mindfulness

Do you believe in magic? Despite what you might have heard, it’s real, and it resides within you: Specifically, within your mind. This is because your thoughts and emotions can directly alter your reality—in accordance with your desires—in measurable ways. You probably aren’t yet aware of the astounding power that your mind can have when used to full effect. But don’t take my word for it. Find out for yourself how experimenting with a couple of simple practices can enable you to unleash its hidden ability, and literally change your world as a result. MIND OVER MATTER Looking back in history, science has always been considered ‘magic’ before it is fully understood and explained. The ways in which mind can affect matter are not yet completely explained by science, lending a supernatural association to this field. Certainly when you begin to harness mind power and observe it shaping your life, you’ll be convinced of its magical prowess! But there is also a solid and growing foundation of scientific evidence in its support. Physics, for example, has established that a change in one molecule can bring about an alteration to another—faster than the speed of light—even if they’re thousands of miles apart. Other scientific studies have proven that clear intention can, when coupled with a state of expanded awareness, have all sorts of physical repercussions: From increasing oxygen levels in cells to inhibiting cancer growth. PRAYER POWER One of the most effective ways to harness the power of intention and put it to work in your own life is through Affirmative Prayer. This technique involves verbally affirming your desired outcome—as if it already exists. It is incredibly powerful, and can be done either by yourself or in a group if you prefer. HERE’S HOW Recognition. To begin, open your heart and mind to the presence of the universal being all around us—or God, nature, spirits, or whatever you prefer. You might say, “I acknowledge Spirit as the birds chirping, the breath that fills my lungs…” or “I know that Spirit is everywhere in everything…there is no place that Spirit is not.” Unity. Honor and affirm your oneness with God, the Universe, or whatever entity you recognized in step one. “I am one with the presence of the Universe. That which the universe is, I am.” Realization. This is where you affirm the existence of whatever it is you desire to manifest, as if it has already happened. If you are praying for healing you might say “My body, mind and spirit are perfectly aligned and whole. I experience radiant health on all levels.” Thanksgiving. Give thanks to whatever in your life brings you gratitude. This will have the effect of ‘sprinkling water’ on the seeds of prayer you have planted. “I am grateful for my home and my friends… I give thanks for this opportunity to remember my wellbeing through prayer.” Release. Surrender your prayer to the universe in full belief that it will be handled. ‘I release my prayer freely and fully into universal law knowing that it is done. Amen.’ UNLEASH ENERGIES Energy changes always precede physical changes. This is one of the ways in which acupuncture works on human and animals as it allows a change in energy to take place within the organism. When we are carrying about a lot of latent energy—especially negative energies in the form of anger, grief, unfulfilled lust and so on—which cannot find a release, this interferes with our daily functioning. Often, it also stops us from achieving our goals. The good news is that, with a little mind-power, you can actually make this energy work to your advantage. When emotional or bodily energy is isolated and focused, it becomes a dynamically transmittable force. What this means is that, when coupled with clear intention, this bioelectrical discharge enters the atmosphere and can be used for whatever purpose you choose. Alternatively, you might simply want to rid yourself of a stifling emotional force that is holding you back from reaching your full potential. This is a worthy cause in itself. A ritualistic energy release is a wonderful way of spiritually detoxing your being, while turning negative energies into forces for good. HERE’S HOW Firstly, you’ll want to set up an appropriate ‘chamber’ where you will be comfortable and undisturbed. Use whatever props will help you intensify your emotional experience—a written letter or perhaps a photo or effigy of the person you are trying to help. Music is a wonderful evocative tool, possibly the best. Cleanse your chamber and open the ceremony using any combination of bell-ringing, incense-burning, and spoken word. Next, clearly announce your intention in as many or as few words as you wish, as long as it’s clear. Describe what you wish to achieve and why. Call upon the help of whatever spirits or supernatural entities (if any) you believe in. Continue to focus on whatever is making you angry, sad, etc. LET LOOSE When you feel that your emotions are profoundly heightened, release them. You might do this through an unsuppressed flow of tears, the violent destruction of an inanimate object, even orgasm if your goals are romantically-oriented (or you are trying to discharge excessive lust). Once all of your emotional and physical energy has been expended, close the ceremony, perhaps with a single sentence and the tolling of a bell. As with affirmative prayer, be confident in the knowledge that the universe will respond. Don’t worry about feeling stupid while going through this process. You will find that how you feel afterwards will justify the trouble you have taken. Not only will you feel like a fresh person: You will begin to see changes in your chosen areas of life—wherever you have directed the energy. You will discover how, using your own mind, you can create real-life magic … and you’ll never look back. TRY IT YOURSELF To discover the power of affirmative prayer for yourself, try this interactive prayer audio: www.theheartpod.com/pray-now.html. You can use it to pray for health, abundance, a relationship – or any subject dear to your heart. If you enjoy the process, you might like to start your own prayer group. You’ll find instructions on how to do that here: www.theheartpod.com/group-prayer.html.

It is not easy to live in our 21st century world full of suffering and confusion for many. The challenges we now face worldwide have come about from the long-term rejection and degradation of the Sacred Feminine. The Sacred Feminine is the mysterious source of all life, the wellspring of all creation, and we have forgotten this. Its creative power exists in men as much as it does in women. The Sacred Feminine carries great wisdom, sensitivity, and a tender love for all life. It respects the need for suffering and vulnerability, for deaths and rebirths. It asks that we embrace life and preserve it. In all its wildness, the Sacred Feminine brings to us the ability to unify body and soul, spirituality and politics, the human and the divine. Yet most of us have lost touch with the Sacred Feminine. It’s time to regain it, and there is no better place to begin than to move into the world of women and see what we find there. A WOMAN’S LIFE So great are the demands on women now—many of them self-imposed—that we are often in danger of losing track of our own soul and of burning ourselves out. There is no place for the old female rituals in our lives. In other cultures—among the Native Americans, for instance—women would leave the tribe for a few days each month to enter the soul realms and experience the Moon Lodge during menstruation. There, in the presence of other women, they gave themselves permission to enter altered states of consciousness, to restore their energies, and to express the wildness of their own creativity—a creativity which, at the dark moon time of menstruation, has nothing to do with nurturing or relating to men or to children. We in the Western world have no such opportunity. Instead, many women, unaware of the value of venturing into the soul realms where dreams, instincts and wild energies abound as a way of reconnecting with personal meaning, choose to “control” their moods and cycles by taking hormones—not only to avoid unwanted pregnancies but even to regulate events so that a business meeting doesn't come up in the middle of a menstrual period, when they might not be as rational or socially acceptable as at other times. Then, sooner or later, every woman gets moonstruck. When it happens, the ordinary world in which she has been living is rent asunder. She is being initiated into the wild and wonderful mysteries of the Sacred Feminine. Menopause has arrived. A LOST WOMAN "Isn't it wonderful?" the editor of the woman's page of a national newspaper said to me one day, "Science has finally conquered women's biology.” “What are you talking about?" I replied. "Oh, you know," she went on, "It's great. We don't have to menstruate anymore and we don't have to have babies thanks to the Pill. We don't even have to go through menopause or get old now that we have HRT. At last, women are set free from their biology. I'd like you to write a piece on it." It took me a few seconds to recover from the shock of hearing an intelligent woman voice an opinion so far away from my own sense of what the nature of the Sacred Female is about. I knew there was no point in even discussing the issue. I said that the idea didn't grab me and walked out of the office literally stunned by how carelessly this poor frazzled and confused woman could dismiss a million years of inherited female creativity, wisdom and blood. She had done it with the wave of a hand and the swallow of a pill. Then, almost as an obituary, she had proposed a 750 word article on modern women's new-found “freedom”. At the door I turned to look at her. There sat a haggard 35-year-old who looked 50, hunched over her computer smoking cigarettes. Three years later someone told me she had just had her womb removed. SUFFERINGS OF THE WASTELAND The editor's sense of freedom, like much of the so-called “freedom” we hear about, is certainly of a very limited kind. Since all freedom is won at a price, I cannot help wondering how high a price we are paying and if it is real freedom at all—or is it a new form of slavery dressed up for make-believe? I know too many dynamic, successful women who appear to have everything. Yet, when you sit down with them alone—away from the glitter of their busy lives—they describe feeling out of sync with themselves. A sense of sterility and stagnation permeates their lives, and they carry a feeling of emptiness and even of betrayal, yet from what and by whom they rarely know. Many have aimed for the top and arrived. So now what? Where is the next challenge, the next battle to be won, the next social occasion? Like the editor, they tend to pack their days with duties and appointments, always uneasy that if they stop for a moment they might let somebody down or their lives might fall apart. PERILS OF LOGIC Just as our mothers and their mothers before them embraced the expectations of their culture that fulfillment would come through being a good wife, a good mother or good servant, women now have taken on another cultural stereotype. We have learned to do things logically. We have largely bought into a male stereotype based on the attainment of academic, financial or artistic success. We have thrown ourselves headlong into the male world, and many of us have “made it” within that world's terms. Yet in the wake of our success, we often find ourselves pursued by a confusing sense of barrenness and despair that further achievement in the world, new love affairs or the prospect of a facelift can do nothing to cure. It is at this point that many women, myself included, first hear the call to adventure. It comes as a powerful challenge to leave the ordinary world in which we have lived decades of our lives and set out in search of answers: Why did this happen? What was wrong? What secrets have we forgotten, and what connections had we lost, in our obsession with doing things and our tendency to opt for chemical control of our body's cycles? And what are we missing out on? BACK TO SOURCE How could we, as women, continue to buy into values and ways of living which not only didn’t serve the coming to fruition of our own talents and our capacities for joy, but were inexorably destroying the earth? Where had all our real freedom gone, and our power—not power in the masculine sense of power over, but in the feminine sense of power to? I delved deep into the past in search of archaeological findings and archetypal connections that might give clues to just what as women we had lost, and how any of these lost treasures might be rediscovered. This led me into the realm of myth and ritual. I discovered that the two worlds—the world of science, with all its shifting biochemistry and rising and falling hormones, and the world of myth, peopled with archetypes, symbols, goddesses and rituals—not only met, they are blended within a woman's body and psyche. And where they meet is a cauldron of blood. SACRED BLOOD According to written records, since the beginning of human history, the power of creation was believed to reside in the holy blood that pours forth from a woman's body. It ebbs and flows with the waxing and waning of the moon. Blood has always been credited with magical power and with containing the essence of a person's soul—"one's lifeblood". Medieval physicians believed that a woman's menstrual blood could cure leprosy and act as an aphrodisiac. For centuries, both male and female rituals for receiving the gifts of the Sacred Feminine involved ingesting menstrual blood: It was mixed with red wine and taken as an alchemical drink. Ancient Egyptians, Celts, Persians and Taoists in China all held similar beliefs about menstrual blood, and carried out similar rituals. In Ancient Greece during planting festivals, women mixed their menstrual blood with corn seeds, then spread them upon the earth for fertility. In the 17th century, when William Harvey wrote his famous scientific treatise on circulation, he referred to the flow of blood through the body as the coursing of spiritual power. Even our word “blessing” is derived from the Old English bloedsed, which means bleeding. HARMLESS AND FREE Menstrual blood and the blood of childbirth are the only kinds of blood given freely—that is shed without wounding. Not only metaphorically but speaking strictly from a scientific point of view, human life cannot be created without the blood in a woman's womb. So profoundly did an awareness of the power of a woman's blood touch the lives of primitive people that native words for menstruation carry connotations of spirit, divinity and magic—of the supernatural and of the sacred. Ancient Hindus taught that all life is created out of the congealing of Great Mother's menstrual substance, which had been worked and thickened to form curds or clots from which the crust of solid matter emerges. Their goddess of creation, Kali-Ma, “invited the gods to bathe in the bloody flow of her womb and to drink of it; and the gods, in holy communion, drank of the fountain of life and bathed in it, and rose blessed to the heavens.” INSTINCTUAL SEXUALITY The sexuality of the genuinely free woman is the sexuality of sheer instinct—the wildness of the Sacred Feminine set free. It is she that calls a woman into the secret places of the woods and provokes her to dance naked in wild abandon. Hers is a sexuality to be used in any way she chooses—in union with another; as power to heal the earth and all its creatures in need of healing; or alone to generate the alchemical meeting of male and female within her own body. She will be what she is, she will have what she wants. She is neither passive nor submissive, and her sexuality also has nothing whatever to do with bringing physical children into being. The Sacred Feminine’s eroticism is sheer ecstasy, lived for its own sake, and sheer creativity. She creates in an uninhibited, animated, fiery way, which emanates from the soul of a woman or a man. Such sexuality is the fuel for all creative powers in the world. It carries with it the energy of regeneration and of healing for the world. It is the kundalini power—the rejuvenating cosmic illumination, the power of the serpent, the sacred fire which heals. LIGHT OUT OF DARKNESS As the Sacred Feminine gains entrance into the body and psyche of a woman or a man, it illuminates one dark corner of his or her psyche after another, lifting away all that is old and dead and without meaning, the way kundalini energy rises up within a body to illuminate each of the chakras. Their power becomes the power to leave behind what is dead and useless to make way both for personal rebirth and renewal to the natural world. It is the indomitable creative power that lies sleeping in the consciousness of both men and women. Perhaps more urgently than ever before, the Sacred Feminine now calls to us to remember who we really are, and all the creative blessings we have, which the world around us needs so very much. Never in human history has it been more urgent that we listen and respond, for our own sake and for the benefit of all beings and all living things on the earth.

I had a beautiful mother. She was a cross between a golden-haired fairy godmother and a Hitchcock blonde. Always impeccably dressed, my mother could walk through a barnyard in a white suit and emerge without a speck. Not me. I am a walking advertisement for what I ate for lunch, since most of it ends up down my shirt. COOL BEAUTY My mother never shared with me her clothes, her jewelry, or her cosmetics. Even to walk through her dressing room and touch them was a crime punishable by banishment. She did share some important advice though: She taught me that beautiful skin matters. To maintain it, she insisted, you need just the right amount of sunlight –half an hour early or late in the day–and no more ever. She was also adamant I needed to eat natural foods and to supplement my diet with some judiciously chosen vitamins and minerals as well. Stay away from sugar and breads and pizzas, she insisted. Never go to bed without cleansing your face first, and nourish your skin to keep it soft and smooth with something really active—be it fresh papaya or an absurdly expensive but irresistible French night cream—to help repair cell damage that occurs during the day. It was she who taught me to fall in love with the ritual of nurturing my skin. At first I balked at the idea. Then, in my mid-twenties, I decided she was right. I began to make a little time each day to look after myself. I came to realize that the time a woman spends at her dressing table (this can be as simple an affair as a cardboard box covered with cloth at which you sit on a cushion) is a time of silence, solitude, and renewal. It is even better than meditation. And it’s a lot more fun. Fifty years later, I still believe this with all my heart. CAUGHT IN THE NET My professional involvement with beauty began when I became Health and Beauty Editor for Harpers & Queen magazine in London. For that matter, I was the first ‘health and beauty editor’ anywhere. Why health and beauty? Because I insisted that these two aspects of a woman’s life are so dependent on each other that they cannot be separated. At Harpers & Queen, I was blessed with a remarkable Editor for my boss: Willie Landels, a man of vision, humor, intelligence and the best possible kind of genuine sophistication. Willie gazed benignly upon my naïve American enthusiasm and my obsession with getting to the bottom of whatever I was investigating and he decided to place his trust in me. We worked together for almost fifteen years. From the very first month, he provided me with the freedom to write whatever I thought was important, and to say whatever I found to be true about it. In the decade and a half I worked with Harpers & Queen, only once did Willie question anything I wanted to write. It was a piece on Outward Bound for women. He thought it was “too downmarket”. Nobody ever changed anything in my copy— except to correct my abysmall [sic] spelling. Nor, after the first few weeks, did anyone attempt to influence or control what I alone decided I wanted to write about. AIN’T NOTHIN’ SO NICE AS FREEDOM Such freedom is a great blessing. It set me free to delve deep into whatever fascinated me—from writing about how Lancôme formulated their first liposome, to exposing the way plutonium, with its radioactive half life of 2,300 years, was being irresponsibly dumped into the Irish Sea from Britain’s nuclear fuel reprocessing plant in Cumberland. It still is by the way. (That was kind of scary. After the article appeared my telephones were tapped for more than a year and my London home broken into twice, although nothing was stolen.) TO HELL WITH PRESSURE In the magazine world, a beauty editor (most nowadays hold the far grander title of “Beauty Director”) is continually bombarded by the publisher and advertising director at the magazine to write about products from cosmetic companies who have bought advertising. Harpers & Queen was no exception. Within the first fortnight, I was approached by its Advertising Director, Terry Mansfield—who later became Managing Director and Chairman of the National Magazine Group in Britain. Terry told me that one of the cosmetic giants had just bought an expensive double paged spread to promote some new skin cream. Would I please make sure I wrote glowing words of praise about the product in our next issue, he requested. With puritanical American blood surging through my veins, I was shocked. (More than a wee bit self-righteous as well.) “But Terry,” I whined, “I can’t do that. I can only write about what I believe in. If I wrote that kind of stuff, our readers would never come to trust me. After all, your advertisers wouldn’t want to buy space in a magazine its readers can’t trust. Would they?” I think Terry was so stunned by my naiveté that he didn’t quite know what to say. When Willie, the editor, learned about my response to Terry’s request, he smiled a secret smile. A year later, Harper’s beauty advertising had doubled. Before long, it tripled. Terry never brought up the subject again. Gradually my articles on health and beauty—some of which, I suspect, were too technical for anybody to fathom—attracted a wide audience. An ‘inside joke’ began to circulate. It was said that the reason why Leslie Kenton’s stuff was so widely was that although, few people understood a word of it, nobody wanted to admit to this. So they just kept on buying the magazine while Willie kept on smiling…

In my last post, we looked at unconscious image-making which prevents us from experiencing authentic freedom and undermines our sense of self. Now let’s flip destructive image making-on its head. It’s time to learn the art of conscious image-making It can improve health, heighten self esteem, and even forge the person whom you long to become in the future. All you need is a simple notebook in which to record your intentions, goals and experience plus 15 to 20 minutes a day to practice the art. This can be a lot of fun. POWERS OF THE MIND Creative imagery is the deliberate, repeated use of specific mental images, while in a deeply relaxed state or meditative state, to bring about change for the better. Just how creative imagery works has never been fully defined. It does, however, appear that the images one chooses to focus on when repeatedly held in the mind are able to affect one's body, emotions, and mind through the autonomic nervous system. Some of the process, at least, is explainable in biological and energetic terms. When a thought or image is kept in the mind of someone in a state of deep relaxation, his or her brain shows neuronal activity in both right and left hemispheres. Nerve fibres leading from the cerebral hemisphere through the hypothalamus can directly affect the autonomic nervous system and the pituitary gland as well as the adrenal cortex. Everyone has had experience of this image-making to some extent in day-to-day life. For instance, if you keep a frightening image in your mind's eye—say of a ghost, a fantastic monster, or a situation you want at all costs to avoid—your body will respond via the autonomic nervous system with a racing heartbeat, perspiration, dryness in the mouth, or gooseflesh. How strong your reactions are to the fearful thought depends entirely on how clear the image is. Similarly, when you hold a clear, relaxing image of perhaps a spring meadow or a person you love, your body responds with relaxed muscles, lowered heartbeat and blood pressure, and generally pleasant and passive bodily sensations. Researchers have found that through this mind-body connection we can exercise a great deal of control over our bodies and our behaviour simply by choosing images to focus on and using them regularly. In fact, this kind of deliberate visualization is the technique behind the ability yogis demonstrate in raising and lowering their bodily temperature or heartbeat at will, going for long periods of time without food, and performing extrasensory tasks. TRUST THE GAME Although the mechanism of creative imagery is highly complex, putting it to use is simple. For just as it is unnecessary for you to know how the nervous system, in conjunction with the brain and muscles, makes it possible for you to pick up an apple and take a bite out of it in order to perform the action, so it is not necessary to understand biological theories about creative imagery in order to practice it to your benefit. The imaging mechanism of your brain works automatically; all you have to do is provide it with images that are useful to you and let it do its job. Nor do you have to worry about whether or not you believe in creative imagery or whether or not you can do it well enough for it to work for you. If there is a goal that you want to achieve, you need simply to visualize it—again and again, at least twice a day; the rest is automatic, so long as your goal is something you consciously consider to be feasible. It would be absurd, for instance, to lie down for ten minutes each morning and afternoon and visualize yourself as an eagle. You might improve your imagination no end, you might also develop a great empathy for eagles, but it unlikely that you would develop wings or a beak. Nor need you worry about success or failure. As Maxwell Maltz says in his book Psycho-Cybernetics, "You must learn to trust your creative mechanism to do its work and not `jam it' by becoming too concerned or too anxious as to whether it will work or not, or by attempting to force it too much by conscious effort. You must let it work, rather than make it work. This trust is necessary because your creative mechanism operates below the level of consciousness." The only real "trust" needed for it to work is that which makes it possible for you to spend time repeatedly practising creative imagery. You do this by letting yourself go into a state of deep relaxation or meditation and then repeating your chosen image again and again over a sufficient length of time for it to take hold in your unconscious and begin producing results. You certainly don't have to trust it in the sense of believing in it for it to work. It will work whether you believe it or not. Just be consistent in using the technique regularly. PREPARE THE WAY Begin by learning to just let go. Creative imagery is an inner state of mind. To visualize effectively you need to put yourself into a calm, relaxed state in which mental images flow easily. Generally the more relaxed you are, the more successful your visualizations will be. This kind of relaxation is something that is learned gradually by practice. Even if you feel in the beginning that you are hardly relaxed at all, you will get benefits from your imaging and this will become progressively more true as you repeatedly practice visualization. Begin by lying down, or sitting in a comfortable chair, with your back well supported. Use a simple practice such as zazen or gentle, quiet deep breathing to let go of daily concerns and enter your private world. When you feel yourself quietly calm resting in your own inner space, there are several things you can do: In this space, you can examine in a new light any question that has been bothering you. You have access to the deeper layers of your mind where many answers can be found, provided you are willing to ask the questions simply and then just wait in stillness for the answer to come. This place is also where you can become aware of your belief systems and bring them to consciousness so that you can examine them in a detached, objective way and see whether they are working for you or not. You can then decide what you want to keep and what your want to leave behind. It is a place where you can learn to listen to the sound of your inner voice. The more you do this, the easier it becomes. This inner voice can guide you to where you are going next and tell you what you are about. It is a place where you can come to know yourself for who you really are, quite apart from roles and habitual assumptions you have always had about yourself. Most important of all in bringing about change, you can use this inner space to practise creative imagery. Go through your relaxation technique until you enter your inner space. Now you are ready to begin visualizing. You can do this in two ways: verbally, by simply repeating over and over a few words that describe the image, or visually, by simply seeing yourself as already having become what you want to be. For some, who at first experience difficulty in visualizing, the verbal method works better; for others, the visual method is more successful. Try them both and see which you prefer. Later on, after you are familiar with the use of creative imagery, you will probably want to use both. FOCUS YOUR DESIRE Let's say you pick as your goal the desire "I want to have more energy." Using the verbal method, turn the wish into a positive statement. It becomes "Every day I am more and more energetic and well." It is important that your goal be phrased in this way. It has to be in the present tense—not "One day I will be better" or "I hope that I will be more energetic," but Every day I am more and more energetic and well. It is happening now. Your subconscious mind, which holds the power to bring about change, does not function in terms of time and space as your conscious mind does. It understands only the simplest and most direct instructions, and when they are given it works as if they had already occurred or are occurring now. The words you have chosen become your image. You put them to work by simply repeating the words over and over again silently to yourself while you are in the deeply relaxed state in your inner space. It is the constant replaying of the message day after day twice a day that works best, not how long you do it each time you relax. One convenient way of doing it is to repeat the directions ten times in each session, moving one of your fingers with each repetition until you have been through all ten. Then you simply say to yourself the same, "I am now going to come out of my inner space...(by counting backwards from three, etc.) and open your eyes. The best time for most women to practice creative visualization is in bed at night just before they fall asleep, and then again in the morning just before they get up. But really you can do it anytime—whenever you can find ten minutes to yourself in the middle of the day, or in the middle of the night if you awaken, or during meditation. The important thing is to do it regularly twice a day every day. You needn't worry about doing it wrong, either. Because, in truth, there is no wrong way, and every supposed wrong in the way you are doing the technique will gradually put itself right with practice. WATCH IT HAPPEN If you prefer, you can use a visual way instead, or you can use a combination of both. Picking the same goal, I want to have more energy, go through your relaxation technique. When you are at the inner space, instead of repeating words let your mind play with the image of your goal as if it had actually come about already, almost like a daydream. In other words, see yourself moving through your day, relating to people, doing your work, playing games, all the while full of vitality and bounce. Watch yourself in your imagination and enjoy the ease with which you do things that once seemed difficult or tiring. Notice the glow of your skin, how well you look; see the vivacity in the way you speak and move. Watch yourself and enjoy it. The more of it you let yourself imagine and the more you enjoy your imaginings, the stronger will be the images you are creating and the more quickly they will become reality. But as with the verbal instructions, always keep your images in the present as if they are actually happening now and not as if they might happen in the future or are something you would like to see happen. You may find at some point that something or someone is interfering with your image. For instance, you might find that as you watch yourself moving about energetically through the day in your mind's eye, another figure appears—say an old woman—who speaks to you. Perhaps she says something like, "You silly girl, if you don't slow down you know you will exhaust yourself or make yourself ill." Or, "Why are you pretending to be full of energy when you know that you are really tired?" and so on. Pause for a moment and take a look at the figure. Who is she? Your mother? A friend who tends to be negative about everything you try? The voice of a belief system from inside you which, without your being aware of it, has been telling you for years that you are tired? Answer the figure back. Tell her quietly but firmly in your mind, "No, you are wrong. I am well and I have lots of energy. I also know how to use it wisely. I will rest and look after myself when I need to, I will eat well, I will enjoy what I do. I will be happy with my vitality." Then go on with your visualization. Unexpected intrusions like this while you are visualizing are often very useful, for they help make you aware of belief systems and notions that may have been unconsciously impeding your progress towards a goal. Then, when you have practised your visualization for, say, five or ten minutes, tell yourself you are going to count backwards from three and open your eyes. A FEW TRICKS TO HELP In the beginning, when you are just starting to explore the power of creative imagery, it is a good idea to pick only one goal at a time and work on it for several weeks or months until it is being progressively realized before taking on another thing you would like to change. The technique of keeping a journal is very useful in recording your progress, but even more important is keeping a record of insights and experiences you come upon while practising the deep relaxation and visualisation techniques. The information and insights they turn up for everyone are invariably rich. Many times something you record today which seems not particularly useful now will have a message of immediate importance to you three months from now. Finally, there is one very simple goal that I find particularly useful because it covers all areas of one's life and you can use it over and over again, year after year, with benefit. It is, "Every day I am more and more myself. My life grows richer and richer." “Practice makes perfect,” the saying goes. It most certainly does but never treat your practice as a chore. Let it be fun. When you do everything happens faster and with greater ease.

Far too much vitality lies stillborn beneath patterns of addictive behavior, fear and heavy psychological baggage—the kind of stuff we all carry around with us which thwarts our energy and makes life hard work. One of the most moving accounts I have ever read of discovering freedom came from a political dissenter imprisoned in a concentration camp in the early 1940s. He wrote about how he came to experience the true nature of freedom, creativity and wholeness while living in the most inhumane conditions of physical incarceration imaginable. He discovered his freedom in the only way any of us ever will—by coming to live from ever deeper layers of himself. Eventually, he wrote, the very soul of him and his outer personality became like echoes of each other. REBIRTH BEGINS When the distortions we all carry—the false beliefs, destructive parental training, or negative habit patterns formed throughout our lives—begin to fall away, exciting things replace them. Rejuvenation begins to take place—emotionally, physically and spiritually—liberating life-energy and shifting the way we look upon reality, all the while allowing us just to be who we are. Any pretensions or self-limiting assumptions we have been carrying no longer diminish the experience of being fully alive. This is an experience available to everyone and one which I have discovered often takes place in men and women on Cura Romana. I have given a great deal of thought to why and how Cura Romana’s protocol initiates an expanded sense of freedom and possibility in the lives of those participating in out Journey Program, as well as those who work closely with me personally on our Inner Circle Gold protocol. I have no definitive answers. But I suspect that it has a lot to do with a couple of things. The first is the intention with which you enter into and follow your program. A few people are only interested only the fast and effective weight loss as they begin. Others tell is they are at a place in their life where they feel ripe for transformation on many different levels. Meanwhile, many first decided to do the program for weight loss alone report that their Cura Romana experience has spurred in them a desire for expansion and spiritual deepening which they could never have anticipated. BIOCHEMISTRY TRANSFORMS The other factor, which I suspect has a lot to do with the sense of freedom that the program engenders, is most certainly the result of biochemical, physiological and energetic changes that take place in the body and the psyche as greater hormonal, physiological and emotional balance progressively take place in central parts of the brain. It’s important to remember that the diencephalon deep in the brain represents the core of the autonomic nervous system. As it functions better, so do sleep, one’s sense of self, and one’s view of reality on many levels. I always tell people as they begin either of our programs that it is time to consider what you want from your Cura Romana experience. For, like many who have gone before you, you may find you get a lot more from the experience than successful weight loss. Four years ago, when Aaron and I began to work with our Cura Romana programs, we would never have dreamed that the most commonly reported non-physical benefit felt by participants completing the program is an experience of expanded freedom. Many insist that, for the first time in their lives, a burden of “conformity” they long felt themselves saddled with has been lifted away. ‘I am lighter,’ they say, ‘not just in my body but in my being. I feel free just to be me.’ Others say that long-held limiting beliefs have vanished. Others report that their lives and the world look different now—‘like everything is brand new’. Freedom has always fascinated me. I love the smell of the word. I like its sense of possibility. I taste freedom when I listen to the music of Aaron Copland—music that could only have been written in a country that once had vast prairies and seemingly infinite wilderness. I feel freedom in my body when I run along cliffs in the rain. I rejoice in the sense of freedom that comes when, after hours of shifting dead words and sentences, something suddenly comes alive and beauty spills out all over the page. A PASSION FOR FREEDOM I believe that each of us longs for greater freedom. Rightly so. Like air, food and water, freedom is a human birthrights. Yet we often have little idea how to go about finding it. In the search for freedom, some end up sniffing cocaine or drinking too much alcohol. Others dance all night at a rave. A few turn to philosophy. Or maybe they head off to India or California to sit at the foot of some guru, hoping he or she will hand it to them. All these things—from rum and cocaine to raves and yoga —offer a taste of freedom. Some, such as drugs and alcohol, are more transitory than others. When they wear off, so does the sense of liberation they once promised, to be replaced by what I call a false-freedom hangover. Others run deeper. The taste of freedom they offer encourages us to pursue them. The move towards the freedom they offer may be slower, but the liberating gifts they offer lasts longer. What’s important is that every experience of freedom, whether temporary or long-lasting, brings in its wake a sense of our being released from imprisonment—our being able, even for a short time, to respond to life spontaneously with the whole of our being. ENDING THE WEIGHT STRUGGLE When beginning their Cura Romana program, most participants have been struggling with their weight. They dislike—even hate—their bodies, and suffer a sense of shame about themselves. These are heavy burdens to carry. Often, people labor under false beliefs about the impossibility of changing things. They can be plagued by frustration or anger. And—although seldom aware of it until this begins to change—they experience a deep disconnection between mind and body. Some feel imprisoned by cravings and addictions—not only to foods, but to other things too, such as wine or cigarettes. They feel themselves at the mercy of compulsions and unconscious habit patterns which undermine belief in themselves as autonomous human beings. They’ve forgotten that, like all of us, they have been born with free will. The most freedom-restricting belief of all is the notion, which many people have, that what they want and need can only be found outside themselves. This false belief, more than any other, is what prevents us from experiencing the depth and power of our magnificent essential being which enables each one of us to forge the life we want. For many, Cura Romana has begun this process. It is the satisfaction that Aaron and I get from helping people discover and live out their natural birthright to freedom that makes us so passionate about the work we do with our participants. AUTHENTICITY AWAITS US Freedom is a unique state of being. There is a boldness to it. You dare to say what you think and feel, yet you can listen to the words and hearts of others who think differently. It brings with it a sense that you trust yourself, as well as the Universe, even if you comprehend neither. It liberates you from the slavery of conforming to other people’s rules, imprisoning ideologies, life-draining addictions to foods that do not support high-level health, and from the crippling influences of negative emotions that may once have strangled you. The way in which such authentic freedom blossoms in each of us is unique to the individual and full of surprises. However it takes place, the freer we become, the more self-determining our lives become, and the more exciting. When challenges arise, instead of looking upon them in fear as crushing forces, we start to see them as worthy opponents. We discover that wrestling with them helps us break through to an even wider experience of liberation. In an outer way, to be free means to enjoy liberty of action under a government which is not despotic and does not encroach on individual human rights. More important, in an inner way, becoming free means liberation from the relentless forces of doubt, self-criticism and fear that we all inherit from growing up in emotional and educational environments that split our mind from our body and teach us not to trust ourselves. These environments tell us that we are supposed to put our faith in ‘experts’. They teach us not to honor the splendor of the individual human soul. They say that each of us teaches what we most need to learn ourselves and creates what we most love. This is certainly the case with me and freedom. The most important thing I have learned from listening to my own longing for freedom is how essential it is that each of us learns to live our life in authenticity right from our the very core of us. We come to trust ourselves and honor who we are without ego or comparison. The more we live this way, the more beings around us are encouraged to do the same. I’ve also learned that, when we become aware of the sea of powerful cosmic energies in which every one of us is immersed, it supports our individual journeys towards authentic freedom in ways we have never dreamed possible. GIFTS FROM THE UNIVERSE The Universe is filled with compassion on which each of us can draw when we need support. Each of us has the power to create whatever we want. Authentic freedom knows no age-barriers—no limitations. Neither is it the province of an elite few while the rest of us ‘get by’ hoping that a few crumbs of this precious stuff will fall our way—if only we are patient enough, virtuous enough, or spend enough money buying all the right products. Here’s the bottom line: freedom is free. It belongs to all people. The demand for it is encoded in our very genes. This is what makes us long passionately to discover it. Go for it. It may well be the greatest gift of all.

Every one of us has more potential for health, happiness, self expression, energy and good looks than we ever make use of. Although there are many tools to help you towards self fulfillment - good food, exercise, stress control, beauty techniques, etc. - by far the most important of all is learning to use the power of your mind. you are what you think Because we create our lives from thoughts, it is important that we think constructively. Unfortunately most of us, without being aware of it, limit our possibilities for fulfillment because we continually bombard ourselves with negative thoughts. We all carry on some sort of internal conversation throughout the day. Usually if we tune in and listen, we find that it is full of negative thoughts and self doubts. Most often we are hearing the voices of our parents, or of people in authority telling us that we can't expect to be happy, that we are bound to fail, that life is suffering and that we should face the stark realities. Out of these negative thoughts arise our self-image and our sense of purpose and direction. It is clear to see, with so much criticism and so little sense of possibility, why we never dare dream of better things. The first step in changing your attitude towards yourself and your life is to stand back and listen to the voices in your head objectively and realize just how ill founded they are. Once you detach yourself from the rubbish going on in your head, you can begin on the path to self-fulfillment. love thyself Whether you feel you are too fat, too thin, too short, too tall, too selfish, too sensitive etc., in order to change, you must begin by accepting yourself right now for what you are. Try this exercise: Look at yourself in a mirror and repeat the words, "I love and accept myself completely, as I am" in your head over and over. And as you do write down any blocks that seem to keep you from accepting yourself. You may feel stupid or ridiculous or embarrassed, but stick with the exercise and you will find that it begins to ring true. positive affirmations You can learn to program your mind to bring about success and fulfillment in all areas of your life through positive affirmations. An affirmation is a phrase which can be silently thought, spoken aloud, written down or all three. The great thing is that affirmations can be done anytime and anywhere in one form or another. There are a few basic guidelines for contacting the appropriate part of your brain and evoking results. Once you understand them, you can create your own affirmations to help you become all that you can be. present tense The subconscious part of the brain only understands now - the present tense - so it is important to phrase your affirmation in the present tense. If you try the future tense, e.g. "I will be happy." your goal will remain constantly out of your reach. It may take a bit of getting used to to write or speak your dreams in the present tense, but remember that is just a formality. first person The most powerful suggestions are those made in the first person. Remember when you say "I" you are including all of you and so helping to integrate and employ your entire being in your goals. It is always better to make affirmations positive rather than negative. In other words in stead of saying, "I no longer overeat" say "Everything I eat returns me to my ideal weight of...." specific and realistic Set yourself specific goals at first, which are within your capabilities to achieve. Once you have accomplished them you will be encouraged and can set more challenging goals. If you are trying to give up smoking, for instance, begin with the affirmation that you will cut down the amount you smoke by half. Then you can cut by half again until you finally stop altogether. short and simple Keep affirmations as short and direct as possible. A concise brief affirmation will have more impact than a long wordy one. suspend disbelief Try while doing affirmations to cast aside doubts and believe in the possibility of what you are saying. If you keep experiencing negative thoughts, get them down on paper, then get rid of them and reassert your positive affirmation. personally phrased Make sure that you are happy with the wording of your affirmation. For each person, the word choice may need to be slightly different. Feel free to change any of the affirmations we suggest to suit your own requirements. all encompassing Remember that the affirmation can be used to transform any area of your life, from career and self image to your relationships with others. The Bible says: 'Ask and it shall be given you; seek and ye shall find.' Know that you have every right to be successful and happy and that your life is yours to create. Here are some favorite affirmations. Find one or two that you particularly like and repeat them to yourself often. My daughter and I both like the written affirmations, because for us they seem to solidify things. Other people prefer to repeat them silently in meditation, or even sing them. If you do write them down keep a special affirmation journal and write in it any thoughts that arise as you write. Also make a note of things that change for you for the better, and be sure to give thanks for what is given to you. We find seven a useful number to work with. Repeat the affirmations in multiples of seven at a time. some affirmations Every day in every way I am getting better and better. I have everything I need to enjoy life here and now. I create my life and it is good. I love and appreciate myself just I am. Each day my life unfolds in beautiful perfection. I enjoy to love and be loved. The more I give to others the more I have to give. My relationship with ....... is getting better and better. It is good and right for me to have everything I want. Everything I eat makes me strong and healthy. I eliminate wastes easily and completely from my system. I have an exciting, rewarding and well paid job. I have plenty of energy and I enjoy work. I communicate freely and easily with others. I have all the time I need to accomplish all I want to do. It's okay for me to enjoy myself and have fun. God's energy within me produces perfect results in everything I do. Everything that happens is working for the good in my life. I can do ........ and nothing can stop me. ....... or something better now comes to me for the total good of all concerned. I give thanks for all that I am blessed with.

Great stories carry hidden secrets that can transform a life. They bring us face-to-face with hidden truths that help free us from false beliefs and attitudes, self-criticism and negativity that crush us. Cultural conditioning has taught us to undervalue the wild creativity that lies within—that part of us which is instinctual, irrational, and full of passion. Conventional society is so frightened of these things that we have been taught to fear ourselves and to judge ourselves harshly. We swallow our anger even when it is righteous. We crush our wild nature and we see ourselves as ugly. Yet locked within what we most hate and fear lies the greatest power for true freedom. Today I’d like to share with you one of my favorite mythologies of self-discovery—as delightful and important for men as it is for women. Here’s how it goes: THE LOATHLY LADY One Christmastide Arthur rode out with his knights to hunt. By chance he became separated from his companions and found himself at the edge of a great brackish pond. There, a knight in black armour emerged from the shadows and challenged him to a fight. Arthur reached to draw his sword Excalibur and call on its power to protect him from all harm. Alas, he had come away from court without it. He could feel every ounce of strength drain away from his body in the presence of the dark and evil stranger who raised his sword and threatened to kill him. Being a responsible king, of course, Arthur told the dark knight he didn't think that killing him was such a great idea—he had a country to rule, after all, and knights to look after. Where would they be without him? The stranger, bored at the thought of such an easy kill, relented and replied, "OK, I won't kill you so long as you return to this place in three days with the answer to a riddle I shall give you. If you fail I shall remove your head in one fwll swoop." WHAT DOES SHE WANT Arthur agreed. He figured that given half a chance and a mug or two of fancy mead, his pals back at the castle would be sure to come up with something. The riddle the stranger posed was this: "What does every woman want?" So Arthur headed home to ask all of his knights and wise men to give him the answer. Everyone from Merlin to a goose girl he met along the road had a go. Each gave him a different answer: "A woman wants beauty," said one. "A woman wants power," said another, or fame, or jewels, or sanctity. None could agree. Time was running out. Finally, although he had done his best to hide from his beloved Guinevere the seriousness of the situation, the third morning arrived. Bound by his word of honor to the Black Knight, Arthur had to face the music. Along the road to the meeting at the brackish waters, Arthur came upon an old woman. She sat on a tree stump by the side of the road calling his name. Arthur dismounted and approached her with all the courtesy he could muster. For the closer he came, the more ghastly this old hag appeared. Although she was dressed in fine silk and wore magnificent jewels on her gnarled and twisted hands, she was unquestionably the most hideous thing he had ever seen—or dreamed of, for that matter. Her nose was like a pig's, her mouth was huge, toothless and dribbling. What hair remained on her head was greasy, and the skin all over her misshapen and bloated body was covered in oozing sores. COURTESY CHALLENGED Arthur swallowed hard, forcing himself not to have to look away. "My Lord," she said in a surprisingly gentle voice, "Why look you so dismayed?" Summoning up all his chivalrous training, Arthur apologized for his manner, trying to explain it away by telling her he was most unsettled at the prospect of returning to meet his death at the hand of an evil knight because he could not tell him the answer to the riddle, "What does every woman want?" "Ah," said the hag. "I can tell you that. But such knowledge cannot be given without payment." Arthur, hoping once again for a reprieve from death, replied, "Of course Madam, anything you desire shall be yours for the answer—even half my kingdom." IMPOSSIBLE REQUEST The Loathly Lady made Arthur bend down while she whispered a few words in his ear." The moment Arthur heard them, he knew his life and his kingdom had been saved. He was about to leap on his horse again and ride off to meet the stranger when she tugged on his cloak and said, "Now I want my reward." "Of course Madam, what is it that you want?" he asked. "I want to be the wife of your bravest knight and live at your court." Arthur, who only a moment before had felt his spirits soar, was plunged into the deepest despair. How could he possibly expect any knight to consent to marry such a hideous hag? And what would it be like to have to endure such ugliness every day at court? "But Madam, that is impossible!" he said. The words slipped through his lips before he could catch them. Aghast at his own lack of courtesy and agonized by having to ask any of his knights, Arthur said, "I beg your pardon, Madam. You are quite right. Come to court tomorrow. There waiting for you will be your future husband." So saying, he mounted his horse and rode off to meet the Black Knight to convey to him the answer to the riddle. When he got back to the castle, Arthur was distraught. The knights questioned him. He confessed that he had won his life from the Black Knight but then told them at what cost and reported his promise to the Loathly Lady. "My very honor is at stake," said Arthur, wringing his hands, "unless one of you will agree to wed her." His knights were horrified at the prospect and tried to avoid his gaze. But one—the youngest knight of all—Sir Gawain, the most courageous and purest of heart stood up. "Worry, not my liege," Gawain said, "I shall save you, I will marry the woman no matter what her mien." SELF-PROFESSED HERO Gawain did not have long before he rued his offer. The marriage was planned for the following morning and the hag arrived at court. When he looked upon her, even Gawain with all his chivalry did not know how he could go through with the ceremony. It demanded every ounce of his courage. Somehow he managed it. But things got worse. When the festivities were over, the couple were obliged to retire to their chamber for the night. Gawain, unable to face the hideousness of his wife, sat for long hours in their bedchamber with his back to the lady, writing at his desk and praying she would go to sleep without him. Was he to spend the rest of his life shackled to such a hideous monster? ENCHANTED WOMAN Long past midnight, as the candle burnt low, he felt a hand come to rest upon his shoulder. "Will you not come to bed now, my Lord?" a voice whispered from behind him. Shuddering with horror, Gawain mustered his courage to look at her. To his astonishment there stood not the ugly hag he had married but the most beautiful woman he had ever seen. She had golden hair and ivory skin. "Why do you seem so surprised, My Lord?" she said to him. "I am indeed your wife. I was enchanted by a wicked magician. But now the enchantment is half broken by your having consented to marry me and so you see I stand before you now in my true form." Gawain could not believe his luck. "Half broken?" he asked. "Yes, my lord" was the reply. "Sadly I am only allowed to spend half the time in my true form. For the rest I must return to the shape of the same hag which this afternoon you married. And now you must choose, my Lord. Would you have me be my true self at night when we are alone together and the hag during daylight hours?" Gawain, whose mind was flooded with passion at the thought of her beauty filling his bed each night replied eagerly, "Yes, that is certainly how it must be." TEARS FOR FREEDOM In the eye of his beautiful lady appeared a tear. "But sir," she said, "Would you then have me suffer the humiliation of the court who cannot conceal their horror at my ugliness?" Now Gawain, if he was nothing else, was compassionate. He could not bear to bring this beautiful woman a tear of sorrow. "No, of course not," he replied. "It shall be the other way round, of course. You shall be my beautiful wife for the court during daylight hours and the hag at night." But this only made the lady weep the more. "Oh sir, would you then deny me forever the joy and pleasure of your embrace?" She asked. Poor Gawain, who after all was but a man (and man has never found it easy to deal with woman's grief) did not know what to do. After much thought he replied, "My lady, whatever choice I make will be the wrong one. It is therefore for you to choose which you prefer." At the sound of his words the Lady threw herself into his arms in glorious laughter. "In so saying, my Lord, you have given the right answer. You have bestowed upon me what every woman wants—her own way. The spell at last is broken. You will never have to look upon the hideous hag again. I am my true self and it belongs to you forever." Such is the power of accepting that which to ourselves is most loathsome. And such is the power of myth in reminding us of it.

When I was six years old I had my first love affair. Yes, really. Of course, not until years later did I recognize the experience for what it was. But like every first love, it changed my life forever. My father was a jazz musician so our house was equipped with the best possible sound equipment. Both he and I loved to listen to music—just about any music—at full volume. This my mother could not stand—which made it something even more exciting. While my playmates roamed the hills of Hollywood skinning their knees, I would lie on my belly in the living room, listening to music at full blast. THE MAGIC BEGINS One day, combing through our vast supply of records, I came upon Stravinsky’s “Rite of Spring.” It meant nothing to me, but I liked the colors on the cover, so I put it on the record player, turned up the volume and flopped in front of our huge speakers. Strange, mysterious, often discordant sound flooded my body, opening a secret door to somewhere deep inside me. It was a place I had never been before. I did not even know it existed. I trembled with fear and excitement as the music wound its way into me. I flushed hot and then cold; my heart raced then calmed. I lost all sense of place and time as I rode the waves of an imaginal sea into unexplored worlds, too numerous to identify. ONE WITH STILLNESS I have no idea how long this lasted. Before long, even the “boat” carrying me along, and all the images that came with it, had dissolved like sugar in water. Then, in perfect union, the sounds and child-that-had-been-me swirled into a vortex, becoming lost in each other. We shared excitement, fear, longing, fierceness and sadness. Like lovers, we had come together—music and child—in an immediate, passionate, all encompassing union. Eventually I found myself at the centre of this whirlpool. There, even the ecstasy of the movement vanished. Like Alice down the rabbit hole, I tumbled—not into Wonderland, but into that place of unspeakable stillness. Zen practitioners claim this place is available at every moment to each one of us. For me it was an indescribable event—beyond space, beyond time, outside thought. Here I knew, without the slightest possibility of ever being able to describe it, that everything was exactly as it should be. In the words of Zen Master Daisetz Suzuki, it is a place where I would eat when I am hungry, sleep when tired. I knew that “it was fine yesterday and today it is raining.” Or, in the words of Julian of Norwich, that “All things shall be well, and all things shall be well, and all manner of thing shall be well.” My affair with Stravinsky lasted more than four hours. At least that’s what my mother said. “Don’t tell me you are still listening to that awful music.” She had to raise her voice to be heard above the sounds. “For God’s sake, turn it off. Do something useful.” MY USEFUL LIFE So I did something useful. I went to school, then to university where I learned at least some of what you are supposed to learn. I earned praises for good marks, went to work, won prizes, gave birth to four children, wrote books, gave talks and made television programmes. In effect I did what millions of men and women do—became the breadwinner, the carer, the nurturer of others’ lives. And I loved it. Yet through all the years between six and now, my passion for music, painting, books, poetry, architecture and design never left me. Far from it. During most of those years, my longing not only to experience the emptiness that listening to Stravinsky had brought me that day—an epiphany, and the experience of being fully alive for the first time in my life—but also to create things: books, films, relationships, and to explore physical places, inviting me to move beyond thoughts to a place of unity with the rest of the universe. They kept gnawing at my gut. They would not go away, just as the urge to breathe never goes away no matter how long we hold our breath. SIX YEAR OLD WISDOM That day, when I lay on the floor lost in Stravinsky, without realizing it I had decided that what interested me most was the beauty of art—whether it be music, words, film, stories, sculpture, buildings or what-have-you. Why? Certainly not because I had any idea that art was supposed to be valued since it was part of what grown-ups called culture. I knew nothing about either. I could not have cared less. After all, I was a kid who, when I was not entranced by what I was seeing, hearing, feeling or touching, spent the rest of my day learning card tricks, wrestling with my rough Collie, and trying (unsuccessfully) to sell packets of chewing gum my grandfather brought me to neighbors’ kids. Nope—I loved the beauty and wonder of art in all its many forms because, unlike the world around me, with which I seemed to have little in common, it had always grabbed hold of me and would not let me go. It demanded of me both a submission and an active participation in the making of it. TIMELESS REALITY What I did not know, and this took me scores of years to come to understand, is that the rabbit hole into which I had accidentally tumbled at six is described by every culture and religion in the world in one form or another. Nor had I any idea that, at any moment in time, anywhere in the world, regardless of the circumstances of our lives, it is available to each of us. To Zen Buddhists, this wordless, timeless space represents ultimate reality—that which can only be sampled through immediate experience. In Suzuki’s words, “For the sake of those crucial experiences Zen Buddhism has struck out on its own paths which, through methodical immersion in oneself, lead to one’s becoming aware, in the deepest ground of the soul, of the unnameable Groundlessness and Qualitylessness—nay more, to one’s becoming one with it.” ANNIHILATION AND RENEWAL It is a state in which nothing is thought or contrived, longed for or expected. It reaches out in no particular direction, yet it knows itself able to handle the possible as well as the impossible. Concentrated, yet so expanding is its potential, such power is both purposeless and egoless. As such, it is often called truly spiritual. Why? I suspect because it is charged with an awareness that spirit is present everywhere. The universe and all that is created is never attached to place or time. In such a state, because the cosmos is present everywhere, we too are present everywhere. We have direct experience of and access to the power that continues to create the universe itself. And, like water flowing through the river, we have full access to that power of creation to use in our own lives, in whatever way we choose. DOORWAY TO BLISS The Sufis call this state fana—the annihilation of your individual selfhood. When we experience fana, our everyday personality becomes transparent, so the larger being that we are shines through. You become fully absorbed in the all-encompassing fascination of the moment—textures, nuances... Cutting edge physicists speak of a holographic universe in which we live but seldom access because we are plagued by endless mental concepts which blind us to reality. They also blind us to the experience of Samadhi—“a non-dualistic state in which the consciousness of the subject becomes one with the experienced object.” This state of selfless absorption and total surrender is characteristic of children when left alone to follow their instincts. Yet it is available to each one of us, regardless of age. Honoring whatever brings us bliss in our own lives opens the door to it.

In Sanskrit they call it lîla. The word means play. Yet not in the limited sense of our word. Lîla is free play, deep play, wild play carried out in a timeless NOW. It speaks of divine play. It’s the kind of play that sets us free to be who, in essence, we already are, even though we may not yet know it. Lîla is also the kind of creative play that brings new worlds into existence. FROM CHILDLIKE TO GENIUS In its simplest form, lîla describes the spontaneous activity of children so absorbed in what they do that they don’t even hear you when you speak to them. One morning my three-year-old friend Marina came to visit. Scrambling onto the four-poster bed where I was writing in a state of intense concentration, she told me the story of how she had climbed to the very top of a pirate’s ship as high as the stars. Like all still-innocent children, Marina entered into her imaginal world with ease—a magical realm in which creative sparks can be seeded then begin to grow. The imaginal world is a place most of us adults have lost touch with—a powerful realm in which the joys and fruits of lîla reign supreme. At a deeper level, lîla speaks of the all-encompassing absorption out of which Beethoven, then dangerously ill and nearing the end of his life, nonetheless created the most remarkable music of the 19th century: The Late Quartets. Or the obsession of Van Gogh, which led to his having painted 900 pictures and turned out 1100 drawings pictures during a lifetime. This kind of lîla is far more complex and committed than child’s play. It can produce achievements that enrich the way we look at life, that connect us to the deepest levels of our own being. Some fruits of mature lîla even transform the world. A big deal? You bet. This is play of the highest order—nothing less than an outpouring of the most intimate and essential nature of each unique human being. Living your creativity as fully as you can while you walk the earth, in whatever way most satisfies your unique nature, is the most exciting and enriching process any individual human being can experience. It brings a sense of meaning and purpose to your own life that nothing else can. CREATIVE PASSION Creativity is not a problem to be solved or a subject to be picked apart in psychologists’ laboratories. Those who try end up wandering in an endless maze of moribund words and phrases which miss the point. Meanwhile, the wrinkled fiddler on the city street plays on—smiling. He is lost in the excitement of improvisation, magically blending movement, feeling and sound—making music never heard before, that touches his heart and awakens the senses of all with ears to hear. We have grown up with some weird ideas about creative power. We’ve been taught that creativity belongs to a few select human beings whom history labels as genius. Nothing could be further from the truth. Creating is not a rare privilege—it is a right, even a necessity for all of us, if we are to live a fulfilling life. Creating anything, from cooking a healthful meal to writing poetry or playing games with children reminds us all what life is about. From this place we learn to live and work, to imagine, invent, and finally give birth—not only to things that have never been seen, heard, felt or touched before, but to a way of living more wondrous and exciting than most of us would ever have imagined. A passion to be lived, a lîla to be danced, the wild creative power within us urges us to tell the truth and shame the devil. It demands that we express our love, our obsessions, and the fascinations which pursue us. It asks that we live out life from the very core of our being. “Genius,” as late American writer John Gardner used to remind his students, “is as common as old shoes. Everybody has it.” CREATIVE RELEASE A few years ago, I began to explore not only the power and dimensions of creativity in you, me, and all of us. I wanted to discover how each of us can gain greater access to it, and how best we can live out our own creative power in our day to day lives as scientists, professional artists, musicians, writers, dancers, actors or as businesspeople, parents, teachers, lovers, gardeners, healers, craftsmen and thinkers. I was sure that on a larger scale, the way we as a group choose to use our collective creativity determines whether or not we will be able—in the wake of having laid waste to so much of our planet—to emerge as a sustainable species in a sustainable world. A lîla of enormous proportions; what could feel more powerful or more daunting? Yet the creative power on which it depends springs from the same source within each person as Marina’s imaginative play. PRIMORDIAL POWER Mysterious, enigmatic, spontaneous, occasionally even frightening, in essence creative power is the power of life itself. It is the force that gave us birth which continues to give birth to universes. It is what created us and brought each of us our own lives. It originates from a place within each one of us where we can touch and tap into the numinous energy of the Cosmos: God, Being—call it what you will. No words can adequately describe it. In truth, it is far more an experience of aliveness than a place at all. And, although we may never describe it adequately, we are perfectly equipped to enter this locus of creative power within us and find out how to live ever more of our lives from it. For the majority of artists, creativity pours forth most easily when they have intimate support for it. Shakespeare had his actors and a Globe Theatre eager for his plays, Virginia Woolf entered a room of her own and there wove tapestries of words. Emily Dickinson wrote out of the intimate community of a family who adored her, admired her and made sure she was given the space and time to carry out her imaginative work. For others who are highly creative, there is no such intimate support. Many have suffered childhood abuse, loss, illness or intense suffering. The creativity of such people can be monumental. Each man or woman is brought to the exploration and expressions of their creative power through suffering in just the same way that, so often, we discover what is most important to us by having what we believe to be of greatest value—a loved one, a job, a title—taken from us. Painful as such experiences are, often they turn out to be great gifts when it comes to freeing our creative power. Caught up in our lives of work, children, and householder duties, few of us live in such fortunate circumstances as Shakespeare and Emily Dickinson. But that does not matter. What has not been given us we can make for ourselves. Art is not the province of the privileged few. It belongs to all people—those of us who spend our days in front of computers, cooking, sweeping streets, running errands, caring for children, handling the stupidities of bureaucracy, and living our constantly changing lives in a world that is ever less secure. THE WAY AHEAD We are alive at a moment in history where one age is dying, yet another has not yet been born. We are, each one of us, faced with a choice: As we sense the foundations of our world shaking, do we withdraw in anxiety, trying in desperation to hang on to what we once believed to be “true”? Do we become paralyzed, and try to cover our fear with apathy? Or do we summon the courage offered us by a Universe in flux, honor our personal sensitivity and consciousness, then choose to face the challenge of entering the realm of creative power within? Then, trusting our individual capacity for lîla, do we begin to play in ways that may help bring forth a new world for all? Regardless or age, background, or limiting notions about what’s possible, each one of us has a choice to make. It’s a choice between continuing to conform to established belief systems that stifle the human spirit, or trusting in ourselves. Are you willing courageously to explore your intrinsic creative gifts and make use of them? “That which we give birth to from our depths is that which lives on after us. That which is inborn in us constitutes our most intimate moments—intimate with self,” says Theologian Mathew Fox, “intimate with God the Creative Spirit, and intimate with others. To speak of creativity is to speak of profound intimacy. It is also to speak of our connecting to the Divine in us and of our bringing the Divine back to the community.” Personally, I urge you to begin connecting ever more deeply with your own brand of creativity. Discover new ways of living. Leave automatic assumptions about who you think you are and learn to respond to each moment and each day of your life with new eyes and an open heart. The more you do, the richer your life can become. Such is the joy of lîla. Such is the power of lîla. If you have not yet explored it, you have an exhilarating, wondrous adventure ahead of you. Take it. Trust it. It’s the adventure of a lifetime.