personal growth

In Sanskrit they call it lîla. The word means play. Yet not in the limited sense of our word. Lîla is free play, deep play, wild play carried out in a timeless NOW. It speaks of divine play. It’s the kind of play that sets us free to be who, in essence, we already are, even though we may not yet know it. Lîla is also the kind of creative play that brings new worlds into existence. FROM CHILDLIKE TO GENIUS In its simplest form, lîla describes the spontaneous activity of children so absorbed in what they do that they don’t even hear you when you speak to them. One morning my three-year-old friend Marina came to visit. Scrambling onto the four-poster bed where I was writing in a state of intense concentration, she told me the story of how she had climbed to the very top of a pirate’s ship as high as the stars. Like all still-innocent children, Marina entered into her imaginal world with ease—a magical realm in which creative sparks can be seeded then begin to grow. The imaginal world is a place most of us adults have lost touch with—a powerful realm in which the joys and fruits of lîla reign supreme. At a deeper level, lîla speaks of the all-encompassing absorption out of which Beethoven, then dangerously ill and nearing the end of his life, nonetheless created the most remarkable music of the 19th century: The Late Quartets. Or the obsession of Van Gogh, which led to his having painted 900 pictures and turned out 1100 drawings pictures during a lifetime. This kind of lîla is far more complex and committed than child’s play. It can produce achievements that enrich the way we look at life, that connect us to the deepest levels of our own being. Some fruits of mature lîla even transform the world. A big deal? You bet. This is play of the highest order—nothing less than an outpouring of the most intimate and essential nature of each unique human being. Living your creativity as fully as you can while you walk the earth, in whatever way most satisfies your unique nature, is the most exciting and enriching process any individual human being can experience. It brings a sense of meaning and purpose to your own life that nothing else can. CREATIVE PASSION Creativity is not a problem to be solved or a subject to be picked apart in psychologists’ laboratories. Those who try end up wandering in an endless maze of moribund words and phrases which miss the point. Meanwhile, the wrinkled fiddler on the city street plays on—smiling. He is lost in the excitement of improvisation, magically blending movement, feeling and sound—making music never heard before, that touches his heart and awakens the senses of all with ears to hear. We have grown up with some weird ideas about creative power. We’ve been taught that creativity belongs to a few select human beings whom history labels as genius. Nothing could be further from the truth. Creating is not a rare privilege—it is a right, even a necessity for all of us, if we are to live a fulfilling life. Creating anything, from cooking a healthful meal to writing poetry or playing games with children reminds us all what life is about. From this place we learn to live and work, to imagine, invent, and finally give birth—not only to things that have never been seen, heard, felt or touched before, but to a way of living more wondrous and exciting than most of us would ever have imagined. A passion to be lived, a lîla to be danced, the wild creative power within us urges us to tell the truth and shame the devil. It demands that we express our love, our obsessions, and the fascinations which pursue us. It asks that we live out life from the very core of our being. “Genius,” as late American writer John Gardner used to remind his students, “is as common as old shoes. Everybody has it.” CREATIVE RELEASE A few years ago, I began to explore not only the power and dimensions of creativity in you, me, and all of us. I wanted to discover how each of us can gain greater access to it, and how best we can live out our own creative power in our day to day lives as scientists, professional artists, musicians, writers, dancers, actors or as businesspeople, parents, teachers, lovers, gardeners, healers, craftsmen and thinkers. I was sure that on a larger scale, the way we as a group choose to use our collective creativity determines whether or not we will be able—in the wake of having laid waste to so much of our planet—to emerge as a sustainable species in a sustainable world. A lîla of enormous proportions; what could feel more powerful or more daunting? Yet the creative power on which it depends springs from the same source within each person as Marina’s imaginative play. PRIMORDIAL POWER Mysterious, enigmatic, spontaneous, occasionally even frightening, in essence creative power is the power of life itself. It is the force that gave us birth which continues to give birth to universes. It is what created us and brought each of us our own lives. It originates from a place within each one of us where we can touch and tap into the numinous energy of the Cosmos: God, Being—call it what you will. No words can adequately describe it. In truth, it is far more an experience of aliveness than a place at all. And, although we may never describe it adequately, we are perfectly equipped to enter this locus of creative power within us and find out how to live ever more of our lives from it. For the majority of artists, creativity pours forth most easily when they have intimate support for it. Shakespeare had his actors and a Globe Theatre eager for his plays, Virginia Woolf entered a room of her own and there wove tapestries of words. Emily Dickinson wrote out of the intimate community of a family who adored her, admired her and made sure she was given the space and time to carry out her imaginative work. For others who are highly creative, there is no such intimate support. Many have suffered childhood abuse, loss, illness or intense suffering. The creativity of such people can be monumental. Each man or woman is brought to the exploration and expressions of their creative power through suffering in just the same way that, so often, we discover what is most important to us by having what we believe to be of greatest value—a loved one, a job, a title—taken from us. Painful as such experiences are, often they turn out to be great gifts when it comes to freeing our creative power. Caught up in our lives of work, children, and householder duties, few of us live in such fortunate circumstances as Shakespeare and Emily Dickinson. But that does not matter. What has not been given us we can make for ourselves. Art is not the province of the privileged few. It belongs to all people—those of us who spend our days in front of computers, cooking, sweeping streets, running errands, caring for children, handling the stupidities of bureaucracy, and living our constantly changing lives in a world that is ever less secure. THE WAY AHEAD We are alive at a moment in history where one age is dying, yet another has not yet been born. We are, each one of us, faced with a choice: As we sense the foundations of our world shaking, do we withdraw in anxiety, trying in desperation to hang on to what we once believed to be “true”? Do we become paralyzed, and try to cover our fear with apathy? Or do we summon the courage offered us by a Universe in flux, honor our personal sensitivity and consciousness, then choose to face the challenge of entering the realm of creative power within? Then, trusting our individual capacity for lîla, do we begin to play in ways that may help bring forth a new world for all? Regardless or age, background, or limiting notions about what’s possible, each one of us has a choice to make. It’s a choice between continuing to conform to established belief systems that stifle the human spirit, or trusting in ourselves. Are you willing courageously to explore your intrinsic creative gifts and make use of them? “That which we give birth to from our depths is that which lives on after us. That which is inborn in us constitutes our most intimate moments—intimate with self,” says Theologian Mathew Fox, “intimate with God the Creative Spirit, and intimate with others. To speak of creativity is to speak of profound intimacy. It is also to speak of our connecting to the Divine in us and of our bringing the Divine back to the community.” Personally, I urge you to begin connecting ever more deeply with your own brand of creativity. Discover new ways of living. Leave automatic assumptions about who you think you are and learn to respond to each moment and each day of your life with new eyes and an open heart. The more you do, the richer your life can become. Such is the joy of lîla. Such is the power of lîla. If you have not yet explored it, you have an exhilarating, wondrous adventure ahead of you. Take it. Trust it. It’s the adventure of a lifetime.

Examining what works in your life and what doesn't takes courage. It is never easy. It demands that you disassemble structures that you take for granted but which may no longer serve you at the deepest level. These structures can include anything from a habit of munching your way through two pounds of chocolates every time you feel depressed, to holding on to a job that is meaningless, or to a relationship which does not help you grow - all because you are afraid you can't cope otherwise or do any better for yourself. Every transformation, every profound and life-enhancing change in some way involves dismemberment. It dissolves every structure that has become inadequate to support an organism. Like the crab which sheds his cramped shell in order to create a larger one, each of us again and again is faced with the prospect of taking apart structures in our own lives which have become too small to contain us. If we don't consciously rise to the occasion, then life takes them apart for us, and we find ourselves precipitated into crises: It seems as though you have entered a dark tunnel leading to an unknown land. You feel that you don't know yourself any more, or what you value, or even what is going on. So fundamental is this uncomfortable but necessary process of molting to human physical, emotional and spiritual health - in fact to life itself - that it takes place again and again in our lives whether we like it or not. Sometimes change comes spontaneously as a result of something that happens to us - the death of a loved one perhaps, or the loss of a job. Sometimes it is consciously chosen out of an awareness that our current life structures no longer serve our values and our goals. Whether the transition required is a big one - choosing to enter or leave a long-term relationship - or a relatively small one - putting yourself through a short spring cleaning diet to detoxify your body - it frequently brings an experience of deep uncertainty and anxiety - the sense that you are in crisis. The transition facing you seems terrifying. You want most to run away as fast as you can. You feel overwhelmed and unable to cope. The irony in all this is that it is only in facing a crisis and making the transitions it demands that we learn we can cope, and that life can be trusted. We also discover that, given half a chance, the body has an amazing capacity to heal itself, and that there exists deep within us a wisdom and a clarity more profound and powerful than the conscious mind. The Lebanese poet Kahil Gibran wisely wrote, "Your pain is but the breaking of the shell than encloses your understanding." For most of us, learning to live through our crises and to make something positive out of them means revising a lot of what we have been taught about ourselves, our minds, even life itself. Most of all, it means looking at the concept of crisis and the experience of change from a whole new point of view. It means learning to transform what may feel like a life-threatening situation into a true passage to power.

Anyone familiar with my work knows that I am a sucker for beauty. I always have been. It’s no accident that I’ve spent years of my life working with beauty, writing about it, researching it, exploring it in every form. Here’s the news: I have recently become totally addicted to the marvelous new (only a year old) ‘Pinterest’. It’s a unique social network which I stumbled into almost by accident, and I’ve become completely besotted with. So much is this the case that I find myself awakening in the night to look at what is new on the site—and it is truly wonderful. It is also a very far cry from Facebook, Twitter and the rest. I predict that, if you explore it, you too will become trapped in this web of beauty. Pinterest covers everything from ancient artifacts to street fashion, health, and just about everything else that makes up our lives. PINTEREST—WHAT IS IT? How do I begin to describe it? It’s a pinboard-style photo sharing website that lets you create and manage all sorts of theme-based collections of images and events which interest, dazzle and delight you, plus lots more. Once you join Pinterest—and you can only become a member by invitation—you have access to pinboards belonging to other people all over the world. You can re-pin images in your own collections (called your “boards”), or you can “like” the photos that they present. You can save, sort, delete and resort all of your images—these are known as “pins”—enabling you to post all sorts of media content in your boards. Your boards usually follow a theme so that your pins can be easily organized, found and enjoyed by other users. There are all sorts of quick links to Pinterest, as well as “Pin It” buttons to go on the top of your browser—so that whenever you find an image or piece of information that fascinates you, you can press the Pin It button. This will immediately take you to your Pinterest account, and let you put it on one of your boards then and there. I love Pinterest’s mission statement, which is “to connect everyone in the world through the ‘things’ they find interesting”. Surprisingly enough, you will find no advertisements on Pinterest, and—though it’s only been around for just over a year—it is the fastest growing social service in the world. FEED YOUR SOUL In the world we live in, with all of its chaos and concerns about economic and political disorder, Pinterest for me—and many others—has become a place where one can nourish one’s soul with whatever fascinates, brings you joy or a sense of spiritual uplifting, or all of the above. I love boards that inspire me. My own Pinterest pages are filled with information about health, the sea, animals, spiritual renewal, healing herbs, ancient cultures, and of course beauty of every kind. The only way to appreciate Pinterest is to take a look at it for yourself and see what you feel. As you’ve probably figured out, I am over the moon about the magnificent life-enhancing beauty that you can find here. I strongly suggest that you check it out. I predict that it will inspire you too. This year, Pinterest won the “best social media app” and the “people’s voice award” for their best-functioning visual design at the Webby awards. It would be impossible for me to sing the praises of Pinterest too highly. Happy pinning!

Somewhere inside you is a center of stillness - a wordless, formless space - the home of your self or your soul: There seeds of creativity are sown which later become your ideas and your accomplishments. There in the silence and the darkness, you can begin to listen to your own `inner voice'. You can come to know the difference between what you really want, feel and think, and what habits, false notions and other people's values have been programmed into you. This space - your center - is a place of safety and security. You can move out of it, as you choose, to meet the outside world, form friendships, love and learn. Yet it is a permanent sanctuary to which you can always return when you feel overburdened, tired, confused or in need of new vitality and direction. The key that opens this particular door for most of us is relaxation. By relaxation I mean learning to move at will into a state of deep stillness in which your usual concerns, your habitual thoughts, and the never-ending activity of your daily life are replaced by alert - yet totally passive - awareness. Dipping into such a state even for a few minutes allows many of the physiological changes normally experienced during sleep to take place while your body and mind are revitalized. But it is different from sleep. For, while your body is passive, your mind is highly alert. passive awareness For some people passive awareness occurs spontaneously - often between sleep and wakefulness. It is during this time that their best ideas come and that they experience a sense of harmony both within themselves and in relation to the rest of the world. Most of us, however, have a fear of letting go, thinking that if we give up control of things we won't be able to think clearly and independently or work well, or that someone is likely to put something over on us. In fact, just the opposite is true. When you are able to enter a state of deep relaxation at will, this frees you from patterns of living and thinking to which you tend to be a slave - although usually an unconscious one. It enables you to think more clearly and simply, and to act more directly when action is called for. Another interesting benefit from the daily practice of deep relaxation is a reduction of negative habits such as drug taking - of both prescription and mind-altering drugs - alcohol consumption and cigarette smoking. Research carried out in the United States involving 2,000 students between the ages of nineteen and twenty-three who had practiced a form of meditation for periods of between a few months to a couple of years, showed that their dependence on alcohol, drugs and cigarettes dropped sharply. In the first six months of doing the practice, the number of smokers reduced by half . By twenty-one months it was down to one-third. And these changes were entirely spontaneous - at no time was any suggestion made that relaxation or meditation would change any of these habits. bridge your inner and outer world Harvard professor and expert in behavioral medicine, Herbert Benson MD, did the first studies into the effects of Transcendental Meditation many years ago. He has since continued to investigate this state of psychophysical relaxation and has shown that each of us has what he calls the `relaxation response' - a natural ability to experience the relaxed state with all its benefits. All we need to tap into it is a method to turn it on. The possibilities are many. They range from meditation, yoga, breathing exercises, zazen, silent repetition of a word, and autogenic training, to steady aerobic exercise and biofeedback. Each can be useful as a tool for silencing everyday thoughts and for temporarily shutting off habitual ways of seeing the world and doing things. Practice one regularly, and you build a powerful and useful bridge between your inner and outer world. All of them are different. Some will work better for you or be more enjoyable than others. That is why it is worthwhile to try a few different techniques until you discover which ones you prefer. Progressive relaxation is a technique based on the work of Edmund Jacobson; this is an excellent way to begin if you have never done any sort of relaxation or meditation technique before, because it gives most people some sense of what relaxation feels like even the first time you try it. As you repeat your technique (it is best done for fifteen minutes at least twice a day), you will find you enter a state of relaxation that is progressively deeper and deeper. Zazen is one of the simplest ways of meditating, this technique involves nothing more than just being aware of your breathing. But don't be deceived by its simplicity. It is a potent tool for stilling the mind and regenerating the body. And concentrating your awareness on the breath is not as easy as it sounds. We live in an age where discipline is often looked down upon as something which interferes with spontaneity and freedom - something old-fashioned and stifling to life. We tend to rebel against it. But the kind of discipline needed for daily practice of meditation or deep relaxation tends - far from stifling one's ability to be involved in the spontaneous business of life - actually to free it.

Thanks to our growing understanding of the natural laws of health and advanced research into high-tech biochemistry, what was once little more than a pipe dream - the notion that the length of human life can be extended - is becoming a reality. Gerontologists have now challenged the maximum lifespans of many species of animals. Man is next. Already physicians are using antioxidant nutrients, electromagnetic techniques and other anti-aging tools to prevent physical degeneration and to restore health and balance to ailing bodies. Meanwhile psychiatrists and psychologists trained in biochemistry and in the orthomolecular treatment of the brain are not only beginning to cure mental and emotional problems associated with age, they are even using the tools of their trade to expand consciousness. It becomes important to ask the question, `With what consequences?' The first worry about life extension for most people is usually, `What will we do with these old people we are creating?' `Won't they be yet a further burden to society?' Naturally they want to know about the effect that longevity will have on housing, medical costs and the rest. Such questions are valid. But it is also important to penetrate the point of view from which they come - the assumptions and paradigms which underlie them. Our society has imprinted its members with negative concepts about being old. In the book for which he won a Pulitzer Prize, Why Survive? Being Old in America, Dr Robert Buffer outlined the enormous practical problems of dealing with the aged: housing, pensions, personal security, need for meaningful occupations and the rest, and the horrific conditions in which many old people in modern Western society live. He also pointed out that we hold many unconscious assumptions about the aged which continue to create these conditions. They are always with us and they greatly distort our view of aging, old people and their place in society. These assumptions include a belief that the aged are inflexible, senile, unproductive people waiting for the inevitable arrival of the grim reaper. Basically not interesting, of little value, they are people worthy of being assigned to a foreclosed existence. Alex Comfort refers to these common views of age and the elderly as `ageism' which he defines as `the notion that people cease to be people, to be the same people or become people of a distinct and inferior kind, by virtue of having lived a specified number of years'. The assumptions of `ageism' lie behind many of the most often asked questions about the social and political consequences of ageless aging. They make such questions impossible to answer adequately from our current perspective and with our current views of reality. They also force us to ignore a number of important realities. We forget for instance that chronological age at its very best is only a limited indication of biological and functional age. Even our present old people are capable of far more than society allows them to express or contribute - indeed more than they themselves allow. We also forget that every major disease is age-dependent and all of the major causes of death and disability are secondary to the progressive degeneration of aging. Little wonder, for until now, after the age of 30 we have been witnessing a steady and inexorable increase in the probability of morbidity and mortality from one disease or another. But people living by the principles of ageless aging will be different. Highly resistant to the ravages of degeneration which manifest themselves in our major destructive chronic diseases such as cancer, coronary heart disease, arthritis and the rest, they will be less rather than more of a burden to the state in terms of medical, social and psychiatric care. Application of these life-lengthening and life-enhancing principles to health on a wide scale should lead to an increase in the ratio of productive to nonproductive men and women with prolonged life spans. This has been the conclusion of Yale's Professor Larry Kotlikoff, one of the few academics to look seriously at the issue. Kotlikoff initiated an inquiry into the economic effects of increased lifespan. He also concluded that this increase in the ratio of productive to nonproductive people would result in an increased per capita output whether or not the working period increased year for year with life expectancy. With the increased longevity and the improved resistance to degeneration which are the natural outcome of applying the findings of age-researchers to our everyday lives, the population of our old people will also change. So will our attitudes to them. No longer a burden, like the Vilcabamba Indians or the Abkhazians of the Soviet Caucasus they will become not `old people' but `long lived people'. Such a simple shift in attitude could revolutionize us as human beings not only in terms of politics and economics but by shifting us towards a more value orientated society. At that point the question of `What will we do with all these old people?' begins to take on quite a different meaning. For the challenge now becomes not how we house, feed, and care for a growing sector of the nonproductive population but rather how we can best use the energy and wisdom of the older members of our society.