personal growth

“Take two jokes and call me in the morning.” It’s the prescription of physicians and psychologists who are aware that, if we want to look and feel our best, we should laugh more. Joy and laughter are fundamental to health and healing. Some of these men and women work diligently in research institutes, measuring cortisol levels while subjects watch Marx Brothers films. Others lead seminars for healers, doctors and business executives, helping them increase effectiveness and heighten pleasure by learning to see the funny side of things. Many work with cancer patients and the families of the seriously ill. This new breed of professionals comes in many sizes and shapes. You will often find little signs posted on their clinic walls saying things like: “I thought I made a mistake once, but I was mistaken” or “The Joys of Hypochondria” or "'I’m not afraid of dying. I just don't want to be there when it happens” (Woody Allen). ENTER GELOTHERAPY It is now well-known that our emotional state exerts a major influence on health and longevity. Laughing has a highly beneficial influence on the immune system. Thirty-four years ago, Normal Cousins wrote his still-famous book Anatomy of an Illness (New York: Norton). In it he describes how laughter, together with massive doses of vitamin C, brought about his complete recovery from an excruciating form of arthritis known as ankylosing spondylitis—a crippling spinal disease. Cousins was a renowned American political journalist, author, professor and world peace advocate. While dangerously ill, he discovered that 10 minutes of rich laughter watching Laurel and Hardy or old clips from Candid Camera would bring him two hours of pain-free sleeping with no side effects. When laboratory tests were carried out to measure inflammation—a serious symptom of the illness—they revealed that inflammation was greatly reduced after each bout of laughter. This validated Cousins’ subjective experience and started a revolution in gelotherapy—the word for the therapeutic use of laughter. After his illness had healed, Cousins was invited by Dean Sherman Mellinkoff, of the University of California at Los Angeles, to join the faculty as Adjunct Professor of Medical Humanities. Until this day at The Cousins Center for Psychoneuroimmunology, a task force of high-caliber scientists continue to map the ways in which the relationship between mind and body affects health and healing—especially the vital role that humor, laughter and other positive emotions and attitudes like determination, love, purpose, hope and the will to live can both heal and lengthen lives. Cousins wrote, “It becomes necessary therefore to create a balanced perspective, one that recognizes that attitudes such as a strong will to live, high purpose, a capacity for festivity, and a reasonable degree of confidence are not an alternative to competent medical attention, but a way of enhancing the environment of treatment. The wise physician favors a spirit of responsible participation by patients in a total strategy of medical care.” LAUGHTER IS CONTAGIOUS In Europe, Britain and the United States, many hospitals provide “humor rooms” where patients go to watch videos and laugh. Organizations like John Cleese's “Video Arts Program” offer courses which make use of laughter to teach managers how to handle difficult situations more effectively through humor. American psychiatrist William Fry, M.D. is someone who has been investigating humor's beneficial effects on healing for decades. He says, "We now have laboratory evidence that mirthful laughter stimulates most of the major physiologic systems of the body.” A good belly-laugh which speeds up the heart rate, improves blood circulation and works muscles all over the body is every bit as beneficial as a bout of aerobic exercise. After the laughter is over, you feel wonderfully relaxed. It benefits the heart, increases the consumption of oxygen, reduces muscle tension, pulse and blood pressure. Fry believes that laughter is a kind of blocking agent—a buffer which helps to protect us from the damage that negative emotions (particularly those that arise during illness) do to the body. He says, “In any serious illness there's a sense of panic and helplessness that have direct psychological effects. Humor is one of the full range of positive emotions that help establish a new flux.” Fry has also discovered that laughter and humor diffuse rage—the violent emotion at the core of Type A personalities, with their high disposition to cardiovascular disease. LAUGH STRESS AWAY At Loma Linda Medical Center in the United States, Research Professor of Pathology Lee S. Berk carefully charted many of the ways in which laughter is good for you. Most of them revolve around humor’s ability to counter the ravages of the classic stress response. When we are under stress, certain hormones such as noradrenaline, cortisol and adrenaline shoot up. Adrenaline constricts blood vessels, raising heart rate and blood pressure. Over time this can lead to tachycardia, heart palpitations and hypertension. Frequent laughter significantly reduces these negative consequences. Berk finds that cortisol levels are also significantly reduced when we laugh. High cortisol levels tend to suppress the immune system, making you more susceptible to illness and premature aging. Humor lowers cortisol, modulating the immune system. DO IT YOURSELF Some wonderful organizations have grown up to help those of us who have forgotten how to laugh rediscover the art. One of the most highly respected is The Humor Project, founded by American educator Joel Goodman in Saratoga Springs New York. It acts as a clearinghouse for information and programs worldwide designed to help people find successful ways of applying humor in their lives. This was the first organization in the world to focus full-time on the positive power of humor. Right from its inception, their mission has been to make a difference to the lives of individuals, organizations and nations. They do a great job of it too. You can order books, DVDs, props and software to help you personally or professionally. They host teleseminars and international Humor and Creativity Conferences which attract health care professionals and groups of humorists from around the world, as well as ordinary people wanting to improve their health and the quality of their lives. A month ago, Scientific American published an interesting article called “How Happiness Boosts the Immune System.” It examines some of the research now taking place, not only in respect to the influence laughter has on the immune system and healing in general, but on gene expressions. Professionals working with laughter are quick to point out that laughter is not just for the ill and infirm. It is for everybody. One of the best things about humor is that it breaks through the tendency each of us has to take ourselves and our values too seriously. It breaks down the roles we play and liberates the essential being locked within. It is the tendency we humans have to identify with our own self-created image, fears, beliefs and assumptions that takes us away from the joy which is our birthright. We all need to seek out and spend time with people who make us laugh. It is high time we rediscover the art of being silly—like a child. Learn More: How Happiness Boosts the Immune System Scientific Research on Laughter at Loma Linda University The Norman Cousins Center for Psychoneuroimmunology at UCLA The Humor Project

The word charisma literally means "talent, grace, a favor specially vouchsafed by God". The charisma approach to good looks focuses not so much on specifics as on the over-all impression you create - an expression of your personal and idiosyncratic feeling for who you are and what looks best on you. The charisma approach to good looks is bold, assertive and often witty. And, contrary to popular opinion, it is not the exclusive province of the special elect - women with perfect size 10 bodies and not a wrinkle on their faces. Far from it. Charisma is ageless. It exists in every culture. It is the icing on the cake - the external expression of your unique authenticity which gives you panache, boldness and humor, and transforms physical limitations like wide hips or giraffe necks into assets. It can make a wonderful statement out of a nose that by conventional standards is too big. Charisma makes you stand out in a crowd. Developing charisma of your own can not only be a lot of fun and have a dazzling effect on your outside world, it can even empower you to live more and more from your core. Charisma is something of far greater value than a docile conformity to conventional notions about fashion and beauty. affirming what's authentic What gives you charisma? The Chanel suit you wear? The car you drive? The way you have been taught to use your body or speak your words? Not really. For, stylish or charming as these things may be, they are more often than not chosen without any consideration of whether or not they have a connection with the individuality of the woman who wears them. It is rather like hanging Christmas baubles on a willow tree. As such, they offer little more than the appearance of charisma. And like pastiche, appearances never deceive a discerning eye. Developing your own charisma is first a question of acknowledging that how you look matters. Second, you need to make time to care for yourself and to explore who you are. Finally you have to rediscover the art of play. Your unique nature can be expressed in a myriad of ways, from the most simple and playful to the most profound: In the colors you like best, in the way you choose to wear your hair, the kind of make-up you wear, as well as how you think and talk, and in the deep values you embody; even in the dreams you dream and in the things you do and make - whether they be creations of art, intellectual or physical feats, or your simple day-to-day ways of being. That is why at its essence, charisma is both disarmingly simple and immeasurably complex - neither more nor less than living day by day from a full and honest outpouring of your individuality - that spirit which is unique to you.

Christmas had been full of laughter. But on Boxing Day when the children left, Emma began to cry. Grief racked her body. It was as though she had been taken over by a power beyond herself. There was no apparent reason for this, yet it went on for three hours. That was the beginning. Within three weeks, each time she went out to walk in the woods near her house, the trees, the grass, the rocks – all came alive. They seemed to vibrate with energy and to glisten with light, almost to breathe. Their colors had become overwhelming – too intense to bear. Panic set in. This healthy and competent woman in her early fifties feared that she was losing her mind. The doctor suggested tranquillizers, sleeping pills and psychotherapy. “Don’t worry,” he assured her. “We will soon have it all under control.” For Rebecca, 32, the crunch came at work after neglecting her relationship with her lover and ignoring a mounting biological urge to have a child, then passing up two intriguing job offers and working 18 hours a day for seven months on a marketing plan for a new toothpaste. She knew it was just what she needed for a promotion which would make her the first woman on the board. Then the managing director announced the take over. The launch had to be scrapped. The product would have been in direct competition with the new company’s own product already on the market. Two days later, her boyfriend announced he had fallen in love with someone else and was leaving. Then one morning while doing her morning run in the park, Rebecca sprained her left ankle so badly that she could not walk at all for two weeks. This meant that now, when it was absolutely crucial that she be at work to secure her future, she found herself completely bedridden. She felt her life collapsing around her and knew she was helpless to do anything about it. THE MOULTING BEGINS Two women in crisis – that moment in life when the foundations of personal safety, beliefs, security or values are challenged, overwhelmed by either internal forces or external events. When any one of us experiences such a crisis it is a sign that a moulting is about to take place. We are being asked to walk a passage which, if made with awareness and trust, can expand our experience of life and our sense of ourselves enormously. This demand for personal metamorphosis may be triggered by a death, the ending of a love affair, the recognition that one is addicted to alcohol, drugs or work, a dawning awareness that what you have always worked for and what you have achieved no longer holds meaning for you, the loss of a job or reputation, or even the detoxification process of a cleansing regime. Although each person’s metamorphosis is unique, experiences of profound change have much in common. The advice to people in the midst of crisis is pretty standard too. It goes something like this: “Pull yourself together,” or “Don’t worry,” or “Go see the doctor” (who most often supplies a long-standing prescription for potent antidepressants, barbiturates, or tranquillizers). In the case of women – particularly women of menopausal age – the men in their lives (whether they be husbands, lovers or bosses) are frequently made so uncomfortable by the unexpected changes in a woman’s feelings and behavior (changes that they themselves feel unable to handle) that they insist she must be mentally or biologically ill. For they, like most of us, just want things to return to normal. We are all afraid of crisis, and fair enough. Change that is truly transformative seldom comes easily. FRIENDSHIP HEALS As it turned out, Emma was lucky. Despite her embarrassment and shame about what had been happening to her, she frequently spoke about it to people whom she did not know very well. “It was as if I had to tell someone” she says “and I couldn’t speak to my family and closest friends since they were convinced I was crazy.” One of the people she told was a woman who had herself been through a similar experience five years earlier. Emma, relieved to find anybody who “understood” and didn’t brand her psychotic, began spending time with this woman. On the advice of her husband who thought a change of scene would be good for her, she decided to spend a fortnight with her new friend in a small holiday cottage in the Lowlands of Scotland. There the two women lived together, ate together and walked in the wilderness. Emma’s symptoms continued, but the woman she was with was not in the least afraid of them, neither did she worry about Emma’s intense emotions – feelings of grief at the loss of her children, of uncertainty about her future, of abandonment much like a baby must feel when taken from its mother – nor about her strange bodily sensations which were particularly severe at night. She simply stayed with her friend and allowed it all to happen. In Emma’s own words, “The experience of her simply letting me be in the state I was in and her complete sense of trust that what was happening to me was all right was incredible for me. I learnt from it that the death I feared was not physical death as I had thought, but the death of everything in myself that was meant to die – the end of the life I had lived as a mother, always sacrificing myself for the sake of my children and my husband, and the death of my image of myself as a responsible but limited person with no real sense of identity apart from the way I could serve others.” After about ten days, her symptoms peaked and then began to subside. By the time she got home she was still experiencing strange energy flows in her body and the colors still seemed extraordinarily bright (it took about three months for all that to change) but now she no longer feared what was happening because, she says, “I could feel for the first time in my life that there really was something inside me – something very alive and real. I am determined to get to know it and to find out what it is all about. Where it will lead I don’t know. I have begun to paint – to try to get some of that vibrancy of color on paper. Incidentally, a lot of people don’t like the `new me’. They prefer the `good old reliable Emma’. But I feel, far from my life being over, that I am beginning a new adventure and that wherever it takes me, it is uniquely mine.” HARBINGERS OF CHANGE This sense of impending death which Emma experienced is common in the experience of moulting. It is something I have experienced again and again before a major change takes place in my life. As American expert in transformative psychology, John Wier Perry MD says,: “Whenever a profound experience of change is about to take place, its harbinger is the motif of death. This is not particularly mysterious, since it is the limited view and appraisal of oneself that must be outgrown or transformed, and to accomplish transformation the self-image must be dissolved… one is forced to let go of old expectations… let oneself be tossed about by the winds of change…cultivating a more capacious consciousness, open to new dimensions of experience.” Perry, a Jungian analyst, encourages people to work through their experiences—even when they are very extreme – without the mitigating effect of drugs. Instead they are given the support of a safe place to be while their particular moulting is taking place, and a lot of loving support from people who have, from experience in their own lives, learned to turn the experience of crisis into a passage to power. Perry insists that, like the crab in need of a new shell, what precipitates such a crisis is the surfacing of energy from deep within the psyche, which has been bound up in the structures of a self-image or a worldview that has become obsolete – too limited to suit a person’s needs. AS INNER AND OUTER MEET One of the most common objections amongst conventional “batten-down-the-hatches” psychologists to viewing crisis as part of a transformational process is that, while a crisis such as Emma’s appears largely to have arisen from within, that of Rebecca was triggered entirely by outside events – the company take over, the decision of the man in her life to leave her, the accident to her ankle which put her to bed – all things over which she had no control. Or did she? According to transpersonal psychologist Barbara Sommers, the outer and the inner world are not as separate as we might imagine. A woman like Rebecca may be far more responsible for precipitating the outer events that triggered her crisis than she thinks. Each of us has an inner and an outer world. When these two get out of balance, say, by emphasizing external or material values to the detriment of more personal deeper values, then a person invites disruption. The more someone like Rebecca pushes on with her ambitions and neglects her inner voice, the closer she brings herself to situations that precipitate crisis. Then crisis becomes a way of rebalancing things by forcing her to turn and look within. Things fail: She loses the man she loves because she has, by her actions, undervalued and neglected the relationship, and she damages her body so she is quite literally forced to go to bed, to be alone and to listen to her inner voice. In Sommers’ words, “The real woman inside her doesn’t like the way she has been living so she starts to cry out, `What about me?’ The more she drives her energy into her conscious external life, the more power from her unconscious is generated to redress the balance. The `feeling’ side of her (as opposed to the `doing’ side) actually magnetizes a field around her so things start to happen.” According to Sommers the important thing about Rebecca’s crisis is that out of its forcing her to be with herself, instead of constantly being caught up in doing, comes the opportunity to ask questions such as “Who am I?” and “What do I want? – is my goal really to have a seat on the board? Or is that something I think I want because my father, my society, my friends think it is important?” All crises big or small are opportunities to get in touch with the wholeness of ourselves, not just to live lopsidedly or as partial people pushed into the way we are living by our culture, by education or by other people’s views or values. REHEARSAL FOR REBIRTH All crisis offers transformation provided, as the poet Rilke says, we have the courage to embrace it: “…this very abyss is full of the darkness of God, and where one experiences it, let him climb down and howl in it (that is more necessary than to cross over it.” Let yourself become aware of any structures of your own life – emotional, physical, environmental, intellectual – which no longer serve you and the choices you are making. See if there are any passages that are appropriate for you to make consciously. Making simple changes willingly can be useful practice for developing the skill of transforming crises, when they appear, into passages to power. You might like to experience the passage to new energy and clarity that a detoxification diet followed for a few days can bring. Or you might try doing without some addictive substance or activity which you feel is draining your energies. If you choose to do either, notice any changes that come about and pay attention to any messages that you get from within in the process. After all a brand new year has just begin. It may well be calling forth a new you...perhaps the richest most creative just waiting to be born.

The response to my recent blog “Your Magnificent Self” was enormous. This week’s is PART ONE of my reply to your having asked for more...PART TWO comes next week... Each one of us is ceaselessly involved in creating the quality of our own life. We do this through image-making—a universal characteristic of the human mind which even precedes thinking in the brain. We see, worry, put together ideas, dream, speak, and wonder, all through images. In fact, we experience a continuous flow of mental pictures, both conscious and unconscious, every moment of our life. This capacity to visualize—to 'image'—is one of the miracles of that comes with being human. Thanks to it, we are able to organize our reality, communicate with each other, and make sense of the limits of time and space around which our lives can be organized. THE MAGIC OF IMAGING Images have tremendous potency. When used wisely, your personal images are easy to direct for your own good. They are too often used against you when you are not conscious of them, or when you remain unaware of the amazing powers of choice you were gifted with from the moment you were born. Despite Freud’s assertions to the contrary, we human beings are most certainly not, as he believed, a collection of repressed destructive urges, only restrained by learned moral constructs from destroying ourselves and others. In truth, each of us is autonomous. And, like all beings in the universe, each of us has freedom of choice. CORE FRUSTRATIONS The destructive tendencies we all carry are most often the result of frustrations in the expression of one’s essential being—your unique and magnificent core self. Moving toward happiness and freedom from frustration, as well as freedom from the negative thought patterns and the destructive behavior they engender, develop as we learn to trust our innate self-actualizing tendency. This comes with finding out what we most desire at the deepest levels of our being—when we begin to discover the unique truths that lie within us and live out our day-to-day lives guided by them. In too many of us, self-actualizing tendencies remain undeveloped. Until we become committed to discovering them within and calling them forth, we tend to regress into fear, frustration, and confusion. When we decide to discover them inside us, we start to become stronger, in every way... physically, emotionally and spiritually. Life becomes a process of deep, often rapid growth. Potentials we did not know we had surface then start to blossom into creative projects. A whole new view of our life and self-worth is issued in. Life becomes simpler and happier even if, as is often the case, the world all around us seems to be rapidly crumbling or completely insane. RADIANT AND UNIQUE A fully functioning human being is radiant—more alive than most. He or she is someone who has access to mental and physical powers and is able to use them wisely. As such, these people carry their own unconventional view of things but they are, at the same time, spontaneously more accepting of themselves and of others. Their sense of satisfaction comes from inside, not from the 'carrots' offered through advertisements and self-proclaimed New Age gurus who are now riddling the world with “systems” purporting to bring step by step enlightenment, if only we follow to the letter what they are teaching. Such sheep-like behavior is becoming endemic because there is so much suffering and fear in the world. It is time for each man and woman to connect with their unique authentic being, and come to live life from there. Perhaps the most important question to ask then, if full functioning or self-actualization is so beneficial both physically and mentally, is: how do you go about strengthening your natural tendencies towards it? There are several ways to begin. Here are some simple tools to start with. FIRST STEPS First, entertain the possibility that your essential being—your core self—exists. You are someone quite individual, quite different from everyone else in the world. To those who have not yet experienced this awareness, it can seem a bit strange at first. Others will find it is something they have known all along without ever putting it into words. Still others will immediately accept the notion as self-evident. WHAT YOU BELIEVE Take a look at the ideas, behavior patterns, or assumptions about yourself and your life—in effect, your belief systems. So often, collections of notions which are largely unconscious can be major blocks to your free expression. They come in many forms. They can be ideas you hold about yourself such as ‘I am physically weak', or 'I can't wear my hair back because my nose is too big', or 'I will never be successful...”a good person”...someone of genuine value', or 'I am too old to change'. Some belief systems are even more deeply embedded things like 'I can never do anything right', or 'I am only a woman'. When you become aware of these notions and the power they hold over you, then write them down, you will discover that many are little more than habitual assumptions with no basis in fact. Then you will gradually find them falling away, so that you are free to be whatever you want to be. LIVE THE MOMENT Whatever you are doing, try letting yourself experience it fully. Get really involved in an event, action, or project in the way a child would—wholeheartedly. Whether you are peeling potatoes, enjoying music, scrubbing floors, planning work, making love, or eating, let yourself be absorbed in the task, forgetting everything else for the moment. While we live in the moment and surrender ourselves to it, we can discover a whole new way of relating to life. There is a real delight in this kind of involvement. It silences the usually worried thoughts and concerns that sap your energy and make every event less interesting than it should be. This ability of complete involvement is also a key to enormous vitality. At such times, little of you is wasted on anxiety about the past or future, or meaningless and unproductive worry about yourself and others. WRITE IT DOWN Another way to develop this awareness is through meditation or deep relaxation. When you are relaxed yet alert, non-productive thought patterns and habits loosen their hold, as do common interfering emotions such as anxiety and fear, so you are better able to hear your inner voice. Listen to it. Let it be your guide in matters of taste and in decisions you have to make. Most of us listen not to ourselves, but to Mummy or Daddy's interjected voice or the voice of the Establishment, of the Elders, of authority or of tradition. Begin to explore how you feel about something or what you really want. Then record it. Keep a simple little journal with you at all times. Leave it on the nightstand when you go to bed with a pen or pencil to record whatever imagery comes to you when you walk, relax, meditate or dream. This is a delightful and easy way to begin the process. I suggest that you keep this simple notebook with you wherever you go as artists and writers do. You never know when desires, visions, questions and insights are going to make an appearance. As they do, record them in words or drawings. My suggestion is that, if at all possible, keep your journal to yourself and don’t let others see it. This provides greater freedom for the powerful imaginal world within you to reveal itself to you in marvelous and unique ways. PATH TO FREEDOM STARTS HERE The more we can become aware of what we think, feel, want and don’t want—in short, of our own quite unique values, the better our health becomes and the greater we experience absence of pain, discomfort, anxiety, tension, insomnia, nightmares, indigestion, constipation; lack of fear, longevity, and pleasure, in coming to live more and more as a fully functioning human being. This experience is not so much a state as a process which leads to the discovery of your own identity, nature, and creativity, as well as your own unique brand of joy and freedom. More to come next week... Every blessing... Leslie

Within each human lies an essence, a truth, a core of self, with one and only one intention - that it may be fully expressed, wholly manifested in material form while we live on this earth. Each year I become more aware that illness, lack of energy, a sense of confusion or lack of meaning in one’s life stems from a basic frustration of the expression of this essence. These things are often calls from the soul, asking you to become more aware of who you are at the deepest level and live out your unique soul nature in your day to day life. True healing is a transformation. Energy, power and authentic freedom grow as we engage in the process of connecting with our true essence and soul’s purposes and express them in our lives. To do this we need to call on all sorts of tools and techniques, from detoxifying body and mind, to herbs and natural treatments, to exercises for expanding awareness. Take energy for instance. Being able to live out your energy potential depends on how well you nourish yourself - physically, emotionally and spiritually - day by day. This means developing a lifestyle which incorporates exercise, good food, restorative sleep and the myriad of other possible factors - from hydrotherapy to super nutrients - that help support your own brand of vitality at peak efficiency. But energy too depends on living from your core, not by other people’s rules. It depends on living what you love most in some way, what feeds you most at the deepest levels. In discovering this and living more and more in this way, you not only fulfill your own life more richly than is possible in any other ways (after all we can only collect so many PhDs, BMWs and lovers). You also bring the very highest gifts that you have to give to your family, your community and the earth as a whole. Live your soul’s passion and you call on virtually endless energy. For health not only depends on how you eat and what exercise you get, and how you deal with the stress. All of these things are important. Each of us needs to develop a way of living unique to our needs and that calls for our body and psyche. But real health doesn't stop here. For ultimately, health is nothing less than the process of unfolding which each one of us goes through to become more fully who we really are. To empower this process we need consciousness expanding techniques such as meditation, autogenic training and prayer, for instance. All these things can be useful. But so far, the most useful spiritual tool of all I have ever found is the most ancient practice in the world: shamanism. These 30,000-years-old simple practices can not only be useful for healing, divination and creativity. Shamanism can also play a major part in your unfolding. Practical, simple to learn and easy to use, shamanic techniques can enrich your creativity, heighten your energy, and bring your outer life progressively in line with your soul’s purpose, enhancing your own and others' in the process. I created my Journey to Freedom books, tapes and other workshops to help people learn shamanic skills and reestablish a sense of connection with their own authenticity as well as the universe as a whole. This invariably brings great joy in its wake. It can bring you face to face with the only true guru for health, healing and spiritual guidance that exists: the guru within you. That is where the greatest power lies. Once you begin to align your life with your own truth, the universe supports you in a way you may never have dreamed possible. Working with people through their own health process, helping them discover whatever is most appropriate to their needs on both a physical and spiritual level, and teaching them how to work with these things, is the most exciting thing in my life. For each person is totally unique. Each of us carries a divine spark of soul which we are here to live out to the full, bringing our own individual brand of spirit into material form as we walk the earth. The beauty of watching this happen in those I work with is for me like walking in a garden and seeing flowers and plants, trees and rocks that I have never seen before. I am dazzled by their beauty.

In my last post, we looked at unconscious image-making which prevents us from experiencing authentic freedom and undermines our sense of self. Now let’s flip destructive image making-on its head. It’s time to learn the art of conscious image-making It can improve health, heighten self esteem, and even forge the person whom you long to become in the future. All you need is a simple notebook in which to record your intentions, goals and experience plus 15 to 20 minutes a day to practice the art. This can be a lot of fun. POWERS OF THE MIND Creative imagery is the deliberate, repeated use of specific mental images, while in a deeply relaxed state or meditative state, to bring about change for the better. Just how creative imagery works has never been fully defined. It does, however, appear that the images one chooses to focus on when repeatedly held in the mind are able to affect one's body, emotions, and mind through the autonomic nervous system. Some of the process, at least, is explainable in biological and energetic terms. When a thought or image is kept in the mind of someone in a state of deep relaxation, his or her brain shows neuronal activity in both right and left hemispheres. Nerve fibres leading from the cerebral hemisphere through the hypothalamus can directly affect the autonomic nervous system and the pituitary gland as well as the adrenal cortex. Everyone has had experience of this image-making to some extent in day-to-day life. For instance, if you keep a frightening image in your mind's eye—say of a ghost, a fantastic monster, or a situation you want at all costs to avoid—your body will respond via the autonomic nervous system with a racing heartbeat, perspiration, dryness in the mouth, or gooseflesh. How strong your reactions are to the fearful thought depends entirely on how clear the image is. Similarly, when you hold a clear, relaxing image of perhaps a spring meadow or a person you love, your body responds with relaxed muscles, lowered heartbeat and blood pressure, and generally pleasant and passive bodily sensations. Researchers have found that through this mind-body connection we can exercise a great deal of control over our bodies and our behaviour simply by choosing images to focus on and using them regularly. In fact, this kind of deliberate visualization is the technique behind the ability yogis demonstrate in raising and lowering their bodily temperature or heartbeat at will, going for long periods of time without food, and performing extrasensory tasks. TRUST THE GAME Although the mechanism of creative imagery is highly complex, putting it to use is simple. For just as it is unnecessary for you to know how the nervous system, in conjunction with the brain and muscles, makes it possible for you to pick up an apple and take a bite out of it in order to perform the action, so it is not necessary to understand biological theories about creative imagery in order to practice it to your benefit. The imaging mechanism of your brain works automatically; all you have to do is provide it with images that are useful to you and let it do its job. Nor do you have to worry about whether or not you believe in creative imagery or whether or not you can do it well enough for it to work for you. If there is a goal that you want to achieve, you need simply to visualize it—again and again, at least twice a day; the rest is automatic, so long as your goal is something you consciously consider to be feasible. It would be absurd, for instance, to lie down for ten minutes each morning and afternoon and visualize yourself as an eagle. You might improve your imagination no end, you might also develop a great empathy for eagles, but it unlikely that you would develop wings or a beak. Nor need you worry about success or failure. As Maxwell Maltz says in his book Psycho-Cybernetics, "You must learn to trust your creative mechanism to do its work and not `jam it' by becoming too concerned or too anxious as to whether it will work or not, or by attempting to force it too much by conscious effort. You must let it work, rather than make it work. This trust is necessary because your creative mechanism operates below the level of consciousness." The only real "trust" needed for it to work is that which makes it possible for you to spend time repeatedly practising creative imagery. You do this by letting yourself go into a state of deep relaxation or meditation and then repeating your chosen image again and again over a sufficient length of time for it to take hold in your unconscious and begin producing results. You certainly don't have to trust it in the sense of believing in it for it to work. It will work whether you believe it or not. Just be consistent in using the technique regularly. PREPARE THE WAY Begin by learning to just let go. Creative imagery is an inner state of mind. To visualize effectively you need to put yourself into a calm, relaxed state in which mental images flow easily. Generally the more relaxed you are, the more successful your visualizations will be. This kind of relaxation is something that is learned gradually by practice. Even if you feel in the beginning that you are hardly relaxed at all, you will get benefits from your imaging and this will become progressively more true as you repeatedly practice visualization. Begin by lying down, or sitting in a comfortable chair, with your back well supported. Use a simple practice such as zazen or gentle, quiet deep breathing to let go of daily concerns and enter your private world. When you feel yourself quietly calm resting in your own inner space, there are several things you can do: In this space, you can examine in a new light any question that has been bothering you. You have access to the deeper layers of your mind where many answers can be found, provided you are willing to ask the questions simply and then just wait in stillness for the answer to come. This place is also where you can become aware of your belief systems and bring them to consciousness so that you can examine them in a detached, objective way and see whether they are working for you or not. You can then decide what you want to keep and what your want to leave behind. It is a place where you can learn to listen to the sound of your inner voice. The more you do this, the easier it becomes. This inner voice can guide you to where you are going next and tell you what you are about. It is a place where you can come to know yourself for who you really are, quite apart from roles and habitual assumptions you have always had about yourself. Most important of all in bringing about change, you can use this inner space to practise creative imagery. Go through your relaxation technique until you enter your inner space. Now you are ready to begin visualizing. You can do this in two ways: verbally, by simply repeating over and over a few words that describe the image, or visually, by simply seeing yourself as already having become what you want to be. For some, who at first experience difficulty in visualizing, the verbal method works better; for others, the visual method is more successful. Try them both and see which you prefer. Later on, after you are familiar with the use of creative imagery, you will probably want to use both. FOCUS YOUR DESIRE Let's say you pick as your goal the desire "I want to have more energy." Using the verbal method, turn the wish into a positive statement. It becomes "Every day I am more and more energetic and well." It is important that your goal be phrased in this way. It has to be in the present tense—not "One day I will be better" or "I hope that I will be more energetic," but Every day I am more and more energetic and well. It is happening now. Your subconscious mind, which holds the power to bring about change, does not function in terms of time and space as your conscious mind does. It understands only the simplest and most direct instructions, and when they are given it works as if they had already occurred or are occurring now. The words you have chosen become your image. You put them to work by simply repeating the words over and over again silently to yourself while you are in the deeply relaxed state in your inner space. It is the constant replaying of the message day after day twice a day that works best, not how long you do it each time you relax. One convenient way of doing it is to repeat the directions ten times in each session, moving one of your fingers with each repetition until you have been through all ten. Then you simply say to yourself the same, "I am now going to come out of my inner space...(by counting backwards from three, etc.) and open your eyes. The best time for most women to practice creative visualization is in bed at night just before they fall asleep, and then again in the morning just before they get up. But really you can do it anytime—whenever you can find ten minutes to yourself in the middle of the day, or in the middle of the night if you awaken, or during meditation. The important thing is to do it regularly twice a day every day. You needn't worry about doing it wrong, either. Because, in truth, there is no wrong way, and every supposed wrong in the way you are doing the technique will gradually put itself right with practice. WATCH IT HAPPEN If you prefer, you can use a visual way instead, or you can use a combination of both. Picking the same goal, I want to have more energy, go through your relaxation technique. When you are at the inner space, instead of repeating words let your mind play with the image of your goal as if it had actually come about already, almost like a daydream. In other words, see yourself moving through your day, relating to people, doing your work, playing games, all the while full of vitality and bounce. Watch yourself in your imagination and enjoy the ease with which you do things that once seemed difficult or tiring. Notice the glow of your skin, how well you look; see the vivacity in the way you speak and move. Watch yourself and enjoy it. The more of it you let yourself imagine and the more you enjoy your imaginings, the stronger will be the images you are creating and the more quickly they will become reality. But as with the verbal instructions, always keep your images in the present as if they are actually happening now and not as if they might happen in the future or are something you would like to see happen. You may find at some point that something or someone is interfering with your image. For instance, you might find that as you watch yourself moving about energetically through the day in your mind's eye, another figure appears—say an old woman—who speaks to you. Perhaps she says something like, "You silly girl, if you don't slow down you know you will exhaust yourself or make yourself ill." Or, "Why are you pretending to be full of energy when you know that you are really tired?" and so on. Pause for a moment and take a look at the figure. Who is she? Your mother? A friend who tends to be negative about everything you try? The voice of a belief system from inside you which, without your being aware of it, has been telling you for years that you are tired? Answer the figure back. Tell her quietly but firmly in your mind, "No, you are wrong. I am well and I have lots of energy. I also know how to use it wisely. I will rest and look after myself when I need to, I will eat well, I will enjoy what I do. I will be happy with my vitality." Then go on with your visualization. Unexpected intrusions like this while you are visualizing are often very useful, for they help make you aware of belief systems and notions that may have been unconsciously impeding your progress towards a goal. Then, when you have practised your visualization for, say, five or ten minutes, tell yourself you are going to count backwards from three and open your eyes. A FEW TRICKS TO HELP In the beginning, when you are just starting to explore the power of creative imagery, it is a good idea to pick only one goal at a time and work on it for several weeks or months until it is being progressively realized before taking on another thing you would like to change. The technique of keeping a journal is very useful in recording your progress, but even more important is keeping a record of insights and experiences you come upon while practising the deep relaxation and visualisation techniques. The information and insights they turn up for everyone are invariably rich. Many times something you record today which seems not particularly useful now will have a message of immediate importance to you three months from now. Finally, there is one very simple goal that I find particularly useful because it covers all areas of one's life and you can use it over and over again, year after year, with benefit. It is, "Every day I am more and more myself. My life grows richer and richer." “Practice makes perfect,” the saying goes. It most certainly does but never treat your practice as a chore. Let it be fun. When you do everything happens faster and with greater ease.

When I was six years old I had my first love affair. Yes, really. Of course, not until years later did I recognize the experience for what it was. But like every first love, it changed my life forever. My father was a jazz musician so our house was equipped with the best possible sound equipment. Both he and I loved to listen to music—just about any music—at full volume. This my mother could not stand—which made it something even more exciting. While my playmates roamed the hills of Hollywood skinning their knees, I would lie on my belly in the living room, listening to music at full blast. THE MAGIC BEGINS One day, combing through our vast supply of records, I came upon Stravinsky’s “Rite of Spring.” It meant nothing to me, but I liked the colors on the cover, so I put it on the record player, turned up the volume and flopped in front of our huge speakers. Strange, mysterious, often discordant sound flooded my body, opening a secret door to somewhere deep inside me. It was a place I had never been before. I did not even know it existed. I trembled with fear and excitement as the music wound its way into me. I flushed hot and then cold; my heart raced then calmed. I lost all sense of place and time as I rode the waves of an imaginal sea into unexplored worlds, too numerous to identify. ONE WITH STILLNESS I have no idea how long this lasted. Before long, even the “boat” carrying me along, and all the images that came with it, had dissolved like sugar in water. Then, in perfect union, the sounds and child-that-had-been-me swirled into a vortex, becoming lost in each other. We shared excitement, fear, longing, fierceness and sadness. Like lovers, we had come together—music and child—in an immediate, passionate, all encompassing union. Eventually I found myself at the centre of this whirlpool. There, even the ecstasy of the movement vanished. Like Alice down the rabbit hole, I tumbled—not into Wonderland, but into that place of unspeakable stillness. Zen practitioners claim this place is available at every moment to each one of us. For me it was an indescribable event—beyond space, beyond time, outside thought. Here I knew, without the slightest possibility of ever being able to describe it, that everything was exactly as it should be. In the words of Zen Master Daisetz Suzuki, it is a place where I would eat when I am hungry, sleep when tired. I knew that “it was fine yesterday and today it is raining.” Or, in the words of Julian of Norwich, that “All things shall be well, and all things shall be well, and all manner of thing shall be well.” My affair with Stravinsky lasted more than four hours. At least that’s what my mother said. “Don’t tell me you are still listening to that awful music.” She had to raise her voice to be heard above the sounds. “For God’s sake, turn it off. Do something useful.” MY USEFUL LIFE So I did something useful. I went to school, then to university where I learned at least some of what you are supposed to learn. I earned praises for good marks, went to work, won prizes, gave birth to four children, wrote books, gave talks and made television programmes. In effect I did what millions of men and women do—became the breadwinner, the carer, the nurturer of others’ lives. And I loved it. Yet through all the years between six and now, my passion for music, painting, books, poetry, architecture and design never left me. Far from it. During most of those years, my longing not only to experience the emptiness that listening to Stravinsky had brought me that day—an epiphany, and the experience of being fully alive for the first time in my life—but also to create things: books, films, relationships, and to explore physical places, inviting me to move beyond thoughts to a place of unity with the rest of the universe. They kept gnawing at my gut. They would not go away, just as the urge to breathe never goes away no matter how long we hold our breath. SIX YEAR OLD WISDOM That day, when I lay on the floor lost in Stravinsky, without realizing it I had decided that what interested me most was the beauty of art—whether it be music, words, film, stories, sculpture, buildings or what-have-you. Why? Certainly not because I had any idea that art was supposed to be valued since it was part of what grown-ups called culture. I knew nothing about either. I could not have cared less. After all, I was a kid who, when I was not entranced by what I was seeing, hearing, feeling or touching, spent the rest of my day learning card tricks, wrestling with my rough Collie, and trying (unsuccessfully) to sell packets of chewing gum my grandfather brought me to neighbors’ kids. Nope—I loved the beauty and wonder of art in all its many forms because, unlike the world around me, with which I seemed to have little in common, it had always grabbed hold of me and would not let me go. It demanded of me both a submission and an active participation in the making of it. TIMELESS REALITY What I did not know, and this took me scores of years to come to understand, is that the rabbit hole into which I had accidentally tumbled at six is described by every culture and religion in the world in one form or another. Nor had I any idea that, at any moment in time, anywhere in the world, regardless of the circumstances of our lives, it is available to each of us. To Zen Buddhists, this wordless, timeless space represents ultimate reality—that which can only be sampled through immediate experience. In Suzuki’s words, “For the sake of those crucial experiences Zen Buddhism has struck out on its own paths which, through methodical immersion in oneself, lead to one’s becoming aware, in the deepest ground of the soul, of the unnameable Groundlessness and Qualitylessness—nay more, to one’s becoming one with it.” ANNIHILATION AND RENEWAL It is a state in which nothing is thought or contrived, longed for or expected. It reaches out in no particular direction, yet it knows itself able to handle the possible as well as the impossible. Concentrated, yet so expanding is its potential, such power is both purposeless and egoless. As such, it is often called truly spiritual. Why? I suspect because it is charged with an awareness that spirit is present everywhere. The universe and all that is created is never attached to place or time. In such a state, because the cosmos is present everywhere, we too are present everywhere. We have direct experience of and access to the power that continues to create the universe itself. And, like water flowing through the river, we have full access to that power of creation to use in our own lives, in whatever way we choose. DOORWAY TO BLISS The Sufis call this state fana—the annihilation of your individual selfhood. When we experience fana, our everyday personality becomes transparent, so the larger being that we are shines through. You become fully absorbed in the all-encompassing fascination of the moment—textures, nuances... Cutting edge physicists speak of a holographic universe in which we live but seldom access because we are plagued by endless mental concepts which blind us to reality. They also blind us to the experience of Samadhi—“a non-dualistic state in which the consciousness of the subject becomes one with the experienced object.” This state of selfless absorption and total surrender is characteristic of children when left alone to follow their instincts. Yet it is available to each one of us, regardless of age. Honoring whatever brings us bliss in our own lives opens the door to it.

The reward of each and every hero’s journey is life-transformation on every level—caterpillar into butterfly, base metal into gold.  Gifts from experiencing this process are legion.  They range from radiant wellbeing, creativity and joy, to becoming free so you can live your life authentically from the core of your being. If you have not yet read “Transfigure Your Life Part One”, I suggest you do this now before reading further... SPIRITUAL SANCTUARY As we move into the second part of every hero’s journey, we enter an unfamiliar and potentially dangerous realm.  Yet it is here, within your own dark inner cave, that you begin to discover your unique life purpose and values. In Arthurian legends, this Innermost Cave is the Chapel Perilous—a dangerous room wherein the Grail is hidden.  As each hero enters his or her dark cave, they need to be prepared for a new reality.  To a woman, this is the place where the mythological Dark Goddess dwells. To a man, the cave is often the arena in which he will need to fight his unique dragon so he can win his treasure. In stories of male heroes, the central image for what is sought is often a gem or a radiant jewel.  For a woman, it is frequently the image of a child—an offspring of her own spiritual rebirth. Instead of having to slay a dragon, a woman often has to remain in this place, enduring what can seem like unendurable silence.  She needs to listen and learn before she unearths her own treasure. Sometimes, as a woman makes her descent into the innermost cave, she tumbles headlong into an experience of the dark night of the soul. Often the hero’s journey a woman makes takes place around the time of menopause. It can be fraught with confusion and grief, or filled with loneliness and anger.  Meanwhile, in this place of bone-chilling darkness within her own being, she may feel turned inside out, naked and exposed.  For all the things she thought she knew about herself and her life no longer apply here. WOMAN’S WAY Far away from comfort and companionship—which she may, at this point, only vaguely remember—silence pervades.  Endless tears without name she may shed.  Occasionally, when a woman enters the innermost cave, she may not even have the strength to get dressed—let alone cook or clean or buy food.  To friends and family, she may seem like a lost creature.  She may forget things. She may dig in her garden or wander in the woods.  Yet all these tasks are wise woman’s work. The route that can eventually lead her out of the underworld and then return her home in a transfigured state is not the same as that of a man.  He often needs to move up, away from himself, to locate his path.  For a woman to find the treasure, she must lay aside any interest in culture or games of the mind and turn within. As she does this, she becomes more and more connected with her body, her sexuality, her dreams, images and desires.  And, as she moves even further into the depths, she begins to reclaim those parts of her that have been lost.  Here, in the ground of her being, she will come face to face with her greatest yet most rewarding challenges.  Here she will confront her fears and touch the pivotal crux of her hero's journey.  Here she tastes “death” by facing her own shadow.  And, when at last it is all over, the Dark Goddess waits ready to bless her and bestow upon her the greatest treasure of all—her body and soul.  But this is not the end of any man or woman’s hero's journey.  These heroes are soon faced with the task of bringing this treasure back home. It’s a job easier said than done. THE ROAD HOME The Wizard of Oz’s Dorothy escapes from the castle of the wicked witch. Luke rescues Princess Leia and gets the plans of the Death Star. The Princess throws her frog against the wall and he turns into the beautiful prince.  Yet the game is far from over.  Having survived the ordeal, withstood the pressure, slain the monster and taken possession of the treasure, every hero now has to make his or her way home. Further challenges invariably appear.  Dorothy discovers that the hot air balloon which the Wizard has provided to take her back to Kansas is not the sure form of transport she had hoped.  Toto runs off after a cat.  In trying to bring him back, the balloon takes off without her and we fear she may be trapped forever in the underworld.  Luke Skywalker and Princess Leia are pursued by Darth Vader as they make their escape from the Death Star.  Joan Wilder—having defeated the evil men who wanted to kill her and steal the stone—returns to New York, where she faces the arduous task of turning what has happened into her next romantic novel.  It is never an easy task for any hero to pass back and forth between ordinary and non-ordinary reality.  For much energy is spent during the supreme ordeal, and he or she may not have banished their enemy completely. Sometimes, on the road home, the hero experiences a sudden reversal of fortune just when he or she thought that the worst was over.  Should this take place, he or she is being given a chance to test out those newfound powers by overcoming adversity. There may still be a few shadows lurking—old ideas, old ways of doing things. But the game has changed now.  While within the innermost cave, an alchemical process has been completed.  We are no longer the men or women that we once were.  Now we need to learn new ways of living, and new methods of returning to the surface, because most of the rules we once lived by may no longer apply. DEEP CLEANSING In primitive societies, after a woman had entered the traditional moon lodge for a few days during her menstrual period, or when a man returned from a hunt, they were required to be washed and purified before being allowed back into the community. After all, they too had visited an underworld of non-ordinary reality while away. They had walked in the land of the dead.  Any blood that had stained their hands during this experience, or any soil that remained on their bodies, needed to be washed away.  At the end of a hero’s journey, the newly born offspring is now returning home in its transfigured form. This, too, is a time for spring-cleaning the body and mind, for doing whatever is most comforting and rewarding so the returning hero regenerates him or herself—perhaps by listening to music for hours on end, awakening at dawn to take a long walk, or carrying out some ritual  or meditation to help refocus life while getting used to being home again. Finally, he or she arrives back home with the elixirs, treasures, wisdom and knowledge.  The mysterious world of non-ordinary reality has been entered. Trials have been faced and overcome.  In the process, they have made a deeper connection with their own essential being. Dorothy gets back to Kansas having learned that she is loved and finds that, after all is said and done, "there's no place like home." Luke Skywalker destroys the Death Star so peace and order can return to the galaxy.  Joan Wilder writes her book, keeps the faith and gets her Jack, complete with alligator boots and a boat in which she can sail around the world.  Their hero's journey has come full circle.  They have returned to the place from which it started.  Yet for neither is this place as it was before their journey began. For, having brought back home the power and the blessing they earned while in the numinous realms they visited, they have been reborn.  In truth, even the world itself has been renewed. ENDS AND NEW BEGINNINGS A woman who completes her passage into the underworld and returns discovers that, within her darkness, confusion and loneliness, she has discovered a new joy, a new sense of meaning.  She now knows that the world which once seemed fragmented now all fits together.  She has tasted—often for the first time—her own authentic power and freedom.  She knows that she no longer has to live by other people's rules.  Indeed, she is likely to find it is no longer possible for her to do so.  She is no longer ‘seducible' by those who once made her feel inadequate so they could sell her another body, another BMW, another love affair to fill up the emptiness that used to be there.  Having been released from all of this, she has become set free to learn the new art of living as mistress of her own life. And so a hero's tale ends. Yet one big question remains for each man and woman who has chosen to make the journey.  What will they do with the treasure they brought back?  In most of the male myths, there are said to be two choices.  Either he takes his treasure into his castle and lives happily ever after or, like Percival, having found the Grail, he decides to share it with the world, so that the Fisher King's wounding is healed and the land that had become barren and devastated by his wound becomes fertile again. MY OWN EXPERIENCE It is my observation that, having completed her hero’s journey, a woman has no such choice.  By her nature, woman is more connected with the energies of life and the powers of the earth than her male counterpart.  She is therefore more aware of the interrelatedness of all things than most men. Sooner or later, most women heroes have no choice but to share with others the wisdom they bring back.  The female hero has by now incorporated the essence of the Dark Goddess—the most essential, generous, wise and healing of female energy—into her heart.  The mysterious goddess has communed with her wordlessly.  Now she too has become a keeper of the wisdom by which battles are won and lost.  She has  also tasted the power and the joy of transfiguration.  Now, like the Dark Goddess, she often develops a passion to share all this with the world by nurturing her own life as well as the lives of all living things. BOUNDLESS ENTHUSIASM Doing what somebody else wants you to do is living by a slave mentality. It is a perfect way to encourage physical degeneration and lose touch with your own unique truth and creativity. Now, however, you begin to live in freedom.  Whatever you do or say as you learn more and more to trust yourself flows forth with enthusiasm from the core of your being.  Little wonder, since the word entheos means ‘god-filled.”

Amidst all the shifting magnetic fields, galactic energies and social and economic upheaval, a life-transforming opportunity is being offered to each man and woman on the planet. I call it transfiguration. Transfiguration describes the enigmatic process by which the light of your individual spirit—which is unique to each one of us, yet at the same time universal and divine—enters into our cells, DNA, and energy fields. When the light of spirit fuses with the density of the body, a flowering of our innate being can happen with unprecedented grace—provided, of course, that we welcome the process and work with it. Transfiguration can clear away false beliefs that once held us back, enhance our health, expand our creativity and fuel our capacity to live each moment of our life in joy from the core of our being, no matter what kind of devastation may be taking place within us or around us. Throughout history, such an experience appears to have been limited to a few spiritually awakened men and women. Now, for the first time in human history, it is being offered to each one of us. THE HERO’S JOURNEY It’s up to each of us whether or not we want to take up the offer. What is being asked of us if we do? Each of us is being asked to make the journey of a lifetime—our unique Hero’s Journey. The word hero comes from a Greek root which means ‘to protect and to serve’. Like ‘poet’ or ‘teacher’, it is a word which refers equally to a man or woman. A hero is someone willing to move through and beyond narrow thinking and familiar landscapes to discover larger realms of meaning. A hero is someone willing to sacrifice or transmute his or her own fears and hesitation, anger and sorrows into creative power. From a psychological point of view, the hero archetype corresponds to what Freud called the ego—that part of each one of us which, in separating from the infantile bond to the mother, establishes our ability to function as a unique member of the human race. The hero archetype also represents a human being’s search for its true identity—the Self—and for wholeness. I’m going to examine this process primarily from a woman’s point of view, but it is equally applicable to a man’s. CALL TO ADVENTURE Each person’s hero's journey is unique. Yet every hero's journey as told throughout history and in mythological stories follows the same archetypal pattern. The story begins in the ordinary world: In the “Wizard of Oz”, in “Romancing the Stone”, and in the story of the Frog Princess, where we meet the princess doing what she always does—sitting in her favorite place playing with her golden ball. Then comes the call to adventure. Something happens to turn one’s ordinary world on its head. The hero is faced with a problem, a challenge or a difficulty to overcome. For instance, a man or woman may get sick, have a love affair, or lose a job. Other times the call can come by what would appear to be sheer chance—a blunder—for example, the way the princess' golden ball falls into the well and gets lost. Except, of course, there are no chances in the psychic realm, where the interconnectedness of all things is recognized. There are many other ways in which the adventure can begin. Frequently, the call comes in the form of a challenge. It can be physical—suddenly you wake in the middle of the night with hot sweats. It can be psychological—you find one morning that your life no longer means anything to you. You wonder where you have got to, and where you are going. Something is definitely not right. In whatever form the call to adventure arrives, it heralds the beginning of your hero’s journey. It puts you on notice that destiny has summoned you, and that your spiritual center of gravity has suddenly shifted out of the familiar world of society towards realms unknown. From now on, things are never going to be the same. REFUSING THE CALL Invariably following closely in the wake of any call to adventure, fear raises its familiar head. We want to run back into our past and hide. We want to pretend we never heard the summons in the first place. The princess wants her ball and the frog fetches it, but she is not willing to honor the bargain she has had to make with him to get him to do this for her. After all, she finds him repulsive and wants only to get away. She has now become the reluctant hero. The greatest fear that any of us ever have is fear of the unknown. And what lies ahead is completely unknown. So we try to pretend that everything is all right; we try to hold things together. Maybe we work even harder, and start to lean heavily on our emotional crutches and addictions. At the beginning of any hero's journey, the world sings sweet seductive songs and sends up countless distractions to bewitch us so we go no further. In detective novels, the private eye tries to refuse the case being offered him, only to accept it later although he would rather not. Somehow he gets a little push over the edge and the tale begins to unfold. The frog follows the princess, refusing to take no for an answer. In “Star Wars”, Luke Skywalker turns away from Obi Wan Kenobi's call to adventure to run home to his aunt and uncle—only to find that the farm has been destroyed by the Emperor's storm troopers. His hesitation is then overcome by the evil that has been perpetrated on his ordinary world. And so he begins his personal quest. Gritting our teeth and battening down the hatches is a common way of refusing to heed the call. So is being a servant to social niceties. Women, the world has taught us, are supposed to be machines for serving others. They are never supposed to interfere with anything, or need anything. Women who have forced themselves to live by such rules experience the rich relationships they long for because they cannot share their soul. This in turn creates a wasteland and loneliness—the loneliness of a soul “out to lunch” or one which has been banished to the dungeon lest it challenge the rules. HELP ARRIVES When the call comes, you are being asked to enter into the loneliness you feel and to walk forth into the wasteland with your eyes wide open. If the loneliness and the wasteland we experience cannot be brought into the ordinary world and shared with others, then probably we are spending time with the wrong people. We also may need to do something on our own. At this point in the journey a mentor usually arrives to help us out. The mentor can be a Merlin-type character, a book, or perhaps an older man or woman who knows more than we do and who can help us find out what we don't yet know. The mentor's purpose is to help make us ready to face the unknown. He or she represents the tie between mother and child, Goddess and woman, healer and the healed. The helpful crone and the fairy godmother are common mentor figures in European folklore. They provide the hero with the talisman she will need against the unknown forces she will have to meet. Glenda the good witch in Wizard of Oz gives Dorothy her wisdom and a pair of ruby slippers for her journey. Then she sends her on her way. Now the adventure has begun in earnest and the presence of a mentor helps push the hero forward. INTO THE UNKNOWN Armed with the powers of destiny bestowed by the mentor, our hero approaches her first passage. Here she meets the guardians of the threshold, whose purpose is to prevent the faint-hearted from entering the magical realms that lie beyond. Before she leaves New York, in “Romancing the Stone”, Joan Wilder has to face her publisher who scathingly warns her not to go to Colombia to rescue her sister because she is not strong enough to handle the challenge. Like a nasty old witch, she even pronounces a curse that something disastrous will happen if she goes. As women approach menopause, our lives are suddenly full of guardians of the threshold. Often they are well-meaning people who prey upon our worst fears—fears of inadequacy, of failure, of hopelessness, of illness and of death. Whatever the fears are, they need to be faced before we can go on. Face them head on and you pass through the gate. Now, at last, you are committed to finding out who you are and what your life is about. Crossing the threshold is the first step we take into the sacred realm of the Dark Goddess' world—gateway to the universal source. As Joseph Campbell says in The Hero With a Thousand Faces, "The adventure is always and everywhere a passage beyond the veil of the known into the unknown; the powers that watch at the boundary are dangerous; to deal with them is risky; yet for anyone with competence and courage the danger fades." EXCITING MOVEMENT Now comes the good stuff. Your hero's journey gets into full swing. Now it is time for you to deal with the tests, allies and enemies you’ll meet along the road. Obstacles to change are always in our way—insufficient money, physical problems, fears that we have no possibility of ever fulfilling our dreams. New challenges arrive, new things need to be learned. Yet each obstacle overcome, each puzzle solved, each difficulty embraced brings us more power for what lies ahead. We meet new people, new ideas or make new relationships with nature, with animals and with the unseen world. In Star Wars, Obi Wan develops Luke's skill in using The Force by insisting that he fight blindfolded. Before long, Luke faces other minor battles which serve to hone his abilities further and help prepare him for the supreme ordeal that is to come. Joan Wilder—the timid little lady from New York—is forced to face gunfire, sinister men in black gloves, the loss of her belongings and threats to her life. Along the way she picks up an ally—Jack—who will be her companion for most of the remainder of her journey. Dorothy picks up her mentor friends—the lion, the tin man and the scarecrow—while passing her tests: She oils the tin man's joints. She coaxes the lion to face his fear. She unhooks the scarecrow, who has been unable to move. With each challenge you meet, you develop strength and collect more support from companions both in the seen and the unseen world. They will turn out to be very useful to your purpose as you approach the innermost cave. This is where the power of transformation works its wonders. And what wonders they are! Click here to read part 2 of 'Transfigure Your Life'