mindfulness

In my last post, we looked at unconscious image-making which prevents us from experiencing authentic freedom and undermines our sense of self. Now let’s flip destructive image making-on its head. It’s time to learn the art of conscious image-making It can improve health, heighten self esteem, and even forge the person whom you long to become in the future. All you need is a simple notebook in which to record your intentions, goals and experience plus 15 to 20 minutes a day to practice the art. This can be a lot of fun. POWERS OF THE MIND Creative imagery is the deliberate, repeated use of specific mental images, while in a deeply relaxed state or meditative state, to bring about change for the better. Just how creative imagery works has never been fully defined. It does, however, appear that the images one chooses to focus on when repeatedly held in the mind are able to affect one's body, emotions, and mind through the autonomic nervous system. Some of the process, at least, is explainable in biological and energetic terms. When a thought or image is kept in the mind of someone in a state of deep relaxation, his or her brain shows neuronal activity in both right and left hemispheres. Nerve fibres leading from the cerebral hemisphere through the hypothalamus can directly affect the autonomic nervous system and the pituitary gland as well as the adrenal cortex. Everyone has had experience of this image-making to some extent in day-to-day life. For instance, if you keep a frightening image in your mind's eye—say of a ghost, a fantastic monster, or a situation you want at all costs to avoid—your body will respond via the autonomic nervous system with a racing heartbeat, perspiration, dryness in the mouth, or gooseflesh. How strong your reactions are to the fearful thought depends entirely on how clear the image is. Similarly, when you hold a clear, relaxing image of perhaps a spring meadow or a person you love, your body responds with relaxed muscles, lowered heartbeat and blood pressure, and generally pleasant and passive bodily sensations. Researchers have found that through this mind-body connection we can exercise a great deal of control over our bodies and our behaviour simply by choosing images to focus on and using them regularly. In fact, this kind of deliberate visualization is the technique behind the ability yogis demonstrate in raising and lowering their bodily temperature or heartbeat at will, going for long periods of time without food, and performing extrasensory tasks. TRUST THE GAME Although the mechanism of creative imagery is highly complex, putting it to use is simple. For just as it is unnecessary for you to know how the nervous system, in conjunction with the brain and muscles, makes it possible for you to pick up an apple and take a bite out of it in order to perform the action, so it is not necessary to understand biological theories about creative imagery in order to practice it to your benefit. The imaging mechanism of your brain works automatically; all you have to do is provide it with images that are useful to you and let it do its job. Nor do you have to worry about whether or not you believe in creative imagery or whether or not you can do it well enough for it to work for you. If there is a goal that you want to achieve, you need simply to visualize it—again and again, at least twice a day; the rest is automatic, so long as your goal is something you consciously consider to be feasible. It would be absurd, for instance, to lie down for ten minutes each morning and afternoon and visualize yourself as an eagle. You might improve your imagination no end, you might also develop a great empathy for eagles, but it unlikely that you would develop wings or a beak. Nor need you worry about success or failure. As Maxwell Maltz says in his book Psycho-Cybernetics, "You must learn to trust your creative mechanism to do its work and not `jam it' by becoming too concerned or too anxious as to whether it will work or not, or by attempting to force it too much by conscious effort. You must let it work, rather than make it work. This trust is necessary because your creative mechanism operates below the level of consciousness." The only real "trust" needed for it to work is that which makes it possible for you to spend time repeatedly practising creative imagery. You do this by letting yourself go into a state of deep relaxation or meditation and then repeating your chosen image again and again over a sufficient length of time for it to take hold in your unconscious and begin producing results. You certainly don't have to trust it in the sense of believing in it for it to work. It will work whether you believe it or not. Just be consistent in using the technique regularly. PREPARE THE WAY Begin by learning to just let go. Creative imagery is an inner state of mind. To visualize effectively you need to put yourself into a calm, relaxed state in which mental images flow easily. Generally the more relaxed you are, the more successful your visualizations will be. This kind of relaxation is something that is learned gradually by practice. Even if you feel in the beginning that you are hardly relaxed at all, you will get benefits from your imaging and this will become progressively more true as you repeatedly practice visualization. Begin by lying down, or sitting in a comfortable chair, with your back well supported. Use a simple practice such as zazen or gentle, quiet deep breathing to let go of daily concerns and enter your private world. When you feel yourself quietly calm resting in your own inner space, there are several things you can do: In this space, you can examine in a new light any question that has been bothering you. You have access to the deeper layers of your mind where many answers can be found, provided you are willing to ask the questions simply and then just wait in stillness for the answer to come. This place is also where you can become aware of your belief systems and bring them to consciousness so that you can examine them in a detached, objective way and see whether they are working for you or not. You can then decide what you want to keep and what your want to leave behind. It is a place where you can learn to listen to the sound of your inner voice. The more you do this, the easier it becomes. This inner voice can guide you to where you are going next and tell you what you are about. It is a place where you can come to know yourself for who you really are, quite apart from roles and habitual assumptions you have always had about yourself. Most important of all in bringing about change, you can use this inner space to practise creative imagery. Go through your relaxation technique until you enter your inner space. Now you are ready to begin visualizing. You can do this in two ways: verbally, by simply repeating over and over a few words that describe the image, or visually, by simply seeing yourself as already having become what you want to be. For some, who at first experience difficulty in visualizing, the verbal method works better; for others, the visual method is more successful. Try them both and see which you prefer. Later on, after you are familiar with the use of creative imagery, you will probably want to use both. FOCUS YOUR DESIRE Let's say you pick as your goal the desire "I want to have more energy." Using the verbal method, turn the wish into a positive statement. It becomes "Every day I am more and more energetic and well." It is important that your goal be phrased in this way. It has to be in the present tense—not "One day I will be better" or "I hope that I will be more energetic," but Every day I am more and more energetic and well. It is happening now. Your subconscious mind, which holds the power to bring about change, does not function in terms of time and space as your conscious mind does. It understands only the simplest and most direct instructions, and when they are given it works as if they had already occurred or are occurring now. The words you have chosen become your image. You put them to work by simply repeating the words over and over again silently to yourself while you are in the deeply relaxed state in your inner space. It is the constant replaying of the message day after day twice a day that works best, not how long you do it each time you relax. One convenient way of doing it is to repeat the directions ten times in each session, moving one of your fingers with each repetition until you have been through all ten. Then you simply say to yourself the same, "I am now going to come out of my inner space...(by counting backwards from three, etc.) and open your eyes. The best time for most women to practice creative visualization is in bed at night just before they fall asleep, and then again in the morning just before they get up. But really you can do it anytime—whenever you can find ten minutes to yourself in the middle of the day, or in the middle of the night if you awaken, or during meditation. The important thing is to do it regularly twice a day every day. You needn't worry about doing it wrong, either. Because, in truth, there is no wrong way, and every supposed wrong in the way you are doing the technique will gradually put itself right with practice. WATCH IT HAPPEN If you prefer, you can use a visual way instead, or you can use a combination of both. Picking the same goal, I want to have more energy, go through your relaxation technique. When you are at the inner space, instead of repeating words let your mind play with the image of your goal as if it had actually come about already, almost like a daydream. In other words, see yourself moving through your day, relating to people, doing your work, playing games, all the while full of vitality and bounce. Watch yourself in your imagination and enjoy the ease with which you do things that once seemed difficult or tiring. Notice the glow of your skin, how well you look; see the vivacity in the way you speak and move. Watch yourself and enjoy it. The more of it you let yourself imagine and the more you enjoy your imaginings, the stronger will be the images you are creating and the more quickly they will become reality. But as with the verbal instructions, always keep your images in the present as if they are actually happening now and not as if they might happen in the future or are something you would like to see happen. You may find at some point that something or someone is interfering with your image. For instance, you might find that as you watch yourself moving about energetically through the day in your mind's eye, another figure appears—say an old woman—who speaks to you. Perhaps she says something like, "You silly girl, if you don't slow down you know you will exhaust yourself or make yourself ill." Or, "Why are you pretending to be full of energy when you know that you are really tired?" and so on. Pause for a moment and take a look at the figure. Who is she? Your mother? A friend who tends to be negative about everything you try? The voice of a belief system from inside you which, without your being aware of it, has been telling you for years that you are tired? Answer the figure back. Tell her quietly but firmly in your mind, "No, you are wrong. I am well and I have lots of energy. I also know how to use it wisely. I will rest and look after myself when I need to, I will eat well, I will enjoy what I do. I will be happy with my vitality." Then go on with your visualization. Unexpected intrusions like this while you are visualizing are often very useful, for they help make you aware of belief systems and notions that may have been unconsciously impeding your progress towards a goal. Then, when you have practised your visualization for, say, five or ten minutes, tell yourself you are going to count backwards from three and open your eyes. A FEW TRICKS TO HELP In the beginning, when you are just starting to explore the power of creative imagery, it is a good idea to pick only one goal at a time and work on it for several weeks or months until it is being progressively realized before taking on another thing you would like to change. The technique of keeping a journal is very useful in recording your progress, but even more important is keeping a record of insights and experiences you come upon while practising the deep relaxation and visualisation techniques. The information and insights they turn up for everyone are invariably rich. Many times something you record today which seems not particularly useful now will have a message of immediate importance to you three months from now. Finally, there is one very simple goal that I find particularly useful because it covers all areas of one's life and you can use it over and over again, year after year, with benefit. It is, "Every day I am more and more myself. My life grows richer and richer." “Practice makes perfect,” the saying goes. It most certainly does but never treat your practice as a chore. Let it be fun. When you do everything happens faster and with greater ease.

This Documentary is a remarkable eye opener to the nature of our universe and the power of electricity. This is a must see for everyone but particularly for anyone who is interested in learning about the nature of the magical universe we live in. Details of the Electric Universe Thunderbolts of the Gods by David Talbott and Wallace Thornhill introduces the reader to a former age of planetary instability and earthshaking electrical events. The 108-page full-color monograph, based on the life’s work of the two authors, offers a revolutionary synthesis of historical investigation and the newly discovered “Electric Universe.” Talbott and Thornhill claim that cosmic upheaval occurred so recently as to have profoundly affected early human cultures, provoking “incomprehensible” myths, symbols, and commemorative practices. Through a synthesis of ancient testimony, high-energy plasma experiments, and space age discoveries, the authors bring the ancient world to life. If their hypothesis is correct, it will surely alter many paths of scientific investigation as well. The little-known study of powerful electrical discharges in plasma is a new and exciting development in plasma cosmology, with profound implication for space age astronomy. Talbott and Thornhill have followed these developments because they see plasma science as a bridge between the ancient and modern worlds. To advance their case, they present side-by-side comparisons of laboratory plasma experiments and globally recurring symbols of the ancient sky. The evidence, they report, shows an ancient obsession with extremely violent electrical discharge formations in the heavens. At the core of this reconstruction lies the unique behavior of plasma. Plasma, often called the “fourth state of matter,” has been studied for less than a hundred years, and only in the recent decades of the space age have some physicists begun to realize its importance to the understanding of structure in space produced by electric currents. All stars and astronomical objects ranging from supernovae to beautiful filamentary nebulae are now known to be constituted of plasma—a conductive medium that permeates the near-vacuum of space. Charged celestial objects move within insulating cells of plasma that may discharge spectacularly upon close encounters. The plasma discharge currents take complex filamentary forms resulting in the panoply of astonishing structures seen by Hubble and other new telescopes. From these discoveries, a new approach to the understanding of the physical universe is emerging. This approach is called plasma cosmology. Through unimaginable labors, our ancestors carved unexplained pictures on stone, numbering in the tens of millions. But what inspired this massive endeavor around the world? The laboratory experiments make clear that the ancient artists were copying spectacular electrical phenomena in the heavens. Indeed, the global correspondence between laboratory discharge forms and the pictographs on stone is so detailed that same-scale images.

What does it mean to live a life from your own mythology? Why does it matter? With such questions, I invite you to the experience of one quantum leap after another to expand your strength, creativity and joy. Each one of us comes into this world with a unique mythology. The more conscious you become of the myth or myths by which, long ago, you chose to live your life, the sooner you will realize who you really are, what gifts you bring, what values you cherish and how you can best turn dreams into realities as you walk this earth in a human body. The road to discovering the mythology by which you live may well be the most exciting and empowering experience you’ll ever have. WHAT IS A MYTH? First let’s be clear about what myth and mythology are NOT. In the English language, few words have been more grossly perverted than these two. In daily parlance they are wrongly taken to mean something that is untrue. In fact, mythologies and myths are stories of a very powerful kind which reveal profound truths. They put our conscious mind in touch with feeling states that lie deep within us. Like fine poetry, a mythological story can never be accessed or understood by the linear, analytical thinking that epitomizes the postmodern mechanical thinking. The worldview we have inherited contends that we we live in an arbitrary, meaningless universe devoid of spirit. I suspect this is the main reason the meaning of myth has become so corrupted. PORTAL TO NEW REALITIES In truth, a myth is a metaphor. The word comes from French métaphore, via Latin from Greek metaphora, from metapherein which means “to transfer.” A metaphor transfers meaning by pointing to an experience which, by its very nature, transcends all human categories of intellectual thought. Any metaphor acts as a portal to the awareness of an archetypal realm of experience. It is transparent to states of expanded consciousness and can be “known” only through your body and your intuitive senses. In its simplest form, a myth is a special tale that can be told ten thousand times in a thousand ways without losing its power. It is a tale which will be received differently by everyone who hears it. Yet it always carries an archetypal hook, able to grab our imagination by the throat and awaken the knowingness deep within each of us. SECRET OPENINGS Joseph Campbell, one of my personal heroes, puts it another way: "Myth is the secret opening through which the inexhaustible energies of the cosmos pour. The wonder is that the characteristic efficacy to touch and inspire deep creative centers dwells in the smallest nursery fairy tale—as the flavor of the ocean is contained in a droplet, or the whole mystery of life within the egg of a flea,” he says. “For the symbols of mythology are not manufactured. They cannot be ordered, invented, or permanently suppressed. Myths are spontaneous productions of the psyche, and each bears within it undamaged the germ power of its source." Myths live forever in our hopes, dreams and relationships. Mythological images are the means by which conscious awareness is put in touch with creative energies that drive our lives from the deepest levels of our being. When we are out of touch with them in our lives, or if we choose to deny them or pay no attention to them, we become separated from the core of our being and can find ourself in a state of confusion or despair. By contrast, a mythology that we become aware of, which fires us, is one by which we can be guided to live our lives with purpose and fulfillment. So how do we discover what mythological impulses and values inhabit the deepest regions of our psyche? Childhood usually holds the key. Now is the time for you to ask the question, “By what myth have I been living my life?” CHILDHOOD HOLDS A KEY There was a moment in Carl Jung’s life when he realized what it was to live with a mythology, and what it was to live without one. When he asked himself by what mythology he was living, he found he didn’t know. Despite his much-celebrated successes, Jung had come to feel that his work until then had all been based on an intellectual understanding of the mind. As many of us do, he realized that he climbed to the top of a ladder only to discover it had been placed against the wrong wall. In his late thirties at the time, Jung asked himself a question: “What was it that fascinated me, what was it that I most loved doing as a boy whenever they left me alone and let me play?” He remembered that what he had loved most was making buildings and cities out of small stones. He decided that, having now grown up, what he would do was play with big stones. He bought a piece of land on the lake across from Zurich. Then he planned and constructed a house. As he worked with his hands, he allowed his thoughts free run in the imaginal realms. Soon he was dreaming rich dreams. He recorded them using words and images in a journal while mythic riches from deep within his soul continued to break through into conscious awareness. FASCINATION AND BLISS Before long, he understood that the dreams he had been recording resonated with great mythic themes that he had been studying while working on his book, Symbols of Transformation. He began to paint mandalas which he found acted as gateways to greater self-discovery. The connections forged by entering the mythic level of your being invariably bring us a sense of zeal, fascination and bliss. It connects us ever more deeply with our own creativity. Sooner or later it also prompts us to share our creative gifts with the world. If we are willing to look back in silence, without judgment, to our own childhood, we often discover a myth which we either are living or are meant to be living, even though we have long remained unaware of it. Often we discover that, at a young age, we sensed what we intended to do with our life in years to come. DISCOVERING MY OWN TRUTHS I remember that at the age of five I had an argument with my maternal grandmother about marriage and children. She was trying to explain to me that, when you get older, you need to find someone to love. Then you got married in a white dress, and you ate a beautiful white cake. This meant, she said, that later you would be able to have children. I was an archetypal tomboy, hated dolls, loved climbing trees and playing football. Yet even at that age I knew that I wanted children when I grew up. Her description of the white dress and the wedding cake sounded dreadful to me. “Ugh,” I said, “I hate cake. I don’t ever want to be married.” Surprised at the vehemence of my reply, she patiently explained to me that the wedding was a necessary prelude to having children. I knew there and then that she was lying. Our Siamese cat, Babette, had given birth to lots of children and she had never been married. So ended the discussion. One day, years later, having brought four children by four different men into the world and raised them all on my own, I would remember that conversation. It surprised me. How, I asked myself, could I possibly have known that I would live out the clear intention held by the five-year-old me which, in the interim, had lain sleeping in the dark, somewhere deep within my psyche? FORGOTTEN TRUTHS Like Jung, when we are children we often have a strong sense about who we will become and what we are going to do when we grow up, based on a myth or passion that fires our soul. Usually this “knowing” gets submerged beneath what “they” tell us we are supposed to do or be. Schools, advertisers, religion, well-meaning (or sometimes not so well-meaning) adults “educate” us. They tell us it is better to drive around in a shiny car than to live the life of a hobo. Personally, even as a kid, I was quite sure that given a choice between such options, I would prefer to be a hobo. As for having children and raising them on my own, this had definitely been on my agenda. Even though we may travel down many roads that lead to dead ends in our life, when we look back to childhood we often find that a particular myth or myths hidden deep within a part of us have been directing our life all along. They may even have been the power which, each time we’ve gone down a meaningless road, has drawn us back to our center asking us to reconnect with what we most love, and providing the power to create the life we want to live. YOUR UNIQUE MYTHOLOGY Discovering by what myth or myths you are living your own life leads down two parallel roads which eventually join. They take you deeper and deeper into what is the most important process of all: Forging connections with the core of your being and calling forth your own unique, creative power so that it is expressed in every area of your life both for your highest good and for the highest good of all. Coming to experience the power of mythology as a living archetype and diving in to the wondrous mythic realms fuels the creative process within you. It helps you discover, as Jung did, the mythology by which you have been living your own life. Once you begin to see this, you can ask the question, “Does this bring me delight, energy, freedom and belief in my own creative gifts? Does this story help me live out my deepest desires and purpose, or not?” IN CHALLENGING TIMES Ask yourself this: If I were faced with a situation of total disaster, if everything I held most dear to my heart and all of my loved ones disappeared, if the life I’ve been living were devastated, what would I live for? What could sustain me? How would I come to know that, despite all the challenges, I could go on living instead of throwing in the towel and letting myself fall into an abyss of impassability and fear? Now is the time to begin exploring the realms of mythology and find out. A revelatory way of looking back at your life, if you have kept a journal or a diary, is to read through some of the entries you have made into it in past years. You are likely to find that some of what you believe you have only recently come to understand. You are also likely to discover that what was important to you long ago still is. RECORD YOUR DREAMS Such revelations can help you identify some of the driving themes of your own life—the destiny that you, most likely, unwittingly chose for your life although you did not know it. So, keep a journal. Carry it with you wherever you go. Record in it your dreams, your longings, your conscious choices and the choices that life seems to make for you without any conscious choice on your part. Continue to ask yourself, “Does the myth by which I appear to be living fire me with a sense of wonder and excitement?” If so, great... just keep on going. If not, how do I begin to uncover the mythology deep within me that will? I would love to hear from you about your own experiences in answer to the question: “What mythology guides your life?”

The response to my recent blog “Your Magnificent Self” was enormous. Last week I published PART ONE of my reply to your having asked for more. Here is PART TWO . I hope you enjoy it... One of the most important keys to connecting with your essential self lies in learning to pay attention to your peak experiences. These are times when you perceive reality through fresh eyes, experience the world as a whole and everything in it as being right. All of us have peak experiences yet too many of us don’t even stop to notice they are happening to us. EPIPHANIES The occurrence of these small moments of awakening can be tremendously enriching, for you are temporarily set free from habitual ways of thinking and behaving that tend to stifle your creativity. Look for peak experiences, surrender to what is happening to you, enjoy them when they come. Then record them in your notebook. The occurrences of both small and large moments of awakening can be tremendously valuable. You are temporarily set free from habitual ways of thinking and behaving that may be stifling your creativity and joy. Stay open to epiphanies. Sometimes they can be life-changing. Let me share with you how I discovered the power of peak experiences which many times have completely changed what, at the time, I believed to be true. AWAKENINGS When I was 18 years old, in my second year at Stanford University, I fell in love for the first time in my life. It was not long before I had to leave California to live in New York. His name was Dick Givens. He and I had never spent a night together. Now we would have twenty-four hours together in San Francisco before I had to catch a plane. We walked through Golden Gate Park. I had been there many times before on my own—visiting the Japanese garden, lying on the grass in the sun, looking at the paintings in the museum. But I'd never paid much attention to what was around me except in the vague way I had always appreciated being amidst the trees, grass and flowers. Today was different. He and I wandered aimlessly, aware that, in a few hours, we would probably never see each other again. REALITY SHIFTS I could feel death sitting at my shoulder. I loved this man with such intensity that I could hardly bear the fire that burned in my flesh when he touched my face, nor the surges of bliss which flooded my heart and body when we made love. Then, without warning, my whole world shifted. For reasons I will never understand, my consciousness – my awareness of the ordinary world – became transfigured, luminous. I had never experienced anything like it. As I walk with him, the structures of ordinary reality crack wide open. We come out of a wood, cross a road and step onto the curb. Old men are bowling on the green. Absorbed in their game, they pay no attention to us. Without warning the trees, the grass, the small knoll behind the men rising to a copse above, turn into a wondrous but terrifying universe. Space expands in all directions as though a million tiny holes are piercing the fabric of reality. Each one emits brilliant light. The air, the grass, the pavement, the bodies of the men, the clouds above us, the trees around us – everything trembles with a radiance. It breaks over me in great waves, simultaneously wiping me out as though it is even bringing me to birth in a new form. I understand nothing of what’s happening. DEEP MYSTERY In the presence of this overwhelming beauty, I sensed I’d tumbled into a deep mystery. Discovering love with my son, Branton who was born several months before. had been my first epiphany—my first peak experience. That day in Golden Gate Park brought my second. I am quite sure that the intensity of the love I felt for this man had triggered it. But the experience itself was far greater than either of us. I knew for the first time that by own essential being was urging me to live a different kind of life than I had lived until then – deeper, richer, larger and more connected to all living things. This was my first experience of something overwhelming which, instead of being terrifying, it carried with it a sense of exhilaration and excitement. It brought me incredible hope. That was the day I became certain that the universe is a place far greater than I had ever imagined. TELL YOUR TRUTH What are your own peak experiences? Think back and record them. Stay alert to when they arrive and enter into them. Epiphanies come in all shapes and kinds. Some overflow with bliss, others are brimming with sorrow, still others can be funny revealing to you something important about yourself that you were not aware of. Write them down whatever they are. Be as honest as you possibly can. Telling the truth first to ourselves and then, when appropriate, to some others, has enormous power. Too many of us lean in the direction of being diplomatic and discreet—adjusting our opinions and answers to fit with what we think others want to hear. This leads to a sense of confusion where instead of bringing you closer to your essential being and allowing it to guide you, you become confused—not sure what you genuinely think about anything. LOST TEENAGER That was very much the state I found myself in when at the ago of 13 an embarrassing epiphany forced me to turn away from what I had been taught and decide for myself what mattered to me. Here’s how it happened: I was sent away to a school called Castilleja and thrown in to a clique of privileged girls with whom I was quite sure I didn’t belong, I was terrified. I hoped being at this boarding school would give me the time I needed to work out the kind of human being I was supposed to be so I could survive. I was desperate. It was do or die. Once a month, as part of our ‘cultural development’ we girls were packaged in best dresses, shoes and crinolines and ushered off to view paintings, hear opera, or take part in something else which the school considered an essential part of our ‘intellectual, artistic and social development’. I learned that the trip this month was going to be to the San Francisco Opera House where we would be forced to listen to Beethoven’s Fifth Symphony, conducted by some Englishman called Sir Thomas Beecham. LESLIE THE PARROT Having been brainwashed by my opinionated musician father to believe that any music written before the twentieth century was ‘irrelevant to now and therefore a total waste of time’, I had taken on his beliefs as though they were my own. All the way to San Francisco I blabbered on about what a stupid idea it was for us to be spending time listening to ‘that old stuff’. When we arrived at the opera house, I was still seething with disapproval at having been press ganged into being there at all. In short I made an ass of myself at everyone else’s expense. THE CURTAIN RISES Then the music begins. No more than three minutes pass before my mouth drops open. I am scared to breathe, afraid that the sound of my breath will prevent my immersing myself in this wonderful sound. Incredible. Magnificent. Beethoven. In the presence of this music something occurs that has never happened to me before. His music cuts through my fear, my rage and my confusion. It fills the hollowness inside me with something so stark, so real, so vital, I can’t begin to describe it. The music and I become one. So long as it is playing, I am no longer alone. For the first time in my life, words come to me – words which will return again and again in the years that follow: ‘If such things exist, I want to go on living.’ Thanks to that experience I would come away from that night with a great gift. It opened up a world of music that had been hidden from me until then. It gave me spiritual nourishment and encouraged me to seek my own values in the world. Decades later it would also lead me to spend four and a half years writing my first novel Ludwig... A Spiritual Thriller. TAKE RISKS To free the Magnificent Self which is who you really are, consider new ways of doing things instead of mechanically following the same old patterns. Never be afraid of making a fool of yourself. When you do, as I did then (and have done many times since it must be said) you can learn some wonderful things about yourself while shaking off a lot of old baggage. Risk standing out from the rest—your own natural way of living, thinking, dressing, working may be quite different from the way you have been trained to do these things. Your opinions may differ greatly from those of people around you. Be courageous about seeing things your own way. Dare to be different in what you say and do if you feel different. The sense of freedom this can being is exhilarating. Listen to the whispers from within you. Find out what you want and then go about getting it. Whatever you work at, work hard and wholeheartedly. This brings a sense of self-reliance and also frees a lot of otherwise frustrated energy for constructive use. DISCARDING ROLES Take a look at the roles you play. There are dozens. We all play them—the 'intelligent woman', the 'man to be reckoned with', the 'expert’ the 'sexy lady', whatever. Some may be useful in getting what you think you want Most are irrelevant. They do nothing but sap your energy. As you become conscious of your own ‘roles’ you discover that have free choice to decide if you want to go on playing them or let them go. The more you leave roll playing behind, the freer you become from the hold they have exerted over you. This lets you come closer and closer to living your own authentic life with self respect, celebration, creativity and freedom. Your unique Magnificent Self is calling to you. Set it free. Discovering who you really are becomes be the most exciting thing you can do The time is now. Just do it.

A thorough, comprehensive technique for relaxation and personal transformation, autogenic training - developed in the early 1930s by the German psychiatrist Johannes H Schultz - consists of a series of simple mental exercises designed to turn off the body's `fight or flight' mechanism, and turn on the restorative rhythms and harmonizing associated with profound psychophysical relaxation. Practiced daily, it can bring results comparable to those achieved by serious Eastern meditators. Yet unlike meditation, autogenics has no cultural, religious or cosmological overtones. It demands no special clothing, unusual postures or practices. When you practice autogenics, emotional and spiritual detoxification happens in just the way physical detoxification occurs on Clean Sweep Diet, and once again the whole process is generated from within. freedom from within Johannes Schultz was a student of the clinically orientated neuro-pathologist Oskar Vogt, who at the turn of the century at the Berlin Neurological Institute was deeply involved in research on sleep and hypnosis. Vogt remarked that some of his patients who had been subjected to hypnosis developed the ability to put themselves in and out of a hypnotic state - or rather autohypnotic, since it was self-induced. These people experienced remarkable relief from tension and fatigue and also tended to lose whatever psychosomatic disorders they had been suffering from. Drawing on Vogt's observations, Schultz went on to design techniques that would enable people to induce this deep mental and psychological relaxation at will. Schultz found that when men and women enter the autohypnotic state they experience two specific physical phenomena: the first was a sensation of heaviness in their limbs and torso, and the second a feeling of diffuse warmth throughout the body. This warmth is the result of vasodilation in the peripheral arteries and the sensation of heaviness is caused by deep relaxation in the body's muscles. Schultz reasoned that if he taught people to suggest to themselves that these things were happening to their bodies, they might rapidly and simply be able to experience a state of passive concentration, which in turn would exert a positive influence over the autonomic nervous system, balancing energies of mind and body, helping a person experience a high level of relaxed vitality and freedom from premature degeneration, and gradually clearing away negative thought and behavior patterns that have been interfering with a person making full use of his or her potential. organismic abandon Schultz discovered - as have many since - that in a state of passive concentration, all activities governed by the autonomic nervous system, once believed to be out of man's control, can be influenced by the person himself. This happens not by exercising any conscious act of will but rather by learning to abandon oneself to an ongoing organismic process. This strange paradox of self-induced passivity is central to the way autogenic training works its wonders. It is a skill which Eastern yogis, famous for their ability to resist cold and heat, to change the rate of their heartbeat, levitate and perform many other extraordinary feats, have long practiced. But until the development of biofeedback and autogenic training, and the arrival of Eastern meditation techniques, this passive concentration largely remained a curiosity in the West, where active, logical, linear, verbal thinking has been encouraged to the detriment of practicing our innate ability to simply be. Many experts on the psychological processes of aging believe that it is overemphasis on the use of the conscious will in the West that makes us so prone to premature aging and stress-based illnesses in the first place. get warm and heavy To help his patients induce the autogenic state, Schultz worked with the sensations of heaviness and warmth. Later he added suggestions about regular heartbeat and gentle quiet breathing - two more natural physiological characteristics of relaxation - and then went on to suggestions of warmth in the belly and coolness of the forehead. These six physiologically-orientated directions - heaviness and warmth in the legs and arms, regulation of the heartbeat and breathing, abdominal warmth and cooling of the forehead - form the core of autogenic training. A person learning autogenics goes through each of the six steps, one by one: "My arms and legs are heavy and warm, my heartbeat is calm and regular etc" each time he or she practices. Because of the body and mind's ability with repetition to slip more and more rapidly into the deeply relaxed yet highly aware autogenic state, the formula becomes increasingly shortened until after a few weeks or months of practicing you can virtually induce a state of profound psychophysical relaxation at will. Once you have mastered the exercises, they can be practiced anywhere - even sitting on a bus. balance life energies A key principle on which autogenics is based is that the body will naturally balance its life energies, biochemically and psychologically, when allowed to repeatedly enter a relaxed state. The benefits of being able to do this are virtually endless. Some of them come immediately - such as being able to counteract acute stress and fatigue, refresh yourself and clear your mind. People with high blood pressure who learn autogenics report drops in systolic blood pressure from 11 to 25% and more, as well as 5 to 15% in diastolic pressure. Brain-wave activity also changes so that you get a better balance of right and left hemisphere, leading to improved creativity at work and a sense of being at peace with oneself. Other benefits come more slowly over the weeks and months and years that you practice. Recoveries from bronchial asthma and a whole range of other psychosomatic disorders have been reported, as well as the elimination of self-destructive behavior patterns and habits such as drug taking, compulsive eating and alcoholism. As a result, autogenic training is now given as a standard instruction in Germany and Switzerland. let's begin The basic autogenic exercises are simple. Taking up one of three optional postures - sitting slumped rather like a rag doll on a stool, lounging in an easy chair, or lying on your back with your arms at your side - make sure you are reasonably protected from noise and disturbances and that your clothes are loose and comfortable. It is easiest to learn autogenics lying flat on a floor or on a very firm bed. Once you have got the basic exercise under your belt you can do it just about any time, anywhere, sitting up or even very discretely on a bus on the way to work. If you like, you can record the autogenic exercises that follow on tape very slowly and play it to yourself in the beginning. I generally find, however, that it is better to learn it very simply from the words that are in the box below. go within Lie down on your back in bed or on the floor. Make yourself comfortable with whatever pillows or covers you need to do so. Close your eyes gently. Take a deep slow breath and pause for a moment. Now exhale fully and completely. Let yourself breathe slowly and naturally. Feel your body sinking back into the floor. Now repeat the following phrases to yourself slowly and silently letting yourself savor the sensations of heaviness and warmth as you do. The first phrase is: My left arm is heavy... my left arm is heavy... my left arm is heavy... my right arm is heavy... my right arm is heavy... my right arm is heavy... Let go of any tension in your arms as you say to yourself: My left arm is heavy... my left arm is heavy... my left arm is heavy... repeating each suggestion three times. Continue to breathe slowly and naturally, remembering to exhale fully. Say to yourself: Both arms are heavy... both arms are heavy... both arms are heavy. Let go of any tension in your arms. Then say: Both legs are heavy... both legs are heavy... both legs are heavy... As you continue to breathe slowly and naturally, say to yourself: Arms and legs heavy... arms and legs heavy... arms and legs heavy... arms and legs warm... arms and legs warm... arms and legs warm... feel it Feel the warmth flow through to your arms and legs as you say to yourself: Arms and legs warm... arms and legs warm... arms and legs warm... Continue to breathe slowly and freely while you repeat silently to yourself: My breathing calm and easy... my breathing calm and easy... my breathing calm and easy... my heartbeat calm and regular... my heartbeat calm and regular... my heartbeat calm and regular... Feel your strong, regular heartbeat as you say the words to yourself. Continue to breathe easily and say to yourself: My solar plexus is warm... my solar plexus is warm... my solar plexus is warm... Feel the muscles in your face relax as you say to yourself: My forehead is cool and clear... my forehead is cool and clear... my forehead is cool and clear... Enjoy the feeling of softness and calm throughout your body and say to yourself: I am at peace... I am at peace... I am at peace... the return When you have finished the exercise you are ready for the return. It will bring you back to normal everyday consciousness: Quickly clench both fists, take a deep breath in, flex both arms up in a stretch, then breathe out slowly and completely, returning your arms with unclenched fists to your sides. Now open your eyes. Lie for a moment with your eyes open and just allow yourself to BE HERE NOW WITH WHATEVER IS, then get up and go about your life. When first learning autogenics, you will need to repeat each suggestion three times and the entire exercise itself needs to be repeated at three different periods each day. The best time is just before you get out of bed, just before you go to sleep, and at some other moment of the day. If there is no way you can lie down during the day you can always do the exercise sitting in a chair. If you are practicing in public such as on a bus or at your desk in an office, draw your fists up to your chest by bending your elbows rather than bringing the whole arm above the head for the return. autogenic triggers Before long you will find that even the simple suggestion "my right arm is heavy" will trigger the psychophysical relaxation process in the whole body. Some people get feelings of heaviness and warmth right away. For others it can take as long as a week or two of practicing three times a day for 10 or 15 minutes at a time. To everybody it comes eventually, and with it comes a profound sense of relaxation. Canceling the training session occurs when you clench your hand into a fist and raise your arm straight above your head, or bend your arm and draw your fist to your shoulders, at the same time taking a deep breath and then stretching. This trains your body to return to normal consciousness right away. Meanwhile your temporary excursion into the realm of deep relaxation keeps working its magic. autogenic training made simple Here is an aid memoir for practice. Repeat each suggestion 3 times: MY LEFT ARM IS HEAVY... MY RIGHT ARM IS HEAVY BOTH ARMS ARE HEAVY... BOTH ARMS ARE WARM... BOTH LEGS ARE HEAVY ARMS AND LEGS HEAVY... ARMS AND LEGS WARM BREATHING IS CALM AND EASY... HEARTBEAT CALM AND REGULAR MY SOLAR PLEXUS IS WARM... MY FOREHEAD IS COOL I AM AT PEACE the return: CLENCH BOTH FISTS TAKE A DEEP BREATH FLEX BOTH ARMS UP IN A STRETCH BREATHE OUT SLOWLY RETURN ARMS UNCLENCH FISTS OPEN YOUR EYES LIE FOR A MOMENT WITH EYES OPEN BE HERE NOW WITH WHATEVER IS. Repeat each suggestion three times, repeat the exercise three times a day. discharge the blocks Although autogenic training brings about a `low-arousal' state similar to yoga and meditation, where parasympathetic activity dominates, it stems from exercises meant specifically to induce simple physical sensations leading to a state of relaxation of a purely physical nature. The benefits which come with practicing it go far beyond the physical: in addition to slowing the heartbeat, reducing blood pressure, regenerating and rejuvenating the body, autogenics triggers changes in the reticular activating system in the brain stem which can result in what are known as `autogenic discharges'. These are a spontaneous way of de-stressing and de-aging the body, eliminating old tensions and wiping away thought patterns that may have been inhibiting the full expression of your being. Autogenic discharges can manifest themselves as temporary twitching of the arms or legs - much like the twitch experienced occasionally on falling into a deep sleep - during the session itself, or increased peristaltic movement - stomach grumbles - or various transient feelings of dizziness or visual or auditory effects. These phenomena are harmless, quick to come and go, yet an important part of throwing out life-accumulated, stressful material stored in the body or psyche. cleansing reactions A few people - I among them - when they first begin autogenic training, go through two or three weeks where a lot of old stress and emotional rubbish gets released through autogenic discharge. Old feelings of discouragement or depression, laughter or anxiety can sometimes rise to the surface. It is important to be aware of this possibility and to be aware of what is happening if it does occur. It is only the psychic side of detox that will help renew, refresh, and rejuvenate you, as old stress you have been carrying about with you rises to the surface to clear permanently. Because of this discharge phenomenon, some psychologists in the English speaking world who teach autogenics like to work on a one-to-one basis with their students in order to help them gain perspective on what is coming up from their consciousness. In Germany and Switzerland this is not considered important. There, autogenic training is taught as a matter of course both to adults and school children with no such psychological back up. The important thing to remember is whatever surfaces is likely to be very old indeed, stuff you've been carrying around for a long time and which you are far better off without. three's the charm Begin your practice of autogenics on day 2 of 10 Day Rejuvenation Plan adding it to Clean Sweep Diet. It takes about ten to fifteen minutes to run through autogenics while you are learning it. Afterwards the exercises can be done much more quickly - eventually in two or three minutes if necessary. Rather like Pavlov's dog, who learned to salivate simply because the bell sounded and the food appeared together so many times, the magic of autogenics depends on your continual repetition of the exercise again and again, day after day. Once the initial period of learning is completed, you can then choose to practice the exercises once or twice a day whenever you like. In the process you will have gained a lifelong skill that is invaluable for de-aging the body and mind. Within 10 days to 2 weeks of practicing autogenics,most people feel a steady and increasing release of creative energy, and a sense that great burdens are being lifted away so that - often for the first time - they begin to feel more free to live their own life by their own values. It is rejuvenation at its very best. the zen of now There are two important aspects to making autogenic training work for you. The first is a real acceptance of your current circumstances or position - knowing that anything that you feel just now, whether it happens to be fear, anxiety, joy, frustration, inadequacy or environmental stress, is OK for the moment. It is only through acceptance of 'what is' now that we open the gateways to change. The second important thing about autogenic training is self-discipline. You need to make time to do the exercises each day and to establish a routine.

A technique based on the work of Edmund Jacobson, this is an excellent way to begin if you have never done any sort of relaxation or meditation technique before, because it gives most people some sense of what relaxation feels like even the first time you try it. As you repeat your technique (it is best done for fifteen minutes at least twice a day), you will find you enter a state of relaxation that is progressively deeper and deeper. The first few times you try the technique, you may find you have trouble picturing all the images as they come, or preventing your mind from wandering. It doesn't matter if you don't `see' anything - some people are more visual in their imagery, others more feeling; both work superbly well - just approach the exercise from your own point of view. become aware When you find your mind wandering (this is a common occurrence because your concentration is not used to focusing so intensely, or because you are experiencing something new to you, which naturally enough causes a little anxiety) ask yourself, `Why is my mind wandering?' Pursue that thought for a couple of minutes, then go back to the exercise and continue to go through it as best you can. All difficulties will iron themselves out automatically after you have practiced the technique long enough - so persevere to overcome any initial difficulties. Find a quiet room, preferably one without too much light, and sit in a comfortable chair that gives support to your back. Place both feet flat on the floor and close your eyes. Become aware of your breathing and just let the air come in and out of your body without doing anything. Take a few deep breaths. Each time you breathe out, slowly repeat the word `relax' silently to yourself. focus Focus on your face, and let yourself feel any tension in your face or eyes, your jaw or tongue. Make a mental picture of tension - you could picture a clenched fist, a knotted rope, or a hard ball of steel - then mentally picture the tension going and everything becoming relaxed, like a limp rubber band. Feel your face and your eyes, your jaw and your tongue becoming relaxed, and as they relax, experience a wave of relaxation spreading through your whole body. (Each step takes about ten seconds.) Tighten up all the muscles in your face and eyes, squeezing them as hard as you can. Then let go and feel the relaxation spread throughout your body again. Now apply the same instruction to other parts of your body, moving slowly downwards from your head to your neck, shoulders, and upper back, arms, hands, chest, mid- and lower back, your abdomen, thighs and calves, ankles, feet and toes, going through each area until every part of your body is relaxed. With each part, picture the tension in it mentally and then picture it going away; each time, tense the muscles in that area and then let them go and feel the relaxation spreading. When you've relaxed every part of your body, sit quietly in this comfortable state for up to five minutes. Now let the muscles in your eyelids become lighter; get ready to open your eyes and come back to an awareness of the room. Open your eyes. Now you are ready to go about whatever you want to do.

How often do you rejoice your body? How often do you feel absolutely at ease in your skin, at peace in yourself and in harmony with your world? For many the answer is seldom. Instead we tend to us put up with the body rather like some slightly cumbersome baggage we carry with us as we go about. Yet all thought, all feeling, every response to beauty and to horror is mediated through the body. In fact your body is the medium for experiencing everything in life. As any healthy two year old knows, when it is fully alive you are fully alive. This aliveness is something we often have to rediscover. Television, films and advertising are replete with photographs of long legged pencil-thin females who are meant to be paragons of womanhood against whom we measure ourselves. Magazines and newspapers spend a large part of their time giving us advice about diets, clothes, exercise which supposedly will help the bodies of their readers more closely approach whatever shape, size and texture body the general consensus at any moment in time considers ideal. Meanwhile millions of women who, because of the way they are built, their personalities, and their own values (whether or not these values operate consciously or unconsciously) have not a hope in hell of ever looking like that ideal. And they suffer. This suffering goes deep - far beyond the simple (yet often painful) feelings of inadequacy which come with having been built with broad shoulders, big feet or a flat chest when the world you live in tells you you are supposed to be different. (Some of us alas have the misfortune of being blessed with all three). For implicit in the whole way in which the body is presented in almost everything we do and think are two far more crippling assumptions: That the body is separate from the spirit or person and that it is ultimately inferior. These assumptions are anchored deep into the belief systems from the Greco-Roman and Christian traditions in which our society has developed. They have led us to view the body either as something not to be trusted - like a wild animal that needs taming lest it gets out of hand or like a physical object outside ourselves to be watched, studied and manipulated. For most Western women their bodies are things separate from themselves, either to be prodded, criticized, and hidden or narcissistically exposed as a sexual object - something useful in gaining attention or drawing to oneself what one needs (or think she needs). In either case there is a sense of estrangement not only from the body but at a deeper level from ones self. Out of this estrangement comes a sense of powerlessness so that one begins to think that what one needs to be happy, to be complete, to be fulfilled can only be found outside oneself - by accomplishment in the world, or wearing the right clothes, by earning the love of a man or by conforming to some abstract ideal. So long as one is driven by a sense of separateness from ones body whether you succeed or fail in getting what you want from the outside world is irrelevant. For neither success nor failure bring you any closer to living freely with real health and beauty. Rediscovering the aliveness of the child and the innocence of bodily freedom can. It helps heal the wounds of separation and free a woman to live in the fullness of her own being.

To be beautiful, you must be who you are. Because who you are is far more creative, vital, and powerful than anything or anyone you might try to be. It’s a fundamental truth too often forgotten. Still we live in a world that teaches us, however unwittingly, that whatever we are is not as good as what we should or could be. It tells us that we need someone or something outside ourselves to give our lives meaning. All of which is utter hogwash. You’ll never fulfill the magnificence and uniqueness of who you are by following convention, bowing down to some guru or following somebody else’s rules. The truth about YOU lies within your own body—your own being. And there has never been a better time to uncover it than right now. SEDUCTION BY ILLUSION The media is full of programs, articles, advertisements, and imperatives that urge you to "be a better lover", "wear this fashion," "make more money". It is an amazing game. It keeps selling dresses, books, and automobiles because it keeps people wanting. But, in the process, it creates enormous misery and dissatisfaction as we look outside ourselves for yardsticks to measure ourselves by. This is because, no matter how well it works, the "want-need-get" game obscures one really important truth: What you need to experience wholeness, meaning and joy is not "out there," "one day," or "if I only had…” It does not need to be bought, sought, seduced, or copied. It already exists right here, right now, inside of you. It simply needs to be discovered within you and then lived out. CONQUERING CONFLICT A woman is, in reality, two women. The first, the outer woman, is a collection of physical characteristics, habits of speech and movement, and ways of thinking and of expressing her essential being. This outer part is the result of past experience, conditioning, and values—either your own or, more often, those given you by your family, educational background, and society, plus a great many preconceived ideas you have about who you are and what you can and can't do. The outer woman comes in many different forms. She may be conventionally attractive, plain, sexy, dynamic, withdrawn, aggressive, apparently assured, or terribly uncertain about herself. And for each outer woman, there is also an inner counterpart, an individual self that is utterly unique. This stable center of strength and growth, your inner core, sees the world in its own way, has its own needs, desires, and its own brand of creativity, and is a law unto itself. Your core holds the power to create, change, build, and nurture. The outer woman is little more than the vehicle for what your essential being creates. THE OUTER AND THE INNER When your essential being is allowed free expression, a woman can be truly beautiful without the need for artificiality or imitation, concealment, or excessive adornment. Her body will be strong and well, her skin clear and healthy, and her movements, speech, and actions will radiate a kind of vitality that is unmistakably charismatic, because it is real—an outward expression of who she truly is. Often, though, the inner and the outer woman have diverged so that there is conflict. The inner truth of a woman can be particularly clear and direct while her outer expression is a mass of confusion in how she dresses, speaks, acts, and looks. Usually this is because she is stifled by false ideas of how she is supposed to be, think, act, dress, and look. Where there is no free channel for expression of your essence, there is much disharmony. Eventually both your health and beauty will suffer. Perhaps even more importantly, you will probably feel you lack identity—have no firm idea of who you are or what you want. TRUTH FROM YOUR ESSENCE Discovering the power of your essential being and learning to live from it involves transformation. This process can be tremendously exciting. Sometimes this can also be challenging, for it means peeling away the superfluous mechanical façades we all collect—the ways of appearing and acting that have little to do with who we really are, but that have come to seem safe and secure. But this transformative process can be thrilling, too. You needn't look for a specific end result to justify it. In short, being beautiful is being authentic. It is all about becoming who you really are. Begin by letting yourself become aware that you are someone quite different from everyone else in the world. To some women who have never experienced this awareness before, this can seem scary at first. Others will find it is something they have known all along without ever putting it into words. Still others will accept the notion as self-evident. When you are relaxed yet alert, nonproductive thought patterns and habits loosen their hold, as do common interfering emotions such as anxiety and fear, so you are better able to hear your inner voice. Listen to it. Let it be your guide in matters of taste and in decisions you have to make. Most of us have been programmed to listen not to ourselves but to Mommy's interjected voice, or Daddy's voice, or the voice of the Establishment, of the Elders, of authority or of tradition. Instead, begin to explore how you feel about something or what you really want. Take a look at the ideas, behavior patterns, or assumptions about yourself and your life that might be blocking your free expression. These mechanical patterns of thinking and behaving are usually unconscious. They come in many forms. They can be ideas you hold about yourself such as "I am physically weak," or "I can't wear my hair back because my nose is too big," or "I will never be slender," or "I am too old to change"; or they can be even more deeply embedded notions such as "I can never do anything right," or "I am only a woman." When you become aware of these notions and the power they hold over you, you will see that many of them are little more than habitual assumptions with no basis in fact, and you will gradually find them falling away so that you are more free to be whatever you want to be. Whatever you happen to be doing, try letting yourself experience it fully. Get involved in an event, action, or project in the way a child would—wholeheartedly. Whether you are peeling potatoes, enjoying music, scrubbing floors, planning work, making love, or eating, let yourself be absorbed, forgetting everything else for the moment. When you are wholly and fully human—your essential being is being set free. These are times which all of us experience, and there is a real delight in this kind of involvement. It silences the usually worried thoughts and concerns that tend to sap your energy and make every event less interesting than it should be. This ability of complete involvement is a key to enormous vitality. At such times, little of you is wasted on anxiety about the past or future, or meaningless and unproductive worry about yourself and others. Explore new ways of doing things instead of mechanically following the same old patterns. Risk being different from the rest—your own natural way of living, thinking, dressing, working may be unique from the way you have been trained to do these things. Your opinions may differ greatly from those of people around you. Be courageous about seeing things your own way and dare to be different in what you say and do when you feel different. Be as honest as you can. Telling the truth has great power. Most of us lean far too much in the direction of being diplomatic and discreet. Many women tend too often to adjust their opinions and answers to fit in with the opinions of others. This leads to a sense of confusion where one is not really sure what one thinks. When you answer something honestly, when you do and say what you want instead of what you think is asked of you, it makes you aware that you are responsible for yourself. This in turn leads towards further freedom, creativity and truth. Take a look at any roles you find yourself playing. There are dozens—the "intelligent woman," the "woman to be reckoned with," the "shy violet," the "sexy lady"' and so forth. Some of them may be appropriate to what you want from other people; others are not only irrelevant but also sap energy that could otherwise be used effectively. The more you are aware of them, the freer you will become from the hold they have over you, and the more you will be able to discover who you are and what you are about. The other thing about roles in relation to beauty is that no role that any woman plays (no matter how delightful) comes anywhere near being as exciting, vital, and fulfilling as the truth of what she is at her core. And gradually beginning to peel away the roles by becoming aware of them is one way of discovering this. Pay attention to any peak experiences in which you perceive the world as a whole and everything as being right. Everyone has these occurrences, but many of us do not articulate them and so they happen and then are forgotten or ignored. The occurrence of these small moments of joy can be tremendously enriching. They temporarily set you free from habitual ways of thinking and behaving that tend to stifle your creativity. Look for peak experiences and enjoy them when they come. They can be useful as guidelines to decision making from day to day. Finally, work out what you want and then go get it. Whatever you work for, work hard and wholeheartedly. This brings a sense of self-reliance and frees a lot of otherwise frustrated energy for constructive use. These things have always been very important to living my own life. They still are. I would love to hear from you about your experience with all of this, if you would like to share it with me.

In the universe, in your own life, only one thing is constant: change. Change is the very essence of life itself. The tides change, the moon changes, the seasons change in cyclic patterns. Day becomes night, and night day again. A seed opens, grows, becomes a plant, then flowers and produces fruit. Like you, to unfold in all its magnificence it must survive. And the only way a living thing can defy that famous law of entropy and survive is by changing. There are two kinds of change: Simple change, where whatever has changed can always change back again, and transformation, where the change that takes place is one-way and there is no going back. It is through transformation that a seed (or a woman) at a lower level of life order is changed into the same seed or woman at a higher one. By making such transformative changes in our lives, the potentials embodied in our own seedpower are set free to unfold in all their splendor. And it is in learning to work with the transformative energies in our lives that we allow change to empower us. Working with transformation is seldom easy. The one-way nature of transformational change demands that you pass through a period of confusion where old structures disintegrate in order to make reorganization at a higher order possible. Such change can be very unsettling. This is true not only in human terms, but throughout the universe. Nobel Prize winner Ilya Prigogine has shown that for any system in the universe to evolve from one level of order to a higher level, it has to pass through a period of chaos. Evidence of this kind of transformational change can be seen all around us - in the metamorphosis of a caterpillar to a butterfly, and in the growth of a fertilized egg into a baby. We hear of it in our myths: It is told in the Christian story of crucifixion followed by resurrection, and in the tale of the phoenix who, consumed by flames, rises out of the fire to soar again in greater splendor. We see it in our own bodies when a healing crisis takes place, and wastes we have carried for years rise to the surface, creating temporary symptoms and discomfort - only to be lifted off to make way for healing. the fires of change With transformation as leitmotif of all life, you would think we would all know how to cope with it. Yet, getting through periods of disorganization and the dissolving of limitations in our lives in order to grow is the most difficult task any of us ever faces. It asks that a woman commit to the flames anything which, no matter how useful in earlier times, has become outmoded. This means everything that no longer serves her - ideas, habits, old thought patterns, emotions from the past and, most important of all, any of her living patterns which have their roots in fear. Her metamorphosis demands that these things be laid upon an altar and sacrificed so that life can then re-create itself out of the ashes in a higher form. The word sacrifice means to make sacred. It does not mean, as so often in our culture it is taken to mean, ripping oneself apart, or denying oneself. The idea of sacrificing something which has outstayed its welcome or is no longer useful sounds as though it should be easy - rather like cleaning out a cupboard. But when it is happening it can be terrifying. It can feel as though it is we who are being sacrificed. This is why we fight so hard against change, and find it so terrifying. The key to riding the waves of transformation, which we as women are being asked to ride throughout our lives, is learning to make such sacrifices willingly - to go with the transformational energies when they come. When you can, then the process of transformation, instead of making you feel like the very flesh of your body is being stripped away, becomes an exciting voyage of discovery - a voyage which, although it has its perils and its pleasures - you know is taking you to a richer land. One thing keeps us from being able to do this: fear. fear of wholeness Fear is an essential emotion. It registers any situation in which the integrity of mind/body is threatened. Without it we would not survive. If an elephant stampedes towards you and you don't feel afraid, you might not get out of its way and you'll be trampled to death. This kind of fear is appropriate. You identify yourself as the thing in the way of the elephant and the elephant as a threat to yourself and you take action to avoid disaster. The immune system which protects your body from illness and degeneration works in very much the same way. It recognizes self as opposed to non-self, and makes sure that the integrity of self is not breached by anything that could cause it harm. But fear has a negative side too. This same tendency to identify self from non-self for the protection of life gets turned inside out and becomes distorted. Then instead of serving the essential, but limited, purpose of preserving life, for which fear is intended, it becomes a fear of life, a fear of change, the kind of fear which makes you hold on desperately to things and people and ideas and images of yourself which your life would be better without. This kind of fear is the biggest toxin that ever needs to be eliminated from your life if you want to let your life unfold in all its richness and meaning. when fear grows toxic Toxic fear has many different faces: a fear of illness, of death, of losing a relationship, of injury, even of freedom - the very thing you want most. When toxic fear is present, it pollutes your thoughts and feelings. It can produce depression, anxiety, hate, resentment and hopelessness. It also deadens relationships and makes life seem meaningless. The reason we try so hard to hang on to everything is that we identify ourselves with these things - ideas, people, images of ourselves, money, a house, a job. If any of these things should be dissolved or threatened or lost in the process of change in which we are involved, we fear that we ourselves will be lost. Every form of toxic fear is a fear of losing your self. And the irony of it all is that the self which you so greatly fear losing is always some outmoded self - which in the process of transformation needs to be sacrificed to make way for a new, expanded, more creative self to take in its place. One needs to learn to go with the process of one's own unfolding - the process of becoming who you are. You need to go beyond fear. You need to move into the realm of trust - a trust in your core, in that greater Self - the individual brand of energy from which every aspect of your life is nurtured and regenerated. at the core of you This Self which lies at your core is unlimited, all-inclusive and infinitely capable of transformation. Like the leaf painted with one brush stroke by the Zen master - it is a unique microcosmic expression of the universe. So long as your sense of who you are is identified with the smaller self and all its mental and physical baggage, transformation remains an agony. However, when you begin to see that this day-to-day self is only a minute expression of your larger Self from which your core energy comes, and you can begin to identify with that instead, then the whole game changes. Instead of being plagued by fear and the other negative emotions which accompany it (emotions which play a large part in the development of disease, incidentally) you start to act from trust and to experience yourself as an integral and harmonious part of the all that is. All of this takes patience and time. It also requires a conscious effort to identify and weed out outdated thought and behavior patterns, energetic imbalance or internal pollution in the body and to replace reactions rooted in fear with trust. This in turn calls for an internal revolution in consciousness as well as learning skills in managing change. Your journey will be different from every path that has ever been walked. Each of us has to find her own way. That is the hero's journey in every mythology in the world.