mindfulness

Deep within you lies a font of endless creativity. The most powerful force for freedom and fulfillment in any life, every human being has literally been made in the image of creation. How freely we are able to allow this sacred creativity to pour forth determines how rich our lives can become. It may even decide the future of our planet. This most sacred creative force can provide us with whatever we need to meet the challenges facing us in a world which increasingly appears to be edging towards chaos. And, just in case you think that when the gifts of creativity were being passed out, they bypassed you, think again. Sacred creative power is by no means only available to those who can write a book or paint a picture. It shows itself in how you think and function, in how you relate to others, as well as how we are able tocreate for ourselves the lives we long to live. Why is creativity sacred? Because, set free, it permeates every aspect of your life, lighting it up with wonder and possibility. Discovering and releasing your unique creative power enables you to turn difficulties you face on their head, transforming them into opportunities. YOUR BIRTHRIGHT Few of us come anywhere near to tapping our creative potential. Too often it is burnt out of us by education, or parental and religious training which teaches us to trust outside authority, undermining our abilities to trust in ourselves. It is time to reclaim our creative birthright. When we do, we discover a sense of purpose. Then we can call forth the support of the Universe to fulfill it. Health improves. We come to look upon our life as a great adventure which goes on expanding, year after year, towards greater fulfillment and satisfaction. Let’s now take a short journey through the mysterious labyrinth of sacred creativity. Hopefully it will inspire you to discover some truths about your own creative potential in all its magnificence. Doing so can carry us out of a life of dry responsibility and duty—sometimes tinged with disappointment, addiction and compromise—towards a pathway to authenticity, personal power, and freedom. SACRED CREATIVITY REVEALED Fifty years ago I first became fascinated by the creative process. I spent 4 years writing my first novel, Ludwig: A Spiritual Thriller. In the middle of the night, I would sit for hours on the floor in a corner of my little study listening to every piece of music Beethoven ever wrote, over and over again, always asking the question, “Where was his consciousness when he created this?” During that period I read a dozen books a week. In the beginning, they were biographies of Beethoven. I took a course in harmony and counterpoint since I knew little about either, and I felt I needed to understand more about how music is constructed. Then, for reasons I could not figure out, I found myself immersed in researching shadow governments and what was really going on in the world behind the façade of mainstream media. I kept saying to myself, “Why on earth are you learning about all this stuff when it has nothing to do with Beethoven?” What I did not realize then was just how incredibly complex and multidimensional every human being’s creative processes are nor how they work to expand and inspire our lives and our goals. For, by the time I finished the last page of my novel, every scrap of information I had amassed from my research, including what I had learned about the shadow world of political control and deceit, had all come together in ways I could never have imagined within the book to make it whole. The experience of all this brought new meaning and purpose into my own life. The bottom line is this: Once you decide to commit yourself to what you long to do or be or make in your life, and then follow it through thick and thin, this not only releases creative energies from within; it transforms your life in wonderful ways you could never have imagined. CREATIVITY: LESLIE’S PRINCIPLES Here is a short list of what I’ve discovered about the creativity within each of us: Creativity is the natural order of life. Life is energy: pure creative vitality. Our creative dreams and yearnings come from the very core of our being. As we move toward our dreams, we move toward our divinity. There is an underlying in-dwelling creative force seated in the body which infuses all of life— including ourselves. When we seek the creative core within allowing its energy to permeate our body, we call forth sacred gifts and bring their transformative power into our lives. Creativity is the Divine’s gift to us. Using our creativity is our gift back to the Divine. The refusal to be creative is counter to our true nature and the greatest impediment to a fulfilling life. When we open ourselves to exploring creativity, we open ourselves to the unending support of universal energy. For creativity is always aligned to universal creative power so we can receive its endless gifts. As we open the sacredness of our creativity, many gentle but powerful changes start to take place in us and in those around we love. It is safe to open ourselves up to greater and greater creativity. Cross the threshold into your creative world, and you enter the realm of the imagination—the place in which intention can create reality. In this magical place, most of the day-to-day rules and reassurances that help us feel safe and comfortable fall away to reveal life of a different order—wilder, deeper, more authentic and unpredictable. Here’s how the adventure begins. DOORS OF PERCEPTION Human beings are, first and foremost, creators of their own lives. We do this either consciously or unconsciously. When we create consciously, we envision something close to our soul and then dance with it until out of the union—more like a love affair than anything else—our creations are born. When we create unconsciously, our creations come from a view of life that has been distorted and polluted by conditioning. The secret is to cleanse the doors of perception so that you are able to envision clearly and create what, from the deepest levels of your being, you want in your life. It is the simplest, the most challenging, and the most satisfying thing any human being ever does. What do you want to create? MEET THE DAEMON Take one part vision, mix it with methods for shifting consciousness, and a willingness to meet your Daemon and dance with it. Enter this dance of fire in a state of rapture, sometimes ecstatic and others daunting, but always exciting. In ancient times, the daemon—indispensable to creation—was considered to be a spirit of genius. Like the muse, he or she acted as an interface between you and the divine. Like nature herself, the daemon is neither good nor bad. The Greeks believed each of us was given a daemon at birth as a guardian spirit, useful in connecting earth with heaven. Through your daemon, the transcendent becomes the commonplace. A vision is tempered, honed and shaped. You are asked to fall in love with whatever you want to bring into being. Artistic visions take form. Relationships find new birth. So does everyday life. What do you love enough to want to bring into being? DANCE WITH YOUR DAEMON A willingness to do this, initiates a delicate, all encompassing, erotic process of transformation. It asks that you surrender to the dance, and at the same time maintain awareness of your separateness. This is not a loss of self, it’s a kind of cellular metamorphosis—a remembering through your subtle body who you really are. It touches your bones, your flesh, your muscles and your heart. Out of the depths of this union, destructive energies can be transformed into sheer power for creation. It’s a fascinating process—one to carry you back and forth from the very depths of your soul to the lofty heights of invention. Living it transforms an ordinary existence into a life of passion. WASTE DISPOSAL OK. So each of us comes into this life with the natural capacity to create. Indeed, that is what we are here for and what makes us unique. But our educational system, our parental and religious training—the very hierarchical structures of work and society—too often pollute our consciousness with destructive notions, lack of self-belief and an imprisoning sense of limitation. These things teach us not to be creative, not to listen to our inner voice, not to trust our visions. It is authority we are taught to bow down to. All these false notions distort our natural creative powers and truncate them, leaving us frustrated and often not knowing what is wrong. So we collect more money or lovers, crave more status and long for more holidays—none of which can fulfill the deep longing in every human being to exercise his or her birthright: To create one’s own destiny and realize our deepest dreams. HONOR THE WHISPERS Uncovering and making use of your own creative energies brings a willingness to witness what is happening to you and around you, without passing judgment and without negating whispers from your soul. Each thing you create exists in some form in consciousness before it is ever made—within your own mind to be sure, but also in the collective unconscious. This is what Plato described with his forms, and what Michelangelo knew when he chiseled a hunk of marble to allow the form he insisted was hidden within it to emerge. Creativity demands an abundance of life energy, clarity of mind and emotion, and the stamina to see something you really want to happen right through to the final moment when it does. This energy depends not on age but on aliveness. EMBRACING CHAOS All creativity demands that we enter the realm of chaos. Here the creative intention coupled with a sense of compassion for yourself and for all life, can be used to harnesses chaos and bring to birth what we you dream of creating. Good science (and, these days, little that is called “science” can claim to be valid) has much to teach about the process: Bohm’s explicate implicate order, the quantum leaps of physics, Prigogine’s bifurcation points, open systems, and dissipative structures. These visionaries have themselves made new maps of the mysterious creative process, and can help you make quantum leaps to higher orders of being, greater power, creativity and authenticity. PATH TO WHOLENESS Creativity at the highest order bursts forth from that part of your being in which you are most whole—aware simultaneously on an intellectual, instinctual and physical level. It embraces the presence of the rational thought, but it insists that reason not overstep its boundaries. With active intuition and a feeling of wonder, you enter the passionate creative dance that can become fruitful beyond your wildest dreams. Every time you choose to do this, you gain greater skills in making this fecund state of consciousness a familiar and bounteous part of everyday life. Such is the splendor of the mysterious and sacred power of your own creativity.  

The emotional and spiritual transformations that take place on Cura Romana begin as simple, physiological and functional shifts in the body. Essential Spray – coupled with the Food Plan influence the autonomic nervous system via the diencephalon bringing participants greater access to bliss. The program encourages the body to let go of toxic wastes which may have been held in its tissues for some time This decreases the body’s toxic burden. As toxicity diminishes, our living matrix—our body’s fluid, dynamic. continuous webwork of energy, physical substances and light— is enlivened. Our senses are heightened. Cura Romana exerts a calming, centering effect to the body as well, gradually quieting habitual thought patterns so that many internal conflicts and confusions are quelled. INSTINCTUAL POWER Too often, physical illness develops out of unresolved conflicts between our instinctual nature—centered in the diencephalon and primitive parts of the brain, and the intellectual cerebral cortex, with which we are urged to govern our lives. Simeons writes about this at length in his book Man's Presumptuous Brain. He says, and I quote: "An instinct is a very old impulse which is generated in the diencephalon by a combination of hormonal and sensory stimuli. In this process the cortex is involved only to the extent that it censors the raw incoming messages from the senses. An emotion on the other hand, is the conscious or subconscious elaboration of a diencephalic instinct by the cortical processes of memory, association and reasoning. Emotions are thus generated in the cortex out of crude instincts. In primitive man many raw instincts were still consciously acceptable but in urban man this is no longer so. When a raw instinct . . . breaks through all cortical barriers, it is usually interpreted as insanity . . . raw instincts threaten the cortical authority with which man runs his artificial world." Simeons then goes on to describe the cortex as a censor of instinctual expression and action. Once the cortex changes instincts into emotion, it usually censors any expression of that emotion. And, because our culture is built on cortical control and it demeans instinct, illness occurs. As a result of these and other restrictions – both conscious and unconscious – directing our lives, we begin to lose touch with our bodies, our instincts and our bliss, and with our essential self at the core. BLISS FOR FREEDOM Meanwhile, our capacity for bliss, as well as our need to experience it, is inscribed on the primitive brain – almost as deeply as our need for air, water and food. Bliss is the medium through which mind, spirit and emotions weave a tapestry of meaning. Bliss renews. Bliss cleanses. It makes us feel whole, solid, stable and alive. Bliss tells us: 'This is something I want to try', then brings us the courage to go for it. So important is bliss to becoming who we really are and to helping us realize our goals – whatever they may be – that when we deny our need for it, we are forced to look for artificial substitutes. Addictions arise: to food, drugs, alcohol, sex – even ambition. These addictions disempower us, leading us further from the authentic freedom that is our birthright. WAY TO GO The more you become aware of what brings you bliss in your own life and the more you commit yourself to allowing it, the more creative your life becomes and the more support you automatically bring to your overall health and sense of freedom. How do you do this? Begin by keeping a journal which nobody but you sees in which you allow yourself to explore the things in your own life that bring you bliss. Trust what comes to you when you ask yourself “What brings me bliss?” Keep asking the question each day and write down what you get. Then, put your discoveries into action. Commit yourself each week to making time to do three of the things no matter what else is going on in your life. Week by week your capacity for bliss as well as the benefits it brings to you will expand exponentially.

What goes up must come down. These words should be engraved on everyone’s brain, particularly those of us who live full and busy lives. We worry about stress, wonder why we don’t do anything about it, and wish it would go away. Seldom do we even stop to ask what it is. If stress gets out of hand it can wear you down, ruin your looks and destroy your peace of mind. Yet stress is the spice of life, the exhilaration of challenge and excitement, the ‘high’ of living with heavy demands. The big secret about stress is that it is not what appears to be causing it that does the damage. It’s how you respond to it that does that. Change your attitude to stress and you can make it work for you rather than against you. In short, chill out. Stress is hard to pin down: fatigue, overwork, loss of blood, physical injury, grief and joy can all produce stress, but none of them accurately describes what it is. The word stress comes from the language of engineering meaning ‘any force which causes an object to change’. Austrian-Canadian scientist, Hans Selye, first coined the word stress in relation to humans back in the 1930s. In human terms it refers to your body’s response to physical, chemical, emotional or spiritual forces that ask you to adapt to them. Selye discovered a typical physical reaction to stress which he called the General Adaptation Syndrome. Its function is to keep your body in a steady state, known as homeostasis. Every stressor you come into contact with threatens to destroy this steady state. The General Adaptation Syndrome has three states: alarm, where the body becomes alert; resistance, where all systems go in order to meet the challenge and protect you from harm; and exhaustion, which happens if stress lasts for too long and the body’s weakest systems begin to break down causing illness, chronic fatigue, even death. you are unique Everyone responds differently to stress. This depends to some degree on your conditioning, and on the amount of adaptive energy you were born with. This is why some people seem to breeze through stressful situations while others quickly reach exhaustion. Selye believed that once adaptive energy is used up, nothing can be done to restore it. We now know that this is not altogether true, but adaptive energy is certainly precious. This makes it imperative to examine carefully how yours is being used and if it is being burnt up unnecessarily. It also makes it important to remember that what goes up must come down. For making stress work for you means being able to switch off at will. This is something that most of us have to learn to do. Learn to move easily between stress and relaxation, and you will begin to experience your life as a satisfying and enriching challenge like the ebb and flow of the tides. Then you will never again have to worry about getting stuck in a high-stress condition which saps your energy, distorts your view of the world, and can lead to premature aging and chronic illness. Humans are natural seekers of challenge. Primitive man faced the daily challenge of survival – when in danger, the body reacted instantaneously to provide the energy needed to fight or flee, then relaxed again when the danger passed. We may no longer need to worry about meeting a saber-toothed tiger, but we still react to stress with the same physical responses – raised blood pressure and breathing, a rush of adrenaline throughout the body. The trouble is that modern life, with its noise, quick pace, social pressures, environmental poisons, and our tendency to sedentary, mental work, presents many of us with almost constant threat situations. This is particularly true in the business world where someone, instead of moving rhythmically in and out stressful situations, remains in the danger state for long periods, with all the internal physical conditions that accompany it. balance it The automatic, or involuntary, functions of your body are governed by the autonomic nervous system. It looks after the changes in the rate at which your heart beats. It regulates your blood pressure by altering the size of veins and arteries. It stimulates the flow of digestive juices and brings on muscular contractions in the digestive system to deal with the foods you take in. It makes you sweat when you are hot and is responsible for the physical changes in your body that come with sexual arousal. This autonomic system has two opposing branches: the sympathetic and the parasympathetic. The sympathetic branch is concerned with energy expenditure - particularly the energy involved with stress and meeting challenges. It spurs the heart to beat faster, makes you breathe hard, encourages you to sweat, raises your blood pressure, and sends blood to the muscles to get you ready for action. The other branch of the autonomic nervous system - the parasympathetic - is concerned with rest and regeneration rather than action. The parasympathetic branch slows your heartbeat, reduces the flow of air to your lungs, stimulates the digestive system, and helps relax your muscles. When you are in a state of stress, the sympathetic nervous system comes into play. The parasympathetic branch is dominant when you are relaxed. A good balance between the two is the key to making stress work for you. Balance makes it possible for you to go out into the world to do, to make, to create, to fight, and to express yourself, as well as to retire into yourself for regeneration, rest, recuperation, enjoyment, and the space to discover new ideas and plant the seeds of future actions. make stress work for you The secret is getting the right balance between stress and relaxation, between the sympathetic and parasympathetic branches. Unfortunately, few of us get it right by accident - we have to learn. Take a look at the kind of stress you think you are under, eliminate unnecessary stressors, and discover new ways of working with stress. Second, begin to support your body physically with food, exercise and natural stress relievers to enable you to face stress with ease. Finally, learn to relax fully so that you can find the right balance between stress and relaxation and keep it. Not only will this help your body stay in balance and increase your level of overall vitality, it can bring you a sense of control over your life that is hard to come by any other way.

The mind's depths are rarely plumbed in everyday life. In fact scientists estimate that we usually use only a mere 10% of our total mental capacity - an unfortunate loss of potential. By expanding our consciousness and awareness and setting the power of imagination in motion we can learn to draw upon the remaining reserves and use them to create and actualize our goals and dreams. The process is known as creative visualization or conscious dreaming. It is based on the principle that in everything we do a thought or an image always precedes an action. For example, the thought, "I will go and make dinner." or "I am hungry." results in the meal. By using this principle we can program our minds with positive and creative thoughts and images to bring about rewarding results. This is something which we have both worked with for a very long time. That the mind is capable of influencing our lives and the world in which we live is only beginning to be appreciated. At clinics throughout the world doctors are starting to acknowledge the role of creative visualization in the seemingly miraculous 'spontaneous remission' of terminal patients. Patients are being taught to visualize their immune systems sending out white blood cells in armies to destroy malignant cells. Whatever particular image works best for the person is encouraged. They may see their white blood cells as little men in work clothes clearing away a tumor VricBor visualize them as sharks attacking and engulfing the cancerous cells. The specific image is unimportant as long as it is vivid and meaningful to the patient. The medical profession also acknowledges the power of the mind in the use of placebos. A placebo is an inert substance or procedure which is presented to the patient as a powerful therapeutic drug or technique and which often leads to a dramatic recovery from a serious physical illness. An American physician studying women in early stages of pregnancy who were complaining of morning sickness and stomach contractions, offered one woman a 'drug' which he said would soothe her discomfort and alleviate her nausea. Within minutes the woman felt better. In fact, the doctor had actually given her a powerful emetic - a substance designed to induce vomiting in someone who has swallowed a harmful substance. Because the woman had faith in her doctor, this fact overcame her nausea and reversed the effect of the drug. Such are the powers of the mind. Conscious dreaming is a way of beginning to tap the powers of your mind in order to take control over your life and accept responsibility for what comes to you. It is done in a state of deep relaxation in which we are able to let go of the tensions, worries and doubts that normally plague us, and contact our deeper self. You can use conscious dreaming to improve all areas of your life, for instance to give you more confidence and a better self image, to improve your performance at work or in athletics, to intensify your healing abilities, to increase your creativity so that you express your talents with greater ease - to even gain insights into problems that vex you. It works on the principle that your subconscious does not draw a distinction between an actual experience and a vivid mental image so that your dreams can take on the weight of reality and eventually become part of your conscious life. And because thought and intention precede physical reality, when you ask your imagination to alter your expectations, you can actually improve that reality. journey to the center To begin the journey of self discovery and transformation you need to relax deeply. Our favorite relaxation exercise was taught to us by a friend Angela Farmer, a talented and dedicated teacher of yoga. It focuses on the breath to still the mind and body and is called total breath. Here's how: total breath technique: This complete exercise can be difficult to learn at first. We suggest you have someone read it slowly as you do it. Or read it through several times and then memorize the key words. You needn't remember all the images, but you may find one or two stick out in your mind. Begin by lying down on a carpet or blanket on the floor. The firm surface of the floor is better than a bed because it allows your muscles to relax more deeply against it. Make sure you are warm enough - cover yourself with a blanket if necessary. Place a rolled up towel or small blanket or book under your neck and head. (The size will depend upon the curvature of your neck.) Your head should be supported and your chin parallel to the floor. Take the phone off the hook and make sure no one disturbs you. Lying on your back bend your knees up and place your feet hip width apart comfortably near your buttocks. Bend your elbows and rest your - palms on your abdomen. Bring your awareness to the contact of your body with the ground. Notice where you touch the floor. Let yourself give up your entire weight to the floor so that you sink into it. Imagine the earth embracing you from behind. Let the breath flow through your body like water, gently easing away any tension in the joints and muscles. Once you have eased your back muscles on the floor your spine will naturally lengthen out. Help this lengthening by putting your hands gently behind your head and easing your head and neck out. (You may have to readjust your head rest.) Instead of breathing, release your back to create a space and then wait for the breath to enter. This waiting is very important. It eliminates the sense of trying and doing which fills our lives every day. Trust that your breath will enter automatically. You need make no effort to breathe. As the breath enters feel it rippling through the layers of muscles in your back and have the sense of "It breathes me". Bring your awareness to the where your legs attach to your pelvis and try to let go of any holding in your hips and pelvis. Don't try to move your legs, but imagine your knees being pulled gently up and away on a diagonal. Consider the possibility of your legs floating away from your pelvis. Now feel the weight of your pelvis against the floor. Imagine it as a hollow basin and let your belly and inner organs melt back into it. Feel the bony part of the pelvis (the sacrum) spreading out on the floor as the breath comes in. As the breath leaves the whole spine lengthens out and the back relaxes further back into the floor. Work slowly up the spine in this way, taking your awareness to the waist or lumbar area then to the lower, middle and upper chest - all the time checking that it is not you breathing, but you waiting, releasing, watching as the breath enters and leaves your body. Observe as more and more layers of muscles give up their tensions. When the breath enters the back of your rib cage, remember that your ribs are only connected to the spine by cartilage and can expand to the sides to create more space for the breath. Notice any hardness and holding in the front ribs and chest and allow them to soften. The front of the body can sink back and be received by the back of the body. Bring your attention to the shoulders and top chest. For most of us a lot of worry, stress and fear are held here. See if you can gently soften in these areas, allowing the sternum (breast bone) to drop down and melt. Let your shoulders gradually sink down towards the floor. Imagine in the center of your chest going through to the back between your shoulder blades and from this point see if you can allow the shoulders to drift apart. The shoulder blades can slide away from each other on the floor with the inhalation and rest separated on the outbreath. Let go of any tension in your throat and neck and allow your head to float away from the rest of your body. Let your hair flow away from your head. Imagine your eyes as two pebbles dropping backwards into a pool of water. Let the skin of your face become heavy and flow sideways and down towards your ears. Become aware of your body as a whole. Feel the gentle ebbing and flowing of the breath throughout you. Now is the time to begin conscious dreaming. Once you have reached this state of deep relaxation it is time to begin conscious dreaming. Explore a sanctuary within your mind to which you can return each time you do the conscious dreaming. Imagine yourself in a beautiful place. It may be a place from your past or entirely imaginary. Let yourself feel safe and at peace. Now evoke your dream. Picture your ideal self. If you want to lose weight for instance, see yourself slim and happy going about your everyday affairs. Try to see yourself as vividly as possible. Imagine other people you know responding positively to the ideal you. If you want to kick a bad habit such as smoking see yourself in a situation where you would normally smoke, such as after a meal and picture yourself quite happily foregoing the cigarette. If you are sick imagine yourself well again and doing your favorite things. If you have a problem, for example with a relationship that is not going well or you need to make an important decision, quietly ask your inner self for advice. By taking the time to listen to your higher wisdom you'll be surprised at how easily problems are resolved. Successful conscious dreaming comes in both an active and a passive mode. You can create images and ideals for yourself actively or you can take a receptive stance and allow images and thoughts to arise on their own accord. Both are important and can lead to valuable insights. At the end of each conscious dreaming session conclude by saying to yourself, "This or something better now happens to me for the total good of all concerned." This phrase allows the possibility of the higher wisdom to work through your dreams. You can return to the conscious dream images throughout the day. By beginning to contact your inner self in this way you will find that it becomes usefully integrated into (your everyday life. Gradually open your eyes and for a few seconds look around you. Then slowly roll over onto one side and gently get up.

Like music and meditation, aromatics can be used to alter your consciousness and deepen your awareness. Using environmental fragrances is also a delightful way of lifting your mood and sharpening your mind. A cool whiff of neroli sets your brain racing. Sniffing white rose can nestle you down into the most enjoyable indolence. Immerse yourself in the rich warmth of the ambergris and, even if you are the most timid of creatures, you can begin to feel bold and daring. Tibetan lamas mix an extraordinary combination of herbs and flowers to produce an incense which heightens concentration and centers the mind for meditation. In ancient times, temple prostitutes knew every secret of blending aromatics to create a heady aphrodisiac which was completely irresistible to their worshippers. And astrologers advised their clients which balm to use when a specific planet made particular transits in their chart. The special substances that make all this possible are the plant essences - the light, fine, almost etheric essential oils taken from roots, leaves, barks and flowers of plants in their prime of life. A plant essence plays an important role in the plant's growth to maturity, is forever changing its chemical composition in the plant, and is present in greater quantities in young plants. Many experts in the use of plant essences believe that, in some way that no one has been able to identify, these substances contain much of the life force of the plant, including the basic characteristics of its leaves and flowers that give it a unique character, smell and ability to affect human beings in specific ways. Some plants, such as jasmine and rose, require hundreds of pounds of live flowers to produce even a tiny bottle of the essence. They are very expensive. Other oils, such as cinnamon and basil, are easily extracted and inexpensive. But you should know that the 'synthetic' version of a plant essence (in spite of the fact that its main constituents have been chemically reproduced) does not have the same effect on a person. This is probably because the terpene alcohols, phenols and esters that make up these natural substances have a synergistic quality - they work together to produce an effect greater than the sum of each working on its own. Some natural therapists rely on many plant essences for their restorative and stimulating actions in treatments for skin and hair, as well as for combating cellulite. They are also important constituents in many expensive face creams and lotions. But the way in which aromatic vibrations from essential oils can be used in your environment to alter mood and mind is something quite different from their therapeutic uses, when mixed with carrier oils and spread on the skin in aromatherapy treatments. Oil of geranium, for instance, is a mild diuretic useful in aromatherapy for treating fluid retention, eczema and anxiety. But burn it as incense, or let it diffuse into your environment as a fragrance, and it can make you act with uncharacteristic rashness - an effect quite separate from its therapeutic properties. Aromatherapy is a tool for healing. Aromatics belong to the realm of magic. The best way to discover what its magic can do for you is to experiment with a few of the real essences. Start with six, and then enlarge your repertoire as you get to know the quality and characteristics of each, and as you discover those you particularly like. Because they are natural substances, and highly volatile, they rapidly diffuse into the environment. They just as rapidly disappear or can be replaced by other fragrances. When you choose essences and oils for burning, make absolutely sure that those you buy are natural. The current fascination with aromatherapy has led to the appearance of a myriad of poor quality so-called essential oils, which are nothing of the kind. They are cheap chemical analogues and are currently being sold in chemists, department stores and specialty shops all over. Trying to use them for mind-bending is a grave mistake. They can actually make you feel quite sick, not to mention the unpleasant fact that they tend to infuse into a room and then imbed themselves in the carpets, curtains and furniture with the tenacity of a cheap perfume. Only real essential oils have mind-bending magic. But what a wonderful magic that can be. Cedar heightens creativity Chamomile soothes panic and hysteria Marjoram calms irritability, soothes panic Cinnamon is a natural stimulant Frankincense calms irritability and impatience Neroli is an anti shock aid, and heightens mental functions Basil banishes fear and indecision, and is antidepressant Clary sage clears the head after mental activity Juniper improves concentration, and banishes fear Sage dispels anxiety Lily restores energy Geranium is anti-anxiety Ylang Ylang is aphrodisiac and antidepressant Lavender calms irritability, and soothes impatience Patchouli is an antidote to apathy, and is good against exhaustion Peppermint uplifts the spirit, is good against apathy, and is a mental stimulant Jasmine is an antidote to shyness Sandalwood helps new ways of thinking Rosewood calms an aggressive mind Vanilla heightens nostalgia - especially for childhood USING AROMATICS FOR MINDBENDING * Put 30 to 50 drops of essential oil or oils into a half pint size spray bottle filled with water. (The kind you use to spray plants is ideal.) Use this mixture as a room spray. * Put 8 to 10 drops of essential oils on a small piece of cardboard and place it on a warm radiator. * Put 5-10 drops of an essence on a small plate and put it on top of an aga or wood stove. * Place a few drops of essential oils on a cotton or linen handkerchief and sniff it periodically. (This is a particularly good method if you are in a public place where the air is full of cigarette smoke or the room is stuffy.) * Place 10-15 drops in water which is simmering on a hob. This will humidify the environment as well as scenting it.

In my last post, we looked at unconscious image-making which prevents us from experiencing authentic freedom and undermines our sense of self. Now let’s flip destructive image making-on its head. It’s time to learn the art of conscious image-making It can improve health, heighten self esteem, and even forge the person whom you long to become in the future. All you need is a simple notebook in which to record your intentions, goals and experience plus 15 to 20 minutes a day to practice the art. This can be a lot of fun. POWERS OF THE MIND Creative imagery is the deliberate, repeated use of specific mental images, while in a deeply relaxed state or meditative state, to bring about change for the better. Just how creative imagery works has never been fully defined. It does, however, appear that the images one chooses to focus on when repeatedly held in the mind are able to affect one's body, emotions, and mind through the autonomic nervous system. Some of the process, at least, is explainable in biological and energetic terms. When a thought or image is kept in the mind of someone in a state of deep relaxation, his or her brain shows neuronal activity in both right and left hemispheres. Nerve fibres leading from the cerebral hemisphere through the hypothalamus can directly affect the autonomic nervous system and the pituitary gland as well as the adrenal cortex. Everyone has had experience of this image-making to some extent in day-to-day life. For instance, if you keep a frightening image in your mind's eye—say of a ghost, a fantastic monster, or a situation you want at all costs to avoid—your body will respond via the autonomic nervous system with a racing heartbeat, perspiration, dryness in the mouth, or gooseflesh. How strong your reactions are to the fearful thought depends entirely on how clear the image is. Similarly, when you hold a clear, relaxing image of perhaps a spring meadow or a person you love, your body responds with relaxed muscles, lowered heartbeat and blood pressure, and generally pleasant and passive bodily sensations. Researchers have found that through this mind-body connection we can exercise a great deal of control over our bodies and our behaviour simply by choosing images to focus on and using them regularly. In fact, this kind of deliberate visualization is the technique behind the ability yogis demonstrate in raising and lowering their bodily temperature or heartbeat at will, going for long periods of time without food, and performing extrasensory tasks. TRUST THE GAME Although the mechanism of creative imagery is highly complex, putting it to use is simple. For just as it is unnecessary for you to know how the nervous system, in conjunction with the brain and muscles, makes it possible for you to pick up an apple and take a bite out of it in order to perform the action, so it is not necessary to understand biological theories about creative imagery in order to practice it to your benefit. The imaging mechanism of your brain works automatically; all you have to do is provide it with images that are useful to you and let it do its job. Nor do you have to worry about whether or not you believe in creative imagery or whether or not you can do it well enough for it to work for you. If there is a goal that you want to achieve, you need simply to visualize it—again and again, at least twice a day; the rest is automatic, so long as your goal is something you consciously consider to be feasible. It would be absurd, for instance, to lie down for ten minutes each morning and afternoon and visualize yourself as an eagle. You might improve your imagination no end, you might also develop a great empathy for eagles, but it unlikely that you would develop wings or a beak. Nor need you worry about success or failure. As Maxwell Maltz says in his book Psycho-Cybernetics, "You must learn to trust your creative mechanism to do its work and not `jam it' by becoming too concerned or too anxious as to whether it will work or not, or by attempting to force it too much by conscious effort. You must let it work, rather than make it work. This trust is necessary because your creative mechanism operates below the level of consciousness." The only real "trust" needed for it to work is that which makes it possible for you to spend time repeatedly practising creative imagery. You do this by letting yourself go into a state of deep relaxation or meditation and then repeating your chosen image again and again over a sufficient length of time for it to take hold in your unconscious and begin producing results. You certainly don't have to trust it in the sense of believing in it for it to work. It will work whether you believe it or not. Just be consistent in using the technique regularly. PREPARE THE WAY Begin by learning to just let go. Creative imagery is an inner state of mind. To visualize effectively you need to put yourself into a calm, relaxed state in which mental images flow easily. Generally the more relaxed you are, the more successful your visualizations will be. This kind of relaxation is something that is learned gradually by practice. Even if you feel in the beginning that you are hardly relaxed at all, you will get benefits from your imaging and this will become progressively more true as you repeatedly practice visualization. Begin by lying down, or sitting in a comfortable chair, with your back well supported. Use a simple practice such as zazen or gentle, quiet deep breathing to let go of daily concerns and enter your private world. When you feel yourself quietly calm resting in your own inner space, there are several things you can do: In this space, you can examine in a new light any question that has been bothering you. You have access to the deeper layers of your mind where many answers can be found, provided you are willing to ask the questions simply and then just wait in stillness for the answer to come. This place is also where you can become aware of your belief systems and bring them to consciousness so that you can examine them in a detached, objective way and see whether they are working for you or not. You can then decide what you want to keep and what your want to leave behind. It is a place where you can learn to listen to the sound of your inner voice. The more you do this, the easier it becomes. This inner voice can guide you to where you are going next and tell you what you are about. It is a place where you can come to know yourself for who you really are, quite apart from roles and habitual assumptions you have always had about yourself. Most important of all in bringing about change, you can use this inner space to practise creative imagery. Go through your relaxation technique until you enter your inner space. Now you are ready to begin visualizing. You can do this in two ways: verbally, by simply repeating over and over a few words that describe the image, or visually, by simply seeing yourself as already having become what you want to be. For some, who at first experience difficulty in visualizing, the verbal method works better; for others, the visual method is more successful. Try them both and see which you prefer. Later on, after you are familiar with the use of creative imagery, you will probably want to use both. FOCUS YOUR DESIRE Let's say you pick as your goal the desire "I want to have more energy." Using the verbal method, turn the wish into a positive statement. It becomes "Every day I am more and more energetic and well." It is important that your goal be phrased in this way. It has to be in the present tense—not "One day I will be better" or "I hope that I will be more energetic," but Every day I am more and more energetic and well. It is happening now. Your subconscious mind, which holds the power to bring about change, does not function in terms of time and space as your conscious mind does. It understands only the simplest and most direct instructions, and when they are given it works as if they had already occurred or are occurring now. The words you have chosen become your image. You put them to work by simply repeating the words over and over again silently to yourself while you are in the deeply relaxed state in your inner space. It is the constant replaying of the message day after day twice a day that works best, not how long you do it each time you relax. One convenient way of doing it is to repeat the directions ten times in each session, moving one of your fingers with each repetition until you have been through all ten. Then you simply say to yourself the same, "I am now going to come out of my inner space...(by counting backwards from three, etc.) and open your eyes. The best time for most women to practice creative visualization is in bed at night just before they fall asleep, and then again in the morning just before they get up. But really you can do it anytime—whenever you can find ten minutes to yourself in the middle of the day, or in the middle of the night if you awaken, or during meditation. The important thing is to do it regularly twice a day every day. You needn't worry about doing it wrong, either. Because, in truth, there is no wrong way, and every supposed wrong in the way you are doing the technique will gradually put itself right with practice. WATCH IT HAPPEN If you prefer, you can use a visual way instead, or you can use a combination of both. Picking the same goal, I want to have more energy, go through your relaxation technique. When you are at the inner space, instead of repeating words let your mind play with the image of your goal as if it had actually come about already, almost like a daydream. In other words, see yourself moving through your day, relating to people, doing your work, playing games, all the while full of vitality and bounce. Watch yourself in your imagination and enjoy the ease with which you do things that once seemed difficult or tiring. Notice the glow of your skin, how well you look; see the vivacity in the way you speak and move. Watch yourself and enjoy it. The more of it you let yourself imagine and the more you enjoy your imaginings, the stronger will be the images you are creating and the more quickly they will become reality. But as with the verbal instructions, always keep your images in the present as if they are actually happening now and not as if they might happen in the future or are something you would like to see happen. You may find at some point that something or someone is interfering with your image. For instance, you might find that as you watch yourself moving about energetically through the day in your mind's eye, another figure appears—say an old woman—who speaks to you. Perhaps she says something like, "You silly girl, if you don't slow down you know you will exhaust yourself or make yourself ill." Or, "Why are you pretending to be full of energy when you know that you are really tired?" and so on. Pause for a moment and take a look at the figure. Who is she? Your mother? A friend who tends to be negative about everything you try? The voice of a belief system from inside you which, without your being aware of it, has been telling you for years that you are tired? Answer the figure back. Tell her quietly but firmly in your mind, "No, you are wrong. I am well and I have lots of energy. I also know how to use it wisely. I will rest and look after myself when I need to, I will eat well, I will enjoy what I do. I will be happy with my vitality." Then go on with your visualization. Unexpected intrusions like this while you are visualizing are often very useful, for they help make you aware of belief systems and notions that may have been unconsciously impeding your progress towards a goal. Then, when you have practised your visualization for, say, five or ten minutes, tell yourself you are going to count backwards from three and open your eyes. A FEW TRICKS TO HELP In the beginning, when you are just starting to explore the power of creative imagery, it is a good idea to pick only one goal at a time and work on it for several weeks or months until it is being progressively realized before taking on another thing you would like to change. The technique of keeping a journal is very useful in recording your progress, but even more important is keeping a record of insights and experiences you come upon while practising the deep relaxation and visualisation techniques. The information and insights they turn up for everyone are invariably rich. Many times something you record today which seems not particularly useful now will have a message of immediate importance to you three months from now. Finally, there is one very simple goal that I find particularly useful because it covers all areas of one's life and you can use it over and over again, year after year, with benefit. It is, "Every day I am more and more myself. My life grows richer and richer." “Practice makes perfect,” the saying goes. It most certainly does but never treat your practice as a chore. Let it be fun. When you do everything happens faster and with greater ease.

London’s Daily Mail approached me a few weeks ago asking me to write a piece on what it’s like to have 4 children by 4 different men. The idea intrigued me so I did. The piece wasn’t published since, they said, “It’s not written in the Mail style.” This week we sent what I wrote to all lesliekenton.com newsletter subscribers. Since we had an overwhelmingly positive response to this piece, I decided to share it with you as well. (This is the first time we have ever done something like this.) I hope you will also enjoy reading it. It comes as a personal gift from me to you. Struggling to hold back the tears, my daughter’s voice on the crackly phone line was barely a whisper. “Mama, Dan died this morning,” she said. Dan Smith, biological father to my third child, Jesse, was much loved by all of my children. He had been seriously ill with a rare form of leukaemia. We knew he could die any moment. Still, the news that reached me at my Primrose Hill home that cold February morning in 2010 sent shock waves through me. “We’re already organising the funeral,” Susannah went on. “We want to play jazz music, tell fun stories about Dan and celebrate his life. Don’t worry about being 12,000 miles away, we’ll video all of it for you to watch later.” I would love to have been there to celebrate Dan’s life. It had been a good life. He was an honorable man—one who kept his promises. Dan had long adored each of my four children although only one of them was a child of his own body. Four years earlier, Dan had chosen to move to New Zealand to be near the children. Together they had searched for and found a house for him so that all of us—me included—could spend precious time with Dan and care for him so long as he lived. NOT THE MARRYING KIND I had met Dan 53 years earlier when I was seventeen years old. We became friends. Later, in my mid-twenties, we were briefly married. I was never much in favor of marriage, however. That’s probably why I chose to give birth to four children by four different men. Now I’m being called a trailblazer for what is becoming an increasingly popular brand of mothering, commonly referred to as ‘multi-dadding.’ I am supposed to be what is fashionably termed a ‘4x4.’ Mothering children by more than one man recently hit the headlines with the news that actress Kate Winslet is expecting her third child by her third husband, the rock star Ned Rocknroll. Kate, 37, has a 12-year-old daughter, Mia, with her first husband, Jim Threapleton, and a nine-year-old son, Joe, with her second husband, Sam Mendes. The former weather girl Ulrika Jonsson is a 4x4, and the late TV presenter Paula Yates was a 4x2. While supposedly gaining popularity, this style of mothering is still hugely controversial. I am told that the news that a woman has children by more than one man is still met with a mixture of horror and fascination. Maybe I’ve been lucky, but I have never had to deal with either of these attitudes. To tell the truth, I have never much cared what people think about me, how I chose to live my life or the way I have raised my children. Perhaps that’s a good thing, or maybe I am just naïve. One thing is for sure: I’ve always been one of those women so fertile that that a man could almost look at me and I’d get pregnant. I would never miscarry. I rode horses, went surfing and danced all night while pregnant and suffered no consequences. I am told that women like me are often looked upon as monstrously selfish, bad mothers. They are accused of being feckless for having multiple lovers and just plain wrong for not providing their children with a ‘traditional family setup.’ I’m sure some traditional families are genuinely wise, stable and happy. The parents love each other and care for their children with great devotion and joy. But, in my experience, such families are few and far between. KIDS MATTER MOST What matters most in child rearing is neither convention nor family labels. It is the children. Children brought up by a devoted single mother (or single father) who lovingly trusts their own parental instincts and forms honest relationships with each child in their care, thrive. I believe this is far better than desperately trying to hold on to a marriage that doesn’t work ‘for the children’s sake.’ What I find sad is the way an ordinary single woman—not a movie star or media giant—who has children by more than one man and has to bring them up by herself, earning a living and juggling the needs not only of her children but also increasingly of their fathers, doesn't get the attention, sympathy, or anywhere near the admiration she deserves. It’s a challenging job for any woman. I know, I’ve done it. I’ve raised four children all on my own, earned the money for our family, stayed up all night caring for them when they had measles, chicken pox or mumps, then got up the next morning to make breakfast and iron that school uniform about which I was told, “Mama...my teacher says it has to be perfect.” Many a time I worried where the money was coming from to pay for food that week. LION-HEARTED MOTHERHOOD I champion any woman making a life for the children she loves in this way. It is the child that matters most and his or her relationship to a mother, father, or a caring friend. Every woman has a powerful lion-hearted passion to care for and protect her children. Women should trust themselves, give thanks for such power and use it for the benefit of their children. Kids are notoriously smart. They know when they are being fed a line about what they are “supposed” to think and say. They easily distinguish between what’s real and what’s contrived. As parents, if we want to gain the respect of our children we must always tell them the truth and treat them with respect as well as demand that they respect us in return. As far as the fathers of our children are concerned, they deserve the same respect and honesty from a woman as the child does, whether or not she is married to them. I believe that each child needs to get to know its father in its own way and make its own judgements. MY OWN STORY I grew up in a wildly unconventional family of highly creative, unstable people. Until I was 5, I was raised by my maternal grandmother. Later I was raped by my father and had my brain fried with ECT in an attempt to make me forget all that had happened to me. I was always a tomboy. I hated dolls. I loved to climb trees and play football. Yet from 5 years old I was sure that I wanted to have children. When I told my grandmother my plan she said I would need to get married to have children. “What’s married?” I asked. “It’s when you wear a white dress and have a big beautiful cake and promise to love and obey a man,” she said. “Ugh, I’ll never do that,” I replied. “I hate cake.” In any case, I knew she was lying to me since none of our Siamese cats were married, but they gave birth to masses of kittens. At the age of 17, while in my Freshman year at Stanford University, I got pregnant by a 22 year old man named Peter Dau. I rang my father. “I’m pregnant,” I told him. “What are you going to do?” “Give birth and keep the baby.” “You can’t keep the baby unless you get married,” he said. Had I been a little more gutsy I would have told him to get stuffed. But at the age of 17, still wrestling with all that had happened to me in my own childhood, he wielded a lot of influence over me. So I agreed. Peter was all for the idea. Single-handedly I put together an all-white wedding for 250 people in the garden of our Beverley Hills home. I made the decision to wear black shoes under my white satin dress. I felt I was giving my life away by marrying Peter, but I was willing to make the sacrifice since I so wanted this child. As soon as Dan learned of the wedding, he sent me a beautiful sterling silver bowl as a present which I still have. My first son, Branton, was born six months later. When I held this tiny baby in my arms he taught me the most important lesson I ever learned: Love exists. It is simple, real and has nothing to do with highfalutin notions or flowery words. At the age of 18, I realized my life had found its purpose—to love and be loved. PREGNANT AGAIN A year later, Peter and I left California for New York where he was to attend medical school while I went to work as a model to help support us. At that time, Dan left his job as a journalist in Massachusetts and moved to New York to be near us. My marriage to Peter ended amicably three years later. It should never have happened in the first place. Three days after leaving Peter back in California, I stopped overnight at my father’s house in Beverley Hills on my way back to New York. Barry Comden, a man much older than I whom I had known since I was 14 but never had a sexual relationship with, discovered I was in town and came to see me. I made love to him once and knew immediately that I was pregnant again. Marry Barry? No way. I was determined not to make the same mistake twice. (Years later Barry would marry the actress Doris Day.) Nine months later my only daughter, Susannah, was born. It was then that a large tumor growing off of my right ovary was discovered. It had been hidden behind the baby during my pregnancy. It was dangerous and had to be surgically removed. HELP WHEN IT MATTERS Once again Dan appeared in my life. He had always insisted that he fell in love with me from the first day we met. He had written me letters every single day my first year at Stanford. I never answered any of them. I didn’t share his love and I didn’t want to lead him on. He had also sent me book after book which he thought I should read. I read them all and loved them. Dan had always been kind and generous to me. He was always keen to protect and care for me when I needed it. So, when I ended up penniless and alone with two children and in need of major surgery, he offered me a home. I accepted. For several months the four of us lived together in New York. Dan adored Branton and Susannah and treated them as if they were his own. I was longing to leave the United States. I wanted to live in Paris—a city I loved more than any other. Dan was able to arrange a job for himself there as a foreign correspondent. In early 1964 we went. Dan had repeatedly told me that he was sure we were meant to be together forever. I hoped that he was right and believed that if I tried hard enough to be a good wife I would learn to love him as he deserved. On July 29, 1964, we were married in Paris. Like every other man I have ever been close to, Dan knew long before we were married that my children would always come first. I had sat him down and told him that he would have to treat Susannah and Branton exactly the same as he would treat any child of his who might come along. He agreed. On June 12, 1965, Dan’s son Jesse was born. He was delighted. True to his word, never once did he favor Jesse over Branton and Susannah. This was great for all three children who came to know him well and to adore him. When presents were passed out, each child was equally favored. Dan belonged to all of them and they knew it. FATHERS, FATHERS Because Branton’s father lived in America and we lived in Europe, Branton did not see him again until he was 11. By that age I figured he was old enough to make the trip on his own and spend a week or two with Peter. Susannah was not really interested in her father—also in the United States—until she was about 17. She then went to Los Angeles to meet him. A good friendship developed between them which remained until Barry died. A non-traditional, unconventional family? Absolutely, but it worked because there was honesty and there was love—the two most important things in any family, anytime, anywhere. For five years I had told myself that, if only I could learn to love Dan more, then everything would be all right. But I couldn’t. And it wasn’t. Confused and disappointed, at the age of 27, I faced the fact that our marriage had failed. We moved to England and we separated. It was Easter. I went to a Buddhist monastery in Scotland to clear my head. Of course Dan grieved over the failure. But that never stopped him from being a welcome person in our family right up to his death. Years later he would marry Gerda Boyeson, a psychotherapist who died a few years before he did. BLESSED MEN The men who made my life rich after Dan and I divorced were, each in their own way, as special as he had been. Each accepted that my children came before all else in the world to me. I never compromised. I chose men, be they friends or lovers, who brought wonderful things to my children. No man ever came before my children. If any man didn’t understand and accept this, he had to go. One man whom I loved, Graham, taught my children to climb and sail and mountaineer. All my children forged deep bonds with Graham which have remained to this day. Another man, Garth, gave Branton, Susannah and Jesse his much cherished toy collection from his own childhood. Garth took us all on wonderful picnics, introduced us to hidden beaches, sang songs with us and blessed us with his unique brand of joy. Then there was David, a man with whom I lived with for 5 years in my late twenties. David constructed beautiful rooms for each of my children in the tiny house I had bought with the little money that my grandfather had left me, when Dan and I separated. David wrote and recorded songs for each of my children. That was 40 years ago. Last year, Susannah and her partner visited David and his wife in Barcelona where he now lives. AN UNCONVENTIONAL MOTHER Ironically, the only complaint I ever got from any of my children about my not being conventional enough was from Dan’s son Jesse. “Why aren’t you like other mothers?” Jesse asked one day when he was 7. “I don’t know, Jesse, what are other mothers like?” “Oh you know,” he said, “They’re fat and bake cookies.” Jesse even grumbled if, while I was waiting to pick him up from school, I sat on the playground swings. He was adamant that such behavior was not “proper” for his mother. Sixteen years after Jesse was born, I became pregnant for the last time by yet another special man—Paul. I announced my condition to 17 year old Susannah as we were all setting off for a six week holiday in Canada with Graham and his son Ruan. “I’m going to have a baby,” I told her. “Don’t worry Mama,” she laughed, “We’ll say it is mine!” FAMILY CELEBRATION In March of 1981, I gave birth to my fourth child, Aaron, at our home in Pembrokeshire. All three of my other children helped deliver him. While I was in labor, they prepared the most delicious lunch I have ever tasted from fruits and vegetables from the garden. I had insisted on giving birth naturally at home, not in some clinical, cold hospital. Jesse had been born via natural childbirth, at a clinique d’accouchement in Paris. After the experience of natural childbirth I swore if ever I had another child it would have to be this way. As for Dan, one way or another he was always close by. He knew David, Graham, Garth and every other man who was to play a role in my own life and my children’s lives. For many years he spent Christmases with us and with our other male friends when they were there. Dan loved to play saxophone at family gatherings. One year he dressed up as Santa Claus. Aaron, then 5 years old, was completely taken in by the costume and terrified when this rotund man belted out, “Ho, Ho, Ho, little boy, what do you want for Christmas?” It took a lot of reassurance from Aaron’s big brothers and sister to convince him that Santa was really ‘good old Dan.’ UNIQUE & INDEPENDENT As for my children, each of them is totally unique and highly independent. I have always fought hard to encourage them to trust themselves and listen to their own heart instead of doing or saying what the rest of the world tells kids they are supposed to do and say. After graduating with a first class degree from Lancaster University, Branton, now 53, developed a series of successful businesses. Susannah, 50, with whom I have written 5 books and done two television series, is a sought-after voice artist. Jesse, 48, is a highly skilled plastic surgeon. Jesse and I have also written a book together. Aaron, now 32, is a designer and filmmaker. He and I have worked together for the past four years developing Cura Romana—a spiritually based program for health, lasting weight loss and spiritual transformation. Branton and Jesse have been happily married for many years. Both have three children each. As for me, I am probably the world’s worst grandmother. I don't babysit, or do any of the things grandmothers are ‘supposed’ to do. (Including baking those cookies Jesse once complained about.) Why? I’m not sure. I guess because for forty-five years of my life I was a mother. I loved this more than all the books I’ve written, all the television programs I’ve devised and presented, all the workshops I’ve taught, and all the other things I’ve done and enjoyed. Right now, my life belongs to me alone. I love the freedom this brings me. I am passionate about being a catalyst in people’s lives, helping them realize their own magnificence and live out their potentials both for their own benefit and for the benefit of all. Who knows what exciting challenges lie before me. Bring them on!

Several years ago, as a result of an unexpected breakthrough in my own life, I came to understand something remarkable: Bliss is a natural state for human beings. When we feel blissful, it’s not only a wonderful personal experience—it connects us with our compassion for ourselves and others and with innate creative power. It shows us that we are capable of living life to the full, regardless of current circumstances. Unfortunately, in the chaotic atmosphere of the 21st century, with all its economic uncertainties, political unrest and suffering, too few of us tap into our capacity for bliss. Perhaps the greatest reward of working with participants on the on-line Cura Romana program is this: As a result of changes that take place physically, emotionally, and spiritually bliss becomes a frequent visitor in their lives. BODY OF BLISS Our capacity for bliss, as well as our need to experience it, is inscribed in our primitive brain—almost as deeply as our need for air, water and food. Bliss is the medium through which mind, spirit and emotions weave a tapestry of meaning. Bliss renews. Bliss cleanses. It makes us feel whole, solid, stable and alive. Bliss tells us: “This is something I want to try.” Then it brings us the courage to go for it. So important is bliss to our discovering who in truth we already are and to our realizing our goals, that when we deny our need for it we are forced to look for artificial substitutes. Addictions arise: to food, drugs, alcohol, sex—even ambition. But addictions always disempower us. They lead us further away from the authentic freedom that is our birthright. Here’s the bottom line: Find out what brings you bliss day by day. Make space for it in your life and you forge your own unique path to authentic freedom, creativity and joy. Where do you begin? Here’s a three-stage process: Dive into stillness Immerse yourself in sound Discover your passions JOURNEY TO THE CORE At the center of your being is a place of safety and security which you can move into when you so choose then out of again to meet the outside world, form friendships and share your gifts with others. This place within is a permanent sanctuary to which you are able to return when you feel tired, confused, or in need of more vitality and new directions. The key that opens this particular door to stillness is sensuous breathing for letting go. HERE’S HOW: Lie on the floor on your back and just let go, so your arms and legs flop. Close your eyes. Feel your body against the floor. Do you notice any tension in any part of it? Shoulders? Back? Legs? Focus inside your body; notice where you sense any movement in your muscles as you breathe. Imagine you are breathing into that spot. Imagine you can exhale through that part of your body. As you do, experience the breath relaxing your sore muscles as it filters through them. As you become more and more relaxed, experiment with movements that are a natural consequence of free breathing. They are blissful movements. WHOLE BODY SENSUALITY As you breathe in, your pelvis tips back ever so gently, creating a slight arch to your back. Your abdomen and chest rise. Your ribs and back expand and your chin tilts forward just barely. Then, when you exhale, your pelvis moves down again so your spine almost touches the floor, your back contracts, and your chin and head move back again, exposing the front of your neck a bit more. This subtle, natural movement turns into a wave-like motion that gently flows without hesitation from in-breath to out-breath. The whole process of sensuous breathing is already encoded in the human body. Experiment with this kind of breathing, and before long you will discover that it happens automatically. And as this takes place, you can enter a realm of deep stillness and begin to experience a surprising bliss. It’s a bliss that revives, restores energy and helps set you free from habit patterns that no longer serve you. Try it a few times and see for yourself.  SOUND POWER Sound is another effective medium for invoking bliss. The sound of running water winding its way over stones in a stream cleanses the mind of worries and leaves us feeling calm and clear. The sound of a heartbeat played in an infant's cot reassure her and send her into blissful sleep. Take advantage of the sounds of nature even if you live a bustling city life by regularly using earphones and an MP3 audio which reproduces the breaking of waves or the calling of birds. Then there is simply listening to music. This is one of the few human activities that activates the whole brain. Intrinsic to all cultures, music brings us profound benefits—improving memory and focusing attention, as well as enhancing physical coordination and development. It opens our mind and body to experiences of deep pleasure and joy. The right kind of music clears the mind. It filters out distractions and improves focus on whatever activity we happen to be involved in. The finest classical music is generally the best choice. By now it is common knowledge that babies exposed to classical music while in the womb are likely to be born with higher intelligence. GIFTS FOR FREEDOM Music also spurs creativity. Artists and writers learn this from experience. For some, even writer’s block can be cleared by listening to music. Sound and music are processed by both sides of the brain simultaneously. This encourages a unity of perception and feeling in us. Listening to music also reduces chronic pain, including that of osteoarthritis rheumatoid arthritis, back problems and muscular aches. It also alleviates depression by as much as 25%. This is one of the reasons that music therapy is increasingly used in hospitals. It reduces the need for medication during childbirth, decreases post-operative pain, and complements the use of anesthesia during surgery. How does music do this? Music helps us feel that we have a sense of calm control over our bodies. It triggers bliss, fosters relaxation and encourages the release of endorphins. Gentle music relaxes us, slowing the rate of breathing and the heartbeat. It reduces stress all round. Music also boosts immune functions. Some kinds of music can create a positive and profound emotional experience which leads to the secretion of immune-boosting hormones. This contributes to a reduction in the factors responsible for illness. Listening to music or singing decreases levels of the stress-related hormone, cortisol. CHOOSE YOUR MUSIC The most important question then becomes “What kind of music do you use for what?” This is such an individual experience. Everything from Mozart to the soul dynamism of Brazil’s Capoeira can do it for you. I believe that we humans need lots of different kinds of music if we are to gain the greatest value from it. Let me share with you some of my own favorite music and composers. Get yourself an inexpensive iPod or other MP3 player. Experiment with music from different artists and genres. Don’t be afraid to explore lots of different kinds of music in your own life. Find out what each makes you feel. The bliss awaiting you as you do is virtually unlimited. Here are a few of my personal suggestions to get you started: Beethoven’s Seventh Symphony Craig Armstrong’s film music Brazilian Capoeira Arvo Part John Martyn Al Gromer Khan  YOUR OWN BLISS TRIGGERS OK. We’ve explored a few bliss-creating experiences together, from stillness and sensuous breathing to sound. There are many more. It’s time to find out what brings you joy. Get yourself a simple notebook. Start making a list of all the things that bring pleasure to your body and mind by enlivening your senses. Continue adding to your list day-by-day and week-by-week as you become aware of more possibilities. Let your imagination run wild. At the beginning of each week, make a pact with yourself to enjoy one or more of these things within the next three days. And keep your promise. Experiment. Find out just how much enjoyment your body can take! Remember, your body thrives on bliss—feed it and it will reward you with energy, rejuvenation and joy that builds week by week into a whole new way of being for you. Here are a few of my own favorites. Making love. Running along the cliffs above the sea. Smelling lilies and freesias, roses, jasmine, and honeysuckle. Watching a good movie. Dancing with abandon to wonderful wild music. Feeling the breeze on my face on a bike ride. Swimming naked. Listening to all sorts of music. Lounging in front of an open fire. Reading a fascinating book. Spending time with a young child listening to its stories and make-believe games. Snuggling up to my cats. Eating fresh organic strawberries. Walking in the rain. What are yours? Write them down. Then create an intention to make them a part of your life, day-by-day. DIVE DEEP This experience feels like diving deep into a lake where the water is shot through with streams of light in constant motion—one moment gentle and lulling, the next wild or filled with the excitement of wind or the pounding of rain. This is what it can feel like for each of us as we delve deeper into the blissful state and develop greater aliveness. Bliss asks us to immerse ourselves in a way of being and thinking, living and dreaming that feels brand new. Try some of the activities that bring you the greatest joy, will help you rediscover ancient echoes of an endlessly rich way of living too long forgotten. Of course, at the deepest levels, we have never forgotten at all. Reconnecting with your innate capacity for bliss doesn’t happen overnight. It is a constantly developing experience, which makes it possible for us to reach levels of vitality, joy, clarity and radiant health which previously seemed beyond reach. The process begins by reconnecting with the body and developing a determination to live life your own way come hell or high water.

When it comes to rejuvenation on an emotional and spiritual level, the most powerful way there is to liberate life energy is simply to tell the truth. This means nothing more than allowing yourself to be what you are, without the pretensions or self-limiting assumptions that can unconsciously block the experience of being fully alive and able to make full use of your potentials. Far too much vitality lies stillborn beneath patterns of addictive behavior, fear, and heavy psychological baggage - the kind of stuff we all carry around with us to thwart our energy and make simply being who we are hard work. life energy thwarted The physical, emotional, spiritual and social environment in which most of us grow up rarely supports the full unfolding of our individual nature. As a result, like a plant trying to develop in depleted soil with too little rain and too little sun, each of us develops our own brand of disharmony and distortion. We may try to change ourselves to be what we think others want us to be, or we bury deep inside us all our fears, disappointments and frustrations lest they rock the boat of our day-to-day lives. Every past experience, all thoughts, perceptions and fears, can become encoded within the molecular structures of the body in the form of layer after layer of old "stress". Later on in life such `encoding' can manifest as muscle tension, metabolic processes that don't function as well as they should, negative thought patterns and recurring emotions such as fear, anxiety or depression. This happens to all of us to some degree. When we carry around a lot of old stress we can also gradually develop a lack of trust in ourselves, a lack of confidence, or a feeling of being unworthy or guilty. We can even end up burdened by a sense of meaninglessness which leads to addiction, or greed for material things, so that no matter how much we acquire we never fill up our emptiness. polishing the lens of perception At the core - at the very center of our being - beneath whatever physical, emotional or mental rubbish we have accumulated, is where true freedom is to be found. Rediscovering this freedom is essential for rejuvenation. It asks that we let go of distorted habit patterns, fears and frustrations which have developed over the years, and gradually reassert our trust in our essential self. The false ideas, notions and habit patterns that suppress and squander our life energy make us highly susceptible to early aging. They represent psychic and spiritual rubbish which is not only a big energy drainer but can cause as much free radical damage as living on junk food or taking drugs. The wonderful thing about the psyche is that, like the body, given half the chance it will detoxify itself so that life-changing psychic and spiritual energy is released. Psychic detoxification brings a spiritual rejuvenation in its wake that can echo throughout your whole life, adding the freshness of a child's vision to the wisdom you have developed over the years. There are many ways to go about it. Good psychotherapy can help. So can meditation, certain energy approaches to exercise such as Chi Chung, Tai Chi, Yoga and martial arts practices - provided they are taught with a real understanding of the spiritual power that underlies them. But one of the simplest to learn, yet most effective ways of doing this is by autogenic training. It costs nothing but a little time to learn the technique. Once learned, a daily practice of five or ten minutes a day over time can clear away psychological blocks and lift off stresses that have been locked deep within for a lifetime.