personal growth

In my last post, we looked at unconscious image-making which prevents us from experiencing authentic freedom and undermines our sense of self. Now let’s flip destructive image making-on its head. It’s time to learn the art of conscious image-making It can improve health, heighten self esteem, and even forge the person whom you long to become in the future. All you need is a simple notebook in which to record your intentions, goals and experience plus 15 to 20 minutes a day to practice the art. This can be a lot of fun. POWERS OF THE MIND Creative imagery is the deliberate, repeated use of specific mental images, while in a deeply relaxed state or meditative state, to bring about change for the better. Just how creative imagery works has never been fully defined. It does, however, appear that the images one chooses to focus on when repeatedly held in the mind are able to affect one's body, emotions, and mind through the autonomic nervous system. Some of the process, at least, is explainable in biological and energetic terms. When a thought or image is kept in the mind of someone in a state of deep relaxation, his or her brain shows neuronal activity in both right and left hemispheres. Nerve fibres leading from the cerebral hemisphere through the hypothalamus can directly affect the autonomic nervous system and the pituitary gland as well as the adrenal cortex. Everyone has had experience of this image-making to some extent in day-to-day life. For instance, if you keep a frightening image in your mind's eye—say of a ghost, a fantastic monster, or a situation you want at all costs to avoid—your body will respond via the autonomic nervous system with a racing heartbeat, perspiration, dryness in the mouth, or gooseflesh. How strong your reactions are to the fearful thought depends entirely on how clear the image is. Similarly, when you hold a clear, relaxing image of perhaps a spring meadow or a person you love, your body responds with relaxed muscles, lowered heartbeat and blood pressure, and generally pleasant and passive bodily sensations. Researchers have found that through this mind-body connection we can exercise a great deal of control over our bodies and our behaviour simply by choosing images to focus on and using them regularly. In fact, this kind of deliberate visualization is the technique behind the ability yogis demonstrate in raising and lowering their bodily temperature or heartbeat at will, going for long periods of time without food, and performing extrasensory tasks. TRUST THE GAME Although the mechanism of creative imagery is highly complex, putting it to use is simple. For just as it is unnecessary for you to know how the nervous system, in conjunction with the brain and muscles, makes it possible for you to pick up an apple and take a bite out of it in order to perform the action, so it is not necessary to understand biological theories about creative imagery in order to practice it to your benefit. The imaging mechanism of your brain works automatically; all you have to do is provide it with images that are useful to you and let it do its job. Nor do you have to worry about whether or not you believe in creative imagery or whether or not you can do it well enough for it to work for you. If there is a goal that you want to achieve, you need simply to visualize it—again and again, at least twice a day; the rest is automatic, so long as your goal is something you consciously consider to be feasible. It would be absurd, for instance, to lie down for ten minutes each morning and afternoon and visualize yourself as an eagle. You might improve your imagination no end, you might also develop a great empathy for eagles, but it unlikely that you would develop wings or a beak. Nor need you worry about success or failure. As Maxwell Maltz says in his book Psycho-Cybernetics, "You must learn to trust your creative mechanism to do its work and not `jam it' by becoming too concerned or too anxious as to whether it will work or not, or by attempting to force it too much by conscious effort. You must let it work, rather than make it work. This trust is necessary because your creative mechanism operates below the level of consciousness." The only real "trust" needed for it to work is that which makes it possible for you to spend time repeatedly practising creative imagery. You do this by letting yourself go into a state of deep relaxation or meditation and then repeating your chosen image again and again over a sufficient length of time for it to take hold in your unconscious and begin producing results. You certainly don't have to trust it in the sense of believing in it for it to work. It will work whether you believe it or not. Just be consistent in using the technique regularly. PREPARE THE WAY Begin by learning to just let go. Creative imagery is an inner state of mind. To visualize effectively you need to put yourself into a calm, relaxed state in which mental images flow easily. Generally the more relaxed you are, the more successful your visualizations will be. This kind of relaxation is something that is learned gradually by practice. Even if you feel in the beginning that you are hardly relaxed at all, you will get benefits from your imaging and this will become progressively more true as you repeatedly practice visualization. Begin by lying down, or sitting in a comfortable chair, with your back well supported. Use a simple practice such as zazen or gentle, quiet deep breathing to let go of daily concerns and enter your private world. When you feel yourself quietly calm resting in your own inner space, there are several things you can do: In this space, you can examine in a new light any question that has been bothering you. You have access to the deeper layers of your mind where many answers can be found, provided you are willing to ask the questions simply and then just wait in stillness for the answer to come. This place is also where you can become aware of your belief systems and bring them to consciousness so that you can examine them in a detached, objective way and see whether they are working for you or not. You can then decide what you want to keep and what your want to leave behind. It is a place where you can learn to listen to the sound of your inner voice. The more you do this, the easier it becomes. This inner voice can guide you to where you are going next and tell you what you are about. It is a place where you can come to know yourself for who you really are, quite apart from roles and habitual assumptions you have always had about yourself. Most important of all in bringing about change, you can use this inner space to practise creative imagery. Go through your relaxation technique until you enter your inner space. Now you are ready to begin visualizing. You can do this in two ways: verbally, by simply repeating over and over a few words that describe the image, or visually, by simply seeing yourself as already having become what you want to be. For some, who at first experience difficulty in visualizing, the verbal method works better; for others, the visual method is more successful. Try them both and see which you prefer. Later on, after you are familiar with the use of creative imagery, you will probably want to use both. FOCUS YOUR DESIRE Let's say you pick as your goal the desire "I want to have more energy." Using the verbal method, turn the wish into a positive statement. It becomes "Every day I am more and more energetic and well." It is important that your goal be phrased in this way. It has to be in the present tense—not "One day I will be better" or "I hope that I will be more energetic," but Every day I am more and more energetic and well. It is happening now. Your subconscious mind, which holds the power to bring about change, does not function in terms of time and space as your conscious mind does. It understands only the simplest and most direct instructions, and when they are given it works as if they had already occurred or are occurring now. The words you have chosen become your image. You put them to work by simply repeating the words over and over again silently to yourself while you are in the deeply relaxed state in your inner space. It is the constant replaying of the message day after day twice a day that works best, not how long you do it each time you relax. One convenient way of doing it is to repeat the directions ten times in each session, moving one of your fingers with each repetition until you have been through all ten. Then you simply say to yourself the same, "I am now going to come out of my inner space...(by counting backwards from three, etc.) and open your eyes. The best time for most women to practice creative visualization is in bed at night just before they fall asleep, and then again in the morning just before they get up. But really you can do it anytime—whenever you can find ten minutes to yourself in the middle of the day, or in the middle of the night if you awaken, or during meditation. The important thing is to do it regularly twice a day every day. You needn't worry about doing it wrong, either. Because, in truth, there is no wrong way, and every supposed wrong in the way you are doing the technique will gradually put itself right with practice. WATCH IT HAPPEN If you prefer, you can use a visual way instead, or you can use a combination of both. Picking the same goal, I want to have more energy, go through your relaxation technique. When you are at the inner space, instead of repeating words let your mind play with the image of your goal as if it had actually come about already, almost like a daydream. In other words, see yourself moving through your day, relating to people, doing your work, playing games, all the while full of vitality and bounce. Watch yourself in your imagination and enjoy the ease with which you do things that once seemed difficult or tiring. Notice the glow of your skin, how well you look; see the vivacity in the way you speak and move. Watch yourself and enjoy it. The more of it you let yourself imagine and the more you enjoy your imaginings, the stronger will be the images you are creating and the more quickly they will become reality. But as with the verbal instructions, always keep your images in the present as if they are actually happening now and not as if they might happen in the future or are something you would like to see happen. You may find at some point that something or someone is interfering with your image. For instance, you might find that as you watch yourself moving about energetically through the day in your mind's eye, another figure appears—say an old woman—who speaks to you. Perhaps she says something like, "You silly girl, if you don't slow down you know you will exhaust yourself or make yourself ill." Or, "Why are you pretending to be full of energy when you know that you are really tired?" and so on. Pause for a moment and take a look at the figure. Who is she? Your mother? A friend who tends to be negative about everything you try? The voice of a belief system from inside you which, without your being aware of it, has been telling you for years that you are tired? Answer the figure back. Tell her quietly but firmly in your mind, "No, you are wrong. I am well and I have lots of energy. I also know how to use it wisely. I will rest and look after myself when I need to, I will eat well, I will enjoy what I do. I will be happy with my vitality." Then go on with your visualization. Unexpected intrusions like this while you are visualizing are often very useful, for they help make you aware of belief systems and notions that may have been unconsciously impeding your progress towards a goal. Then, when you have practised your visualization for, say, five or ten minutes, tell yourself you are going to count backwards from three and open your eyes. A FEW TRICKS TO HELP In the beginning, when you are just starting to explore the power of creative imagery, it is a good idea to pick only one goal at a time and work on it for several weeks or months until it is being progressively realized before taking on another thing you would like to change. The technique of keeping a journal is very useful in recording your progress, but even more important is keeping a record of insights and experiences you come upon while practising the deep relaxation and visualisation techniques. The information and insights they turn up for everyone are invariably rich. Many times something you record today which seems not particularly useful now will have a message of immediate importance to you three months from now. Finally, there is one very simple goal that I find particularly useful because it covers all areas of one's life and you can use it over and over again, year after year, with benefit. It is, "Every day I am more and more myself. My life grows richer and richer." “Practice makes perfect,” the saying goes. It most certainly does but never treat your practice as a chore. Let it be fun. When you do everything happens faster and with greater ease.

Heavy emotional stress from anxiety, resentment or depression can drain us of energy. Such delinquent influences also lower your immunity, make you vulnerable to catching colds and flu, and susceptible to premature aging and the development of degenerative conditions. For lasting high energy the energy thieves in your life need to be cornered, collared and dealt a fatal blow. the energy drainer scenario A woman is in a job which she hates. She feels unmotivated and resentful (inner energy-drainers). After work she goes out to drink (alcohol-addiction drainer). Sometimes she drinks too much and this creates friction with her husband (relationship energy-drainer). She feels bad about herself as a result of arguing (emotional energy-drainer). Her poor self-image leads her not to care for herself (poor self-esteem energy-drainer). She eats badly (biochemical energy-drainer). She feels worse and suffers depression. Nothing in her life seems to work and she has nothing to look forward to... You see the pattern. She is stuck in a rut. The energy-drainers have stolen her personal power and she can only see everything in the worst light. Now let's look at the flip side. Energy-enhancers tend to attract other energy-enhancers, creating positive feedback loops and making you feel empowered and in control of your life. Compare the following situation with the previous sketch. the energy enhancer scenario A woman is in a job which she hates. She discovers an inspiring exercise class (physical energy-booster). The class makes her feel good about herself and inspires her to eat better. (biochemical booster). She loses a few pounds, feels better in her body and begins to dress in a more flattering way (self-esteem booster). She meets some new friends whose company she really enjoys (relationship booster). As her self-esteem increases, the people she works with begin to appreciate her more. Her job becomes more enjoyable (work booster). She feels excited about her life and confident about looking for a new job, something she will really love. Identifying your own blockers and drainers, and making the choice to let go of even one or two, sows the seed for more positive feedback loops in your life. It is an important step to take in accessing more core energy and developing your personal power. Sometimes even awareness itself is enough to get the ball rolling. wasting anxiety On an internal level few emotions drain energy like anxiety. While you dash about (either physically or in your consciousness) feeling unsafe and unstable and trying like mad to make everything all right, you deplete your body and your creativity. Where there is anxiety there is a high level of electrical, electropositive magnetic activity and chemical acidity which affect the sympathetic nervous system and encourage feelings of fear, irritability, nausea and headache, as well as an inability to concentrate, muscle pain and insomnia. Even minor attacks of nervousness can dramatically undermine your work performance and make it almost impossible for you to enjoy yourself. Anxiety is frequently related to food allergies. Realigning your diet can help. So can physical exercise which calms electrical and chemical overactivity, replacing it with a more balanced energy, which you can call on, and a feeling of mental and physical well-being. Depression can be a big energy-drainer as well. Sometimes depression develops as a result of blocked emotions which you may not even be aware you are feeling - like grief. Often depression is rather like an anger turned in on yourself to block you from doing harm to anyone else. To break through and release the energy that has been blocked by depression you may need to examine your experience of depression carefully as well as change your lifestyle. Resentment, too, can be an enormous energy-blocker. Anger immediately felt and expressed keeps energy flowing. As adults we tend to swallow our anger, turning it into resentment. Fear can also block energy. In a measurable physical way it freezes you into inactivity and makes all things seem impossible. So can negative feedback loops. When you feel low in energy you tend to attract energy-drainers which in turn attract other energy-drainers and before you know it you find yourself caught up in a negative feedback loop. You feel helpless - a victim of circumstances over which you have no power - and you lack the energy or the incentive to break out of the loop.

Great stories carry hidden secrets that can transform a life. They bring us face-to-face with hidden truths that help free us from false beliefs and attitudes, self-criticism and negativity that crush us. Cultural conditioning has taught us to undervalue the wild creativity that lies within—that part of us which is instinctual, irrational, and full of passion. Conventional society is so frightened of these things that we have been taught to fear ourselves and to judge ourselves harshly. We swallow our anger even when it is righteous. We crush our wild nature and we see ourselves as ugly. Yet locked within what we most hate and fear lies the greatest power for true freedom. Today I’d like to share with you one of my favorite mythologies of self-discovery—as delightful and important for men as it is for women. Here’s how it goes: THE LOATHLY LADY One Christmastide Arthur rode out with his knights to hunt. By chance he became separated from his companions and found himself at the edge of a great brackish pond. There, a knight in black armour emerged from the shadows and challenged him to a fight. Arthur reached to draw his sword Excalibur and call on its power to protect him from all harm. Alas, he had come away from court without it. He could feel every ounce of strength drain away from his body in the presence of the dark and evil stranger who raised his sword and threatened to kill him. Being a responsible king, of course, Arthur told the dark knight he didn't think that killing him was such a great idea—he had a country to rule, after all, and knights to look after. Where would they be without him? The stranger, bored at the thought of such an easy kill, relented and replied, "OK, I won't kill you so long as you return to this place in three days with the answer to a riddle I shall give you. If you fail I shall remove your head in one fwll swoop." WHAT DOES SHE WANT Arthur agreed. He figured that given half a chance and a mug or two of fancy mead, his pals back at the castle would be sure to come up with something. The riddle the stranger posed was this: "What does every woman want?" So Arthur headed home to ask all of his knights and wise men to give him the answer. Everyone from Merlin to a goose girl he met along the road had a go. Each gave him a different answer: "A woman wants beauty," said one. "A woman wants power," said another, or fame, or jewels, or sanctity. None could agree. Time was running out. Finally, although he had done his best to hide from his beloved Guinevere the seriousness of the situation, the third morning arrived. Bound by his word of honor to the Black Knight, Arthur had to face the music. Along the road to the meeting at the brackish waters, Arthur came upon an old woman. She sat on a tree stump by the side of the road calling his name. Arthur dismounted and approached her with all the courtesy he could muster. For the closer he came, the more ghastly this old hag appeared. Although she was dressed in fine silk and wore magnificent jewels on her gnarled and twisted hands, she was unquestionably the most hideous thing he had ever seen—or dreamed of, for that matter. Her nose was like a pig's, her mouth was huge, toothless and dribbling. What hair remained on her head was greasy, and the skin all over her misshapen and bloated body was covered in oozing sores. COURTESY CHALLENGED Arthur swallowed hard, forcing himself not to have to look away. "My Lord," she said in a surprisingly gentle voice, "Why look you so dismayed?" Summoning up all his chivalrous training, Arthur apologized for his manner, trying to explain it away by telling her he was most unsettled at the prospect of returning to meet his death at the hand of an evil knight because he could not tell him the answer to the riddle, "What does every woman want?" "Ah," said the hag. "I can tell you that. But such knowledge cannot be given without payment." Arthur, hoping once again for a reprieve from death, replied, "Of course Madam, anything you desire shall be yours for the answer—even half my kingdom." IMPOSSIBLE REQUEST The Loathly Lady made Arthur bend down while she whispered a few words in his ear." The moment Arthur heard them, he knew his life and his kingdom had been saved. He was about to leap on his horse again and ride off to meet the stranger when she tugged on his cloak and said, "Now I want my reward." "Of course Madam, what is it that you want?" he asked. "I want to be the wife of your bravest knight and live at your court." Arthur, who only a moment before had felt his spirits soar, was plunged into the deepest despair. How could he possibly expect any knight to consent to marry such a hideous hag? And what would it be like to have to endure such ugliness every day at court? "But Madam, that is impossible!" he said. The words slipped through his lips before he could catch them. Aghast at his own lack of courtesy and agonized by having to ask any of his knights, Arthur said, "I beg your pardon, Madam. You are quite right. Come to court tomorrow. There waiting for you will be your future husband." So saying, he mounted his horse and rode off to meet the Black Knight to convey to him the answer to the riddle. When he got back to the castle, Arthur was distraught. The knights questioned him. He confessed that he had won his life from the Black Knight but then told them at what cost and reported his promise to the Loathly Lady. "My very honor is at stake," said Arthur, wringing his hands, "unless one of you will agree to wed her." His knights were horrified at the prospect and tried to avoid his gaze. But one—the youngest knight of all—Sir Gawain, the most courageous and purest of heart stood up. "Worry, not my liege," Gawain said, "I shall save you, I will marry the woman no matter what her mien." SELF-PROFESSED HERO Gawain did not have long before he rued his offer. The marriage was planned for the following morning and the hag arrived at court. When he looked upon her, even Gawain with all his chivalry did not know how he could go through with the ceremony. It demanded every ounce of his courage. Somehow he managed it. But things got worse. When the festivities were over, the couple were obliged to retire to their chamber for the night. Gawain, unable to face the hideousness of his wife, sat for long hours in their bedchamber with his back to the lady, writing at his desk and praying she would go to sleep without him. Was he to spend the rest of his life shackled to such a hideous monster? ENCHANTED WOMAN Long past midnight, as the candle burnt low, he felt a hand come to rest upon his shoulder. "Will you not come to bed now, my Lord?" a voice whispered from behind him. Shuddering with horror, Gawain mustered his courage to look at her. To his astonishment there stood not the ugly hag he had married but the most beautiful woman he had ever seen. She had golden hair and ivory skin. "Why do you seem so surprised, My Lord?" she said to him. "I am indeed your wife. I was enchanted by a wicked magician. But now the enchantment is half broken by your having consented to marry me and so you see I stand before you now in my true form." Gawain could not believe his luck. "Half broken?" he asked. "Yes, my lord" was the reply. "Sadly I am only allowed to spend half the time in my true form. For the rest I must return to the shape of the same hag which this afternoon you married. And now you must choose, my Lord. Would you have me be my true self at night when we are alone together and the hag during daylight hours?" Gawain, whose mind was flooded with passion at the thought of her beauty filling his bed each night replied eagerly, "Yes, that is certainly how it must be." TEARS FOR FREEDOM In the eye of his beautiful lady appeared a tear. "But sir," she said, "Would you then have me suffer the humiliation of the court who cannot conceal their horror at my ugliness?" Now Gawain, if he was nothing else, was compassionate. He could not bear to bring this beautiful woman a tear of sorrow. "No, of course not," he replied. "It shall be the other way round, of course. You shall be my beautiful wife for the court during daylight hours and the hag at night." But this only made the lady weep the more. "Oh sir, would you then deny me forever the joy and pleasure of your embrace?" She asked. Poor Gawain, who after all was but a man (and man has never found it easy to deal with woman's grief) did not know what to do. After much thought he replied, "My lady, whatever choice I make will be the wrong one. It is therefore for you to choose which you prefer." At the sound of his words the Lady threw herself into his arms in glorious laughter. "In so saying, my Lord, you have given the right answer. You have bestowed upon me what every woman wants—her own way. The spell at last is broken. You will never have to look upon the hideous hag again. I am my true self and it belongs to you forever." Such is the power of accepting that which to ourselves is most loathsome. And such is the power of myth in reminding us of it.

How often do you rejoice your body? How often do you feel absolutely at ease in your skin, at peace in yourself and in harmony with your world? For many the answer is seldom. Instead we tend to us put up with the body rather like some slightly cumbersome baggage we carry with us as we go about. Yet all thought, all feeling, every response to beauty and to horror is mediated through the body. In fact your body is the medium for experiencing everything in life. As any healthy two year old knows, when it is fully alive you are fully alive. This aliveness is something we often have to rediscover. Television, films and advertising are replete with photographs of long legged pencil-thin females who are meant to be paragons of womanhood against whom we measure ourselves. Magazines and newspapers spend a large part of their time giving us advice about diets, clothes, exercise which supposedly will help the bodies of their readers more closely approach whatever shape, size and texture body the general consensus at any moment in time considers ideal. Meanwhile millions of women who, because of the way they are built, their personalities, and their own values (whether or not these values operate consciously or unconsciously) have not a hope in hell of ever looking like that ideal. And they suffer. This suffering goes deep - far beyond the simple (yet often painful) feelings of inadequacy which come with having been built with broad shoulders, big feet or a flat chest when the world you live in tells you you are supposed to be different. (Some of us alas have the misfortune of being blessed with all three). For implicit in the whole way in which the body is presented in almost everything we do and think are two far more crippling assumptions: That the body is separate from the spirit or person and that it is ultimately inferior. These assumptions are anchored deep into the belief systems from the Greco-Roman and Christian traditions in which our society has developed. They have led us to view the body either as something not to be trusted - like a wild animal that needs taming lest it gets out of hand or like a physical object outside ourselves to be watched, studied and manipulated. For most Western women their bodies are things separate from themselves, either to be prodded, criticized, and hidden or narcissistically exposed as a sexual object - something useful in gaining attention or drawing to oneself what one needs (or think she needs). In either case there is a sense of estrangement not only from the body but at a deeper level from ones self. Out of this estrangement comes a sense of powerlessness so that one begins to think that what one needs to be happy, to be complete, to be fulfilled can only be found outside oneself - by accomplishment in the world, or wearing the right clothes, by earning the love of a man or by conforming to some abstract ideal. So long as one is driven by a sense of separateness from ones body whether you succeed or fail in getting what you want from the outside world is irrelevant. For neither success nor failure bring you any closer to living freely with real health and beauty. Rediscovering the aliveness of the child and the innocence of bodily freedom can. It helps heal the wounds of separation and free a woman to live in the fullness of her own being.

Somewhere inside you is a center of stillness - a wordless, formless space - the home of your self or your soul: There seeds of creativity are sown which later become your ideas and your accomplishments. There in the silence and the darkness, you can begin to listen to your own `inner voice'. You can come to know the difference between what you really want, feel and think, and what habits, false notions and other people's values have been programmed into you. This space - your center - is a place of safety and security. You can move out of it, as you choose, to meet the outside world, form friendships, love and learn. Yet it is a permanent sanctuary to which you can always return when you feel overburdened, tired, confused or in need of new vitality and direction. The key that opens this particular door for most of us is relaxation. By relaxation I mean learning to move at will into a state of deep stillness in which your usual concerns, your habitual thoughts, and the never-ending activity of your daily life are replaced by alert - yet totally passive - awareness. Dipping into such a state even for a few minutes allows many of the physiological changes normally experienced during sleep to take place while your body and mind are revitalized. But it is different from sleep. For, while your body is passive, your mind is highly alert. passive awareness For some people passive awareness occurs spontaneously - often between sleep and wakefulness. It is during this time that their best ideas come and that they experience a sense of harmony both within themselves and in relation to the rest of the world. Most of us, however, have a fear of letting go, thinking that if we give up control of things we won't be able to think clearly and independently or work well, or that someone is likely to put something over on us. In fact, just the opposite is true. When you are able to enter a state of deep relaxation at will, this frees you from patterns of living and thinking to which you tend to be a slave - although usually an unconscious one. It enables you to think more clearly and simply, and to act more directly when action is called for. Another interesting benefit from the daily practice of deep relaxation is a reduction of negative habits such as drug taking - of both prescription and mind-altering drugs - alcohol consumption and cigarette smoking. Research carried out in the United States involving 2,000 students between the ages of nineteen and twenty-three who had practiced a form of meditation for periods of between a few months to a couple of years, showed that their dependence on alcohol, drugs and cigarettes dropped sharply. In the first six months of doing the practice, the number of smokers reduced by half . By twenty-one months it was down to one-third. And these changes were entirely spontaneous - at no time was any suggestion made that relaxation or meditation would change any of these habits. bridge your inner and outer world Harvard professor and expert in behavioral medicine, Herbert Benson MD, did the first studies into the effects of Transcendental Meditation many years ago. He has since continued to investigate this state of psychophysical relaxation and has shown that each of us has what he calls the `relaxation response' - a natural ability to experience the relaxed state with all its benefits. All we need to tap into it is a method to turn it on. The possibilities are many. They range from meditation, yoga, breathing exercises, zazen, silent repetition of a word, and autogenic training, to steady aerobic exercise and biofeedback. Each can be useful as a tool for silencing everyday thoughts and for temporarily shutting off habitual ways of seeing the world and doing things. Practice one regularly, and you build a powerful and useful bridge between your inner and outer world. All of them are different. Some will work better for you or be more enjoyable than others. That is why it is worthwhile to try a few different techniques until you discover which ones you prefer. Progressive relaxation is a technique based on the work of Edmund Jacobson; this is an excellent way to begin if you have never done any sort of relaxation or meditation technique before, because it gives most people some sense of what relaxation feels like even the first time you try it. As you repeat your technique (it is best done for fifteen minutes at least twice a day), you will find you enter a state of relaxation that is progressively deeper and deeper. Zazen is one of the simplest ways of meditating, this technique involves nothing more than just being aware of your breathing. But don't be deceived by its simplicity. It is a potent tool for stilling the mind and regenerating the body. And concentrating your awareness on the breath is not as easy as it sounds. We live in an age where discipline is often looked down upon as something which interferes with spontaneity and freedom - something old-fashioned and stifling to life. We tend to rebel against it. But the kind of discipline needed for daily practice of meditation or deep relaxation tends - far from stifling one's ability to be involved in the spontaneous business of life - actually to free it.