mindfulness

The idea that stress is all bad is patent nonsense. As human beings we would be little more than vegetables without stress in our lives. Also, and most important, the more committed we are to the lives we are leading and the more right they are for us, the less likely we are to suffer the ravages of stress. Nevertheless we worry about stress, wonder about it, and wish it would go away. Yet seldom do we even stop to ask what it is. Little wonder. For stress is complicated even to define. YOU NEED STRESS TO LIVE The word stress comes from the language of engineering, meaning “any force which causes an object to change.” In engineering the specific change caused by stress is known as strain and there are four possible kinds: torsion, tensile, compression and sheering. In human terms the strain is you body's response to physical, chemical, emotional or spiritual forces, asking in some way that you adapt to them. As we learn this art, we also discover a great secret: How stress can become the spice of life, the exhilaration of challenge and excitement, the high of living with heavy demands on you and and thriving. For, like the tempering process involved in the production of a piece of good steel, once you make a friend of stress, forces which had seemed to be working against you become positive energies that define you, strengthen you and help you express your own brand of creativity and joy. This is one of the great gifts that stress has to offer. Without physical and mental challenges your body would become feeble and you would never feel the excitement and creative energy which are such an important part of wellbeing. But too much stress can be a killer since stress, or rather the inability to cope with it, is the common denominator in all disease states. It is also a strong contributing cause in almost every illness to which we are susceptible. Develop methods for neutralizing the negative effects of stress and you can begin to thrive on its positive aspects. TOSS OUT THE PILLS Drug-based therapy is not the answer: the a million tons of Valium swallowed each year, as well as sleeping pills and other tranquillizers, produce unpleasant and dangerous side-effects ranging from addiction to acute rage, withdrawal, long-term worsening of anxiety symptoms, sub-clinical vitamin and mineral deficiencies, aggressiveness and even acute psychotic episodes. New evidence indicates that taking tranquillizers may also encourage the growth of tumours, impair neuromuscular coordination and make takers more prone to road accidents. Quite apart from the detrimental effects these drugs exert on mind and body, the fact that they treat only the symptoms of overload and do absolutely nothing towards eliminating the causes, means they can never make a positive contribution to wellbeing. What’s worse, relying on pills weakens your ability to cope with life and undermines your autonomy and your self-esteem. QUICK ENERGY NOW It is actually possible to breathe in energy whenever you feel burdened with worry and fatigue. Try this for a couple of minutes: Close your eyes. Breathe slowly and deeply from your diaphragm, so your stomach (not your chest) swells with each in breath. Imagine that you are breathing in vitality from the air to fill your whole body through your solar plexus. As you breathe in, feel that your whole body is becoming more and more relaxed. Imagine it as a centre of immense light radiating outward in all directions, as though you are taking in energy through the solar plexus itself, transforming it into light and radiating it out again everywhere. YOUR FEELINGS MATTER Emotional stressors in your life can take their toll. But f most emotional hurdles can be overcome. Take a look at what continues to trigger off the stress response in your own life. Ask yourself whether it is something which prevents you from turning a lot of your energy to more constructive use. Some stressors provide challenges from which we can grow. Others are simply habitual. They lead nowhere and bring little in terms of increasing awareness or your ability to make better use of your energy. If there are any of these in your life see if you can eliminate them. For instance, take a look at the work you do and ask yourself if you find it really satisfying. Are the financial responsibilities you have taken on really necessary? Can you reduce them in any way? If so, have the courage to drop them and to accept the changes this will bring about; this too can make you stronger. We humans have a tendency to hang on to the status quo at all costs - and often the cost is in terms of lost adaptive energy - occasionally even life. Regardless of whether you learn the world's finest techniques for meditation to counteract stress, if you are in a job you hate year after year or are faced with a relationship that no longer has meaning for you, they will do little good. To make stress work you must not only face up to its demands, but also take responsibility for removing it wherever it is no longer useful and relevant to you. GET INTO JOY Each of us needs to develop our own personal ways of throwing off stress. A walk in the woods for clearing consciousness is something quite specifically ordered by Tibetan doctors to patients who suffer from rapid swings of mood and worry. Or you could try sailing, running, dancing, gardening, listening to music or some other form of hobby. I have a passion, verging on an addiction, for good movies. Explore them all. Find out what works best for you and make it an important part of your day-to-day life. By eliminating unnecessary stressors from your life, practising relaxation and exercise, and becoming more and more aware of which challenges are important to you and which you are better off without, you will develop a way of being which will keep you free from unnecessary illness. You will soon be tapping the kind of vitality and enthusiasm a child has which most adults have long forgotten. A special bonus too - you will quite automatically preserve your good looks and vitality decade after decade. THE ART OF SIGHING When you begin to unwind and let go the muscles' tension, the release is often accompanied by a very slow deep breath - in fact, a sort of sigh. You can use sighing throughout the day to calm your nerves and prevent tensions building up. Think of a stress producing situation which occurs fairly frequently at work, e.g. the telephone ringing and each time it happens, take a deep breath and let it out again, then answer the phone. Be sure to let your shoulders drop as you inhale and breathe deeply down into your belly and lower back. Let the lower ribs expand away from your spine as much behind as in front. When you exhale, don't collapse, but think of your head and spine lengthening upwards. THE BLISS OF BALANCE Stress and relaxation are like two sides of a coin. Learn to move easily from one to another and you will begin to experience your life as a satisfying and enriching challenge like the ebb and flow of the tides. Then you will never again have to worry about getting stuck in a high-stressed condition which saps your vitality, distorts your perceptions and can even lead to premature ageing and chronic illness. The secret of getting the right balance between stress and relaxation is threefold. First, take a look at the kind of stress that is part of your life, eliminate unnecessary stressors and discover new ways of working with the others. Second, learn one or more techniques for conscious relaxation and practise them until they become second nature. Finally, explore ways of expanding your mind, honouring your individuality and for creating an environment that supports both. Not only will this help your body stay in balance and increase your level of overall vitality, it can bring you a sense of control over your life that is hard to come by any other way.

A woman's average menstrual cycle is 29 1/2 days—exactly the length of the moon's passage from new to full and back to new again. In tribal cultures, where women live in close physical proximity to each other and their natural menstrual cycles are not disrupted by such things as alterations in exposure to natural light, electromagnetic fields, drugs and hormones, not only do they menstruate at the same time, ovulation tends to occur when light is brightest at the full moon, and menstruation begins during the moon's dark phase—at new moon. There is by no means anything pathological in any woman in the modern world not cycling in this particular natural rhythm. However, it has also been demonstrated that the menstrual cycle can be regulated according to the exposure to varying degrees of light, which mimic the waxing and waning of the moon's phases. Under such circumstances the three phases of the moon—waxing, full and waning—correlate exactly with the monthly cycle of ebb and flow of female hormones—the oestrogen dominated proliferative phase, ovulation, the secretory luteal phase, and menstruation itself. SPLENDID PASSAGES In the realm of myth and symbols, these phases are superbly mirrored in the three phases of every woman's life—childhood, before the sex hormones begin to flow, the childbearing years, which begin at the menarche, and the postmenopausal years of the Moon Goddess in her Crone guise. In ancient cultures, the moon was considered the source of fertility and birth. She ruled destiny and time, the secrets of the unseen world, transformation, death and regeneration. It was the moon's power that quickened all of life. Sowing and harvesting were done in harmony with her ebbs and flows. It was the moon which grew bright then darkened and disappeared altogether each month that taught people that nothing in life is constant. The only thing on which you can rely is change. The moon became a symbol of the cycle of transformation that makes its home in a woman's body, while woman came to rule all things that involved change. Archaeologist Marija Gimbutas, professor Emerita at UCLA, is the acknowledged world expert on Neolithic goddess-centered cultures in pre-patriarchal Europe. Author of more than twenty books, she paints a richly detailed picture of their social structure, agriculture, customs, rituals, religion and art. Much has been learned in recent years about the nature of the goddess-centered cultures, which existed for literally tens of thousands of years in Europe and Asia. The miniature sculptures that have been unearthed in the past twenty years give insight into the great variety of female manifestation of the divine which appeared as long ago as 27,000 to 25,000 years BC. Three thousand of these have been found in Siberia alone. In The Civilization of the Goddess, a monumental encyclopedic book which has already changed history, Gimbutas writes, "According to myriad images that have survived from the great span of human prehistory on the Eurasian continents, it was the sovereign mystery and creative power of the female as the source of life that developed into the earliest religious experiences. The Great Mother Goddess who gives birth to all creation out of the holy darkness of her womb became a metaphor for Nature herself, the cosmic giver and taker of life, ever able to renew Herself within the eternal cycle of life, death and rebirth." WOMAN’S MANY FACES We learn from ancient sources that, like woman herself, the Moon Goddess has many faces. At the new moon, she is the Virgin Goddess, wrapped in enthusiasm for new beginnings as seeds sprout and first shoots appear. When her second phase begins, so does puberty. Buds turn into flowers and flowers to fruits as virgin becomes transformed into Divine Mother in charge of procreation and sexuality. She is the pregnant goddess, mistress of animals, bringer of life, the Madonna. As the moon begins to wane, woman passes through her next initiation to a time of harvest and a time of death, during which all that is old becomes compost for her new life. It is the Dark Goddess who rules the darkness of the moon, death and rebirth. Ancient statues of the Dark Goddess carved in bone, marble, alabaster or clay are often white—for white is the color of death. Bones are turned white by the elements. The big breasts and hips you find on statues of the Divine Mother become replaced by stiff nudes. The Dark Goddess is often depicted without breasts, her hands either on her chest or extended along her sides. She is shown with an enlarged pubic triangle, for the Dark Goddess of the waning moon is not only goddess of death but of regeneration. She rules the time in a woman's life when everything that has run its course, everything which has become outmoded or no longer has meaning in a woman’s life, must be destroyed to make way for a more authentic life. THE GIFTS OF MENOPAUSE Menopause is the initiation of the Dark Goddess. It is the passage during which a woman is asked to confront the possibility of her own death and probe the mysteries of decay, dismemberment, and regeneration. For only through the death of the old can the exciting new birth that awaits us take place. As menopause approaches, often a woman wants to spend more time in nature and to feel her spirit fed by the earth. The fear of menopause and the fear of the Crone, so widespread in our society, are nothing more than a reflection of our misguided fear of death itself. For, in today’s world, we have forgotten the great cyclic flow of birth, flowering, death and regeneration that is hidden within the circle of the moon—as it is within all life—and reflected in the circle of our own souls. Little wonder, since our patriarchal culture denies cyclical time and views events as linear. In linear time, the end is not connected with the beginning. Birth and death are not viewed as two vital passages in a continuing cycle of life, but as opposites—the one to be celebrated the other to be resisted at all costs until the bitter end. It is no wonder our society wants to black out menopause and to reject the older female. In the fearful fragmented world we live in, this appears to be the only way that human beings can deny for a time their own mortality. This is why the Dark Goddess remains a focus of fear and loathing in stereotypical male-dominated linear thinking. BANISH FEAR AND CELEBRATE Any woman who does not break through the limitations of such thinking and move beyond it risks becoming so paralyzed by fear that she looks upon The Dark Goddess (and menopause itself) as an enemy to be resisted. In truth, she is the archetype-medium by which the internal split that took place thousands of years ago between woman and her feminine nature can be healed forever. She is death's priestess. It is she that wipes out outmoded patterns of thinking and living. Then, acting the role of the midwife, she brings new forms of living to birth. The Dark Goddess—often called the Crone— can seem a terrifying figure to the uninformed women approaching menopause. She has so long remained repressed within our psyches that, when at last her energy rises and she makes her presence known, it can sometimes feel like an earthquake, a volcano, or some eruption of Nature that occurs to us as when pressures held too long within the earth are released. Yet the Crone has always been present in our lives: She has appeared each month as the moon grows dark and menstrual blood—the source of all creation—flows. Now, as menopause approaches, the Dark Goddess comes at last to rest within a woman's being. For instead of being released each month, the dark blood of creative power is retained within a woman's body and made available for her use. MONUMENTAL TRANSFORMATIONS The presence of the Dark Goddess in a woman's life is easy to spot. She arises whenever we experience dramatic changes—the death of a loved one, loss of a job, disfiguration. She is our teacher who guides us through the transformation that is being asked of us onto a new level of being. She is there in our deepest despair and at times when we connect most powerfully with our own creative fire. She is the hand-maiden that nurtures us through dark nights once we are willing to make the descent into our own psyche, and connect with whatever forms are sleeping there, so we can begin to live our own power. When these connections are made she is present too. She teaches us by her presence alone to become deeply and spontaneously sexual, assertive, straight, incorruptible, prophetic, intuitive and free. All of these qualities arise at menopause. These are the most precious gifts of the Crone. They herald the beginning of what is potentially the most creative part of any woman’s life... This time in which her biological creativity is let go of to be replaced by creativity of the highest order in any woman’s life. It must be said—it is these powerful gifts of the Dark Goddess which are still the most terrifying threats to the linear patriarchal culture of control in which most of us still live. More to come next week...

I have always found the Biblical expression `Become what thou art' full of meaning. Becoming beautiful is like that. But it is not a static state of perfection, as the glossy magazines would have us believe - one fleeting moment on a well-made-up, well-lit face, captured for eternity by the camera. It is a living process, an unfolding of your uniqueness, no matter what your age or where you start from - a kind of journey which, for me, is one of the two most exciting things in life. The other, I believe, is creativity itself, whether it is expressed in painting a picture, cooking a meal, running a business, loving a man or caring for a child. And the wonderful thing about the whole process of becoming what you really are is that it inevitably leads to greater creativity and satisfaction in what you do. What could be better than that?

The power of the Dark Goddess or Crone which I wrote about last week, at its most profound, represents the irrational power of nature which causes all things to decay and be changed—as well as true human freedom to be liberated. The experience of change at such deep levels can be a terrifying one both to men and women. Why? Because, these days, most try to live their lives believing that material reality is all there is, and that the great god reason is the ultimate means by which all their problems will be solved. Whatever else she may be, the Dark Goddess is most certainly not reasonable. No more reasonable than the forces which cause leaves to decay in autumn, transforming them into leaf mold that will eventually bring new life to the forest. No more reasonable than the hurricane which, irrespective of man's wishes or longings, blows its course through city and countryside. No more reasonable than the earth herself, as she quakes and trembles with shifts taking place in the continental plates of her body. INSTRUMENT OF TRANSFORMATION It is little wonder that male-centered religions have diabolized the Crone. For she is the ultimate destroyer, the emasculator of male reason. Nature and the Crone aspect of the Dark Goddess become, in the male mind, the castrator—so much so that, during the inquisition, witches were accused of collecting severed penises in boxes or birds' nests. Yet even the male penis itself represented—and still represents—an instinctive power to the male which most Western men feel uncomfortable with. For the penis seems to have a life of its own, quite separate from the man to which it is attached. Like the Dark Goddess it defies man's sterile reason. As Barbara Walker says in The Crone, Woman of Age, Wisdom and Power: "The conviction peculiar to males that sex organs have an uncontrollable, independent life of their own is expressed in the churchman's belief that the stolen penises moved about and ate food in their captivity like animals." The penis, too, is an instrument of the Dark Goddess. The Dark Goddess lives at every woman's core. She guards the Self. She is the friend of the soul whose purpose in our life is to fiercely protect and further the whole process of our learning to live authentically from our essential beings. She never trades in deceit, she never lies, nor does she veil her power. She refuses to uphold any relationship that doesn't work and she tears away with clawed hands or severs with her sword anything within us that is greedy, grasping or infantile. Throughout the lives of both men and women, she urges us to reclaim our own power—the power to set limits and to shout "no", and the power to say "this is what I will do and this is what I won't do" when we are faced with any sort of abuse, or anyone trying to steal our power or dominate us. WILD ENERGY LIBERATED But she is far more than even this. The Dark Goddess is the female power so long rejected and repressed by Western civilization that, when it rises to the surface, it often breaks forth in fury to devastate our ordinary view of reality. Sometimes when she forces her presence to be felt at menopause, she can well up inside, making us hysterical. Her frenzies—which in the rational world of linear thinking, are looked upon as something for which a human being should be tranquilized and kept under control—in the lives of both men and women were once treated with the deepest respect, as visitations from the gods. It was in such a state that the pythia or sibyl at Delphi prophesied the future, and told secrets capable of turning those who sought her help into conquerors of nations. When we forget the power of the Dark Goddess—when we separate ourselves from her essential nature—then we begin to look upon her as a destroyer who arrives like a great snake to break up the structures of our lives, devour our relationships and make mince-meat of our most precious self-deceptions. DESTROY TO RENEW In the lives of both women and men, she can quickly cut through the patriarchal image of being ‘pleasing’, ‘submissive’, ‘gentle’ and ‘nice’. If anyone has so much control of her own behavior that the Dark Goddess is unable to arise when it is time for her appearance to be made, if she remains deeply suppressed, then man or woman can experience her energies in the form of a life-threatening disease, depression, hopelessness, or seemingly endless despair. They can find themselves living in a wasteland, and feel their life to be meaningless and without direction. It is only by finding ways to reconnect with her energy within that the powers of transformation can be set free to work their magic and lead each of us on our own individual path towards freedom. As Demetra George says in Mysteries of the Dark Moon, “Whether we see the Dark Goddess as dancing ecstatically in a swirl of red flames, or enveloped in mist gazing into the inner pools of her psychic awareness, or throbbing with her orgasmic, magical creative energy, or embracing us in our grief, or furiously raging, screaming, crying, or desperately withdrawing into a stupor of denial or numbness, her ultimate purpose in each one of these guises is the same. She destroys in order to renew. The Dark Goddess of the dark moon is the mistress of transformation, and she exists everywhere there is change.” AN ACT OF LOVE The Dark Goddess demands that each one of us clear out of our lives what is no longer essential to our authentic being, whether this be possessions, relationships, jobs—anything that does not help us grow and fulfil our deepest needs. If we try to ignore her demands, like the wild and unruly creature she becomes when thwarted, she ruthlessly tears apart whatever in our own lives is restricting the full expression of our soul. Her rise can threaten everything which in ordinary life we try desperately to hold on to—our self confidence, our self-image, our sense of accomplishment, our material possessions—all of the things which for many years may have supported us now come under the scrutiny of her gaze and the ruthlessness of her sword. What can be hard to realize, while all this is happening, is that everything she does is done with love. We see such things as the breakdown of a marriage, the loss of a job, physical illness that can come at times of enormous change, as evil and negative. For we spend most of our lives trying to avoid a crisis at all cost. Yet crises are often the only means by which we can be thrust forward to a new life. Were the energies of the Dark Goddess not to rise, we would remain stagnated. We might continue living out an artificial existence, all the while trying to fill up the emptiness within with whatever we can lay our hands on, from drugs and sex to success and power in the world—yet never succeed. It is the Dark Goddess that gives us the motivation to change, and brings us the power to be able to carry it out. INNER SILENCE She also pulls us away from the external world, asking us to withdraw inside to a place of stillness and power in which we can begin to hear the echoes of our own souls—sounds which for years may have been ignored or forgotten. She stirs our being at the deepest level. She asks us to enter our own personal darkness, calling us to make a vision quest, presenting us with pain over any issues of our lives that we have been denying. She asks us to face our fears and taboos, whether they are addictions, dependencies, inadequacies—that we bring them into the open, where they can be looked at and healed. Like the Crone who is her messenger, the Dark Goddess has no adornments. She is naked and raw in her confrontations. She arrives to lead us into the labyrinthine recesses of our own being. If we consent, she offers us the courage and the strength to face our own personal demons—demons who for generations have been feeding on our inadequacies, fears, and dependencies and undermining our potential for joy. Either we acknowledge her call, retreat from the outer world and begin to make our descent voluntarily, or she grabs us by the throat and drags us under. And just in case we might be tempted to think that when menopause arrives, sexuality is dead, she makes us think again. It has not died but rather been transformed. INSTINCTUAL SEXUALITY The sexuality of the postmenopausal woman is the sexuality of the Crone. It is the sexuality of sheer instinct—wildness set free. It is she that calls a woman into the secret places of the woods and provokes her to dance naked in wild abandon. Hers is a sexuality to be used in any way a woman chooses—in union with another or alone to generate the alchemical meeting of male and female within her own body. The sexuality of the Crone belongs to herself alone. She will be what she is, she will have what she wants. She is neither passive nor submissive, and her sexuality also has nothing whatever to do with bringing physical children into being. The Crone's eroticism is sheer ecstasy, lived for its own sake, and sheer creativity. She creates in an uninhibited, animated, fiery way, which emanates from the soul of a woman. Such sexuality is the fuel for all creative powers in the world. It carries with it the energy of regeneration and of healing, not only for a woman herself but for the world. It is the kundalini power—the rejuvenating cosmic illumination, the power of the serpent, the sacred fire which heals. As the Crone gains entrance into the body and psyche of the menopausal woman, she illuminates one dark corner of her psyche after another, lifting away all that is old and dead and without meaning—the way kundalini energy rises up within a woman's body to illuminate each of the chakras. Her power becomes the power of the menopausal woman. It lies in her dark blood—the blood of creation. It is the indomitable creative power that has lain sleeping in the consciousness of both men and women. It is asking for us to honor it and set it free. Never in human history has it been more urgent that we do so for our own sake, and the benefit of all beings.

When I was six years old, I had my first love affair. Yes, really. Of course, not until years later did I recognize the experience for what it was. But like every first love, it changed my life forever. My father was a jazz musician, so our house was equipped with the best possible sound equipment. He and I loved to listen to music—just about any music available—at full volume, of course. This, my mother, could not stand—which made it, even more, exciting. While my playmates roamed the hills of Hollywood skinning their knees, I would lie on my belly in our living room, listening to music as loud as I could make it. One day, combing through our vast supply of records, I came upon Stravinsky's "Rite of Spring." The name meant nothing to me. But I liked the colors on the cover, so I put it on the record player, turned up the volume and flopped down in front of our huge speakers. Strange, mysterious, discordant sound flooded my body, opening a secret door to somewhere deep inside me—a mysterious inner world I had never entered. I didn't know such a place even existed. I trembled with fear and excitement while Stravinsky's music continued to wind its way through my body. I flushed hot and then cold. My heart raced, then calmed. I lost all sense of place and time as I rode the waves of an imaginal sea of sound into unexplored worlds, too numerous to name. I have no idea how long all this lasted. Eventually, even the "boat" carrying me along on vivid images began to dissolve like sugar in water. In a perfect union, the sounds and the child-that-had-been-me swirled into a vortex and became lost in each other. We shared the excitement, fear, longing, fierceness, and sadness. As lovers, we had come together—music and child—in an immediate, passionate, all-encompassing union. Eventually, I found myself at the center of this whirlpool. Then, even the ecstasy of the movement vanished. Like Alice down the rabbit hole, I tumbled—not into Wonderland, but into an experience of unspeakable stillness. Zen practitioners claim this experience is available at any moment to each one of us. For me, it was an indescribable event—beyond space, beyond time, outside thought. Without the slightest possibility of ever being able to describe it, I knew that everything was as perfect as it was meant to be. In the words of Zen Master Daisetz Suzuki, in this place, I would eat when I am hungry, sleep when tired. I knew that "it was fine yesterday and today it is raining." In the words of Julian of Norwich, I was sure that "All things shall be well, and all things shall be well, and all manner of things shall be well." My affair with Stravinsky lasted more than four hours. At least, that's what my mother said. "Don't tell me you are still listening to that awful music." She had to raise her voice to be heard above the sounds. "For God's sake, turn it off. Do something useful." So I did something useful. I went to school, then to university where I learned, at least, some of what you are supposed to learn. I earned praises for top marks, went to work, won prizes, gave birth to four children by four different men, raised them on my own, wrote books, made films, gave talks, led workshops, created products for companies, made television programs and so on and so on. In effect, I did what millions of men and women do—I became the breadwinner, the caretaker, the nurturer of people's lives. Through all the years between six and now, my passion for music, painting, books, poetry, architecture and movies has never left me. Far from it. During all of these years, the epiphany of emptiness that Stravinsky brought to me that day and the sense of absolute stillness has never faded. It has made it possible for me to create so many things as well as to explore new places and ideas. It's invited me to move beyond thought towards a place of unity with the rest of the universe. All this continues gnawing at me. I suspect it will never go away, just as the urge to breathe never goes away, no matter how long we try to hold our breath. What I did not know—and this took me scores of years to find out—is that the rabbit hole into which I had unexpectedly tumbled has for millennia, been, described by every culture and religion in the world in one form or another. Nor had I any idea that, at any moment in time, regardless of the circumstances of our lives, it is available to each of us. To Zen Buddhists, this wordless, timeless space represents ultimate reality: That which can only come through immediate experience. In Suzuki's words, "For the sake of those crucial experiences Zen Buddhism has struck out on its own paths which, through methodical immersion in oneself, lead to one's becoming aware, in the deepest ground of the soul, of the unnameable Groundlessness and Qualitylessness—nay more, to one's becoming one with it." It is a state in which nothing is thought or contrived, longed for or expected. It reaches out in no particular direction, yet it knows itself able to handle the possible as well as the impossible. Concentrated, yet so expanded too, such power is both purposeless and egoless. As such, it can be called truly spiritual. Why? I believe because it is charged with an awareness that spirit is present everywhere. Because the cosmos is present everywhere, we too are present everywhere. We can have direct experience of this, and access the power that continues to create the universe itself. And we have full access to that power of creation to use in our lives, in whatever way we choose. The Sufis call this state fana—the annihilation of your individual selfhood. When you experience fana, your everyday personality becomes transparent, so the larger being that you are shines through. You soon become absorbed in an all-encompassing fascination for the moment. Life is lived in the NOW. Cutting-edge physicists speak of a holographic universe in which we live but seldom access because we are plagued by endless mental concepts that blind us to so-called reality. This blinds us to the experience of Samadhi—"a non-dualistic state in which the consciousness of the subject becomes one with an experience of the object." This selfless absorption and total surrender of Samadhi is characteristic of children when left alone to follow their instincts. It is available to each one of us, regardless of age or condition. Honoring whatever brings you bliss in your life opens the door to it. That day, when I lay on the floor lost in Stravinsky, without recognizing, I became conscious of it what would inspire me most: The beauty of art—whether it be music, words, stories, sculpture, buildings or what-have-you. Why? Certainly not because I had any idea that art was supposed to be valued as part of what grown-ups refer to as culture. I couldn't have cared less. After all, I was a kid who, when not entranced by what I was seeing, hearing, feeling or touching, spent the rest of my day learning card tricks, wrestling with my huge dog Tuffy, and trying—unsuccessfully—to sell packets of chewing gum which my grandfather gave me to neighbors' kids. Nope—I loved the beauty and wonder of art in all its many forms because, unlike the world around me, with which had little in common, it had grabbed hold of me and would never let me go. It demanded of me both a submission as well as active participation in the making of it. I now believe that my first love affair at the age of six became the harbinger for how I have lived my life. At any moment in time, regardless of the circumstances of our lives, fana is available to all of us regardless of age. Honoring whatever brings you bliss opens the door to it for you.

Laughter and humor are much needed in the over-serious world of health and beauty, a world which tends to measure health not as joyous energy and creativity but in terms of cholesterol levels, blood pressure and sedimentation rates. The irony is, that according to the latest research into the mind body relationship, a life which sparkles with laughter is not only good for you because it feels good, it can also help look after the state of your blood pressure, immune system and cholesterol levels. Some researchers believe laughter can help look after the state of your blood pressure, immune system and cholesterol levels far better than high powered medical care and drugs. Drugs, after all, have deeply worrying side effects. The worst of laughter's side effects is joy. When we laugh we shed feelings of judgment, self pity and blame. Our perception shifts and we come to know another level of consciousness. Laughter deepens your breathing, expands blood vessels, heightens circulation bringing more oxygen to your cells, increases the secretion of hormones beneficial to your body, speeds tissue healing and helps stabilize bodily functions. A new philosophy is emerging from studies carried out in France and Canada by philosopher Andre Moreau on the notion that one should seek in all philosophical teachings the keys for releasing innate human tendencies towards humor, laughter and positive energies. It is known as "Jovialiste" which advocates the practice of smiling as a free expression of human vitality and creativity. Meanwhile, hospitals both in the United States and Europe are even prescribing laughter in the form of Jerry Lewis and Marks Brother's films, humorous books and any other simple triggers to put patients into a blissful state of spontaneous giggles. life on the flip side The way that emotions and health are closely related has been investigated for many years. The scientific press is full of papers which show the way that negative emotions such as anger, resentment, fear and despair are major factors in the development of serious illness from cancer to coronary heart disease. Scientists have charted direct pathways between mind and immunity via anatomical connections that link the brain directly to organs such as the spleen and the thymus gland. They have also shown that hormonal secretions induced by emotions and thought patterns create a second pathway between mind and body which is carried on the blood, and there is strong evidence that excess adrenaline from high levels of stress can significantly depress the body's immune system. But until recently most of the focus of mind-body research has been on the negative. Now, thanks to the new fascination with laughter, many scientists are beginning to investigate the biochemical changes brought about by positive emotions and encouraging their use as tools for health and healing. Researchers now find that laughter, relaxation, meditation and hope not only produce beneficial changes such as lowered heart rate and breathing, they can even improve the way your body responds to stress hormones, and bring about a shift in your perception of potentially stressful situations so you can look on them as challenges rather than as insurmountable problems - a vital attitude in preserving and enhancing the health of your mind and body. One of the very best things of all about laughter is that it breaks through the tendency each of us has to take our self and our values too seriously. It breaks down the roles we play and liberates the self locked within. It is our tendency to identify with our own self-created image, fears, beliefs and assumptions that takes us away from the joy which we believe is normal for each of us to feel. Give yourself a chance to laugh, and it will make you feel more alive, healthier and more beautiful. learn to laugh Seek out and spend time with people who make you laugh - often. Look for books that make you laugh, and keep a file of cartoons and magazine articles which you can share with your friends. Learn to be silly sometimes - like a child. Maybe join a drama class where they do improvisation, or make friends with children who still remember how to laugh and play and let them be your teachers.

The mind's depths are rarely plumbed in everyday life. In fact scientists estimate that we usually use only a mere 10% of our total mental capacity - an unfortunate loss of potential. By expanding our consciousness and awareness and setting the power of imagination in motion we can learn to draw upon the remaining reserves and use them to create and actualize our goals and dreams. The process is known as creative visualization or conscious dreaming. It is based on the principle that in everything we do a thought or an image always precedes an action. For example, the thought, "I will go and make dinner." or "I am hungry." results in the meal. By using this principle we can program our minds with positive and creative thoughts and images to bring about rewarding results. This is something which we have both worked with for a very long time. That the mind is capable of influencing our lives and the world in which we live is only beginning to be appreciated. At clinics throughout the world doctors are starting to acknowledge the role of creative visualization in the seemingly miraculous 'spontaneous remission' of terminal patients. Patients are being taught to visualize their immune systems sending out white blood cells in armies to destroy malignant cells. Whatever particular image works best for the person is encouraged. They may see their white blood cells as little men in work clothes clearing away a tumor VricBor visualize them as sharks attacking and engulfing the cancerous cells. The specific image is unimportant as long as it is vivid and meaningful to the patient. The medical profession also acknowledges the power of the mind in the use of placebos. A placebo is an inert substance or procedure which is presented to the patient as a powerful therapeutic drug or technique and which often leads to a dramatic recovery from a serious physical illness. An American physician studying women in early stages of pregnancy who were complaining of morning sickness and stomach contractions, offered one woman a 'drug' which he said would soothe her discomfort and alleviate her nausea. Within minutes the woman felt better. In fact, the doctor had actually given her a powerful emetic - a substance designed to induce vomiting in someone who has swallowed a harmful substance. Because the woman had faith in her doctor, this fact overcame her nausea and reversed the effect of the drug. Such are the powers of the mind. Conscious dreaming is a way of beginning to tap the powers of your mind in order to take control over your life and accept responsibility for what comes to you. It is done in a state of deep relaxation in which we are able to let go of the tensions, worries and doubts that normally plague us, and contact our deeper self. You can use conscious dreaming to improve all areas of your life, for instance to give you more confidence and a better self image, to improve your performance at work or in athletics, to intensify your healing abilities, to increase your creativity so that you express your talents with greater ease - to even gain insights into problems that vex you. It works on the principle that your subconscious does not draw a distinction between an actual experience and a vivid mental image so that your dreams can take on the weight of reality and eventually become part of your conscious life. And because thought and intention precede physical reality, when you ask your imagination to alter your expectations, you can actually improve that reality. journey to the center To begin the journey of self discovery and transformation you need to relax deeply. Our favorite relaxation exercise was taught to us by a friend Angela Farmer, a talented and dedicated teacher of yoga. It focuses on the breath to still the mind and body and is called total breath. Here's how: total breath technique: This complete exercise can be difficult to learn at first. We suggest you have someone read it slowly as you do it. Or read it through several times and then memorize the key words. You needn't remember all the images, but you may find one or two stick out in your mind. Begin by lying down on a carpet or blanket on the floor. The firm surface of the floor is better than a bed because it allows your muscles to relax more deeply against it. Make sure you are warm enough - cover yourself with a blanket if necessary. Place a rolled up towel or small blanket or book under your neck and head. (The size will depend upon the curvature of your neck.) Your head should be supported and your chin parallel to the floor. Take the phone off the hook and make sure no one disturbs you. Lying on your back bend your knees up and place your feet hip width apart comfortably near your buttocks. Bend your elbows and rest your - palms on your abdomen. Bring your awareness to the contact of your body with the ground. Notice where you touch the floor. Let yourself give up your entire weight to the floor so that you sink into it. Imagine the earth embracing you from behind. Let the breath flow through your body like water, gently easing away any tension in the joints and muscles. Once you have eased your back muscles on the floor your spine will naturally lengthen out. Help this lengthening by putting your hands gently behind your head and easing your head and neck out. (You may have to readjust your head rest.) Instead of breathing, release your back to create a space and then wait for the breath to enter. This waiting is very important. It eliminates the sense of trying and doing which fills our lives every day. Trust that your breath will enter automatically. You need make no effort to breathe. As the breath enters feel it rippling through the layers of muscles in your back and have the sense of "It breathes me". Bring your awareness to the where your legs attach to your pelvis and try to let go of any holding in your hips and pelvis. Don't try to move your legs, but imagine your knees being pulled gently up and away on a diagonal. Consider the possibility of your legs floating away from your pelvis. Now feel the weight of your pelvis against the floor. Imagine it as a hollow basin and let your belly and inner organs melt back into it. Feel the bony part of the pelvis (the sacrum) spreading out on the floor as the breath comes in. As the breath leaves the whole spine lengthens out and the back relaxes further back into the floor. Work slowly up the spine in this way, taking your awareness to the waist or lumbar area then to the lower, middle and upper chest - all the time checking that it is not you breathing, but you waiting, releasing, watching as the breath enters and leaves your body. Observe as more and more layers of muscles give up their tensions. When the breath enters the back of your rib cage, remember that your ribs are only connected to the spine by cartilage and can expand to the sides to create more space for the breath. Notice any hardness and holding in the front ribs and chest and allow them to soften. The front of the body can sink back and be received by the back of the body. Bring your attention to the shoulders and top chest. For most of us a lot of worry, stress and fear are held here. See if you can gently soften in these areas, allowing the sternum (breast bone) to drop down and melt. Let your shoulders gradually sink down towards the floor. Imagine in the center of your chest going through to the back between your shoulder blades and from this point see if you can allow the shoulders to drift apart. The shoulder blades can slide away from each other on the floor with the inhalation and rest separated on the outbreath. Let go of any tension in your throat and neck and allow your head to float away from the rest of your body. Let your hair flow away from your head. Imagine your eyes as two pebbles dropping backwards into a pool of water. Let the skin of your face become heavy and flow sideways and down towards your ears. Become aware of your body as a whole. Feel the gentle ebbing and flowing of the breath throughout you. Now is the time to begin conscious dreaming. Once you have reached this state of deep relaxation it is time to begin conscious dreaming. Explore a sanctuary within your mind to which you can return each time you do the conscious dreaming. Imagine yourself in a beautiful place. It may be a place from your past or entirely imaginary. Let yourself feel safe and at peace. Now evoke your dream. Picture your ideal self. If you want to lose weight for instance, see yourself slim and happy going about your everyday affairs. Try to see yourself as vividly as possible. Imagine other people you know responding positively to the ideal you. If you want to kick a bad habit such as smoking see yourself in a situation where you would normally smoke, such as after a meal and picture yourself quite happily foregoing the cigarette. If you are sick imagine yourself well again and doing your favorite things. If you have a problem, for example with a relationship that is not going well or you need to make an important decision, quietly ask your inner self for advice. By taking the time to listen to your higher wisdom you'll be surprised at how easily problems are resolved. Successful conscious dreaming comes in both an active and a passive mode. You can create images and ideals for yourself actively or you can take a receptive stance and allow images and thoughts to arise on their own accord. Both are important and can lead to valuable insights. At the end of each conscious dreaming session conclude by saying to yourself, "This or something better now happens to me for the total good of all concerned." This phrase allows the possibility of the higher wisdom to work through your dreams. You can return to the conscious dream images throughout the day. By beginning to contact your inner self in this way you will find that it becomes usefully integrated into (your everyday life. Gradually open your eyes and for a few seconds look around you. Then slowly roll over onto one side and gently get up.

Herbert Benson, who wrote The Relaxation Response and Maximum Mind, discovered that measurable physical benefits accrue from practicing any form of meditation which depends on the silent repetition of a mantra - a word-sound. This can be done by repeating any word over and over while the eyes are closed and the body is in a quiet state. Meditation using a mantra has a long tradition. Some mantras are said to be sacred words that have particular sound vibrations which transmit particular powers. Each tradition has its own mantras such as Guru Om, Om mani padme hum, La ilaha illa 'lla or, in the Catholic religion, Hail Mary, full of grace, the Lord is with thee. Whether their magic aspects are true or not, the technique works beautifully to replace the habitual chatter that runs through one's mind, worries about things past and things yet to come. Benson suggests you find a word that is pleasing to you. It could be anything, say, `flower', `peace', or `love'. He likes the word `one' as it is simple and has the connotation of unity about it. Here's how. Find a quiet place where you won't be disturbed for fifteen to twenty minutes and a comfortable chair that supports your back. Sit down and close your eyes. Give yourself a moment to settle in and you are ready to begin. Simply sit there, feet on the floor and eyes closed, quietly repeating your word over and over to yourself: `one...one...one...' Whenever your mind wanders or you are disturbed by a sound or thought, simply turn your mind gently back to repeating the word again. That is all there is to it. After fifteen to twenty minutes, stop repeating the mantra and get ready to open your eyes. Open your eyes, stretch, and go about your everyday activities. This is a particularly useful technique once you have practiced it a few times because you can do it in so many different places, such as in a waiting room or on a commuter train or bus.

My first child was born in a huge teaching hospital in Los Angeles. The labor was long and regrettably not natural. I was given an analgesic during labor and an epidural for the delivery. It was all very cold, efficient and mechanical. The hospital I was in happened to be a Catholic one in which every other woman there seemed already to know the ropes since she was giving birth to her fifth or eighth or tenth child. Nobody bothered to tell me much about what was going on or what was expected of me. My baby was taken from me immediately after the birth and put into a nursery with all of the other babies while I was wheeled off to a private room. Soon they brought this tiny creature to me. I held him in my arms and stared at him in stark wonder. Then at three hourly intervals he would reappear for twenty minutes at a time and I'd hold him in bed beside me until the nurse would come and take him away again. The third or fourth time they brought him to me, he began to cry. I nestled him, rocked him, and spoke gently to him but he wouldn't stop so I rang for the nurse. `My baby's crying,' I said, `What should I do?' `Have you burped him?' `Burped him?' `You have fed him haven't you?' `Fed him? Am I supposed to feed him?` The nurse took him and put him to my breast. His tiny mouth opened and reached for me as if he had known forever what to do. He began to suck with such force it took my breath away. It was like being attached to a vacuum cleaner. I began to laugh. I couldn't help myself. It seemed incredible that such a tiny creature could have such power and determination. He too had a purpose. He was raw, insistent and real. With every fiber of his being, this child was drawing his life and he would not be denied. Tears of joy ran shamelessly down my cheeks while he sucked. There in the midst of all that clinical green and white, I had discovered what love was all about. It was really quite simple—a meeting of two beings. The age, the sex, the relationship didn't matter. That day two creatures--he and I—had met. We touched each other in utter honesty and simplicity. This experience was for me a true epiphany. My life was forever altered by it. There was nothing romantic or solemn about it. No obligations, no duties, no fancy games, and you didn't have to read an encyclopedia of baby care to experience it. We'd met, just that. Somewhere in spirit we were friends. I knew beyond all doubt that I had found something real and real it has remained.