personal growth

When I was six years old I had my first love affair. Yes, really. Of course, not until years later did I recognize the experience for what it was. But like every first love, it changed my life forever. My father was a jazz musician so our house was equipped with the best possible sound equipment. Both he and I loved to listen to music—just about any music—at full volume. This my mother could not stand—which made it something even more exciting. While my playmates roamed the hills of Hollywood skinning their knees, I would lie on my belly in the living room, listening to music at full blast. THE MAGIC BEGINS One day, combing through our vast supply of records, I came upon Stravinsky’s “Rite of Spring.” It meant nothing to me, but I liked the colors on the cover, so I put it on the record player, turned up the volume and flopped in front of our huge speakers. Strange, mysterious, often discordant sound flooded my body, opening a secret door to somewhere deep inside me. It was a place I had never been before. I did not even know it existed. I trembled with fear and excitement as the music wound its way into me. I flushed hot and then cold; my heart raced then calmed. I lost all sense of place and time as I rode the waves of an imaginal sea into unexplored worlds, too numerous to identify. ONE WITH STILLNESS I have no idea how long this lasted. Before long, even the “boat” carrying me along, and all the images that came with it, had dissolved like sugar in water. Then, in perfect union, the sounds and child-that-had-been-me swirled into a vortex, becoming lost in each other. We shared excitement, fear, longing, fierceness and sadness. Like lovers, we had come together—music and child—in an immediate, passionate, all encompassing union. Eventually I found myself at the centre of this whirlpool. There, even the ecstasy of the movement vanished. Like Alice down the rabbit hole, I tumbled—not into Wonderland, but into that place of unspeakable stillness. Zen practitioners claim this place is available at every moment to each one of us. For me it was an indescribable event—beyond space, beyond time, outside thought. Here I knew, without the slightest possibility of ever being able to describe it, that everything was exactly as it should be. In the words of Zen Master Daisetz Suzuki, it is a place where I would eat when I am hungry, sleep when tired. I knew that “it was fine yesterday and today it is raining.” Or, in the words of Julian of Norwich, that “All things shall be well, and all things shall be well, and all manner of thing shall be well.” My affair with Stravinsky lasted more than four hours. At least that’s what my mother said. “Don’t tell me you are still listening to that awful music.” She had to raise her voice to be heard above the sounds. “For God’s sake, turn it off. Do something useful.” MY USEFUL LIFE So I did something useful. I went to school, then to university where I learned at least some of what you are supposed to learn. I earned praises for good marks, went to work, won prizes, gave birth to four children, wrote books, gave talks and made television programmes. In effect I did what millions of men and women do—became the breadwinner, the carer, the nurturer of others’ lives. And I loved it. Yet through all the years between six and now, my passion for music, painting, books, poetry, architecture and design never left me. Far from it. During most of those years, my longing not only to experience the emptiness that listening to Stravinsky had brought me that day—an epiphany, and the experience of being fully alive for the first time in my life—but also to create things: books, films, relationships, and to explore physical places, inviting me to move beyond thoughts to a place of unity with the rest of the universe. They kept gnawing at my gut. They would not go away, just as the urge to breathe never goes away no matter how long we hold our breath. SIX YEAR OLD WISDOM That day, when I lay on the floor lost in Stravinsky, without realizing it I had decided that what interested me most was the beauty of art—whether it be music, words, film, stories, sculpture, buildings or what-have-you. Why? Certainly not because I had any idea that art was supposed to be valued since it was part of what grown-ups called culture. I knew nothing about either. I could not have cared less. After all, I was a kid who, when I was not entranced by what I was seeing, hearing, feeling or touching, spent the rest of my day learning card tricks, wrestling with my rough Collie, and trying (unsuccessfully) to sell packets of chewing gum my grandfather brought me to neighbors’ kids. Nope—I loved the beauty and wonder of art in all its many forms because, unlike the world around me, with which I seemed to have little in common, it had always grabbed hold of me and would not let me go. It demanded of me both a submission and an active participation in the making of it. TIMELESS REALITY What I did not know, and this took me scores of years to come to understand, is that the rabbit hole into which I had accidentally tumbled at six is described by every culture and religion in the world in one form or another. Nor had I any idea that, at any moment in time, anywhere in the world, regardless of the circumstances of our lives, it is available to each of us. To Zen Buddhists, this wordless, timeless space represents ultimate reality—that which can only be sampled through immediate experience. In Suzuki’s words, “For the sake of those crucial experiences Zen Buddhism has struck out on its own paths which, through methodical immersion in oneself, lead to one’s becoming aware, in the deepest ground of the soul, of the unnameable Groundlessness and Qualitylessness—nay more, to one’s becoming one with it.” ANNIHILATION AND RENEWAL It is a state in which nothing is thought or contrived, longed for or expected. It reaches out in no particular direction, yet it knows itself able to handle the possible as well as the impossible. Concentrated, yet so expanding is its potential, such power is both purposeless and egoless. As such, it is often called truly spiritual. Why? I suspect because it is charged with an awareness that spirit is present everywhere. The universe and all that is created is never attached to place or time. In such a state, because the cosmos is present everywhere, we too are present everywhere. We have direct experience of and access to the power that continues to create the universe itself. And, like water flowing through the river, we have full access to that power of creation to use in our own lives, in whatever way we choose. DOORWAY TO BLISS The Sufis call this state fana—the annihilation of your individual selfhood. When we experience fana, our everyday personality becomes transparent, so the larger being that we are shines through. You become fully absorbed in the all-encompassing fascination of the moment—textures, nuances... Cutting edge physicists speak of a holographic universe in which we live but seldom access because we are plagued by endless mental concepts which blind us to reality. They also blind us to the experience of Samadhi—“a non-dualistic state in which the consciousness of the subject becomes one with the experienced object.” This state of selfless absorption and total surrender is characteristic of children when left alone to follow their instincts. Yet it is available to each one of us, regardless of age. Honoring whatever brings us bliss in our own lives opens the door to it.

Deep within you lies a font of endless creativity. The most powerful force for freedom and fulfillment in any life, every human being has literally been made in the image of creation. How freely we are able to allow this sacred creativity to pour forth determines how rich our lives can become. It may even decide the future of our planet. This most sacred creative force can provide us with whatever we need to meet the challenges facing us in a world which increasingly appears to be edging towards chaos. And, just in case you think that when the gifts of creativity were being passed out, they bypassed you, think again. Sacred creative power is by no means only available to those who can write a book or paint a picture. It shows itself in how you think and function, in how you relate to others, as well as how we are able tocreate for ourselves the lives we long to live. Why is creativity sacred? Because, set free, it permeates every aspect of your life, lighting it up with wonder and possibility. Discovering and releasing your unique creative power enables you to turn difficulties you face on their head, transforming them into opportunities. YOUR BIRTHRIGHT Few of us come anywhere near to tapping our creative potential. Too often it is burnt out of us by education, or parental and religious training which teaches us to trust outside authority, undermining our abilities to trust in ourselves. It is time to reclaim our creative birthright. When we do, we discover a sense of purpose. Then we can call forth the support of the Universe to fulfill it. Health improves. We come to look upon our life as a great adventure which goes on expanding, year after year, towards greater fulfillment and satisfaction. Let’s now take a short journey through the mysterious labyrinth of sacred creativity. Hopefully it will inspire you to discover some truths about your own creative potential in all its magnificence. Doing so can carry us out of a life of dry responsibility and duty—sometimes tinged with disappointment, addiction and compromise—towards a pathway to authenticity, personal power, and freedom. SACRED CREATIVITY REVEALED Fifty years ago I first became fascinated by the creative process. I spent 4 years writing my first novel, Ludwig: A Spiritual Thriller. In the middle of the night, I would sit for hours on the floor in a corner of my little study listening to every piece of music Beethoven ever wrote, over and over again, always asking the question, “Where was his consciousness when he created this?” During that period I read a dozen books a week. In the beginning, they were biographies of Beethoven. I took a course in harmony and counterpoint since I knew little about either, and I felt I needed to understand more about how music is constructed. Then, for reasons I could not figure out, I found myself immersed in researching shadow governments and what was really going on in the world behind the façade of mainstream media. I kept saying to myself, “Why on earth are you learning about all this stuff when it has nothing to do with Beethoven?” What I did not realize then was just how incredibly complex and multidimensional every human being’s creative processes are nor how they work to expand and inspire our lives and our goals. For, by the time I finished the last page of my novel, every scrap of information I had amassed from my research, including what I had learned about the shadow world of political control and deceit, had all come together in ways I could never have imagined within the book to make it whole. The experience of all this brought new meaning and purpose into my own life. The bottom line is this: Once you decide to commit yourself to what you long to do or be or make in your life, and then follow it through thick and thin, this not only releases creative energies from within; it transforms your life in wonderful ways you could never have imagined. CREATIVITY: LESLIE’S PRINCIPLES Here is a short list of what I’ve discovered about the creativity within each of us: Creativity is the natural order of life. Life is energy: pure creative vitality. Our creative dreams and yearnings come from the very core of our being. As we move toward our dreams, we move toward our divinity. There is an underlying in-dwelling creative force seated in the body which infuses all of life— including ourselves. When we seek the creative core within allowing its energy to permeate our body, we call forth sacred gifts and bring their transformative power into our lives. Creativity is the Divine’s gift to us. Using our creativity is our gift back to the Divine. The refusal to be creative is counter to our true nature and the greatest impediment to a fulfilling life. When we open ourselves to exploring creativity, we open ourselves to the unending support of universal energy. For creativity is always aligned to universal creative power so we can receive its endless gifts. As we open the sacredness of our creativity, many gentle but powerful changes start to take place in us and in those around we love. It is safe to open ourselves up to greater and greater creativity. Cross the threshold into your creative world, and you enter the realm of the imagination—the place in which intention can create reality. In this magical place, most of the day-to-day rules and reassurances that help us feel safe and comfortable fall away to reveal life of a different order—wilder, deeper, more authentic and unpredictable. Here’s how the adventure begins. DOORS OF PERCEPTION Human beings are, first and foremost, creators of their own lives. We do this either consciously or unconsciously. When we create consciously, we envision something close to our soul and then dance with it until out of the union—more like a love affair than anything else—our creations are born. When we create unconsciously, our creations come from a view of life that has been distorted and polluted by conditioning. The secret is to cleanse the doors of perception so that you are able to envision clearly and create what, from the deepest levels of your being, you want in your life. It is the simplest, the most challenging, and the most satisfying thing any human being ever does. What do you want to create? MEET THE DAEMON Take one part vision, mix it with methods for shifting consciousness, and a willingness to meet your Daemon and dance with it. Enter this dance of fire in a state of rapture, sometimes ecstatic and others daunting, but always exciting. In ancient times, the daemon—indispensable to creation—was considered to be a spirit of genius. Like the muse, he or she acted as an interface between you and the divine. Like nature herself, the daemon is neither good nor bad. The Greeks believed each of us was given a daemon at birth as a guardian spirit, useful in connecting earth with heaven. Through your daemon, the transcendent becomes the commonplace. A vision is tempered, honed and shaped. You are asked to fall in love with whatever you want to bring into being. Artistic visions take form. Relationships find new birth. So does everyday life. What do you love enough to want to bring into being? DANCE WITH YOUR DAEMON A willingness to do this, initiates a delicate, all encompassing, erotic process of transformation. It asks that you surrender to the dance, and at the same time maintain awareness of your separateness. This is not a loss of self, it’s a kind of cellular metamorphosis—a remembering through your subtle body who you really are. It touches your bones, your flesh, your muscles and your heart. Out of the depths of this union, destructive energies can be transformed into sheer power for creation. It’s a fascinating process—one to carry you back and forth from the very depths of your soul to the lofty heights of invention. Living it transforms an ordinary existence into a life of passion. WASTE DISPOSAL OK. So each of us comes into this life with the natural capacity to create. Indeed, that is what we are here for and what makes us unique. But our educational system, our parental and religious training—the very hierarchical structures of work and society—too often pollute our consciousness with destructive notions, lack of self-belief and an imprisoning sense of limitation. These things teach us not to be creative, not to listen to our inner voice, not to trust our visions. It is authority we are taught to bow down to. All these false notions distort our natural creative powers and truncate them, leaving us frustrated and often not knowing what is wrong. So we collect more money or lovers, crave more status and long for more holidays—none of which can fulfill the deep longing in every human being to exercise his or her birthright: To create one’s own destiny and realize our deepest dreams. HONOR THE WHISPERS Uncovering and making use of your own creative energies brings a willingness to witness what is happening to you and around you, without passing judgment and without negating whispers from your soul. Each thing you create exists in some form in consciousness before it is ever made—within your own mind to be sure, but also in the collective unconscious. This is what Plato described with his forms, and what Michelangelo knew when he chiseled a hunk of marble to allow the form he insisted was hidden within it to emerge. Creativity demands an abundance of life energy, clarity of mind and emotion, and the stamina to see something you really want to happen right through to the final moment when it does. This energy depends not on age but on aliveness. EMBRACING CHAOS All creativity demands that we enter the realm of chaos. Here the creative intention coupled with a sense of compassion for yourself and for all life, can be used to harnesses chaos and bring to birth what we you dream of creating. Good science (and, these days, little that is called “science” can claim to be valid) has much to teach about the process: Bohm’s explicate implicate order, the quantum leaps of physics, Prigogine’s bifurcation points, open systems, and dissipative structures. These visionaries have themselves made new maps of the mysterious creative process, and can help you make quantum leaps to higher orders of being, greater power, creativity and authenticity. PATH TO WHOLENESS Creativity at the highest order bursts forth from that part of your being in which you are most whole—aware simultaneously on an intellectual, instinctual and physical level. It embraces the presence of the rational thought, but it insists that reason not overstep its boundaries. With active intuition and a feeling of wonder, you enter the passionate creative dance that can become fruitful beyond your wildest dreams. Every time you choose to do this, you gain greater skills in making this fecund state of consciousness a familiar and bounteous part of everyday life. Such is the splendor of the mysterious and sacred power of your own creativity.  

Everybody’s heard of death curses. Literature is laced with accounts of how Aboriginal witch doctors have brought about the death of the young and healthy by cursing them. No sooner do these people learn about the fate which has been cast for them than, inexplicably, they begin to sicken and die. Through complex biological processes, their simple belief in the curse foisted upon starts to bring about their downfall. MODERN-DAY DEATH CURSES In civilized society we look upon such phenomena as anthropological curiosities—products of primitive superstition which can’t touch us in our “enlightened age”. What we don’t know, however, is this: We in the so-called civilized world are, more often than not, living under our own brand of “death curses”—most of which we are not even aware of. They are subtler than those issued by witch doctors, yet every bit as deadly in creating the physical and mental decline that we have been taught to associate with aging. Common charged words and phrases associated with aging like “retirement”, “middle-age”, “It's all downhill after forty”, and “At your age you must start taking things more easily” are widely voiced. They can exert a powerful effect on the process of aging for all of us by creating destructive self-fulfilling expectations of age decline. Then, instead of facing our future full of confidence and excitement about what lies ahead, optimism gets replaced by anxiety as we are warned to “Be careful”, or “Never take chances on a new career at your age.” The list of such frequently proffered “sensible” advice is a long one. Such suggestions often lead us to make changes in the way we live that actually encourage physical decline—like decreasing the amount of exercise we get, or altering our eating habits away from fiber-rich natural foods towards “softer” foods and “convenience foods”. We may even limit the amount of social and intellectual stimulation we have been used to. What’s worse, this kind of advice tends to undermine our self-image and destroy our self-confidence. This in turn interferes with the proper functioning of the immune system, which plays such a central role in protecting the body from aging. An essential ingredient in healthy aging is becoming aware of just how powerfully our emotions, state of mind, and unconscious assumptions influence susceptibility to illness and the rate at which we age. Once this awareness penetrates your consciousness, you can begin to make use of a few powerful techniques that quite automatically banish death curses from your life, and help you live healthy, decade after decade. MIND-BODY CONNECTIONS The notion that your state of mind can influence your health and the rate at which you age was once something that had to be taken on faith. Now it’s been scientifically proven, thanks to a scientific discipline with a tongue-twisting name: psychoneuroimmunology (PNI). PNI has established that the body's immune system, that bulwark of defense, is undeniably affected by your unconscious assumptions, your emotional states and your behavioral patterns. They lead either to a significant resistance to rapid aging on the one hand, or to an increased susceptibility to decrepitude and degenerative diseases on the other. The happier you are, the better you feel about yourself and the more positive are your expectations about the future, the more likely is it that you will age slowly and gracefully, and the less likely you will be to fall prey to illness of whatever sort—from a common cold to a chronic life-threatening disease. LIVE LIKE ZORBA No area of what I call “ageless aging” is more fun to explore than this one. I always think of positive aging as “Zorba the Greek” consciousness. It makes possible the most amazing physical and mental feats by quite ordinary people living ordinary lives. Take the man who is able to work eighteen hours a day, drink whisky by the tumblerful, dance on tables until the early hours of the morning and still live to be 110, thanks to the sheer joy of his passion for living. (I had a grandfather like this whom I absolutely adored!) You also find this positive vision of ageing amongst saints and holy men who carry out their day-to-day activities, from writing letters to peeling potatoes, in a state of bliss—samadhi. Take a look at their superbly unlined faces. Many could as easily be thirty as seventy. Mainstream medicine has long acknowledged that emotional states such as anxiety and depression can make some illnesses worse. These include asthma, diabetes, peptic ulcer, ulcerative colitis, migraine and cardiovascular problems. But until the advent of PNI, it has paid little attention to examining the power—both positive and negative—of their psychological components, nor has it explored ways and means of improving these conditions by altering a patient's mental state or behavioral patterns. Meanwhile, it still ignores psychological components in the vast majority of other illnesses—from lung disease and cancer to rheumatism and allergic reactions—choosing to treat them instead as nothing other than physiological conditions, little affected by whether the patient experiencing them felt good or bad in himself. Western medicine, bound by the Cartesian notion of a split between mind and matter, fails to consider the people it treats as psychobiological beings, whose feelings, thoughts, expectations and perceptions are intimately bound to their physiology and biochemistry. They never bother to ask the question: Why do some people who smoke forty cigarettes a day for 20 years end up with lung cancer, while others following exactly the same pattern don't? TIME TO TRANSFORM Just as prolonged unmitigated stress, depression and anxiety suppress immune functions, a positive frame of mind frees us from death curses. It brings us a sense that we can cope with whatever comes our way, offers potent protection from illness and age-degeneration. Those of us who succumb to anxiety, depression and a sense of helplessness when life difficulties arise invariably show suppressed immune functions. The Zorba-like people who feel they can deal effectively with whatever comes their way most often have good immune functions, even when faced with major life changes. In a well controlled study of women suffering from breast cancer who underwent mastectomy, British researcher Dr Steven Greer reported that women who react to their diagnosis by denying that they are seriously ill or with a determination to conquer the problem are far more likely five years later to be free of the disease than those who stoically accept a diagnosis while feeling hopeless or helpless. MAKE AGE WORK FOR YOU What can you do, starting right now, to develop your mind as a tool for positive aging? Begin by exploring the benefits of mind/body techniques that alter your mental attitudes and emotional states from negative to positive, therefore encouraging good immune functions and slowing down the rate at which you age. There are many. Some 40 years back, Dr Herbert Benson at Harvard Medical School developed a simple meditative technique, called the Relaxation Response. It consists of sitting with your eyes closed for 15 or 20 minutes morning and night and repeating a single word—say “one” or “peace”—over and over again silently. Practiced regularly every day, it not only counters the immune-suppressing tendencies of stress, but even brings about major psychological shifts in belief systems that gradually change a self-defeating sense of helplessness into a free spirit who, like Zorba himself, can dance on tables just for fun. I recently wrote about Benson’s amazing work. You’ll find it here. I’ve even posted a video so you can learn the technique and practice it with me every day if you like. Finally, there is an excellent video by Benson about working with the Relaxation Response and the amazingly positive benefits research shows it to have on those who practice it daily. HOW MUCH DO YOU KNOW ABOUT AGING? Explore how many negative expectations you have unconsciously connected with aging. Then you simply and methodically go about changing them. Start right now: How many of the following notions would you agree with? They have been adapted from a questionnaire designed by gerontologist Erdman Palmore from Duke University Medical Center in the United States. TAKE THIS QUIZ Then check your answers at the end. (Just mark “T” for true or “F” for false.) The majority of old people (past age sixty-five) are senile (i.e. defective memory, disoriented or demented). All five senses tend to decline with age. Most old people have no interest in sex. Lung capacity tends to decline in old age. The majority of old people feel miserable most of the time. The majority of old people are seldom irritated or angry. At least one-tenth of the aged are living in long-stay institutions (i.e. nursing homes, mental hospitals, homes for the aged, etc). Aged drivers have fewer accidents per person than drivers under age sixty-five. Most older workers cannot work as effectively as younger workers. About 80 per cent of the aged are healthy enough to carry out their normal activities. Most old people are set in their ways and are unable to change. The majority of old people are working or would like to have some kind of work to do (including housework and volunteer work). It is almost impossible for most old people to learn new things. The reaction time of most old people tends to be slower than reaction time of younger people. In general, most old people are pretty much alike. The majority of old people are seldom bored. The majority of old people are socially isolated and lonely. Older workers have fewer accidents than younger workers. Older people tend to become more religious as they age. Most medical practitioners tend to give low priority to the aged. NOW CHECK YOUR ANSWERS The even-numbered questions are true. The odd numbered ones are false. How many of your own answers are correct? AGE REBORN Contrary to popular opinion, a mere 2 or 3 per cent of old people are institutionalized because of psychiatric disorders. The vast majority of older people do not have memory defects. Most people over sixty-five continue to be interested in sex, and sexual relations often continue well into the eighties between healthy men and women. Studies made of morale and happiness amongst the elderly show no difference between their enjoyment of life and that of younger people. Meanwhile, people over sixty-five have fewer accidents per person driving than younger drivers do. They also have fewer accidents at work. The majority of old people are not “set in their ways” as we have been taught, although it can take them longer to learn something new than their younger counterparts. Studies show that very few old people suffer from boredom. Neither are they socially isolated or lonely. More than 10 per cent of older people work and two-thirds of those who don't would like to. Finally, older people are seldom irritated or angry. This has been established by three separate studies. VISUALIZE AGE ANEW Becoming conscious of any false assumptions you make about aging is a good first step. The next is to create for yourself a new vision of what it means to have time passing. Make use of creative visualization techniques where, in a state of relaxation, you allow your mind to play on positive images of yourself five, ten, thirty years from now. It is only a matter of letting yourself indulge in positive daydreaming. Or practice a meditation or deep-relaxation technique once a day, and finish off by repeating silently to yourself Coue's formula for personal growth and healing: “Every day in every way I am getting better and better.” It is exquisitely simple, yet enormously powerful when practiced daily in a deeply relaxed state so that it is your imagination rather than your will which is brought into play.

Whether you’re aware of it or not, you are ceaselessly involved in the act of creating the quality of your own life—your looks, values, attitudes, actions, and the nature of your relationships. You do this through image-making—a universal characteristic of the human mind which appears even to precede thinking in the brain. We see, worry, put together ideas, dream, speak, wonder, all through the use of images. We experience a continuous flow of mental pictures, both conscious and unconscious, every moment of our waking lives. In fact, the capacity to visualize—to "image"—is one of the miracles of the human organism, for through it we are able to organize reality, communicate with others, and make sense of the restrictions of time and space around which our lives are organized. And images have tremendous potency. Your own images can be used for your good or they can be used against you. WHAT WE’VE BEEN TAUGHT Each of us comes into the world with a particular set of genes that determine our skin colour, sex, body type and, to a certain extent, our personality and intelligence. But by the time we are four or five, the form of what we were at birth has been altered physically and mentally so that we have become more complex and quite different in the way we respond and function, think and express ourselves. Some of these changes, such as physical growth, come from the same genetic inheritance that gave us our original form. Others, probably by far the largest number, come from what is commonly referred to as behavioural programming—the things we learn spontaneously through day-to-day living, such as motor control and speech, as well as the things we are taught, such as how to communicate with people, dress ourselves, use a pencil, and so forth. In all that we have learned from experience (things like if you touch a hot stove it hurts) and all we have been taught by our parents and other people, there are an enormous number of mental images that greatly affect our ideas and our lives ever after. For instance, from our programming we get a notion of what in our behaviour is considered good and what is called bad. We form innumerable impressions of what we are like and what others are like. And, finally, we come to have "sets" of knowledge about the world. All these things form our belief systems—conglomerates of images, ideas, and assumptions that make it possible for us to function from day to day. Some of these belief systems are individual—they pertain to our inner world alone and are entirely personal. Others we share with the rest of humanity—for instance, together we "agree" that the brown-and-white, rather square-shaped animals with horns that graze in fields and give milk are "cows." We also agree in common with others that if you step in front of a moving bus you will be hurt. Such belief systems are important, for without them we would not be able to live or share our experiences with others. WHAT WE ASSUME IS TRUE Our own individual belief systems are somewhat different in character. They consist of the many unconscious notions and assumptions we hold about what we are and are not and can and cannot do. They influence whether we see life as exiting and challenging or rather as painful and hopeless. And although most people are not aware of it, these belief systems, formed gradually as we grow up, wield enormous power over us. GROWING UP IS NEVER EASY A child who grows up in a family where he or she is treated with respect tends to grow up believing that she is worthy of this respect. When her needs are frequently met, she comes to believe that they are likely to be met in a similar way in the future and, although he is probably completely unaware of this, she actually comes to expect it. Similarly, if someone is brought up in an environment where she is treated with disdain or carelessness or as if she were stupid, then she gradually forms more negative assumptions about herself and they become the "systems" by which she lives her life. The whole creation and formation of our belief systems is a very complex process. It is largely an unconscious one, too, because the amount of sensory information fed into a human brain even in one day is immeasurably rich. We are continually responding to one perception, feeling, word, or sensory experience after another. Our belief systems, formed from these events, are therefore many-layered and extraordinarily elaborate. But they all have one thing in common: power. The images we hold, consciously or unconsciously, about ourselves and our lives are real in the sense that they tend to reaffirm themselves over and over again in our experience. Studies have been done in which a child's IQ, tested at school, is measured against her expectation of herself and her performance in the classroom. Almost invariably, the child whose belief systems include the idea or image of herself as not really very bright does badly in schoolwork regardless of what her IQ shows, and vice versa. In fact, there is also considerable evidence in older children that even IQ measurements soon come to reflect a child's basic intellectual self-esteem—or lack of it. All because of the belief systems she holds about herself. SELF-FULFILLING NOTIONS When it comes to health, relationships with other people, and creative functions, belief systems are particularly important in determining our success or lack of it. If you take the time to sit down and look at a particular area in your life that you consider reasonably successful—say your work, or your relationship with a particular person—you will find that your ideas, feelings, and attitudes about it are generally of a positive nature: pleasing, charming, fun, interesting, and so forth. Similarly, if you look at an area of your life that doesn't work so well or with which you are not satisfied, you will find it is accompanied by negative images or visualizations. Most important of all, these negative images and the belief systems they create will tend, when put to the test in real situations, to bring about exactly the effects you expect. If you feel you are uncreative when you paint a picture, it will turn out to be uninteresting. If you feel like a failure when you try to reach a goal, you will fail. Under even mildly stressful situations you become ill, and so on. And, of course, failures only further strengthen the negative belief systems you already hold. It is a vicious circle—that is, until you are able to become aware of these negative belief systems you are unconsciously carrying around with you, examine them objectively, and then make a decision to change them. So long as they are unconscious, you are in their power and no real act of will is going to change them much. When they become conscious, you can begin working with them, looking at them, examining where they come from and their validity or lack of it, and decide on whether or not they are useful. Then gradually you can become free of them. In a fortnight, we’ll exploring simple practices that make use of the power of creative imagery—the deliberate repeated use of specific mental images— to bring about dazzling positive changes to your health, your life and your core beliefs about who you are and what you love most. See you then...

The emotional and spiritual transformations that take place on Cura Romana begin as simple, physiological and functional shifts in the body. Essential Spray – coupled with the Food Plan influence the autonomic nervous system via the diencephalon bringing participants greater access to bliss. The program encourages the body to let go of toxic wastes which may have been held in its tissues for some time This decreases the body’s toxic burden. As toxicity diminishes, our living matrix—our body’s fluid, dynamic. continuous webwork of energy, physical substances and light— is enlivened. Our senses are heightened. Cura Romana exerts a calming, centering effect to the body as well, gradually quieting habitual thought patterns so that many internal conflicts and confusions are quelled. INSTINCTUAL POWER Too often, physical illness develops out of unresolved conflicts between our instinctual nature—centered in the diencephalon and primitive parts of the brain, and the intellectual cerebral cortex, with which we are urged to govern our lives. Simeons writes about this at length in his book Man's Presumptuous Brain. He says, and I quote: "An instinct is a very old impulse which is generated in the diencephalon by a combination of hormonal and sensory stimuli. In this process the cortex is involved only to the extent that it censors the raw incoming messages from the senses. An emotion on the other hand, is the conscious or subconscious elaboration of a diencephalic instinct by the cortical processes of memory, association and reasoning. Emotions are thus generated in the cortex out of crude instincts. In primitive man many raw instincts were still consciously acceptable but in urban man this is no longer so. When a raw instinct . . . breaks through all cortical barriers, it is usually interpreted as insanity . . . raw instincts threaten the cortical authority with which man runs his artificial world." Simeons then goes on to describe the cortex as a censor of instinctual expression and action. Once the cortex changes instincts into emotion, it usually censors any expression of that emotion. And, because our culture is built on cortical control and it demeans instinct, illness occurs. As a result of these and other restrictions – both conscious and unconscious – directing our lives, we begin to lose touch with our bodies, our instincts and our bliss, and with our essential self at the core. BLISS FOR FREEDOM Meanwhile, our capacity for bliss, as well as our need to experience it, is inscribed on the primitive brain – almost as deeply as our need for air, water and food. Bliss is the medium through which mind, spirit and emotions weave a tapestry of meaning. Bliss renews. Bliss cleanses. It makes us feel whole, solid, stable and alive. Bliss tells us: 'This is something I want to try', then brings us the courage to go for it. So important is bliss to becoming who we really are and to helping us realize our goals – whatever they may be – that when we deny our need for it, we are forced to look for artificial substitutes. Addictions arise: to food, drugs, alcohol, sex – even ambition. These addictions disempower us, leading us further from the authentic freedom that is our birthright. WAY TO GO The more you become aware of what brings you bliss in your own life and the more you commit yourself to allowing it, the more creative your life becomes and the more support you automatically bring to your overall health and sense of freedom. How do you do this? Begin by keeping a journal which nobody but you sees in which you allow yourself to explore the things in your own life that bring you bliss. Trust what comes to you when you ask yourself “What brings me bliss?” Keep asking the question each day and write down what you get. Then, put your discoveries into action. Commit yourself each week to making time to do three of the things no matter what else is going on in your life. Week by week your capacity for bliss as well as the benefits it brings to you will expand exponentially.