mindfulness

Thanks to our growing understanding of the natural laws of health and advanced research into high-tech biochemistry, what was once little more than a pipe dream - the notion that the length of human life can be extended - is becoming a reality. Gerontologists have now challenged the maximum lifespans of many species of animals. Man is next. Already physicians are using antioxidant nutrients, electromagnetic techniques and other anti-aging tools to prevent physical degeneration and to restore health and balance to ailing bodies. Meanwhile psychiatrists and psychologists trained in biochemistry and in the orthomolecular treatment of the brain are not only beginning to cure mental and emotional problems associated with age, they are even using the tools of their trade to expand consciousness. It becomes important to ask the question, `With what consequences?' The first worry about life extension for most people is usually, `What will we do with these old people we are creating?' `Won't they be yet a further burden to society?' Naturally they want to know about the effect that longevity will have on housing, medical costs and the rest. Such questions are valid. But it is also important to penetrate the point of view from which they come - the assumptions and paradigms which underlie them. Our society has imprinted its members with negative concepts about being old. In the book for which he won a Pulitzer Prize, Why Survive? Being Old in America, Dr Robert Buffer outlined the enormous practical problems of dealing with the aged: housing, pensions, personal security, need for meaningful occupations and the rest, and the horrific conditions in which many old people in modern Western society live. He also pointed out that we hold many unconscious assumptions about the aged which continue to create these conditions. They are always with us and they greatly distort our view of aging, old people and their place in society. These assumptions include a belief that the aged are inflexible, senile, unproductive people waiting for the inevitable arrival of the grim reaper. Basically not interesting, of little value, they are people worthy of being assigned to a foreclosed existence. Alex Comfort refers to these common views of age and the elderly as `ageism' which he defines as `the notion that people cease to be people, to be the same people or become people of a distinct and inferior kind, by virtue of having lived a specified number of years'. The assumptions of `ageism' lie behind many of the most often asked questions about the social and political consequences of ageless aging. They make such questions impossible to answer adequately from our current perspective and with our current views of reality. They also force us to ignore a number of important realities. We forget for instance that chronological age at its very best is only a limited indication of biological and functional age. Even our present old people are capable of far more than society allows them to express or contribute - indeed more than they themselves allow. We also forget that every major disease is age-dependent and all of the major causes of death and disability are secondary to the progressive degeneration of aging. Little wonder, for until now, after the age of 30 we have been witnessing a steady and inexorable increase in the probability of morbidity and mortality from one disease or another. But people living by the principles of ageless aging will be different. Highly resistant to the ravages of degeneration which manifest themselves in our major destructive chronic diseases such as cancer, coronary heart disease, arthritis and the rest, they will be less rather than more of a burden to the state in terms of medical, social and psychiatric care. Application of these life-lengthening and life-enhancing principles to health on a wide scale should lead to an increase in the ratio of productive to nonproductive men and women with prolonged life spans. This has been the conclusion of Yale's Professor Larry Kotlikoff, one of the few academics to look seriously at the issue. Kotlikoff initiated an inquiry into the economic effects of increased lifespan. He also concluded that this increase in the ratio of productive to nonproductive people would result in an increased per capita output whether or not the working period increased year for year with life expectancy. With the increased longevity and the improved resistance to degeneration which are the natural outcome of applying the findings of age-researchers to our everyday lives, the population of our old people will also change. So will our attitudes to them. No longer a burden, like the Vilcabamba Indians or the Abkhazians of the Soviet Caucasus they will become not `old people' but `long lived people'. Such a simple shift in attitude could revolutionize us as human beings not only in terms of politics and economics but by shifting us towards a more value orientated society. At that point the question of `What will we do with all these old people?' begins to take on quite a different meaning. For the challenge now becomes not how we house, feed, and care for a growing sector of the nonproductive population but rather how we can best use the energy and wisdom of the older members of our society.

When I was six years old I had my first love affair. Yes, really. Of course, not until years later did I recognize the experience for what it was. But like every first love, it changed my life forever. My father was a jazz musician so our house was equipped with the best possible sound equipment. Both he and I loved to listen to music—just about any music—at full volume. This my mother could not stand—which made it something even more exciting. While my playmates roamed the hills of Hollywood skinning their knees, I would lie on my belly in the living room, listening to music at full blast. THE MAGIC BEGINS One day, combing through our vast supply of records, I came upon Stravinsky’s “Rite of Spring.” It meant nothing to me, but I liked the colors on the cover, so I put it on the record player, turned up the volume and flopped in front of our huge speakers. Strange, mysterious, often discordant sound flooded my body, opening a secret door to somewhere deep inside me. It was a place I had never been before. I did not even know it existed. I trembled with fear and excitement as the music wound its way into me. I flushed hot and then cold; my heart raced then calmed. I lost all sense of place and time as I rode the waves of an imaginal sea into unexplored worlds, too numerous to identify. ONE WITH STILLNESS I have no idea how long this lasted. Before long, even the “boat” carrying me along, and all the images that came with it, had dissolved like sugar in water. Then, in perfect union, the sounds and child-that-had-been-me swirled into a vortex, becoming lost in each other. We shared excitement, fear, longing, fierceness and sadness. Like lovers, we had come together—music and child—in an immediate, passionate, all encompassing union. Eventually I found myself at the centre of this whirlpool. There, even the ecstasy of the movement vanished. Like Alice down the rabbit hole, I tumbled—not into Wonderland, but into that place of unspeakable stillness. Zen practitioners claim this place is available at every moment to each one of us. For me it was an indescribable event—beyond space, beyond time, outside thought. Here I knew, without the slightest possibility of ever being able to describe it, that everything was exactly as it should be. In the words of Zen Master Daisetz Suzuki, it is a place where I would eat when I am hungry, sleep when tired. I knew that “it was fine yesterday and today it is raining.” Or, in the words of Julian of Norwich, that “All things shall be well, and all things shall be well, and all manner of thing shall be well.” My affair with Stravinsky lasted more than four hours. At least that’s what my mother said. “Don’t tell me you are still listening to that awful music.” She had to raise her voice to be heard above the sounds. “For God’s sake, turn it off. Do something useful.” MY USEFUL LIFE So I did something useful. I went to school, then to university where I learned at least some of what you are supposed to learn. I earned praises for good marks, went to work, won prizes, gave birth to four children, wrote books, gave talks and made television programmes. In effect I did what millions of men and women do—became the breadwinner, the carer, the nurturer of others’ lives. And I loved it. Yet through all the years between six and now, my passion for music, painting, books, poetry, architecture and design never left me. Far from it. During most of those years, my longing not only to experience the emptiness that listening to Stravinsky had brought me that day—an epiphany, and the experience of being fully alive for the first time in my life—but also to create things: books, films, relationships, and to explore physical places, inviting me to move beyond thoughts to a place of unity with the rest of the universe. They kept gnawing at my gut. They would not go away, just as the urge to breathe never goes away no matter how long we hold our breath. SIX YEAR OLD WISDOM That day, when I lay on the floor lost in Stravinsky, without realizing it I had decided that what interested me most was the beauty of art—whether it be music, words, film, stories, sculpture, buildings or what-have-you. Why? Certainly not because I had any idea that art was supposed to be valued since it was part of what grown-ups called culture. I knew nothing about either. I could not have cared less. After all, I was a kid who, when I was not entranced by what I was seeing, hearing, feeling or touching, spent the rest of my day learning card tricks, wrestling with my rough Collie, and trying (unsuccessfully) to sell packets of chewing gum my grandfather brought me to neighbors’ kids. Nope—I loved the beauty and wonder of art in all its many forms because, unlike the world around me, with which I seemed to have little in common, it had always grabbed hold of me and would not let me go. It demanded of me both a submission and an active participation in the making of it. TIMELESS REALITY What I did not know, and this took me scores of years to come to understand, is that the rabbit hole into which I had accidentally tumbled at six is described by every culture and religion in the world in one form or another. Nor had I any idea that, at any moment in time, anywhere in the world, regardless of the circumstances of our lives, it is available to each of us. To Zen Buddhists, this wordless, timeless space represents ultimate reality—that which can only be sampled through immediate experience. In Suzuki’s words, “For the sake of those crucial experiences Zen Buddhism has struck out on its own paths which, through methodical immersion in oneself, lead to one’s becoming aware, in the deepest ground of the soul, of the unnameable Groundlessness and Qualitylessness—nay more, to one’s becoming one with it.” ANNIHILATION AND RENEWAL It is a state in which nothing is thought or contrived, longed for or expected. It reaches out in no particular direction, yet it knows itself able to handle the possible as well as the impossible. Concentrated, yet so expanding is its potential, such power is both purposeless and egoless. As such, it is often called truly spiritual. Why? I suspect because it is charged with an awareness that spirit is present everywhere. The universe and all that is created is never attached to place or time. In such a state, because the cosmos is present everywhere, we too are present everywhere. We have direct experience of and access to the power that continues to create the universe itself. And, like water flowing through the river, we have full access to that power of creation to use in our own lives, in whatever way we choose. DOORWAY TO BLISS The Sufis call this state fana—the annihilation of your individual selfhood. When we experience fana, our everyday personality becomes transparent, so the larger being that we are shines through. You become fully absorbed in the all-encompassing fascination of the moment—textures, nuances... Cutting edge physicists speak of a holographic universe in which we live but seldom access because we are plagued by endless mental concepts which blind us to reality. They also blind us to the experience of Samadhi—“a non-dualistic state in which the consciousness of the subject becomes one with the experienced object.” This state of selfless absorption and total surrender is characteristic of children when left alone to follow their instincts. Yet it is available to each one of us, regardless of age. Honoring whatever brings us bliss in our own lives opens the door to it.

The power of the Dark Goddess or Crone which I wrote about last week, at its most profound, represents the irrational power of nature which causes all things to decay and be changed—as well as true human freedom to be liberated. The experience of change at such deep levels can be a terrifying one both to men and women. Why? Because, these days, most try to live their lives believing that material reality is all there is, and that the great god reason is the ultimate means by which all their problems will be solved. Whatever else she may be, the Dark Goddess is most certainly not reasonable. No more reasonable than the forces which cause leaves to decay in autumn, transforming them into leaf mold that will eventually bring new life to the forest. No more reasonable than the hurricane which, irrespective of man's wishes or longings, blows its course through city and countryside. No more reasonable than the earth herself, as she quakes and trembles with shifts taking place in the continental plates of her body. INSTRUMENT OF TRANSFORMATION It is little wonder that male-centered religions have diabolized the Crone. For she is the ultimate destroyer, the emasculator of male reason. Nature and the Crone aspect of the Dark Goddess become, in the male mind, the castrator—so much so that, during the inquisition, witches were accused of collecting severed penises in boxes or birds' nests. Yet even the male penis itself represented—and still represents—an instinctive power to the male which most Western men feel uncomfortable with. For the penis seems to have a life of its own, quite separate from the man to which it is attached. Like the Dark Goddess it defies man's sterile reason. As Barbara Walker says in The Crone, Woman of Age, Wisdom and Power: "The conviction peculiar to males that sex organs have an uncontrollable, independent life of their own is expressed in the churchman's belief that the stolen penises moved about and ate food in their captivity like animals." The penis, too, is an instrument of the Dark Goddess. The Dark Goddess lives at every woman's core. She guards the Self. She is the friend of the soul whose purpose in our life is to fiercely protect and further the whole process of our learning to live authentically from our essential beings. She never trades in deceit, she never lies, nor does she veil her power. She refuses to uphold any relationship that doesn't work and she tears away with clawed hands or severs with her sword anything within us that is greedy, grasping or infantile. Throughout the lives of both men and women, she urges us to reclaim our own power—the power to set limits and to shout "no", and the power to say "this is what I will do and this is what I won't do" when we are faced with any sort of abuse, or anyone trying to steal our power or dominate us. WILD ENERGY LIBERATED But she is far more than even this. The Dark Goddess is the female power so long rejected and repressed by Western civilization that, when it rises to the surface, it often breaks forth in fury to devastate our ordinary view of reality. Sometimes when she forces her presence to be felt at menopause, she can well up inside, making us hysterical. Her frenzies—which in the rational world of linear thinking, are looked upon as something for which a human being should be tranquilized and kept under control—in the lives of both men and women were once treated with the deepest respect, as visitations from the gods. It was in such a state that the pythia or sibyl at Delphi prophesied the future, and told secrets capable of turning those who sought her help into conquerors of nations. When we forget the power of the Dark Goddess—when we separate ourselves from her essential nature—then we begin to look upon her as a destroyer who arrives like a great snake to break up the structures of our lives, devour our relationships and make mince-meat of our most precious self-deceptions. DESTROY TO RENEW In the lives of both women and men, she can quickly cut through the patriarchal image of being ‘pleasing’, ‘submissive’, ‘gentle’ and ‘nice’. If anyone has so much control of her own behavior that the Dark Goddess is unable to arise when it is time for her appearance to be made, if she remains deeply suppressed, then man or woman can experience her energies in the form of a life-threatening disease, depression, hopelessness, or seemingly endless despair. They can find themselves living in a wasteland, and feel their life to be meaningless and without direction. It is only by finding ways to reconnect with her energy within that the powers of transformation can be set free to work their magic and lead each of us on our own individual path towards freedom. As Demetra George says in Mysteries of the Dark Moon, “Whether we see the Dark Goddess as dancing ecstatically in a swirl of red flames, or enveloped in mist gazing into the inner pools of her psychic awareness, or throbbing with her orgasmic, magical creative energy, or embracing us in our grief, or furiously raging, screaming, crying, or desperately withdrawing into a stupor of denial or numbness, her ultimate purpose in each one of these guises is the same. She destroys in order to renew. The Dark Goddess of the dark moon is the mistress of transformation, and she exists everywhere there is change.” AN ACT OF LOVE The Dark Goddess demands that each one of us clear out of our lives what is no longer essential to our authentic being, whether this be possessions, relationships, jobs—anything that does not help us grow and fulfil our deepest needs. If we try to ignore her demands, like the wild and unruly creature she becomes when thwarted, she ruthlessly tears apart whatever in our own lives is restricting the full expression of our soul. Her rise can threaten everything which in ordinary life we try desperately to hold on to—our self confidence, our self-image, our sense of accomplishment, our material possessions—all of the things which for many years may have supported us now come under the scrutiny of her gaze and the ruthlessness of her sword. What can be hard to realize, while all this is happening, is that everything she does is done with love. We see such things as the breakdown of a marriage, the loss of a job, physical illness that can come at times of enormous change, as evil and negative. For we spend most of our lives trying to avoid a crisis at all cost. Yet crises are often the only means by which we can be thrust forward to a new life. Were the energies of the Dark Goddess not to rise, we would remain stagnated. We might continue living out an artificial existence, all the while trying to fill up the emptiness within with whatever we can lay our hands on, from drugs and sex to success and power in the world—yet never succeed. It is the Dark Goddess that gives us the motivation to change, and brings us the power to be able to carry it out. INNER SILENCE She also pulls us away from the external world, asking us to withdraw inside to a place of stillness and power in which we can begin to hear the echoes of our own souls—sounds which for years may have been ignored or forgotten. She stirs our being at the deepest level. She asks us to enter our own personal darkness, calling us to make a vision quest, presenting us with pain over any issues of our lives that we have been denying. She asks us to face our fears and taboos, whether they are addictions, dependencies, inadequacies—that we bring them into the open, where they can be looked at and healed. Like the Crone who is her messenger, the Dark Goddess has no adornments. She is naked and raw in her confrontations. She arrives to lead us into the labyrinthine recesses of our own being. If we consent, she offers us the courage and the strength to face our own personal demons—demons who for generations have been feeding on our inadequacies, fears, and dependencies and undermining our potential for joy. Either we acknowledge her call, retreat from the outer world and begin to make our descent voluntarily, or she grabs us by the throat and drags us under. And just in case we might be tempted to think that when menopause arrives, sexuality is dead, she makes us think again. It has not died but rather been transformed. INSTINCTUAL SEXUALITY The sexuality of the postmenopausal woman is the sexuality of the Crone. It is the sexuality of sheer instinct—wildness set free. It is she that calls a woman into the secret places of the woods and provokes her to dance naked in wild abandon. Hers is a sexuality to be used in any way a woman chooses—in union with another or alone to generate the alchemical meeting of male and female within her own body. The sexuality of the Crone belongs to herself alone. She will be what she is, she will have what she wants. She is neither passive nor submissive, and her sexuality also has nothing whatever to do with bringing physical children into being. The Crone's eroticism is sheer ecstasy, lived for its own sake, and sheer creativity. She creates in an uninhibited, animated, fiery way, which emanates from the soul of a woman. Such sexuality is the fuel for all creative powers in the world. It carries with it the energy of regeneration and of healing, not only for a woman herself but for the world. It is the kundalini power—the rejuvenating cosmic illumination, the power of the serpent, the sacred fire which heals. As the Crone gains entrance into the body and psyche of the menopausal woman, she illuminates one dark corner of her psyche after another, lifting away all that is old and dead and without meaning—the way kundalini energy rises up within a woman's body to illuminate each of the chakras. Her power becomes the power of the menopausal woman. It lies in her dark blood—the blood of creation. It is the indomitable creative power that has lain sleeping in the consciousness of both men and women. It is asking for us to honor it and set it free. Never in human history has it been more urgent that we do so for our own sake, and the benefit of all beings.

Examining what works in your life and what doesn't takes courage. It is never easy. It demands that you disassemble structures that you take for granted but which may no longer serve you at the deepest level. These structures can include anything from a habit of munching your way through two pounds of chocolates every time you feel depressed, to holding on to a job that is meaningless, or to a relationship which does not help you grow - all because you are afraid you can't cope otherwise or do any better for yourself. Every transformation, every profound and life-enhancing change in some way involves dismemberment. It dissolves every structure that has become inadequate to support an organism. Like the crab which sheds his cramped shell in order to create a larger one, each of us again and again is faced with the prospect of taking apart structures in our own lives which have become too small to contain us. If we don't consciously rise to the occasion, then life takes them apart for us, and we find ourselves precipitated into crises: It seems as though you have entered a dark tunnel leading to an unknown land. You feel that you don't know yourself any more, or what you value, or even what is going on. So fundamental is this uncomfortable but necessary process of molting to human physical, emotional and spiritual health - in fact to life itself - that it takes place again and again in our lives whether we like it or not. Sometimes change comes spontaneously as a result of something that happens to us - the death of a loved one perhaps, or the loss of a job. Sometimes it is consciously chosen out of an awareness that our current life structures no longer serve our values and our goals. Whether the transition required is a big one - choosing to enter or leave a long-term relationship - or a relatively small one - putting yourself through a short spring cleaning diet to detoxify your body - it frequently brings an experience of deep uncertainty and anxiety - the sense that you are in crisis. The transition facing you seems terrifying. You want most to run away as fast as you can. You feel overwhelmed and unable to cope. The irony in all this is that it is only in facing a crisis and making the transitions it demands that we learn we can cope, and that life can be trusted. We also discover that, given half a chance, the body has an amazing capacity to heal itself, and that there exists deep within us a wisdom and a clarity more profound and powerful than the conscious mind. The Lebanese poet Kahil Gibran wisely wrote, "Your pain is but the breaking of the shell than encloses your understanding." For most of us, learning to live through our crises and to make something positive out of them means revising a lot of what we have been taught about ourselves, our minds, even life itself. Most of all, it means looking at the concept of crisis and the experience of change from a whole new point of view. It means learning to transform what may feel like a life-threatening situation into a true passage to power.

Did you know that biochemical changes brought about by the things you eat can affect your brain and alter consciousness dramatically? So much is this true that foods can produce imaginary fears and even hallucinations. But, as a result of several generations of psychologically-oriented doctors influenced by Freudian theories, only recently have we begun to chart the exact mechanisms of how the foods you eat can have such a powerful effect—both positive and negative—on your brain. You need to know about this. It matters enormously. YOUR CONTROL CENTER Your brain is the center of thought, emotion, mood, perception, drive and memory. Few people are aware that your brain is also the control center for an abundance of important hormones and other neurochemicals responsible for changing the way you think and feel. Joy, paranoia, even despair are thanks to the delicate balance or imbalance of these important chemical substances that come from our foods. If, as many researchers now know, we can influence this without causing adverse side effects—such as those which result from the use of tranquilizers, antidepressants, drugs or sleeping pills—we are able to exercise enormous control over destructive moods and feelings, and to increase our enjoyment of life tremendously. Here’s the biggest surprise: Nothing is more powerful in influencing all of this than making very careful choices about the foods that you eat. Because each one of us is unique, this is highly individual. Some foods work beautifully for us, other foods are absolutely destructive. CHOOSE YOUR FOODS CAREFULLY Food sensitivities were once uncommon. Now they’ve become so widespread that nutritionally-trained doctors estimate between 70 and 90% of us experience symptoms associated with food reactions, although few of us realize what is taking place. There are major reasons for this exponential rise in food reactions: First, our immune systems are increasingly challenged by the presence of chemical and energetic pollution in the environment. Next, our massive consumption of convenience foods has rendered large segments of the population deficient in minerals and vitamins, which would once have helped protect us from sensitivity reactions. And the packaged foods on which most of us live these days are chock-full of the foods highest on the list of reactive substances, such as cow’s milk products including cow’s cheese, milk, and yoghurt; wheat, grains and cereals; junk fats and chemical additives. As a result, your body’s enzymes, whose job it is to digest milk products and grains—and protect you from chemical pollution—have become gravely overtaxed. So you can become addicted to a food to which your body reacts negatively, without realizing it’s the very act of eating that has caused your addiction. HOW IT WORKS Let me explain. When you are sensitive to a food or chemical you react negatively on first contact, although it sometimes takes a day or two to experience the negative reaction. But if you eat or drink this food again and again, so that you are continually exposed to it, this negative reaction—together with the symptoms it produces—becomes “masked”. It’s very much like the alcoholic who feels OK so long as he has a drink in his hand. Then, when alcohol is withdrawn from him, he goes “cold turkey” and feels terrible. If you stop eating a food (or drinking the alcohol) to which your body reacts negatively, WHAM—you get withdrawal symptoms, just as the alcoholic does when he or she is deprived the “fix.” I’ve seen a lot of this happen to people at the start of the Cura Romana program, especially those who’ve been drinking a lot of coffee or diet sodas, or eating a lot of grains, cereals and sugar-based convenience carbohydrates. Symptoms often include no energy, a bad headache, depression and cravings. Fortunately—thanks to the power of the changes that take place in the brain on Cura Romana—such experiences usually clear within a few days. ADDICTIONS DESTROY Experts in clinical ecology have discovered that alcoholism and food reactions share a common cause, common triggers, and a common biochemistry. When you eliminate the foods to which your body is sensitive—those your body literally hates, in fact—false hunger, cravings and addictions completely disappear. When you’re tired, upset, depressed or anxious without apparent cause, the problem most often results from the kind of foods you’ve been eating. I know this is hard to believe. It is something that most people would never dream of. But this is how potent the effect is that foods can exert upon us. You can not only suffer from food sensitivities and allergies to specific—sometimes even highly nutritious—foods which set your mind and emotions whirling, or make you lose confidence in yourself and blame yourself in negative ways; you can also experience an upset in mineral balance in your body, or low blood sugar. On the positive side, some foods can be used to alter states of consciousness, improving mood and inducing relaxation. Understanding how the foods you choose to eat can affect your own moods and mental states, and discovering the foods that work for you in a positive way, can be life-changing. But you also need to learn the foods that are destructive to you. This is a highly individual thing, which you learn only by testing your foods. UNTOLD TRUTHS What is hard to believe is that the question of food sensitivities is still met with hostility, even scorn, by most doctors—who, ever since Freud, have been taught that problems such as chronic anxiety, depression, hysteria, psychosomatic illness and other functional disorders arise entirely from psychological factors. It just ain’t true. The work of some brilliant biochemists and psychiatrists such as Dr. Abram Hoffer in Canada, and allergists Dr Ted Randolph and Albert Rowe, as well as British psychiatrist the late Dr. Richard Mackarness, has shown quite clearly that factors in our physical environment—such as chemicals in our foods and water, as well as certain foods themselves—cause mental and emotional symptoms, as well as weight gain and the development of degenerative conditions and rapid aging. They do this by inducing sensitivity or allergic reactions that involve the central nervous system. The study of this phenomenon is called clinical ecology. SHOCKING SECRETS For many years, clinical ecologists have tested patients with psychiatric problems, from simple depression and anxiety to schizophrenia and even psychosis, to see if the cause of these things comes from reaction to specific foods. In general, all of us react to certain groups of foods in a negative way, such as manufactured foods; sugar; carbohydrates; packaged and convenience foods. But the more serious food sensitivities and allergies tend to be highly specific to the person experiencing them. The way all of this is tested is quite fascinating. They do this either through a complicated procedure called cytotoxic testing—checking how your blood reacts to specific substances—or by putting you on a fast for five days, then introducing a few drops of water containing the suspected food under your tongue, and charting your reactions. These may include changes in your pulse rate and other physical symptoms, as well as natural shifts of mood or emotional outbursts, indicating that this particular food is the troublemaker. Reactions vary from person to person. They can be something as simple as a feeling of mental confusion, grief, or fatigue, to as dramatic as a psychopathic outburst in which someone tries to slash his wrists or attack those testing him. Once the offending foods are known—they could be milk, grain, cheese, vodka, sugar, or almost anything—the patient is told to eliminate them from his diet. Provided he does so, his aberrant emotional or mental state does not reoccur. If the allergies are mild, they can sometimes be controlled by a “rotation diet”, in which food intake is carefully planned so that you only eat a particular food once in any four-day period. Food sensitivities and food allergies are far more common than people realize. Some of the worst offenders are grains, cereals, wheat, milk products, and all convenience and packaged foods. People find that when they exclude these foods completely from their diet, their energy levels increase and their disposition transforms. What is also interesting is the sense that people have of themselves. Whether they trust themselves, and whether they feel good about being who they are, depends tremendously on the foods that they are eating. HEAVY METALS Heavy metals such as lead, mercury and cadmium, or too high a concentration of copper—one of the trace minerals necessary for good health—can create interference with the brain and nervous system, as well as the endocrine system, resulting in aberrant emotions. An excess of copper, for instance, can produce hyper-emotionalism, hallucinations, and even psychic experiences for some people. A high level of lead in the body is linked to mental retardation in children and is often a significant factor in over-aggressive behavior. It’s also indicated as a cause of hyperactivity and learning problems in kids. Excess cadmium, from a lifestyle that includes taking several cups of coffee a day, often leads to a low blood-sugar problem, so you feel you need more coffee or something sweet just to keep going. So does eating too many carbohydrates, which themselves turn into sugar. Low blood sugar is common amongst people living on a typical British or American diet. There are some simple tests to determine mineral balance and the levels of heavy metals in the body. These tests are not foolproof by any means, but they are still valuable. They are often done by burning a small sample of hair cut from the head, and then analyzing its mineral content. If any imbalances are found, they can be corrected by giving chelated minerals and/or by drying out excessive heavy metals from the tissues using natural substances such as pectin, high doses of vitamin C, garlic and kelp. HOW TO TEST YOUR FOODS Learn to test your own foods—it’s not hard to do. It’s all about becoming conscious of what your body thrives on and loves, and what it dislikes. In fact, it’s all about honoring yourself and your life. Say, for instance, the first food that you decide to test is cow’s yoghurt. You eat a nice big helping of yoghurt at one meal, then you don’t eat any more yoghurt for 48 hours, and you don’t introduce any other new foods. If, during this period, you find your energy levels have dropped for no apparent reason; you’re ravenously hungry or craving something; your bowels are upset; you feel emotionally unsettled or low; or you develop aches or pains in your body, then you can be pretty sure that your body has reacted badly to the food you have been testing. If, on the other hand, after 48 hours you experience none of these reactions, you can safely assume that the food you have tested can be incorporated into your meals as a food that your body is happy with. If you do have a negative reaction to the food, it’s important to realize that you haven’t done anything wrong. This is the way you learn about the foods that your body can handle and which you need to stay away from. Of course, it’s important to learn by your body’s unique rules, and test each food one by one. Give thanks to your body if it says “no” to a food. Meanwhile, get plenty of top quality proteins and fresh, green, non-starchy vegetables, no matter what else you’re eating. It’s important to remember that your digestive system is, in truth, your second brain. (See “Secrets of the Second Brain” ) It boasts as many nerve endings as the brain itself. When you eat foods that antagonize these nerve endings, you experience all sorts of physical and emotional states that hold you back. Discovering the foods that work for you is sheer joy. These are foods that you can eat with impunity, without gaining weight or worrying about undermining your health—provided you avoid the foods that you discover your body does not work well with.

I had a beautiful mother. She was a cross between a golden-haired fairy godmother and a Hitchcock blonde. Always impeccably dressed, my mother could walk through a barnyard in a white suit and emerge without a speck. Not me. I am a walking advertisement for what I ate for lunch, since most of it ends up down my shirt. COOL BEAUTY My mother never shared with me her clothes, her jewelry, or her cosmetics. Even to walk through her dressing room and touch them was a crime punishable by banishment. She did share some important advice though: She taught me that beautiful skin matters. To maintain it, she insisted, you need just the right amount of sunlight –half an hour early or late in the day–and no more ever. She was also adamant I needed to eat natural foods and to supplement my diet with some judiciously chosen vitamins and minerals as well. Stay away from sugar and breads and pizzas, she insisted. Never go to bed without cleansing your face first, and nourish your skin to keep it soft and smooth with something really active—be it fresh papaya or an absurdly expensive but irresistible French night cream—to help repair cell damage that occurs during the day. It was she who taught me to fall in love with the ritual of nurturing my skin. At first I balked at the idea. Then, in my mid-twenties, I decided she was right. I began to make a little time each day to look after myself. I came to realize that the time a woman spends at her dressing table (this can be as simple an affair as a cardboard box covered with cloth at which you sit on a cushion) is a time of silence, solitude, and renewal. It is even better than meditation. And it’s a lot more fun. Fifty years later, I still believe this with all my heart. CAUGHT IN THE NET My professional involvement with beauty began when I became Health and Beauty Editor for Harpers & Queen magazine in London. For that matter, I was the first ‘health and beauty editor’ anywhere. Why health and beauty? Because I insisted that these two aspects of a woman’s life are so dependent on each other that they cannot be separated. At Harpers & Queen, I was blessed with a remarkable Editor for my boss: Willie Landels, a man of vision, humor, intelligence and the best possible kind of genuine sophistication. Willie gazed benignly upon my naïve American enthusiasm and my obsession with getting to the bottom of whatever I was investigating and he decided to place his trust in me. We worked together for almost fifteen years. From the very first month, he provided me with the freedom to write whatever I thought was important, and to say whatever I found to be true about it. In the decade and a half I worked with Harpers & Queen, only once did Willie question anything I wanted to write. It was a piece on Outward Bound for women. He thought it was “too downmarket”. Nobody ever changed anything in my copy— except to correct my abysmall [sic] spelling. Nor, after the first few weeks, did anyone attempt to influence or control what I alone decided I wanted to write about. AIN’T NOTHIN’ SO NICE AS FREEDOM Such freedom is a great blessing. It set me free to delve deep into whatever fascinated me—from writing about how Lancôme formulated their first liposome, to exposing the way plutonium, with its radioactive half life of 2,300 years, was being irresponsibly dumped into the Irish Sea from Britain’s nuclear fuel reprocessing plant in Cumberland. It still is by the way. (That was kind of scary. After the article appeared my telephones were tapped for more than a year and my London home broken into twice, although nothing was stolen.) TO HELL WITH PRESSURE In the magazine world, a beauty editor (most nowadays hold the far grander title of “Beauty Director”) is continually bombarded by the publisher and advertising director at the magazine to write about products from cosmetic companies who have bought advertising. Harpers & Queen was no exception. Within the first fortnight, I was approached by its Advertising Director, Terry Mansfield—who later became Managing Director and Chairman of the National Magazine Group in Britain. Terry told me that one of the cosmetic giants had just bought an expensive double paged spread to promote some new skin cream. Would I please make sure I wrote glowing words of praise about the product in our next issue, he requested. With puritanical American blood surging through my veins, I was shocked. (More than a wee bit self-righteous as well.) “But Terry,” I whined, “I can’t do that. I can only write about what I believe in. If I wrote that kind of stuff, our readers would never come to trust me. After all, your advertisers wouldn’t want to buy space in a magazine its readers can’t trust. Would they?” I think Terry was so stunned by my naiveté that he didn’t quite know what to say. When Willie, the editor, learned about my response to Terry’s request, he smiled a secret smile. A year later, Harper’s beauty advertising had doubled. Before long, it tripled. Terry never brought up the subject again. Gradually my articles on health and beauty—some of which, I suspect, were too technical for anybody to fathom—attracted a wide audience. An ‘inside joke’ began to circulate. It was said that the reason why Leslie Kenton’s stuff was so widely was that although, few people understood a word of it, nobody wanted to admit to this. So they just kept on buying the magazine while Willie kept on smiling…

Every so often I come upon some wonderful words that remind me of who I am in truth, of what life is about, and of how to turn darkness into light when necessary. I want to share some of them with you today. I hope some of them will ring bells for you. Would love to hear from you about any that seem relevant to your own life… Inspirational Quotes - For Your Body The body is a sacred garment. It’s your first and last garment; it is what you enter life in and what you depart life with, and it should be treated with honor. MARTHA GRAHAM If you want to find the answers to the Big Questions about your soul, you’d best begin with the Little Answers about your body. GEORGE SHEEHAN If anything is sacred, the human body is sacred. WALT WHITMAN For if our body is the matter upon which our consciousness applies itself, it is coextensive with our consciousness. It includes everything that we perceive; it extends unto the stars. HENRI BERGSON One way or another, we were made from the sacred elements that together compose the Earth. We are made from the Earth, we breathe it in with every breath we take, we drink it and eat it, we share the same spark that animates the whole planet. Our stories tell us this, and so does our science. DAVID SUZUKI As you go the way of life, you will see a great chasm. Jump. It is not as wide as you think. JOSEPH CAMPBELL We are healed of our suffering only by experiencing it to the full. MARCEL PROUST The goal of the hero’s journey is yourself, finding yourself. JOSEPH CAMPBELL Inspirational Quotes About BEAUTY Beauty is but the spirit breaking through the flesh. A. RODIN Let the beauty we love be what we do. RUMI In the house of long life, there I wander, In the house of happiness, there I wander. Beauty before me, with it I wander. Beauty behind me, with it I wander. Beauty below me, with it I wander. Beauty all around me, with it I wander. In old age traveling, with it I wander. I am on the beautiful trail, with it I wander. DONALD SANDERS IN NAVAHO SYMBOLS OF HEALING To become human, one must make room in oneself for the wonders of the universe. SOUTH AMERICAN INDIAN SAYING Inspirational Quotes About Ageless Aging The older I get, the greater power I seem to have to help the world; I am like a snowball—the further I am rolled the more I gain. SUSAN B. ANTHONY Perhaps middle age is, or should be, a period of shedding shells; the shell of ambition, the shell of material accumulations and possessions, the shell of the ego. Perhaps one can shed at this stage in life as one sheds in beach-living; one’s pride, one’s false ambitions, one’s mask, one’s armor. Was that armor not put on to protect one from the competitive world? If one ceases to compete, does one need it? Perhaps one can at last in middle age, if not earlier, be completely oneself. And what a liberation that would be! ANNE MORROW LINDBERGH The power to live a full, adult, living, breathing life in close contact with what I love—the earth and the wonders thereof, the sea the sun…. I want to enter into it, to be part of it, to live in it, to learn from it, to lose all that is superficial and acquired in me, and to become a conscious direct human being. I want, by understanding myself, to understand others. I want to be all that I am capable of becoming…. KATHERINE MANSFIELD Midlife brings with it an invitation to accept ourselves as we truly are, embracing the darker sides of ourselves as well as the good, the dark sides of our culture as well as the good. We have an instinctive fear of facing the dark mysteries. The shadow or unknown parts of us belong to an inner world that is usually suppressed in the first half of life…. But by confronting our mysterious and shadowy center, we tap into life’s revitalizing energies and gain access to our innermost self, which contains the key to a new understanding of our life’s meaning. PAULA PAYNE HARDIN Inspirational Quotes About Courage You cannot travel into yourself without exploring the infinite reaches of eternal consciousness. KEN CAREY A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man. JOSEPH CAMPELL In the middle of the way of our lives, I found myself in a dark, dangerous wood. DANTE Our task is to cross the thresholds into unknown lands where our teachers may provoke our initiation and our demons summon our illumination. May the Great Spirit smile within us Making our spirits strong And our souls light. And what we learn, may we carry it back Whole or in part And share it with our village. NADU, CIRCLE OF SHAMAN Until one is committed there is hesitancy, the chance to draw back, always ineffectiveness, concerning all acts of initiation (and creation)… the moment one definitely commits, the Providence comes too. All sorts of things occur to help one that would never otherwise have occurred…Whatever you can do or dream you can, begin it. Boldness has genius, power and magic in it. Begin now. GOETHE Where there is dismemberment in the beginning there is remembrance at the end. ALAN WATTS Terrified, I sent out the Greatest shriek, saying: “O Mother where are you? I would Suffer pain more lightly if I Had not felt the deep pleasure Of your presence earlier…Where Is your help now?” HILDEGARD OF BINGEN Inspirational Quotes About Silence & Solitude Nothing in all creation is so like God as stillness. MEISTER ECKHART The best way out is always through. ROBERT FROST A sheltered life can be a daring life as well. For all serious daring starts from within. EUDORA WELTY If the doors of perception were cleansed everything would appear to man as it is—infinite. WILLIAM BLAKE Beyond words, in the silencing of thought, we are already there. ALAN WATTS The task is to go deeply as possible into the darkness…and to emerge on the other side with permission to name one’s reality from one’s own point of view. ANTHEA FRANCINE For six years now l have gone around by myself and built up my science. And now I am a master. Son, I can love anything. No longer do I have to think about it even. I see a street full of people and a beautiful light comes in me. I watch a bird in the sky. Or I meet a traveler on the road. Everything, son. And anybody. All strangers and all loved! Do you realize what a science like mine can mean? CARSON MCCULLERS LISTEN TO THE WHISPERS As we progress and awaken to the soul in us and things we shall realize that there is consciousness also in the plant, in the metal, in the atom, in electricity, in everything that belongs to physical nature. SRI AUROBINDO Only through being yourself can you give to the others in your world your greatest gifts. To do any less betrays both them and yourself...To orient your life around a structure of some other human being’s understanding is to worship a false god. It is to lock yourself into a framework of someone else’s prejudice, however well intentioned. It is to prefer the past-oriented knowledge of another to your own present-moment perception. It is to doubt both yourself and the Creator who would, if you permit it, awaken within you. KEN CAREY The seat of the soul is there, where the outer and inner worlds meet. NOVALIS Not I, nor anyone else can travel that road for you. You must travel it by yourself. It is not far, it is within reach. Perhaps you have been on it since you were born, and did not know. Perhaps it is everywhere—on water and on land. WALT WHITMAN If only human beings could... be more reverent toward their own fruitfulness... RAINER MARIA RILKE You’ll never be able to dance unless you hear your own music. It doesn’t matter how you say it—the words on your lips must reflect the truth of your heart. Otherwise your life’s breath is muted. THE THEFT OF THE SPIRIT CARL A HAMMERSCHLAG MD I arise today Through the strength of heaven Light of sun, Radiance of moon, Splendor of fire Speed of lightning Swiftness of wind. Depth of sea Stability of earth, Firmness of rock. ST PATRICK’S PRAYER AND FINALLY THIS It is never too late to be what you might have been. GEORGE ELIOT These are the times. We are the people. JEAN HOUSTON

Whether you’re aware of it or not, you are ceaselessly involved in the act of creating the quality of your own life—your looks, values, attitudes, actions, and the nature of your relationships. You do this through image-making—a universal characteristic of the human mind which appears even to precede thinking in the brain. We see, worry, put together ideas, dream, speak, wonder, all through the use of images. We experience a continuous flow of mental pictures, both conscious and unconscious, every moment of our waking lives. In fact, the capacity to visualize—to "image"—is one of the miracles of the human organism, for through it we are able to organize reality, communicate with others, and make sense of the restrictions of time and space around which our lives are organized. And images have tremendous potency. Your own images can be used for your good or they can be used against you. WHAT WE’VE BEEN TAUGHT Each of us comes into the world with a particular set of genes that determine our skin colour, sex, body type and, to a certain extent, our personality and intelligence. But by the time we are four or five, the form of what we were at birth has been altered physically and mentally so that we have become more complex and quite different in the way we respond and function, think and express ourselves. Some of these changes, such as physical growth, come from the same genetic inheritance that gave us our original form. Others, probably by far the largest number, come from what is commonly referred to as behavioural programming—the things we learn spontaneously through day-to-day living, such as motor control and speech, as well as the things we are taught, such as how to communicate with people, dress ourselves, use a pencil, and so forth. In all that we have learned from experience (things like if you touch a hot stove it hurts) and all we have been taught by our parents and other people, there are an enormous number of mental images that greatly affect our ideas and our lives ever after. For instance, from our programming we get a notion of what in our behaviour is considered good and what is called bad. We form innumerable impressions of what we are like and what others are like. And, finally, we come to have "sets" of knowledge about the world. All these things form our belief systems—conglomerates of images, ideas, and assumptions that make it possible for us to function from day to day. Some of these belief systems are individual—they pertain to our inner world alone and are entirely personal. Others we share with the rest of humanity—for instance, together we "agree" that the brown-and-white, rather square-shaped animals with horns that graze in fields and give milk are "cows." We also agree in common with others that if you step in front of a moving bus you will be hurt. Such belief systems are important, for without them we would not be able to live or share our experiences with others. WHAT WE ASSUME IS TRUE Our own individual belief systems are somewhat different in character. They consist of the many unconscious notions and assumptions we hold about what we are and are not and can and cannot do. They influence whether we see life as exiting and challenging or rather as painful and hopeless. And although most people are not aware of it, these belief systems, formed gradually as we grow up, wield enormous power over us. GROWING UP IS NEVER EASY A child who grows up in a family where he or she is treated with respect tends to grow up believing that she is worthy of this respect. When her needs are frequently met, she comes to believe that they are likely to be met in a similar way in the future and, although he is probably completely unaware of this, she actually comes to expect it. Similarly, if someone is brought up in an environment where she is treated with disdain or carelessness or as if she were stupid, then she gradually forms more negative assumptions about herself and they become the "systems" by which she lives her life. The whole creation and formation of our belief systems is a very complex process. It is largely an unconscious one, too, because the amount of sensory information fed into a human brain even in one day is immeasurably rich. We are continually responding to one perception, feeling, word, or sensory experience after another. Our belief systems, formed from these events, are therefore many-layered and extraordinarily elaborate. But they all have one thing in common: power. The images we hold, consciously or unconsciously, about ourselves and our lives are real in the sense that they tend to reaffirm themselves over and over again in our experience. Studies have been done in which a child's IQ, tested at school, is measured against her expectation of herself and her performance in the classroom. Almost invariably, the child whose belief systems include the idea or image of herself as not really very bright does badly in schoolwork regardless of what her IQ shows, and vice versa. In fact, there is also considerable evidence in older children that even IQ measurements soon come to reflect a child's basic intellectual self-esteem—or lack of it. All because of the belief systems she holds about herself. SELF-FULFILLING NOTIONS When it comes to health, relationships with other people, and creative functions, belief systems are particularly important in determining our success or lack of it. If you take the time to sit down and look at a particular area in your life that you consider reasonably successful—say your work, or your relationship with a particular person—you will find that your ideas, feelings, and attitudes about it are generally of a positive nature: pleasing, charming, fun, interesting, and so forth. Similarly, if you look at an area of your life that doesn't work so well or with which you are not satisfied, you will find it is accompanied by negative images or visualizations. Most important of all, these negative images and the belief systems they create will tend, when put to the test in real situations, to bring about exactly the effects you expect. If you feel you are uncreative when you paint a picture, it will turn out to be uninteresting. If you feel like a failure when you try to reach a goal, you will fail. Under even mildly stressful situations you become ill, and so on. And, of course, failures only further strengthen the negative belief systems you already hold. It is a vicious circle—that is, until you are able to become aware of these negative belief systems you are unconsciously carrying around with you, examine them objectively, and then make a decision to change them. So long as they are unconscious, you are in their power and no real act of will is going to change them much. When they become conscious, you can begin working with them, looking at them, examining where they come from and their validity or lack of it, and decide on whether or not they are useful. Then gradually you can become free of them. In a fortnight, we’ll exploring simple practices that make use of the power of creative imagery—the deliberate repeated use of specific mental images— to bring about dazzling positive changes to your health, your life and your core beliefs about who you are and what you love most. See you then...

In Sanskrit they call it lîla. The word means play. Yet not in the limited sense of our word. Lîla is free play, deep play, wild play carried out in a timeless NOW. It speaks of divine play. It’s the kind of play that sets us free to be who, in essence, we already are, even though we may not yet know it. Lîla is also the kind of creative play that brings new worlds into existence. FROM CHILDLIKE TO GENIUS In its simplest form, lîla describes the spontaneous activity of children so absorbed in what they do that they don’t even hear you when you speak to them. One morning my three-year-old friend Marina came to visit. Scrambling onto the four-poster bed where I was writing in a state of intense concentration, she told me the story of how she had climbed to the very top of a pirate’s ship as high as the stars. Like all still-innocent children, Marina entered into her imaginal world with ease—a magical realm in which creative sparks can be seeded then begin to grow. The imaginal world is a place most of us adults have lost touch with—a powerful realm in which the joys and fruits of lîla reign supreme. At a deeper level, lîla speaks of the all-encompassing absorption out of which Beethoven, then dangerously ill and nearing the end of his life, nonetheless created the most remarkable music of the 19th century: The Late Quartets. Or the obsession of Van Gogh, which led to his having painted 900 pictures and turned out 1100 drawings pictures during a lifetime. This kind of lîla is far more complex and committed than child’s play. It can produce achievements that enrich the way we look at life, that connect us to the deepest levels of our own being. Some fruits of mature lîla even transform the world. A big deal? You bet. This is play of the highest order—nothing less than an outpouring of the most intimate and essential nature of each unique human being. Living your creativity as fully as you can while you walk the earth, in whatever way most satisfies your unique nature, is the most exciting and enriching process any individual human being can experience. It brings a sense of meaning and purpose to your own life that nothing else can. CREATIVE PASSION Creativity is not a problem to be solved or a subject to be picked apart in psychologists’ laboratories. Those who try end up wandering in an endless maze of moribund words and phrases which miss the point. Meanwhile, the wrinkled fiddler on the city street plays on—smiling. He is lost in the excitement of improvisation, magically blending movement, feeling and sound—making music never heard before, that touches his heart and awakens the senses of all with ears to hear. We have grown up with some weird ideas about creative power. We’ve been taught that creativity belongs to a few select human beings whom history labels as genius. Nothing could be further from the truth. Creating is not a rare privilege—it is a right, even a necessity for all of us, if we are to live a fulfilling life. Creating anything, from cooking a healthful meal to writing poetry or playing games with children reminds us all what life is about. From this place we learn to live and work, to imagine, invent, and finally give birth—not only to things that have never been seen, heard, felt or touched before, but to a way of living more wondrous and exciting than most of us would ever have imagined. A passion to be lived, a lîla to be danced, the wild creative power within us urges us to tell the truth and shame the devil. It demands that we express our love, our obsessions, and the fascinations which pursue us. It asks that we live out life from the very core of our being. “Genius,” as late American writer John Gardner used to remind his students, “is as common as old shoes. Everybody has it.” CREATIVE RELEASE A few years ago, I began to explore not only the power and dimensions of creativity in you, me, and all of us. I wanted to discover how each of us can gain greater access to it, and how best we can live out our own creative power in our day to day lives as scientists, professional artists, musicians, writers, dancers, actors or as businesspeople, parents, teachers, lovers, gardeners, healers, craftsmen and thinkers. I was sure that on a larger scale, the way we as a group choose to use our collective creativity determines whether or not we will be able—in the wake of having laid waste to so much of our planet—to emerge as a sustainable species in a sustainable world. A lîla of enormous proportions; what could feel more powerful or more daunting? Yet the creative power on which it depends springs from the same source within each person as Marina’s imaginative play. PRIMORDIAL POWER Mysterious, enigmatic, spontaneous, occasionally even frightening, in essence creative power is the power of life itself. It is the force that gave us birth which continues to give birth to universes. It is what created us and brought each of us our own lives. It originates from a place within each one of us where we can touch and tap into the numinous energy of the Cosmos: God, Being—call it what you will. No words can adequately describe it. In truth, it is far more an experience of aliveness than a place at all. And, although we may never describe it adequately, we are perfectly equipped to enter this locus of creative power within us and find out how to live ever more of our lives from it. For the majority of artists, creativity pours forth most easily when they have intimate support for it. Shakespeare had his actors and a Globe Theatre eager for his plays, Virginia Woolf entered a room of her own and there wove tapestries of words. Emily Dickinson wrote out of the intimate community of a family who adored her, admired her and made sure she was given the space and time to carry out her imaginative work. For others who are highly creative, there is no such intimate support. Many have suffered childhood abuse, loss, illness or intense suffering. The creativity of such people can be monumental. Each man or woman is brought to the exploration and expressions of their creative power through suffering in just the same way that, so often, we discover what is most important to us by having what we believe to be of greatest value—a loved one, a job, a title—taken from us. Painful as such experiences are, often they turn out to be great gifts when it comes to freeing our creative power. Caught up in our lives of work, children, and householder duties, few of us live in such fortunate circumstances as Shakespeare and Emily Dickinson. But that does not matter. What has not been given us we can make for ourselves. Art is not the province of the privileged few. It belongs to all people—those of us who spend our days in front of computers, cooking, sweeping streets, running errands, caring for children, handling the stupidities of bureaucracy, and living our constantly changing lives in a world that is ever less secure. THE WAY AHEAD We are alive at a moment in history where one age is dying, yet another has not yet been born. We are, each one of us, faced with a choice: As we sense the foundations of our world shaking, do we withdraw in anxiety, trying in desperation to hang on to what we once believed to be “true”? Do we become paralyzed, and try to cover our fear with apathy? Or do we summon the courage offered us by a Universe in flux, honor our personal sensitivity and consciousness, then choose to face the challenge of entering the realm of creative power within? Then, trusting our individual capacity for lîla, do we begin to play in ways that may help bring forth a new world for all? Regardless or age, background, or limiting notions about what’s possible, each one of us has a choice to make. It’s a choice between continuing to conform to established belief systems that stifle the human spirit, or trusting in ourselves. Are you willing courageously to explore your intrinsic creative gifts and make use of them? “That which we give birth to from our depths is that which lives on after us. That which is inborn in us constitutes our most intimate moments—intimate with self,” says Theologian Mathew Fox, “intimate with God the Creative Spirit, and intimate with others. To speak of creativity is to speak of profound intimacy. It is also to speak of our connecting to the Divine in us and of our bringing the Divine back to the community.” Personally, I urge you to begin connecting ever more deeply with your own brand of creativity. Discover new ways of living. Leave automatic assumptions about who you think you are and learn to respond to each moment and each day of your life with new eyes and an open heart. The more you do, the richer your life can become. Such is the joy of lîla. Such is the power of lîla. If you have not yet explored it, you have an exhilarating, wondrous adventure ahead of you. Take it. Trust it. It’s the adventure of a lifetime.