personal growth

Within each human lies an essence, a truth, a core of self, with one and only one intention - that it may be fully expressed, wholly manifested in material form while we live on this earth. Each year I become more aware that illness, lack of energy, a sense of confusion or lack of meaning in one’s life stems from a basic frustration of the expression of this essence. These things are often calls from the soul, asking you to become more aware of who you are at the deepest level and live out your unique soul nature in your day to day life. True healing is a transformation. Energy, power and authentic freedom grow as we engage in the process of connecting with our true essence and soul’s purposes and express them in our lives. To do this we need to call on all sorts of tools and techniques, from detoxifying body and mind, to herbs and natural treatments, to exercises for expanding awareness. Take energy for instance. Being able to live out your energy potential depends on how well you nourish yourself - physically, emotionally and spiritually - day by day. This means developing a lifestyle which incorporates exercise, good food, restorative sleep and the myriad of other possible factors - from hydrotherapy to super nutrients - that help support your own brand of vitality at peak efficiency. But energy too depends on living from your core, not by other people’s rules. It depends on living what you love most in some way, what feeds you most at the deepest levels. In discovering this and living more and more in this way, you not only fulfill your own life more richly than is possible in any other ways (after all we can only collect so many PhDs, BMWs and lovers). You also bring the very highest gifts that you have to give to your family, your community and the earth as a whole. Live your soul’s passion and you call on virtually endless energy. For health not only depends on how you eat and what exercise you get, and how you deal with the stress. All of these things are important. Each of us needs to develop a way of living unique to our needs and that calls for our body and psyche. But real health doesn't stop here. For ultimately, health is nothing less than the process of unfolding which each one of us goes through to become more fully who we really are. To empower this process we need consciousness expanding techniques such as meditation, autogenic training and prayer, for instance. All these things can be useful. But so far, the most useful spiritual tool of all I have ever found is the most ancient practice in the world: shamanism. These 30,000-years-old simple practices can not only be useful for healing, divination and creativity. Shamanism can also play a major part in your unfolding. Practical, simple to learn and easy to use, shamanic techniques can enrich your creativity, heighten your energy, and bring your outer life progressively in line with your soul’s purpose, enhancing your own and others' in the process. I created my Journey to Freedom books, tapes and other workshops to help people learn shamanic skills and reestablish a sense of connection with their own authenticity as well as the universe as a whole. This invariably brings great joy in its wake. It can bring you face to face with the only true guru for health, healing and spiritual guidance that exists: the guru within you. That is where the greatest power lies. Once you begin to align your life with your own truth, the universe supports you in a way you may never have dreamed possible. Working with people through their own health process, helping them discover whatever is most appropriate to their needs on both a physical and spiritual level, and teaching them how to work with these things, is the most exciting thing in my life. For each person is totally unique. Each of us carries a divine spark of soul which we are here to live out to the full, bringing our own individual brand of spirit into material form as we walk the earth. The beauty of watching this happen in those I work with is for me like walking in a garden and seeing flowers and plants, trees and rocks that I have never seen before. I am dazzled by their beauty.

Thanks to our growing understanding of the natural laws of health and advanced research into high-tech biochemistry, what was once little more than a pipe dream - the notion that the length of human life can be extended - is becoming a reality. Gerontologists have now challenged the maximum lifespans of many species of animals. Man is next. Already physicians are using antioxidant nutrients, electromagnetic techniques and other anti-aging tools to prevent physical degeneration and to restore health and balance to ailing bodies. Meanwhile psychiatrists and psychologists trained in biochemistry and in the orthomolecular treatment of the brain are not only beginning to cure mental and emotional problems associated with age, they are even using the tools of their trade to expand consciousness. It becomes important to ask the question, `With what consequences?' The first worry about life extension for most people is usually, `What will we do with these old people we are creating?' `Won't they be yet a further burden to society?' Naturally they want to know about the effect that longevity will have on housing, medical costs and the rest. Such questions are valid. But it is also important to penetrate the point of view from which they come - the assumptions and paradigms which underlie them. Our society has imprinted its members with negative concepts about being old. In the book for which he won a Pulitzer Prize, Why Survive? Being Old in America, Dr Robert Buffer outlined the enormous practical problems of dealing with the aged: housing, pensions, personal security, need for meaningful occupations and the rest, and the horrific conditions in which many old people in modern Western society live. He also pointed out that we hold many unconscious assumptions about the aged which continue to create these conditions. They are always with us and they greatly distort our view of aging, old people and their place in society. These assumptions include a belief that the aged are inflexible, senile, unproductive people waiting for the inevitable arrival of the grim reaper. Basically not interesting, of little value, they are people worthy of being assigned to a foreclosed existence. Alex Comfort refers to these common views of age and the elderly as `ageism' which he defines as `the notion that people cease to be people, to be the same people or become people of a distinct and inferior kind, by virtue of having lived a specified number of years'. The assumptions of `ageism' lie behind many of the most often asked questions about the social and political consequences of ageless aging. They make such questions impossible to answer adequately from our current perspective and with our current views of reality. They also force us to ignore a number of important realities. We forget for instance that chronological age at its very best is only a limited indication of biological and functional age. Even our present old people are capable of far more than society allows them to express or contribute - indeed more than they themselves allow. We also forget that every major disease is age-dependent and all of the major causes of death and disability are secondary to the progressive degeneration of aging. Little wonder, for until now, after the age of 30 we have been witnessing a steady and inexorable increase in the probability of morbidity and mortality from one disease or another. But people living by the principles of ageless aging will be different. Highly resistant to the ravages of degeneration which manifest themselves in our major destructive chronic diseases such as cancer, coronary heart disease, arthritis and the rest, they will be less rather than more of a burden to the state in terms of medical, social and psychiatric care. Application of these life-lengthening and life-enhancing principles to health on a wide scale should lead to an increase in the ratio of productive to nonproductive men and women with prolonged life spans. This has been the conclusion of Yale's Professor Larry Kotlikoff, one of the few academics to look seriously at the issue. Kotlikoff initiated an inquiry into the economic effects of increased lifespan. He also concluded that this increase in the ratio of productive to nonproductive people would result in an increased per capita output whether or not the working period increased year for year with life expectancy. With the increased longevity and the improved resistance to degeneration which are the natural outcome of applying the findings of age-researchers to our everyday lives, the population of our old people will also change. So will our attitudes to them. No longer a burden, like the Vilcabamba Indians or the Abkhazians of the Soviet Caucasus they will become not `old people' but `long lived people'. Such a simple shift in attitude could revolutionize us as human beings not only in terms of politics and economics but by shifting us towards a more value orientated society. At that point the question of `What will we do with all these old people?' begins to take on quite a different meaning. For the challenge now becomes not how we house, feed, and care for a growing sector of the nonproductive population but rather how we can best use the energy and wisdom of the older members of our society.

The word charisma literally means "talent, grace, a favor specially vouchsafed by God". The charisma approach to good looks focuses not so much on specifics as on the over-all impression you create - an expression of your personal and idiosyncratic feeling for who you are and what looks best on you. The charisma approach to good looks is bold, assertive and often witty. And, contrary to popular opinion, it is not the exclusive province of the special elect - women with perfect size 10 bodies and not a wrinkle on their faces. Far from it. Charisma is ageless. It exists in every culture. It is the icing on the cake - the external expression of your unique authenticity which gives you panache, boldness and humor, and transforms physical limitations like wide hips or giraffe necks into assets. It can make a wonderful statement out of a nose that by conventional standards is too big. Charisma makes you stand out in a crowd. Developing charisma of your own can not only be a lot of fun and have a dazzling effect on your outside world, it can even empower you to live more and more from your core. Charisma is something of far greater value than a docile conformity to conventional notions about fashion and beauty. affirming what's authentic What gives you charisma? The Chanel suit you wear? The car you drive? The way you have been taught to use your body or speak your words? Not really. For, stylish or charming as these things may be, they are more often than not chosen without any consideration of whether or not they have a connection with the individuality of the woman who wears them. It is rather like hanging Christmas baubles on a willow tree. As such, they offer little more than the appearance of charisma. And like pastiche, appearances never deceive a discerning eye. Developing your own charisma is first a question of acknowledging that how you look matters. Second, you need to make time to care for yourself and to explore who you are. Finally you have to rediscover the art of play. Your unique nature can be expressed in a myriad of ways, from the most simple and playful to the most profound: In the colors you like best, in the way you choose to wear your hair, the kind of make-up you wear, as well as how you think and talk, and in the deep values you embody; even in the dreams you dream and in the things you do and make - whether they be creations of art, intellectual or physical feats, or your simple day-to-day ways of being. That is why at its essence, charisma is both disarmingly simple and immeasurably complex - neither more nor less than living day by day from a full and honest outpouring of your individuality - that spirit which is unique to you.

In my last post, we looked at unconscious image-making which prevents us from experiencing authentic freedom and undermines our sense of self. Now let’s flip destructive image making-on its head. It’s time to learn the art of conscious image-making It can improve health, heighten self esteem, and even forge the person whom you long to become in the future. All you need is a simple notebook in which to record your intentions, goals and experience plus 15 to 20 minutes a day to practice the art. This can be a lot of fun. POWERS OF THE MIND Creative imagery is the deliberate, repeated use of specific mental images, while in a deeply relaxed state or meditative state, to bring about change for the better. Just how creative imagery works has never been fully defined. It does, however, appear that the images one chooses to focus on when repeatedly held in the mind are able to affect one's body, emotions, and mind through the autonomic nervous system. Some of the process, at least, is explainable in biological and energetic terms. When a thought or image is kept in the mind of someone in a state of deep relaxation, his or her brain shows neuronal activity in both right and left hemispheres. Nerve fibres leading from the cerebral hemisphere through the hypothalamus can directly affect the autonomic nervous system and the pituitary gland as well as the adrenal cortex. Everyone has had experience of this image-making to some extent in day-to-day life. For instance, if you keep a frightening image in your mind's eye—say of a ghost, a fantastic monster, or a situation you want at all costs to avoid—your body will respond via the autonomic nervous system with a racing heartbeat, perspiration, dryness in the mouth, or gooseflesh. How strong your reactions are to the fearful thought depends entirely on how clear the image is. Similarly, when you hold a clear, relaxing image of perhaps a spring meadow or a person you love, your body responds with relaxed muscles, lowered heartbeat and blood pressure, and generally pleasant and passive bodily sensations. Researchers have found that through this mind-body connection we can exercise a great deal of control over our bodies and our behaviour simply by choosing images to focus on and using them regularly. In fact, this kind of deliberate visualization is the technique behind the ability yogis demonstrate in raising and lowering their bodily temperature or heartbeat at will, going for long periods of time without food, and performing extrasensory tasks. TRUST THE GAME Although the mechanism of creative imagery is highly complex, putting it to use is simple. For just as it is unnecessary for you to know how the nervous system, in conjunction with the brain and muscles, makes it possible for you to pick up an apple and take a bite out of it in order to perform the action, so it is not necessary to understand biological theories about creative imagery in order to practice it to your benefit. The imaging mechanism of your brain works automatically; all you have to do is provide it with images that are useful to you and let it do its job. Nor do you have to worry about whether or not you believe in creative imagery or whether or not you can do it well enough for it to work for you. If there is a goal that you want to achieve, you need simply to visualize it—again and again, at least twice a day; the rest is automatic, so long as your goal is something you consciously consider to be feasible. It would be absurd, for instance, to lie down for ten minutes each morning and afternoon and visualize yourself as an eagle. You might improve your imagination no end, you might also develop a great empathy for eagles, but it unlikely that you would develop wings or a beak. Nor need you worry about success or failure. As Maxwell Maltz says in his book Psycho-Cybernetics, "You must learn to trust your creative mechanism to do its work and not `jam it' by becoming too concerned or too anxious as to whether it will work or not, or by attempting to force it too much by conscious effort. You must let it work, rather than make it work. This trust is necessary because your creative mechanism operates below the level of consciousness." The only real "trust" needed for it to work is that which makes it possible for you to spend time repeatedly practising creative imagery. You do this by letting yourself go into a state of deep relaxation or meditation and then repeating your chosen image again and again over a sufficient length of time for it to take hold in your unconscious and begin producing results. You certainly don't have to trust it in the sense of believing in it for it to work. It will work whether you believe it or not. Just be consistent in using the technique regularly. PREPARE THE WAY Begin by learning to just let go. Creative imagery is an inner state of mind. To visualize effectively you need to put yourself into a calm, relaxed state in which mental images flow easily. Generally the more relaxed you are, the more successful your visualizations will be. This kind of relaxation is something that is learned gradually by practice. Even if you feel in the beginning that you are hardly relaxed at all, you will get benefits from your imaging and this will become progressively more true as you repeatedly practice visualization. Begin by lying down, or sitting in a comfortable chair, with your back well supported. Use a simple practice such as zazen or gentle, quiet deep breathing to let go of daily concerns and enter your private world. When you feel yourself quietly calm resting in your own inner space, there are several things you can do: In this space, you can examine in a new light any question that has been bothering you. You have access to the deeper layers of your mind where many answers can be found, provided you are willing to ask the questions simply and then just wait in stillness for the answer to come. This place is also where you can become aware of your belief systems and bring them to consciousness so that you can examine them in a detached, objective way and see whether they are working for you or not. You can then decide what you want to keep and what your want to leave behind. It is a place where you can learn to listen to the sound of your inner voice. The more you do this, the easier it becomes. This inner voice can guide you to where you are going next and tell you what you are about. It is a place where you can come to know yourself for who you really are, quite apart from roles and habitual assumptions you have always had about yourself. Most important of all in bringing about change, you can use this inner space to practise creative imagery. Go through your relaxation technique until you enter your inner space. Now you are ready to begin visualizing. You can do this in two ways: verbally, by simply repeating over and over a few words that describe the image, or visually, by simply seeing yourself as already having become what you want to be. For some, who at first experience difficulty in visualizing, the verbal method works better; for others, the visual method is more successful. Try them both and see which you prefer. Later on, after you are familiar with the use of creative imagery, you will probably want to use both. FOCUS YOUR DESIRE Let's say you pick as your goal the desire "I want to have more energy." Using the verbal method, turn the wish into a positive statement. It becomes "Every day I am more and more energetic and well." It is important that your goal be phrased in this way. It has to be in the present tense—not "One day I will be better" or "I hope that I will be more energetic," but Every day I am more and more energetic and well. It is happening now. Your subconscious mind, which holds the power to bring about change, does not function in terms of time and space as your conscious mind does. It understands only the simplest and most direct instructions, and when they are given it works as if they had already occurred or are occurring now. The words you have chosen become your image. You put them to work by simply repeating the words over and over again silently to yourself while you are in the deeply relaxed state in your inner space. It is the constant replaying of the message day after day twice a day that works best, not how long you do it each time you relax. One convenient way of doing it is to repeat the directions ten times in each session, moving one of your fingers with each repetition until you have been through all ten. Then you simply say to yourself the same, "I am now going to come out of my inner space...(by counting backwards from three, etc.) and open your eyes. The best time for most women to practice creative visualization is in bed at night just before they fall asleep, and then again in the morning just before they get up. But really you can do it anytime—whenever you can find ten minutes to yourself in the middle of the day, or in the middle of the night if you awaken, or during meditation. The important thing is to do it regularly twice a day every day. You needn't worry about doing it wrong, either. Because, in truth, there is no wrong way, and every supposed wrong in the way you are doing the technique will gradually put itself right with practice. WATCH IT HAPPEN If you prefer, you can use a visual way instead, or you can use a combination of both. Picking the same goal, I want to have more energy, go through your relaxation technique. When you are at the inner space, instead of repeating words let your mind play with the image of your goal as if it had actually come about already, almost like a daydream. In other words, see yourself moving through your day, relating to people, doing your work, playing games, all the while full of vitality and bounce. Watch yourself in your imagination and enjoy the ease with which you do things that once seemed difficult or tiring. Notice the glow of your skin, how well you look; see the vivacity in the way you speak and move. Watch yourself and enjoy it. The more of it you let yourself imagine and the more you enjoy your imaginings, the stronger will be the images you are creating and the more quickly they will become reality. But as with the verbal instructions, always keep your images in the present as if they are actually happening now and not as if they might happen in the future or are something you would like to see happen. You may find at some point that something or someone is interfering with your image. For instance, you might find that as you watch yourself moving about energetically through the day in your mind's eye, another figure appears—say an old woman—who speaks to you. Perhaps she says something like, "You silly girl, if you don't slow down you know you will exhaust yourself or make yourself ill." Or, "Why are you pretending to be full of energy when you know that you are really tired?" and so on. Pause for a moment and take a look at the figure. Who is she? Your mother? A friend who tends to be negative about everything you try? The voice of a belief system from inside you which, without your being aware of it, has been telling you for years that you are tired? Answer the figure back. Tell her quietly but firmly in your mind, "No, you are wrong. I am well and I have lots of energy. I also know how to use it wisely. I will rest and look after myself when I need to, I will eat well, I will enjoy what I do. I will be happy with my vitality." Then go on with your visualization. Unexpected intrusions like this while you are visualizing are often very useful, for they help make you aware of belief systems and notions that may have been unconsciously impeding your progress towards a goal. Then, when you have practised your visualization for, say, five or ten minutes, tell yourself you are going to count backwards from three and open your eyes. A FEW TRICKS TO HELP In the beginning, when you are just starting to explore the power of creative imagery, it is a good idea to pick only one goal at a time and work on it for several weeks or months until it is being progressively realized before taking on another thing you would like to change. The technique of keeping a journal is very useful in recording your progress, but even more important is keeping a record of insights and experiences you come upon while practising the deep relaxation and visualisation techniques. The information and insights they turn up for everyone are invariably rich. Many times something you record today which seems not particularly useful now will have a message of immediate importance to you three months from now. Finally, there is one very simple goal that I find particularly useful because it covers all areas of one's life and you can use it over and over again, year after year, with benefit. It is, "Every day I am more and more myself. My life grows richer and richer." “Practice makes perfect,” the saying goes. It most certainly does but never treat your practice as a chore. Let it be fun. When you do everything happens faster and with greater ease.

When it comes to rejuvenation on an emotional and spiritual level, the most powerful way there is to liberate life energy is simply to tell the truth. This means nothing more than allowing yourself to be what you are, without the pretensions or self-limiting assumptions that can unconsciously block the experience of being fully alive and able to make full use of your potentials. Far too much vitality lies stillborn beneath patterns of addictive behavior, fear, and heavy psychological baggage - the kind of stuff we all carry around with us to thwart our energy and make simply being who we are hard work. life energy thwarted The physical, emotional, spiritual and social environment in which most of us grow up rarely supports the full unfolding of our individual nature. As a result, like a plant trying to develop in depleted soil with too little rain and too little sun, each of us develops our own brand of disharmony and distortion. We may try to change ourselves to be what we think others want us to be, or we bury deep inside us all our fears, disappointments and frustrations lest they rock the boat of our day-to-day lives. Every past experience, all thoughts, perceptions and fears, can become encoded within the molecular structures of the body in the form of layer after layer of old "stress". Later on in life such `encoding' can manifest as muscle tension, metabolic processes that don't function as well as they should, negative thought patterns and recurring emotions such as fear, anxiety or depression. This happens to all of us to some degree. When we carry around a lot of old stress we can also gradually develop a lack of trust in ourselves, a lack of confidence, or a feeling of being unworthy or guilty. We can even end up burdened by a sense of meaninglessness which leads to addiction, or greed for material things, so that no matter how much we acquire we never fill up our emptiness. polishing the lens of perception At the core - at the very center of our being - beneath whatever physical, emotional or mental rubbish we have accumulated, is where true freedom is to be found. Rediscovering this freedom is essential for rejuvenation. It asks that we let go of distorted habit patterns, fears and frustrations which have developed over the years, and gradually reassert our trust in our essential self. The false ideas, notions and habit patterns that suppress and squander our life energy make us highly susceptible to early aging. They represent psychic and spiritual rubbish which is not only a big energy drainer but can cause as much free radical damage as living on junk food or taking drugs. The wonderful thing about the psyche is that, like the body, given half the chance it will detoxify itself so that life-changing psychic and spiritual energy is released. Psychic detoxification brings a spiritual rejuvenation in its wake that can echo throughout your whole life, adding the freshness of a child's vision to the wisdom you have developed over the years. There are many ways to go about it. Good psychotherapy can help. So can meditation, certain energy approaches to exercise such as Chi Chung, Tai Chi, Yoga and martial arts practices - provided they are taught with a real understanding of the spiritual power that underlies them. But one of the simplest to learn, yet most effective ways of doing this is by autogenic training. It costs nothing but a little time to learn the technique. Once learned, a daily practice of five or ten minutes a day over time can clear away psychological blocks and lift off stresses that have been locked deep within for a lifetime.

What gives any woman charisma? The Chanel suit she wears? The car she drives? The way she has been taught to use her body or speaks her words? Not really. For stylish or charming as these things may be they are ultimately externals - things put on from the outside. As such they offer a woman little more than the appearance of charisma. And like pastiche, appearances never deceive a discerning eye. What are the characteristics of real charisma? Where does it come from? How to you get it? And what is living with it all about? Charisma - the real McCoy - has certain characteristics: expansiveness for instance and energy, joy and creativity. It is not only a way of being which calls forth all the powers of a woman - from the pragmatic to the inspirational, the intellectual to the intuitional. It is also a way of relating to yourself, to those you work with and play with - even to the planet itself - through all of these modes. That is why at its core, charisma is both disarmingly simple and immeasurably complex - neither more nor less than living day by day from a full and honest outpouring of your own individuality - the spirit which is unique to you. This unique nature, which each woman has but most are still trying to discover, can be expressed in a myriad of ways from the most simple and playful to the most profound - in the colors you like best for instance, in the way you choose to have your hair cut, the kind of make-up you wear (or prefer not to wear). It is also explicit in the way you think and talk, and in the kind of deep values you embody, the dreams you dream and the things you create whether they be works of art, intellectual or physical feats, or simple day-to-day ways of being. Charisma is also evident in the rhythms and fluctuations of this energy. How different you are for instance on the tennis court, than when you hold a child in your arms, produce a piece of work, get involved in an intellectual discussion, or embrace a lover. Yet in each of these circumstances provided you are true to yourself you will have charisma - the originality of your spirit will shine through. Contacting that unique spirit, coming to respect it and having the courage to live from it is what gaining charisma is all about. Sometimes challenging, frequently exciting, this process can be a lot of fun too. As it takes place the externals - the clothes and make up you wear, the way you move and how you relate to your world cease to be arbitrary, like things you pick up with uncertainty to carry around with you. Instead they seem to unfold and develop beautifully and mysteriously - almost organically - from within as ever more honest and potent expressions of who you are. Whatever forms or shapes your individuality takes, one quality tends to permeate every facet of charisma as it unfolds: aliveness. That is where health comes in. Health is right at the core of charisma. Being healthy is a lot more than not being sick. It means having access to all of your energies from the physical stamina you need on the tennis court through the depths of your sexuality and creativity to an expanding awareness of how your mind works via the complex interface of your body's endocrine and nervous system. Such an awareness which can not only help keep you healthy and free from the ravages of premature aging but, according to advanced research may even give you the ability to alter your external reality by choice. The more fully and honestly your unique nature shows itself, the more charisma you will have. Simple? Nothing could be simpler. Yet in our society in this last decade of the 20th century, it would seem that our every encounter with the world around us - from breathing increasingly polluted air to interacting with a media intent upon selling us things we don't need or don't want at prices we can often ill afford - contrives in one way or another to interfere with the process. That is why another aspect of developing charisma is the process of gaining a strong awareness of ones own values and of finding ways of separating them from those which we are all constantly being sold by the exploitive 20th century urban world in which we live. (This by the way is every bit as important a part of health and beauty as the kind of food you eat for breakfast and the kind of creams you spread on your face.) Health, like charisma, also comes from within. Yet health needs a lot of support from the outside too - in the way you eat, exercise, deal with stress, look after your body and learn to listen to its prompting so that your potential for energy and aliveness can be maximized. For most of us this doesn't happen automatically. We have to learn how to create a high level of aliveness and to become wary of all the things which can impede it. Take toxicity in your body for instance. The build up of waste products in the cells restricts metabolic processes and depletes energy. It can also result in a great variety of unwanted conditions - from cellulite to poor skin, and anxiety and depression to degenerative conditions such as arthritis, obesity and cancer. Yet in an urbanized polluted environment all of our bodies tend to build up more waste than they are able to eliminate efficiently. Such a build up impedes aliveness. So part of developing charisma means sorting out a lifestyle for yourself which encourages continual detoxification. It can also mean learning about specific techniques from daily skin brushing, to special breathing methods, or hydrotherapy tricks which you can call on for periodic spring cleaning. To live with charisma in the fullness of ones being, to live with charisma, each of us needs continually to break down barriers, to bring to consciousness the self-imposed limitations we have been living with and to open oneself to new possibilities whether they come in the form of physical beauty - hair, body, skin, nails and all the rest - or new passions and ideals. It is a funny thing about self-expression. We in the Anglo Saxon world tend to think of it as something rather self-indulgent or self-obsessive. We have been brought up in a culture that affirms the value of altruism and insists that one should forget oneself in constant service and self-sacrifice to others. This is particularly true of women, many of whom spend their whole lives in one way or another denying their own needs and worrying about others or following a career path which society's values (not ones own) have imposed upon them only to wake up at the age of 45 to find that they feel lost, empty, and that life appears without meaning. The truth is that at the heart of serving others, as well as at the core of nurturing life lies charisma - an ability to express the totality of one's being. For only then can you bring to whatever else you are doing the full impact of your aliveness through beauty, intellect, enthusiasm, compassion, creativity, fun and joy. The pathway towards fullness of being often lies through a tremendously exciting exploration of such very personal and supposedly self-indulgent things as the kind of eyeshadow you wear or how best to look after your skin or make yourself look more beautiful. It is only when the pursuit of beauty becomes a thing apart from the expression of one's individual nature (like the notion so many women have that they will not be acceptable unless they wear designer clothes or paint their faces perfectly in order to be 'acceptable') that it goes all wrong. This is because beauty treated only as an external has sad repercussions for your own sense of self-worth. Like the old mechanistic world view which has blinded us to what we have been doing to our planet, it can imprison you within false images and limitations which make it impossible to live creatively or bring the joy of your own unique energy to those around you. So forget fears of narcissism and self indulgence. Each woman is unique and the charisma which celebrates that uniqueness can not only lift her to new levels of joy and energy and accomplishment but also enrich the lives of all who know her. Perhaps most important of all, through the expression of that uniqueness in her feelings, thoughts and actions, it can enable her to play the unique part she has to play in the future of her society and of the planet itself. Sounds revolutionary? It is. But this last decade of the twentieth century the astounding is becoming commonplace and the impossible a daily occurrence. Who would have thought the Berlin wall would fall? Exercise Let's get down to the nuts and bolts of charisma - the seemingly superficial trimmings such as make up, hairstyle and fashion which can help you explore who you are and feel good about yourself. As you will discover, when you select these trimmings and trappings from core impulses and desires the results are anything but superficial. The first step in developing your own brand of charisma is to get to know and make friends with the many facets of yourself. Each facet is like a character just itching for the chance to play a role in your life. When you encourage your characters to find expression, your reward is not only a great deal of pleasure and fun, but an abundance of core energy. THE CHARISMA DETECTIVE EXERCISE The following steps can reveal clues to characters inside you which carry energy for you. Answer each question as fully as you can in your journal. Also make a note of any feelings (good or bad) that come up as you do the exercise. You might like to work with a friend, one of you asking the questions and noting down the answers while the other allows her fantasies to run free. Whether you work with a friend or on your own, let yourself play at it. Although the issues that arise are important ones, exploring charisma above all means having fun. Choose a Photograph Find a photograph of yourself that you like. (For some this may not be easy, but you can at least find a photo that you prefer to others). Ask yourself why you have chosen this picture. What do you like about the person you see? What qualities does she have? How is the person in the photo the same as, and how is she different from, the person you feel yourself to be now? Scan Your Wardrobe Make a note of any item or items of your wardrobe that you really love - things you feel good in, for example a dress, a pair of shoes. (It could be something from your past or even something that you once borrowed.) Now ask yourself what it is you like about the thing. What qualities does it express? How does it make you feel? What image/character does it suggest? Pick Your Accessories Make a note of accessories, past, present or future, that you particularly like. Include jewellery, scarves, belts, hats, gloves, glasses, the lot. What is it about the accessory that you like? What does it remind you of? What part of you does it express? How About Your Hair? Ask yourself what was your favourite haircut or hairstyle/hair colour ever? Why did you like it? How did it make you feel? What aspect of you did it express? What Is Your Make-Up Look? Ask yourself is there an item of make up that you particularly like? Or more than one? What do you like about the way they make you feel? What part of you do they help to express? WHO ARE YOUR CORE CHARACTERS? By the end of this exercise you should have an idea of the types of images that are inspiring and hold power for you. See if you can group the images under a character or several characters that can serve as reference points for you. For instance, if you are inspired by a pair of bright red shoes because they make you feel bold and daring and suggest the sort of woman who dances on table tops, your character reference point might be "The Flamenco Dancer." Here are a few examples of characters which may help you to find labels for your own: The Romantic The Shaman The Seductress The Amazon The Athlete The Artist The English Rose The Witch The Gypsy The Glitzy Power-Broker The Princess The Anarchist The Nature Spirit The Earth Goddess The Clown The Gamine The Executive The Sophisticated Lady The Country Lady The Medieval Maiden WRITE YOUR CHARACTERS TO LIFE If one or more of your characters is particularly exciting, get to know her by writing her into existence. Describe her as fully as you can. What does she wear? What is her hair like? Her make up? Her nails? How does she move? Where does she go? What does she do? How does she speak? What does she say? What does she like and hate? Although simple, this exercise is powerful and can evoke a lot of different feelings, thoughts and memories. Whatever comes up for you, acknowledge it by writing it down, no matter how insignificant or stupid it may seem. Anything can be a clue to helping your charisma unfold from the core. Commonly women feel a sense of hopelessness and longing. They may have an image of a character who seems to be everything they feel they are not. Then, instead of inspiring them, the image overwhelms them. If this is the case remember that your character carries energy for you because she reflects an important part of you. No matter how far away from the you which you know she may seem, you can begin to live her right now. Obviously if your character is a waif-like wood nymph and you are 3 stone overweight it will take time to adjust this difference. Nevertheless it may be that by rearranging your hair or wearing a colour that the wood nymph would wear you can begin to draw upon her as an inspiration and start to tap into her quality of energy. Let these images inspire, not discourage, you. The best way to deal with a sense of discouragement in the face of anything that seems impossible is to begin by making a tiny step in the direction you want to go. We have learnt over and over that the way to climb a mountain (either physical or metaphorical) is just to put one foot in front of the other. Crack the Codes of Convention In exploring charisma it can be very freeing to break the rules and try something completely new. For instance, if you always wear make up to work, dare one day to go completely bare faced. One of us (Leslie) used to frequently go to work as the health and beauty editor of a magazine with a naked face. She found it immensely freeing to break the rules and discovered it gave her a fresh sense of herself.

In Sanskrit they call it lîla. The word means play. Yet not in the limited sense of our word. Lîla is free play, deep play, wild play carried out in a timeless NOW. It speaks of divine play. It’s the kind of play that sets us free to be who, in essence, we already are, even though we may not yet know it. Lîla is also the kind of creative play that brings new worlds into existence. FROM CHILDLIKE TO GENIUS In its simplest form, lîla describes the spontaneous activity of children so absorbed in what they do that they don’t even hear you when you speak to them. One morning my three-year-old friend Marina came to visit. Scrambling onto the four-poster bed where I was writing in a state of intense concentration, she told me the story of how she had climbed to the very top of a pirate’s ship as high as the stars. Like all still-innocent children, Marina entered into her imaginal world with ease—a magical realm in which creative sparks can be seeded then begin to grow. The imaginal world is a place most of us adults have lost touch with—a powerful realm in which the joys and fruits of lîla reign supreme. At a deeper level, lîla speaks of the all-encompassing absorption out of which Beethoven, then dangerously ill and nearing the end of his life, nonetheless created the most remarkable music of the 19th century: The Late Quartets. Or the obsession of Van Gogh, which led to his having painted 900 pictures and turned out 1100 drawings pictures during a lifetime. This kind of lîla is far more complex and committed than child’s play. It can produce achievements that enrich the way we look at life, that connect us to the deepest levels of our own being. Some fruits of mature lîla even transform the world. A big deal? You bet. This is play of the highest order—nothing less than an outpouring of the most intimate and essential nature of each unique human being. Living your creativity as fully as you can while you walk the earth, in whatever way most satisfies your unique nature, is the most exciting and enriching process any individual human being can experience. It brings a sense of meaning and purpose to your own life that nothing else can. CREATIVE PASSION Creativity is not a problem to be solved or a subject to be picked apart in psychologists’ laboratories. Those who try end up wandering in an endless maze of moribund words and phrases which miss the point. Meanwhile, the wrinkled fiddler on the city street plays on—smiling. He is lost in the excitement of improvisation, magically blending movement, feeling and sound—making music never heard before, that touches his heart and awakens the senses of all with ears to hear. We have grown up with some weird ideas about creative power. We’ve been taught that creativity belongs to a few select human beings whom history labels as genius. Nothing could be further from the truth. Creating is not a rare privilege—it is a right, even a necessity for all of us, if we are to live a fulfilling life. Creating anything, from cooking a healthful meal to writing poetry or playing games with children reminds us all what life is about. From this place we learn to live and work, to imagine, invent, and finally give birth—not only to things that have never been seen, heard, felt or touched before, but to a way of living more wondrous and exciting than most of us would ever have imagined. A passion to be lived, a lîla to be danced, the wild creative power within us urges us to tell the truth and shame the devil. It demands that we express our love, our obsessions, and the fascinations which pursue us. It asks that we live out life from the very core of our being. “Genius,” as late American writer John Gardner used to remind his students, “is as common as old shoes. Everybody has it.” CREATIVE RELEASE A few years ago, I began to explore not only the power and dimensions of creativity in you, me, and all of us. I wanted to discover how each of us can gain greater access to it, and how best we can live out our own creative power in our day to day lives as scientists, professional artists, musicians, writers, dancers, actors or as businesspeople, parents, teachers, lovers, gardeners, healers, craftsmen and thinkers. I was sure that on a larger scale, the way we as a group choose to use our collective creativity determines whether or not we will be able—in the wake of having laid waste to so much of our planet—to emerge as a sustainable species in a sustainable world. A lîla of enormous proportions; what could feel more powerful or more daunting? Yet the creative power on which it depends springs from the same source within each person as Marina’s imaginative play. PRIMORDIAL POWER Mysterious, enigmatic, spontaneous, occasionally even frightening, in essence creative power is the power of life itself. It is the force that gave us birth which continues to give birth to universes. It is what created us and brought each of us our own lives. It originates from a place within each one of us where we can touch and tap into the numinous energy of the Cosmos: God, Being—call it what you will. No words can adequately describe it. In truth, it is far more an experience of aliveness than a place at all. And, although we may never describe it adequately, we are perfectly equipped to enter this locus of creative power within us and find out how to live ever more of our lives from it. For the majority of artists, creativity pours forth most easily when they have intimate support for it. Shakespeare had his actors and a Globe Theatre eager for his plays, Virginia Woolf entered a room of her own and there wove tapestries of words. Emily Dickinson wrote out of the intimate community of a family who adored her, admired her and made sure she was given the space and time to carry out her imaginative work. For others who are highly creative, there is no such intimate support. Many have suffered childhood abuse, loss, illness or intense suffering. The creativity of such people can be monumental. Each man or woman is brought to the exploration and expressions of their creative power through suffering in just the same way that, so often, we discover what is most important to us by having what we believe to be of greatest value—a loved one, a job, a title—taken from us. Painful as such experiences are, often they turn out to be great gifts when it comes to freeing our creative power. Caught up in our lives of work, children, and householder duties, few of us live in such fortunate circumstances as Shakespeare and Emily Dickinson. But that does not matter. What has not been given us we can make for ourselves. Art is not the province of the privileged few. It belongs to all people—those of us who spend our days in front of computers, cooking, sweeping streets, running errands, caring for children, handling the stupidities of bureaucracy, and living our constantly changing lives in a world that is ever less secure. THE WAY AHEAD We are alive at a moment in history where one age is dying, yet another has not yet been born. We are, each one of us, faced with a choice: As we sense the foundations of our world shaking, do we withdraw in anxiety, trying in desperation to hang on to what we once believed to be “true”? Do we become paralyzed, and try to cover our fear with apathy? Or do we summon the courage offered us by a Universe in flux, honor our personal sensitivity and consciousness, then choose to face the challenge of entering the realm of creative power within? Then, trusting our individual capacity for lîla, do we begin to play in ways that may help bring forth a new world for all? Regardless or age, background, or limiting notions about what’s possible, each one of us has a choice to make. It’s a choice between continuing to conform to established belief systems that stifle the human spirit, or trusting in ourselves. Are you willing courageously to explore your intrinsic creative gifts and make use of them? “That which we give birth to from our depths is that which lives on after us. That which is inborn in us constitutes our most intimate moments—intimate with self,” says Theologian Mathew Fox, “intimate with God the Creative Spirit, and intimate with others. To speak of creativity is to speak of profound intimacy. It is also to speak of our connecting to the Divine in us and of our bringing the Divine back to the community.” Personally, I urge you to begin connecting ever more deeply with your own brand of creativity. Discover new ways of living. Leave automatic assumptions about who you think you are and learn to respond to each moment and each day of your life with new eyes and an open heart. The more you do, the richer your life can become. Such is the joy of lîla. Such is the power of lîla. If you have not yet explored it, you have an exhilarating, wondrous adventure ahead of you. Take it. Trust it. It’s the adventure of a lifetime.

The response to my recent blog “Your Magnificent Self” was enormous. Last week I published PART ONE of my reply to your having asked for more. Here is PART TWO . I hope you enjoy it... One of the most important keys to connecting with your essential self lies in learning to pay attention to your peak experiences. These are times when you perceive reality through fresh eyes, experience the world as a whole and everything in it as being right. All of us have peak experiences yet too many of us don’t even stop to notice they are happening to us. EPIPHANIES The occurrence of these small moments of awakening can be tremendously enriching, for you are temporarily set free from habitual ways of thinking and behaving that tend to stifle your creativity. Look for peak experiences, surrender to what is happening to you, enjoy them when they come. Then record them in your notebook. The occurrences of both small and large moments of awakening can be tremendously valuable. You are temporarily set free from habitual ways of thinking and behaving that may be stifling your creativity and joy. Stay open to epiphanies. Sometimes they can be life-changing. Let me share with you how I discovered the power of peak experiences which many times have completely changed what, at the time, I believed to be true. AWAKENINGS When I was 18 years old, in my second year at Stanford University, I fell in love for the first time in my life. It was not long before I had to leave California to live in New York. His name was Dick Givens. He and I had never spent a night together. Now we would have twenty-four hours together in San Francisco before I had to catch a plane. We walked through Golden Gate Park. I had been there many times before on my own—visiting the Japanese garden, lying on the grass in the sun, looking at the paintings in the museum. But I'd never paid much attention to what was around me except in the vague way I had always appreciated being amidst the trees, grass and flowers. Today was different. He and I wandered aimlessly, aware that, in a few hours, we would probably never see each other again. REALITY SHIFTS I could feel death sitting at my shoulder. I loved this man with such intensity that I could hardly bear the fire that burned in my flesh when he touched my face, nor the surges of bliss which flooded my heart and body when we made love. Then, without warning, my whole world shifted. For reasons I will never understand, my consciousness – my awareness of the ordinary world – became transfigured, luminous. I had never experienced anything like it. As I walk with him, the structures of ordinary reality crack wide open. We come out of a wood, cross a road and step onto the curb. Old men are bowling on the green. Absorbed in their game, they pay no attention to us. Without warning the trees, the grass, the small knoll behind the men rising to a copse above, turn into a wondrous but terrifying universe. Space expands in all directions as though a million tiny holes are piercing the fabric of reality. Each one emits brilliant light. The air, the grass, the pavement, the bodies of the men, the clouds above us, the trees around us – everything trembles with a radiance. It breaks over me in great waves, simultaneously wiping me out as though it is even bringing me to birth in a new form. I understand nothing of what’s happening. DEEP MYSTERY In the presence of this overwhelming beauty, I sensed I’d tumbled into a deep mystery. Discovering love with my son, Branton who was born several months before. had been my first epiphany—my first peak experience. That day in Golden Gate Park brought my second. I am quite sure that the intensity of the love I felt for this man had triggered it. But the experience itself was far greater than either of us. I knew for the first time that by own essential being was urging me to live a different kind of life than I had lived until then – deeper, richer, larger and more connected to all living things. This was my first experience of something overwhelming which, instead of being terrifying, it carried with it a sense of exhilaration and excitement. It brought me incredible hope. That was the day I became certain that the universe is a place far greater than I had ever imagined. TELL YOUR TRUTH What are your own peak experiences? Think back and record them. Stay alert to when they arrive and enter into them. Epiphanies come in all shapes and kinds. Some overflow with bliss, others are brimming with sorrow, still others can be funny revealing to you something important about yourself that you were not aware of. Write them down whatever they are. Be as honest as you possibly can. Telling the truth first to ourselves and then, when appropriate, to some others, has enormous power. Too many of us lean in the direction of being diplomatic and discreet—adjusting our opinions and answers to fit with what we think others want to hear. This leads to a sense of confusion where instead of bringing you closer to your essential being and allowing it to guide you, you become confused—not sure what you genuinely think about anything. LOST TEENAGER That was very much the state I found myself in when at the ago of 13 an embarrassing epiphany forced me to turn away from what I had been taught and decide for myself what mattered to me. Here’s how it happened: I was sent away to a school called Castilleja and thrown in to a clique of privileged girls with whom I was quite sure I didn’t belong, I was terrified. I hoped being at this boarding school would give me the time I needed to work out the kind of human being I was supposed to be so I could survive. I was desperate. It was do or die. Once a month, as part of our ‘cultural development’ we girls were packaged in best dresses, shoes and crinolines and ushered off to view paintings, hear opera, or take part in something else which the school considered an essential part of our ‘intellectual, artistic and social development’. I learned that the trip this month was going to be to the San Francisco Opera House where we would be forced to listen to Beethoven’s Fifth Symphony, conducted by some Englishman called Sir Thomas Beecham. LESLIE THE PARROT Having been brainwashed by my opinionated musician father to believe that any music written before the twentieth century was ‘irrelevant to now and therefore a total waste of time’, I had taken on his beliefs as though they were my own. All the way to San Francisco I blabbered on about what a stupid idea it was for us to be spending time listening to ‘that old stuff’. When we arrived at the opera house, I was still seething with disapproval at having been press ganged into being there at all. In short I made an ass of myself at everyone else’s expense. THE CURTAIN RISES Then the music begins. No more than three minutes pass before my mouth drops open. I am scared to breathe, afraid that the sound of my breath will prevent my immersing myself in this wonderful sound. Incredible. Magnificent. Beethoven. In the presence of this music something occurs that has never happened to me before. His music cuts through my fear, my rage and my confusion. It fills the hollowness inside me with something so stark, so real, so vital, I can’t begin to describe it. The music and I become one. So long as it is playing, I am no longer alone. For the first time in my life, words come to me – words which will return again and again in the years that follow: ‘If such things exist, I want to go on living.’ Thanks to that experience I would come away from that night with a great gift. It opened up a world of music that had been hidden from me until then. It gave me spiritual nourishment and encouraged me to seek my own values in the world. Decades later it would also lead me to spend four and a half years writing my first novel Ludwig... A Spiritual Thriller. TAKE RISKS To free the Magnificent Self which is who you really are, consider new ways of doing things instead of mechanically following the same old patterns. Never be afraid of making a fool of yourself. When you do, as I did then (and have done many times since it must be said) you can learn some wonderful things about yourself while shaking off a lot of old baggage. Risk standing out from the rest—your own natural way of living, thinking, dressing, working may be quite different from the way you have been trained to do these things. Your opinions may differ greatly from those of people around you. Be courageous about seeing things your own way. Dare to be different in what you say and do if you feel different. The sense of freedom this can being is exhilarating. Listen to the whispers from within you. Find out what you want and then go about getting it. Whatever you work at, work hard and wholeheartedly. This brings a sense of self-reliance and also frees a lot of otherwise frustrated energy for constructive use. DISCARDING ROLES Take a look at the roles you play. There are dozens. We all play them—the 'intelligent woman', the 'man to be reckoned with', the 'expert’ the 'sexy lady', whatever. Some may be useful in getting what you think you want Most are irrelevant. They do nothing but sap your energy. As you become conscious of your own ‘roles’ you discover that have free choice to decide if you want to go on playing them or let them go. The more you leave roll playing behind, the freer you become from the hold they have exerted over you. This lets you come closer and closer to living your own authentic life with self respect, celebration, creativity and freedom. Your unique Magnificent Self is calling to you. Set it free. Discovering who you really are becomes be the most exciting thing you can do The time is now. Just do it.

The response to my recent blog “Your Magnificent Self” was enormous. This week’s is PART ONE of my reply to your having asked for more...PART TWO comes next week... Each one of us is ceaselessly involved in creating the quality of our own life. We do this through image-making—a universal characteristic of the human mind which even precedes thinking in the brain. We see, worry, put together ideas, dream, speak, and wonder, all through images. In fact, we experience a continuous flow of mental pictures, both conscious and unconscious, every moment of our life. This capacity to visualize—to 'image'—is one of the miracles of that comes with being human. Thanks to it, we are able to organize our reality, communicate with each other, and make sense of the limits of time and space around which our lives can be organized. THE MAGIC OF IMAGING Images have tremendous potency. When used wisely, your personal images are easy to direct for your own good. They are too often used against you when you are not conscious of them, or when you remain unaware of the amazing powers of choice you were gifted with from the moment you were born. Despite Freud’s assertions to the contrary, we human beings are most certainly not, as he believed, a collection of repressed destructive urges, only restrained by learned moral constructs from destroying ourselves and others. In truth, each of us is autonomous. And, like all beings in the universe, each of us has freedom of choice. CORE FRUSTRATIONS The destructive tendencies we all carry are most often the result of frustrations in the expression of one’s essential being—your unique and magnificent core self. Moving toward happiness and freedom from frustration, as well as freedom from the negative thought patterns and the destructive behavior they engender, develop as we learn to trust our innate self-actualizing tendency. This comes with finding out what we most desire at the deepest levels of our being—when we begin to discover the unique truths that lie within us and live out our day-to-day lives guided by them. In too many of us, self-actualizing tendencies remain undeveloped. Until we become committed to discovering them within and calling them forth, we tend to regress into fear, frustration, and confusion. When we decide to discover them inside us, we start to become stronger, in every way... physically, emotionally and spiritually. Life becomes a process of deep, often rapid growth. Potentials we did not know we had surface then start to blossom into creative projects. A whole new view of our life and self-worth is issued in. Life becomes simpler and happier even if, as is often the case, the world all around us seems to be rapidly crumbling or completely insane. RADIANT AND UNIQUE A fully functioning human being is radiant—more alive than most. He or she is someone who has access to mental and physical powers and is able to use them wisely. As such, these people carry their own unconventional view of things but they are, at the same time, spontaneously more accepting of themselves and of others. Their sense of satisfaction comes from inside, not from the 'carrots' offered through advertisements and self-proclaimed New Age gurus who are now riddling the world with “systems” purporting to bring step by step enlightenment, if only we follow to the letter what they are teaching. Such sheep-like behavior is becoming endemic because there is so much suffering and fear in the world. It is time for each man and woman to connect with their unique authentic being, and come to live life from there. Perhaps the most important question to ask then, if full functioning or self-actualization is so beneficial both physically and mentally, is: how do you go about strengthening your natural tendencies towards it? There are several ways to begin. Here are some simple tools to start with. FIRST STEPS First, entertain the possibility that your essential being—your core self—exists. You are someone quite individual, quite different from everyone else in the world. To those who have not yet experienced this awareness, it can seem a bit strange at first. Others will find it is something they have known all along without ever putting it into words. Still others will immediately accept the notion as self-evident. WHAT YOU BELIEVE Take a look at the ideas, behavior patterns, or assumptions about yourself and your life—in effect, your belief systems. So often, collections of notions which are largely unconscious can be major blocks to your free expression. They come in many forms. They can be ideas you hold about yourself such as ‘I am physically weak', or 'I can't wear my hair back because my nose is too big', or 'I will never be successful...”a good person”...someone of genuine value', or 'I am too old to change'. Some belief systems are even more deeply embedded things like 'I can never do anything right', or 'I am only a woman'. When you become aware of these notions and the power they hold over you, then write them down, you will discover that many are little more than habitual assumptions with no basis in fact. Then you will gradually find them falling away, so that you are free to be whatever you want to be. LIVE THE MOMENT Whatever you are doing, try letting yourself experience it fully. Get really involved in an event, action, or project in the way a child would—wholeheartedly. Whether you are peeling potatoes, enjoying music, scrubbing floors, planning work, making love, or eating, let yourself be absorbed in the task, forgetting everything else for the moment. While we live in the moment and surrender ourselves to it, we can discover a whole new way of relating to life. There is a real delight in this kind of involvement. It silences the usually worried thoughts and concerns that sap your energy and make every event less interesting than it should be. This ability of complete involvement is also a key to enormous vitality. At such times, little of you is wasted on anxiety about the past or future, or meaningless and unproductive worry about yourself and others. WRITE IT DOWN Another way to develop this awareness is through meditation or deep relaxation. When you are relaxed yet alert, non-productive thought patterns and habits loosen their hold, as do common interfering emotions such as anxiety and fear, so you are better able to hear your inner voice. Listen to it. Let it be your guide in matters of taste and in decisions you have to make. Most of us listen not to ourselves, but to Mummy or Daddy's interjected voice or the voice of the Establishment, of the Elders, of authority or of tradition. Begin to explore how you feel about something or what you really want. Then record it. Keep a simple little journal with you at all times. Leave it on the nightstand when you go to bed with a pen or pencil to record whatever imagery comes to you when you walk, relax, meditate or dream. This is a delightful and easy way to begin the process. I suggest that you keep this simple notebook with you wherever you go as artists and writers do. You never know when desires, visions, questions and insights are going to make an appearance. As they do, record them in words or drawings. My suggestion is that, if at all possible, keep your journal to yourself and don’t let others see it. This provides greater freedom for the powerful imaginal world within you to reveal itself to you in marvelous and unique ways. PATH TO FREEDOM STARTS HERE The more we can become aware of what we think, feel, want and don’t want—in short, of our own quite unique values, the better our health becomes and the greater we experience absence of pain, discomfort, anxiety, tension, insomnia, nightmares, indigestion, constipation; lack of fear, longevity, and pleasure, in coming to live more and more as a fully functioning human being. This experience is not so much a state as a process which leads to the discovery of your own identity, nature, and creativity, as well as your own unique brand of joy and freedom. More to come next week... Every blessing... Leslie