, "You silly girl, if you don't slow down you know you will exhaust yourself or make yourself ill." Or, "Why are you pretending to be full of energy when you know that you are really tired?" and so on. Pause for a moment and take a look at the figure. Who is she? Your mother? A friend who tends to be negative about everything you try? The voice of a belief system from inside you which, without your being aware of it, has been telling you for years that you are tired? Answer the figure back. Tell her quietly but firmly in your mind, "No, you are wrong. I am well and I have lots of energy. I also know how to use it wisely. I will rest and look after myself when I need to, I will eat well, I will enjoy what I do. I will be happy with my vitality." Then go on with your visualization. Unexpected intrusions like this while you are visualizing are often very useful, for they help make you aware of belief systems and notions that may have been unconsciously impeding your progress towards a goal. Then, when you have practised your visualization for, say, five or ten minutes, tell yourself you are going to count backwards from three and open your eyes. A FEW TRICKS TO HELP In the beginning, when you are just starting to explore the power of creative imagery, it is a good idea to pick only one goal at a time and work on it for several weeks or months until it is being progressively realized before taking on another thing you would like to change. The technique of keeping a journal is very useful in recording your progress, but even more important is keeping a record of insights and experiences you come upon while practising the deep relaxation and visualisation techniques. The information and insights they turn up for everyone are invariably rich. Many times something you record today which seems not particularly useful now will have a message of immediate importance to you three months from now. Finally, there is one very simple goal that I find particularly useful because it covers all areas of one's life and you can use it over and over again, year after year, with benefit. It is, "Every day I am more and more myself. My life grows richer and richer." “Practice makes perfect,” the saying goes. It most certainly does but never treat your practice as a chore. Let it be fun. When you do everything happens faster and with greater ease.

What gives any woman charisma? The Chanel suit she wears? The car she drives? The way she has been taught to use her body or speak her words? Not really. For stylish or charming as these things may be, they are ultimately externals—things put on from the outside. As such they offer a woman little more than the appearance of charisma. And, like pastiche, appearances never deceive a discerning eye. What are the characteristics of real charisma? Where does it come from? How do you get it? And what is living with it all about? Charisma—the real McCoy—has certain characteristics: expansiveness for instance, and energy, joy and creativity. It is not only a way of being which calls forth all the powers of a woman— from the pragmatic to the inspirational, the intellectual to the intuitional. It is also a way of relating to yourself, to those you work with and play with—even to the planet itself—through all of these modes. That is why at its core, charisma is both disarmingly simple and immeasurably complex—neither more nor less than living day by day from a full and honest outpouring of your own individuality—the spirit which is unique to you. CHARISMA—YOUR UNIQUE ENERGY This unique nature, which each woman has but most of us have yet to discover, can be expressed in a myriad of ways from the most simple and playful to the most profound—in the colors you like best for instance, in the way you choose to have your hair cut, the kind of make-up you wear (or prefer NOT to wear). It is also explicit in the way you think and talk, and in the kind of deep values you embody, the dreams you dream and the things you create, whether they be works of art, intellectual or physical feats, or simple day-to-day ways of being. Charisma is also evident in the rhythms and fluctuations of this energy. How different you are, for instance on the tennis court, than when you hold a child in your arms, produce a piece of work, get involved in an intellectual discussion, or embrace a lover. Yet in each of these circumstances, provided you are true to yourself, you will have charisma—the originality of your spirit will shine through. IT COMES FROM WITHIN Contacting that unique spirit, coming to respect it and having the courage to live from it, is what gaining charisma is all about. Sometimes challenging, frequently exciting, this process can be a lot of fun too. As it takes place, the externals—the clothes and make up you wear, the way you move and how you relate to your world, cease to be arbitrary, like things you pick up with uncertainty to carry around with you. Instead they seem to unfold and develop beautifully and mysteriously—almost organically—from within, as ever more honest and potent expressions of who you are. Whatever forms or shapes your individuality takes, one quality tends to permeate every facet of charisma as it unfolds: aliveness. That is where health comes in. Health is right at the core of charisma. The more fully and honestly your unique nature shows itself, the more charisma you will have. Simple? Nothing could be simpler. Yet in our 21st century crazy world, it would seem that our every encounter with the world around us—from breathing increasingly polluted air, to interacting with a media intent upon selling us things we don't need or don't want at prices we can often ill afford—contrives in one way or another to interfere with the process. Decide not to let it interfere with your discovery of who at the very core YOU are. I firmly believe that each of us is being called to become a creator of a new world—for ourselves then for the planet as a whole. I hope you will join me in your own process of becoming, in essence, who you are at the deepest levels of your being. For along with all the horror in our world there is such great promise. Has there ever been a more perfect moment for your charisma to come into its own?