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It’s easy to get trapped in a prison of your own making and not even realize it. We all do. The bars have been forged out of the worldview we have grown up with. A worldview is not something you sit down and figure out. It is a collection of ideas inherited from your culture, your educational background and what is known as consensus reality—notions about what’s real. A worldview is a package of beliefs learned in childhood that make the world seem coherent. These notions become so deeply ingrained in your thinking that you are usually not even aware of them, yet they define the breadth of your life. They limit your ability to see whatever truly exists around you. A worldview remains unconscious in a culture, yet it governs the judgements we all make as part of that culture. WHAT DO YOU BELIEVE? Here are just a few of the basic assumptions on which the worldview we have inherited rests. Every statement below is false. Yet we all go on living as if they were true. And we remain imprisoned by them. There is a clear distinction between the objective world around us and our own subjective experience. Mind is a function of the physical brain. It has no existence apart from the body. Our consciousness cannot affect the material world. The only way we can gain knowledge is through our five senses. Psychic gifts such as ESP, out-of-body experiences and near-death experiences are figments of your imagination. They don’t stand up to scientific scrutiny. The universe can be reduced to nothing but a random collection of material particles without meaning. Whether or not you have read the philosophy or understand the mathematics out of which today’s materialistic worldview has evolved, it nonetheless affects you. And it blinds you completely to your own experience of truth from within. As a result, it blocks freedom, entraps creativity and limits joy. BEWARE FALSE SCIENCE Throughout history, we humans have constructed hundreds of different methods for describing what is real. These include a wide variety of political systems, moral philosophies and religions which have shaped our worldviews and our history. In the last three centuries, we have relied for our information about what is real not on religion, philosophy, or cosmology as we once did, but rather on the system we call “science”. Since the 17th century, science has pushed aside political and philosophical thinking, religions and mythology to take center stage as the global authority in shaping our worldview. Since we give such authority to science, it becomes absolutely essential that the science on which we are relying to define consensus reality be up to the task. Today’s so-called science is by no means up to the task. And basing the functioning of a culture on a system of knowledge which is either incomplete or which contains some fundamental flaw in its assumptions means the society based on it will not function properly. As a result, we find ourselves rushing headlong towards a massive dissolution of the political, moral and social structures on which we once relied to orientate our lives and give meaning to our activities. We are now faced with disintegration of the biosphere and degradation of life. Both are happening so dramatically that the ecological destruction around us has become virtually irreversible. WEEDING OUT THE LIES There are two basic flaws in the science out of which the 20th century worldview has developed. They form the crossbars of a prison we have unwittingly constructed to limit our freedom by shaping a consensus reality that is too small to serve us. The first is the assumption that we live in a mechanical universe made up of bits and pieces—atoms, protons, neutrons, and what-have-you—which can be taken apart, studied and manipulated to our own advantage, then used to build whatever we want without concern for the effect that it might have. “Science” has almost entirely concerned itself with the parts. It has neglected the whole. It has remained blind to the complex interactions and feedback loops on living systems and the planet as a whole. It has become mechanistic and reductionist. The more you examine the major problems of our time, the more obvious it becomes that they will never be solved at this level. They are far too interrelated in complex ways for any of them ever to be understood in isolation. World population growth will never be stabilized until poverty is reduced. The devastation to the rainforest and the destruction to thousands of species of plants and animals will continue just as long as developing countries are being crushed under massive debts. Meanwhile, a dearth of natural resources and the degradation of living environments in a world of expanding population are destroying cohesion of local communities, creating ethnic cleansing and absurd religious wars. For us to address such challenges, we need to move beyond the mechanistic, reductionist worldview, reject the bogus science out of which it has developed, and replace it with a more holistic, organic and ecological perspective—one that takes into account these complex interactions. THE NEW SCIENCE A worldview that fosters human freedom looks at living systems as integrated wholes. It takes into account the interconnectedness of all things. Such an expanded sense of reality has long been held by mystics from every religious tradition in history. They have always insisted that the universe is one. Traditional mystic teachings are reinforced by recent scientific findings in quantum mechanics, systems thinking in biology and leading-edge consciousness research. But all this has by no means filtered down to consensus reality yet. This expanded worldview is known as the holographic or systemic paradigm, after the work of independent scientists who demonstrate that living organisms are indeed integrated energetic systems within an integrated universe. The tension between mechanism—which developed out of a sense of separation between spirit and matter, form and substance—and holism in contemporary science must be resolved if you are to break out of any self-imposed prison that may be limiting your life. You must be willing for a time to let go of all your preconceived notions about what is real in order for you to explore the wider universe and discover what you have been missing. This is how to begin taking a quantum leap towards freedom. THE POWER OF CONSCIOUSNESS The second flaw in the science out of which our current worldview has come is equally huge. Mechanistic science has completely ignored—left out altogether—one critical factor in its description of reality: The power of consciousness. By consciousness I mean both our everyday sense of awareness as well as the vast uncharted realms of expanded awareness, which hold our creative powers, our intuition, our dreams, our spiritual experiences, and our sense of ultimate meaning and values. Although consciousness is not something you can hold in your hand or draw a picture of, it has enormous power to affect material reality. This is not just an empty statement. Hundreds of researchers throughout the world have carried out multidisciplinary, multicultural research. Their intention has been to map the whole spectrum of the various states of human awareness, including those generally categorized as unconscious and super-conscious. The efforts of researchers involved in consciousness research have converged to form a surprisingly coherent picture of the various states available to men and women and the remarkably different experiences that can come out of each one. They are discovering that the quantum realms—source of creativity, mythology and spiritual experience—can be mapped. This is some mind blowing stuff. BREAKING THE MOULD Yet despite all this most of us continue to adhere to the conventions of our society, we keep learning in school, buying the things we are told to buy and trying to make sense of a world while somewhere deep inside we feel that we are imprisoned. We experience very little sense of freedom. When things get really bad it can even seem we are living in a wasteland, a mechanical world without meaning or purpose. In short we have become separated from our own authentic power. We keep buying the goods they tell us to buy, we keep playing the games they tell us to play. WE ARE NOT SHEEP Our longing for freedom demands that each of us reconnects with our instincts, for instinct is the voice of expanded awareness. In short, it asks that we come home to ourselves. You can do this without drugs, without gurus, without becoming a disciple or having to belong to any privileged group. You can do it regardless of your age, your physical condition or your religious beliefs. Freedom becomes part of your day to day experience as soon as you are willing to: Become an explorer of the multi-dimensional universe in which you live. Recognize, honor and respect the beauty of your soul and give it authentic expression in your life. Allow your worldview to expand until it gets large enough to encompass the whole of reality. Recognize and be willing to let go of the restrictions imposed on you from childhood, religion and education. Develop an abiding friendship with the inhabitants of the multi-dimensional universe in which we make our homes—from the moles and the stars, the grass and the trees, the rocks and the quasars, to the helping spirits who guide, bless and inform us, the muses who inspire us, the angels who shine for us and the maggots who eat away decaying matter so that new life may come forth from old. Begin to build powerful bridges between the rich inner world of consciousness and your day to day existence. Commit yourself to bringing your own unique creations into being. In its essence, your own path to freedom can bring you home to that sense of bliss and wholeness which we all know should be in our lives but which we often experience only fleetingly. It is an awakening that depends on turning away from all false “science” and rigid convention, and gaining access to the wisdom that lies within you by coming to trust your own unique perceptions and putting it into practice what you discover there. The world is rapidly changing. We are living in the midst of a revolution in knowledge and vision so vast that nothing like it has ever been experienced by mankind. At last, the scientific view of reality is moving ever closer to the mystics’ cosmology. It is a cosmology often referred to as the perennial philosophy. And it crosses all cultural barriers. These are very challenging but exciting times that we are living in. The bottom line is simple: Are you ready to discover and live your truth no matter what it takes? If so, I’m with you 100%. Let me know then let’s move together towards an experience of freedom we humans have never before known.

Leslie Kenton’s New Cura Romana Weightloss Plan is out now. A thick handbook in bright orange, this little gem is no simple revision of the earlier book. It breaks new ground for weight loss while exploring territory in the exciting realm of quantum wellbeing. The book brings together Leslie’s hands-on experience with thousands of men and women on the Cura Romana program, merging it with stunning up-to-the-minute discoveries about optimal nutrition and disease prevention. It guides you through Cura Romana’s next-generation protocol for effective, hunger-free weight loss, then reveals practical secrets for becoming radiantly healthy and lean for life. THREE STEP PROCESS The combination of Essential Spray and the easy-to-follow, exacting dietary plan fosters good functioning in the brain’s control centers—for appetite, fat burning, hormone regulation, emotional balance, and self-confidence. This automatically triggers natural fat-burning. Specific guidance on banishing addictions, rejuvenating the body and clearing food cravings comes next. Then, transformative breakthroughs in body, mind and spirit begin. Many who have experienced this three step Cura Romana process on The Journey Program or The Inner Circle Gold say it can be life-changing. LIES, DAMN LIES AND STATISTICS Some of what you read in Leslie Kenton’s New Cura Romana Weightloss Plan is likely to shock you. Since the early 1950s, most of what the powers-that-be have led us to believe about what constitutes a healthy diet has been totally wrong. It has been based not on reliable research but on woolly conjecture, misinformation, and plain old lies. Most of us have conscientiously swallowed their advice. So has the media and even the medical profession. As a result, in the past sixty years, obesity and associated illnesses have reached epidemic proportions worldwide. HORRIFIC ADVICE They taught us that natural fats like butter, extra virgin olive oil and coconut oil are supposed to be dangerous. Wrong. They directed everyone to eat a low-fat-high-carb diet, full of grain-based carbohydrates such as cereals. We need lots of carbs for energy, they insisted. Wrong again. We unknowingly trusted guidance from these so-called experts. We ate baked potatoes instead of fries and started buying all sorts of packaged foods thinking that we were making “healthy option” choices. PERILS OF CONVENIENCE Food manufacturers were quick to seize upon governments’ nutritional directives. They whipped up high-carb, low-fat convenience fare. There was one major draw back to all of this: When you remove fat from a carbohydrate food it tastes like cardboard. So, in order to make their packaged goods acceptable to the public, they were forced add masses of sugar. Conscientiously, we continued to eat the foods they were selling—much to our detriment—all the while believing that we were doing the right thing. For decades, the FDA’s infamous food pyramid—to which all developed countries turn for guidance—ruled supreme. Meanwhile, the incidence of Diseases of Civilization—from obesity and heart disease, to cancer, diabetes, Alzheimer’s disease, mental disorders and depression—has soared exponentially. All of which has earned billions for multi-national food manufacturers but created terrible human suffering. LET TRUTH BE TOLD Leslie Kenton’s New Cura Romana Weightloss Plan sets the record straight. It not only covers significant facts in relation to weight control, it also introduces a whole new way of eating and living to protect from early aging and chronic illness while enhancing wellbeing all round. It reveals truths about weight gain and weight loss. (They have nothing to do with calories in, calories out as we’ve been told.) Cura Romana’s redeveloped Consolidation process guides you step-by-step through procedures that can make a new slim body last. The new, advanced Consolidation program gleans its power and effectiveness from valid, accurate, independent research projects destined to turn the dangerous misinformation we’ve been fed for half a century on its head. The information from such truth-telling has only begun to appear in the last three or four years. It is still little-recognized publicly. But it was tried and tested for three years with the help of hundreds of willing participants on Cura Romana’s web-based programs before being incorporated into the next-generation protocol which you will learn about in this book. BREAKTHROUGHS While developing and testing this new program, it became clear that the gifts it brings go further than helping people recover their body’s natural shape and weight. It enables participants to experience not only a transformation in weight and health but an enrichment in one’s quality of life—physically, emotionally, and spiritually. Incidentally, since Cura Romana’s inception almost five years ago, these intentions have always been the foundation on which all of its programs are built. In Leslie’s words: “The ways and means of living a lean and healthy life must no longer be reserved for a privileged few. During my 45 years of researching, teaching and writing about natural health, the most important thing I’ve learned is this: Each one of us, regardless of age, can transform our current life circumstances into an experience of expanded wellbeing, creativity and purpose. We are free to draw on the work of visionary thinkers, and be guided by the valid discoveries of independent pioneers in human health and growth. It is only thanks to the endless generosity and encouragement of such people, and to the support of my visionary publisher, Brenda Kimber, that I am able to share with you my Cura Romana next-generation program. It’s my hope that this new handbook will bring as much benefit to your own life as the research and testing needed to create it has brought to mine. Every blessing... The New Cura Romana Weight Loss Plan Book Award-winning writer Leslie Kenton is renowned for her expertise in all matters relating to wellbeing. Her New Cura Romana Weightloss Plan is the culmination of her forty years of research, experience and expertise in life-transforming weightloss. ·You have known forever that the essential you is slim, healthy and full of life. It is time to experience this for real...time to say goodbye to struggles and self-criticism... time set yourself free. ·Now you can discover how to look and feel ten years younger and have more vitality, emotional strength, mental clarity and joy by making simple but powerful changes in how you eat and live. Buy The New New Cura Romana Weight Loss Plan Book At Amazon

The journey of a lifetime begins when you make friends with the sacred. And the sacred is everywhere. You don’t have to travel to Stonehenge or Machu Pichu to find it. Neither do you need to swallow a consciousness-altering drug. Sacred energy continually pours forth from the center of our universe, which according to religious traditions as well as leading edge science is both right here and now yet everywhere, at any time too. The problem is that most of us have become blinded by the mechanically-orientated worldview we inherited. We have forgotten how to experience the sacred. TAKE THE QUANTUM LEAP Rediscovering this is the simplest thing in the world. It happens through a shift of consciousness—a break in time and space through which each of us can witness the sacred realms come into being. Sometimes this takes place spontaneously. It is given by grace. You can also create structures in your life which invite it to happen. Organise the space you live and work in, for instance, to make a place in your life for rituals which honor the radiance of the world around you and within you. Doing this can be a lot of fun. Think of it as adventures, a game, a childlike exploration of new worlds. CRACK IN THE COSMOS Can I share with you my own life-changing call to sacred reality? It happened when I was 18 years old—just finishing my second year at Stanford University. Five months earlier I had fallen in love for the first time with a man three years older than I. I found myself in the unenviable position of having to leave him to go to live in New York. I knew it would be a long time before we met again—maybe never. We had only one day to spend together in San Francisco before my plane left. So we went for a walk in Golden Gate Park. I had been in the park many times before, visiting the Japanese garden or the museum. But I’d paid little attention to what was around me, except in the rather vague way we all “appreciate” being amidst trees, grass and flowers. That morning, the sacred realm cracked wide open for me. As he and I wandered across grass, through trees, knowing that in a few hours we would no longer be together, I felt as though death was sitting at my shoulder. I had no idea why. I loved this man with an intensity I would never have dreamed possible. I could hardly bear the fire that burned in my flesh when he touched me, let alone the surges of power that flooded my body and psyche when he held me in his arms or whispered in my ear. Right from the moment we had met, the love between us had arisen. Both of us sensed that this love between us had somehow always existed and would forever. SPLENDOR IN THE NOW That morning, we crossed a road and stepped up on to the curb. In front of us a group of old men were bowling on the green. They were dressed in the shabby clothes the old sometimes wear—garments which, like long trusted friends, they had lived in for so many years they did not want to be parted from. None of these men paid the least attention to us, absorbed as they were in their game. All at once, the scene before me shifted from that of a pleasant ordinary morning spent in nature—nice trees, green grass, a small knoll behind the old men rising to a copse above—to something at once ecstatic and at the same time terrifying. Space expanded in all directions. A million tiny holes appeared in reality—each emitting light. The air and grass, the pavement we had just crossed, the bodies of the men in their shabby clothes, the clouds above us, and the trees around us, trembled in radiance. Time burst wide open, breaking in great waves over the lawn. My heart seemed to grow to immense proportions. I did not understand what was happening. I knew that I had never experienced any of this before. In some way that seemed totally crazy, I was all—at the same time—being wiped out and brought back into being in a brand new form. LISTEN TO THE WHISPERS When an experience of the sacred arises spontaneously—frequently at times of great emotional joy or loss—it can be both blissful and awe-filled as well as mind-blowing. In whatever guise it shows itself, the sacred is a far cry from some “orchestrated” experience of pink-flowers-and-soft-music that the false purveyors of control with their glib proclamations offer us. It’s an experience full of beauty and terror, fascination and majesty. In the presence of an overwhelming power you find yourself standing before a mystery that is wholly other. I had no understanding about what was happening that morning in Golden Gate Park. The only thing I was sure of was this: I had experienced an epiphany in my life and that I wanted to live more and more in close connection with this new reality. GREAT MYSTERY In 1917, Rudolf Otto published one of the most important books on spirituality ever written, Das Heilige—The Sacred. In it he describes the awe-inspiring mystery—mysterium tremendum he calls it—that we feel in the presence of sacred energy. He characterises it as “a perfect fullness of being, a flowering which dissolves away our conditioned thinking and breaks down all the barriers to our being fully present in the moment.” Every time we are touched by the sacred, it urges us to live a little more from the deepest levels of our own being. Experience of the sacred opens the door to a whole new way of living and perceiving reality. Create time and space in your own life for the sacred and you automatically take the first step towards discovering the truth about who you are at the very core of your being. This is always a magnificent truth. And it is just waiting for you to uncover it. Otto characterises the qualities of the sacred as numinous (from the Latin numen, i.e. god), for they are brought about by the sudden revelation of some aspect of divine power within the paraphernalia of day-to-day living. Such is the nature of the sacred when it appears in your life. One minute you are waiting for a bus, standing under a tree you have stood under a hundred times before. The next, this tree has become suddenly something else as well. It has been transmuted in some mysterious way into a “supernatural reality”. Of course it is still a tree to you and everybody else standing there. In fact, nothing in particular may distinguish this particular tree from all the other trees on the street. Yet because it has, at that moment, chosen to reveal itself to you in its sacred form, your immediate experience of it is transmuted into something wild and free, great and wonderful. It’s as though the tree has opened its secret nature to you and become a repository of all that is awesome. So much is this the case that experiencing the sacred can make it hard to catch your breath. It can even, for a time, make you wonder who you are and what on earth you are doing there. FEAR OF THE SACRED Our modern world feels profoundly uneasy before such experiences. We are the only age in all history to be living in a desacralized culture. Limited worldviews impose themselves on our lives, forcing us to live in an almost totally profane world. Today, a tree is nothing but a tree. The wind is only the movement of air caused by nothing more than mechanical shifts in currents. As far as rocks are concerned, what could possibly be more mundane or less sacred? So we make fun of “primitive” people and their “quaint” superstitions. At the same time we exploit their land and force the deadening mechanistic values of our materialistic world on them. Whats the real truth? Rocks too have consciousness, as does everything in the universe. What we forget is that cultures for whom the sacred speaks to them through ordinary objects know very well that a rock is a rock. They don’t venerate the rock itself, or the wind. They worship the aliveness of all things and the spirit of each—something totally other and infinitely vast in its beauty. They know that whenever and wherever the sacred erupts in our lives, no matter what form it takes, a deeper, wider, richer, dimension of reality is asking us to dance with its power and celebrate its splendor. SAY YES TO THE SACRED Most of us have to relearn how. Once we do, we find ourselves continually renewed, energised, and ecstatic in the presence of sacred energies. It’s as though a wild blessing has been given us—a blessing that both nourishes and heals us. We humans have a profound need to plunge periodically into these sacred and indestructible realms which are the eternal present. It’s a need so deeply ingrained in our very being that when we are unable to fulfil it from time to time we end up living in a nihilistic wasteland. Then our lives become narrow, no matter how many fast cars we buy, how many drugs we take, how many lovers we have. Eating, sex, and getting up in the morning become nothing more than physiological events in a mechanical existence. Reawakening an awareness of the sacred in your life and making room for it turns these things into much more than mundane functions. Each one can evolve into a sacrament—the meaning of which is a communion with the sacred. As it does, our vitality, joy and creativity go on and on expanding. WILL YOU JOIN ME? Sacred truths have long guided my life and work. Each year they become more and more important to me. I’m keen to hear from each one of you about your own thoughts and experiences about and in relation to the sacred. I’d like to if, when and how you have found the sacred permeating your own life. Shall we share with each other beliefs and events that may awaken us to the experience of the mysterium tremendum? Do let me hear from you.

Where we do the damage to nature's biological plan is by providing an environment which is inappropriate to the needs of a child in a particular matrix period. We do this either by not supplying these needs - for instance by not allowing the constant physical closeness at the breast right from birth, not providing the infant with a myriad of physical objects and experiences in early childhood, not giving him the opportunity to begin classifying and ordering the relationships between things after he is seven, and so on - or by trying to force on a child a way of thinking or behaving for which his brain is not yet ripe. The Japanese for instance place their children into schools at two or three years, where they are forced to read, work with numbers, and wrestle with other abstract concepts long before they are ready to do so according to their biological clocks. As a result, not only do the Japanese have a big problem with dyslexia, their children wear more glasses per capita than any other children in the world, and when they reach adulthood also have one of the world's highest suicide rates. Pearce believes that we are trying to teach our children to read far too early. `I can stand up here and attack people's notion of Mother, Country, even God, and nobody will protest,' he says, `but when I say that we are doing severe damage to our children by forcing them to read before their brain's development is ready, all hell breaks loose.' Pearce insists that the practice of forcing five year olds (or even three and two year olds) to read can do irreparable damage to their development - damage, which he points out, is beginning to show up in widespread dyslexia, illiteracy and anxiety in our society. For by forcing him to read before his brain development is ripe for the task, we are not allowing the child to complete the intelligence and brain growth at his current stage of his development before going on to the next. Of course, because the human mind is enormously adaptable - with effort and a great deal of approval from teachers and parents - many children do learn to read. Yet this may be at great cost to them. After all, Einstein not only learned to read late, he did not even learn to talk until he was three. Forcing children to read early - which includes `encouraging' them to read early - is not the only grave mistake we make, insists Pearce. Equally damaging is our discouraging daydreaming in young children. You know the kind of thing - your child sits gazing blankly out the window, or lies on the floor sucking his thumb for minutes at a time. Meanwhile the parent, who has been taught that daydreaming is `an escape from reality' says to him, `Johnny, for heaven's sake, take your thumb out of your mouth and do something...' magical child Not only is such daydreaming harmless, like any activity which is natural to a particular matrix, it is absolutely essential to a child's inner growth processes. Daydreaming - which takes place when children sit looking blank - is a form of natural meditation helpful for his brain development. The child who has been excited and stressed in a positive way by interactions with his environment one moment will retreat into a state of restorative and calming relaxation the next. The two create a balance. Another early practice which we parents discourage, with poor consequence for our children, is what Piaget called magical thinking. A child sees the world as something not separate from himself but closely connected to him, and believes that he is able to influence concrete external reality by his thoughts and actions - much in the way primitive people do. He may fantasize, make up stories of dragons and fairies, and dream dreams of wonder and power. Many parents spend a lot of our time trying to get the child to give up such magical thinking and `attend to reality.' But such behavior has an important part to play in the child's genetic organization and development. (The notion of the interconnectedness of thought and physical reality has recently been validated by findings in high-level physics, by the way.) Indeed, such childlike perceptions may even be the link between the so-called real world and what we call extrasensory perception, as well as a key to the development of man's awareness of more subtle realms of consciousness which primitive peoples and psychically endowed individuals share. It may also be an important part of man's spiritual equipment which we, by our repression of our children's `blank staring' and `magical thinking' are thwarting. What Pearce and Piaget are really asking is simply that we stop and look at what our developing child really needs, and that we set aside for a moment what we think he needs. They ask that we listen to his `heartbeat' instead of badgering him - that we give him time to grow in safety from one matrix to another. Once we learn to do this then perhaps his birthright - the enormous creativity and intelligence embodied within his seedpower - will have a far greater chance of fulfilling itself.

Make up is the icing on the cake. Wear it if you love it. Play with it to discover new ways of expressing the many faces of you. When you don't feel into it, let your face go naked. That, too, is a path to freedom... the colors The idea that makeup color - say an eye shadow - is only to be used on the eyes, or a blusher only on cheeks, is absurd. Color is color, and it doesn't matter what you call a product provided it serves the purposes you want it to. The colors that you use on your face should all give support to each other, so they work together to create an overall effect that is pleasing. the whole process of making up may sound complicated, but with practice it should take very little time - no more than ten minutes from start to finish There are two basic possibilities: warm color schemes and cool ones. The effect of a warm color scheme on the face - which includes the earth colors such as browns, greens, beiges, golds, yellows, apricots, coppers, oranges, and peaches - is to enliven it, making your face look healthier and stronger and more glowing. Warm colors look wonderful on older women, too, because they accentuate youth. This is why some of the best foundations and powders now contain yellow pigments. A little peach or apricot blusher can make almost any face look younger, whereas bluish-pink blusher applied to a face over forty can age it drastically. The cool colors - the blues, purples, pale ivories, silvers, fuchsias, berries, magenta, blue-pinks, and whites give a look of delicate vulnerability to a face, especially when they are applied, as they should be, over a very pale foundation. But to wear them you have to have perfect skin and you have to be young; otherwise they can make you look tired, older, and even unwell. the moisturiser Every good makeup begins with a fine moisturizer complete with sunscreen lavishly applied over clean skin and then given a chance to settle in. You need to wait for your skin to take to the moisturizer before you put on your foundation, otherwise you will end up with a flawed finish and your makeup will not last. `Taking' time is usually between two to five minutes. In addition to the ordinary moisturizers, there are also tinted ones on the market. These products are halfway between moisturizers and foundations. They impart some color and also provide you with some measure of protection from water loss. They give a very light cover but can be a nice way of simply adding a healthy glow to your skin. Some of them also contain sunscreens. When choosing a tinted moisturizer, look for one that is not too far away from your own skin tone or you will find it doesn't blend in and cover well. A green moisturizer will soften a florid skin, toning it down and making it look more neutral. Green will also help conceal red blotches and spots on your skin. A mauve-colored moisturizer can improve a dull complexion and brighten the face of someone who is too pale. An apricot-colored corrective should be used only by the very few women who are really sallow. When you use a corrective, put it on with a sponge that has been dampened and then had all the excess water removed from it by wiping it against a towel. Among the tinted moisturizers are the `color correctives' - products tinted a specific hue in order to change the look of your own, natural coloring. They are worn under your ordinary foundation. the foundation Once your moisturizer has set, you are ready for the foundation. But why all over? Instead you can wear it only on parts of your face such as around the eyes where it gives a good base for eye shadows, on your chin,and on your cheeks. The advantage to this is that you still get the wonderful, delicate shading of natural skin, rather than that all-over deadness that can come from covering your whole face with one opaque color. Or you can wear two shades of foundation: a lighter one in the center of your face (on the nose, forehead, cheeks, and chin) and the slightly darker one of the same tone around the outside (near the hairline and along the jawline). This has the effect of preserving a natural-looking gradation of color and still lending the finished look of a well-made-up face. A foundation is not meant to give strong color to a face. It is supposed to be flat and neutral. About 80 per cent of Caucasian skin should wear one foundation color: a flat, true beige with neither pink nor peach overtones to it. It will look good on all ages of `northern European' skin, because it gives a neutral canvas on which to put your eye and lip colors. If your skin is olive or yellowish or very dark, then choose a foundation as close to its natural color as possible but slightly flatter. When testing out color, put it on your naked face and then again go out into the daylight to look at the results before buying anything. The kind of foundation you choose depends on what kind of skin you have, as well as on personal preference. Dry skin does best with a cream or oil-based liquid foundation. Aging skin needs the finest of liquid foundation. Anything heavily oily collects in the lines and makes you look haggard. Oily skin demands a water-based liquid or cream or a cake or block-type makeup. Put a little foundation in the palm of your hand and then dip the sponge into it and apply it to your face, brushing it lightly over your skin again and again until everything is well blended into your skin. the concealer Now is the time to deal with any problems you want to conceal, such as black circles under your eyes, or discolorations here and there. Concealer creams and sticks are good here, although some of them are greasy and, particularly under the eyes, tend to sink into tiny lines and make matters worse. Put your concealer on with a flat wedge-shaped brush and smooth into the skin until it blends perfectly with the surrounding areas. If you add a little powder here you will get just the finish you need to make the undesirable area fade into the surrounding skin tones. the magic of light and shade The secret of making light and shade work for you is simply to apply both sparingly and only where it matters to your face, and always to blend well into the surrounding area. Whatever part of your face you want to bring out or emphasize, you apply a light color to, and whatever part you want to minimize, you cover with a darker shade. Here are some of the things you can do with shading: To minimize a jaw that is too large or too square, apply darker shade along the jawline, blending it under the jaw and fading into nothing at the sides of the face. To shorten a pointed chin, apply shader to chin only, blending underneath into the neck and fading to nothing at the sides. To fade a double chin, put shader on the double chin and blend it skilfully. This will make it recede into the background and look less prominent. To give more interesting shape to a square face apply shader in the temple area and all around the jawline, carefully blending. To minimize a nose that is too large, apply shader in a single stripe down the centre of the nose, carefully blending into the color at the sides so that no definite line appears. To slim a broad nose apply a shader - preferably a slightly darker foundation or cream - in a stripe down each side of the nose and blend it carefully into the skin to make the nose look narrower. For most women, one of their best features is the eyes. Perhaps this is because eyes reveal so much of what goes on inside. Makeup for eyes should emphasize this and show off the eyes' beauty and color. There are lots of ways to use eye makeup to improve eyes, but all of them begin with the same principles. Use neutral tones such as slabby browns (without red tones in them), flat greys, and greyed greens, or even terracotta, for establishing the shape of the eyes (the darker shades to define the sockets and the lighter beiges or yellow, peach or apricot, or pink, on the lids and under the brows). All eye shadows are best applied to skin that has a foundation on it even if you don't put foundation on the rest of your face, and powder shadows hold best over a light skimming of translucent powder too. All eye shadows are best applied with a brush, whether they are liquid, cream, or powder. You will get a better, longer-lasting finish from them this way. the eyelids Apply the lighter shade of colored shadow you have chosen to the section of the lid nearest the lashes, and then brush it out, fading it away to nothing towards the eyebrows. Now you can have the darker shadow in the socket to define the shape. Remember that colors on the outer edges of your eyes will tend to widen the look of your face and open your gaze. Finally put on your eyeliner. A good way of emphasizing eye shape without looking too obviously made-up is to use a pencil in the same tone you are using for your eye shadow, dotting it all along the upper lashes and then just under the lower ones so the two lines meet at the outer corners and form a little triangle. This kind of liner looks good when it is gently smeared with a brush or fingertip to blend it into the surrounding area and keep it from looking hard. You can also use another color line drawn on the inside of the lower lid if you like. The other way of applying eyeliner is with a brush, in which case you use liquid or cake liner and get a more definite line. It is drawn just above the roots of the upper lashes and just below the roots of the lower ones, again meeting at the corner. Many women use black eyeliner, but usually a gentle grey or slate or muted brown is better. the mascara Mascara makes eyes look more glamorous. It seems to create an aura of mystery about the eyes when lashes are darkened and thickened. Unless you are planning to walk in the rain or to go swimming with your makeup on, you are better off using a mascara that is not waterproof. eyebrow sculpture Before you begin, brush them first one way and then the other to remove any loose hairs or makeup, and clean the skin around the eyes thoroughly. Now put moisturizer in the area, before you reach for the tweezers. Brush your brows into shape and take a good look at them. Start by removing stray hairs between the brows and the stragglers but never pluck from above the eyebrow. And always remove only one hair at a time, pulling it in the direction in which it grows. When you have finished with one brow, apply antiseptic or a simple toner to it before going on to the next one. This will help soothe the irritated skin. Don't try to apply makeup for an hour after plucking. the lips Most women tend to pick lipsticks that are too bright or too pink to flatter their coloring. There is certainly a place for fire-engine reds and vivid fuchsias, but for everyday wear you are probably better off with a muted brownish pink or a softened melon or salmon. Shop around until you find four or five lipsticks in differing tones that look good on you. Frosted lipsticks are for the very young. Older women are usually better off with cream lipsticks, since frosting shows up wrinkles on the lips and the see-through ones don't give enough definition. When applying lipstick, use a pencil or a lipbrush to outline your mouth first, so you get a good, sharply defined edge. Then apply your lipstick and blot it and apply again if you want it to stay. Alternatively use a pencil all over the mouth as well as for outline and then apply a clear gloss. It looks fresh and simple and the color tends to last. the cheeks The best colors for everyday wear for most women are terracotta, apricot-brown or dusky peach, because they make the skin look particularly healthy. Used high on the cheekbones it accentuates a well-sculptured face. Used across the cheeks it gives a simple warm glow. the powder A little translucent powder that imparts no color but gives a smooth, matte finish can actually make a face look younger. It is also an interesting effect to powder only parts of your face, such as the sides below the cheekbones, the nose, and the forehead, and then leave a sheen on cheeks and chin. Always use a powder that gives no color, just a matte, smooth finish, and always brush away every speck of excess once you have applied it. the finishing touches Last of all, after you have applied your makeup completely, you need to set it with water. This step is very useful, for it will make a face last far longer than it otherwise would. Spray your face with spring water from an aerosol can or with a fine mist from a plant-misting bottle. Then blot gently once with a tissue.

BBC Radio 4 recently contacted me for my permission to re-broadcast an interview I did with Professor Anthony Clare on “In the Psychiatrist’s Chair”. Born in Dublin in 1942, Dr Clare’s broadcasts were fascinating to listen to. He became the voice of psychiatry to millions in the British Isles for more than two decades. His goal with his interviews was always simple: To uncover and reveal the inner life of the famous and successful. I was honored when he asked me if he could do an in-depth interview about me and my life. His questions are candid, probing and sometimes unsettling. You who send me so many wonderful comments on my blogs and weekly newsletters on lesliekenton.com and curaromana.com often ask me to share more of my personal life with you. To know more about me, a great place to start is listening to Anthony’s “Leslie Kenton In the Psychiatrist’s Chair”. I’d love to know from you if you think he got me right. Hope you enjoy it.

In Sanskrit they call it lîla. The word means play. Yet not in the limited sense of our word. Lîla is free play, deep play, wild play carried out in a timeless NOW. It speaks of divine play. It’s the kind of play that sets us free to be who, in essence, we already are, even though we may not yet know it. Lîla is also the kind of creative play that brings new worlds into existence. FROM CHILDLIKE TO GENIUS In its simplest form, lîla describes the spontaneous activity of children so absorbed in what they do that they don’t even hear you when you speak to them. One morning my three-year-old friend Marina came to visit. Scrambling onto the four-poster bed where I was writing in a state of intense concentration, she told me the story of how she had climbed to the very top of a pirate’s ship as high as the stars. Like all still-innocent children, Marina entered into her imaginal world with ease—a magical realm in which creative sparks can be seeded then begin to grow. The imaginal world is a place most of us adults have lost touch with—a powerful realm in which the joys and fruits of lîla reign supreme. At a deeper level, lîla speaks of the all-encompassing absorption out of which Beethoven, then dangerously ill and nearing the end of his life, nonetheless created the most remarkable music of the 19th century: The Late Quartets. Or the obsession of Van Gogh, which led to his having painted 900 pictures and turned out 1100 drawings pictures during a lifetime. This kind of lîla is far more complex and committed than child’s play. It can produce achievements that enrich the way we look at life, that connect us to the deepest levels of our own being. Some fruits of mature lîla even transform the world. A big deal? You bet. This is play of the highest order—nothing less than an outpouring of the most intimate and essential nature of each unique human being. Living your creativity as fully as you can while you walk the earth, in whatever way most satisfies your unique nature, is the most exciting and enriching process any individual human being can experience. It brings a sense of meaning and purpose to your own life that nothing else can. CREATIVE PASSION Creativity is not a problem to be solved or a subject to be picked apart in psychologists’ laboratories. Those who try end up wandering in an endless maze of moribund words and phrases which miss the point. Meanwhile, the wrinkled fiddler on the city street plays on—smiling. He is lost in the excitement of improvisation, magically blending movement, feeling and sound—making music never heard before, that touches his heart and awakens the senses of all with ears to hear. We have grown up with some weird ideas about creative power. We’ve been taught that creativity belongs to a few select human beings whom history labels as genius. Nothing could be further from the truth. Creating is not a rare privilege—it is a right, even a necessity for all of us, if we are to live a fulfilling life. Creating anything, from cooking a healthful meal to writing poetry or playing games with children reminds us all what life is about. From this place we learn to live and work, to imagine, invent, and finally give birth—not only to things that have never been seen, heard, felt or touched before, but to a way of living more wondrous and exciting than most of us would ever have imagined. A passion to be lived, a lîla to be danced, the wild creative power within us urges us to tell the truth and shame the devil. It demands that we express our love, our obsessions, and the fascinations which pursue us. It asks that we live out life from the very core of our being. “Genius,” as late American writer John Gardner used to remind his students, “is as common as old shoes. Everybody has it.” CREATIVE RELEASE A few years ago, I began to explore not only the power and dimensions of creativity in you, me, and all of us. I wanted to discover how each of us can gain greater access to it, and how best we can live out our own creative power in our day to day lives as scientists, professional artists, musicians, writers, dancers, actors or as businesspeople, parents, teachers, lovers, gardeners, healers, craftsmen and thinkers. I was sure that on a larger scale, the way we as a group choose to use our collective creativity determines whether or not we will be able—in the wake of having laid waste to so much of our planet—to emerge as a sustainable species in a sustainable world. A lîla of enormous proportions; what could feel more powerful or more daunting? Yet the creative power on which it depends springs from the same source within each person as Marina’s imaginative play. PRIMORDIAL POWER Mysterious, enigmatic, spontaneous, occasionally even frightening, in essence creative power is the power of life itself. It is the force that gave us birth which continues to give birth to universes. It is what created us and brought each of us our own lives. It originates from a place within each one of us where we can touch and tap into the numinous energy of the Cosmos: God, Being—call it what you will. No words can adequately describe it. In truth, it is far more an experience of aliveness than a place at all. And, although we may never describe it adequately, we are perfectly equipped to enter this locus of creative power within us and find out how to live ever more of our lives from it. For the majority of artists, creativity pours forth most easily when they have intimate support for it. Shakespeare had his actors and a Globe Theatre eager for his plays, Virginia Woolf entered a room of her own and there wove tapestries of words. Emily Dickinson wrote out of the intimate community of a family who adored her, admired her and made sure she was given the space and time to carry out her imaginative work. For others who are highly creative, there is no such intimate support. Many have suffered childhood abuse, loss, illness or intense suffering. The creativity of such people can be monumental. Each man or woman is brought to the exploration and expressions of their creative power through suffering in just the same way that, so often, we discover what is most important to us by having what we believe to be of greatest value—a loved one, a job, a title—taken from us. Painful as such experiences are, often they turn out to be great gifts when it comes to freeing our creative power. Caught up in our lives of work, children, and householder duties, few of us live in such fortunate circumstances as Shakespeare and Emily Dickinson. But that does not matter. What has not been given us we can make for ourselves. Art is not the province of the privileged few. It belongs to all people—those of us who spend our days in front of computers, cooking, sweeping streets, running errands, caring for children, handling the stupidities of bureaucracy, and living our constantly changing lives in a world that is ever less secure. THE WAY AHEAD We are alive at a moment in history where one age is dying, yet another has not yet been born. We are, each one of us, faced with a choice: As we sense the foundations of our world shaking, do we withdraw in anxiety, trying in desperation to hang on to what we once believed to be “true”? Do we become paralyzed, and try to cover our fear with apathy? Or do we summon the courage offered us by a Universe in flux, honor our personal sensitivity and consciousness, then choose to face the challenge of entering the realm of creative power within? Then, trusting our individual capacity for lîla, do we begin to play in ways that may help bring forth a new world for all? Regardless or age, background, or limiting notions about what’s possible, each one of us has a choice to make. It’s a choice between continuing to conform to established belief systems that stifle the human spirit, or trusting in ourselves. Are you willing courageously to explore your intrinsic creative gifts and make use of them? “That which we give birth to from our depths is that which lives on after us. That which is inborn in us constitutes our most intimate moments—intimate with self,” says Theologian Mathew Fox, “intimate with God the Creative Spirit, and intimate with others. To speak of creativity is to speak of profound intimacy. It is also to speak of our connecting to the Divine in us and of our bringing the Divine back to the community.” Personally, I urge you to begin connecting ever more deeply with your own brand of creativity. Discover new ways of living. Leave automatic assumptions about who you think you are and learn to respond to each moment and each day of your life with new eyes and an open heart. The more you do, the richer your life can become. Such is the joy of lîla. Such is the power of lîla. If you have not yet explored it, you have an exhilarating, wondrous adventure ahead of you. Take it. Trust it. It’s the adventure of a lifetime.

A few years ago I had lunch with a beautiful and successful American woman in her mid thirties. Sooner or later the conversation got around - as it often does with me - to children. This woman told me that she had a five year old daughter. I asked her if it was difficult living and working in New York while raising a child on her own. She replied that it had been hard but that now it should get better since she and her little girl were going to parenting classes. `Parenting classes,' I asked, `whatever are they?' `You know, where you learn how to be a parent. We go twice a week together,' she reported with enthusiasm. Curious about what was taught in these new programs, and at the same time suppressing a smile at the latest American attempt to package up something as rich and complex as parenthood and spoonfeed it to clients well-heeled enough to afford the indulgence, I asked, `What do they teach you?' `Oh, they teach you just everything’ she screeched, sweeping her hand across the table in a way that makes British head waiters loathe American clients. `For instance, when your child goes to pick up something from the coffee table which you don't want her to have you must never be negative,' she said. `Negativity is not good for children,' she added, leaning closer in a conspiratorial fashion. `So instead of saying, "No, no," which might crush your child's spirit, you say, "Now darling that is a no, but this is a yes (pointing to other objects near by), and this is a yes and this is a yes."' OUT OF PATIENCE I have little patience with such practices - nor do I believe there are a lot of set rules to follow to raise a child well. That is because, like a lot of seasoned parents, I have learned about parenthood the hard way. When my first child was born—more than fifty years ago now—I was determined to bring him up right: not to make the mistakes that my parents had made with me, to ensure that he developed quickly both physically and mentally, and that he turned into the kind of person that I thought he should be. I worked hard at it. I read everything I could get my hands on about child development - all the latest theories and all the traditional wisdom. No time or expense was to be spared in bringing up this child. He would be breast-fed, disciplined, and taught to read by the time he was a year old using special equipment designed for the task. I would instill in him a strong sense of moral rectitude and good manners and he would be given every kind of educational toy I could lay my hands on to help develop his creativity. Also I would never lose my temper, always be patient and kind (but firm of course) and make sure he didn't watch too much television. My master plan for child rearing might have sounded good on paper, but it had a couple of big drawbacks. First, no human being could ever have carried it out. Second, it completely ignored the most important truth there is about child rearing - a truth which I did not myself come to know until I had two or three more children under my belt. It is this: You don't have to read a thousand books and follow a lot of rules the so-called experts make up to raise a healthy, happy, creative child. You only need to learn to trust in yourself and in the incredible powers of Nature. You also need to develop the art of listening—with your heart and mind and instincts as well as your ears—to your child. Most of the time he will tell you what you need to know. TO HELL WITH “PERFECT PARENTING” Once I finally figured this out - many tried and failed strategies down the road - I let go of my anxieties and theories. Then motherhood became not only a joy for me but a source of never-ending wonder. I discovered that each child—not only my own children, but boys and girls with whom I worked as a nursery school teacher, and others—is utterly unique and perfect in his or her own way. I also learned that your relationship to a child has a life of its own. So long as you are willing to face each child honestly and openly day by day and so long as you honor and respect this relationship, not only does this empower you to give the best guidance and care for the child. In some magic way which I still don't fully understand, it can even help heal deep emotional wounds within you yourself as a learning parent. Most important of all I discovered that the whole idea of perfect parenthood is a big fraud. There ain't nothing perfect when it comes to parenthood. Perfect by whose criteria anyway? The sooner you accept this fact, the sooner you can get down to the business of child rearing and enjoying it. For me, raising children—whether it be dealing with a tiny baby or seeing your twenty-five year old develop year by year—has been the most exciting and rewarding thing I have ever done—or for that matter, ever hope to do. And as for the widespread belief that unless you have been well mothered while you were growing up you are doomed to be a bad mother yourself. It just ain’t so—no matter what those high falutin’ experts keep sayin’.

There are now over 10,000 ingredients commonly found in cosmetics and toiletries. Among these are a few thousand aromatic compounds used to perfume products—by the way, most products these days are anything but natural. More than a thousand of these substances have already been shown to produce toxic effects on living systems. Now here’s the BIG news: Far more important than the potential harm any single chemical can do is the dangerous way in which these chemicals can interact to produce far more toxic compounds within your body and, of course, the skin, which is your largest organ. OUTDATED SCIENCE So far behind the times are the methods used to check out the “safety” of chemical ingredients, that it’s likely to take decades before the depth of the chemical damage to which we are now exposed can become common knowledge. The outdated analytical methods still being used to identify carcinogenic chemicals, for instance, examine the effect of only one chemical on living tissue. This kind of research is at least 150 years behind what it should be. It’s based on 19th century toxicology, and as such, it takes no account of the dangers of mega-toxic compounds created by chemical interactions with one or another. Not to mention the pollutants in our foods, water and air. All of these chemicals—and others formed by reactions between them—contribute to mounting toxicity. They make our skins highly susceptible to rapid ageing. FOREIGN DANGERS Man-made chemicals are foreign to living systems, including our own skin and body. As such, they’re potentially dangerous to them. Why? Because, in a million years of evolution, our bodies have never come into contact with them. Our genes are simply not adapted to handle them. We don’t have the enzyme system needed to clear these chemicals from our bodies. And here’s the bad news: Included in the group of potentially destructive chemicals are hundreds—probably thousands—of common cosmetic ingredients, from artificial preservatives to fragrances. TOXIC OVERLOAD Chemical cocktails, to which our bodies are constantly exposed in cleaning products, toiletries, perfumes, makeup and skin care products don’t just remain on the surface of the skin. They are absorbed right through it. They interfere with the exchange of nutrients and oxygen to the skin cells, and with the elimination of wastes—an exchange regulated by subtle electrochemical energies. This results in a buildup of toxicity in the body, poor circulation and electrochemical stagnation, so that the skin’s cellular metabolism—and the transmission of important information and the regulation of hormones to keep it young and beautiful—break down. So much for the bad news. THE GOOD NEWS When cells thrive, and your skin is radiant, you have a high level of protection from aging. This happens when plenty of nutrients and oxygen get into your cells, and toxic wastes are efficiently and effectively removed. One way help this takes place is to go for self care and cleaning products that are safe. The second way is to stop eating massive amounts of convenience foods, riddled with grains, cereals, sugars and junk fats. Of course this is what most people still eat. Then they wonder why their skin ages rapidly. The good news is this: There are some wonderful new skincare products just being introduced. These are not only organic in nature, they contain none of the nasties you will want to steer clear of. BUYER BEWARE Unfortunately, most cosmetic manufacturers still pay little attention to the effects that these chemicals can exert on the body and on health in general. Here are some of the most widespread chemicals commonly used in makeup, skincare and toiletries, and which you need to be aware of. Parabens: Heavily used preservatives in the cosmetic industry, used in an estimated 13,200 skincare products, makeup, and toiletries. These are the most common synthetic preservatives. They show up on labels with names like butyl-paraben, methyl-paraben, and propyl-paraben. Naïve cosmetic manufacturers insist that parabens are “safe”, because they don’t directly cause inflammatory reactions to skin. But what these enzyme-inhibitors do is cause damage to the DNA of skin cells. This is something easily verified by feeding placebos to live cells in a laboratory, then recording what happens to them. Research carried out in Germany, Britain and Japan also indicates that parabens—which we absorb in significant quantities day in, day out—are likely to be a causative factor in male infertility problems and breast tumors in women. Sodium Lauryl or Lauryl Sulfate (SLS): Also known as Sodium Laureth Sulfate (SLES), which is found in some 90% of personal care products. They tend to attack your skin’s important ability to retain moisture, leading to premature aging and, in many, dry skin. Since they are very easily absorbed into the body when you put them on your skin, they actually give easy access to other chemicals that you are better off without. Isopropyl alcohol (SD-40): This is a drying and irritating solvent which disrupts the skin’s immune protective barrier, making it more vulnerable to invasion by microbes and to penetration by other destructive chemicals. It also promotes the formation of irregular pigmentation and age spots. Coal tar dyes (FD&C color pigments): These are common synthetic colors made from coal tar. They can contain heavy metals to pollute the body and deplete it of oxygen. They can also be carcinogenic. Coal tar dyes are major culprits in skin reactions, and they engender skin sensitivity. Dioxane: Often hidden in the list of ingredients, and called such things as polysorbates, PEG, and laureth ethoxylated alcohols. These chemicals are easily absorbed by the skin and are carcinogenic. This was discovered back in 1965 and later confirmed by a number of studies, including one in 1978 by the National Cancer Institute in the US. Artificial fragrances: Lots of chemicals used to make artificial fragrances are known to be both toxic and carcinogenic. They can affect the central nervous system, triggering emotional disturbances and behavioral problems in some people. This is a wide group, the majority of which is dangerous—in no small part because of the solvents used to disperse their molecules and to suspend these complex organic chemicals in solution. MAKE YOUR CHOICE Does this mean you should never again slick on that yummy lip gloss? Or that you need to toss the light-as-air cream you just bought into the bin? Not necessarily. What it does mean is this: It’s time to become aware of the dangers of toxic overload to your own system, and take action to minimize it happening to you. It’s also a good idea to cleanse your system through a very gentle but effective detox a couple of times a year. You might, for instance, choose to use the lipstick or a favorite mascara—but search for a shampoo with a natural saponifier, like kumerhou or soap wort. And forget the foaming bath lotions—use Epsom salts instead. It is important not to take, on trust, cosmetic and skincare manufacturers’ assurances that everything they put into their products is perfectly safe. It just ain’t true. ORGANIC ALTERNATIVES A growing number of conscientious companies are striving to formulate products without potentially dangerous ingredients. Some of these products are excellent. Others, although they may have been conceived out of a genuine wish to produce good, safe skincare and makeup, fall short on effectiveness and aesthetic appeal. Just like organic wines—which can be wonderful— but simply because a wine is organic does not make it beautiful to drink. Delicious organic wines rely on chemical-free vineyards and the sophisticated skill of the winemaker who creates them. So it is with cosmetics. NEW GUYS ON THE BLOCK There are two brand new organic skincare ranges that are worth taking a look at. One of them, Gaiavita…From Nature to Beauty With Love, is an excellent range that has just appeared. I have tried their products and they are effective and delightful. Their products are not only produced from superb-quality organic ingredients, the company has a powerful commitment to supporting transformation in business and on the planet, which I find inspiring. Gaiavita offer luxury health and beauty products using the purest ingredients in preparing rejuvenating skin creams and clay body masques. Do take a look at them. GaiaVita's ethos is derived from core principles of responsibility, integrity, transparency and quality...all of which I love. They have created luxury skin and body products which are not only uncompromising in their ethics but are delicious to use... and they do the job for which they are intended. The founders have a vision of forming partnerships with other women’s organizations dedicated to empowering women to become everything that they want to be. Their skin care and body treatments contain only the purest ingredients. This range is formulated in Hungary with great care and is certified by Hungaria Biokontrol as 95% organic. All in all I feel that GaiaVita is inspiring, delicious and effective. Do take a look at it…perhaps I should say take a feel of it...I suspect you’ll come to like it as much as I do… The second new organic skincare range comes out of Dr Joseph Mercola’s stable. Mercola believes that it’s important to use only ingredients that promote healthy appearances without causing potential harm. His products are certified organic, which means that they are all natural agricultural products grown and processed according to the USDA’s national organic standards, then certified by the USDA-accredited state and private certification organizations. I have a lot of respect for Dr Mercola, however I have not yet tested the Mercola organic skincare range myself. I will be doing so within the next month. It relies principally on specific natural substances such as sea buckthorn oil, cupuaco butter, and even Acai berries. My reservations about the Mercola range—and this may change once I have experimented with them—is this: Just as I have never trusted anybody to tell the truth about weight control when they have never been overweight and don’t have any idea what people who have been struggle with, I have reservations about a skincare range put together by a man who understands little about the nature of the process. I know this sounds sexist, but my experience in skin care and cosmetic is a long one. Among other ranges I have worked on, I conceived and created the Origins range for cosmetic giant Estee Lauder. I believe that you must have the experience of women to create a skincare range that is effective, delicious to use and wonderful. Hopefully, testing out Mercola’s products will prove me wrong. MERCOLA’S RANGE FAILS Alas, my concerns about the Mercola skincare turned out to be well founded. The range is indeed organic however, having tested the products now, I cannot recommend them. They smell pleasant but are in my opinion ineffective. They are also badly packaged and priced far to high. They brought no improvement to my skin and added nothing to its care. My advice is to stay away from them altogether... just because some ingredients are organic says nothing about what they can or cannot do to care for your skin and this range brings can do little or nothing for you. I DO NOT RECOMMEND THIS RANGE IN ANY WAY. For more information about GAIAVITA click here For more information about MERCOLA’s SKINCARE RANGE click here