mindfulness

When I was six years old I had my first love affair. Yes, really. Of course, not until years later did I recognize the experience for what it was. But like every first love, it changed my life forever. My father was a jazz musician so our house was equipped with the best possible sound equipment. Both he and I loved to listen to music—just about any music—at full volume. This my mother could not stand—which made it something even more exciting. While my playmates roamed the hills of Hollywood skinning their knees, I would lie on my belly in the living room, listening to music at full blast. THE MAGIC BEGINS One day, combing through our vast supply of records, I came upon Stravinsky’s “Rite of Spring.” It meant nothing to me, but I liked the colors on the cover, so I put it on the record player, turned up the volume and flopped in front of our huge speakers. Strange, mysterious, often discordant sound flooded my body, opening a secret door to somewhere deep inside me. It was a place I had never been before. I did not even know it existed. I trembled with fear and excitement as the music wound its way into me. I flushed hot and then cold; my heart raced then calmed. I lost all sense of place and time as I rode the waves of an imaginal sea into unexplored worlds, too numerous to identify. ONE WITH STILLNESS I have no idea how long this lasted. Before long, even the “boat” carrying me along, and all the images that came with it, had dissolved like sugar in water. Then, in perfect union, the sounds and child-that-had-been-me swirled into a vortex, becoming lost in each other. We shared excitement, fear, longing, fierceness and sadness. Like lovers, we had come together—music and child—in an immediate, passionate, all encompassing union. Eventually I found myself at the centre of this whirlpool. There, even the ecstasy of the movement vanished. Like Alice down the rabbit hole, I tumbled—not into Wonderland, but into that place of unspeakable stillness. Zen practitioners claim this place is available at every moment to each one of us. For me it was an indescribable event—beyond space, beyond time, outside thought. Here I knew, without the slightest possibility of ever being able to describe it, that everything was exactly as it should be. In the words of Zen Master Daisetz Suzuki, it is a place where I would eat when I am hungry, sleep when tired. I knew that “it was fine yesterday and today it is raining.” Or, in the words of Julian of Norwich, that “All things shall be well, and all things shall be well, and all manner of thing shall be well.” My affair with Stravinsky lasted more than four hours. At least that’s what my mother said. “Don’t tell me you are still listening to that awful music.” She had to raise her voice to be heard above the sounds. “For God’s sake, turn it off. Do something useful.” MY USEFUL LIFE So I did something useful. I went to school, then to university where I learned at least some of what you are supposed to learn. I earned praises for good marks, went to work, won prizes, gave birth to four children, wrote books, gave talks and made television programmes. In effect I did what millions of men and women do—became the breadwinner, the carer, the nurturer of others’ lives. And I loved it. Yet through all the years between six and now, my passion for music, painting, books, poetry, architecture and design never left me. Far from it. During most of those years, my longing not only to experience the emptiness that listening to Stravinsky had brought me that day—an epiphany, and the experience of being fully alive for the first time in my life—but also to create things: books, films, relationships, and to explore physical places, inviting me to move beyond thoughts to a place of unity with the rest of the universe. They kept gnawing at my gut. They would not go away, just as the urge to breathe never goes away no matter how long we hold our breath. SIX YEAR OLD WISDOM That day, when I lay on the floor lost in Stravinsky, without realizing it I had decided that what interested me most was the beauty of art—whether it be music, words, film, stories, sculpture, buildings or what-have-you. Why? Certainly not because I had any idea that art was supposed to be valued since it was part of what grown-ups called culture. I knew nothing about either. I could not have cared less. After all, I was a kid who, when I was not entranced by what I was seeing, hearing, feeling or touching, spent the rest of my day learning card tricks, wrestling with my rough Collie, and trying (unsuccessfully) to sell packets of chewing gum my grandfather brought me to neighbors’ kids. Nope—I loved the beauty and wonder of art in all its many forms because, unlike the world around me, with which I seemed to have little in common, it had always grabbed hold of me and would not let me go. It demanded of me both a submission and an active participation in the making of it. TIMELESS REALITY What I did not know, and this took me scores of years to come to understand, is that the rabbit hole into which I had accidentally tumbled at six is described by every culture and religion in the world in one form or another. Nor had I any idea that, at any moment in time, anywhere in the world, regardless of the circumstances of our lives, it is available to each of us. To Zen Buddhists, this wordless, timeless space represents ultimate reality—that which can only be sampled through immediate experience. In Suzuki’s words, “For the sake of those crucial experiences Zen Buddhism has struck out on its own paths which, through methodical immersion in oneself, lead to one’s becoming aware, in the deepest ground of the soul, of the unnameable Groundlessness and Qualitylessness—nay more, to one’s becoming one with it.” ANNIHILATION AND RENEWAL It is a state in which nothing is thought or contrived, longed for or expected. It reaches out in no particular direction, yet it knows itself able to handle the possible as well as the impossible. Concentrated, yet so expanding is its potential, such power is both purposeless and egoless. As such, it is often called truly spiritual. Why? I suspect because it is charged with an awareness that spirit is present everywhere. The universe and all that is created is never attached to place or time. In such a state, because the cosmos is present everywhere, we too are present everywhere. We have direct experience of and access to the power that continues to create the universe itself. And, like water flowing through the river, we have full access to that power of creation to use in our own lives, in whatever way we choose. DOORWAY TO BLISS The Sufis call this state fana—the annihilation of your individual selfhood. When we experience fana, our everyday personality becomes transparent, so the larger being that we are shines through. You become fully absorbed in the all-encompassing fascination of the moment—textures, nuances... Cutting edge physicists speak of a holographic universe in which we live but seldom access because we are plagued by endless mental concepts which blind us to reality. They also blind us to the experience of Samadhi—“a non-dualistic state in which the consciousness of the subject becomes one with the experienced object.” This state of selfless absorption and total surrender is characteristic of children when left alone to follow their instincts. Yet it is available to each one of us, regardless of age. Honoring whatever brings us bliss in our own lives opens the door to it.

I have always loved Easter. Not because of the gorgeous painted eggs or the magic bunnies delivering them or even the marvelous laughter of children on treasure hunts. I love Easter because it is a time of death and rebirth for all life including each and every one of us. Of course, the death part of these natural cycles is what we fear greatly. Not only is this fear unfounded; it greatly limits our inner growth. It also prevents us from experiencing the most valuable process in life during which we can discover who, at the deepest level of our being, we really are. I invite you, this Easter, to explore the magnificent gifts available to you when you embrace death/rebirth experiences in your own life. UNIVERSAL CYCLES Death/rebirth cycles are fundamental to all living things—plants and trees, animals, our own bodies and minds, even the stars in the heavens. Easter holidays are a celebration of these cycles which Jesus himself is said to have experienced between Good Friday and Easter Sunday. The origins of Easter also have even more ancient roots in pagan death/rebirth festivals celebrated long before the Christian era. In Sumerian mythology, the goddess Inanna was hung naked on a stake, killed and resurrected as she ascended from darkness into light. The Easter Bunny, whom we all so love, is a modern day manifestation of another pagan festival of death and rebirth involving Eostre, the great Northern Goddess whose symbol was a rabbit. Moment by moment, day by day, year by year, even the cells of our body undergo a death/rebirth cycle so we can go on living. WHY I LOVE EASTER Easter Season is a fine time to lay aside fears of death and darkness, and give thanks for rebirth and renewal which continues to be offered us. The thing I love most about Easter is it reminds me that if we want to live a life true to our essential nature, each of us must be willing to experience death and rebirth—to leave what is old and no longer useful in our own lives so we can bring light and expanded consciousness into our lives. Of course this can be a challenge for us humans. We so love to cling to what is most familiar even if doing so prevents us from experiencing new realities. PREGNANT DARKNESS The dark realms are transcendent domains about which our materialistic culture remains naïve. Darkness is a place where seeds lie dormant, a realm of incubation, the womb in a woman’s body where a new being is nurtured so that it can be born. In dark spaces what is old and outdated becomes compost to feed tiny seed of new life. When they open, husks fall away, freeing new plants to grow towards the sun. Within our own psyche, a thousand such seeds lie waiting to break open and grow. They urge us to nurture them, to trust them, so they too can come forth. If we are riddled with fear we remain deaf to their call. Of course our greatest fear is invariably the fear of our own death. Yet the death/rebirth cycles I’m speaking are not involved in destroying the physical body. They are nature’s renewal transformations in service of new life. After all, the old, decayed leaves of the forest must die to fertilize its saplings. And whatever we still carry about which no longer serves us must be allowed to die to make way for new ways of being. Death/rebirth initiation shappens to us again and again throughout the whole of our lives. They also happen as the moon dies and is renewed every month. And you can see them in the way a snake sheds a skin when it needs to grow. THE HERO’S JOURNEY Joseph Campbell’s Hero With a Thousand Faces talks a lot about coming to terms with the experience of these deaths and the rebirths. They are central to the growth and spiritual development of human beings in every culture of the world he says. Throughout history, tribal societies have created rites of passage to celebrate the death/rebirth cycle at times of important biological change like puberty. Initiates are put through rituals involving non-ordinary states of consciousness during which they can connect with the energies of numinous realms in order to experience the power and the meaning of the process. Such rituals celebrate dying to the old role one has been playing in their society—that of a dependent child—and being born into a new one as a powerful and independent adult. A boy dies. A man is born. From that moment onward, nobody in the tribe treats the initiate as a child anymore. For most of us, the death we fear is not death of the body (although we often think it is). It is the death of outmoded beliefs and ways of living our lives that no longer serve us. And, in order to allow an influx of our deeper soul energies to emerge from the darkness and recreate our life anew, we need to become aware of them and welcome change. It is this experience that Campbell describes so well in his mythological hero’s journey. There death and rebirth represent the membrane or interface in the psyche between the domain of the personal and the vast spiritual realms of the universal. Death becomes a frontier to a new way of being. Once we realize this, the whole death/rebirth process becomes a friend. In truth this is a sacred experience with rewards so great it is not possible to put them into words. By the way, one of the most exhilarating gifts that comes with welcoming any death/rebirth process is an experience of authentic freedom that arises from within us. GATEWAY TO NEW LIFE Our own culture lost touch with death/rebirth transformations. This is why we fear them. Sooner later death/rebirth comes to each of us. It can be triggered by the ending of a love affair, the recognition that one is addicted to alcohol, drugs or work, a dawning awareness that what you have always worked for and what you have achieved no longer holds meaning for you, the loss of a job or reputation, even the unexpected release of intense emotion and the spontaneous entrance into altered states of consciousness which challenges every notion about what is real and what is unreal. We approach any kind of death or crisis with anxiety, embarrassment and denial. Thankfully this is beginning to change. The work of Elizabeth Kubler-Ross, Stephen Levine and Ram Dass— all of whom have written wisely about death—is gradually altering our attitude. So is the in-depth research into near-death experiences where people consistently report the survival of consciousness as well as spontaneous experiences of illumination when the soul separates even temporarily from the body. THRESHOLDS The confrontation with birth and death we experience can introduce us to new realities. It can happen in a literal sense to a woman in the act of giving birth or a man sitting at the bedside of his wife who is dying of cancer. It can also happen in your life when you have to face the abandonment at the end of a marriage or the disruption in your ordinary life that accompanies the loss of a job. For many it comes in a life-threatening situation, for instance in a car crash, when you find yourself standing outside your body looking down on what until then you assumed to be the only reality there was. It can even occur in some kind of spontaneous eruption—often labeled a psychotic break—through which the volatile world of expanded consciousness emerges, full-blown, to shake the very foundations of your life. Such events lead people into the transpersonal realms experienced by mystics, great artists and other visionary beings. They are invitations to new ways of thinking and new ways of experiencing reality not through the mind but through the heart. So much for fearing the magnificent darkness which brings forth life. When I tuned into the nature of the death/rebirth cycles in operation this Easter Season, with all the cosmic energies now bombarding our earth, here are the words that came to me. I’d like to share them with you. I move in velvet silence within forgotten spaces of your being. Fear me not. For when you fear me, you fear your own beauty and your own creative power. In the light all is separate. Within my darkness all is One. Whenever your soul calls, I am here to wrap my silent wings of transformation around you. Enter me in friendship. I will introduce you to the magic of angels and archetypes, deities and your own profound essential being. Look carefully at each of these things, no matter how fearsome its face may feel to you. You will find each and every one is a window to the divine truth unique to you alone. I am the Spirit of the Dark

BBC Radio 4 recently contacted me for my permission to re-broadcast an interview I did with Professor Anthony Clare on “In the Psychiatrist’s Chair”. Born in Dublin in 1942, Dr Clare’s broadcasts were fascinating to listen to. He became the voice of psychiatry to millions in the British Isles for more than two decades. His goal with his interviews was always simple: To uncover and reveal the inner life of the famous and successful. I was honored when he asked me if he could do an in-depth interview about me and my life. His questions are candid, probing and sometimes unsettling. You who send me so many wonderful comments on my blogs and weekly newsletters on lesliekenton.com and curaromana.com often ask me to share more of my personal life with you. To know more about me, a great place to start is listening to Anthony’s “Leslie Kenton In the Psychiatrist’s Chair”. I’d love to know from you if you think he got me right. Hope you enjoy it.

We have inherited an albatross. It hangs about our necks in the form of a widely accepted, negative, highly destructive view of aging. It’s ugly and simply untrue. Now is the time to explode any false beliefs you may carry about aging—time to reveal amazing truths which lie buried beneath them. NATURE’S RULES Like a beautifully designed engine, your body has been created to live a long and healthy life fueled by nature’s own molecules, not by “drug therapy.” Driven by powerful corporate entities, for more than a century, mainstream medicine has been doling out artificial chemical drugs to suppress symptoms while making little progress towards improving health or slowing age degeneration. Prescribing potentially dangerous drugs in the belief that they can improve the long-term wellbeing of your body year-by year has turned out to be a fruitless task. Back in 377 BC, Hippocrates, the father of medicine, wrote “Natural forces are the healers of disease.” Nothing has changed since then. It’s time to take a whole new view of the aging process, to discard false beliefs and learn the art of ageless aging. It’s also time to celebrate the process together. QUESTION EVERYTHING In the 1970s and 80s, when interest in gerontology—the study of aging—began to be supported by government funding, age researchers fell into a mire of confusion, primarily because they lacked any conceptual foundation for understanding the nature of aging in its many facets—biological, psychological, and spiritual. They became obsessed with disability, disease, and chronological age instead of seeing the experience of aging as a whole, in all of its positive as well as its negative aspects. Since then, the media has come to focus on the weakness and pathos of the elderly. Scientific literature on gerontology is still obsessed with the issues of nursing home admissions, frailty, and the economic costs of looking after our impaired elders. It is all part of the negative obsession that we as a society seem to have developed with aging. As a result, very little accurate information has become available to bring us a positive understanding of how human beings can function effectively in later life. IGNORE THE LIES How long you live rests largely in your own hands. So does how well you live, how much vitality you have and how good you will look in 20 years’ time. Ageless aging is not an accident of fate. Neither is it heavily dependent on the kind of medical care you get, nor on your genetic inheritance, although certainly both have a part to play. It depends upon how you choose, right here, right now, to live your life from here on out. And this is regardless of how much self-neglect you have poured on yourself in the past. Almost everybody has heard of death curses. Psychological literature is laced with accounts of how Aboriginal witch doctors have brought about the death of the young and healthy by cursing them. No sooner do these people learn of the fate which has been cast for them than they begin inexplicably to sicken and eventually to die. It appears that through complex biological processes, their simple belief in the curse brings about destruction of their organism. LAY THE GHOST In so-called civilized society, we look upon such phenomena as anthropological curiosities—products of primitive superstition which simply don't touch us in our more enlightened age. What we are not aware of, however, is that most of us in the civilized world live under our own brand of “death curses”. They may be subtler than those issued by witch doctors, but they can be every bit as potent in bringing about the physical and mental decline which we have come to associate with aging. Common, unconscious notions such as “retirement”, “middle-age”, “It's all downhill after 40” and “At your age you must start taking things more easily”, are widely held. They can exert a powerful effect on the process of aging by creating destructive self-fulfilling expectations about age decline. Instead of facing the future full of confidence and excitement about what lies ahead, optimism is replaced by anxiety as we are warned to “Be careful”, or “Don't take chances on a new career at your age.” Most of us hold a lot of false notions about aging and life expectancy. These ghosts need to be laid before we can make ageless aging a workable part of our lives, for they are truly legends of the fall, and like many false legends, they carry the warning that if you believe in them, the belief itself goes a long way to making them true. So deeply entrenched are these negative legends in the worldview of our culture that each one needs to be examined quite carefully before we can begin to transform them. TO HELL WITH LIES To most people in the West, old age brings ghastly images of decrepitude—not pictures of vigorous and sexually active old men and women intensively involved in work and looking forward to what comes next. The potential for creativity and enjoyment which is wasted in age-degeneration in the developed countries of the world is shocking. So is the cost to the state in providing medical treatment, hospitalization, food and care for people for whom aging has become a nightmare of physical pain and emotional isolation. Few of us even come close to fulfilling our psychobiological potentials. Instead we look forward to a steady and inexorable increase in morbidity and mortality from one disease to another. Applying the principles of ageless aging, however, will give you a very different view. For the same principles which help keep your skin smooth, your muscles firm and your vitality and creativity high can also reduce the incidence of chronic disease and postpone degenerative illnesses so that if they occur at all, they come only very late in life. BASIC PRINCIPLES So much for the myths of aging. The next time you find yourself grunting when you get out of a chair, or refusing to play run-around after a young niece or nephew on the grounds that you are too old, think again. Forget the myths and remember three important facts: FACT ONE: It is biological—not chronological—age that matters. FACT TWO: by improving your ability to adapt to stressors and maintain physiological balance and function, you can effectively prevent accelerated aging and the degenerative diseases associated with it. FACT THREE: There is even better news. Even when negative changes in your body have already taken place, by making alterations to the way you live and eat, many —in most people even all—of these changes can be reversed. This means that in medically measurable terms—the hard-core parameters doctors use to register health and degeneration such as cholesterol levels, fasting blood sugar, insulin levels, triglycerides, blood pressure and all the rest—aging can now be reversed, rejuvenating your body and de-aging your life. What was once a pipe-dream, followed by rich eccentrics who had themselves injected with monkey glands or drank snake blood in an effort to grow younger, has become a real possibility. It can be done right here, right now. For me, these three facts add up to the most exciting information to come out of 20th century science related to establishing and maintaining high level health. For the first time in history, ageless aging is possible for each of us—a journey into wholeness, authenticity and fulfilment. What could be better than that? SACRED TRUTHS Your body is a multi-dimensional organism, not a machine: We are body, mind and spirit—so interrelated that they cannot be separated. Each of us is an utterly unique being. Health at its most profound level is a full expression of that uniqueness in everything we are and do. By improving our ability to adapt to stressors and maintain physiological balance and function, we can effectively prevent accelerated aging as well as most degenerative diseases associated with it. Where negative changes in the body have already taken place, most can be reversed. This is measured by hard-core parameters doctors use such as cholesterol levels, fasting blood sugar, insulin levels, triglycerides, blood pressure and all the rest. Natural methods work best for regeneration and rejuvenation. It’s time to learn to live and think in ways that encourage the best possible expression of our genes. Regeneration is a process by which the body and psyche rid themselves of whatever does not support the highest levels of gene expression, strengthen physical vitality, and empower greater expression of your authentic nature. By living out our unique biological, spiritual and creative potentials, we not only fulfil ourselves, we also bring the greatest gifts we have to offer our family, our community and the world as a whole. Of all the subjects that you asked me most often to write about, how to age beautifully tops the bill. I’m glad. Since I am now 74, I have learned a lot about all of this. So I plan in the weeks and months that lay ahead to send you a number of weekly newsletters and release a number of Sacred Truth videos on how to make practical use of ageless aging principles in your own life, regardless of your age. Be sure to sign up so you can receive them. I look forward to sharing all of this and more with you in the future.

Who would have thought that taking the right kind of walk can not only clear stress, and energize mind and body but even bring you face to face with satori? Satori brings a sense of living in the fullness of your being, moment by moment. So often, we think we need to make decisions about what we are going to do in the next hour, the next day, the next year. We worry about how to discipline our bodies, get the work done and pay the bills, as well as a thousand other things.You can find yourself walking in new ways, with different rhythms. Aches and pains diminish. You sense a new relationships developing—to yourself, your surroundings and the world as a whole. I am passionate about taking two quite different kinds of walks which I’m keen to share with you because they have brought me much pleasure as well as so many other benefits. They are, each in their own way a lot of fun to. FREE FLOW Once a day, regardless of the weather outside, and whenever it suits you, go out walking for the sheer pleasure of doing it. It can be fun to walk in sunshine, but just as wonderful to walk in rain—unhurried and unburdened by the need to ‘look good’. Look around, smell the air, notice the way your body has begun to move. The next step is likely to sound weird, but try it: When you see a tree, say silently to yourself, ‘Tree.’ When you see a flower—‘Flower.’ This simple naming practice helps you become aware of where you are in space and time. And it does this in a wonderful, spontaneous, improvizing way. As you walk, life takes on an unexpected, exciting feel. Meanwhile, futile internal monologues begin to fade away. One of my favorite books was written by a musician named Stephen Nachmanovitch. It is called Free Play: Improvisation in Life and Art. It’s a superb book. If you are interested in creativity on any level—and I don’t mean just being an artist, but any and all kinds of creativity—I highly recommend it. In a chapter called ‘Inspiration and Time Flow’, Nachmanovitch describes this first way of walking I want to pass on to you. (Of course, you are probably unlikely to be walking down a street in a foreign city as he describes, but much of what he writes about this way of walking is relevant no matter where you are.) It reminds us all that it is not impossible to live our lives moment to moment, fully present with real awareness and joy. Here is what Nachmanovitch writes: A walk, following your intuitive promptings down the streets of a foreign city, holds rewards far beyond a planned tour of the tried and tested. Such a walk is totally different from random drifting. Leaving your eyes and ears wide open, you allow your likes and dislikes, your conscious and unconscious desires and irritations, your irrational hunches to guide you whenever there is a choice of turning right or left. You cut a path through a city that’s yours alone. This brings you face to face with surprises that are destined for you alone. You might discover conversations and friendships, meetings with remarkable people. When you travel in this way, when you walk in this way, you are free. There are no ‘have tos’ and ‘shoulds’. You are structured at first only by the date of the plane departure. As the pattern of people and places unfolds, the trip, like an improvised piece of music, reveals its own inner structure and rhythm. Thus do you set the stage for fateful encounters. I’ve got to add here that some of the most important ‘fateful encounters’ he speaks of are likely to be brand new encounters with yourself, in ways you may never have dreamed of. INSTANT ENERGY IS YOURS This is the second of my favorite walks. It’s a way not only of relieving stress, but of energizing yourself, learning to be present in the moment and, like Nachmanovitch’s walk, releasing your mind from the habitual chatter that prevents our feeling fully alive. I learned this technique from a Belleruth Naparstek’s “Meditations to Relieve Stress” audio. Here’s how it goes: Choose a place where you will be able to walk without meeting a lot of people, so you allow yourself to connect with your surroundings the way a child might. You don’t have to smile or relate to anyone. Instead, you will be drawing in energy from your surroundings. What will amaze you is just how much vitality you can absorb from your environment when you are not wasting your own energy with meaningless social contact. So, just for 10 to 15 minutes, let yourself retreat inwards and see what amazing things happen. GETTING EARTHED Begin your walk by shaking out your body a little. Feel the earth beneath your feet. Take a deep breath and let it out with no effort. Now look around you, at the sky, the earth, the trees, grass, rocks or flowers—whatever you find around you. Take another slow, even breath deep down into your abdomen. Now, aware of your breath going steadily in and out, start walking at a comfortable pace, opening all your senses to your environment as if it were part of you. Let yourself enjoy the light, the mist, the colors, the rocks and sand; whatever is there. Let yourself become aware of the way things move in light and shade, so you are in effect feeding on the richness of your surroundings. Let your body move easily and gently, so it feels as though it is dancing with your surroundings. Allow yourself to experience everything you see and feel, smell and touch, as though you are doing it for the first time, with the curious mind of a child. Feel the air on your skin, smell the fragrance around you in all its layers and textures as you walk. Continue to be aware of the ground beneath your feet, and how your breath going in and out feels. Notice how well the earth supports you. Enjoy the feel of your body in motion. See how heightened your senses become to the colors and the fragrances. Notice how clear your vision has become. This simple focus, this increased awareness of the sound of your own feet on the ground, the feel of your breath, the movement of your legs and torso will become more acute, more intense, more nourishing and more satisfying. LIKE MAGIC Colors become more and more intense, richer, clearer. You can find your senses opening as you become ever more aware of everything around you. You may even sense that you are immersed in a wonderful new ocean of reality. That the trees and the rocks, the air you breathe, and the sky have become part of you and you of them. Indulge yourself. Smell the air, feel the ground, immerse yourself in the sea of life and generosity in which you find yourself. Now, simply draw the energy of the earth into you. Let it fill you up. Breathe in the beauty of the sky. Take in every sight and sound, deep into your heart, as you become aware that you are attuned to everything around you. This energy is available to you whenever you want it. All it depends on is your own willingness to connect with the sea of life of which you are a part. Whenever you do, the whole world feeds you, belongs to you, nourishes you at every level. Continue to walk as long as you like, easily and blissfully, aware of your feet on the ground, your breath moving in and out, and the part you play in this wonderful sea of reality which belongs to you, and you to it. BACK TO SOURCE Both of these walking techniques are wonderful. Don’t just read about them—print up these descriptions and carry them with you. Then have a go. See what happens to you. Even better, take a look at where I learned about them. Stephen Nachmanovitch’s book is the best book on creativity I have ever read. I have read it at least 12 times. (As a present for Aaron who loves listening to audio books, I even made a recording of most of the chapters and gave it to him.) When it comes to Belleruth Naparstek’s work, her recordings are unparalleled in the world for their transformative power. You can purchase the one below on CD. Better still, just download it and put it on an MP3 player so you can begin using it today. You can find them below: Free Play - Stephen Nachmanovitch’s Improvisation In Life And Art - Stephen Nachmanovitch’s book is the best book on creativity I have ever read. I have read it at least 12 times. To find out more click on the links below. Order Free Play - Stephen Nachmanovitch’s from Amazon MEDITATIONS TO RELIEVE STRESS imagery for mastering anxiety; guided imagery to pump up feelings of love, safety and protection; a soothing, walking meditation for the fidgeters among us who can’t sit still; and affirmations for use anytime. (72 min.) Order Meditations To Relieve Stress at iTunes Order Meditations To Relieve Stress at Amazon

When I was six years old, I had my first love affair. Yes, really. Of course, not until years later did I recognize the experience for what it was. But like every first love, it changed my life forever. My father was a jazz musician, so our house was equipped with the best possible sound equipment. He and I loved to listen to music—just about any music available—at full volume, of course. This, my mother, could not stand—which made it, even more, exciting. While my playmates roamed the hills of Hollywood skinning their knees, I would lie on my belly in our living room, listening to music as loud as I could make it. One day, combing through our vast supply of records, I came upon Stravinsky's "Rite of Spring." The name meant nothing to me. But I liked the colors on the cover, so I put it on the record player, turned up the volume and flopped down in front of our huge speakers. Strange, mysterious, discordant sound flooded my body, opening a secret door to somewhere deep inside me—a mysterious inner world I had never entered. I didn't know such a place even existed. I trembled with fear and excitement while Stravinsky's music continued to wind its way through my body. I flushed hot and then cold. My heart raced, then calmed. I lost all sense of place and time as I rode the waves of an imaginal sea of sound into unexplored worlds, too numerous to name. I have no idea how long all this lasted. Eventually, even the "boat" carrying me along on vivid images began to dissolve like sugar in water. In a perfect union, the sounds and the child-that-had-been-me swirled into a vortex and became lost in each other. We shared the excitement, fear, longing, fierceness, and sadness. As lovers, we had come together—music and child—in an immediate, passionate, all-encompassing union. Eventually, I found myself at the center of this whirlpool. Then, even the ecstasy of the movement vanished. Like Alice down the rabbit hole, I tumbled—not into Wonderland, but into an experience of unspeakable stillness. Zen practitioners claim this experience is available at any moment to each one of us. For me, it was an indescribable event—beyond space, beyond time, outside thought. Without the slightest possibility of ever being able to describe it, I knew that everything was as perfect as it was meant to be. In the words of Zen Master Daisetz Suzuki, in this place, I would eat when I am hungry, sleep when tired. I knew that "it was fine yesterday and today it is raining." In the words of Julian of Norwich, I was sure that "All things shall be well, and all things shall be well, and all manner of things shall be well." My affair with Stravinsky lasted more than four hours. At least, that's what my mother said. "Don't tell me you are still listening to that awful music." She had to raise her voice to be heard above the sounds. "For God's sake, turn it off. Do something useful." So I did something useful. I went to school, then to university where I learned, at least, some of what you are supposed to learn. I earned praises for top marks, went to work, won prizes, gave birth to four children by four different men, raised them on my own, wrote books, made films, gave talks, led workshops, created products for companies, made television programs and so on and so on. In effect, I did what millions of men and women do—I became the breadwinner, the caretaker, the nurturer of people's lives. Through all the years between six and now, my passion for music, painting, books, poetry, architecture and movies has never left me. Far from it. During all of these years, the epiphany of emptiness that Stravinsky brought to me that day and the sense of absolute stillness has never faded. It has made it possible for me to create so many things as well as to explore new places and ideas. It's invited me to move beyond thought towards a place of unity with the rest of the universe. All this continues gnawing at me. I suspect it will never go away, just as the urge to breathe never goes away, no matter how long we try to hold our breath. What I did not know—and this took me scores of years to find out—is that the rabbit hole into which I had unexpectedly tumbled has for millennia, been, described by every culture and religion in the world in one form or another. Nor had I any idea that, at any moment in time, regardless of the circumstances of our lives, it is available to each of us. To Zen Buddhists, this wordless, timeless space represents ultimate reality: That which can only come through immediate experience. In Suzuki's words, "For the sake of those crucial experiences Zen Buddhism has struck out on its own paths which, through methodical immersion in oneself, lead to one's becoming aware, in the deepest ground of the soul, of the unnameable Groundlessness and Qualitylessness—nay more, to one's becoming one with it." It is a state in which nothing is thought or contrived, longed for or expected. It reaches out in no particular direction, yet it knows itself able to handle the possible as well as the impossible. Concentrated, yet so expanded too, such power is both purposeless and egoless. As such, it can be called truly spiritual. Why? I believe because it is charged with an awareness that spirit is present everywhere. Because the cosmos is present everywhere, we too are present everywhere. We can have direct experience of this, and access the power that continues to create the universe itself. And we have full access to that power of creation to use in our lives, in whatever way we choose. The Sufis call this state fana—the annihilation of your individual selfhood. When you experience fana, your everyday personality becomes transparent, so the larger being that you are shines through. You soon become absorbed in an all-encompassing fascination for the moment. Life is lived in the NOW. Cutting-edge physicists speak of a holographic universe in which we live but seldom access because we are plagued by endless mental concepts that blind us to so-called reality. This blinds us to the experience of Samadhi—"a non-dualistic state in which the consciousness of the subject becomes one with an experience of the object." This selfless absorption and total surrender of Samadhi is characteristic of children when left alone to follow their instincts. It is available to each one of us, regardless of age or condition. Honoring whatever brings you bliss in your life opens the door to it. That day, when I lay on the floor lost in Stravinsky, without recognizing, I became conscious of it what would inspire me most: The beauty of art—whether it be music, words, stories, sculpture, buildings or what-have-you. Why? Certainly not because I had any idea that art was supposed to be valued as part of what grown-ups refer to as culture. I couldn't have cared less. After all, I was a kid who, when not entranced by what I was seeing, hearing, feeling or touching, spent the rest of my day learning card tricks, wrestling with my huge dog Tuffy, and trying—unsuccessfully—to sell packets of chewing gum which my grandfather gave me to neighbors' kids. Nope—I loved the beauty and wonder of art in all its many forms because, unlike the world around me, with which had little in common, it had grabbed hold of me and would never let me go. It demanded of me both a submission as well as active participation in the making of it. I now believe that my first love affair at the age of six became the harbinger for how I have lived my life. At any moment in time, regardless of the circumstances of our lives, fana is available to all of us regardless of age. Honoring whatever brings you bliss opens the door to it for you.

Each one of us is brimming with creative power. Creativity lies at the core of what it is to be fully alive and free, so each of us can express our unique visions as gifts to all life. I believe it’s time to set free our indestructible passion to create from the core of our being. Each of us is being called to do this; not only for our own sake, but for the sake of all beings and the earth itself. I am excited about answering the call. Are you? HOLISTIC POWER Creativity is a mind-body-soul experience. It demands that we have access not only to our intelligence and to the layers of our psyche of which we are consciously aware, but to the whole of our being including what is commonly called the unconscious mind. Most of us have come to ignore the unconscious parts of us, in no small part as a result of Freud’s insistence that they are a repository of repressed desires which need to be codified, pathologized and treated. It is this belief that has propelled tens of millions of men and women into psychotherapy in the past hundred years. As a result, most of us still live with the lion’s share of our potential for creativity and freedom unavailable to us. Meanwhile, beneath the vast ocean of what it is to be fully human, our creative power slumbers, waiting for us to awaken it. PLUMBING THE DEPTHS Then, when the founder of depth psychology, C. G. Jung, came along. Jung announced what every creative artist discovers for himself, that Freud’s “fearful unconscious” is also a realm replete with visions, archetypes, insight and soul—all of these are fuels which feed our creative fires. Once we embrace the depths of our psyche and learn to work with them, we can access the gifts they hold, and live our lives from a foundation of authentic freedom and power. A person’s interior life, insisted Jung, not only merits attention; it calls for dedicated exploration which is exactly what he, himself, did and then recorded in his posthumously published Red Book. Thanks to more than half a century of exploration, Jung came to see the human psyche—both conscious and unconscious—as an inherently spiritual and fluid medium, a magnificent ocean which we humans can fish for enlightenment, creativity, healing and personal transformation. Jung then went on to discover that the dreams, myths and archetypes which reside in our unconscious are highly personal to each of us. Yet we are also connected with what he called the collective unconsciousness, which connects us with archetypal realities that are not only personal but universal. WAKE UP TO RAGING FREEDOM Now this is revolutionary stuff. It speaks of truths few of us even consider, unless we happen to be one of the visionary artists, thinkers or scientists who discover this for themselves in the course of their work. Such men and women are seldom willing to buy into the general consensus of what is taken to be reality. They prefer to strike out on their own, determined to enter uncharted territories and find out for themselves what treasures can be found there to bring back, fuel their work and transform their own lives and the lives of others. Invariably, when someone is courageous enough to question the stuff that the rest of us take to be true, they discover whole new realities. I have a passion to explore the nature and power of creativity from every angle possible in this blog. I hope you will join me in my journey.

Frequently discussed yet little understood in the context of our post industrial society is the value of ecstasy and the power of the erotic. For power it is of an order that is both frightening and tremendously creative. It is no accident that in all of the Eastern religions it is the erotic which symbolizes man's pathway to realizing the Divine. In our capacity to experience ecstasy at the deepest levels may lie both the key to our survival and to our ability to create. Recent studies of the human brain and its interfaces with the body have for the first time in history begun to chart biologically what takes place when one allows oneself to enter fully into an erotic state. The results of this research are not only helping us see just how important this can be to health and wholeness, they are also making us conscious of just how far away the so called sexual revolution has taken us from our being able to experience our own ecstasy. For the mechanistic approach to sexuality with which we have lived for the past thirty years, with all its sex-manuals and all its advice on 'how-to-do-it-better', instead of leading us towards a state in which we are more able to plunge into the irrational, oceanic, all-trusting state which every ecstatic encounter demands, has taught us to intellectualize sexuality making it into something which too often we do and watch ourselves doing, something which we learn about, something which we try to control. Yet right at the core of the truly ecstatic experience is a fundamental demand that we give up all control so that we are able for a time to allow ourselves to dissolve our boundaries and merge into a celebration of the body, of life itself and in doing so to experience our own wholeness. Each man and woman in reality has not one brain but two: The rational brain or the neocortex which like an immensely complicated computer enables us to make conscious choices and to collect, store and interpret the data we receive from our sensory organs and the subcortical nervous system or the primitive brain . This primitive brain is sometimes referred to as the 'reptilian structures' because from an evolutionary point of view it is the oldest part of the brain and also because, unlike the conscious mind, it can never be disassociated from our basic adaptive systems - the hormonal system and the immune system on which our survival depend. Your emotions and your instincts are bonded to the activity of your primitive brain which through the hypothalamus communicates via nerve cells with the rest of the body and via hormones regulates the activity of all the other endocrine glands with the aid of complex feedback mechanisms. When you experience joy the hormonal balance is not the same as when you grieve or when we engage in intellectual thought. This complex feedback network between mind and body, mediated through the primitive brain might be called our primitive adaptive system. On the quality of its responses and how well it is balanced with the actions of the neocortex depends how healthy we are physically, mentally and emotionally. But being human in the so-called civilized world is not always easy. The neocortex or rational brain in our society has become highly developed. It is this development which gives us the capacity to make rational decisions, to examine reality and to consciously manipulate the outside world to our advantage. In a truly healthy person the balance between the two brains is good. However the rational brain has the ability to inhibit the primitive brain. And in the modern world this neocordical inhibition of the primitive brain (on which our experience of joy and our hormonal and immune strength depends) has been carried to extremes. So much is this the case that we have undermined our ability to experience ecstasy, diminished our capacity for joy and lost our trust in the knowingness of our instincts. Take the experience of childbirth for instance. Instead of being able during the birth process simply to give over our bodies to the event and trust that at the right time the appropriate hormone will be secreted to dilate the cervix, bring the child into the world, lead us instinctively to nurture it at the breast, we tend to try exerting conscious control through our reason. In doing so we inhibit the primitive adaptive processes for we no longer trust them. We shift hormones in inappropriate ways and loose touch with the ecstatic experience of surrender to the body as well as with all the joy this can bring. In short we bring into play the rational brain at an inappropriate time and we suffer for it. (So incidentally does the baby.) We experience ourselves as separate from what is happening to our body, and we feel pain. It is not our highly developed rational brain that is the problem but the inappropriateness of allowing it to come into play in such circumstances which results in a sense of separation and our anguish. For human instincts, which need to be trusted and allowed freedom to be if we are to come to live in real health and wholeness, are fragile things. They are easily repressed and inhibited, constantly changed and controlled by the power of the neocortex - so much so that in most of us these inhibitions have become so unconscious and so habitual that we are not even aware of them have no possibility of choice. We have quite simply forgotten how to let go and trust to our body so we deny the power of human instincts. Then, instead of working with us they tend to work against us. Each woman is a great deal more than her rational mind. To be whole, to be truly healthy, to live the power of her own individual beauty she needs a highly developed emotional and instinctive life as well as a strong rationality. Each woman needs to be able to trust her body and, at appropriate times, such as in childbirth or lovemaking, to be able to abandon herself to it fully. Then the highly developed neocortex which is responsible for the development of culture and rational achievement instead of working against ones energy by inappropriate inhibition serves to channel her instinctive and the emotional life in tremendously exciting and creative ways. Then she is able to experience joy in simply being the way a child does - a joy and a radiance which does not depend upon what she does or what she has or on how clever she is or on how admired she is but simply on being. How does one rediscover this kind of trust in the body and in ones instincts? The answer is not simple. It involves experiment, listening, adjustment and it usually comes slowly, in fits and starts, through learning to trust and through becoming aware when instinctive responses begin to take place and simply allowing them to happen - particularly in the realm of ones sexuality - a realm in which the primitive brain, if it is allowed, probably comes into its own more easily than in any other. For the erotic - the ecstatic - has a power far beyond the experience of pleasure it brings. Ancient philosophical and religious traditions teach that the font of sexual power, known as the kundalini, lies coiled like a sleeping serpent at the base of the spine. When it becomes aroused this powerful procreative energy, the most powerful energy known to human life, begins to uncoil and to rise up the body activating its energy centers or chakras one by one. There are said to be seven chakras - locusts where the life energy which controls all biological processes, interfaces with the physical body. Each chakra appears to control particular endocrine glands and each is said to manifest a different quality of this powerful instinctive energy which makes human development possible. For instance the first or base chakra which lies near the base of the spine deals with survival while the next chakra, located in the pelvis looks after specific procreative energies. The chakra at the solar plexus is said to be involved with the will, the heart chakra with compassion, the throat with ones higher creative energies and so forth. The seventh chakra at the crown of the head is known as the thousand petal lotus. It is believed to be responsible for man's spiritual development at the highest level. When strongly activated it is believed to emit a radiance which you find depicted in every religious tradition in the form of the halo painted around the head of saints, the Christ, the Buddha and all the rest. The kundalini or life force is not something which can be aroused or activated through any rational effort of the conscious mind. For its energies, being sexual in the very deepest sense of the word (a sense which encompasses self-expression and creativity in every way from giving birth, to art, to the Dionysian celebration of the erotic in sexual intercourse,) are irrational in nature and belong to the realm of the primitive brain. As such they defy definition and elude any who would classify, categorize or try to control them. Since we belong to a civilization which has placed great premium on classification and control and which therefore has sought to conveniently ignore or dismiss as nonexistent any part of experience which does not fit into the rational and controllable, we often feel particularly unsettled whenever the force of these profound life energies surface. They can make us decidedly uncomfortable. For if we follow them we risk dissolving the boundaries of self and we fear a loss of the very control which the overdeveloped rational mind so loves. Yet the irony is that it is this very loss of control that we often most long for. For without an ability to live the instinctive as well as the rational we can never experience wholeness. Even more important, without it, the full creativity of our humanness being can never be realized. For it is the inhibition of this ability to experience the ecstatic and to trust in it that brings in its wake the sense of powerlessness and meaninglessness so widespread in our society. As black American writer Audre Lorde says in her book Uses of the Erotic: The Erotic As Power (The Crossing Press, Freedom, CA), 'The Erotic is a resource within each of us that lies in a deeply female and spiritual plane, firmly rooted in the power of our unexpressed or unrecognized feeling...As women we have come to distrust that power which rises from our deepest and nonrational knowledge... It has been made into the confused, the trivial, the psychotic, the plasticized sensation. But the erotic offers a well of replenishing and provocative force to the woman who does not fear its revelation, nor succumb to the belief that sensation is enough.' Exploring the realms of ecstasy, the truly erotic in ones life, is a long way from experimenting with all the mechanistic sexual stuff you will find in the popular press that tells you how to get more pleasure sex by doing this or that to your partner. Sadly the sexual revolution instead of freeing us to explore ecstasy and helping us learn how to surrender ourselves to the realm of instinct thereby bringing a healthy balance between our two brains, has tended even to relegate sexuality to the realm of the neocortex. When this happens, the ecstatic becomes the pornographic and the powers of creativity are wasted. For health and wholeness we must somehow find a marriage between instinct and reason. It is a union which like any marriage takes time to develop and grow, but a union which in terms of your health and beauty and your wholeness can bear infinite fruit.

This is an extract from our Cura Romana Journey Program. An important part of reconnecting with the core, and coming to live your life from your essential being, is a willingness to leave behind the notion that what you need or long for can only come from outside yourself. In truth, everything we need for our own freedom and fulfillment we already have inside. It simply needs to be discovered, called forth, and set free. As Edward in Canada, who shed 32.7 pounds on the program, discovered: “For the first time ever, I feel that the next phase of my life will be really exciting and full of growth and more new experiences. Now I know I have the power to make it that way.” When I personally came to terms with just how profound the emotional and spiritual changes are for many men and women on Cura Romana, I started gathering together tools, techniques and information which I – and others I have worked with – find helpful in reconnecting with our core. I began to show them to those I am mentoring as a way of supporting spiritual processes which they told me had been initiated and/or intensified by the Cura Romana Journey. Here in the Cura Romana Sanctuary, I will be sharing some of these simple processes with you. They are interesting, consciousness expanding and fun. Try them out. Use those that appeal to you and forget the rest. You might be surprised what a powerful role practicing some of them regularly can play in rebuilding and strengthening that bridge between your inner and your outer life.