mindfulness

In the universe, in your own life, only one thing is constant: change. Change is the very essence of life itself. The tides change, the moon changes, the seasons change in cyclic patterns. Day becomes night, and night day again. A seed opens, grows, becomes a plant, then flowers and produces fruit. Like you, to unfold in all its magnificence it must survive. And the only way a living thing can defy that famous law of entropy and survive is by changing. There are two kinds of change: Simple change, where whatever has changed can always change back again, and transformation, where the change that takes place is one-way and there is no going back. It is through transformation that a seed (or a woman) at a lower level of life order is changed into the same seed or woman at a higher one. By making such transformative changes in our lives, the potentials embodied in our own seedpower are set free to unfold in all their splendor. And it is in learning to work with the transformative energies in our lives that we allow change to empower us. Working with transformation is seldom easy. The one-way nature of transformational change demands that you pass through a period of confusion where old structures disintegrate in order to make reorganization at a higher order possible. Such change can be very unsettling. This is true not only in human terms, but throughout the universe. Nobel Prize winner Ilya Prigogine has shown that for any system in the universe to evolve from one level of order to a higher level, it has to pass through a period of chaos. Evidence of this kind of transformational change can be seen all around us - in the metamorphosis of a caterpillar to a butterfly, and in the growth of a fertilized egg into a baby. We hear of it in our myths: It is told in the Christian story of crucifixion followed by resurrection, and in the tale of the phoenix who, consumed by flames, rises out of the fire to soar again in greater splendor. We see it in our own bodies when a healing crisis takes place, and wastes we have carried for years rise to the surface, creating temporary symptoms and discomfort - only to be lifted off to make way for healing. the fires of change With transformation as leitmotif of all life, you would think we would all know how to cope with it. Yet, getting through periods of disorganization and the dissolving of limitations in our lives in order to grow is the most difficult task any of us ever faces. It asks that a woman commit to the flames anything which, no matter how useful in earlier times, has become outmoded. This means everything that no longer serves her - ideas, habits, old thought patterns, emotions from the past and, most important of all, any of her living patterns which have their roots in fear. Her metamorphosis demands that these things be laid upon an altar and sacrificed so that life can then re-create itself out of the ashes in a higher form. The word sacrifice means to make sacred. It does not mean, as so often in our culture it is taken to mean, ripping oneself apart, or denying oneself. The idea of sacrificing something which has outstayed its welcome or is no longer useful sounds as though it should be easy - rather like cleaning out a cupboard. But when it is happening it can be terrifying. It can feel as though it is we who are being sacrificed. This is why we fight so hard against change, and find it so terrifying. The key to riding the waves of transformation, which we as women are being asked to ride throughout our lives, is learning to make such sacrifices willingly - to go with the transformational energies when they come. When you can, then the process of transformation, instead of making you feel like the very flesh of your body is being stripped away, becomes an exciting voyage of discovery - a voyage which, although it has its perils and its pleasures - you know is taking you to a richer land. One thing keeps us from being able to do this: fear. fear of wholeness Fear is an essential emotion. It registers any situation in which the integrity of mind/body is threatened. Without it we would not survive. If an elephant stampedes towards you and you don't feel afraid, you might not get out of its way and you'll be trampled to death. This kind of fear is appropriate. You identify yourself as the thing in the way of the elephant and the elephant as a threat to yourself and you take action to avoid disaster. The immune system which protects your body from illness and degeneration works in very much the same way. It recognizes self as opposed to non-self, and makes sure that the integrity of self is not breached by anything that could cause it harm. But fear has a negative side too. This same tendency to identify self from non-self for the protection of life gets turned inside out and becomes distorted. Then instead of serving the essential, but limited, purpose of preserving life, for which fear is intended, it becomes a fear of life, a fear of change, the kind of fear which makes you hold on desperately to things and people and ideas and images of yourself which your life would be better without. This kind of fear is the biggest toxin that ever needs to be eliminated from your life if you want to let your life unfold in all its richness and meaning. when fear grows toxic Toxic fear has many different faces: a fear of illness, of death, of losing a relationship, of injury, even of freedom - the very thing you want most. When toxic fear is present, it pollutes your thoughts and feelings. It can produce depression, anxiety, hate, resentment and hopelessness. It also deadens relationships and makes life seem meaningless. The reason we try so hard to hang on to everything is that we identify ourselves with these things - ideas, people, images of ourselves, money, a house, a job. If any of these things should be dissolved or threatened or lost in the process of change in which we are involved, we fear that we ourselves will be lost. Every form of toxic fear is a fear of losing your self. And the irony of it all is that the self which you so greatly fear losing is always some outmoded self - which in the process of transformation needs to be sacrificed to make way for a new, expanded, more creative self to take in its place. One needs to learn to go with the process of one's own unfolding - the process of becoming who you are. You need to go beyond fear. You need to move into the realm of trust - a trust in your core, in that greater Self - the individual brand of energy from which every aspect of your life is nurtured and regenerated. at the core of you This Self which lies at your core is unlimited, all-inclusive and infinitely capable of transformation. Like the leaf painted with one brush stroke by the Zen master - it is a unique microcosmic expression of the universe. So long as your sense of who you are is identified with the smaller self and all its mental and physical baggage, transformation remains an agony. However, when you begin to see that this day-to-day self is only a minute expression of your larger Self from which your core energy comes, and you can begin to identify with that instead, then the whole game changes. Instead of being plagued by fear and the other negative emotions which accompany it (emotions which play a large part in the development of disease, incidentally) you start to act from trust and to experience yourself as an integral and harmonious part of the all that is. All of this takes patience and time. It also requires a conscious effort to identify and weed out outdated thought and behavior patterns, energetic imbalance or internal pollution in the body and to replace reactions rooted in fear with trust. This in turn calls for an internal revolution in consciousness as well as learning skills in managing change. Your journey will be different from every path that has ever been walked. Each of us has to find her own way. That is the hero's journey in every mythology in the world.

What goes up must come down. These words should be engraved on everyone’s brain, particularly those of us who live full and busy lives. We worry about stress, wonder why we don’t do anything about it, and wish it would go away. Seldom do we even stop to ask what it is. If stress gets out of hand it can wear you down, ruin your looks and destroy your peace of mind. Yet stress is the spice of life, the exhilaration of challenge and excitement, the ‘high’ of living with heavy demands. The big secret about stress is that it is not what appears to be causing it that does the damage. It’s how you respond to it that does that. Change your attitude to stress and you can make it work for you rather than against you. In short, chill out. Stress is hard to pin down: fatigue, overwork, loss of blood, physical injury, grief and joy can all produce stress, but none of them accurately describes what it is. The word stress comes from the language of engineering meaning ‘any force which causes an object to change’. Austrian-Canadian scientist, Hans Selye, first coined the word stress in relation to humans back in the 1930s. In human terms it refers to your body’s response to physical, chemical, emotional or spiritual forces that ask you to adapt to them. Selye discovered a typical physical reaction to stress which he called the General Adaptation Syndrome. Its function is to keep your body in a steady state, known as homeostasis. Every stressor you come into contact with threatens to destroy this steady state. The General Adaptation Syndrome has three states: alarm, where the body becomes alert; resistance, where all systems go in order to meet the challenge and protect you from harm; and exhaustion, which happens if stress lasts for too long and the body’s weakest systems begin to break down causing illness, chronic fatigue, even death. you are unique Everyone responds differently to stress. This depends to some degree on your conditioning, and on the amount of adaptive energy you were born with. This is why some people seem to breeze through stressful situations while others quickly reach exhaustion. Selye believed that once adaptive energy is used up, nothing can be done to restore it. We now know that this is not altogether true, but adaptive energy is certainly precious. This makes it imperative to examine carefully how yours is being used and if it is being burnt up unnecessarily. It also makes it important to remember that what goes up must come down. For making stress work for you means being able to switch off at will. This is something that most of us have to learn to do. Learn to move easily between stress and relaxation, and you will begin to experience your life as a satisfying and enriching challenge like the ebb and flow of the tides. Then you will never again have to worry about getting stuck in a high-stress condition which saps your energy, distorts your view of the world, and can lead to premature aging and chronic illness. Humans are natural seekers of challenge. Primitive man faced the daily challenge of survival – when in danger, the body reacted instantaneously to provide the energy needed to fight or flee, then relaxed again when the danger passed. We may no longer need to worry about meeting a saber-toothed tiger, but we still react to stress with the same physical responses – raised blood pressure and breathing, a rush of adrenaline throughout the body. The trouble is that modern life, with its noise, quick pace, social pressures, environmental poisons, and our tendency to sedentary, mental work, presents many of us with almost constant threat situations. This is particularly true in the business world where someone, instead of moving rhythmically in and out stressful situations, remains in the danger state for long periods, with all the internal physical conditions that accompany it. balance it The automatic, or involuntary, functions of your body are governed by the autonomic nervous system. It looks after the changes in the rate at which your heart beats. It regulates your blood pressure by altering the size of veins and arteries. It stimulates the flow of digestive juices and brings on muscular contractions in the digestive system to deal with the foods you take in. It makes you sweat when you are hot and is responsible for the physical changes in your body that come with sexual arousal. This autonomic system has two opposing branches: the sympathetic and the parasympathetic. The sympathetic branch is concerned with energy expenditure - particularly the energy involved with stress and meeting challenges. It spurs the heart to beat faster, makes you breathe hard, encourages you to sweat, raises your blood pressure, and sends blood to the muscles to get you ready for action. The other branch of the autonomic nervous system - the parasympathetic - is concerned with rest and regeneration rather than action. The parasympathetic branch slows your heartbeat, reduces the flow of air to your lungs, stimulates the digestive system, and helps relax your muscles. When you are in a state of stress, the sympathetic nervous system comes into play. The parasympathetic branch is dominant when you are relaxed. A good balance between the two is the key to making stress work for you. Balance makes it possible for you to go out into the world to do, to make, to create, to fight, and to express yourself, as well as to retire into yourself for regeneration, rest, recuperation, enjoyment, and the space to discover new ideas and plant the seeds of future actions. make stress work for you The secret is getting the right balance between stress and relaxation, between the sympathetic and parasympathetic branches. Unfortunately, few of us get it right by accident - we have to learn. Take a look at the kind of stress you think you are under, eliminate unnecessary stressors, and discover new ways of working with stress. Second, begin to support your body physically with food, exercise and natural stress relievers to enable you to face stress with ease. Finally, learn to relax fully so that you can find the right balance between stress and relaxation and keep it. Not only will this help your body stay in balance and increase your level of overall vitality, it can bring you a sense of control over your life that is hard to come by any other way.

I am fascinated by stories—especially mythic tales. I have an obsession with them. Wonderful myths inspire us, open us to new ideas and help us connect more deeply with the essence of who we are—warts and all. There is one particular myth which I adore. It is not only relevant to a man who can spend a lot of energy trying to understand what the woman in his life wants, it is also valuable to women. This fun story always makes me laugh. Only when the irrational feminine within both men and women is embraced and its will honored can any of us, man or woman, come to live in wholeness. The most difficult task most of us ever come up against is that of accepting the part of ourselves which we find most ugly and loathsome. Yet, locked within what we most hate or fear about ourselves lies the greatest power for our transformation. The tale is beautifully told in the Arthurian grail myth of The Loathly Lady. WHAT WOMEN WANT One Christmastide Arthur rode out with his knights to hunt. By chance he became separated from his companions and found himself at the edge of a great brackish pond. There a knight in black armor emerged from the shadows and challenged him to a fight. Arthur reached to draw his sword Excalibur and call on its power to protect him from all harm. Alas, he had come away from court without it. He could feel every ounce of strength drain away from his body in the presence of the dark and evil stranger who raised his sword and threatened to kill him. Being a responsible king, of course, Arthur told the dark knight he didn't think that killing him was such a great idea - he had a country to rule after all and knights to look after. Where would they be without him? The stranger, bored at the thought of such an easy kill relented and replied, "OK, I won't kill you so long as you return to this place in three days with the answer to a riddle I shall give you. If you fail I shall remove your head in one full sweep." Arthur agreed. He figured that given half a chance and a mug or two of mead, his pals back at the castle would be sure to come up with something. The riddle the stranger posed was this: "What does every woman want?" So Arthur headed home to ask all of his knights and wise men to give him the answer. Everyone from Merlin to a goose girl he met along the road had a go. Each gave him a different answer: "A woman wants beauty," said one. "A woman wants power," said another, or fame, or jewels, or sanctity. None could agree. Time was running out. Finally, although he had done his best to hide from his beloved Guinevere the seriousness of the situation, the third morning arrived. Bound by his word of honor to the Black Knight, Arthur had to face the music. Along the road to the meeting at the brackish waters Arthur came upon an old woman. She sat on a tree stump by the side of the road calling his name. FACING THE HAG Arthur dismounted and approached her with all the courtesy he could muster. For the closer he came the more ghastly this old hag appeared. Although she was dressed in fine silk and wore magnificent jewels on her gnarled and twisted hands, she was unquestionably the most hideous thing he had ever seen—or dreamed of for that matter. Her nose was like a pig's, her mouth was huge toothless and dribbling. What hair remained on her head was greasy, and the skin all over her misshapen and bloated body was covered in oozing sores. Arthur swallowed hard, forcing himself not to have to look away. "My Lord," she said in a surprisingly gentle voice, "Why look you so dismayed?" Summoning up all his chivalrous training, Arthur apologized for his manner, trying to explain it away by telling her he was most unsettled at the prospect of returning to meet his death at the hand of an evil knight because he could not tell him the answer to the riddle, "What does every woman want?" "Ah," said the hag. "I can tell you that. But such knowledge cannot be given without payment". Arthur, hoping once again for a reprieve from death, replied, "Of course Madam, anything you desire shall be yours for the answer—even half my kingdom." The Loathly Lady made Arthur bend down while she whispered a few words in his ear." The moment Arthur heard them, he knew his life and his kingdom had been saved. He was about to leap on his horse again and ride off to meet the stranger when she tugged on his cloak and said, "Now I want my reward." "Of course Madam, what is it that you want?" he asked. "I want to be the wife of your bravest knight and live at your court." Arthur, who only a moment before had felt his spirits soar was plunged into the deepest despair. How could he possibly expect any knight to consent to marry such a hideous hag. And what would it be like to have to endure such ugliness every day at court? WHERE TO TURN "But Madam, that is impossible!" he said. The words slipped through his lips before he could catch them. Aghast at his own lack of courtesy and agonized by having to ask any of his knights, Arthur said, "I beg your pardon, Madam. You are quite right. Come to court tomorrow. There waiting for you will be your future husband." So saying, he mounted his horse and rode off to meet the Black Knight to convey to him the answer to the riddle. When he got back to the castle, Arthur was distraught. The knights questioned him. He confessed that he had won his life from the Black Knight but then told them at what cost and reported his promise to the Loathly Lady. "My very honor is at stake," said Arthur, wringing his hands "unless one of you will agree to wed her." His knights were horrified at the prospect and tried to avoid his gaze. But one—the youngest knight of all—Sir Gawain, the most courageous and purest of heart stood up. "Worry, not my liege," Gawain said, "I shall save you, I will marry the woman no matter what her mien." Gawain did not have long before he rued his offer. The marriage was planned for the following morning and the hag arrived at court. When he looked upon her, even Gawain with all his chivalry did not know how he could go through with the ceremony. It demanded every ounce of his courage. Somehow he managed it. But things got worse. When the festivities were over, the couple were obliged to retire to their chamber for the night. Gawain, unable to face the hideousness of his wife, sat for long hours in their bedchamber with his back to the lady, writing at his desk and praying she would go to sleep without him. Was he to spend the rest of his life shackled to such a hideous monster? THE TRANSFORMATION Long past midnight, as the candle burnt low, he felt a hand come to rest upon his shoulder. "Will you not come to bed now, my Lord?" a voice whispered from behind him. Shuddering with horror Gawain mustered his courage to look at her. To his astonishment there stood not the ugly hag he had married but the most beautiful woman he had ever seen. She had golden hair and ivory skin. "Why do you seem so surprised, My Lord?" she said to him. "I am indeed your wife. I was enchanted by a wicked magician. But now the enchantment is half broken by your having consented to marry me and so you see I stand before you now in my true form." Gawain could not believe his luck. "Half broken?" he asked. "Yes, my lord" was the reply. "Sadly I am only allowed to spend half the time in my true form. For the rest I must return to the shape of the same hag which this afternoon you married. And now you must choose, my Lord. Would you have me be my true self at night when we are alone together and the hag during daylight hours?" Gawain, whose mind was flooded with passion at the thought of her beauty filling his bed each night replied eagerly, "Yes, that is certainly how it must be." In the eye of his beautiful lady appeared a tear. "But Sir," she said, "Would you then have me suffer the humiliation of the court who cannot conceal their horror at my ugliness?" Now Gawain, if he was nothing else, was compassionate. He could not bear to bring this beautiful woman a tear of sorrow. "No, of course not," he replied. "It shall be the other way round, of course. You shall be my beautiful wife for the court during daylight hours and the hag at night." But this only made the lady weep the more. "Oh sir, would you then deny me forever the joy and pleasure of your embrace?" She asked. HOBSON’S CHOICE Poor Gawain, who after all was but a man (and man has never found it easy to deal with woman's grief) did not know what to do. After much thought he replied, "My lady, whatever choice I make will be the wrong one. It is therefore for you to choose which you prefer." At the sound of his words the Lady threw herself into his arms in glorious laughter. "In so saying, my Lord, you have given the right answer. You have bestowed upon me what every woman wants—her own way. The spell at last is broken. You will never have to look upon the hideous hag again. I am my true self and it belongs to you forever." Such is the power of accepting that which to ourselves is most loathsome. And great is the power of myth in reminding us of it.

I’d like to share with you a life-changing story. Here’s how it begins: “Follow your bliss,” the gypsy said. “Connect with your inner light. Hear the sounds of birds. Taste the ocean’s spray. Listen to the whispers of your soul. Bliss is your key to freedom. Have you forgotten?” The gypsy’s words echoed in my heart. Like most women, I had never followed my bliss. I’d tried my best to do the “right thing”. I’d listened to the voices of others and valued their opinions above my own. And I am not alone in this. Too often, we women have gone on and off diets, lost weight, gained weight, made money, spent money, found lovers, lost lovers, done assertiveness workshops and quit doing them. Every so often, we figure we’ve found an answer to something. Then it melts away from us like a forgotten dream. The gypsy woman on the road was old and wrinkled. Yet her eyes shone with a light so bright you could hardly bear to look at them. What the hell, the woman thought, let’s find out what this old lady has to say. What have we got to lose? That was the day this woman let bliss into her life. That was the beginning of a journey that transformed her body and illuminated her life. You know, most of us waste a lot of time and energy doing what we think we’re supposed to be doing. This takes us far away from connecting with our souls and experiencing bliss. I believe it’s time for each one of us to discover what we love and then follow it. When Carl Jung was searching for meaning in his own life, he asked himself a simple question. “What did I most love doing as a child?” He remembered he adored making little streets and houses out of stones and blocks. So he bought some land at the side of the lake in Zurich, and began to build a house with a tower. There was no rational sense behind his decision. After all, he already owned a fine house. But what he created for himself, by choosing to do this, was a unique, sacred space in which he could both come in touch with the core of his being, and begin to live out his deepest longings. By honoring the whispers of his soul in this way, Jung not only expanded his capacity for bliss. He set the stage for the finest writings he would ever produce during his lifetime, and he embarked on a road to fulfillment he had never imagined to be possible. Long before you were born, you were wired for bliss. You still are. Its oceanic quality brings an experience of oneness and harmony both with the essence of who you are as well as with the world around you. You probably first experienced it when you were floating in the womb: Relaxation, aliveness, security and the sense that your life has purpose and all is right with the world. If you want to live in the fullness of your being and connect with your creativity, vitality, radiance and beauty, now’s the time to invite more bliss into your life. Our capacity for bliss, as well as our need to experience it, is inscribed on the primitive brain—almost as deeply as our need for air, water and food. Bliss happens to be the medium through which mind, spirit and emotions weave a tapestry of meaning. Bliss renews. Bliss cleanses. It makes us feel whole, solid, stable and alive. When we encounter something new, bliss tells us “This is something I want to try.” Then it brings us the courage to go for it. In ancient India, they had a name for it—Satchitananda. This composite Sanskrit word is made up of three roots: Sat means being or existence. Chit translates as awareness or consciousness. Ananda means bliss. Together they describe a radiant, boundless state of being that carries a sense of infinite awareness and joy. Satchitananda brings the capacity to create worlds and forms out of itself. There was a time when such experience was reserved for saints and shamans. No longer. Sometimes we steel ourselves against bliss out of guilt or misguided self-denial. Then we become as mechanical as a sharp-nosed spinster—nitpicking and critical of everything and everyone, most of all of ourselves. Is bliss the be-all and end-all of life? Nope. Is it an essential ingredient in realizing your potentials on every level? You bet. So important is bliss to discovering who you really are, and bringing your most cherished goals into form, that when we deny our need for it, or forget how to experience it, we’re forced to look for artificial substitutes. Addictions arise: to food, drugs, alcohol, sex—even ambition. But these addictions disempower us, taking us further and further from the authentic freedom and satisfaction that is our birthright. All life is lived through your senses. The more awake they are, the more you’ll get out of the multidimensional pleasures of every moment: the aroma of freshly made coffee, the touch of silk against your skin, soulful fingers on guitar strings, waves of orgasm that swell your body and silence your mind. I believe it’s time, just like the gypsy said, to leave behind guilt and self-criticism and begin to live from moment to moment just as you are. The secret to using bliss to enrich your life lies in becoming fully aware of everything you feel, touch, taste, smell, hear and see. Play a little game with me, right here, right now. Ask yourself these questions: What is the moving power behind my life today? What matters most to me? What did I love most when I was a child? How can I begin to live what I love most right now? Explore these questions in an ongoing way. When you go for a walk, lie in a warm bath, or wake up in the night—let yourself feel bliss wherever you are. It’s the perfect antidote to the meaninglessness we feel when we have been following the wrong directives. It’s time to uncover your bliss and discover the marvelous inner freedom that comes with it.

In my last post, we looked at unconscious image-making which prevents us from experiencing authentic freedom and undermines our sense of self. Now let’s flip destructive image making-on its head. It’s time to learn the art of conscious image-making It can improve health, heighten self esteem, and even forge the person whom you long to become in the future. All you need is a simple notebook in which to record your intentions, goals and experience plus 15 to 20 minutes a day to practice the art. This can be a lot of fun. POWERS OF THE MIND Creative imagery is the deliberate, repeated use of specific mental images, while in a deeply relaxed state or meditative state, to bring about change for the better. Just how creative imagery works has never been fully defined. It does, however, appear that the images one chooses to focus on when repeatedly held in the mind are able to affect one's body, emotions, and mind through the autonomic nervous system. Some of the process, at least, is explainable in biological and energetic terms. When a thought or image is kept in the mind of someone in a state of deep relaxation, his or her brain shows neuronal activity in both right and left hemispheres. Nerve fibres leading from the cerebral hemisphere through the hypothalamus can directly affect the autonomic nervous system and the pituitary gland as well as the adrenal cortex. Everyone has had experience of this image-making to some extent in day-to-day life. For instance, if you keep a frightening image in your mind's eye—say of a ghost, a fantastic monster, or a situation you want at all costs to avoid—your body will respond via the autonomic nervous system with a racing heartbeat, perspiration, dryness in the mouth, or gooseflesh. How strong your reactions are to the fearful thought depends entirely on how clear the image is. Similarly, when you hold a clear, relaxing image of perhaps a spring meadow or a person you love, your body responds with relaxed muscles, lowered heartbeat and blood pressure, and generally pleasant and passive bodily sensations. Researchers have found that through this mind-body connection we can exercise a great deal of control over our bodies and our behaviour simply by choosing images to focus on and using them regularly. In fact, this kind of deliberate visualization is the technique behind the ability yogis demonstrate in raising and lowering their bodily temperature or heartbeat at will, going for long periods of time without food, and performing extrasensory tasks. TRUST THE GAME Although the mechanism of creative imagery is highly complex, putting it to use is simple. For just as it is unnecessary for you to know how the nervous system, in conjunction with the brain and muscles, makes it possible for you to pick up an apple and take a bite out of it in order to perform the action, so it is not necessary to understand biological theories about creative imagery in order to practice it to your benefit. The imaging mechanism of your brain works automatically; all you have to do is provide it with images that are useful to you and let it do its job. Nor do you have to worry about whether or not you believe in creative imagery or whether or not you can do it well enough for it to work for you. If there is a goal that you want to achieve, you need simply to visualize it—again and again, at least twice a day; the rest is automatic, so long as your goal is something you consciously consider to be feasible. It would be absurd, for instance, to lie down for ten minutes each morning and afternoon and visualize yourself as an eagle. You might improve your imagination no end, you might also develop a great empathy for eagles, but it unlikely that you would develop wings or a beak. Nor need you worry about success or failure. As Maxwell Maltz says in his book Psycho-Cybernetics, "You must learn to trust your creative mechanism to do its work and not `jam it' by becoming too concerned or too anxious as to whether it will work or not, or by attempting to force it too much by conscious effort. You must let it work, rather than make it work. This trust is necessary because your creative mechanism operates below the level of consciousness." The only real "trust" needed for it to work is that which makes it possible for you to spend time repeatedly practising creative imagery. You do this by letting yourself go into a state of deep relaxation or meditation and then repeating your chosen image again and again over a sufficient length of time for it to take hold in your unconscious and begin producing results. You certainly don't have to trust it in the sense of believing in it for it to work. It will work whether you believe it or not. Just be consistent in using the technique regularly. PREPARE THE WAY Begin by learning to just let go. Creative imagery is an inner state of mind. To visualize effectively you need to put yourself into a calm, relaxed state in which mental images flow easily. Generally the more relaxed you are, the more successful your visualizations will be. This kind of relaxation is something that is learned gradually by practice. Even if you feel in the beginning that you are hardly relaxed at all, you will get benefits from your imaging and this will become progressively more true as you repeatedly practice visualization. Begin by lying down, or sitting in a comfortable chair, with your back well supported. Use a simple practice such as zazen or gentle, quiet deep breathing to let go of daily concerns and enter your private world. When you feel yourself quietly calm resting in your own inner space, there are several things you can do: In this space, you can examine in a new light any question that has been bothering you. You have access to the deeper layers of your mind where many answers can be found, provided you are willing to ask the questions simply and then just wait in stillness for the answer to come. This place is also where you can become aware of your belief systems and bring them to consciousness so that you can examine them in a detached, objective way and see whether they are working for you or not. You can then decide what you want to keep and what your want to leave behind. It is a place where you can learn to listen to the sound of your inner voice. The more you do this, the easier it becomes. This inner voice can guide you to where you are going next and tell you what you are about. It is a place where you can come to know yourself for who you really are, quite apart from roles and habitual assumptions you have always had about yourself. Most important of all in bringing about change, you can use this inner space to practise creative imagery. Go through your relaxation technique until you enter your inner space. Now you are ready to begin visualizing. You can do this in two ways: verbally, by simply repeating over and over a few words that describe the image, or visually, by simply seeing yourself as already having become what you want to be. For some, who at first experience difficulty in visualizing, the verbal method works better; for others, the visual method is more successful. Try them both and see which you prefer. Later on, after you are familiar with the use of creative imagery, you will probably want to use both. FOCUS YOUR DESIRE Let's say you pick as your goal the desire "I want to have more energy." Using the verbal method, turn the wish into a positive statement. It becomes "Every day I am more and more energetic and well." It is important that your goal be phrased in this way. It has to be in the present tense—not "One day I will be better" or "I hope that I will be more energetic," but Every day I am more and more energetic and well. It is happening now. Your subconscious mind, which holds the power to bring about change, does not function in terms of time and space as your conscious mind does. It understands only the simplest and most direct instructions, and when they are given it works as if they had already occurred or are occurring now. The words you have chosen become your image. You put them to work by simply repeating the words over and over again silently to yourself while you are in the deeply relaxed state in your inner space. It is the constant replaying of the message day after day twice a day that works best, not how long you do it each time you relax. One convenient way of doing it is to repeat the directions ten times in each session, moving one of your fingers with each repetition until you have been through all ten. Then you simply say to yourself the same, "I am now going to come out of my inner space...(by counting backwards from three, etc.) and open your eyes. The best time for most women to practice creative visualization is in bed at night just before they fall asleep, and then again in the morning just before they get up. But really you can do it anytime—whenever you can find ten minutes to yourself in the middle of the day, or in the middle of the night if you awaken, or during meditation. The important thing is to do it regularly twice a day every day. You needn't worry about doing it wrong, either. Because, in truth, there is no wrong way, and every supposed wrong in the way you are doing the technique will gradually put itself right with practice. WATCH IT HAPPEN If you prefer, you can use a visual way instead, or you can use a combination of both. Picking the same goal, I want to have more energy, go through your relaxation technique. When you are at the inner space, instead of repeating words let your mind play with the image of your goal as if it had actually come about already, almost like a daydream. In other words, see yourself moving through your day, relating to people, doing your work, playing games, all the while full of vitality and bounce. Watch yourself in your imagination and enjoy the ease with which you do things that once seemed difficult or tiring. Notice the glow of your skin, how well you look; see the vivacity in the way you speak and move. Watch yourself and enjoy it. The more of it you let yourself imagine and the more you enjoy your imaginings, the stronger will be the images you are creating and the more quickly they will become reality. But as with the verbal instructions, always keep your images in the present as if they are actually happening now and not as if they might happen in the future or are something you would like to see happen. You may find at some point that something or someone is interfering with your image. For instance, you might find that as you watch yourself moving about energetically through the day in your mind's eye, another figure appears—say an old woman—who speaks to you. Perhaps she says something like, "You silly girl, if you don't slow down you know you will exhaust yourself or make yourself ill." Or, "Why are you pretending to be full of energy when you know that you are really tired?" and so on. Pause for a moment and take a look at the figure. Who is she? Your mother? A friend who tends to be negative about everything you try? The voice of a belief system from inside you which, without your being aware of it, has been telling you for years that you are tired? Answer the figure back. Tell her quietly but firmly in your mind, "No, you are wrong. I am well and I have lots of energy. I also know how to use it wisely. I will rest and look after myself when I need to, I will eat well, I will enjoy what I do. I will be happy with my vitality." Then go on with your visualization. Unexpected intrusions like this while you are visualizing are often very useful, for they help make you aware of belief systems and notions that may have been unconsciously impeding your progress towards a goal. Then, when you have practised your visualization for, say, five or ten minutes, tell yourself you are going to count backwards from three and open your eyes. A FEW TRICKS TO HELP In the beginning, when you are just starting to explore the power of creative imagery, it is a good idea to pick only one goal at a time and work on it for several weeks or months until it is being progressively realized before taking on another thing you would like to change. The technique of keeping a journal is very useful in recording your progress, but even more important is keeping a record of insights and experiences you come upon while practising the deep relaxation and visualisation techniques. The information and insights they turn up for everyone are invariably rich. Many times something you record today which seems not particularly useful now will have a message of immediate importance to you three months from now. Finally, there is one very simple goal that I find particularly useful because it covers all areas of one's life and you can use it over and over again, year after year, with benefit. It is, "Every day I am more and more myself. My life grows richer and richer." “Practice makes perfect,” the saying goes. It most certainly does but never treat your practice as a chore. Let it be fun. When you do everything happens faster and with greater ease.

It is not easy to live in our 21st century world full of suffering and confusion for many. The challenges we now face worldwide have come about from the long-term rejection and degradation of the Sacred Feminine. The Sacred Feminine is the mysterious source of all life, the wellspring of all creation, and we have forgotten this. Its creative power exists in men as much as it does in women. The Sacred Feminine carries great wisdom, sensitivity, and a tender love for all life. It respects the need for suffering and vulnerability, for deaths and rebirths. It asks that we embrace life and preserve it. In all its wildness, the Sacred Feminine brings to us the ability to unify body and soul, spirituality and politics, the human and the divine. Yet most of us have lost touch with the Sacred Feminine. It’s time to regain it, and there is no better place to begin than to move into the world of women and see what we find there. A WOMAN’S LIFE So great are the demands on women now—many of them self-imposed—that we are often in danger of losing track of our own soul and of burning ourselves out. There is no place for the old female rituals in our lives. In other cultures—among the Native Americans, for instance—women would leave the tribe for a few days each month to enter the soul realms and experience the Moon Lodge during menstruation. There, in the presence of other women, they gave themselves permission to enter altered states of consciousness, to restore their energies, and to express the wildness of their own creativity—a creativity which, at the dark moon time of menstruation, has nothing to do with nurturing or relating to men or to children. We in the Western world have no such opportunity. Instead, many women, unaware of the value of venturing into the soul realms where dreams, instincts and wild energies abound as a way of reconnecting with personal meaning, choose to “control” their moods and cycles by taking hormones—not only to avoid unwanted pregnancies but even to regulate events so that a business meeting doesn't come up in the middle of a menstrual period, when they might not be as rational or socially acceptable as at other times. Then, sooner or later, every woman gets moonstruck. When it happens, the ordinary world in which she has been living is rent asunder. She is being initiated into the wild and wonderful mysteries of the Sacred Feminine. Menopause has arrived. A LOST WOMAN "Isn't it wonderful?" the editor of the woman's page of a national newspaper said to me one day, "Science has finally conquered women's biology.” “What are you talking about?" I replied. "Oh, you know," she went on, "It's great. We don't have to menstruate anymore and we don't have to have babies thanks to the Pill. We don't even have to go through menopause or get old now that we have HRT. At last, women are set free from their biology. I'd like you to write a piece on it." It took me a few seconds to recover from the shock of hearing an intelligent woman voice an opinion so far away from my own sense of what the nature of the Sacred Female is about. I knew there was no point in even discussing the issue. I said that the idea didn't grab me and walked out of the office literally stunned by how carelessly this poor frazzled and confused woman could dismiss a million years of inherited female creativity, wisdom and blood. She had done it with the wave of a hand and the swallow of a pill. Then, almost as an obituary, she had proposed a 750 word article on modern women's new-found “freedom”. At the door I turned to look at her. There sat a haggard 35-year-old who looked 50, hunched over her computer smoking cigarettes. Three years later someone told me she had just had her womb removed. SUFFERINGS OF THE WASTELAND The editor's sense of freedom, like much of the so-called “freedom” we hear about, is certainly of a very limited kind. Since all freedom is won at a price, I cannot help wondering how high a price we are paying and if it is real freedom at all—or is it a new form of slavery dressed up for make-believe? I know too many dynamic, successful women who appear to have everything. Yet, when you sit down with them alone—away from the glitter of their busy lives—they describe feeling out of sync with themselves. A sense of sterility and stagnation permeates their lives, and they carry a feeling of emptiness and even of betrayal, yet from what and by whom they rarely know. Many have aimed for the top and arrived. So now what? Where is the next challenge, the next battle to be won, the next social occasion? Like the editor, they tend to pack their days with duties and appointments, always uneasy that if they stop for a moment they might let somebody down or their lives might fall apart. PERILS OF LOGIC Just as our mothers and their mothers before them embraced the expectations of their culture that fulfillment would come through being a good wife, a good mother or good servant, women now have taken on another cultural stereotype. We have learned to do things logically. We have largely bought into a male stereotype based on the attainment of academic, financial or artistic success. We have thrown ourselves headlong into the male world, and many of us have “made it” within that world's terms. Yet in the wake of our success, we often find ourselves pursued by a confusing sense of barrenness and despair that further achievement in the world, new love affairs or the prospect of a facelift can do nothing to cure. It is at this point that many women, myself included, first hear the call to adventure. It comes as a powerful challenge to leave the ordinary world in which we have lived decades of our lives and set out in search of answers: Why did this happen? What was wrong? What secrets have we forgotten, and what connections had we lost, in our obsession with doing things and our tendency to opt for chemical control of our body's cycles? And what are we missing out on? BACK TO SOURCE How could we, as women, continue to buy into values and ways of living which not only didn’t serve the coming to fruition of our own talents and our capacities for joy, but were inexorably destroying the earth? Where had all our real freedom gone, and our power—not power in the masculine sense of power over, but in the feminine sense of power to? I delved deep into the past in search of archaeological findings and archetypal connections that might give clues to just what as women we had lost, and how any of these lost treasures might be rediscovered. This led me into the realm of myth and ritual. I discovered that the two worlds—the world of science, with all its shifting biochemistry and rising and falling hormones, and the world of myth, peopled with archetypes, symbols, goddesses and rituals—not only met, they are blended within a woman's body and psyche. And where they meet is a cauldron of blood. SACRED BLOOD According to written records, since the beginning of human history, the power of creation was believed to reside in the holy blood that pours forth from a woman's body. It ebbs and flows with the waxing and waning of the moon. Blood has always been credited with magical power and with containing the essence of a person's soul—"one's lifeblood". Medieval physicians believed that a woman's menstrual blood could cure leprosy and act as an aphrodisiac. For centuries, both male and female rituals for receiving the gifts of the Sacred Feminine involved ingesting menstrual blood: It was mixed with red wine and taken as an alchemical drink. Ancient Egyptians, Celts, Persians and Taoists in China all held similar beliefs about menstrual blood, and carried out similar rituals. In Ancient Greece during planting festivals, women mixed their menstrual blood with corn seeds, then spread them upon the earth for fertility. In the 17th century, when William Harvey wrote his famous scientific treatise on circulation, he referred to the flow of blood through the body as the coursing of spiritual power. Even our word “blessing” is derived from the Old English bloedsed, which means bleeding. HARMLESS AND FREE Menstrual blood and the blood of childbirth are the only kinds of blood given freely—that is shed without wounding. Not only metaphorically but speaking strictly from a scientific point of view, human life cannot be created without the blood in a woman's womb. So profoundly did an awareness of the power of a woman's blood touch the lives of primitive people that native words for menstruation carry connotations of spirit, divinity and magic—of the supernatural and of the sacred. Ancient Hindus taught that all life is created out of the congealing of Great Mother's menstrual substance, which had been worked and thickened to form curds or clots from which the crust of solid matter emerges. Their goddess of creation, Kali-Ma, “invited the gods to bathe in the bloody flow of her womb and to drink of it; and the gods, in holy communion, drank of the fountain of life and bathed in it, and rose blessed to the heavens.” INSTINCTUAL SEXUALITY The sexuality of the genuinely free woman is the sexuality of sheer instinct—the wildness of the Sacred Feminine set free. It is she that calls a woman into the secret places of the woods and provokes her to dance naked in wild abandon. Hers is a sexuality to be used in any way she chooses—in union with another; as power to heal the earth and all its creatures in need of healing; or alone to generate the alchemical meeting of male and female within her own body. She will be what she is, she will have what she wants. She is neither passive nor submissive, and her sexuality also has nothing whatever to do with bringing physical children into being. The Sacred Feminine’s eroticism is sheer ecstasy, lived for its own sake, and sheer creativity. She creates in an uninhibited, animated, fiery way, which emanates from the soul of a woman or a man. Such sexuality is the fuel for all creative powers in the world. It carries with it the energy of regeneration and of healing for the world. It is the kundalini power—the rejuvenating cosmic illumination, the power of the serpent, the sacred fire which heals. LIGHT OUT OF DARKNESS As the Sacred Feminine gains entrance into the body and psyche of a woman or a man, it illuminates one dark corner of his or her psyche after another, lifting away all that is old and dead and without meaning, the way kundalini energy rises up within a body to illuminate each of the chakras. Their power becomes the power to leave behind what is dead and useless to make way both for personal rebirth and renewal to the natural world. It is the indomitable creative power that lies sleeping in the consciousness of both men and women. Perhaps more urgently than ever before, the Sacred Feminine now calls to us to remember who we really are, and all the creative blessings we have, which the world around us needs so very much. Never in human history has it been more urgent that we listen and respond, for our own sake and for the benefit of all beings and all living things on the earth.

Herbert Benson, who wrote The Relaxation Response and Maximum Mind, discovered that measurable physical benefits accrue from practicing any form of meditation which depends on the silent repetition of a mantra - a word-sound. This can be done by repeating any word over and over while the eyes are closed and the body is in a quiet state. Meditation using a mantra has a long tradition. Some mantras are said to be sacred words that have particular sound vibrations which transmit particular powers. Each tradition has its own mantras such as Guru Om, Om mani padme hum, La ilaha illa 'lla or, in the Catholic religion, Hail Mary, full of grace, the Lord is with thee. Whether their magic aspects are true or not, the technique works beautifully to replace the habitual chatter that runs through one's mind, worries about things past and things yet to come. Benson suggests you find a word that is pleasing to you. It could be anything, say, `flower', `peace', or `love'. He likes the word `one' as it is simple and has the connotation of unity about it. Here's how. Find a quiet place where you won't be disturbed for fifteen to twenty minutes and a comfortable chair that supports your back. Sit down and close your eyes. Give yourself a moment to settle in and you are ready to begin. Simply sit there, feet on the floor and eyes closed, quietly repeating your word over and over to yourself: `one...one...one...' Whenever your mind wanders or you are disturbed by a sound or thought, simply turn your mind gently back to repeating the word again. That is all there is to it. After fifteen to twenty minutes, stop repeating the mantra and get ready to open your eyes. Open your eyes, stretch, and go about your everyday activities. This is a particularly useful technique once you have practiced it a few times because you can do it in so many different places, such as in a waiting room or on a commuter train or bus.

A woman's average menstrual cycle is 29 1/2 days—exactly the length of the moon's passage from new to full and back to new again. In tribal cultures, where women live in close physical proximity to each other and their natural menstrual cycles are not disrupted by such things as alterations in exposure to natural light, electromagnetic fields, drugs and hormones, not only do they menstruate at the same time, ovulation tends to occur when light is brightest at the full moon, and menstruation begins during the moon's dark phase—at new moon. There is by no means anything pathological in any woman in the modern world not cycling in this particular natural rhythm. However, it has also been demonstrated that the menstrual cycle can be regulated according to the exposure to varying degrees of light, which mimic the waxing and waning of the moon's phases. Under such circumstances the three phases of the moon—waxing, full and waning—correlate exactly with the monthly cycle of ebb and flow of female hormones—the oestrogen dominated proliferative phase, ovulation, the secretory luteal phase, and menstruation itself. SPLENDID PASSAGES In the realm of myth and symbols, these phases are superbly mirrored in the three phases of every woman's life—childhood, before the sex hormones begin to flow, the childbearing years, which begin at the menarche, and the postmenopausal years of the Moon Goddess in her Crone guise. In ancient cultures, the moon was considered the source of fertility and birth. She ruled destiny and time, the secrets of the unseen world, transformation, death and regeneration. It was the moon's power that quickened all of life. Sowing and harvesting were done in harmony with her ebbs and flows. It was the moon which grew bright then darkened and disappeared altogether each month that taught people that nothing in life is constant. The only thing on which you can rely is change. The moon became a symbol of the cycle of transformation that makes its home in a woman's body, while woman came to rule all things that involved change. Archaeologist Marija Gimbutas, professor Emerita at UCLA, is the acknowledged world expert on Neolithic goddess-centered cultures in pre-patriarchal Europe. Author of more than twenty books, she paints a richly detailed picture of their social structure, agriculture, customs, rituals, religion and art. Much has been learned in recent years about the nature of the goddess-centered cultures, which existed for literally tens of thousands of years in Europe and Asia. The miniature sculptures that have been unearthed in the past twenty years give insight into the great variety of female manifestation of the divine which appeared as long ago as 27,000 to 25,000 years BC. Three thousand of these have been found in Siberia alone. In The Civilization of the Goddess, a monumental encyclopedic book which has already changed history, Gimbutas writes, "According to myriad images that have survived from the great span of human prehistory on the Eurasian continents, it was the sovereign mystery and creative power of the female as the source of life that developed into the earliest religious experiences. The Great Mother Goddess who gives birth to all creation out of the holy darkness of her womb became a metaphor for Nature herself, the cosmic giver and taker of life, ever able to renew Herself within the eternal cycle of life, death and rebirth." WOMAN’S MANY FACES We learn from ancient sources that, like woman herself, the Moon Goddess has many faces. At the new moon, she is the Virgin Goddess, wrapped in enthusiasm for new beginnings as seeds sprout and first shoots appear. When her second phase begins, so does puberty. Buds turn into flowers and flowers to fruits as virgin becomes transformed into Divine Mother in charge of procreation and sexuality. She is the pregnant goddess, mistress of animals, bringer of life, the Madonna. As the moon begins to wane, woman passes through her next initiation to a time of harvest and a time of death, during which all that is old becomes compost for her new life. It is the Dark Goddess who rules the darkness of the moon, death and rebirth. Ancient statues of the Dark Goddess carved in bone, marble, alabaster or clay are often white—for white is the color of death. Bones are turned white by the elements. The big breasts and hips you find on statues of the Divine Mother become replaced by stiff nudes. The Dark Goddess is often depicted without breasts, her hands either on her chest or extended along her sides. She is shown with an enlarged pubic triangle, for the Dark Goddess of the waning moon is not only goddess of death but of regeneration. She rules the time in a woman's life when everything that has run its course, everything which has become outmoded or no longer has meaning in a woman’s life, must be destroyed to make way for a more authentic life. THE GIFTS OF MENOPAUSE Menopause is the initiation of the Dark Goddess. It is the passage during which a woman is asked to confront the possibility of her own death and probe the mysteries of decay, dismemberment, and regeneration. For only through the death of the old can the exciting new birth that awaits us take place. As menopause approaches, often a woman wants to spend more time in nature and to feel her spirit fed by the earth. The fear of menopause and the fear of the Crone, so widespread in our society, are nothing more than a reflection of our misguided fear of death itself. For, in today’s world, we have forgotten the great cyclic flow of birth, flowering, death and regeneration that is hidden within the circle of the moon—as it is within all life—and reflected in the circle of our own souls. Little wonder, since our patriarchal culture denies cyclical time and views events as linear. In linear time, the end is not connected with the beginning. Birth and death are not viewed as two vital passages in a continuing cycle of life, but as opposites—the one to be celebrated the other to be resisted at all costs until the bitter end. It is no wonder our society wants to black out menopause and to reject the older female. In the fearful fragmented world we live in, this appears to be the only way that human beings can deny for a time their own mortality. This is why the Dark Goddess remains a focus of fear and loathing in stereotypical male-dominated linear thinking. BANISH FEAR AND CELEBRATE Any woman who does not break through the limitations of such thinking and move beyond it risks becoming so paralyzed by fear that she looks upon The Dark Goddess (and menopause itself) as an enemy to be resisted. In truth, she is the archetype-medium by which the internal split that took place thousands of years ago between woman and her feminine nature can be healed forever. She is death's priestess. It is she that wipes out outmoded patterns of thinking and living. Then, acting the role of the midwife, she brings new forms of living to birth. The Dark Goddess—often called the Crone— can seem a terrifying figure to the uninformed women approaching menopause. She has so long remained repressed within our psyches that, when at last her energy rises and she makes her presence known, it can sometimes feel like an earthquake, a volcano, or some eruption of Nature that occurs to us as when pressures held too long within the earth are released. Yet the Crone has always been present in our lives: She has appeared each month as the moon grows dark and menstrual blood—the source of all creation—flows. Now, as menopause approaches, the Dark Goddess comes at last to rest within a woman's being. For instead of being released each month, the dark blood of creative power is retained within a woman's body and made available for her use. MONUMENTAL TRANSFORMATIONS The presence of the Dark Goddess in a woman's life is easy to spot. She arises whenever we experience dramatic changes—the death of a loved one, loss of a job, disfiguration. She is our teacher who guides us through the transformation that is being asked of us onto a new level of being. She is there in our deepest despair and at times when we connect most powerfully with our own creative fire. She is the hand-maiden that nurtures us through dark nights once we are willing to make the descent into our own psyche, and connect with whatever forms are sleeping there, so we can begin to live our own power. When these connections are made she is present too. She teaches us by her presence alone to become deeply and spontaneously sexual, assertive, straight, incorruptible, prophetic, intuitive and free. All of these qualities arise at menopause. These are the most precious gifts of the Crone. They herald the beginning of what is potentially the most creative part of any woman’s life... This time in which her biological creativity is let go of to be replaced by creativity of the highest order in any woman’s life. It must be said—it is these powerful gifts of the Dark Goddess which are still the most terrifying threats to the linear patriarchal culture of control in which most of us still live. More to come next week...

We are poised at a moment in history where one age is dying and the next is about to be born. Each of us is being faced with a choice. As we sense the foundations of our world shaking, do we withdraw in anxiety and try to hang on to what we once believed to be “the way things should be?” Do we become paralyzed, and attempt to cover our fear with apathy? Or do we embrace the courage being offered to us by a Universe in flux, and, step-by-step, commit ourselves to discovering who in essence we are at the deepest levels of our being and decide to live our lives from there? How do you feel about this? Can you to honor your instincts? Will you choose to face the challenge of entering into the realms of your innate creative power and forging a new life for yourself in the midst of all the chaos, confusion, and deception with which this crazy world surrounds us? I believe we can. The choice we are being asked to make is either joining the “sheep” and conforming to established belief systems, even though they no longer offer a sense of safety that we once believed could be counted on, or taking a chance on discovering our own truth. Of course this means leaping into the unknown for which there is no precedent. What are the rewards of choosing the second possibility? They are immense. This makes it possible for each of us to tap into the immense joy and power of our own creativity and begin to live our lives from it—for our own the benefit, and the benefit of those we love as well as the world we live in. Authenticity—being true to yourself at the deepest level of your being—is the greatest gift you’ll ever experience. It’s all about discovering how unique you really are. This brings the greatest joy and satisfaction possible. After all, we can only collect so many BMWs, university degrees, and new lovers. All of these things are great, but none of them lead to a sense of self-worth, simple joy, and genuine freedom. I believe that freedom is the birthright of every human being. Realizing you deserve it is the first step in claiming it as your own. For some people this can seem the most difficult step to take, because it means coming to respect and honor yourself enough that you allow your unique truths to arise from deep within. In the past seven years I have personally worked with men and women all over the world. When many begin their Cura protocol, more often than not their minds are filled with the false notion that changing their weight and expanding their health and their lives with joy could never be more than a pipe dream. They soon learn otherwise. When they follow their protocol to the letter, they discover for themselves how exciting it can be to live one’s life in wholeness. The program brings body, mind, and spirit together in a harmonious way, and they experience a natural clearing away of limiting beliefs and false notions that they may have carried for years. This process clarifies and expands their experience of the world around them. This is because every blinkered view of reality blocks freedom, entraps our creativity, limits bliss, and disconnects us—not only from our essential beauty but also from the Universe as a whole, in all its wonderment and the power it can bring for growth and transformation for our own lives and for the world. Connecting with who you really are, accessing authentic power, and living your freedom require that you expand your consciousness in a major way. As human beings, we have a natural capacity to move beyond our limited experience of five-sensory three-dimensional reality. We can learn to enter expanded realms of consciousness. This new expanding worldview is called holism. It looks upon the Universe as holographic. Holism was named after the work of scientists who demonstrated that living organisms are integrated energetic systems within an integrated whole. Even your brain and body are holographic. Each small part of us, like each part of the Universe, is not only connected to the rest, it but actually embodies the nature of the whole within it. The tension between the new holism and the old mechanism—which depended on a belief in a separation of Spirit from matter, form, and substance—must be urgently resolved if we are to break out of the self-imposed prisons that have been forced upon us by restrictive rules and conventions. I believe that every one of us is now being called upon to let go of our preconceived notions about what’s real, in order to explore the further reaches of a wider, more exciting, and transformative reality. For reasons I still don’t fully understand, Cura’s Inner Circle has been an ideal opportunity for most people to discover this. To experience real freedom you only need to welcome more and more of your essential soul nature into your everyday experience of life—through dance, through ritual, through prayer, through your work, your relationships, and in your interactions with the world around you—in ever more direct and fearless ways. I have long loved a saying that I first heard when I was twelve years old. It goes like this: “Tell the truth and shame the devil.” In regard to how it relates here, what I’ve been describing is nothing more or less that discovering your own truth and choosing to live your life from it at every level, whether or not it fits with what you have been taught you are “supposed” to do. The more you dare to do this not only brings you an immense sense of joy and natural confidence; it becomes easier and easier to trust yourself. There is nothing more fun than being who you truly are. Dance your unique truth, and the Universe dances with you. The rewards of living this way can be virtually infinite.