mindfulness

BBC Radio 4 recently contacted me for my permission to re-broadcast an interview I did with Professor Anthony Clare on “In the Psychiatrist’s Chair”. Born in Dublin in 1942, Dr Clare’s broadcasts were fascinating to listen to. He became the voice of psychiatry to millions in the British Isles for more than two decades. His goal with his interviews was always simple: To uncover and reveal the inner life of the famous and successful. I was honored when he asked me if he could do an in-depth interview about me and my life. His questions are candid, probing and sometimes unsettling. You who send me so many wonderful comments on my blogs and weekly newsletters on lesliekenton.com and curaromana.com often ask me to share more of my personal life with you. To know more about me, a great place to start is listening to Anthony’s “Leslie Kenton In the Psychiatrist’s Chair”. I’d love to know from you if you think he got me right. Hope you enjoy it.

If you want to enrich your life immeasurably, make friends with the sacred. It is everywhere. You don’t need to travel to Stonehenge or Machu Pichu to discover it. Nor do you need to swallow some consciousness-altering drug. Sacred power continually pours forth from the center of the universe. It is simultaneously here and now, while also everywhere, at any time. Trouble is, most of us have become blinded by the mechanically-oriented worldview that pervades our technologically-driven culture. So we have forgotten how to see it. Rediscovering the sacred is the simplest thing in the world. It happens through a shift of consciousness—a break in time and space, if you like, through which you can experience the sacred realms come into being. Often this takes place spontaneously. It is given by grace. But anyone can also create structures in their life which invite this to happen. Organize the space you live and work in, for instance, to make a place in your life for rituals which honor the radiance of the world around you and within you. Doing this can be a lot of fun, too. Think of it as an adventure, a game, a childlike exploration into expanded awareness. A SACRED ADVENTURE My first experience of the sacred as an adult took place when I was 18 years old—just finishing my second year at Stanford University. Five months earlier, I had fallen in love for the first time with a man three years older. Then I found myself in the unenviable position of having to leave him to live in New York. I knew it would be a long time before we met again—if ever. We had one day to spend together in San Francisco before my plane left. We went for a walk in Golden Gate Park. I had been in the park many times before, visiting the Japanese garden or the museum. But I’d never paid much attention to what was around me, except in the vague way we all appreciate being amidst trees, grass and flowers. That morning, the realm of the sacred cracked wide open for me. As he and I wandered across grass, through trees, knowing that in a few hours we would no longer be together, it felt as though death were sitting on my shoulder. I had no idea why. The love between us had arisen simultaneously a few months before. From the moment we met, both of us had experienced the sense that it was a bond that had always existed and always would. I loved this man with an intensity I had never dreamed possible. I could hardly bear the fire that burned in me when we touched, let alone the surges of power that happened when he held me in his arms. CRACK IN THE COSMOS In the park that morning, we crossed a road and stepped up on to the curb. In front of us a group of old men were bowling on the green. They were dressed in the shabby clothes the old sometimes wear—garments which, like old friends, you have lived with so long you don’t want to be parted from. None of the men paid the least attention to us, absorbed as they were in their game. All at once, the scene before me shifted from that of a pleasant ordinary morning spent in nature—nice trees, green grass, a small knoll behind the old men rising to a copse above—to something at once blissful and completely terrifying. Space expanded in all directions. A million tiny holes appeared in reality—each emitting light—so that the air and grass, the pavement we had just crossed, the bodies of the men in their shabby clothes, the clouds above us, and the trees around us trembled with a strange radiance. Time burst wide open, breaking in great waves over the lawn. I couldn’t tell if this strange experience lasted for a few moments or for hours. My heart swelled to immense proportions. I had no idea what was happening, since I had never experienced anything like this before. It seemed totally crazy—as though, at the same time, I had been wiped out and brought into being in a brand new form. When an experience of the sacred arises spontaneously—often at times of great emotional joy or loss—it is both blissful and awe-filled. In whatever guise it shows itself, the sacred is a far cry from any ‘orchestrated’ experience of pink-flowers-and-soft-music which purveyors of false freedom and all their easy answers offer us. It is an experience full of beauty and terror, fascination and majesty. In the presence of such overwhelming wonder, you find yourself standing before a mystery that is wholly other. I knew nothing about what was happening that morning in Golden Gate Park. Only that an epiphany had occurred that day, and that I wanted to live a lot of my life from this level of being in the future. MYSTERIUM TREMENDUM In 1917, Rudolf Otto published one of the most important books on spirituality ever written, Das Heilige—The Sacred. In it, he describes the awe-inspiring mystery (mysterium tremendum) which we feel in the presence of sacred energy. He characterizes it as a perfect fullness of being, a flowering which dissolves away our conditioned thinking and breaks down all the barriers to being fully present in the moment. Every time we are touched by the sacred, the experience urges each of us to live a little more of our life from the deepest levels of our being. Make room in your life for the sacred, and you can make a quantum leap towards authentic freedom and creative power. Otto characterizes the qualities of the sacred as numinous—from the Latin numen, meaning god. For they are brought about by the sudden revelation of an aspect of divine power within the paraphernalia of our day-to-day lives. Such is the nature of the sacred when it enters our life. One minute, you’re waiting for a bus or standing beneath a tree you have stood under a hundred times before. The next minute, this tree has suddenly become altogether something else. It has been transmuted in some mysterious way into an expanded, luminous reality. Of course, it is still a tree both to you and to everybody else standing there. In fact, nothing in particular may distinguish this particular tree from all the other trees on the street. Yet because, at that moment, it has chosen to reveal itself more fully to you, your immediate experience of it becomes transfigured. It feels as though the tree has revealed its secret nature to you. It has become a repository of all that is awesome—so much so that, often, experiencing the sacred makes it hard just to catch your breath. For a time, it can even make you wonder who you are and what on earth you are doing there. JOY IN THE NUMINOUS Another great philosopher of the sacred is religious philosopher Mircea Eliade. Eliade calls the manifestation of the sacred—during which the numinous realms open to reveal themselves—an hierophany. This is a great word. For it does not imply any religious or philosophical bias that would indicate you need to belong to some in-group to have a right to sacred experience. Hierophanies belong to everyone who has eyes to see and ears to hear. In early civilizations, hierophanies were common occurrences. In the tribal cultures that still remain, they are to this day—in fact, wherever people live with an awareness of the magnificence hidden within the most ordinary of things. To them, rocks are sacred, as is the wind, stars, earth, animals, the changes of the seasons, the sun and the rain, the birth of a child, the death of an elder. Wherever you discover an awareness of the sacred, you will also find rituals for celebrating it—rituals which set the stage for hierophanies to happen more often. WE FEAR THE SACRED Most of the modern world feels profoundly uneasy about such experiences. We are the only known age in history that lives almost entirely in a desacralized culture. Limited worldviews imprison us, forcing us to live an almost totally profane existence. A tree is nothing but a tree. Wind is but movement of air, caused by nothing more than mechanical shifts in currents. As far as rocks are concerned, what could possibly be more mundane? We make fun of “primitive” people and their “quaint” superstitions. We often exploit their land and force the values of our materialistic world on them. What we forget is this: Cultures for whom the sacred appears through ordinary objects know very well that a rock is a rock. They don’t venerate the rock itself, or the wind. They worship the hierophanies which appear as these things to reveal the essential spirit of each—something vast in its beauty. They know that whenever and wherever the sacred erupts into the mundane world, no matter what form it takes, a deeper, wider, richer dimension of reality is inviting them to dance with its power and celebrate its beauty. EXPAND YOUR REALITY Most of us have to relearn how. Once we do, we find our lives continually renewed, energized, and ecstatic. It is as though a wild blessing has been given – a blessing which nourishes and heals us. In The Sacred and the Profane, Eliade speaks of the basic need we as humans have, ‘to plunge periodically into this sacred and indestructible time…the eternal present.’ It is a need so deeply ingrained in our being that, when we are unable to fulfill it from time to time, we end up living in a nihilistic wasteland. Our lives become narrow, no matter how many fast cars we buy, how many drugs we take, how many lovers we have. Eating, sex, and getting up in the morning become nothing more than physiological events in a mechanical world. Reawakening an awareness of the sacred in your own life and making room for it turns these events into much more than largely mechanical actions. Each can evolve into a ‘sacrament’—the meaning of which is communion with the sacred. Once it does, our capacity for vitality, joy and creativity goes on expanding. FREEDOM’S GATEWAY Welcoming the sacred into your life is the first step in opening a door to authentic freedom. It is not hard. All of us knew how as children. Then our educational system with its emphasis on the rational, the abstract and mass conformity has taught us to forget it. It taught us to be ‘serious’, to ‘work hard’, not to ‘daydream’, not to ‘be silly.’ Luckily, like learning to ride a bicycle, you never really lose the skill. To recover your own lost ability to bring hierophanies into your life, you need only remember what you have temporarily forgotten and begin to play again. Nature is a great carrier of sacred power for us. This is because the energies of nature, in which we have lived as human beings throughout four million years, are our energies. Our bodies and our beings literally communicate through our DNA with those of plants and animals. At a cellular level, our bodies know the familiar taste of herbs and smells of the earth. It’s a knowing built right into our being. When we interact with nature, we align ourselves with her power, coming into harmony with the different directions and the energies she carries, as well as with all the elements—air, fire, water and earth. By making friends with the living world around us, whether this means going out into the fields, by the sea, into the hills, woods or mountains, the sacred opens itself to us. If you are a city dweller, learning to dialogue with any natural object in your environment—a rock, a flower, even the food you eat, opens consciousness to the sacred. The gifts this brings when we do are limitless.

Within each one of us lies an essence, a core of self, with one and only one intention—that it may be fully expressed while we live on this earth. With each passing year, I become more and more aware that illness, lack of energy, a sense of confusion or lack of meaning in someone’s life stems from a basic frustration of the expression of their unique essential being. These experiences are calls from your soul. They ask you to become more aware of who you are at the deepest level of your being. They want to awaken you to your unique nature. Energy, power and authentic freedom All healing is a process of transformation. Energy, power and authentic freedom grow as you engage in the process of connecting with your essence and discovering what your values and your soul’s purposes are, then expressing them in how you choose to live your life. To do this, you can call on all sorts of tools and techniques, from detoxifying body and mind, to herbs and natural treatments, to exercises for expanding awareness. Take energy. Being able to live out your energy potential depends on how well you nourish yourself—physically, emotionally and spiritually—day by day. It helps to develop a lifestyle that incorporates pleasurable exercise, good food, restorative sleep and other helpful practices—from hydrotherapy to taking super nutrients—that support vitality. But more than anything else, the energy you have depends on how much you are living your day-to-day life from your core and not by trying to follow conventions and other people’s rules. It depends on expressing what you love in the way you choose, and discovering what feeds you most at the deepest levels of your being. soul’s passion Here’s the secret to experiencing it: Begin to live out your soul’s passion day by day. Soon you will be able to call on virtually endless energy. You see, health not only depends on how you eat and what exercise you get or how well you deal with stress. Yes, all of these things are important. But real health doesn’t stop here. Why? Because, ultimately, health is nothing less than the process of unfolding that each one of us has to go through to become more fully aware of who we really are. Once you begin to align your life with your own sense of truth, you will find out that the universe supports you in ways you may never have dreamed possible. unique health I‘ve worked with people for many years, helping them discover their own unique health processes, helping them find out what matters most to them, to discover their needs and longings on both a physical and spiritual level. It has been the most rewarding and exciting thing in my life. Every one of us carries a divine spark which we are here to live out to the full, bringing our own unique spirit into material form as we walk the earth. For me, the beauty of watching this happen to men and women I work with is like walking in a garden and coming face to face with unique flowers, plants, trees and rocks that I have never seen before. There is nothing more wondrous to behold.

‘What goes up must come down’. These words should be engraved on everyone’s brains, particularly those of us who live full and busy lives. We worry about stress, wonder why we don’t do anything about it, and wish it would go away. Seldom do we even stop to ask what it is. If stress gets out of hand it can wear you down, ruin your looks and destroy your peace of mind. Yet stress is the spice of life, the exhilaration of challenge and excitement, the ‘high’ of living with heavy demands. The big secret about stress is that it is not what appears to be causing it that does the damage. It’s how you respond to it that does that. Change your attitude to stress, and you can make it work for you rather than against you. In short, chill out. What is Stress? Stress is hard to pin down: fatigue, overwork, loss of blood, physical injury, grief and joy can all produce stress, but none of them accurately describes what it is. The word stress comes from the language of engineering, meaning ‘any force which causes an object to change’. Austrian-Canadian scientist Hans Selye first coined the word stress in relation to humans back in the 1930s. In human terms, it refers to your body’s response to physical, chemical, emotional or spiritual forces that ask you to adapt to them. Selye discovered a typical physical reaction to stress which he called the General Adaptation Syndrome. Its function is to keep your body in a steady state, known as homeostasis. Every stressor you come into contact with threatens to destroy this steady state. The General Adaptation Syndrome has three states: alarm, where the body becomes alert; resistance, where all systems go in order to meet the challenge and protect you from harm; and exhaustion, which happens if stress lasts for too long and the body’s weakest systems begin to break down, causing illness, chronic fatigue, even death. You are Unique Everyone responds differently to stress. This depends to some degree on your conditioning and on the amount of adaptive energy you were born with. This is why some people seem to breeze through stressful situations while others quickly reach exhaustion. Selye believed that once adaptive energy is used up, nothing can be done to restore it. We now know that this is not altogether true, but adaptive energy is certainly precious. This makes it imperative to examine carefully how yours is being used and if it is being burnt up unnecessarily. It also makes it important to remember that what goes up must come down. For making stress work for you means being able to switch off at will. This is something that most of us have to learn to do. Learn to move easily between stress and relaxation, and you will begin to experience your life as a satisfying and enriching challenge, like the ebb and flow of the tides. Then you will never again have to worry about getting stuck in a high-stress condition which saps your energy, distorts your view of the world, and can lead to premature ageing and chronic illness. Humans are natural seekers of challenge. Primitive man faced the daily challenge of survival—when in danger, the body reacts instantaneously to provide the energy needed to fight or flee, then relax again when the danger has passed. We may no longer need to worry about meeting a sabre-toothed tiger, but we still react to stress with the same physical responses—raised blood pressure and breathing, and a rush of adrenalin throughout the body. The trouble is that modern life, with its noise, quick pace, social pressures, environmental poisons, and our tendency to sedentary, mental work presents many of us with almost constant threat situations. This is particularly true in the business world, where someone, instead of moving rhythmically in and out stressful situations, remains in the danger state for long periods, with all the internal physical conditions that accompany it. Getting the Balance Right The automatic, or involuntary, functions of your body are governed by the autonomic nervous system. It looks after the changes in the rate at which your heart beats. It regulates your blood pressure by altering the size of veins and arteries. It stimulates the flow of digestive juices, and brings on muscular contractions in the digestive system to deal with the foods you take in. It makes you sweat when you are hot, and is responsible for the physical changes in your body that come with sexual arousal. This autonomic system has two opposing branches: the sympathetic and the parasympathetic. The sympathetic branch is concerned with energy expenditure—particularly the energy involved with stress and meeting challenges. It spurs the heart to beat faster, makes you breathe hard, encourages you to sweat, raises your blood pressure, and sends blood to the muscles to get you ready for action. The other branch of the autonomic nervous system—the parasympathetic—is concerned with rest and regeneration rather than action. The parasympathetic branch slows your heartbeat, reduces the flow of air to your lungs, stimulates the digestive system, and helps relax your muscles. When you are in a state of stress, the sympathetic nervous system comes into play. The parasympathetic branch is dominant when you are relaxed. A good balance between the two is the key to making stress work for you. Balance makes it possible for you to go out into the world to do, to make, to create, to fight, and to express yourself as well as to retire into yourself for regeneration, rest, recuperation, enjoyment, and the space to discover new ideas and plant the seeds of future actions. Unfortunately, few of us get it right by accident—we have to learn. Chill Out The secret of getting the right balance between stress and relaxation, between the sympathetic and parasympathetic branches, is three-fold. First, take a look at the kind of stress you think you are under, eliminate unnecessary stressors and discover new ways of working with the others. Second, begin to support your body physically with food, exercise and natural stress relievers (see below for an excellent one) to enable you to face stress with ease. Finally, learn to relax fully so that you can find the right balance between stress and relaxation and keep it. Not only will this help your body stay in balance and increase your level of overall vitality, it can bring you a sense of control over your life that is hard to come by any other way. HELP WITH STRESS IF YOU NEED IT 200mg of Zen To help you chill out: This unique combination of L-theanine and GABA has been formulated to support the production of alpha-wave activity in the brain. And it keeps its promises. Two capsules offer a unique and natural path to relaxation without sedation. I use it often to great effect. 200 mg of Zen is the brainchild of one of my favorite manufacturers of dietary supplements in the world, Allergy Research Group, who since 1979 have used only the purest raw materials available and are known for the strictest quality control procedures available. They are even licensed by The California Department of Health Services—Food and Drug Branch. Order 200mg of Zen from iherb 200 mg of Zen is a real find, so long as you are not taking drugs of any kind. IT IS CONTRAINDICATED WITH DRUGS OR MUST BE USED ONLY UNDER THE SUPERVISION OF A HEALTHCARE PRACTITIONER

The power of the Dark Goddess or Crone which I wrote about last week, at its most profound, represents the irrational power of nature which causes all things to decay and be changed—as well as true human freedom to be liberated. The experience of change at such deep levels can be a terrifying one both to men and women. Why? Because, these days, most try to live their lives believing that material reality is all there is, and that the great god reason is the ultimate means by which all their problems will be solved. Whatever else she may be, the Dark Goddess is most certainly not reasonable. No more reasonable than the forces which cause leaves to decay in autumn, transforming them into leaf mold that will eventually bring new life to the forest. No more reasonable than the hurricane which, irrespective of man's wishes or longings, blows its course through city and countryside. No more reasonable than the earth herself, as she quakes and trembles with shifts taking place in the continental plates of her body. INSTRUMENT OF TRANSFORMATION It is little wonder that male-centered religions have diabolized the Crone. For she is the ultimate destroyer, the emasculator of male reason. Nature and the Crone aspect of the Dark Goddess become, in the male mind, the castrator—so much so that, during the inquisition, witches were accused of collecting severed penises in boxes or birds' nests. Yet even the male penis itself represented—and still represents—an instinctive power to the male which most Western men feel uncomfortable with. For the penis seems to have a life of its own, quite separate from the man to which it is attached. Like the Dark Goddess it defies man's sterile reason. As Barbara Walker says in The Crone, Woman of Age, Wisdom and Power: "The conviction peculiar to males that sex organs have an uncontrollable, independent life of their own is expressed in the churchman's belief that the stolen penises moved about and ate food in their captivity like animals." The penis, too, is an instrument of the Dark Goddess. The Dark Goddess lives at every woman's core. She guards the Self. She is the friend of the soul whose purpose in our life is to fiercely protect and further the whole process of our learning to live authentically from our essential beings. She never trades in deceit, she never lies, nor does she veil her power. She refuses to uphold any relationship that doesn't work and she tears away with clawed hands or severs with her sword anything within us that is greedy, grasping or infantile. Throughout the lives of both men and women, she urges us to reclaim our own power—the power to set limits and to shout "no", and the power to say "this is what I will do and this is what I won't do" when we are faced with any sort of abuse, or anyone trying to steal our power or dominate us. WILD ENERGY LIBERATED But she is far more than even this. The Dark Goddess is the female power so long rejected and repressed by Western civilization that, when it rises to the surface, it often breaks forth in fury to devastate our ordinary view of reality. Sometimes when she forces her presence to be felt at menopause, she can well up inside, making us hysterical. Her frenzies—which in the rational world of linear thinking, are looked upon as something for which a human being should be tranquilized and kept under control—in the lives of both men and women were once treated with the deepest respect, as visitations from the gods. It was in such a state that the pythia or sibyl at Delphi prophesied the future, and told secrets capable of turning those who sought her help into conquerors of nations. When we forget the power of the Dark Goddess—when we separate ourselves from her essential nature—then we begin to look upon her as a destroyer who arrives like a great snake to break up the structures of our lives, devour our relationships and make mince-meat of our most precious self-deceptions. DESTROY TO RENEW In the lives of both women and men, she can quickly cut through the patriarchal image of being ‘pleasing’, ‘submissive’, ‘gentle’ and ‘nice’. If anyone has so much control of her own behavior that the Dark Goddess is unable to arise when it is time for her appearance to be made, if she remains deeply suppressed, then man or woman can experience her energies in the form of a life-threatening disease, depression, hopelessness, or seemingly endless despair. They can find themselves living in a wasteland, and feel their life to be meaningless and without direction. It is only by finding ways to reconnect with her energy within that the powers of transformation can be set free to work their magic and lead each of us on our own individual path towards freedom. As Demetra George says in Mysteries of the Dark Moon, “Whether we see the Dark Goddess as dancing ecstatically in a swirl of red flames, or enveloped in mist gazing into the inner pools of her psychic awareness, or throbbing with her orgasmic, magical creative energy, or embracing us in our grief, or furiously raging, screaming, crying, or desperately withdrawing into a stupor of denial or numbness, her ultimate purpose in each one of these guises is the same. She destroys in order to renew. The Dark Goddess of the dark moon is the mistress of transformation, and she exists everywhere there is change.” AN ACT OF LOVE The Dark Goddess demands that each one of us clear out of our lives what is no longer essential to our authentic being, whether this be possessions, relationships, jobs—anything that does not help us grow and fulfil our deepest needs. If we try to ignore her demands, like the wild and unruly creature she becomes when thwarted, she ruthlessly tears apart whatever in our own lives is restricting the full expression of our soul. Her rise can threaten everything which in ordinary life we try desperately to hold on to—our self confidence, our self-image, our sense of accomplishment, our material possessions—all of the things which for many years may have supported us now come under the scrutiny of her gaze and the ruthlessness of her sword. What can be hard to realize, while all this is happening, is that everything she does is done with love. We see such things as the breakdown of a marriage, the loss of a job, physical illness that can come at times of enormous change, as evil and negative. For we spend most of our lives trying to avoid a crisis at all cost. Yet crises are often the only means by which we can be thrust forward to a new life. Were the energies of the Dark Goddess not to rise, we would remain stagnated. We might continue living out an artificial existence, all the while trying to fill up the emptiness within with whatever we can lay our hands on, from drugs and sex to success and power in the world—yet never succeed. It is the Dark Goddess that gives us the motivation to change, and brings us the power to be able to carry it out. INNER SILENCE She also pulls us away from the external world, asking us to withdraw inside to a place of stillness and power in which we can begin to hear the echoes of our own souls—sounds which for years may have been ignored or forgotten. She stirs our being at the deepest level. She asks us to enter our own personal darkness, calling us to make a vision quest, presenting us with pain over any issues of our lives that we have been denying. She asks us to face our fears and taboos, whether they are addictions, dependencies, inadequacies—that we bring them into the open, where they can be looked at and healed. Like the Crone who is her messenger, the Dark Goddess has no adornments. She is naked and raw in her confrontations. She arrives to lead us into the labyrinthine recesses of our own being. If we consent, she offers us the courage and the strength to face our own personal demons—demons who for generations have been feeding on our inadequacies, fears, and dependencies and undermining our potential for joy. Either we acknowledge her call, retreat from the outer world and begin to make our descent voluntarily, or she grabs us by the throat and drags us under. And just in case we might be tempted to think that when menopause arrives, sexuality is dead, she makes us think again. It has not died but rather been transformed. INSTINCTUAL SEXUALITY The sexuality of the postmenopausal woman is the sexuality of the Crone. It is the sexuality of sheer instinct—wildness set free. It is she that calls a woman into the secret places of the woods and provokes her to dance naked in wild abandon. Hers is a sexuality to be used in any way a woman chooses—in union with another or alone to generate the alchemical meeting of male and female within her own body. The sexuality of the Crone belongs to herself alone. She will be what she is, she will have what she wants. She is neither passive nor submissive, and her sexuality also has nothing whatever to do with bringing physical children into being. The Crone's eroticism is sheer ecstasy, lived for its own sake, and sheer creativity. She creates in an uninhibited, animated, fiery way, which emanates from the soul of a woman. Such sexuality is the fuel for all creative powers in the world. It carries with it the energy of regeneration and of healing, not only for a woman herself but for the world. It is the kundalini power—the rejuvenating cosmic illumination, the power of the serpent, the sacred fire which heals. As the Crone gains entrance into the body and psyche of the menopausal woman, she illuminates one dark corner of her psyche after another, lifting away all that is old and dead and without meaning—the way kundalini energy rises up within a woman's body to illuminate each of the chakras. Her power becomes the power of the menopausal woman. It lies in her dark blood—the blood of creation. It is the indomitable creative power that has lain sleeping in the consciousness of both men and women. It is asking for us to honor it and set it free. Never in human history has it been more urgent that we do so for our own sake, and the benefit of all beings.

If you can't sleep, keep a pen and paper next to the bed.  When you awaken, rather than lying awake worrying, write down all the things that come into your mind. Don't worry if you jump from one thought to another, just keep jotting down thoughts, ideas and worries. When you run out of things to write, you can assure yourself that you can let go of all those concerns for the night because they will be right there on the paper when you wake up. A good friend of mine awakened each night for several years just before menopause, and would lie silently beside her husband in bed brimming with anger, although she didn't know at what. Finally she decided to get up in the night instead of just lying there. She would go to the kitchen and sit down and write out whatever came to her without even reading what she put down and without trying to make sense of any of it. After several weeks of this, she noticed that the anger seemed to become transmuted into new ideas. New plans and solutions to problems would come through her pen. For her, rising from her bed and writing built a bridge between the inner world, which was trying to make itself heard, and the outer, conscious, world in which she lived. A good night's sleep, as Shakespeare knew, can "knit up the ravell'd sleeve of care."

Thanks to our growing understanding of the natural laws of health and advanced research into high-tech biochemistry, what was once little more than a pipe dream - the notion that the length of human life can be extended - is becoming a reality. Gerontologists have now challenged the maximum lifespans of many species of animals. Man is next. Already physicians are using antioxidant nutrients, electromagnetic techniques and other anti-aging tools to prevent physical degeneration and to restore health and balance to ailing bodies. Meanwhile psychiatrists and psychologists trained in biochemistry and in the orthomolecular treatment of the brain are not only beginning to cure mental and emotional problems associated with age, they are even using the tools of their trade to expand consciousness. It becomes important to ask the question, `With what consequences?' The first worry about life extension for most people is usually, `What will we do with these old people we are creating?' `Won't they be yet a further burden to society?' Naturally they want to know about the effect that longevity will have on housing, medical costs and the rest. Such questions are valid. But it is also important to penetrate the point of view from which they come - the assumptions and paradigms which underlie them. Our society has imprinted its members with negative concepts about being old. In the book for which he won a Pulitzer Prize, Why Survive? Being Old in America, Dr Robert Buffer outlined the enormous practical problems of dealing with the aged: housing, pensions, personal security, need for meaningful occupations and the rest, and the horrific conditions in which many old people in modern Western society live. He also pointed out that we hold many unconscious assumptions about the aged which continue to create these conditions. They are always with us and they greatly distort our view of aging, old people and their place in society. These assumptions include a belief that the aged are inflexible, senile, unproductive people waiting for the inevitable arrival of the grim reaper. Basically not interesting, of little value, they are people worthy of being assigned to a foreclosed existence. Alex Comfort refers to these common views of age and the elderly as `ageism' which he defines as `the notion that people cease to be people, to be the same people or become people of a distinct and inferior kind, by virtue of having lived a specified number of years'. The assumptions of `ageism' lie behind many of the most often asked questions about the social and political consequences of ageless aging. They make such questions impossible to answer adequately from our current perspective and with our current views of reality. They also force us to ignore a number of important realities. We forget for instance that chronological age at its very best is only a limited indication of biological and functional age. Even our present old people are capable of far more than society allows them to express or contribute - indeed more than they themselves allow. We also forget that every major disease is age-dependent and all of the major causes of death and disability are secondary to the progressive degeneration of aging. Little wonder, for until now, after the age of 30 we have been witnessing a steady and inexorable increase in the probability of morbidity and mortality from one disease or another. But people living by the principles of ageless aging will be different. Highly resistant to the ravages of degeneration which manifest themselves in our major destructive chronic diseases such as cancer, coronary heart disease, arthritis and the rest, they will be less rather than more of a burden to the state in terms of medical, social and psychiatric care. Application of these life-lengthening and life-enhancing principles to health on a wide scale should lead to an increase in the ratio of productive to nonproductive men and women with prolonged life spans. This has been the conclusion of Yale's Professor Larry Kotlikoff, one of the few academics to look seriously at the issue. Kotlikoff initiated an inquiry into the economic effects of increased lifespan. He also concluded that this increase in the ratio of productive to nonproductive people would result in an increased per capita output whether or not the working period increased year for year with life expectancy. With the increased longevity and the improved resistance to degeneration which are the natural outcome of applying the findings of age-researchers to our everyday lives, the population of our old people will also change. So will our attitudes to them. No longer a burden, like the Vilcabamba Indians or the Abkhazians of the Soviet Caucasus they will become not `old people' but `long lived people'. Such a simple shift in attitude could revolutionize us as human beings not only in terms of politics and economics but by shifting us towards a more value orientated society. At that point the question of `What will we do with all these old people?' begins to take on quite a different meaning. For the challenge now becomes not how we house, feed, and care for a growing sector of the nonproductive population but rather how we can best use the energy and wisdom of the older members of our society.

In Sanskrit they call it lîla. The word means play. Yet not in the limited sense of our word. Lîla is free play, deep play, wild play carried out in a timeless NOW. It speaks of divine play. It’s the kind of play that sets us free to be who, in essence, we already are, even though we may not yet know it. Lîla is also the kind of creative play that brings new worlds into existence. FROM CHILDLIKE TO GENIUS In its simplest form, lîla describes the spontaneous activity of children so absorbed in what they do that they don’t even hear you when you speak to them. One morning my three-year-old friend Marina came to visit. Scrambling onto the four-poster bed where I was writing in a state of intense concentration, she told me the story of how she had climbed to the very top of a pirate’s ship as high as the stars. Like all still-innocent children, Marina entered into her imaginal world with ease—a magical realm in which creative sparks can be seeded then begin to grow. The imaginal world is a place most of us adults have lost touch with—a powerful realm in which the joys and fruits of lîla reign supreme. At a deeper level, lîla speaks of the all-encompassing absorption out of which Beethoven, then dangerously ill and nearing the end of his life, nonetheless created the most remarkable music of the 19th century: The Late Quartets. Or the obsession of Van Gogh, which led to his having painted 900 pictures and turned out 1100 drawings pictures during a lifetime. This kind of lîla is far more complex and committed than child’s play. It can produce achievements that enrich the way we look at life, that connect us to the deepest levels of our own being. Some fruits of mature lîla even transform the world. A big deal? You bet. This is play of the highest order—nothing less than an outpouring of the most intimate and essential nature of each unique human being. Living your creativity as fully as you can while you walk the earth, in whatever way most satisfies your unique nature, is the most exciting and enriching process any individual human being can experience. It brings a sense of meaning and purpose to your own life that nothing else can. CREATIVE PASSION Creativity is not a problem to be solved or a subject to be picked apart in psychologists’ laboratories. Those who try end up wandering in an endless maze of moribund words and phrases which miss the point. Meanwhile, the wrinkled fiddler on the city street plays on—smiling. He is lost in the excitement of improvisation, magically blending movement, feeling and sound—making music never heard before, that touches his heart and awakens the senses of all with ears to hear. We have grown up with some weird ideas about creative power. We’ve been taught that creativity belongs to a few select human beings whom history labels as genius. Nothing could be further from the truth. Creating is not a rare privilege—it is a right, even a necessity for all of us, if we are to live a fulfilling life. Creating anything, from cooking a healthful meal to writing poetry or playing games with children reminds us all what life is about. From this place we learn to live and work, to imagine, invent, and finally give birth—not only to things that have never been seen, heard, felt or touched before, but to a way of living more wondrous and exciting than most of us would ever have imagined. A passion to be lived, a lîla to be danced, the wild creative power within us urges us to tell the truth and shame the devil. It demands that we express our love, our obsessions, and the fascinations which pursue us. It asks that we live out life from the very core of our being. “Genius,” as late American writer John Gardner used to remind his students, “is as common as old shoes. Everybody has it.” CREATIVE RELEASE A few years ago, I began to explore not only the power and dimensions of creativity in you, me, and all of us. I wanted to discover how each of us can gain greater access to it, and how best we can live out our own creative power in our day to day lives as scientists, professional artists, musicians, writers, dancers, actors or as businesspeople, parents, teachers, lovers, gardeners, healers, craftsmen and thinkers. I was sure that on a larger scale, the way we as a group choose to use our collective creativity determines whether or not we will be able—in the wake of having laid waste to so much of our planet—to emerge as a sustainable species in a sustainable world. A lîla of enormous proportions; what could feel more powerful or more daunting? Yet the creative power on which it depends springs from the same source within each person as Marina’s imaginative play. PRIMORDIAL POWER Mysterious, enigmatic, spontaneous, occasionally even frightening, in essence creative power is the power of life itself. It is the force that gave us birth which continues to give birth to universes. It is what created us and brought each of us our own lives. It originates from a place within each one of us where we can touch and tap into the numinous energy of the Cosmos: God, Being—call it what you will. No words can adequately describe it. In truth, it is far more an experience of aliveness than a place at all. And, although we may never describe it adequately, we are perfectly equipped to enter this locus of creative power within us and find out how to live ever more of our lives from it. For the majority of artists, creativity pours forth most easily when they have intimate support for it. Shakespeare had his actors and a Globe Theatre eager for his plays, Virginia Woolf entered a room of her own and there wove tapestries of words. Emily Dickinson wrote out of the intimate community of a family who adored her, admired her and made sure she was given the space and time to carry out her imaginative work. For others who are highly creative, there is no such intimate support. Many have suffered childhood abuse, loss, illness or intense suffering. The creativity of such people can be monumental. Each man or woman is brought to the exploration and expressions of their creative power through suffering in just the same way that, so often, we discover what is most important to us by having what we believe to be of greatest value—a loved one, a job, a title—taken from us. Painful as such experiences are, often they turn out to be great gifts when it comes to freeing our creative power. Caught up in our lives of work, children, and householder duties, few of us live in such fortunate circumstances as Shakespeare and Emily Dickinson. But that does not matter. What has not been given us we can make for ourselves. Art is not the province of the privileged few. It belongs to all people—those of us who spend our days in front of computers, cooking, sweeping streets, running errands, caring for children, handling the stupidities of bureaucracy, and living our constantly changing lives in a world that is ever less secure. THE WAY AHEAD We are alive at a moment in history where one age is dying, yet another has not yet been born. We are, each one of us, faced with a choice: As we sense the foundations of our world shaking, do we withdraw in anxiety, trying in desperation to hang on to what we once believed to be “true”? Do we become paralyzed, and try to cover our fear with apathy? Or do we summon the courage offered us by a Universe in flux, honor our personal sensitivity and consciousness, then choose to face the challenge of entering the realm of creative power within? Then, trusting our individual capacity for lîla, do we begin to play in ways that may help bring forth a new world for all? Regardless or age, background, or limiting notions about what’s possible, each one of us has a choice to make. It’s a choice between continuing to conform to established belief systems that stifle the human spirit, or trusting in ourselves. Are you willing courageously to explore your intrinsic creative gifts and make use of them? “That which we give birth to from our depths is that which lives on after us. That which is inborn in us constitutes our most intimate moments—intimate with self,” says Theologian Mathew Fox, “intimate with God the Creative Spirit, and intimate with others. To speak of creativity is to speak of profound intimacy. It is also to speak of our connecting to the Divine in us and of our bringing the Divine back to the community.” Personally, I urge you to begin connecting ever more deeply with your own brand of creativity. Discover new ways of living. Leave automatic assumptions about who you think you are and learn to respond to each moment and each day of your life with new eyes and an open heart. The more you do, the richer your life can become. Such is the joy of lîla. Such is the power of lîla. If you have not yet explored it, you have an exhilarating, wondrous adventure ahead of you. Take it. Trust it. It’s the adventure of a lifetime.

Who would have thought that taking the right kind of walk can not only clear stress, and energize mind and body but even bring you face to face with satori? Satori brings a sense of living in the fullness of your being, moment by moment. So often, we think we need to make decisions about what we are going to do in the next hour, the next day, the next year. We worry about how to discipline our bodies, get the work done and pay the bills, as well as a thousand other things.You can find yourself walking in new ways, with different rhythms. Aches and pains diminish. You sense a new relationships developing—to yourself, your surroundings and the world as a whole. I am passionate about taking two quite different kinds of walks which I’m keen to share with you because they have brought me much pleasure as well as so many other benefits. They are, each in their own way a lot of fun to. FREE FLOW Once a day, regardless of the weather outside, and whenever it suits you, go out walking for the sheer pleasure of doing it. It can be fun to walk in sunshine, but just as wonderful to walk in rain—unhurried and unburdened by the need to ‘look good’. Look around, smell the air, notice the way your body has begun to move. The next step is likely to sound weird, but try it: When you see a tree, say silently to yourself, ‘Tree.’ When you see a flower—‘Flower.’ This simple naming practice helps you become aware of where you are in space and time. And it does this in a wonderful, spontaneous, improvizing way. As you walk, life takes on an unexpected, exciting feel. Meanwhile, futile internal monologues begin to fade away. One of my favorite books was written by a musician named Stephen Nachmanovitch. It is called Free Play: Improvisation in Life and Art. It’s a superb book. If you are interested in creativity on any level—and I don’t mean just being an artist, but any and all kinds of creativity—I highly recommend it. In a chapter called ‘Inspiration and Time Flow’, Nachmanovitch describes this first way of walking I want to pass on to you. (Of course, you are probably unlikely to be walking down a street in a foreign city as he describes, but much of what he writes about this way of walking is relevant no matter where you are.) It reminds us all that it is not impossible to live our lives moment to moment, fully present with real awareness and joy. Here is what Nachmanovitch writes: A walk, following your intuitive promptings down the streets of a foreign city, holds rewards far beyond a planned tour of the tried and tested. Such a walk is totally different from random drifting. Leaving your eyes and ears wide open, you allow your likes and dislikes, your conscious and unconscious desires and irritations, your irrational hunches to guide you whenever there is a choice of turning right or left. You cut a path through a city that’s yours alone. This brings you face to face with surprises that are destined for you alone. You might discover conversations and friendships, meetings with remarkable people. When you travel in this way, when you walk in this way, you are free. There are no ‘have tos’ and ‘shoulds’. You are structured at first only by the date of the plane departure. As the pattern of people and places unfolds, the trip, like an improvised piece of music, reveals its own inner structure and rhythm. Thus do you set the stage for fateful encounters. I’ve got to add here that some of the most important ‘fateful encounters’ he speaks of are likely to be brand new encounters with yourself, in ways you may never have dreamed of. INSTANT ENERGY IS YOURS This is the second of my favorite walks. It’s a way not only of relieving stress, but of energizing yourself, learning to be present in the moment and, like Nachmanovitch’s walk, releasing your mind from the habitual chatter that prevents our feeling fully alive. I learned this technique from a Belleruth Naparstek’s “Meditations to Relieve Stress” audio. Here’s how it goes: Choose a place where you will be able to walk without meeting a lot of people, so you allow yourself to connect with your surroundings the way a child might. You don’t have to smile or relate to anyone. Instead, you will be drawing in energy from your surroundings. What will amaze you is just how much vitality you can absorb from your environment when you are not wasting your own energy with meaningless social contact. So, just for 10 to 15 minutes, let yourself retreat inwards and see what amazing things happen. GETTING EARTHED Begin your walk by shaking out your body a little. Feel the earth beneath your feet. Take a deep breath and let it out with no effort. Now look around you, at the sky, the earth, the trees, grass, rocks or flowers—whatever you find around you. Take another slow, even breath deep down into your abdomen. Now, aware of your breath going steadily in and out, start walking at a comfortable pace, opening all your senses to your environment as if it were part of you. Let yourself enjoy the light, the mist, the colors, the rocks and sand; whatever is there. Let yourself become aware of the way things move in light and shade, so you are in effect feeding on the richness of your surroundings. Let your body move easily and gently, so it feels as though it is dancing with your surroundings. Allow yourself to experience everything you see and feel, smell and touch, as though you are doing it for the first time, with the curious mind of a child. Feel the air on your skin, smell the fragrance around you in all its layers and textures as you walk. Continue to be aware of the ground beneath your feet, and how your breath going in and out feels. Notice how well the earth supports you. Enjoy the feel of your body in motion. See how heightened your senses become to the colors and the fragrances. Notice how clear your vision has become. This simple focus, this increased awareness of the sound of your own feet on the ground, the feel of your breath, the movement of your legs and torso will become more acute, more intense, more nourishing and more satisfying. LIKE MAGIC Colors become more and more intense, richer, clearer. You can find your senses opening as you become ever more aware of everything around you. You may even sense that you are immersed in a wonderful new ocean of reality. That the trees and the rocks, the air you breathe, and the sky have become part of you and you of them. Indulge yourself. Smell the air, feel the ground, immerse yourself in the sea of life and generosity in which you find yourself. Now, simply draw the energy of the earth into you. Let it fill you up. Breathe in the beauty of the sky. Take in every sight and sound, deep into your heart, as you become aware that you are attuned to everything around you. This energy is available to you whenever you want it. All it depends on is your own willingness to connect with the sea of life of which you are a part. Whenever you do, the whole world feeds you, belongs to you, nourishes you at every level. Continue to walk as long as you like, easily and blissfully, aware of your feet on the ground, your breath moving in and out, and the part you play in this wonderful sea of reality which belongs to you, and you to it. BACK TO SOURCE Both of these walking techniques are wonderful. Don’t just read about them—print up these descriptions and carry them with you. Then have a go. See what happens to you. Even better, take a look at where I learned about them. Stephen Nachmanovitch’s book is the best book on creativity I have ever read. I have read it at least 12 times. (As a present for Aaron who loves listening to audio books, I even made a recording of most of the chapters and gave it to him.) When it comes to Belleruth Naparstek’s work, her recordings are unparalleled in the world for their transformative power. You can purchase the one below on CD. Better still, just download it and put it on an MP3 player so you can begin using it today. You can find them below: Free Play - Stephen Nachmanovitch’s Improvisation In Life And Art - Stephen Nachmanovitch’s book is the best book on creativity I have ever read. I have read it at least 12 times. To find out more click on the links below. Order Free Play - Stephen Nachmanovitch’s from Amazon MEDITATIONS TO RELIEVE STRESS imagery for mastering anxiety; guided imagery to pump up feelings of love, safety and protection; a soothing, walking meditation for the fidgeters among us who can’t sit still; and affirmations for use anytime. (72 min.) Order Meditations To Relieve Stress at iTunes Order Meditations To Relieve Stress at Amazon